Commit e61ad21e1ee48b0ca794e2aaff9fe72c8b427c93 - sonic-pi

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~~.gitignore~~ less more

0		# Compiled things
1		# --------------
2
3		# Compiled Object files
4		*.slo
5		*.lo
6		*.o
7
8		# Compiled Dynamic libraries
9		*.so
10		*.dylib
11
12		# Compiled Static libraries
13		*.lai
14		*.la
15		*.a
16
17		# QT GUI
18		# --------
19
20		# Compiled Mac libraries
21		*.bundle
22
23		*.pro.user
24		*.qmake.stash
25
26		# Application binary & autogenerated files
27		app/gui/qt/sonic-pi
28		app/gui/qt/moc_mainwindow.cpp
29		app/gui/qt/moc_sonicpiudpserver.cpp
30		app/gui/qt/qrc_SonicPi.cpp
31		app/gui/qt/ruby_help.h
32		app/gui/qt/help/*.html
33		app/gui/qt/help_files.qrc
34		app/gui/qt/lang/*.qm
35		app/gui/qt/qrc_help_files.cpp
36		app/gui/qt/Sonic-Pi.app
37		app/gui/qt/Sonic Pi.app
38		app/gui/qt/build
39
40		app/gui/qt/info
41		app/gui/qt/qrc_info_files.cpp
42
43		# HTML GUI
44		# --------
45
46		# Javascript map files
47		app/gui/html/js/*.map
48
49		# Dev Javascript
50		app/gui/html/js/generated
51		app/gui/html/target
52		app/gui/html/js/cljs-main.js
53
54
55		# QT makefile
56		# --------
57
58		app/gui/qt/Makefile
59
60		app/gui/qt/moc_*
61
62
63		# Detritus
64		# ---------
65
66		*.DS_Store
67		*.log
68		*.swp
69		\.#*
70		.lein-plugins
71		*~
72
73		# Native
74
75		app/server/native/
76		app/server/vendor/ffi/ext/
77		app/server/vendor/ffi-1.9.10/ext/ffi_c/Makefile
78		app/server/vendor/ffi-1.9.10/ext/ffi_c/extconf.h
79
80		app/server/rb-native/
81
82		## Rugged
83
84		app/server/vendor/rugged*/ext/rugged/Makefile
85		app/server/vendor/rugged*/vendor/libgit2/build
86
87		## Atomic
88
89		app/server/vendor/atomic/ext/Makefile
90
91
92		## Book
93
94		book/

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~~.travis.yml~~ less more

0		language: ruby
1		rvm:
2		- "1.9.3"
3		- "2.1.2"
4		# uncomment this line if your project needs to run something other than `rake`:
5		script: cd app/server/sonicpi && rake test

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CHANGELOG.md less more

0	0	# History
	1	* [v2.10 'Cowbell'](#v2.10), 15th April, 2016
1	2	* [v2.9 'Venster'](#v2.9), 31st Dec, 2015
2	3	* [v2.8 'Karlsruhe'](#v2.8), 20th Nov, 2015
3	4	* [v2.7 'Rerezzed'](#v2.7), 10th Sept, 2015

9	10	* [v2.1 'Core'](#v2.1), 21st Nov, 2014
10	11	* [v2.0 'Phoenix'](#v2.0), 2nd Sept, 2014
11	12
	13	<a name="v2.10"></a>
	14
	15	## Version 2.10 - 'Cowbell'
	16	Friday 15th April, 2016
	17	[(view commits)](https://github.com/samaaron/sonic-pi/commits/v2.10.0)
	18
	19	_"I gotta have more cowbell!"_ - The Bruce Dickinson
	20
	21	The main feature in this release is the completely new sample system for
	22	working with large folders of samples. You can now easily index into and
	23	filter over whole folders of samples with a simple yet powerful filter
	24	system. This system has been in development for over a year now and has
	25	been tuned and tweaked over many performances and practice sessions. See
	26	the documentation and examples for `sample` as well as the new tutorial
	27	section 3.7 for details.
	28
	29	We also have a number of exciting new sounds to play with including some
	30	beautifully sounding chiptune synths, fun retro FX and new drum samples
	31	including a full tabla set and a cowbell.
	32
	33	Finally, even more boot issues on both OS X and Windows that have been
	34	fixed making this the most polished and stable release to date.
	35
	36	Now go and get your live code on!
	37
	38
	39	### Breaking Changes
	40
	41	* `use_sample_pack_as` and `with_sample_pack_as` have been removed.
	42	* A synth opt value of `nil` now no longer resolves to 0.0. Instead it
	43	masks any defaults and ensures the downstream default (for the actual
	44	synthdef itself) is honoured. This allows you to override any existing
	45	synth defaults specified via `use_synth_defaults` for a given synth
	46	trigger.
	47	* Default schedule ahead time is now 0.5s on all platforms for
	48	consistency (except for Raspberry Pi 1 which remains at 1s).
	49
	50
	51	### New Fns
	52
	53	* `current_random_seed` - Get the current seed value of the random generator.
	54	* `set_cent_tuning!` - global tuning.
	55	* `on` - similar to `if` but behaves the same as the `on:` opt for
	56	synths and samples.
	57	* `halves` - create a ring of successive halves.
	58	* `doubles` - create a ring of successive doubles.
	59	* `pick` - similar to shuffle but allows duplicates. You may also
	60	specify how many items to pick.
	61	* `fx_names` - create a ring of all available FX.
	62
	63	### Synths & FX
	64
	65	* New synth `:dtri` - detuned triangle waves.
	66	* New synth `:pluck` - a lovely synthesised plucked string.
	67	* New synth `:chiplead` - retro NES style lead synth.
	68	* New synth `:chipbass` - retro NES style bass synth.
	69	* New synth `:chipnoise` - retro NES style noise synth.
	70	* New FX `:whammy` - low-tech transposition effect similar to the
	71	Digitech Whammy guitar pedal.
	72	* New FX `:octaver` - low-tech octave effect similar to early guitar
	73	pedals.
	74	* New FX `:vowel` - modifies incoming signal to match human vowel
	75	sounds.
	76	* New FX `:mono` - mono effect for summing stereo channels.
	77	* `:tanh` FX is now more crunchy by default.
	78	* `:compressor` and `:krush` FX now correctly honour the `mix:` opt.
	79
	80
	81	### Samples
	82
	83	* Samples in FLAC format (Free Lossless Audio Codec) are now supported!
	84	* The `sample` fn gained source and filter pre-opts. You may now specify
	85	a number of parameters directly before the opts which describe both
	86	folders containing samples and filters over those folders to allow you
	87	to easily and quickly work with large sample sets. See Section 3.7 of
	88	the tutorial for more information.
	89	* Samplers now have `hpf:` and `lpf:` opts. Any `cutoff:` opts are
	90	automatically switched to `lpf:` and any errors will be reported with
	91	an `lpf:` prefix.
	92	* The sampler synth gained a compressor enabled via the `compress:`
	93	opt. This means you can now compress any triggered sample directly
	94	without the need to reach for an FX.
	95	* Samplers gained the `pre_amp:` opt which applies the amp at the
	96	beginning of its internal signal chain. You can use this to overload
	97	the new compressor.
	98	* Samplers now have both high pass and low pass filter envelopes which
	99	behave similarly to the amplitude envelope but control internal hpf
	100	and lpf FX. These are available via new opts which mirror the standard
	101	envelope opts but with a `hpf_` and `lpf_` prefix (such as
	102	`hpf_attack`, `lpf_decay_level` and friends).
	103	* Passing a directory path to `load_samples` will now load all the
	104	samples within that directory.
	105	* Passing a directory path to `free_samples` will now free all the
	106	loaded samples within that directory.
	107	* Samples are now loaded asynchronously in a separate thread. This
	108	therefore doesn't block the current thread and cause any subsequent
	109	synth/sample triggers to be late.
	110	* Sample trigger logging now includes the directory of the contained
	111	sample.
	112	* Samples are now reloaded asynchronously after a server reboot (and
	113	therefore no longer block execution).
	114	* Add new `:tabla_` sample group with a range of tabla drum sounds.
	115	* Add new `:vinyl_` sample group with a range of vinyl scratches and
	116	hisses.
	117	* Add new samples: `:drum_cowbell`, `:drum_roll`, `:misc_cros`,
	118	`:misc_cineboom`, `:perc_swash`, `:perc_till`, `:loop_safari`,
	119	`:loop_tabla`.
	120
	121	### GUI
	122
	123	* Add new preference to enforce strict synth/FX timing. When enabled
	124	synths and samples no longer trigger if it is too late - instead they
	125	are silent and print a warning message. This behaviour ensures samples
	126	or synths are never triggered out of time.
	127	* New load button which will load the contents of a file into the
	128	current buffer.
	129	* The vertical bars which help visualise nesting now render in a
	130	contiguous fashion over blank lines.
	131	* `C-k` now nukes over trailing whitespace.
	132	* `load_sample` now has sample autocompletion.
	133	* GUI now correctly reports if the host is a Raspberry Pi 3.
	134	* New editor preference - Log Auto Scroll. When enabled will always
	135	scroll log to the bottom after printing every new message.
	136	* Whitespace at top and bottom of buffer is no longer trimmed.
	137	* Hitting `RETURN` now auto-indents the buffer - ensuring that the
	138	cursor is moved to the correct indentation on the following line.
	139	* Added Chinese Simplified GUI translation.
	140	* Log visibility now correctly matches GUI preference.
	141
	142
	143	### Documentation
	144
	145	* New tutorial section 3.7 on Sample Pack Filters.
	146	* New appendix sections.
	147	* Examples for `sample` fn have been completely rewritten and extended.
	148
	149
	150	### Improvements
	151
	152	* `scale` and `chord` can now handle being passed no tonic such as:
	153	`(chord :minor)` which will return a ring of offsets from 0.
	154	* `chord` learned new variants: `add2`, `add4`, `add9`, `add11`,
	155	`add13`, `madd2`, `madd4`, `madd9`, `madd11`, `madd13`
	156	* The ring's `.take` method can now take more elements than the original
	157	ring by wrapping around:
	158	`(ring 1, 2, 3).take(5) #=> (ring 1, 2, 3, 1, 2)`
	159	* Rings may now be added or subtracted from each other e.g.
	160	`(ring 1, 2, 3) + (ring 4) #=> (ring 1, 2, 3, 4)`
	161	* Adding or subtracting a number from a ring will create a new ring with
	162	the number added or subtracted from each of the original ring's
	163	elements: `(ring 1, 2, 3) - 1 #=> (ring 0.0, 1.0, 2.0)`
	164	* Calling `(ring 1, 2, 3).take(0)` will now return an empty ring.
	165	* `density` now complains if it isn't passed a do/end block.
	166	* Improve error messages for `use/with_synth` when accidentally passed opts.
	167
	168
	169
	170	### Bugfixes
	171
	172	* On OS X only raise an error on boot if it's clear the sound card's in
	173	and out rates are different.
	174	* Improve robustness of boot process on Windows.
	175	* Rest notes are no longer printed if synth logging is disabled.
	176	* No longer apply synth defaults to FX.
	177	* You may now control opts that have no associated info (previously it
	178	would raise a 'not modulatable' error).
	179	* Fix index lookup of Vectors.
	180	* Fix `C-i` doc lookup shortcut to work with `:tb303` synth docs.
	181	* `C-i` now always displays docs where available (previously it was
	182	possible for docs not to be displayed).
	183	* Sliding between chords now works correctly
	184	* Windows version will now boot mutiple networked machines logged in
	185	with the same account.
	186
	187
12	188	<a name="v2.9"></a>
13	189
14	190	## Version 2.9 - 'Venster'
15	191	Thursday 31st December, 2015
	192	[(view commits)](https://github.com/samaaron/sonic-pi/commits/v2.9.0)
16	193
17	194	Hot on the heels of the previous release comes `v2.9` codenamed
18	195	`Venster` (Dutch for window). This release has a specific focus on

134	311
135	312	## Version 2.8 - 'Karlsruhe'
136	313	Friday 20th November, 2015
	314	[(view commits)](https://github.com/samaaron/sonic-pi/commits/v2.8.0)
137	315
138	316	This release, named after Karlsruhe, one of the home cities of live
139	317	coding, is mainly a maintenance release with a strong focus on both

228	406
229	407	## Version 2.7 - 'Rerezzed'
230	408	Thursday 10th September, 2015
	409	[(view commits)](https://github.com/samaaron/sonic-pi/commits/v2.7.0)
231	410
232	411	This release brings a substantial change to the random number
233	412	generator. This has the unfortunate side effect of breaking backwards

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CONTRIBUTORS.md less more

11	11	* [Rachel Drury](https://twitter.com/Rachel_Drury)
12	12	* [Juneau Projects](http://www.juneauprojects.co.uk)
13	13	* Stephan Lachowsky
	14	* [Paul Winstanley](https://twitter.com/SCCMentor)
	15	* [Robin Newman](https://twitter.com/rbnman)
14	16
15	17	## Organisations
16	18

23	25
24	26	## Developer Contributions
25	27
26		In addition to the Sonic Pi Core Team, I'd like to give my thanks to
27		the following developers who have donated their time and effort to help
28		grow and improve the Sonic Pi code base:
	28	In addition to the Sonic Pi Core Team, I'd like to give my thanks to the
	29	following developers who have donated their time and effort to help grow
	30	and improve the Sonic Pi code base:
29	31
30		* [Hanno Zulla](https://github.com/hzulla)
31	32	* [Ethan Crawford](https://github.com/ethancrawford)
32	33	* [Łukasz Siwiński](https://github.com/hopbit)
33	34	* [Martin Keegan](https://github.com/mk270)
	35	* [Kenichi Kanai](https://github.com/kn1kn1)
34	36	* [Nicolas Dermine](https://github.com/nicoder)
35	37	* [Ricardo Pozo](https://github.com/thraex41)
36		* [Kenichi Kanai](https://github.com/kn1kn1)
37	38	* [Robin Newman](https://github.com/rbnpi)
38	39	* [Wolfgang Werner](https://github.com/wwerner)
39	40	* [Clare Macrae](https://github.com/claremacrae)
	41	* [Jeroen Castelein](https://github.com/JeroennC)
	42	* [G. Martin Butz](https://github.com/mbutz)
40	43	* [Hannes Fritz](https://github.com/hztirf)
41	44	* [Petter Reinholdtsen](https://github.com/petterreinholdtsen)
42		* [G. Martin Butz](https://github.com/mbutz)
43	45	* [Marco Giordano](https://github.com/marco-giordano)
44	46	* [Keiko Machiya](https://github.com/keikomachiya)
	47	* [Franz Laügt](https://github.com/znarf94)
	48	* [Sébastien Rannou](https://github.com/aimxhaisse)
	49	* [Frobby](https://github.com/frobby)
45	50	* [Martin Zeilinger](https://github.com/st01c)
46	51	* [Steve Traylen](https://github.com/traylenator)
	52	* [Christoph B. Wurzinger](https://github.com/chbw)
	53	* [Jose Añasco](https://github.com/merongivian)
	54	* [Michel Echevres](https://github.com/echevresm)
	55	* [Mistral Contrastin](https://github.com/madgen)
47	56	* [Chris Ford](https://github.com/ctford)
48		* [Mistral Contrastin](https://github.com/madgen)
49		* [Christoph B. Wurzinger](https://github.com/chbw)
	57	* [Bruce Adams](https://github.com/bruceadams)
50	58	* [Ben Nuttall](https://github.com/bennuttall)
51		* [Jose Añasco](https://github.com/merongivian)
	59	* [Daniel Canelhas](https://github.com/dcanelhas)
	60	* [Katie Miller](https://github.com/codemiller)
	61	* [Michael Henry](https://github.com/neoCrimeLabs)
52	62	* [Will Stephenson](https://github.com/wstephenson)
53		* [Frobby](https://github.com/frobby)
54		* [Michel Echevres](https://github.com/echevresm)
55		* [Katie Miller](https://github.com/codemiller)
56		* [Bruce Adams](https://github.com/bruceadams)
57		* [Daniel Canelhas](https://github.com/dcanelhas)
58		* [James Smith](https://github.com/Nanomancer)
59		* [Ryan Bigg](https://github.com/radar)
	63	* [Eugene Kovalev](https://github.com/wl8dr3)
	64	* [Serge Stinckwich](https://github.com/SergeStinckwich)
	65	* [Sebastian Stahn](https://github.com/stahnirockt)
60	66	* [Joseph Haig](https://github.com/jrmhaig)
61	67	* [Graham Taylor](https://github.com/vinnievg)
	68	* [Ivan Zarea](https://github.com/minivan)
	69	* [Siim Põder](https://github.com/windo)
	70	* [Cosmin Stroe](https://github.com/cstroe)
	71	* [Tomek Rabczak](https://github.com/tomekr)
	72	* [Brujo Rojas](https://github.com/brujo696)
	73	* [Mateusz Bielec](https://github.com/mbie)
	74	* [Tom den Braber](https://github.com/tomdenbraber)
	75	* [Karl Hiner](https://github.com/khiner)
	76	* [Pierre De Wilde](https://github.com/pierredewilde)
	77	* [Ryan Bigg](https://github.com/radar)
	78	* [James Smith](https://github.com/Nanomancer)
	79	* [Tom Holford](https://github.com/tomholford)
	80	* [Russell Jones](https://github.com/Russell-Jones)
	81	* [Marko Peltola](https://github.com/markopeltola)
	82	* [Hrafnkell Eiríksson](https://github.com/hrafnkelle)
	83	* [Michel Kraaijeveld](https://github.com/LandDragoon)
	84	* [Enrike Hurtado](https://github.com/enrike)
	85	* [John Lawrence Aspden](https://github.com/johnlawrenceaspden)
	86	* [Sandy Maguire](https://github.com/isovector)
	87	* [Tomasz Nurkiewicz](https://github.com/nurkiewicz)
62	88	* [Morgan Owens](https://github.com/equiamos)
63		* [Cosmin Stroe](https://github.com/cstroe)
	89	* [Christian Perfect](https://github.com/christianp)
	90	* [Matthias Cavigelli](https://github.com/mcavigelli)
	91	* [Ruzsa Balázs](https://github.com/cellux)
	92	* [Emlyn Corrin](https://github.com/emlyn)
	93	* [Alex McLean](https://github.com/yaxu)
64	94	* [Aspasia Beneti](https://github.com/aspasia)
65		* [Ivan Zarea](https://github.com/minivan)
66		* [Karl Hiner](https://github.com/khiner)
67		* [Serge Stinckwich](https://github.com/SergeStinckwich)
	95	* [Nigel Michki](https://github.com/nigeil)
	96	* [Michael Fulton](https://github.com/fultonms)
	97	* [Scott Kitterman](https://github.com/kitterma)
68	98	* [András Németh](https://github.com/nemethandras)
69		* [Nigel Michki](https://github.com/nigeil)
70		* [Christian Perfect](https://github.com/christianp)
71		* [Hrafnkell Eiríksson](https://github.com/hrafnkelle)
72		* [Ruzsa Balázs](https://github.com/cellux)
73		* [Enrike Hurtado](https://github.com/enrike)
74		* [Alex McLean](https://github.com/yaxu)
75		* [Russell Jones](https://github.com/Russell-Jones)
76		* [Michael Fulton](https://github.com/emu4hire)
77		* [Tomasz Nurkiewicz](https://github.com/nurkiewicz)
78		* [Emlyn Corrin](https://github.com/emlyn)
79		* [John Lawrence Aspden](https://github.com/johnlawrenceaspden)
80	99
81	100
82	101

86	105
87	106
88	107
	108

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CORETEAM.html less more

16	16	<td>
17	17	<font size="5" ><span style="color:white; background-color:dodgerblue;">Sam Aaron</span></font>
18	18	<p>
19		University of Cambridge Computer Labs researcher . Performing as <a href="http://facebook.com/livecodersamaaron"> Sam Aaron </a>\| <a href="http://twitter.com/poly_core">Poly Core</a> \| <a href="http://twitter.com/fib_crisis">Fib Crisis</a></p>
	19	University of Cambridge Computer Labs researcher. Performing as <a href="http://facebook.com/livecodersamaaron"> Sam Aaron </a>\| <a href="http://twitter.com/poly_core">Poly Core</a> \| <a href="http://twitter.com/fib_crisis">Fib Crisis</a></p>
20	20
21	21	<p><a href="https://twitter.com/samaaron">Twitter</a> \| <a href="https://github.com/samaaron">GitHub</a> </p>
22	22

93	93
94	94	</td>
95	95	</tr>
	96	<tr>
	97	<td>
	98
	99	<table>
	100	<tr>
	101	<td> <a href="http://www.hanno.de"><img height="100" width="100" src="../images/coreteam/hannozulla.png"> </a></td>
	102	<td>
	103	<font size="5" ><span style="color:white; background-color:dodgerblue;">Hanno Zulla</span></font>
	104
	105	<p>
	106	Linux whizz and friend of i18n. Helping to bring Sonic Pi to your native tongue and to your Debian desktop.
	107	</p>
	108
	109	<p> <a href="https://twitter.com/hzulla">Twitter</a> \| <a href="https://github.com/hzulla">GitHub</a></p>
	110
	111	</td>
	112	</tr>
	113	</table>
	114
	115	</td>
	116	</tr>
96	117	</table>

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FAQ.md less more

20	20
21	21	You can also check in Task Manger that there is no application entry sonic-pi.exe
22	22	and quit it if there is.
	23
	24	## Linux: There is no sound with use_synth :piano
	25
	26	You probably didn't install the SC3 plugins
	27	package for SuperCollider on your system. If there
	28	is no binary package provided by your distribution, you can
	29	[install it from source](https://github.com/samaaron/sonic-pi/blob/master/INSTALL-LINUX.md#supercollider-sc3-plugins).
23	30
24	31	## Linux: Trouble with JACK
25	32

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HOW-TO-CONTRIBUTE.md less more

46	46
47	47	### Medium Projects
48	48
	49	- Get us in touch with blind or visually impaired users
	50
	51	We think that Sonic Pi would be a pretty awesome tool for blind or
	52	visually impaired users wanting to learn programming. If you can
	53	help us get in touch with one of these users or are one of them,
	54	please let us know. We don't know if the Sonic Pi GUI is useful
	55	and accessible enough for you, so we don't know where to improve it
	56	for your needs. Your input is highly appreciated.
	57
49	58	- Save/Load function for buffers
50	59
51	60	Sonic Pi can save to a file, but it still doesn't have a user-friendly
52	61	way to load existing code.
53
54		- Packaging for Linux
55
56		Currently, there are binaries available for OS X, Windows and
57		Raspberry Pi Raspbian. For other Linux distributions, users have to
58		build it on their own. We'd love to find Linux enthusiasts who'd
59		volunteer to maintain packaging for their Linux distros.
60
61		- Translation Server Integration
62
63		Sonic Pi translation has been a good start, but it's now turning into
64		a hassle to keep up with the changes. A translation service such as
65		Transifex etc. would be beneficial. The difficult part is how to
66		integrate this with GitHub.
67	62
68	63	- Optimisation: Identify & fix bottlenecks that waste CPU or RAM
69	64

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INSTALL-LINUX.md less more

	0	## Generic Linux
	1
	2	### Dependencies
	3
	4	Debian package dependency names (Jessie):
	5
	6	`apt-get install supercollider ruby2.1 libqscintilla2-dev ruby-dev cmake pkg-config g++ libfftw3-dev`
	7
	8	For Ubuntu 14.04.3 (Trusty Tahr):
	9	`apt-get install supercollider ruby2.0 libqscintilla2-dev ruby-dev cmake pkg-config g++ libfftw3-dev`
	10
	11	In addition, under Ubuntu 14.04 based distributions try these:
	12
	13	* `libqscintilla2-l10n`
	14	* `qt4-qmake`
	15	* `libqt4-dev`
	16	* `libffi-dev`
	17
	18	If you are using a newer version of QT, you need the according version of scintilla. For QT5 they are:
	19
	20	* `libqt5scintilla2-dev` instead of `libqscintilla2-dev`
	21	* `libqt5scintilla2-l10n` instead of `libqscintilla2-l10n`
	22
	23	Fedora package dependency names:
	24
	25	* `supercollider` (via [Planet CCRMA](http://ccrma.stanford.edu/planetccrma/software/installplanettwenty.html))
	26	* `ruby` (or use [RVM](http://rvm.io/) to manage specific versions)
	27	* `qscintilla-devel` (will install `qscintilla` and `qt-devel`)
	28	* `cmake`
	29
	30	### SuperCollider SC3 Plugins
	31
	32	After installing SuperCollider, you will also need to compile and
	33	install the [SuperCollider SC3 UGen Plugins](https://github.com/supercollider/sc3-plugins)
	34	from source, if your distribution does not provide a binary package of them.
	35
	36	You will need your distribution's `supercollider-dev` package for this step.
	37
	38	```
	39	git clone https://github.com/supercollider/sc3-plugins.git
	40	cd sc3-plugins
	41	git submodule init
	42	git submodule update
	43	git checkout efba3baaea873f4e4d44aec3bb7468dd0938b4a6
	44	cp -r external_libraries/nova-simd/* source/VBAPUGens
	45	mkdir build
	46	cd build
	47	cmake -DSC_PATH=/usr/include/SuperCollider -DCMAKE_INSTALL_PREFIX=/usr -DCMAKE_BUILD_TYPE=Release ..
	48	make
	49	sudo make install
	50	```
	51
	52	### Server extensions
	53
	54	Compile the server extensions by `cd`ing into the directory `app/server/bin` and running the script `compile-extensions.rb`. This will take some time.
	55
	56	### Qt GUI
	57
	58	You must compile the server extensions prior to this step.
	59
	60	`cd` into the directory `app/gui/qt/` and run the script `rp-build-app`. This will also take some time.
	61
	62	### Running
	63
	64	Start the jack sound server daemon `jackd`. This is easily done through [qjackctl](http://qjackctl.sourceforge.net/), available as `qjackctl` in Debian.
	65
	66	that didn't work for me, but typing this, after randomly googling and trying various things, did:
	67	`jackd -R -d alsa -d hw:1`
	68
	69	On systems like Ubuntu that run pulseaudio, use
	70	`pasuspender -- jackd -R -d alsa`
	71
	72	Then run the script `sonic-pi` in the directory `app/gui/qt`.
	73
	74	----
	75
	76	## Arch Linux
	77
	78	### AUR Package
	79
	80	Arch Linux users are strongly recommended to install the [sonic-pi-git](https://aur.archlinux.org/packages/sonic-pi-git/) package from the AUR; see the wiki article on the [Arch User Repository](https://wiki.archlinux.org/index.php/Arch_User_Repository) if you are unfamiliar with how to install such a package. The PKGBUILD found in this package will:
	81	* Clone the latest sonic-pi source from GitHub
	82	* Apply a patch to fix a library naming issue
	83	* Build sonic-pi from source, according to the instructions found in [Generic Linux](#generic-linux)
	84	* Install the built software components to `/opt/sonic-pi-git`
	85	* Install the launcher to `/usr/bin/sonic-pi`
	86
	87	After installing, users need to follow the instructions in the [Generic Linux](#generic-linux) section to start the `jackd` server, and then run `sonic-pi` at a command prompt.
	88
	89	### Building from source
	90
	91	Users can opt to build from source as well if they would like. Instructions and dependencies can be found within the PKGBUILD file in the AUR package previously mentioned, as well as the required patch file.
	92
	93	----
	94
	95	## Linux Mint (beta)
	96
	97	### PPA
	98
	99	Tested on Linux Mint 17.2, inspired by [this issue](https://github.com/samaaron/sonic-pi/issues/827).
	100
	101	First, install the binary:
	102
	103	```
	104	sudo add-apt-repository ppa:sonic-pi/ppa
	105	sudo apt-get update
	106	sudo apt-get install sonic-pi
	107	```
	108
	109	Next, install qjackctl:
	110
	111	`sudo apt-get install qjackctl`
	112
	113	Then, launch qjackctl from the command line (while suspending PulseAudio):
	114
	115	`pasuspender -- qjackctl`
	116
	117	Click the 'Start' button in qjackctl, then launch Sonic Pi :)

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INSTALL-MAC.md less more

	0	# Mac OS X
	1
	2	## Dependencies
	3
	4	* Download Qt 5.4+ http://qt-project.org/downloads
	5	* Run the setup wizard and install to a known location which we'll call `/path/to/qt`
	6	* Grab a copy of the QScintilla libs http://www.riverbankcomputing.co.uk/software/qscintilla/download and untar into a known location which we'll call `/path/to/qscintilla`
	7	(current version is QScintilla-gpl-2.9)
	8	* Install SuperCollider 3.6 from http://supercollider.github.io/download.html
	9	* Download SuperCollider extensions from http://sourceforge.net/projects/sc3-plugins/files/OSX_3.6/SC3ExtPlugins-universal.dmg/download and install as per the included README.txt file
	10	* Grab a copy of Sonic Pi's source to a known location (which we'll call `/path/to/sonic-pi/root/`)
	11	- `cd /path/to/sonic-pi/root/`
	12	- `git clone git://github.com/samaaron/sonic-pi.git`
	13
	14
	15	## Create Symlinks for Ruby and SuperCollider's scsynth
	16
	17	* Provide a Ruby version for Sonic Pi to use
	18	- The Qt app expects Ruby to exist at a certain path. We can use a symlink to provide an appropriate Ruby Version
	19	- `cd /path/to/sonic-pi/root/`
	20	- `mkdir -p app/server/native/osx/ruby/bin`
	21	- link the ruby version into place:
	22	- ``ln -s `which ruby` app/server/native/osx/ruby/bin/ruby``
	23	* Provide a SuperCollider scsynth for Sonic Pi to use
	24	- The Qt app expects scsynth to exist at a certain path. We can also use a symlink here.
	25	- `cd /path/to/sonic-pi/root/`
	26	- `cd app/server/native/osx/`
	27	- `ln -s /Applications/SuperCollider/SuperCollider.app/Contents/Resources/scsynth .`
	28
	29	## Compile Ruby Server extensions
	30	### Prerequisites
	31	In order to compile the ruby libraries successfully, make sure you have
	32	the following programs installed:
	33
	34	* [cmake](https://cmake.org)
	35	* [pkg-config](https://www.freedesktop.org/wiki/Software/pkg-config/)
	36
	37	If you want to check whether you have them installed already, you can do
	38	so by typing the following commands in your terminal:
	39
	40	* `cmake` - If installed, it will show the usage of the program
	41	* `pkg-config` - If installed, it will show a message indicating that a
	42	package name should be specified.
	43
	44	Installation of both the programs can be done through Homebrew or MacPorts
	45
	46	### Compiling
	47	Sonic Pi uses some ruby libraries which have native extensions. We need
	48	to compile these with the provided script:
	49
	50	* `cd /path/to/sonic-pi/root/`
	51	* `cd app/server/bin`
	52	* `../native/osx/ruby/bin/ruby compile-extensions.rb`
	53
	54	This will take some time. Ignore the warnings.
	55
	56	## Qt GUI
	57
	58	### Xcode 6 and lower
	59
	60	* Build QScintilla:
	61	- `cd /path/to/qscintilla/Qt4Qt5`
	62	- generate makefile: `/path/to/qt/5.4/clang_64/bin/qmake qscintilla.pro`
	63	- `make`
	64	* Add the following to SonicPi.pro:
	65	```
	66	LIBS += -L /path/to/qscintilla/Qt4Qt5/ -lqscintilla2
	67	INCLUDEPATH += /path/to/qscintilla/Qt4Qt5/
	68	DEPENDPATH += /path/to/qscintilla/Qt4Qt5/
	69	```
	70	* Modify top of mac-build-app appropriately i.e.
	71	```
	72	QSCINTILLA=/path/to/qscintilla/Qt4Qt5
	73	QTBIN=/path/to/qt/5.4/clang_64/bin
	74	```
	75	### Xcode 7+
	76
	77	* Build QScintilla:
	78	- `cd /path/to/qscintilla/Qt4Qt5`
	79	- Add the following to `qscintilla.pro`
	80	QMAKE_MAC_SDK = macosx10.11
	81	- generate makefile: `/path/to/qt/5.4/clang_64/bin/qmake qscintilla.pro`
	82	- `make`
	83	- update the dylib inner path part 1: `install_name_tool -id "/path/to/qscintilla/Qt4Qt5/libqscintilla2.12.dylib" /path/to/qscintilla/Qt4Qt5/libqscintilla2.12.dylib`
	84	- update the dylib inner path part 2: `install_name_tool -change "libqscintilla2.12.dylib" "/path/to/qscintilla/Qt4Qt5/libqscintilla2.12.dylib" /path/to/qscintilla/Qt4Qt5/libqscintilla2.12.dylib`
	85	* Add the following to SonicPi.pro
	86	```
	87	LIBS += -L /path/to/qscintilla/Qt4Qt5/ -lqscintilla2
	88	INCLUDEPATH += /path/to/qscintilla/Qt4Qt5/
	89	DEPENDPATH += /path/to/qscintilla/Qt4Qt5/
	90	```
	91	* Add the following to SonicPi.pro
	92	```
	93	QMAKE_MAC_SDK = macosx10.11
	94	```
	95	* Modify top of mac-build-app appropriately i.e.
	96	```
	97	QSCINTILLA=/path/to/qscintilla/Qt4Qt5
	98	QTBIN=/path/to/qt/5.4/clang_64/bin
	99	```
	100
	101
	102	## Building the App
	103
	104	Finally, we need to build the OS X App
	105
	106	* `cd /path/to/sonic-pi/root/`
	107	* `cd app/gui/qt`
	108	* `./mac-build-app`
	109	* App should be in `build` dir which you can either launch via Finder or via the following from the `qt` dir:
	110	* `./build/Sonic\ Pi.app/Contents/MacOS/Sonic\ Pi`
	111
	112	Sonic Pi should now boot successfully.

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INSTALL-RASPBERRY-PI.md less more

	0
	1	## Raspberry Pi
	2
	3	The Raspberry Pi will happily compile all the required aspects of Sonic
	4	Pi. However, be warned that it will take quite some time to complete.
	5
	6	First grab the dependencies, compile the server extensions, then the GUI then start the app.
	7
	8	### Dependencies
	9
	10	The dependencies for building and running this are:
	11
	12	* `supercollider`
	13	* `ruby1.9.3`
	14	* `libqscintilla2-8`
	15	* `libqscintilla2-dev`
	16	* `qt4-dev-tools`
	17	* `cmake`
	18	* `ruby-dev`
	19	* `libffi-dev`
	20
	21	Use `sudo apt-get install` to ensure each of these are on your system.
	22
	23	### Server extensions
	24
	25	Compile the server extensions by `cd`ing into the directory `app/server/bin` and running the script `compile-extensions.rb`. This will take some time.
	26
	27	### Qt GUI
	28
	29	`cd` into the directory `app/gui/qt/` and run the script `rp-build-app`. This will also take some time.
	30
	31	### Running
	32
	33	Run the script `rp-app-bin` in the directory `app/gui/qt`.

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INSTALL-WINDOWS.md less more

	0	# SONIC PI DETAILED BUILD YOUR OWN INSTRUCTIONS FOR WINDOWS 10 BASED ON LATEST SP 2.9dev after e7fde3a
	1
	2	Last revision 29th December 2015 @ 7:32PM AWST (minor grammar improvement)
	3
	4	Tested on Windows 10 64bit (running under vmware fusion on a Mac) and Windows 7 64bit.
	5
	6	This document details the process from beginning to end to build Sonic Pi 2.9dev and I hope it will be useful to others, and encourage them to have a go themselves.
	7
	8	First there is quite a bit of software to install to facilitate the build, not least the source files for Sonic Pi.
	9
	10	First install git from https://msysgit.github.io/ click download then run `Git-2.6.3-64-bit.exe` I selected options Use git from Windows Command Prompt, Checkout Windows-style, commit Unix-style line endings, Use Windows default console window, and Enable file system caching
	11
	12	Now install the Sonic Pi source files. I put mine at the top level of the c: drive
	13	Start a command window by typing cmd in the search field
	14	```
	15	cd c:/
	16	git clone https://github.com/samaaron/sonic-pi.git
	17	```
	18
	19	Now download Visual Studio Express 2013 for Windows Desktop with Update 5 from
	20	https://www.visualstudio.com/downloads/download-visual-studio-vs
	21	scroll down the page and find Visual Studio 2013, and then Express 2013 for Desktop.
	22	You can either choose Web Installer or ISO depending upon whether you want to install over the web or download a complete 3.3Gb and install from that. I did the full download, mounted the iso disk image and installed from that.
	23
	24	Download Qt. use version 5.5.1 as version 5.4.x is NOT qualified for Windows 10
	25	I went to http://www.qt.io/download-open-source/#section-2
	26	And selected Qt 5.5.1 for Windows 32-bit (VS 2013, 804 MB)
	27
	28	http://download.qt.io/official_releases/qt/5.5/5.5.1/qt-opensource-windows-x86-msvc2013-5.5.1.exe
	29	After download, I ran the installer, accepting the default settings, which installs Qt at
	30	```C:\Qt\Qt5.5.1``` (I skipped setting up an account!)
	31
	32	Install cmake from the link http://www.cmake.org/download
	33	Scroll down and select ```cmake-3.4.1-win32-x86.exe``` and download.
	34	Run the installer, selecting the option Add to the System PATH for all (or current) users
	35
	36
	37	Install Ruby from http://rubyinstaller.org/downloads/
	38	I choose Ruby 2.2.3 although the install works with 2.1.7 with minor alterations which are detailed below.
	39	Choose the 32 bit version
	40	Run the installer when downloaded. Choose the default install ```c:\Ruby22``` (C:\Ruby21 if you use Ruby2.1.7)
	41	Select add Ruby Executables to your path and associate .rb and .rbw files with this installation.
	42
	43	Scroll further down the page of http://rubyinstaller.org/downloads/ and select
	44	```DevKit-mingw64-32-4.7.2-20130224-1151-sfx.exe``` and download that as well
	45	Make sure you use the 32 bit version for Ruby 2.0 and higher.
	46	When downloaded, run this and set the extract location to ```c:\RubyDev```
	47
	48	Now you have to complete the installation as follows:
	49	In a command window
	50	```
	51	cd c:\RubyDev
	52	ruby dk.rb init
	53	```
	54
	55	This will create a file ```config.yml``` inside the ```RubyDev``` folder
	56	Check its contents by typing;
	57	```Notepad config.yml```
	58	You should see a line ``` - C:\Ruby22```
	59	at the end of the file. ( - C:\Ruby21 if you use Ruby2.1.7)
	60	Close notepad
	61	Now type
	62	```ruby dk.rb install```
	63
	64	Now you add two files from pkgconfiglite
	65	Open the link
	66	http://sourceforge.net/projects/pkgconfiglite/files
	67	and select
	68	Looking for the latest version? Download pkg-config-lite-0.28-1_bin-win32.zip (47.7 kB)
	69	When the file has downloaded, extract and then copy the file ```pkg-config``` from the ```bin``` folder to ```c:\RubyDev\bin```
	70	and the file ```pkg.m4``` from the ```share\aclocal``` folder to ```c:\RubyDev\share\aclocal```
	71
	72	That completes the setup for RubyDev
	73
	74	### Preparing the Ruby section
	75	This section of the Sonic Pi install.md file should be completed next BEFORE attempting the section Qt GUI (unlike in the original install.md document) as the final build in this section requires one of the gems to be installed before it is run.
	76
	77	Copy ```c:\ruby22\*``` into ```c:\sonic-pi\apps\server\native\windows\ruby```
	78	(amend to c:\Ruby21\* if you use Ruby2.1.7)
	79	You will need to create the last two folders windows\ruby before doing this, which is best done from a File Explorer window. The copying is also best done using two File Explorer windows, one set to ```c:\Ruby22``` (or C:Ruby21 if you use Ruby2.1.7) and the other to ```c:\sonic-pi\app\server\native\windows\ruby```
	80	You can leave out the Doc folder and the two unins000 files.
	81	Now open a cmd window and navigate to c:\sonic-pi\app\server\native\windows\ruby
	82	From there we will install gem files required by Sonic Pi
	83
	84	```.\bin\gem install did_you_mean```
	85
	86	(allow access if you are asked). The install may take a little time. Eventually it will say two gems installed (did_you_mean and interception)
	87
	88	```.\bin\gem install ffi```
	89
	90
	91	Another gem recently added, that is needed specifically for the windows install is ```win32-process```
	92
	93	```.\bin\gem install win32-process```
	94
	95	The fourth gem file is problematical, and needs a patch to install. It goes like this:
	96
	97	```.\bin\gem fetch rugged```
	98
	99	This will fetch the latest version which is rugged-0.23.3
	100
	101	```
	102	.\bin\gem unpack rugged-0.23.3.gem
	103	.\bin\gem spec rugged-0.23.3.gem --ruby > rugged-0.23.3\rugged.gemspec
	104	```
	105
	106	Now we have to apply a patch to one of the files.
	107
	108	```
	109	cd rugged-0.23.3\ext\rugged
	110	notepad extconf.rb
	111	```
	112	In the notepad window select Find from the Edit Menu (ctrl+F) and search for
	113
	114	```Unix Makefiles\””)```
	115
	116	and change it to read
	117
	118	```Unix Makefiles\" -DCMAKE_INSTALL_PREFIX=C:/ -DWINHTTP=OFF")```
	119
	120	NB: this may no longer be needed with current versions of rugged
	121
	122	Then resave the file and quit notepad.
	123	Go back to the cmd window
	124
	125	```cd ..\..\```
	126
	127	you should be back in the folder ```c:\sonic-pi\app\server\native\windows\ruby\rugged-0.23.3```
	128
	129	Now build the patched rugged
	130
	131	```
	132	..\bin\gem build rugged.gemspec
	133	..\bin\gem install rugged-0.23.3.gem
	134	```
	135
	136	NB: rb-native is not being used for Windows packages, the gems can happily live where they were installed by the "local" Ruby. You MAY need to delete the vendor/rugged directory so it uses the right version.
	137
	138	That completes the ruby preparation work. Close the cmd and FileExplorer windows.
	139
	140
	141	### Preparing the Qt GUI
	142	From the Start Button select All apps and scroll down to Visual Studio 2013, and then to Visual Studio Tools. From the Window that opens right click VS2013 x86 Native Tools Command Prompt and Pin it to the Taskbar. Double click it there to open a window which should be titled VS2013 x86 Native Tools Command Prompt.
	143
	144	Type path in that window after the prompt and press the enter key.
	145
	146	You will see a long string of folder locations which comprise the path associated with the window, which it will automatically search. It includes links to the various elements of visual studio. However, we have to add one more item, which is the path of the Qt bin directory.
	147
	148	Since the Visual Studio prompt path is rebuilt each time a window is opened, I have found the convenient way to do this is to create a batch file which can be run each time to add the additional entry. Since I want to store this at the C:\ top level, we have to run the cmd window with administrative privileges to create it.
	149	Close the open Visual Studio Command Prompt window, then reopen it, holding down Shift and Ctrl when you do so. Say Yes to the popup window, and you will then have a cmd window with admin privileges.
	150
	151	```
	152	cd c:\
	153	notepad
	154	```
	155
	156	In the open notepad window type
	157	```
	158	PATH=%PATH%;C:\Qt\Qt5.5.1\5.5\msvc2013\bin
	159	```
	160
	161	Then select save and save the file as ```pathupdate.bat```, at the top level of ```c:\``` Make sure you select All Files for the type so the extension can be set to .bat and NOT .txt
	162
	163	Close notepad and type ```dir``` (and press return) You should see the file ```pathupdate.bat``` listed.
	164
	165	Close the cmd window and double click the icon on the taskbar to reopen it with "normal" privileges.
	166
	167	```
	168	cd c:\
	169	pathupdate.bat
	170	```
	171
	172	You should see the long path as before, but now with an additional entry ```C:\Qt\Qt5.5.1\5.5\msvc2013\bin``` at the end
	173	Leave this window open.
	174
	175	Download Qscintilla from https://www.riverbankcomputing.com/software/qscintilla/download
	176
	177	Select the ```Qscintilla-gpl-2.9.1.zip``` file to download
	178	When downloaded extract the ```Qscintilla-gpl-2.9.1``` folder to ```c:\```
	179
	180	Return to the visual studio command window.
	181	```
	182	cd c:\QScintilla-gpl-2.9.1\Qt4Qt5
	183	qmake qscintilla.pro
	184	nmake
	185	```
	186	(it will now be compiled)
	187	```
	188	nmake install
	189	```
	190	keep the cmd window open
	191
	192	copy ```Qt4Qt5\release\moc_qsciscintilla.cpp``` and ```moc_qsciscintillabase.cpp``` to
	193	```c:\sonic-pi\app\gui\qt\platform\win``` (There may be two files there already, but overwrite them)
	194	Best done using two FileExplorer windows as before.
	195
	196	Now we do the main build of Sonic-Pi gui, using the open cmd window.
	197	```
	198	cd c:\sonic-pi
	199	.\app\gui\qt\win-build-app.bat
	200	```
	201	This should carry out the build. Don’t worry about various warnings en route.
	202	We now add some files from visual studio which will be needed at run time.
	203	Open two FileExplorer windows. In the first navigate to:
	204
	205	```Local Disk (C:)> Program Files (x86) > Microsoft Visual Studio 12.0 > VC > redist > x86 > Microsoft.VC120.CRT```
	206
	207	In the second to
	208
	209	```Local Disk (C:)> sonic-pi> app > gui > qt > release```
	210
	211	Copy msvcp120.dll and msvcr120.dll from the former to the latter.
	212
	213	In the second window navigate to sonic-pi.exe and right-click it to create a shortcut. Drag the shortcut to the desktop. Do NOT attempt to run it yet.
	214
	215	### The final stage deals with SuperCollider
	216	Install SuperCollider from http://supercollider.github.io/download.html
	217	Select the Win32 3.6.6 installer and download it
	218
	219	Run the installer
	220
	221	Download additional SuperCollider plugins from
	222
	223	http://sourceforge.net/projects/sc3-plugins/files/sc3-plugins%20Windows/
	224
	225	Select the latest version link at the top of the page and download
	226	```Looking for the latest version? Download sc3-plugins-3.6.0-win32.zip (10.3 MB)```
	227	Extract them in the download folder.
	228
	229	NB: The current Sonic Pi 2.9 is packaged with sc3-plugins 3.7.0-beta (f978dc2), which can be compiled in an MSYS environment as follows:
	230	* install FFTW3 binaries from ftp://ftp.fftw.org/pub/fftw/fftw-3.3.4-dll32.zip to `/home/sc/fftw3.3.4-dll32` for example
	231	* `git clone https://github.com/supercollider/sc3-plugins.git`
	232	* `cd sc3-plugins && git submodule init && git submodule update`
	233	* `mkdir build && cd build`
	234	* `cmake -DSC_PATH=/home/sc/sources/supercollider/ -DFFTW3F_LIBRARY=/home/sc/fft w-3.3.4-dll32/libfftw3f-3.dll -DFFTW3F_INCLUDE_DIR=/home/sc/fftw3.3.4-dll32 -G "Unix Makefiles" ..`
	235	* manually add `-IC:/msys/home/sc/fftw-3.3.4-dll32/` to `build/source/CMakeFiles/PitchDetection.dir/includes_CXX.rsp` (no idea why)
	236	* make install
	237	* copy SCX files from `c:\program files (x86)\sc3-plugins` or wherever it installs them
	238
	239	We now copy files to the sonic-pi installation.
	240
	241	With two FileExplorer windows navigate the first to ```Local Disk (C:) >Program Files (x86) > SuperCollider```
	242
	243	And the second (destination) to ```Local Disk (C:)> sonic-pi > app > server > native > windows```
	244
	245	Copy the ```plugins``` folder from the former to the latter.
	246
	247	Copy all dll files EXCEPT those starting with QT from the former to the latter.
	248
	249	Copy ```scsynth.exe``` from the former to the latter.
	250
	251	Keep these windows open for the moment.
	252
	253	Open the ```sc3-plugins-3.6.0-win32``` folder in the Downloads folder and navigate to ```SC3-plugins```.
	254	Copy all the *.scx files that folder into the ```plugins``` folder copied to destination folder in the previous step.
	255
	256	Close the open FileExplorer windows.
	257
	258	There is one final patch to install. The Ugen file associated with the Piano synth was updated in the summer, to eliminate a problem with the tuning. Unfortunately the current Ugen has NOT yet been updated for windows, and consequently we have to use a modified version of the MdaUgen. This can be downloaded from https://goo.gl/K316fw
	259	Extract the contents and follow the instructions in the readme file. Basically you replace the file ```sonic-pi-piano.scsyndef``` in ```c:\sonic-pi\etc\synthdefs\compiled``` with the one downloaded in the patch.
	260
	261	(You may like to retain a copy of the original before overwriting it, or perhaps rename it to ```sonic-pi-piano.scsyndef.original```)
	262
	263	### Finished!
	264	That should complete the installation of Sonic Pi.
	265	Try running it by double clicking the Sonic Pi shortcut on the desktop.
	266
	267
	268	Robin Newman, 17th December 2015

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INSTALL.md less more

0	0	# Installing Sonic Pi from Source
1	1
2	2	If you want to use the very latest development version of Sonic Pi, then
3		you'll need to compile from source. Here are instructions for the
4		following platforms:
	3	you'll need to compile from source. Due to the complex nature of Sonic
	4	Pi's architecture this should only be considered by those happy playing
	5	around with the Terminal and are happy working with bleeding edge
	6	software.
5	7
6		* [Raspberry Pi](#raspberry-pi)
7		* [Generic Linux](#generic-linux)
8		* [Arch Linux](#arch-linux)
9		* [Mac OS X](#mac-os-x)
10		* [Windows](#windows)
	8	For all other users, downloading the latest pre-built app for your
	9	platform is highly recommended: http://sonic-pi.net
	10
11	11
12		----
	12	There are instructions for the following platforms in their own separate
	13	files:
13	14
14		## Raspberry Pi
15
16		The Raspberry Pi will happily compile all the required aspects of Sonic
17		Pi. However, be warned that it will take quite some time to complete.
18
19		First grab the dependencies, compile the server extensions, then the GUI then start the app.
20
21		### Dependencies
22
23		The dependencies for building and running this are:
24
25		* `supercollider`
26		* `ruby1.9.3`
27		* `libqscintilla2-8`
28		* `libqscintilla2-dev`
29		* `qt4-dev-tools`
30		* `cmake`
31		* `ruby-dev`
32		* `libffi-dev`
33
34		Use `sudo apt-get install` to ensure each of these are on your system.
35
36		### Server extensions
37
38		Compile the server extensions by `cd`ing into the directory `app/server/bin` and running the script `compile-extensions.rb`. This will take some time.
39
40		### Qt GUI
41
42		`cd` into the directory `app/gui/qt/` and run the script `rp-build-app`. This will also take some time.
43
44		### Running
45
46		Run the script `rp-app-bin` in the directory `app/gui/qt`.
47
48		-----
49
50		## Generic Linux
51
52		### Dependencies
53
54		Debian package dependency names (Jessie):
55
56		`apt-get install supercollider ruby2.1 libqscintilla2-dev ruby-dev cmake pkg-config g++`
57
58		For Ubuntu 14.04.3 (Trusty Tahr):
59		`apt-get install supercollider ruby2.0 libqscintilla2-dev ruby-dev cmake pkg-config g++`
60
61		In addition, under Ubuntu 14.04 based distributions try these:
62
63		* `libqscintilla2-l10n`
64		* `qt4-qmake`
65		* `libqt4-dev`
66		* `libffi-dev`
67
68		If you are using a newer version of QT, you need the according version of scintilla. For QT5 they are:
69
70		* `libqt5scintilla2-dev` instead of `libqscintilla2-dev`
71		* `libqt5scintilla2-l10n` instead of `libqscintilla2-l10n`
72
73		In addition, you need to tell sonic-pi to use these. In order to do so, navigate to `app/gui/qt/`
74		and open `SonicPi.pro`with your text editor of choice.
75		Replace `lqscintilla2`with `lqt5scintilla2` everywhere it is written.
76
77		Fedora package dependency names:
78
79		* `supercollider` (via [Planet CCRMA](http://ccrma.stanford.edu/planetccrma/software/installplanettwenty.html))
80		* `ruby` (or use [RVM](http://rvm.io/) to manage specific versions)
81		* `qscintilla-devel` (will install `qscintilla` and `qt-devel`)
82		* `cmake`
83
84		### Server extensions
85
86		Compile the server extensions by `cd`ing into the directory `app/server/bin` and running the script `compile-extensions.rb`. This will take some time.
87
88		### Qt GUI
89
90		`cd` into the directory `app/gui/qt/` and run the script `rp-build-app`. This will also take some time.
91
92		### Running
93
94		Start the jack sound server daemon `jackd`. This is easily done through [qjackctl](http://qjackctl.sourceforge.net/), available as `qjackctl` in Debian.
95
96		that didn't work for me, but typing this, after randomly googling and trying various things, did:
97		`jackd -R -d alsa -d hw:1`
98
99		On systems like Ubuntu that run pulseaudio, use
100		`pasuspender -- jackd -R -d alsa`
101
102		Then run the script `sonic-pi` in the directory `app/gui/qt`.
103
104		----
105
106		## Arch Linux
107
108		### AUR Package
109
110		Arch Linux users are strongly recommended to install the [sonic-pi-git](https://aur.archlinux.org/packages/sonic-pi-git/) package from the AUR; see the wiki article on the [Arch User Repository](https://wiki.archlinux.org/index.php/Arch_User_Repository) if you are unfamiliar with how to install such a package. The PKGBUILD found in this package will:
111		* Clone the latest sonic-pi source from GitHub
112		* Apply a patch to fix a library naming issue
113		* Build sonic-pi from source, according to the instructions found in [Generic Linux](#generic-linux)
114		* Install the built software components to `/opt/sonic-pi-git`
115		* Install the launcher to `/usr/bin/sonic-pi`
116
117		After installing, users need to follow the instructions in the [Generic Linux](#generic-linux) section to start the `jackd` server, and then run `sonic-pi` at a command prompt.
118
119		### Building from source
120
121		Users can opt to build from source as well if they would like. Instructions and dependencies can be found within the PKGBUILD file in the AUR package previously mentioned, as well as the required patch file.
122
123		----
124
125		## Mac OS X
126
127		### Dependencies
128
129		* Download Qt 5.4+ http://qt-project.org/downloads
130		* Run the setup wizard and install to a known location which we'll call /path/to/qt
131		* Grab a copy of the QScintilla libs http://www.riverbankcomputing.co.uk/software/qscintilla/download and untar into a known location which we'll call /path/to/qscintilla
132		(current version is QScintilla-gpl-2.9)
133		* Install SuperCollider 3.6 from http://supercollider.github.io/download.html
134		* Download SuperCollider extensions from http://sourceforge.net/projects/sc3-plugins/files/OSX_3.6/ and install as per the included README.txt file
135
136		### Server extensions
137
138		Compile the server extensions by `cd`ing into the directory `app/server/bin` and running the script `compile-extensions.rb`. This will take some time.
139
140		### Qt GUI
141
142		* Build QScintilla:
143		- `cd /path/to/qscintilla/Qt4Qt5`
144		- generate makefile: `/path/to/qt/5.4/clang_64/bin/qmake qscintilla.pro`
145		- `make`
146		- (OSX only) update the dylib inner path part 1: `install_name_tool -id "/path/to/qscintilla/Qt4Qt5/libqscintilla2.12.dylib" /path/to/qscintilla/Qt4Qt5/libqscintilla2.12.dylib`
147		- (OSX only) update the dylib inner path part 2: `install_name_tool -change "libqscintilla2.12.dylib" "/path/to/qscintilla/Qt4Qt5/libqscintilla2.12.dylib" /path/to/qscintilla/Qt4Qt5/libqscintilla2.12.dylib`
148		* Add the following to SonicPi.pro
149		LIBS += -L /path/to/qscintilla/Qt4Qt5/ -lqscintilla2
150		INCLUDEPATH += /path/to/qscintilla/Qt4Qt5/
151		DEPENDPATH += /path/to/qscintilla/Qt4Qt5/
152		* Modify top of mac-build-app appropriately i.e.
153		QSCINTILLA=/path/to/qscintilla/Qt4Qt5
154		QTBIN=/path/to/qt/5.4/clang_64/bin
155		* Provide a Ruby version for Sonic Pi to use
156		- The Qt app expects Ruby to exist at a certain path. We can use a symlink to provide an appropriate Ruby Version
157		- `$ cd /root/path/to/sonic-pi`
158		- `$ mkdir -p app/server/native/osx/ruby/bin`
159		- check your current ruby version:
160		```
161		# This should be 2.1.2 although anything 1.9.3+ _should_ work
162		$ ruby --version
163		```
164		- link the ruby version into place:
165		```
166		ln -s `which ruby` app/server/native/osx/ruby/bin/ruby
167		```
168		* Compile any native extensions: `$ app/server/bin/compile-extensions.rb`
169		* Run `./mac-build-app`
170		* App should be in `build` dir
171
172		----
173
174		## Windows
175
176		### Building
177
178		Follow the instructions in [WindowsInstall.md](WindowsInstall.md)
179
180		### Packaging
181		* TODO: there should be a "make distclean" target to clean up the tree for MSI packaging
182		- or else a script to build a release tree by copying things out of the working tree
183		* There is a WiX project file in `sonic-pi.wxs` -- work in progress
184		- download [WiX Toolset](http://wixtoolset.org/)
185		- see comments at top of sonic-pi.wxs for packaging
	15	* Raspberry Pi - `INSTALL-RASPBERRY-PI.md`
	16	* Windows - `INSTALL-WINDOWS.md`
	17	* Mac - `INSTALL-MAC.md`
	18	* Linux - `INSTALL-LINUX.md`
186	19
187	20	----
188	21

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LICENSE.md less more

4	4
5	5	The MIT License (MIT)
6	6
7		Copyright (c) 2013, 2014, 2015 Samuel Aaron ([http://sam.aaron.name](http://sam.aaron.name))
	7	Copyright (c) 2013, 2014, 2015, 2016 Samuel Aaron ([http://sam.aaron.name](http://sam.aaron.name))
8	8
9	9	Permission is hereby granted, free of charge, to any person obtaining a copy
10	10	of this software and associated documentation files (the "Software"), to deal

24	24	OUT OF OR IN CONNECTION WITH THE SOFTWARE OR THE USE OR OTHER DEALINGS IN
25	25	THE SOFTWARE.
26	26
	27	## GUI
	28	As the Sonic Pi GUI links with the GPLv3-licensed QScintilla2,
	29	distributors of Sonic Pi GUI binaries must comply with the terms of the
	30	GPL
27	31
28	32	## Docs, Tutorial and Examples
29	33	(contents of [etc/doc/](https://github.com/samaaron/sonic-pi/tree/master/etc/doc) and [etc/examples](https://github.com/samaaron/sonic-pi/tree/master/etc/examples) directories)

83	87	* [Blankslate](https://github.com/masover/blankslate) - [MIT License](http://opensource.org/licenses/MIT)
84	88	* [Did You Mean](https://github.com/yuki24/did_you_mean) - [MIT License](http://opensource.org/licenses/MIT)
85	89	* [FFI](https://github.com/ffi/ffi) - [BSD 3-Clause License](http://opensource.org/licenses/BSD-3-Clause)
86		* [FFI Core MIDI](https://github.com/arirusso/ffi-coremidi) - [Apache License, Version 2.0](http://www.apache.org/licenses/LICENSE-2.0.html)
87	90	* [Hamster](https://github.com/hamstergem/hamster) - [MIT License](http://opensource.org/licenses/MIT)
88	91	* [i81n](https://github.com/svenfuchs/i18n) - [MIT License](http://opensource.org/licenses/MIT)
89	92	* [Interception](https://github.com/ConradIrwin/interception) - [MIT License](http://opensource.org/licenses/MIT)
90	93	* [Kramdown](http://kramdown.gettalong.org) - [MIT License](http://opensource.org/licenses/MIT)
91		* [MIDI Winmm](https://github.com/arirusso/midi-winmm) - [Apache License, Version 2.0](http://www.apache.org/licenses/LICENSE-2.0.html)
92		* [MIDILib](https://github.com/jimm/midilib) - [Ruby License](https://www.ruby-lang.org/en/about/license.txt)
93	94	* [Multi JSON](https://github.com/intridea/multi_json) - [MIT License](http://opensource.org/licenses/MIT)
94	95	* [Parslet](http://kschiess.github.io/parslet/) - [MIT License](http://opensource.org/licenses/MIT)
95	96	* [Rouge](https://github.com/jneen/rouge) - [MIT License](http://opensource.org/licenses/MIT)

98	99	* [Ruby Prof](https://github.com/ruby-prof/ruby-prof) - [BSD 2-Clause License](http://opensource.org/licenses/BSD-2-Clause) - [MIT License](http://opensource.org/licenses/MIT)
99	100	* [Rugged](https://github.com/libgit2/rugged) - [MIT License](http://opensource.org/licenses/MIT)
100	101	* [Thread Safe](https://github.com/ruby-concurrency/thread_safe) - [Apache License, Version 2.0](http://www.apache.org/licenses/LICENSE-2.0.html)
101		* [UniMIDI](https://github.com/arirusso/unimidi) - [Apache License, Version 2.0](http://www.apache.org/licenses/LICENSE-2.0.html)
102	102	* [Websocket](https://github.com/imanel/websocket-ruby) - [MIT License](http://opensource.org/licenses/MIT)
103	103	* [NArray](https://github.com/masa16/narray) - [Ruby License](https://www.ruby-lang.org/en/about/license.txt)
104	104	* [Ruby CoreAudio](https://github.com/nagachika/ruby-coreaudio) - [MIT License](http://opensource.org/licenses/MIT)

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README.md less more

94	94
95	95	[![Gitter](https://badges.gitter.im/Join%20Chat.svg)](https://gitter.im/samaaron/sonic-pi?utm_source=badge&utm_medium=badge&utm_campaign=pr-badge&utm_content=badge)
96	96	<br/>
97		<img src="https://travis-ci.org/samaaron/sonic-pi.svg?branch=master"/>
	97	[![Travis CI](https://travis-ci.org/samaaron/sonic-pi.svg?branch=master)](https://travis-ci.org/samaaron/sonic-pi)
	98

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~~WindowsInstall.md~~ less more

0		# SONIC PI DETAILED BUILD YOUR OWN INSTRUCTIONS FOR WINDOWS 10 BASED ON LATEST SP 2.9dev after e7fde3a
1
2		Last revision 29th December 2015 @ 7:32PM AWST (minor grammar improvement)
3
4		Test bed was a Windows 10 64bit install (running under vmware fusion on a Mac)
5
6		This document details the process from beginning to end to build Sonic Pi 2.9dev and I hope it will be useful to others, and encourage them to have a go themselves.
7
8		Prerequisite. A windows 10 computer with internet connection and working soundcard.
9
10		First there is quite a bit of software to install to facilitate the build, not least the source files for Sonic Pi.
11
12		First install git from https://msysgit.github.io/ click download then run `Git-2.6.3-64-bit.exe` I selected options Use git from Windows Command Prompt, Checkout Windows-style, commit Unix-style line endings, Use Windows default console window, and Enable file system caching
13
14		Now install the Sonic Pi source files. I put mine at the top level of the c: drive
15		Start a command window by typing cmd in the search field
16		```
17		cd c:/
18		git clone https://github.com/samaaron/sonic-pi.git
19		```
20
21		Now download Visual Studio Express 2013 for Windows Desktop with Update 5 from
22		https://www.visualstudio.com/downloads/download-visual-studio-vs
23		scroll down the page and find Visual Studio 2013, and then Express 2013 for Desktop.
24		You can either choose Web Installer or ISO depending upon whether you want to install over the web or download a complete 3.3Gb and install from that. I did the full download, mounted the iso disk image and installed from that.
25
26		Download Qt. use version 5.5.1 as version 5.4.x is NOT qualified for Windows 10
27		I went to http://www.qt.io/download-open-source/#section-2
28		And selected Qt 5.5.1 for Windows 32-bit (VS 2013, 804 MB)
29
30		http://download.qt.io/official_releases/qt/5.5/5.5.1/qt-opensource-windows-x86-msvc2013-5.5.1.exe
31		After download, I ran the installer, accepting the default settings, which installs Qt at
32		```C:\Qt\Qt5.5.1``` (I skipped setting up an account!)
33
34		Install cmake from the link http://www.cmake.org/download
35		Scroll down and select ```cmake-3.4.1-win32-x86.exe``` and download.
36		Run the installer, selecting the option Add to the System PATH for all (or current) users
37
38
39		Install Ruby from http://rubyinstaller.org/downloads/
40		I choose Ruby 2.2.3 although the install works with 2.1.7 with minor alterations which are detailed below.
41		Choose the 32 bit version
42		Run the installer when downloaded. Choose the default install ```c:\Ruby22``` (C:\Ruby21 if you use Ruby2.1.7)
43		Select add Ruby Executables to your path and associate .rb and .rbw files with this installation.
44
45		Scroll further down the page of http://rubyinstaller.org/downloads/ and select
46		```DevKit-mingw64-32-4.7.2-20130224-1151-sfx.exe``` and download that as well
47		Make sure you use the 32 bit version for Ruby 2.0 and higher.
48		When downloaded, run this and set the extract location to ```c:\RubyDev```
49
50		Now you have to complete the installation as follows:
51		In a command window
52		```
53		cd c:\RubyDev
54		ruby dk.rb init
55		```
56
57		This will create a file ```config.yml``` inside the ```RubyDev``` folder
58		Check its contents by typing;
59		```Notepad config.yml```
60		You should see a line ``` - C:\Ruby22```
61		at the end of the file. ( - C:\Ruby21 if you use Ruby2.1.7)
62		Close notepad
63		Now type
64		```ruby dk.rb install```
65
66		Now you add two files from pkgconfiglite
67		Open the link
68		http://sourceforge.net/projects/pkgconfiglite/files
69		and select
70		Looking for the latest version? Download pkg-config-lite-0.28-1_bin-win32.zip (47.7 kB)
71		When the file has downloaded, extract and then copy the file ```pkg-config``` from the ```bin``` folder to ```c:\RubyDev\bin```
72		and the file ```pkg.m4``` from the ```share\aclocal``` folder to ```c:\RubyDev\share\aclocal```
73
74		That completes the setup for RubyDev
75
76		### Preparing the Ruby section
77		This section of the Sonic Pi install.md file should be completed next BEFORE attempting the section Qt GUI (unlike in the original install.md document) as the final build in this section requires one of the gems to be installed before it is run.
78
79		Copy ```c:\ruby22\*``` into ```c:\sonic-pi\apps\server\native\windows\ruby```
80		(amend to c:\Ruby21\* if you use Ruby2.1.7)
81		You will need to create the last two folders windows\ruby before doing this, which is best done from a File Explorer window. The copying is also best done using two File Explorer windows, one set to ```c:\Ruby22``` (or C:Ruby21 if you use Ruby2.1.7) and the other to ```c:\sonic-pi\app\server\native\windows\ruby```
82		You can leave out the Doc folder and the two unins000 files.
83		Now open a cmd window and navigate to c:\sonic-pi\app\server\native\windows\ruby
84		From there we will install gem files required by Sonic Pi
85
86		```.\bin\gem install did_you_mean```
87
88		(allow access if you are asked). The install may take a little time. Eventually it will say two gems installed (did_you_mean and interception)
89
90		```.\bin\gem install ffi```
91
92
93		Another gem recently added, that is needed specifically for the windows install is ```win32-process```
94
95		```.\bin\gem install win32-process```
96
97		The fourth gem file is problematical, and needs a patch to install. It goes like this:
98
99		```.\bin\gem fetch rugged```
100
101		This will fetch the latest version which is rugged-0.23.3
102
103		```
104		.\bin\gem unpack rugged-0.23.3.gem
105		.\bin\gem spec rugged-0.23.3.gem --ruby > rugged-0.23.3\rugged.gemspec
106		```
107
108		Now we have to apply a patch to one of the files.
109
110		```
111		cd rugged-0.23.3\ext\rugged
112		notepad extconf.rb
113		```
114		In the notepad window select Find from the Edit Menu (ctrl+F) and search for
115
116		```Unix Makefiles\””)```
117
118		and change it to read
119
120		```Unix Makefiles\" -DCMAKE_INSTALL_PREFIX=C:/ -DWINHTTP=OFF")```
121
122		Then resave the file and quit notepad.
123		Go back to the cmd window
124
125		```cd ..\..\```
126
127		you should be back in the folder ```c:\sonic-pi\app\server\native\windows\ruby\rugged-0.23.3```
128
129		Now build the patched rugged
130
131		```
132		..\bin\gem build rugged.gemspec
133		..\bin\gem install rugged-0.23.3.gem
134
135
136		```
137		create the directory path ```c:\sonic-pi\app\server\rb-native\windows\2.2.0```
138
139		You will have to create the last two folders windows\2.2.0 in this path. Easiest to do this with FileExplorer Window NB if you are using Ruby 2.1.x you will substitute the folder 2.1.0 instead of 2.2.0 here. The compiled shared libraries for the gems will be copied to this folder. Keep this window (hereafter referred to as the ```gem .so folder```) open for the purpose.
140
141		Different versions of Ruby appear to store the compiled libraries in different places, so it is probably easiest to search for them using a new FileExplorer Window. Open such a window, and navigate to
142		```
143		c:\ > sonic-pi > app > server > native > windows > ruby > lib > ruby > gems
144		```
145		You will use this window three times to search for the three .so files which need to be copied.
146
147		A) *did_you_mean gem* The shared object file in this case is called ```method_receiver.so``` It will be copied to a folder ```did_you_mean``` which you have to create in the ```gem .so folder``` referred to above.
148		To find it, type ```method*.so``` in the search field (top right)
149		Select one of the hits, right click and select open file location. This should reveal a file ```method_receiver.so``` which is the shared object file to support the did_you_mean gem. This needs to be copied to the folder ```did_you_mean``` which you created in the ```gem .so folder```
150
151		B) *ffi gem* The shared object file in this case is called ```ffi_c.so``` It is copied to the ```gem .so folder```
152		use the left arrow in the window where the ```method_receiver.so``` file was found to return to the search screen, and amend the search. Search for ```ffi*.so```
153		IF you are using Ruby 2.2.* you will see several matches. Note that they are NOT all the same size. This is because this gem unfortunately builds with several versions of the file for different versions of Ruby. IT IS VERY IMPORTANT TO SELECT THE RIGHT ONE, which will be in a folder ```2.2``` Other versions which you DON'T want are in folders 1.8,1.9,2.0 and 2.1. Copy the correct version to
154		the ```gem .so folder``` If you are using Ruby 2.1.* the problem does not seem to arise, and although there are several matches to the search, they are all identical.
155
156		C) *rugged gem* The shared object file in this case is ```rugged.so``` It is copied to the ```gem .so folder```
157		use the left arrow in the window where the ```ffi_c.so``` file was found to return to the search screen, and amend the search. Search for ```rugged.so``` Select one of the matches and copy the file to the ```gem .so folder```
158
159		At the end of this copying process the ```gem .so folder ``` which is
160		```
161		c:\app\server\rb-native\windows\2.2.0\
162		```
163		(assuming you are using Ruby 2.2., or a path ending in 2.1.0 if using Ruby 2.1.) will contain: ```ffi_c.so```, ```rugged.so``` and a folder named ```did_you_mean``` containing ```method_receiver.so```
164
165		(Note nothing needs to be copied with the win32-process gem)
166
167		That completes the ruby preparation work. Close the cmd and FileExplorer windows.
168
169
170		### Preparing the Qt GUI
171		From the Start Button select All apps and scroll down to Visual Studio 2013, and then to Visual Studio Tools. From the Window that opens right click VS2013 x86 Native Tools Command Prompt and Pin it to the Taskbar. Double click it there to open a window which should be titled VS2013 x86 Native Tools Command Prompt.
172
173		Type path in that window after the prompt and press the enter key.
174
175		You will see a long string of folder locations which comprise the path associated with the window, which it will automatically search. It includes links to the various elements of visual studio. However, we have to add one more item, which is the path of the Qt bin directory.
176
177		Since the Visual Studio prompt path is rebuilt each time a window is opened, I have found the convenient way to do this is to create a batch file which can be run each time to add the additional entry. Since I want to store this at the C:\ top level, we have to run the cmd window with administrative privileges to create it.
178		Close the open Visual Studio Command Prompt window, then reopen it, holding down Shift and Ctrl when you do so. Say Yes to the popup window, and you will then have a cmd window with admin privileges.
179
180		```
181		cd c:\
182		notepad
183		```
184
185		In the open notepad window type
186		```
187		PATH=%PATH%;C:\Qt\Qt5.5.1\5.5\msvc2013\bin
188		```
189
190		Then select save and save the file as ```pathupdate.bat```, at the top level of ```c:\``` Make sure you select All Files for the type so the extension can be set to .bat and NOT .txt
191
192		Close notepad and type ```dir``` (and press return) You should see the file ```pathupdate.bat``` listed.
193
194		Close the cmd window and double click the icon on the taskbar to reopen it with "normal" privileges.
195
196		```
197		cd c:\
198		pathupdate.bat
199		```
200
201		You should see the long path as before, but now with an additional entry ```C:\Qt\Qt5.5.1\5.5\msvc2013\bin``` at the end
202		Leave this window open.
203
204		Download Qscintilla from https://www.riverbankcomputing.com/software/qscintilla/download
205
206		Select the ```Qscintilla-gpl-2.9.1.zip``` file to download
207		When downloaded extract the ```Qscintilla-gpl-2.9.1``` folder to ```c:\```
208
209		Return to the visual studio command window.
210		```
211		cd c:\QScintilla-gpl-2.9.1\Qt4Qt5
212		qmake qscintilla.pro
213		nmake
214		```
215		(it will now be compiled)
216		```
217		nmake install
218		```
219		keep the cmd window open
220
221		copy ```Qt4Qt5\release\moc_qsciscintilla.cpp``` and ```moc_qsciscintillabase.cpp``` to
222		```c:\sonic-pi\app\gui\qt\platform\win``` (There may be two files there already, but overwrite them)
223		Best done using two FileExplorer windows as before.
224
225		Now we do the main build of Sonic-Pi gui, using the open cmd window.
226		```
227		cd c:\sonic-pi
228		.\app\gui\qt\win-build-app.bat
229		```
230		This should carry out the build. Don’t worry about various warnings en route.
231		We now add some files from visual studio which will be needed at run time.
232		Open two FileExplorer windows. In the first navigate to:
233
234		```Local Disk (C:)> Program Files (x86) > Microsoft Visual Studio 12.0 > VC > redist > x86 > Microsoft.VC120.CRT```
235
236		In the second to
237
238		```Local Disk (C:)> sonic-pi> app > gui > qt > release```
239
240		Copy msvcp120.dll and msvcr120.dll from the former to the latter.
241
242		In the second window navigate to sonic-pi.exe and right-click it to create a shortcut. Drag the shortcut to the desktop. Do NOT attempt to run it yet.
243
244		### The final stage deals with SuperCollider
245		Install SuperCollider from http://supercollider.github.io/download.html
246		Select the Win32 3.6.6 installer and download it
247
248		Run the installer
249
250		Download additional SuperCollider plugins from
251
252		http://sourceforge.net/projects/sc3-plugins/files/sc3-plugins%20Windows/
253
254		Select the latest version link at the top of the page and download
255		```Looking for the latest version? Download sc3-plugins-3.6.0-win32.zip (10.3 MB)```
256		Extract them in the download folder.
257
258		We now copy files to the sonic-pi installation.
259
260		With two FileExplorer windows navigate the first to ```Local Disk (C:) >Program Files (x86) > SuperCollider```
261
262		And the second (destination) to ```Local Disk (C:)> sonic-pi > app > server > native > windows```
263
264		Copy the ```plugins``` folder from the former to the latter.
265
266		Copy all dll files EXCEPT those starting with QT from the former to the latter.
267
268		Copy ```scsynth.exe``` from the former to the latter.
269
270		Keep these windows open for the moment.
271
272		Open the ```sc3-plugins-3.6.0-win32``` folder in the Downloads folder and navigate to ```SC3-plugins```.
273		Copy all the *.scx files that folder into the ```plugins``` folder copied to destination folder in the previous step.
274
275		Close the open FileExplorer windows.
276
277		There is one final patch to install. The Ugen file associated with the Piano synth was updated in the summer, to eliminate a problem with the tuning. Unfortunately the current Ugen has NOT yet been updated for windows, and consequently we have to use a modified version of the MdaUgen. This can be downloaded from https://goo.gl/K316fw
278		Extract the contents and follow the instructions in the readme file. Basically you replace the file ```sonic-pi-piano.scsyndef``` in ```c:\sonic-pi\etc\synthdefs\compiled``` with the one downloaded in the patch.
279
280		(You may like to retain a copy of the original before overwriting it, or perhaps rename it to ```sonic-pi-piano.scsyndef.original```)
281
282		### Finished!
283		That should complete the installation of Sonic Pi.
284		Try running it by double clicking the Sonic Pi shortcut on the desktop.
285
286
287		Robin Newman, 17th December 2015

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2	2	# Full project source: https://github.com/samaaron/sonic-pi
3	3	# License: https://github.com/samaaron/sonic-pi/blob/master/LICENSE.md
4	4	#
5		# Copyright 2013, 2014 by Sam Aaron (http://sam.aaron.name).
	5	# Copyright 2013, 2014, 2015, 2016 by Sam Aaron (http://sam.aaron.name).
6	6	# All rights reserved.
7	7	#
8	8	# Permission is granted for use, copying, modification, distribution,

18	18
19	19	# -- Change to match the location of QScintilla on your system
20	20	#
21		LIBS += -L/Users/sam/Downloads/tmp/QScintilla-gpl-2.9/Qt4Qt5 -lqscintilla2
	21	LIBS += -L/Users/sam/Downloads/tmp/QScintilla-gpl-2.9/Qt4Qt5
22	22	INCLUDEPATH += /Users/sam/Downloads/tmp/QScintilla-gpl-2.9/Qt4Qt5
23	23	DEPENDPATH += /Users/sam/Downloads/tmp/QScintilla-gpl-2.9/Qt4Qt5
24	24	# --
25	25
26		QT += core gui concurrent network
27
28		greaterThan(QT_MAJOR_VERSION, 4): QT += widgets
29
30
31
32	26	TARGET = 'sonic-pi'
33	27
	28	QT += core gui concurrent network
	29	greaterThan(QT_MAJOR_VERSION, 4) {
	30	QT += widgets
	31	}
	32
	33	# Linux only
	34	unix:!macx {
	35	lessThan(QT_MAJOR_VERSION, 5) {
	36	LIBS += -lqscintilla2
	37	} else {
	38	LIBS += -lqt5scintilla2
	39	}
	40	QMAKE_CXXFLAGS += -Wall -Werror -Wextra
	41	}
	42
	43	# Mac OS X only
34	44	macx {
35	45	TARGET = 'Sonic Pi'
	46	LIBS += -lqscintilla2
36	47	QT += macextras
37	48	DEFINES += DONT_USE_OSX_KEYS
	49	QMAKE_CXXFLAGS += -Wall -Werror -Wextra
38	50	}
39	51
40		!win32 {
41		QMAKE_CXXFLAGS += -Wall -Werror -Wextra
42		}
	52	# Windows only
43	53	win32 {
	54	LIBS += -lqscintilla2
44	55	QMAKE_CXXFLAGS += /WX
45	56	DEFINES += _CRT_SECURE_NO_WARNINGS _WINSOCK_DEPRECATED_NO_WARNINGS
46	57	}

57	68	sonicpiscintilla.cpp \
58	69	oschandler.cpp \
59	70	sonicpilog.cpp \
60		sonicpiserver.cpp \
61		sonicpiudpserver.cpp \
62		sonicpitcpserver.cpp \
	71	sonic_pi_osc_server.cpp \
	72	sonic_pi_udp_osc_server.cpp \
	73	sonic_pi_tcp_osc_server.cpp \
63	74	sonicpitheme.cpp
64	75	win32 {
65	76	# have to link these explicitly for some reason

75	86	sonicpiapis.h \
76	87	sonicpiscintilla.h \
77	88	oschandler.h \
78		sonicpiserver.h \
79		sonicpiudpserver.h \
	89	sonic_pi_osc_server.h \
	90	sonic_pi_udp_osc_server.h \
	91	sonic_pi_tcp_osc_server.h \
80	92	ruby_help.h \
81		sonicpitcpserver.h \
82	93	sonicpitheme.h
83	94
84	95	TRANSLATIONS = lang/sonic-pi_de.ts \

88	99	lang/sonic-pi_pl.ts \
89	100	lang/sonic-pi_fr.ts \
90	101	lang/sonic-pi_es.ts \
91		lang/sonic-pi_hu.ts
	102	lang/sonic-pi_hu.ts \
	103	lang/sonic-pi_zh-Hans.ts \
	104	lang/sonic-pi_zh-Hant.ts \
92	105
93	106	OTHER_FILES += \
94	107	images/copy.png \

107	120	RC_FILE = SonicPi.rc
108	121
109	122	ICON = images/app.icns
110		LIBS += -lqscintilla2
111	123
112	124	win32 {
113	125	install_qsci.files = $$[QT_INSTALL_LIBS]\qscintilla2.dll

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5	5	<file>images/prefs.png</file>
6	6	<file>images/run.png</file>
7	7	<file>images/save.png</file>
	8	<file>images/load.png</file>
8	9	<file>images/stop.png</file>
9	10	<file>images/rec.png</file>
10	11	<file>images/recording_a.png</file>

48	49	<file>images/coreteam/josephwilk.png</file>
49	50	<file>images/coreteam/xavierriley.png</file>
50	51	<file>images/coreteam/jweather.png</file>
	52	<file>images/coreteam/hannozulla.png</file>
51	53
52	54	<file>html/doc.html</file>
53	55	<file>html/info.html</file>

64	66	<file>lang/sonic-pi_fr.qm</file>
65	67	<file>lang/sonic-pi_es.qm</file>
66	68	<file>lang/sonic-pi_hu.qm</file>
	69	<file>lang/sonic-pi_zh-Hans.qm</file>
	70	<file>lang/sonic-pi_zh-Hant.qm</file>
67	71	</qresource>
68	72	</RCC>

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2	2	// Full project source: https://github.com/samaaron/sonic-pi
3	3	// License: https://github.com/samaaron/sonic-pi/blob/master/LICENSE.md
4	4	//
5		// Copyright 2013, 2014, 2015 by Sam Aaron (http://sam.aaron.name).
	5	// Copyright 2013, 2014, 2015, 2016 by Sam Aaron (http://sam.aaron.name).
6	6	// All rights reserved.
7	7	//
8	8	// Permission is granted for use, copying, modification, and

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8	8	___/ / /_/ / / / / / /__ / ____/ /
9	9	/____/\____/_/ /_/_/\___/ /_/ /_/
10	10	</pre>
11		<p class="strapline"><b>music_as <span class="highlight">:code</span></b><br/>
12		<b>code_as <span class="highlight">:art</span></b></p>
13	11
14		<p class="version">v2.9</p>
	12	<p class="strapline">
	13	<pre>music_as <span class="highlight">:code</span>
	14	code_as <span class="highlight">:art</span></pre>
	15	</p>
	16
	17	<p class="version">v2.10</p>
15	18
16	19	</center>
17	20

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20	20
21	21	<br/>
22	22
23		<p>
24		<b>music_as <span class="highlight">:code</span></b><br/>
25		<b>code_as <span class="highlight">:art</span></b>
	23
	24	<p class="strapline">
	25	<pre>music_as <span class="highlight">:code</span>
	26	code_as <span class="highlight">:art</span></pre>
26	27	</p>
27	28
28	29	<br/>
29	30
30		<p class="version">v2.9</p>
	31	<p class="version">v2.10</p>
31	32	</center>
32	33	</body>

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17	17	/____/\____/_/ /_/_/\___/ /_/ /_/
18	18
19	19	The Live Coding Synth for Everyone
	20
	21	http://sonic-pi.net

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64	64	<message>
65	65	<location filename="../mainwindow.cpp" line="754"/>
66	66	<source>Use this slider to change the system volume of your Raspberry Pi.</source>
67		<translation>Usa este slider para cambiar el volumen del sistema en tu Raspberry Pi</translation>
	67	<translation>Usa este "slider" para cambiar el volumen del sistema en tu Raspberry Pi.</translation>
68	68	</message>
69	69	<message>
70	70	<location filename="../mainwindow.cpp" line="756"/>

75	75	<location filename="../mainwindow.cpp" line="757"/>
76	76	<source>Advanced audio settings for working with
77	77	external PA systems when performing with Sonic Pi.</source>
78		<translation>Configuraciones de audio avanzadas para trabajar con sistemas externos PA al momento de hacer performing con Sonic Pi</translation>
	78	<translation>Configuraciones de audio avanzadas para trabajar con
	79	sistemas externos PA al momento de hacer performing con Sonic Pi.</translation>
79	80	</message>
80	81	<message>
81	82	<location filename="../mainwindow.cpp" line="758"/>

87	88	<source>Toggle stereo inversion.
88	89	If enabled, audio sent to the left speaker will
89	90	be routed to the right speaker and visa versa.</source>
90		<translation>Cambia la inversión del estereo. Si se encuentra activado, el audio del speaker izquierdo se ruteara al parlante derecho, o a la inversa</translation>
	91	<translation>Cambia la inversión del estéreo.
	92	Si se encuentra activado, el audio del altavoz izquierdo
	93	se desviará al altavoz derecho, o viceversa.</translation>
91	94	</message>
92	95	<message>
93	96	<location filename="../mainwindow.cpp" line="761"/>

112	115	<source>Toggle synth argument checking functions.
113	116	If disabled, certain synth opt values may
114	117	create unexpectedly loud or uncomfortable sounds.</source>
115		<translation>Cambia la opción de chequeo de argumentos en el sintetizador. Si se encuentra deshabilitado, ciertas opciones generarán sonidos muy fuertes o incómodos</translation>
	118	<translation>Cambia la opción de comprobación de argumentos en el sintetizador.
	119	Si se encuentra deshabilitado, ciertas opciones generarán sonidos muy
	120	fuertes o incómodos.</translation>
116	121	</message>
117	122	<message>
118	123	<location filename="../mainwindow.cpp" line="778"/>

125	130	Firstly, there is the headphone jack of the Raspberry Pi itself.
126	131	Secondly, some HDMI monitors/TVs support audio through the HDMI port.
127	132	Use these buttons to force the output to the one you want.</source>
128		<translation>Tu Raspberry Pi cuenta con dos opciones para salida de sonido. Primero, tenemos el conector jack para la conexión de audífonos en el mismo Raspberry Pi Segundo, algunos monitores HDMI soportan salida de audio por medio del puerto HDMI Usa estos botones para forzar la salida de audio en alguna de estas dos opciones</translation>
	133	<translation>Tu Raspberry Pi cuenta con dos opciones para salida de sonido.
	134	Primero, tenemos el conector jack para la conexión de auriculares en el propio Raspberry Pi.
	135	Segundo, algunos monitores HDMI soportan salida de audio por medio del puerto HDMI.
	136	Usa estos botones para forzar la salida de audio en alguna de estas dos opciones.</translation>
129	137	</message>
130	138	<message>
131	139	<location filename="../mainwindow.cpp" line="780"/>

162	170	<source>Toggle log messages.
163	171	If disabled, activity such as synth and sample
164	172	triggering will not be printed to the log by default.</source>
165		<translation>Cambiar opción de logear mensajes. Si esta opción está deshabilitada, actividades como la activación del sintetizador o sample no se imprimirán en el log por default</translation>
	173	<translation>Cambiar opción de registrar mensajes.
	174	Si esta opción está deshabilitada, actividades como el disparador del sintetizador
	175	o muestra no se imprimirán en el registro por defecto.</translation>
166	176	</message>
167	177	<message>
168	178	<location filename="../mainwindow.cpp" line="808"/>

174	184	<source>Toggle log clearing on run.
175	185	If enabled, the log is cleared each
176	186	time the run button is pressed.</source>
177		<translation>Cambia opción de limpiar log al iniciar. Si se encuentra habilitado, el log se limpiará cada vez que se presione el boton de iniciar</translation>
	187	<translation>Cambia opción de limpiar registro al iniciar.
	188	Si se encuentra habilitado, el registro se limpiará
	189	cada vez que se presione el botón de iniciar.</translation>
178	190	</message>
179	191	<message>
180	192	<location filename="../mainwindow.cpp" line="811"/>

203	215	<location filename="../mainwindow.cpp" line="827"/>
204	216	<source>Toggle automatic update checking.
205	217	This check involves sending anonymous information about your platform and version.</source>
206		<translation>Cambia la opción del chequeo automático de actualizaciones. Este chequeo consiste en enviar información anónima de tu plataforma y versión actuales</translation>
	218	<translation>Cambia la opción del comprobación automática de actualizaciones.
	219	Esta verificación conlleva enviar información anónima de tu plataforma y versión actuales.</translation>
207	220	</message>
208	221	<message>
209	222	<location filename="../mainwindow.cpp" line="828"/>

214	227	<location filename="../mainwindow.cpp" line="829"/>
215	228	<source>Force a check for updates now.
216	229	This check involves sending anonymous information about your platform and version.</source>
217		<translation>Chequea inmediatamente la existencia de actualizaciones. Este chequeo consiste en enviar información anónima de tu plataforma y versión actuales</translation>
	230	<translation>Comprobar inmediatamente la existencia de actualizaciones.
	231	Esta verificación conlleva enviar información anónima de tu plataforma y versión actuales.</translation>
218	232	</message>
219	233	<message>
220	234	<location filename="../mainwindow.cpp" line="830"/>

239	253	<message>
240	254	<location filename="../mainwindow.cpp" line="856"/>
241	255	<source>Configure editor display options.</source>
242		<translation>Configurar opciones de display del editor</translation>
	256	<translation>Configurar opciones de pantalla del editor.</translation>
243	257	</message>
244	258	<message>
245	259	<location filename="../mainwindow.cpp" line="857"/>

249	263	<message>
250	264	<location filename="../mainwindow.cpp" line="858"/>
251	265	<source>Configure editor look and feel.</source>
252		<translation>Configura el aspecto del editor</translation>
	266	<translation>Configura el aspecto del editor.</translation>
253	267	</message>
254	268	<message>
255	269	<location filename="../mainwindow.cpp" line="859"/>

259	273	<message>
260	274	<location filename="../mainwindow.cpp" line="860"/>
261	275	<source>Configure automation features.</source>
262		<translation>Configura las características de automatización</translation>
	276	<translation>Configura las características de automatización.</translation>
263	277	</message>
264	278	<message>
265	279	<location filename="../mainwindow.cpp" line="861"/>

279	293	<message>
280	294	<location filename="../mainwindow.cpp" line="865"/>
281	295	<source>Toggle line number visibility.</source>
282		<translation>Cambia la visibilidad del número de lineas</translation>
	296	<translation>Cambia la visibilidad del número de lineas.</translation>
283	297	</message>
284	298	<message>
285	299	<location filename="../mainwindow.cpp" line="866"/>

289	303	<message>
290	304	<location filename="../mainwindow.cpp" line="867"/>
291	305	<source>Toggle visibility of the log.</source>
292		<translation>Cambia opción de visibilidad del log</translation>
	306	<translation>Cambia opción de visibilidad del registro.</translation>
293	307	</message>
294	308	<message>
295	309	<location filename="../mainwindow.cpp" line="869"/>

299	313	<message>
300	314	<location filename="../mainwindow.cpp" line="870"/>
301	315	<source>Toggle visibility of the control buttons.</source>
302		<translation>Cambia la opción de visibilidad de las opciones del log</translation>
	316	<translation>Cambia la opción de visibilidad de las opciones del registro.</translation>
303	317	</message>
304	318	<message>
305	319	<location filename="../mainwindow.cpp" line="872"/>

309	323	<message>
310	324	<location filename="../mainwindow.cpp" line="874"/>
311	325	<source>Toggle visibility of the buffer selection tabs.</source>
312		<translation>Cambia la visibilidad de los tabs de selección de buffer</translation>
	326	<translation>Cambia la visibilidad de los tabs de selección de buffer.</translation>
313	327	</message>
314	328	<message>
315	329	<location filename="../mainwindow.cpp" line="875"/>

319	333	<message>
320	334	<location filename="../mainwindow.cpp" line="876"/>
321	335	<source>Toggle full screen mode.</source>
322		<translation>Cambia la opción de pantalla completa</translation>
	336	<translation>Cambia la opción de pantalla completa.</translation>
323	337	</message>
324	338	<message>
325	339	<location filename="../mainwindow.cpp" line="877"/>

329	343	<message>
330	344	<location filename="../mainwindow.cpp" line="878"/>
331	345	<source>Toggle dark mode.</source>
332		<translation>Cambia opción de modo dark</translation>
	346	<translation>Cambia opción de modo dark.</translation>
333	347	</message>
334	348	<message>
335	349	<location filename="../mainwindow.cpp" line="878"/>
336	350	<source>
337	351	Dark mode is perfect for live coding in night clubs.</source>
338		<translation>La opción Dark es perfecta para hacer live coding en discotecas o lugares con poca luminosidad</translation>
	352	<translation>
	353	La opción Dark es perfecta para hacer live coding en discotecas o lugares con poca luminosidad.</translation>
339	354	</message>
340	355	<message>
341	356	<location filename="../mainwindow.cpp" line="917"/>

380	395	<message>
381	396	<location filename="../mainwindow.cpp" line="1207"/>
382	397	<source>Workspace %1</source>
383		<translation>Workspace %1</translation>
	398	<translation>Directorio de trabajo %1</translation>
384	399	</message>
385	400	<message>
386	401	<location filename="../mainwindow.cpp" line="1223"/>

726	741	<name>SonicPiUDPServer</name>
727	742	<message>
728	743	<location filename="../sonicpiudpserver.cpp" line="24"/>
729		<source>Is Sonic Pi already running? Can't open UDP port 4558.</source>
	744	<source>Is Sonic Pi already running? Can't open UDP port 4558.</source>
730	745	<translation>Se encuentra corriendo otra instancia de Sonic Pi?, no se puede abrir el puerto UDP 4558.</translation>
731	746	</message>
732	747	</context>

+344

-289

app/gui/qt/lang/sonic-pi_fr.ts less more

0	0	<?xml version="1.0" encoding="utf-8"?>
1	1	<!DOCTYPE TS>
2		<TS version="2.0" language="fr_FR">
3		<defaultcodec>UTF-8</defaultcodec>
	2	<TS version="2.1" language="fr_FR">
4	3	<context>
5	4	<name>MainWindow</name>
6	5	<message>
7		<location filename="../mainwindow.cpp" line="152"/>
	6	<location filename="../mainwindow.cpp" line="262"/>
8	7	<source>Sonic Pi update info</source>
9	8	<translation>Info de mise à jour de Sonic Pi</translation>
10	9	</message>
11	10	<message>
12		<location filename="../mainwindow.cpp" line="295"/>
	11	<location filename="../mainwindow.cpp" line="366"/>
13	12	<source>Buffer %1</source>
14	13	<translation>Buffer %1</translation>
15	14	</message>
16	15	<message>
17		<location filename="../mainwindow.cpp" line="359"/>
	16	<location filename="../mainwindow.cpp" line="430"/>
18	17	<source>Preferences</source>
19	18	<translation>Préférences</translation>
20	19	</message>
21	20	<message>
22		<location filename="../mainwindow.cpp" line="372"/>
	21	<location filename="../mainwindow.cpp" line="443"/>
23	22	<source>Log</source>
24	23	<translation>Trace</translation>
25	24	</message>
26	25	<message>
27		<location filename="../mainwindow.cpp" line="413"/>
28		<location filename="../mainwindow.cpp" line="1919"/>
	26	<location filename="../mainwindow.cpp" line="484"/>
	27	<location filename="../mainwindow.cpp" line="2023"/>
29	28	<source>Help</source>
30	29	<translation>Aide</translation>
31	30	</message>
32	31	<message>
33		<location filename="../mainwindow.cpp" line="444"/>
34		<location filename="../mainwindow.cpp" line="2151"/>
35		<location filename="../mainwindow.cpp" line="2169"/>
	32	<location filename="../mainwindow.cpp" line="167"/>
	33	<location filename="../mainwindow.cpp" line="2258"/>
	34	<location filename="../mainwindow.cpp" line="2276"/>
36	35	<source>Sonic Pi</source>
37	36	<translation>Sonic Pi</translation>
38	37	</message>
39	38	<message>
40		<location filename="../mainwindow.cpp" line="458"/>
	39	<location filename="../mainwindow.cpp" line="220"/>
41	40	<source>Welcome to Sonic Pi</source>
42	41	<translation>Bienvenue à Sonic Pi</translation>
43	42	</message>
44	43	<message>
45		<location filename="../mainwindow.cpp" line="600"/>
	44	<location filename="../mainwindow.cpp" line="636"/>
46	45	<source>Indenting selection...</source>
47	46	<translation>Indentation de la sélection...</translation>
48	47	</message>
49	48	<message>
50		<location filename="../mainwindow.cpp" line="604"/>
	49	<location filename="../mainwindow.cpp" line="640"/>
51	50	<source>Indenting line...</source>
52	51	<translation>Indentation de la ligne...</translation>
53	52	</message>
54	53	<message>
55		<location filename="../mainwindow.cpp" line="633"/>
56	54	<source>Commenting selection...</source>
57		<translation>Commentant la sélection...</translation>
58		</message>
59		<message>
60		<location filename="../mainwindow.cpp" line="637"/>
	55	<translation type="vanished">Commentant la sélection...</translation>
	56	</message>
	57	<message>
61	58	<source>Commenting line...</source>
62		<translation>Commentant la ligne...</translation>
63		</message>
64		<message>
65		<location filename="../mainwindow.cpp" line="716"/>
	59	<translation type="vanished">Commentant la ligne...</translation>
	60	</message>
	61	<message>
66	62	<source>Ruby could not be started, is it installed and in your PATH?</source>
67		<translation>Ruby ne peut être lancé, est-il installé et dans votre PATH ?</translation>
68		</message>
69		<message>
70		<location filename="../mainwindow.cpp" line="802"/>
	63	<translation type="vanished">Ruby ne peut être lancé, est-il installé et dans votre PATH ?</translation>
	64	</message>
	65	<message>
	66	<location filename="../mainwindow.cpp" line="669"/>
	67	<source>Toggle selection comment...</source>
	68	<translation>Commenter/Décommenter la sélection ...</translation>
	69	</message>
	70	<message>
	71	<location filename="../mainwindow.cpp" line="673"/>
	72	<source>Toggle line comment...</source>
	73	<translation>Commenter/Décommenter la ligne ...</translation>
	74	</message>
	75	<message>
	76	<location filename="../mainwindow.cpp" line="747"/>
	77	<source>The Sonic Pi server could not be started!</source>
	78	<translation>Le serveur Sonic Pi n'a pas pu être lancé !</translation>
	79	</message>
	80	<message>
	81	<location filename="../mainwindow.cpp" line="849"/>
71	82	<source>Raspberry Pi System Volume</source>
72	83	<translation>Volume du son du Raspberry Pi</translation>
73	84	</message>
74	85	<message>
75		<location filename="../mainwindow.cpp" line="803"/>
	86	<location filename="../mainwindow.cpp" line="850"/>
76	87	<source>Use this slider to change the system volume of your Raspberry Pi.</source>
77		<translation>Utilisez ce curseur pour changer le volume du son de votre Raspberry Pi</translation>
78		</message>
79		<message>
80		<location filename="../mainwindow.cpp" line="805"/>
	88	<translation>Utilisez ce curseur pour changer le volume du son de votre Raspberry Pi.</translation>
	89	</message>
	90	<message>
	91	<location filename="../mainwindow.cpp" line="852"/>
81	92	<source>Advanced Audio</source>
82	93	<translation>Audio avancé</translation>
83	94	</message>
84	95	<message>
85		<location filename="../mainwindow.cpp" line="806"/>
	96	<location filename="../mainwindow.cpp" line="853"/>
86	97	<source>Advanced audio settings for working with
87	98	external PA systems when performing with Sonic Pi.</source>
88		<translation>Paramètres audio avancés pour l'utilisation
89		d'un amplificateur externe avec Sonic Pi</translation>
90		</message>
91		<message>
92		<location filename="../mainwindow.cpp" line="807"/>
	99	<translation>Paramètres audio avancés pour l'utilisation
	100	d'un amplificateur externe avec Sonic Pi.</translation>
	101	</message>
	102	<message>
	103	<location filename="../mainwindow.cpp" line="854"/>
93	104	<source>Invert Stereo</source>
94	105	<translation>Stéréo inversée</translation>
95	106	</message>
96	107	<message>
97		<location filename="../mainwindow.cpp" line="808"/>
	108	<location filename="../mainwindow.cpp" line="855"/>
98	109	<source>Toggle stereo inversion.
99	110	If enabled, audio sent to the left speaker will
100	111	be routed to the right speaker and visa versa.</source>
101	112	<translation>Bascule en stéréo inversée.
102	113	Si activée, le son destiné au haut-parleur de gauche sera
103		dirigé vers le haut-parleur de droite et vice et versa</translation>
104		</message>
105		<message>
106		<location filename="../mainwindow.cpp" line="810"/>
	114	dirigé vers le haut-parleur de droite et vice et versa.</translation>
	115	</message>
	116	<message>
	117	<location filename="../mainwindow.cpp" line="857"/>
107	118	<source>Force Mono</source>
108	119	<translation>Mono forcé</translation>
109	120	</message>
110	121	<message>
111		<location filename="../mainwindow.cpp" line="811"/>
	122	<location filename="../mainwindow.cpp" line="858"/>
112	123	<source>Toggle mono mode.
113	124	If enabled both right and left audio is mixed and
114	125	the same signal is sent to both speakers.
115	126	Useful when working with external systems that
116	127	can only handle mono.</source>
117	128	<translation>Bascule en mode mono.
118		Si activée, l'audio de gauche est mélangé avec celui de droite
	129	Si activée, l'audio de gauche est mélangé avec celui de droite
119	130	et le même signal est dirigé vers les deux haut-parleurs.
120	131	Utile quand on travaille avec des systèmes externes qui
121	132	ne supportent que le mono.</translation>
122	133	</message>
123	134	<message>
124		<location filename="../mainwindow.cpp" line="814"/>
	135	<location filename="../mainwindow.cpp" line="861"/>
125	136	<source>Safe mode</source>
126	137	<translation>Mode sécurisé</translation>
127	138	</message>
128	139	<message>
129		<location filename="../mainwindow.cpp" line="815"/>
	140	<location filename="../mainwindow.cpp" line="862"/>
130	141	<source>Toggle synth argument checking functions.
131	142	If disabled, certain synth opt values may
132	143	create unexpectedly loud or uncomfortable sounds.</source>

135	146	engendrer des sons forts ou inconfortables de manière imprévue.</translation>
136	147	</message>
137	148	<message>
138		<location filename="../mainwindow.cpp" line="827"/>
	149	<location filename="../mainwindow.cpp" line="874"/>
139	150	<source>Raspberry Pi Audio Output</source>
140	151	<translation>Sortie audio du Raspberry Pi</translation>
141	152	</message>
142	153	<message>
143		<location filename="../mainwindow.cpp" line="828"/>
	154	<location filename="../mainwindow.cpp" line="875"/>
144	155	<source>Your Raspberry Pi has two forms of audio output.
145	156	Firstly, there is the headphone jack of the Raspberry Pi itself.
146	157	Secondly, some HDMI monitors/TVs support audio through the HDMI port.
147	158	Use these buttons to force the output to the one you want.</source>
148	159	<translation>Votre Raspberry Pi a deux sorties audio.
149	160	Premièrement, il y a la prise jack pour écouteurs du Raspberry PI lui-même.
150		Deuxièmement, des moniteurs ou TV supportent l'audio via la prise HDMI.
	161	Deuxièmement, des moniteurs ou TV supportent l'audio via la prise HDMI.
151	162	Utilisez ces boutons pour forcer la sortie vers ce que vous souhaitez.</translation>
152	163	</message>
153	164	<message>
154		<location filename="../mainwindow.cpp" line="829"/>
	165	<location filename="../mainwindow.cpp" line="876"/>
155	166	<source>&Default</source>
156	167	<translation>&Défaut</translation>
157	168	</message>
158	169	<message>
159		<location filename="../mainwindow.cpp" line="830"/>
	170	<location filename="../mainwindow.cpp" line="877"/>
160	171	<source>&Headphones</source>
161	172	<translation>&Écouteurs</translation>
162	173	</message>
163	174	<message>
164		<location filename="../mainwindow.cpp" line="831"/>
	175	<location filename="../mainwindow.cpp" line="878"/>
165	176	<source>&HDMI</source>
166	177	<translation>&HDMI</translation>
167	178	</message>
168	179	<message>
169		<location filename="../mainwindow.cpp" line="851"/>
	180	<location filename="../mainwindow.cpp" line="898"/>
170	181	<source>Logging</source>
171	182	<translation>Trace</translation>
172	183	</message>
173	184	<message>
174		<location filename="../mainwindow.cpp" line="852"/>
	185	<location filename="../mainwindow.cpp" line="899"/>
175	186	<source>Configure debug behaviour</source>
176	187	<translation>Configuration du comportement de débogage</translation>
177	188	</message>
178	189	<message>
179		<location filename="../mainwindow.cpp" line="854"/>
	190	<location filename="../mainwindow.cpp" line="901"/>
180	191	<source>Log synths</source>
181	192	<translation>Trace les synthés</translation>
182	193	</message>
183	194	<message>
184		<location filename="../mainwindow.cpp" line="855"/>
	195	<location filename="../mainwindow.cpp" line="902"/>
185	196	<source>Toggle log messages.
186	197	If disabled, activity such as synth and sample
187	198	triggering will not be printed to the log by default.</source>
188	199	<translation>Bascule des messages de trace.
189		Si désactivée, l'activité telle que le jeu des synthés et des échantillons
	200	Si désactivée, l'activité telle que le jeu des synthés et des échantillons
190	201	ne sera pas affichée dans la trace par défaut.</translation>
191	202	</message>
192	203	<message>
193		<location filename="../mainwindow.cpp" line="857"/>
	204	<location filename="../mainwindow.cpp" line="904"/>
194	205	<source>Clear log on run</source>
195	206	<translation>Efface la trace avant exécution</translation>
196	207	</message>
197	208	<message>
198		<location filename="../mainwindow.cpp" line="858"/>
	209	<location filename="../mainwindow.cpp" line="905"/>
199	210	<source>Toggle log clearing on run.
200	211	If enabled, the log is cleared each
201	212	time the run button is pressed.</source>
202		<translation>Bascule de l'effacement de la trace avant exécution.
	213	<translation>Bascule de l'effacement de la trace avant exécution.
203	214	Si activé, la trace est effacée à chaque appui
204	215	sur le bouton run.</translation>
205	216	</message>
206	217	<message>
207		<location filename="../mainwindow.cpp" line="860"/>
	218	<location filename="../mainwindow.cpp" line="907"/>
208	219	<source>Log cues</source>
209	220	<translation>Trace des cues</translation>
210	221	</message>
211	222	<message>
212		<location filename="../mainwindow.cpp" line="861"/>
	223	<location filename="../mainwindow.cpp" line="908"/>
213	224	<source>Enable or disable logging of cues.
214	225	If disabled, cues will still trigger.
215	226	However, they will not be visible in the logs.</source>

218	229	Toutefois, ils ne seront pas visibles dans la trace.</translation>
219	230	</message>
220	231	<message>
221		<location filename="../mainwindow.cpp" line="870"/>
	232	<location filename="../mainwindow.cpp" line="917"/>
222	233	<source>Transparency</source>
223	234	<translation>Transparence</translation>
224	235	</message>
225	236	<message>
226		<location filename="../mainwindow.cpp" line="881"/>
227		<location filename="../mainwindow.cpp" line="1003"/>
	237	<location filename="../mainwindow.cpp" line="928"/>
	238	<location filename="../mainwindow.cpp" line="1060"/>
228	239	<source>Updates</source>
229	240	<translation>Mises à jour</translation>
230	241	</message>
231	242	<message>
232		<location filename="../mainwindow.cpp" line="883"/>
	243	<location filename="../mainwindow.cpp" line="930"/>
233	244	<source>Check for updates</source>
234	245	<translation>Vérification des mises à jour</translation>
235	246	</message>
236	247	<message>
237		<location filename="../mainwindow.cpp" line="885"/>
	248	<location filename="../mainwindow.cpp" line="932"/>
238	249	<source>Toggle automatic update checking.
239	250	This check involves sending anonymous information about your platform and version.</source>
240		<translation>Bascule de la vérification automatique des mises à jour.
241		Cette vérification implique l'envoi d'informations anonymes
242		sur votre plateforme et votre version</translation>
243		</message>
244		<message>
245		<location filename="../mainwindow.cpp" line="886"/>
	251	<translation>Activer/Désactiver la vérification automatique des mises à jour.
	252	Cette vérification implique l'envoi d'informations anonymes sur votre plateforme et votre version.</translation>
	253	</message>
	254	<message>
	255	<location filename="../mainwindow.cpp" line="933"/>
246	256	<source>Check now</source>
247	257	<translation>Vérification sur le champ</translation>
248	258	</message>
249	259	<message>
250		<location filename="../mainwindow.cpp" line="887"/>
	260	<location filename="../mainwindow.cpp" line="934"/>
251	261	<source>Force a check for updates now.
252	262	This check involves sending anonymous information about your platform and version.</source>
253		<translation>Force une vérification des mises à jour sur le champ.
254		Cette vérification implique l'envoi d'informations anonymes
255		sur votre plateforme et votre version</translation>
256		</message>
257		<message>
258		<location filename="../mainwindow.cpp" line="888"/>
	263	<translation>Force une vérification des mises à jour.
	264	Cette vérification implique l'envoi d'informations anonymes à propos de votre plateforme et de votre version.</translation>
	265	</message>
	266	<message>
	267	<location filename="../mainwindow.cpp" line="935"/>
259	268	<source>Get update</source>
260		<translation>Obtention d'une mise à jour</translation>
261		</message>
262		<message>
263		<location filename="../mainwindow.cpp" line="889"/>
	269	<translation>Obtention d'une mise à jour</translation>
	270	</message>
	271	<message>
	272	<location filename="../mainwindow.cpp" line="936"/>
264	273	<source>Visit http://sonic-pi.net to download new version</source>
265	274	<translation>Visitez http://sonic-pi.net pour télécharger une nouvelle version</translation>
266	275	</message>
267	276	<message>
268		<location filename="../mainwindow.cpp" line="894"/>
	277	<location filename="../mainwindow.cpp" line="941"/>
269	278	<source>Update Info</source>
270	279	<translation>Information de mise à jour</translation>
271	280	</message>
272	281	<message>
273		<location filename="../mainwindow.cpp" line="913"/>
	282	<location filename="../mainwindow.cpp" line="960"/>
274	283	<source>Show and Hide</source>
275	284	<translation>Montre et cache</translation>
276	285	</message>
277	286	<message>
278		<location filename="../mainwindow.cpp" line="914"/>
	287	<location filename="../mainwindow.cpp" line="961"/>
279	288	<source>Configure editor display options.</source>
280		<translation>Configuration des options d'affichage de l'éditeur</translation>
281		</message>
282		<message>
283		<location filename="../mainwindow.cpp" line="915"/>
	289	<translation>Configuration des options d'affichage de l'éditeur.</translation>
	290	</message>
	291	<message>
	292	<location filename="../mainwindow.cpp" line="962"/>
284	293	<source>Look and Feel</source>
285	294	<translation>Look and Feel</translation>
286	295	</message>
287	296	<message>
288		<location filename="../mainwindow.cpp" line="916"/>
	297	<location filename="../mainwindow.cpp" line="963"/>
289	298	<source>Configure editor look and feel.</source>
290		<translation>Configuration du look and feel de l'éditeur</translation>
291		</message>
292		<message>
293		<location filename="../mainwindow.cpp" line="917"/>
	299	<translation>Configuration du look and feel de l'éditeur.</translation>
	300	</message>
	301	<message>
	302	<location filename="../mainwindow.cpp" line="964"/>
294	303	<source>Automation</source>
295	304	<translation>Automatisation</translation>
296	305	</message>
297	306	<message>
298		<location filename="../mainwindow.cpp" line="918"/>
	307	<location filename="../mainwindow.cpp" line="965"/>
299	308	<source>Configure automation features.</source>
300		<translation>Configuration des caractéristiques de l'automatisation</translation>
301		</message>
302		<message>
303		<location filename="../mainwindow.cpp" line="919"/>
	309	<translation>Configurer les fonctionnalités d'automatisation.</translation>
	310	</message>
	311	<message>
	312	<location filename="../mainwindow.cpp" line="966"/>
304	313	<source>Auto-align</source>
305	314	<translation>Alignement automatique</translation>
306	315	</message>
307	316	<message>
308		<location filename="../mainwindow.cpp" line="920"/>
	317	<location filename="../mainwindow.cpp" line="967"/>
309	318	<source>Automatically align code on Run</source>
310		<translation>Alignement automatique du code à l'exécution</translation>
311		</message>
312		<message>
313		<location filename="../mainwindow.cpp" line="922"/>
	319	<translation>Alignement automatique du code à l'exécution</translation>
	320	</message>
	321	<message>
	322	<location filename="../mainwindow.cpp" line="969"/>
314	323	<source>Show line numbers</source>
315	324	<translation>Affichage des numéros de ligne</translation>
316	325	</message>
317	326	<message>
318		<location filename="../mainwindow.cpp" line="923"/>
	327	<location filename="../mainwindow.cpp" line="970"/>
319	328	<source>Toggle line number visibility.</source>
320		<translation>Bascule de la visibilité des numéros de ligne</translation>
321		</message>
322		<message>
323		<location filename="../mainwindow.cpp" line="924"/>
	329	<translation>Activer/désactiver la visibilité des numéros de ligne.</translation>
	330	</message>
	331	<message>
	332	<location filename="../mainwindow.cpp" line="971"/>
324	333	<source>Show log</source>
325	334	<translation>Affichage de la trace</translation>
326	335	</message>
327	336	<message>
328		<location filename="../mainwindow.cpp" line="925"/>
	337	<location filename="../mainwindow.cpp" line="972"/>
329	338	<source>Toggle visibility of the log.</source>
330		<translation>Bascule de la visibilité de la trace</translation>
331		</message>
332		<message>
333		<location filename="../mainwindow.cpp" line="927"/>
	339	<translation>Activer/désactiver la visibilité du journal.</translation>
	340	</message>
	341	<message>
	342	<location filename="../mainwindow.cpp" line="974"/>
334	343	<source>Show buttons</source>
335	344	<translation>Affichage des boutons</translation>
336	345	</message>
337	346	<message>
338		<location filename="../mainwindow.cpp" line="928"/>
	347	<location filename="../mainwindow.cpp" line="975"/>
339	348	<source>Toggle visibility of the control buttons.</source>
340		<translation>Bascule de la visibilité des boutons de contrôle</translation>
341		</message>
342		<message>
343		<location filename="../mainwindow.cpp" line="930"/>
	349	<translation>Activer/désactiver la visibilité des boutons de contrôle.</translation>
	350	</message>
	351	<message>
	352	<location filename="../mainwindow.cpp" line="977"/>
344	353	<source>Show tabs</source>
345	354	<translation>Affichage des onglets</translation>
346	355	</message>
347	356	<message>
348		<location filename="../mainwindow.cpp" line="932"/>
	357	<location filename="../mainwindow.cpp" line="979"/>
349	358	<source>Toggle visibility of the buffer selection tabs.</source>
350		<translation>Bascule de l'affichage des onglets de sélection des buffers</translation>
351		</message>
352		<message>
353		<location filename="../mainwindow.cpp" line="933"/>
	359	<translation>Activer/désactiver l'affichage des onglets de sélection des buffers.</translation>
	360	</message>
	361	<message>
	362	<location filename="../mainwindow.cpp" line="980"/>
354	363	<source>Full screen</source>
355	364	<translation>Plein écran</translation>
356	365	</message>
357	366	<message>
358		<location filename="../mainwindow.cpp" line="934"/>
	367	<location filename="../mainwindow.cpp" line="981"/>
359	368	<source>Toggle full screen mode.</source>
360		<translation>Bascule du mode plein écran</translation>
361		</message>
362		<message>
363		<location filename="../mainwindow.cpp" line="935"/>
	369	<translation>Activer/désactiver le mode plein écran.</translation>
	370	</message>
	371	<message>
	372	<location filename="../mainwindow.cpp" line="982"/>
364	373	<source>Dark mode</source>
365	374	<translation>Mode sombre</translation>
366	375	</message>
367	376	<message>
368		<location filename="../mainwindow.cpp" line="936"/>
	377	<location filename="../mainwindow.cpp" line="983"/>
369	378	<source>Toggle dark mode.</source>
370		<translation>Bascule du mode sombre</translation>
371		</message>
372		<message>
373		<location filename="../mainwindow.cpp" line="936"/>
	379	<translation>Activer/désactiver le mode sombre.</translation>
	380	</message>
	381	<message>
	382	<location filename="../mainwindow.cpp" line="983"/>
	383	<source>
	384	Dark mode is perfect for live coding in night clubs.</source>
	385	<translation>Le thème foncé est parfait pour coder en boîte de nuit.</translation>
	386	</message>
	387	<message>
	388	<location filename="../mainwindow.cpp" line="1243"/>
	389	<source>Load Sonic-Pi file</source>
	390	<translation>Charger un fichier Sonic Pi</translation>
	391	</message>
	392	<message>
	393	<location filename="../mainwindow.cpp" line="2001"/>
	394	<source>Run the code in the current buffer</source>
	395	<translation>Exécuter le code du buffer courant</translation>
	396	</message>
	397	<message>
374	398	<source>Dark mode is perfect for live coding in night clubs.</source>
375		<translation>Le mode sombre est parfait pour le codage en live dans les boîtes de nuit</translation>
376		</message>
377		<message>
378		<location filename="../mainwindow.cpp" line="975"/>
	399	<translation type="vanished">Le mode sombre est parfait pour le codage en live dans les boites de nuit.</translation>
	400	</message>
	401	<message>
	402	<location filename="../mainwindow.cpp" line="1022"/>
379	403	<source>Audio</source>
380	404	<translation>Audio</translation>
381	405	</message>
382	406	<message>
383		<location filename="../mainwindow.cpp" line="987"/>
	407	<location filename="../mainwindow.cpp" line="1034"/>
384	408	<source>Editor</source>
385	409	<translation>Éditeur</translation>
386	410	</message>
387	411	<message>
388		<location filename="../mainwindow.cpp" line="988"/>
	412	<location filename="../mainwindow.cpp" line="1035"/>
389	413	<source>Studio</source>
390	414	<translation>Studio</translation>
391	415	</message>
392	416	<message>
393		<location filename="../mainwindow.cpp" line="990"/>
394		<location filename="../mainwindow.cpp" line="995"/>
	417	<location filename="../mainwindow.cpp" line="1037"/>
	418	<location filename="../mainwindow.cpp" line="1047"/>
395	419	<source>Performance</source>
396	420	<translation>Interprétation</translation>
397	421	</message>
398	422	<message>
399		<location filename="../mainwindow.cpp" line="991"/>
	423	<location filename="../mainwindow.cpp" line="1038"/>
400	424	<source>Settings useful for performing with Sonic Pi</source>
401		<translation>Paramètres utiles pour l'interprétation avec Sonic Pi</translation>
402		</message>
403		<message>
404		<location filename="../mainwindow.cpp" line="1086"/>
	425	<translation>Paramètres utiles pour l'interprétation avec Sonic Pi</translation>
	426	</message>
	427	<message>
	428	<location filename="../mainwindow.cpp" line="1148"/>
405	429	<source>Server boot error...</source>
406	430	<translation>Erreur du lanceur du serveur...</translation>
407	431	</message>
408	432	<message>
409		<location filename="../mainwindow.cpp" line="1086"/>
410	433	<source>Apologies, a critical error occurred during startup</source>
411		<translation>Veuillez nous excuser, une erreur critique s'est produite
412		pendant le démarrage.</translation>
413		</message>
414		<message>
415		<location filename="../mainwindow.cpp" line="1086"/>
	434	<translation type="vanished">Veuillez nous excuser, une erreur critique s'est produite pendant le démarrage</translation>
	435	</message>
	436	<message>
	437	<location filename="../mainwindow.cpp" line="1148"/>
416	438	<source>Please consider reporting a bug at</source>
417		<translation>Envisagez SVP la signalisation d'un bogue à</translation>
418		</message>
419		<message>
420		<location filename="../mainwindow.cpp" line="1180"/>
	439	<translation>Envisagez SVP la signalisation d'un bogue à</translation>
	440	</message>
	441	<message>
	442	<location filename="../mainwindow.cpp" line="1148"/>
	443	<source>Sonic Pi Boot Error
	444
	445	Apologies, a critical error occurred during startup</source>
	446	<translation>Erreur de démarrage de Sonic Pi
	447
	448	Veuillez nous excuser, une erreur critique s'est produite pendant le démarrage</translation>
	449	</message>
	450	<message>
	451	<location filename="../mainwindow.cpp" line="1255"/>
421	452	<source>Save Current Buffer</source>
422	453	<translation>Sauvegarde du buffer courant</translation>
423	454	</message>
424	455	<message>
425		<location filename="../mainwindow.cpp" line="1248"/>
	456	<location filename="../mainwindow.cpp" line="1255"/>
	457	<source>Ruby (*.rb)</source>
	458	<translation></translation>
	459	</message>
	460	<message>
	461	<location filename="../mainwindow.cpp" line="1326"/>
426	462	<source>Running Code...</source>
427	463	<translation>Exécution du code...</translation>
428	464	</message>
429	465	<message>
430		<location filename="../mainwindow.cpp" line="1274"/>
431	466	<source>Workspace %1</source>
432		<translation>Buffer %1</translation>
433		</message>
434		<message>
435		<location filename="../mainwindow.cpp" line="1290"/>
	467	<translation type="vanished">Buffer %1</translation>
	468	</message>
	469	<message>
	470	<location filename="../mainwindow.cpp" line="1368"/>
436	471	<source>Zooming In...</source>
437	472	<translation>Zoom arrière...</translation>
438	473	</message>
439	474	<message>
440		<location filename="../mainwindow.cpp" line="1297"/>
	475	<location filename="../mainwindow.cpp" line="1375"/>
441	476	<source>Zooming Out...</source>
442	477	<translation>Zoom avant...</translation>
443	478	</message>
444	479	<message>
445		<location filename="../mainwindow.cpp" line="1304"/>
	480	<location filename="../mainwindow.cpp" line="1382"/>
446	481	<source>Beautifying...</source>
447	482	<translation>Embellissement...</translation>
448	483	</message>
449	484	<message>
450		<location filename="../mainwindow.cpp" line="1324"/>
	485	<location filename="../mainwindow.cpp" line="1402"/>
451	486	<source>Reloading...</source>
452	487	<translation>Rechargement...</translation>
453	488	</message>
454	489	<message>
455		<location filename="../mainwindow.cpp" line="1331"/>
	490	<location filename="../mainwindow.cpp" line="1409"/>
456	491	<source>Checking for updates...</source>
457	492	<translation>Vérification des mises à jour...</translation>
458	493	</message>
459	494	<message>
460		<location filename="../mainwindow.cpp" line="1339"/>
	495	<location filename="../mainwindow.cpp" line="1417"/>
461	496	<source>Enabling update checking...</source>
462	497	<translation>Activation de la vérification des mises à jour...</translation>
463	498	</message>
464	499	<message>
465		<location filename="../mainwindow.cpp" line="1347"/>
	500	<location filename="../mainwindow.cpp" line="1425"/>
466	501	<source>Disabling update checking...</source>
467	502	<translation>Désactivation de la vérification des mises à jour...</translation>
468	503	</message>
469	504	<message>
470		<location filename="../mainwindow.cpp" line="1355"/>
	505	<location filename="../mainwindow.cpp" line="1433"/>
471	506	<source>Enabling Mixer HPF...</source>
472	507	<translation>Activation du filtre passe-haut...</translation>
473	508	</message>
474	509	<message>
475		<location filename="../mainwindow.cpp" line="1364"/>
	510	<location filename="../mainwindow.cpp" line="1442"/>
476	511	<source>Disabling Mixer HPF...</source>
477	512	<translation>Désactivation du filtre passe-haut...</translation>
478	513	</message>
479	514	<message>
480		<location filename="../mainwindow.cpp" line="1372"/>
	515	<location filename="../mainwindow.cpp" line="1450"/>
481	516	<source>Enabling Mixer LPF...</source>
482	517	<translation>Activation du filtre passe-bas...</translation>
483	518	</message>
484	519	<message>
485		<location filename="../mainwindow.cpp" line="1381"/>
	520	<location filename="../mainwindow.cpp" line="1459"/>
486	521	<source>Disabling Mixer LPF...</source>
487	522	<translation>Désactivation du filtre passe-bas...</translation>
488	523	</message>
489	524	<message>
490		<location filename="../mainwindow.cpp" line="1389"/>
	525	<location filename="../mainwindow.cpp" line="1467"/>
491	526	<source>Enabling Inverted Stereo...</source>
492		<translation>Activation de l'inversion stéréo...</translation>
493		</message>
494		<message>
495		<location filename="../mainwindow.cpp" line="1397"/>
	527	<translation>Activation de l'inversion stéréo...</translation>
	528	</message>
	529	<message>
	530	<location filename="../mainwindow.cpp" line="1475"/>
496	531	<source>Enabling Standard Stereo...</source>
497	532	<translation>Activation de la stéréo standard...</translation>
498	533	</message>
499	534	<message>
500		<location filename="../mainwindow.cpp" line="1405"/>
	535	<location filename="../mainwindow.cpp" line="1483"/>
501	536	<source>Mono Mode...</source>
502	537	<translation>Mode mono...</translation>
503	538	</message>
504	539	<message>
505		<location filename="../mainwindow.cpp" line="1413"/>
	540	<location filename="../mainwindow.cpp" line="1491"/>
506	541	<source>Stereo Mode...</source>
507	542	<translation>Mode stéréo...</translation>
508	543	</message>
509	544	<message>
510		<location filename="../mainwindow.cpp" line="1422"/>
	545	<location filename="../mainwindow.cpp" line="1500"/>
511	546	<source>Stopping...</source>
512	547	<translation>Arrêt...</translation>
513	548	</message>
514	549	<message>
515		<location filename="../mainwindow.cpp" line="1506"/>
	550	<location filename="../mainwindow.cpp" line="1596"/>
516	551	<source>Updating System Volume...</source>
517		<translation>Changement du volume du son du système</translation>
518		</message>
519		<message>
520		<location filename="../mainwindow.cpp" line="1728"/>
	552	<translation>Mise à jour du volume système...</translation>
	553	</message>
	554	<message>
	555	<location filename="../mainwindow.cpp" line="1818"/>
521	556	<source>Switching To Headphone Audio Output...</source>
522	557	<translation>Aiguillage vers la sortie écouteurs...</translation>
523	558	</message>
524	559	<message>
525		<location filename="../mainwindow.cpp" line="1744"/>
	560	<location filename="../mainwindow.cpp" line="1834"/>
526	561	<source>Switching To HDMI Audio Output...</source>
527	562	<translation>Aiguillage vers la sortie HDMI...</translation>
528	563	</message>
529	564	<message>
530		<location filename="../mainwindow.cpp" line="1759"/>
	565	<location filename="../mainwindow.cpp" line="1849"/>
531	566	<source>Switching To Default Audio Output...</source>
532	567	<translation>Aiguillage vers la sortie par défaut...</translation>
533	568	</message>
534	569	<message>
535		<location filename="../mainwindow.cpp" line="1901"/>
	570	<location filename="../mainwindow.cpp" line="2000"/>
536	571	<source>Run</source>
537		<translation>Run</translation>
538		</message>
539		<message>
540		<location filename="../mainwindow.cpp" line="1902"/>
	572	<translation>Lancer</translation>
	573	</message>
	574	<message>
541	575	<source>Run the code in the current workspace</source>
542		<translation>Exécute le code dans le buffer courant</translation>
543		</message>
544		<message>
545		<location filename="../mainwindow.cpp" line="1906"/>
	576	<translation type="vanished">Exécute le code dans le buffer courant</translation>
	577	</message>
	578	<message>
	579	<location filename="../mainwindow.cpp" line="2006"/>
546	580	<source>Stop</source>
547	581	<translation>Stop</translation>
548	582	</message>
549	583	<message>
550		<location filename="../mainwindow.cpp" line="1907"/>
	584	<location filename="../mainwindow.cpp" line="2007"/>
551	585	<source>Stop all running code</source>
552		<translation>Arrête l'exécution de tous les codes</translation>
553		</message>
554		<message>
555		<location filename="../mainwindow.cpp" line="1910"/>
	586	<translation>Arrête l'exécution de tous les codes</translation>
	587	</message>
	588	<message>
	589	<location filename="../mainwindow.cpp" line="2010"/>
556	590	<source>Save As...</source>
557	591	<translation>Enregistrer sous...</translation>
558	592	</message>
559	593	<message>
560		<location filename="../mainwindow.cpp" line="1911"/>
	594	<location filename="../mainwindow.cpp" line="2011"/>
561	595	<source>Save current buffer as an external file</source>
562	596	<translation>Enregistre le buffer courant dans un fichier externe</translation>
563	597	</message>
564	598	<message>
565		<location filename="../mainwindow.cpp" line="1914"/>
	599	<location filename="../mainwindow.cpp" line="2014"/>
	600	<source>Load</source>
	601	<translation>Charger</translation>
	602	</message>
	603	<message>
	604	<location filename="../mainwindow.cpp" line="2015"/>
	605	<source>Load an external file in the current buffer</source>
	606	<translation>Charger un fichier externe dans le buffer courant</translation>
	607	</message>
	608	<message>
	609	<location filename="../mainwindow.cpp" line="2018"/>
566	610	<source>Info</source>
567	611	<translation>Info</translation>
568	612	</message>
569	613	<message>
570		<location filename="../mainwindow.cpp" line="1915"/>
	614	<location filename="../mainwindow.cpp" line="2019"/>
571	615	<source>See information about Sonic Pi</source>
572		<translation>Voir l'information sur Sonic Pi</translation>
573		</message>
574		<message>
575		<location filename="../mainwindow.cpp" line="1920"/>
	616	<translation>Voir l'information sur Sonic Pi</translation>
	617	</message>
	618	<message>
	619	<location filename="../mainwindow.cpp" line="2024"/>
576	620	<source>Toggle help pane</source>
577		<translation>Bascule de l'affichage du panneau d'aide</translation>
578		</message>
579		<message>
580		<location filename="../mainwindow.cpp" line="1923"/>
	621	<translation>Bascule de l'affichage du panneau d'aide</translation>
	622	</message>
	623	<message>
	624	<location filename="../mainwindow.cpp" line="2027"/>
581	625	<source>Prefs</source>
582	626	<translation>Prefs</translation>
583	627	</message>
584	628	<message>
585		<location filename="../mainwindow.cpp" line="1924"/>
	629	<location filename="../mainwindow.cpp" line="2028"/>
586	630	<source>Toggle preferences pane</source>
587		<translation>Bascule de l'affichage du panneau des préférences</translation>
588		</message>
589		<message>
590		<location filename="../mainwindow.cpp" line="1928"/>
591		<location filename="../mainwindow.cpp" line="2050"/>
592		<location filename="../mainwindow.cpp" line="2051"/>
	631	<translation>Bascule de l'affichage du panneau des préférences</translation>
	632	</message>
	633	<message>
	634	<location filename="../mainwindow.cpp" line="2032"/>
	635	<location filename="../mainwindow.cpp" line="2158"/>
	636	<location filename="../mainwindow.cpp" line="2159"/>
593	637	<source>Start Recording</source>
594		<translation>Démarrage de l'enregistrement</translation>
595		</message>
596		<message>
597		<location filename="../mainwindow.cpp" line="1929"/>
	638	<translation>Démarrage de l'enregistrement</translation>
	639	</message>
	640	<message>
	641	<location filename="../mainwindow.cpp" line="2033"/>
598	642	<source>Start recording to WAV audio file</source>
599		<translation>Démarre l'enregistrement vers un fichier audio WAV</translation>
600		</message>
601		<message>
602		<location filename="../mainwindow.cpp" line="1933"/>
	643	<translation>Démarre l'enregistrement vers un fichier audio WAV</translation>
	644	</message>
	645	<message>
	646	<location filename="../mainwindow.cpp" line="2037"/>
603	647	<source>Auto-Align Text</source>
604	648	<translation>Alignement automatique du texte</translation>
605	649	</message>
606	650	<message>
607		<location filename="../mainwindow.cpp" line="1934"/>
	651	<location filename="../mainwindow.cpp" line="2038"/>
608	652	<source>Improve readability of code</source>
609		<translation>Amélioration de la lisibilité du code</translation>
610		</message>
611		<message>
612		<location filename="../mainwindow.cpp" line="1938"/>
613		<location filename="../mainwindow.cpp" line="1939"/>
	653	<translation>Améliore de la lisibilité du code</translation>
	654	</message>
	655	<message>
	656	<location filename="../mainwindow.cpp" line="2044"/>
614	657	<source>Increase Text Size</source>
615	658	<translation>Augmente la taille du texte</translation>
616	659	</message>
617	660	<message>
618		<location filename="../mainwindow.cpp" line="1943"/>
619		<location filename="../mainwindow.cpp" line="1944"/>
	661	<location filename="../mainwindow.cpp" line="2051"/>
620	662	<source>Decrease Text Size</source>
621	663	<translation>Diminue la taille du texte</translation>
622	664	</message>
623	665	<message>
624		<location filename="../mainwindow.cpp" line="1949"/>
	666	<location filename="../mainwindow.cpp" line="2056"/>
625	667	<source>Tools</source>
626	668	<translation>Outils</translation>
627	669	</message>
628	670	<message>
629		<location filename="../mainwindow.cpp" line="1996"/>
	671	<location filename="../mainwindow.cpp" line="2104"/>
630	672	<source>About</source>
631	673	<translation>A propos</translation>
632	674	</message>
633	675	<message>
634		<location filename="../mainwindow.cpp" line="1997"/>
	676	<location filename="../mainwindow.cpp" line="2105"/>
635	677	<source>Core Team</source>
636	678	<translation>Équipe principale</translation>
637	679	</message>
638	680	<message>
639		<location filename="../mainwindow.cpp" line="1998"/>
	681	<location filename="../mainwindow.cpp" line="2106"/>
640	682	<source>Contributors</source>
641	683	<translation>Contributeurs</translation>
642	684	</message>
643	685	<message>
644		<location filename="../mainwindow.cpp" line="1999"/>
	686	<location filename="../mainwindow.cpp" line="2107"/>
645	687	<source>Community</source>
646	688	<translation>Communauté</translation>
647	689	</message>
648	690	<message>
649		<location filename="../mainwindow.cpp" line="2000"/>
	691	<location filename="../mainwindow.cpp" line="2108"/>
650	692	<source>License</source>
651		<translation>License</translation>
652		</message>
653		<message>
654		<location filename="../mainwindow.cpp" line="2001"/>
	693	<translation>Licence</translation>
	694	</message>
	695	<message>
	696	<location filename="../mainwindow.cpp" line="2109"/>
655	697	<source>History</source>
656	698	<translation>Historique</translation>
657	699	</message>
658	700	<message>
659		<location filename="../mainwindow.cpp" line="2022"/>
	701	<location filename="../mainwindow.cpp" line="2130"/>
660	702	<source>Sonic Pi - Info</source>
661	703	<translation>Sonic Pi - Info</translation>
662	704	</message>
663	705	<message>
664		<location filename="../mainwindow.cpp" line="2042"/>
665		<location filename="../mainwindow.cpp" line="2043"/>
	706	<location filename="../mainwindow.cpp" line="2150"/>
	707	<location filename="../mainwindow.cpp" line="2151"/>
666	708	<source>Stop Recording</source>
667		<translation>Arrête l'enregistrement</translation>
668		</message>
669		<message>
670		<location filename="../mainwindow.cpp" line="2056"/>
	709	<translation>Arrêter l'enregistrement</translation>
	710	</message>
	711	<message>
	712	<location filename="../mainwindow.cpp" line="2164"/>
671	713	<source>Save Recording</source>
672		<translation>Sauvegarde de l'enregistrement</translation>
673		</message>
674		<message>
675		<location filename="../mainwindow.cpp" line="2075"/>
	714	<translation>Sauvegarde de l'enregistrement</translation>
	715	</message>
	716	<message>
	717	<location filename="../mainwindow.cpp" line="2164"/>
	718	<source>Wavefile (*.wav)</source>
	719	<translation></translation>
	720	</message>
	721	<message>
	722	<location filename="../mainwindow.cpp" line="2183"/>
676	723	<source>Ready...</source>
677	724	<translation>Prêt...</translation>
678	725	</message>
679	726	<message>
680		<location filename="../mainwindow.cpp" line="2152"/>
	727	<location filename="../mainwindow.cpp" line="2259"/>
681	728	<source>Cannot read file %1:
682	729	%2.</source>
683	730	<translation>Lecture impossible du fichier %1:
684	731	%2.</translation>
685	732	</message>
686	733	<message>
687		<location filename="../mainwindow.cpp" line="2162"/>
	734	<location filename="../mainwindow.cpp" line="2269"/>
688	735	<source>File loaded...</source>
689	736	<translation>Fichier chargé...</translation>
690	737	</message>
691	738	<message>
692		<location filename="../mainwindow.cpp" line="2170"/>
	739	<location filename="../mainwindow.cpp" line="2277"/>
693	740	<source>Cannot write file %1:
694	741	%2.</source>
695	742	<translation>Écriture impossible du fichier %1:
696	743	%2.</translation>
697	744	</message>
698	745	<message>
699		<location filename="../mainwindow.cpp" line="2187"/>
	746	<location filename="../mainwindow.cpp" line="2294"/>
700	747	<source>File saved...</source>
701	748	<translation>Fichier enregistré...</translation>
702	749	</message>
703	750	<message>
704		<location filename="../mainwindow.cpp" line="2412"/>
	751	<location filename="../mainwindow.cpp" line="2520"/>
705	752	<source>Last checked %1</source>
706	753	<translation>%1 vérifié en dernier</translation>
707	754	</message>
708	755	<message>
709		<location filename="../mainwindow.cpp" line="2414"/>
	756	<location filename="../mainwindow.cpp" line="2522"/>
710	757	<source>Sonic Pi checks for updates
711	758	every two weeks.</source>
712	759	<translation>Sonic Pi vérifie les mises à jour
713	760	toutes les deux semaines.</translation>
714	761	</message>
715	762	<message>
716		<location filename="../mainwindow.cpp" line="2416"/>
	763	<location filename="../mainwindow.cpp" line="2524"/>
717	764	<source>This is Sonic Pi %1</source>
718		<translation>C'est Sonic Pi %1</translation>
719		</message>
720		<message>
721		<location filename="../mainwindow.cpp" line="2417"/>
	765	<translation>C'est Sonic Pi %1</translation>
	766	</message>
	767	<message>
	768	<location filename="../mainwindow.cpp" line="2525"/>
722	769	<source>Version %2 is now available!</source>
723	770	<translation>La version %2 est maintenant disponible !</translation>
724	771	</message>
725	772	<message>
726		<location filename="../mainwindow.cpp" line="2421"/>
	773	<location filename="../mainwindow.cpp" line="2529"/>
727	774	<source>New version available!
728	775	Get Sonic Pi %1</source>
729	776	<translation>Nouvelle version disponible !
730	777	Obtenez Sonic Pi %1</translation>
731	778	</message>
732	779	<message>
733		<location filename="../mainwindow.cpp" line="2447"/>
	780	<location filename="../mainwindow.cpp" line="2553"/>
734	781	<source>Welcome back. Now get your live code on...</source>
735		<translation>Retour bienvenu. Obtenez maintenant votre code sur...</translation>
736		</message>
737		<message>
738		<location filename="../ruby_help.h" line="80"/>
739		<location filename="../ruby_help.h" line="139"/>
740		<location filename="../ruby_help.h" line="199"/>
741		<location filename="../ruby_help.h" line="218"/>
742		<location filename="../ruby_help.h" line="278"/>
743		<location filename="../ruby_help.h" line="338"/>
	782	<translation>Bon retour. Obtenez maintenant votre code sur...</translation>
	783	</message>
	784	<message>
	785	<location filename="../ruby_help.h" line="79"/>
	786	<location filename="../ruby_help.h" line="140"/>
	787	<location filename="../ruby_help.h" line="200"/>
	788	<location filename="../ruby_help.h" line="260"/>
	789	<location filename="../ruby_help.h" line="279"/>
	790	<location filename="../ruby_help.h" line="339"/>
	791	<location filename="../ruby_help.h" line="409"/>
744	792	<source>Tutorial</source>
745	793	<translation>Tutoriel</translation>
746	794	</message>
747	795	<message>
748		<location filename="../ruby_help.h" line="370"/>
	796	<location filename="../ruby_help.h" line="443"/>
749	797	<source>Examples</source>
750	798	<translation>Exemples</translation>
751	799	</message>
752	800	<message>
753		<location filename="../ruby_help.h" line="410"/>
	801	<location filename="../ruby_help.h" line="489"/>
754	802	<source>Synths</source>
755	803	<translation>Synths</translation>
756	804	</message>
757	805	<message>
758		<location filename="../ruby_help.h" line="446"/>
	806	<location filename="../ruby_help.h" line="530"/>
759	807	<source>Fx</source>
760	808	<translation>Fx</translation>
761	809	</message>
762	810	<message>
763		<location filename="../ruby_help.h" line="463"/>
	811	<location filename="../ruby_help.h" line="547"/>
764	812	<source>Samples</source>
765	813	<translation>Échantillons</translation>
766	814	</message>
767	815	<message>
768		<location filename="../ruby_help.h" line="629"/>
	816	<location filename="../ruby_help.h" line="735"/>
769	817	<source>Lang</source>
770	818	<translation>Langage</translation>
771	819	</message>

779	827	</message>
780	828	</context>
781	829	<context>
	830	<name>SonicPiUDPOSCServer</name>
	831	<message>
	832	<location filename="../sonic_pi_udp_osc_server.cpp" line="24"/>
	833	<source>Is Sonic Pi already running? Can't open UDP port 4558.</source>
	834	<translation>Y a-t-il une autre instance de Sonic Pi toujours en cours d'exécution ? Ouverture du port UDP 4558 impossible.</translation>
	835	</message>
	836	</context>
	837	<context>
782	838	<name>SonicPiUDPServer</name>
783	839	<message>
784		<location filename="../sonicpiudpserver.cpp" line="24"/>
785	840	<source>Is Sonic Pi already running? Can't open UDP port 4558.</source>
786		<translation>Sonic Pi toujours en cours d'exécution ? Ouverture du port UDP 4558 impossible</translation>
	841	<translation type="vanished">Sonic Pi est-il déjà en cours d'exécution ? Impossible d'ouvrir le port UDP 4558.</translation>
787	842	</message>
788	843	</context>
789	844	</TS>

+104

-97

app/gui/qt/lang/sonic-pi_nb.ts less more

16	16	<message>
17	17	<location filename="../mainwindow.cpp" line="360"/>
18	18	<source>Preferences</source>
19		<translation type="unfinished">Oppsett</translation>
	19	<translation>Innstillinger</translation>
20	20	</message>
21	21	<message>
22	22	<location filename="../mainwindow.cpp" line="373"/>
23	23	<source>Log</source>
24		<translation type="unfinished">Logg</translation>
	24	<translation>Logg</translation>
25	25	</message>
26	26	<message>
27	27	<location filename="../mainwindow.cpp" line="414"/>

34	34	<location filename="../mainwindow.cpp" line="2152"/>
35	35	<location filename="../mainwindow.cpp" line="2170"/>
36	36	<source>Sonic Pi</source>
37		<translation type="unfinished">Sonic Pi</translation>
	37	<translation>Sonic Pi</translation>
38	38	</message>
39	39	<message>
40	40	<location filename="../mainwindow.cpp" line="459"/>
41	41	<source>Welcome to Sonic Pi</source>
42		<translation type="unfinished">Velkommen til Sonic Pi</translation>
	42	<translation>Velkommen til Sonic Pi</translation>
43	43	</message>
44	44	<message>
45	45	<location filename="../mainwindow.cpp" line="601"/>

49	49	<message>
50	50	<location filename="../mainwindow.cpp" line="605"/>
51	51	<source>Indenting line...</source>
52		<translation type="unfinished">Rykk inn linje...</translation>
	52	<translation type="unfinished">Rykker inn linje...</translation>
53	53	</message>
54	54	<message>
55	55	<location filename="../mainwindow.cpp" line="634"/>

64	64	<message>
65	65	<location filename="../mainwindow.cpp" line="717"/>
66	66	<source>Ruby could not be started, is it installed and in your PATH?</source>
67		<translation type="unfinished">Kunne ikke starte rubu. Er den installert og i din PATH?</translation>
	67	<translation>Kunne ikke starte ruby. Er den installert og i din PATH?</translation>
68	68	</message>
69	69	<message>
70	70	<location filename="../mainwindow.cpp" line="803"/>

85	85	<location filename="../mainwindow.cpp" line="807"/>
86	86	<source>Advanced audio settings for working with
87	87	external PA systems when performing with Sonic Pi.</source>
88		<translation type="unfinished">Avanserte lydoppsett for å bruke eksterne PA-systemer mens du spiller med Sonic Pi.</translation>
	88	<translation>Avanserte lydoppsett for å bruke eksterne
	89	PA-systemer mens du spiller med Sonic Pi.</translation>
89	90	</message>
90	91	<message>
91	92	<location filename="../mainwindow.cpp" line="808"/>
92	93	<source>Invert Stereo</source>
93		<translation type="unfinished">Inverter stereo</translation>
	94	<translation>Inverter stereo</translation>
94	95	</message>
95	96	<message>
96	97	<location filename="../mainwindow.cpp" line="809"/>
97	98	<source>Toggle stereo inversion.
98	99	If enabled, audio sent to the left speaker will
99	100	be routed to the right speaker and visa versa.</source>
100		<translation type="unfinished">Styr stereo-invertering.
	101	<translation>Styr stereo-invertering.
101	102	Hvis aktiv, så blir lyd sendt til venstre høytaler
102		istedet sendt til det høyre høytaleren og visa versa.</translation>
	103	i stedet overført til det høyre høytaleren og visa versa.</translation>
103	104	</message>
104	105	<message>
105	106	<location filename="../mainwindow.cpp" line="811"/>

136	137	<message>
137	138	<location filename="../mainwindow.cpp" line="828"/>
138	139	<source>Raspberry Pi Audio Output</source>
139		<translation type="unfinished">Lyduttak på Raspberry Pi</translation>
	140	<translation>Lyduttak på Raspberry Pi</translation>
140	141	</message>
141	142	<message>
142	143	<location filename="../mainwindow.cpp" line="829"/>

157	158	<message>
158	159	<location filename="../mainwindow.cpp" line="831"/>
159	160	<source>&Headphones</source>
160		<translation type="unfinished">&Hodetelefoner</translation>
	161	<translation>&Hodetelefoner</translation>
161	162	</message>
162	163	<message>
163	164	<location filename="../mainwindow.cpp" line="832"/>

167	168	<message>
168	169	<location filename="../mainwindow.cpp" line="852"/>
169	170	<source>Logging</source>
170		<translation type="unfinished">Logging</translation>
	171	<translation>Logging</translation>
171	172	</message>
172	173	<message>
173	174	<location filename="../mainwindow.cpp" line="853"/>

177	178	<message>
178	179	<location filename="../mainwindow.cpp" line="855"/>
179	180	<source>Log synths</source>
180		<translation type="unfinished">Logg synther</translation>
	181	<translation>Logg synther</translation>
181	182	</message>
182	183	<message>
183	184	<location filename="../mainwindow.cpp" line="856"/>

191	192	<message>
192	193	<location filename="../mainwindow.cpp" line="858"/>
193	194	<source>Clear log on run</source>
194		<translation type="unfinished">Nullstill logg ved kjøring</translation>
	195	<translation>Nullstill logg ved kjøring</translation>
195	196	</message>
196	197	<message>
197	198	<location filename="../mainwindow.cpp" line="859"/>
198	199	<source>Toggle log clearing on run.
199	200	If enabled, the log is cleared each
200	201	time the run button is pressed.</source>
201		<translation type="unfinished">Styr logg-nullstilling ved kjøring.
	202	<translation>Styr logg-nullstilling ved kjøring.
202	203	Hvis aktiv, så nullstilles loggen hver
203	204	gang kjør-knappen trykkes.</translation>
204	205	</message>
205	206	<message>
206	207	<location filename="../mainwindow.cpp" line="861"/>
207	208	<source>Log cues</source>
208		<translation type="unfinished"></translation>
	209	<translation>Logg vink</translation>
209	210	</message>
210	211	<message>
211	212	<location filename="../mainwindow.cpp" line="862"/>
212	213	<source>Enable or disable logging of cues.
213	214	If disabled, cues will still trigger.
214	215	However, they will not be visible in the logs.</source>
215		<translation type="unfinished"></translation>
	216	<translation>Styr logging av vink.
	217	Hvis utkoblet, så vil vink fortsatt utløses.
	218	De vil dermot ikke være synlige i loggene.</translation>
216	219	</message>
217	220	<message>
218	221	<location filename="../mainwindow.cpp" line="871"/>
219	222	<source>Transparency</source>
220		<translation type="unfinished">Gjennomsiktighet</translation>
	223	<translation>Gjennomsiktighet</translation>
221	224	</message>
222	225	<message>
223	226	<location filename="../mainwindow.cpp" line="882"/>
224	227	<location filename="../mainwindow.cpp" line="1004"/>
225	228	<source>Updates</source>
226		<translation type="unfinished">Oppdateringer</translation>
	229	<translation>Oppdateringer</translation>
227	230	</message>
228	231	<message>
229	232	<location filename="../mainwindow.cpp" line="884"/>
230	233	<source>Check for updates</source>
231		<translation type="unfinished">Sjekk etter oppdateringer</translation>
	234	<translation>Sjekk etter oppdateringer</translation>
232	235	</message>
233	236	<message>
234	237	<location filename="../mainwindow.cpp" line="886"/>
235	238	<source>Toggle automatic update checking.
236	239	This check involves sending anonymous information about your platform and version.</source>
237		<translation type="unfinished">Styr automatisk oppdateringsjekk.
	240	<translation>Styr automatisk oppdateringsjekk.
238	241	Denne sjekken innebærer å sende anonym informasjon om din platform og versjon.</translation>
239	242	</message>
240	243	<message>
241	244	<location filename="../mainwindow.cpp" line="887"/>
242	245	<source>Check now</source>
243		<translation type="unfinished">Sjekk nå</translation>
	246	<translation>Sjekk nå</translation>
244	247	</message>
245	248	<message>
246	249	<location filename="../mainwindow.cpp" line="888"/>
247	250	<source>Force a check for updates now.
248	251	This check involves sending anonymous information about your platform and version.</source>
249		<translation type="unfinished">Tving igjennom en sjekk etter oppdateringer nå.
	252	<translation>Tving igjennom en sjekk etter oppdateringer nå.
250	253	Denne sjekken innebærer å sende anonym informasjon om din platform og versjon.</translation>
251	254	</message>
252	255	<message>
253	256	<location filename="../mainwindow.cpp" line="889"/>
254	257	<source>Get update</source>
255		<translation type="unfinished">Hent oppdatering</translation>
	258	<translation>Hent oppdatering</translation>
256	259	</message>
257	260	<message>
258	261	<location filename="../mainwindow.cpp" line="890"/>
259	262	<source>Visit http://sonic-pi.net to download new version</source>
260		<translation type="unfinished">Besøk http://sonic-pi.net for å laste ned ny versjon</translation>
	263	<translation>Besøk http://sonic-pi.net for å laste ned ny versjon</translation>
261	264	</message>
262	265	<message>
263	266	<location filename="../mainwindow.cpp" line="895"/>
264	267	<source>Update Info</source>
265		<translation type="unfinished">Oppdateringsopplysninger</translation>
	268	<translation>Oppdateringsopplysninger</translation>
266	269	</message>
267	270	<message>
268	271	<location filename="../mainwindow.cpp" line="914"/>
269	272	<source>Show and Hide</source>
270		<translation type="unfinished">Vis og skjul</translation>
	273	<translation>Vis og skjul</translation>
271	274	</message>
272	275	<message>
273	276	<location filename="../mainwindow.cpp" line="915"/>

277	280	<message>
278	281	<location filename="../mainwindow.cpp" line="916"/>
279	282	<source>Look and Feel</source>
280		<translation type="unfinished">Utseende og oppførsel</translation>
	283	<translation>Utseende og oppførsel</translation>
281	284	</message>
282	285	<message>
283	286	<location filename="../mainwindow.cpp" line="917"/>
284	287	<source>Configure editor look and feel.</source>
285		<translation type="unfinished">Still inn hvordan skriveprogrammet ser ut og oppfører seg.</translation>
	288	<translation>Oppsett av utseende og oppførsel for skrivefeltet.</translation>
286	289	</message>
287	290	<message>
288	291	<location filename="../mainwindow.cpp" line="918"/>
289	292	<source>Automation</source>
290		<translation type="unfinished">Automatisering</translation>
	293	<translation>Automatisering</translation>
291	294	</message>
292	295	<message>
293	296	<location filename="../mainwindow.cpp" line="919"/>
294	297	<source>Configure automation features.</source>
295		<translation type="unfinished">Still inn automatiseringsegenskaper.</translation>
	298	<translation>Sett opp automatiseringsegenskaper.</translation>
296	299	</message>
297	300	<message>
298	301	<location filename="../mainwindow.cpp" line="920"/>
299	302	<source>Auto-align</source>
300		<translation type="unfinished">Auto-innrykk</translation>
	303	<translation>Auto-innrykk</translation>
301	304	</message>
302	305	<message>
303	306	<location filename="../mainwindow.cpp" line="921"/>
304	307	<source>Automatically align code on Run</source>
305		<translation type="unfinished">Fiks innrykk automatisk ved kjøring</translation>
	308	<translation>Fiks innrykk automatisk ved kjøring</translation>
306	309	</message>
307	310	<message>
308	311	<location filename="../mainwindow.cpp" line="923"/>
309	312	<source>Show line numbers</source>
310		<translation type="unfinished">Vis linjenummer</translation>
	313	<translation>Vis linjenummer</translation>
311	314	</message>
312	315	<message>
313	316	<location filename="../mainwindow.cpp" line="924"/>
314	317	<source>Toggle line number visibility.</source>
315		<translation type="unfinished">Styr om linjenummer skal vises.</translation>
	318	<translation>Styr synlighet for linjenummer.</translation>
316	319	</message>
317	320	<message>
318	321	<location filename="../mainwindow.cpp" line="925"/>
319	322	<source>Show log</source>
320		<translation type="unfinished">Vis logg</translation>
	323	<translation>Vis logg</translation>
321	324	</message>
322	325	<message>
323	326	<location filename="../mainwindow.cpp" line="926"/>
324	327	<source>Toggle visibility of the log.</source>
325		<translation type="unfinished">Styr synligheten for loggen.</translation>
	328	<translation>Styr synligheten for loggen.</translation>
326	329	</message>
327	330	<message>
328	331	<location filename="../mainwindow.cpp" line="928"/>
329	332	<source>Show buttons</source>
330		<translation type="unfinished">Vis knapper</translation>
	333	<translation>Vis knapper</translation>
331	334	</message>
332	335	<message>
333	336	<location filename="../mainwindow.cpp" line="929"/>
334	337	<source>Toggle visibility of the control buttons.</source>
335		<translation type="unfinished">Styr synlighet for kontrollknappene.</translation>
	338	<translation>Styr synlighet for kontrollknappene.</translation>
336	339	</message>
337	340	<message>
338	341	<location filename="../mainwindow.cpp" line="931"/>

347	350	<message>
348	351	<location filename="../mainwindow.cpp" line="934"/>
349	352	<source>Full screen</source>
350		<translation type="unfinished">Fullskjerm</translation>
	353	<translation>Fullskjerm</translation>
351	354	</message>
352	355	<message>
353	356	<location filename="../mainwindow.cpp" line="935"/>
354	357	<source>Toggle full screen mode.</source>
355		<translation type="unfinished">Styr fullskjermtilstand.</translation>
	358	<translation>Styr fullskjermtilstand.</translation>
356	359	</message>
357	360	<message>
358	361	<location filename="../mainwindow.cpp" line="936"/>
359	362	<source>Dark mode</source>
360		<translation type="unfinished">Mørk fremtoning</translation>
	363	<translation>Mørk fremtoning</translation>
361	364	</message>
362	365	<message>
363	366	<location filename="../mainwindow.cpp" line="937"/>
364	367	<source>Toggle dark mode.</source>
365		<translation type="unfinished">Styr mørk fremtoning.</translation>
	368	<translation>Styr mørk fremtoning.</translation>
366	369	</message>
367	370	<message>
368	371	<location filename="../mainwindow.cpp" line="937"/>
369	372	<source>
370	373	Dark mode is perfect for live coding in night clubs.</source>
371		<translation type="unfinished">Mørk fremtoning er perfekt for direkte-kodinger på nattklubber.</translation>
	374	<translation>
	375	Mørk fremtoning er perfekt for koding på direkten i nattklubber.</translation>
372	376	</message>
373	377	<message>
374	378	<location filename="../mainwindow.cpp" line="976"/>
375	379	<source>Audio</source>
376		<translation type="unfinished">Lyd</translation>
	380	<translation>Lyd</translation>
377	381	</message>
378	382	<message>
379	383	<location filename="../mainwindow.cpp" line="988"/>
380	384	<source>Editor</source>
381		<translation type="unfinished">Skriveprogram</translation>
	385	<translation>Skrivefelt</translation>
382	386	</message>
383	387	<message>
384	388	<location filename="../mainwindow.cpp" line="989"/>
385	389	<source>Studio</source>
386		<translation type="unfinished">Studio</translation>
	390	<translation>Studio</translation>
387	391	</message>
388	392	<message>
389	393	<location filename="../mainwindow.cpp" line="991"/>
390	394	<location filename="../mainwindow.cpp" line="996"/>
391	395	<source>Performance</source>
392		<translation type="unfinished">Fremvisning</translation>
	396	<translation>Fremføring</translation>
393	397	</message>
394	398	<message>
395	399	<location filename="../mainwindow.cpp" line="992"/>
396	400	<source>Settings useful for performing with Sonic Pi</source>
397		<translation type="unfinished">Oppsett nyttig for fremføring med Sonic Pi</translation>
	401	<translation>Oppsett nyttig ved fremføring med Sonic Pi</translation>
398	402	</message>
399	403	<message>
400	404	<location filename="../mainwindow.cpp" line="1087"/>
401	405	<source>Server boot error...</source>
402		<translation type="unfinished">Tjeneroppstart-feil...</translation>
	406	<translation>Feil ved tjeneroppstart...</translation>
403	407	</message>
404	408	<message>
405	409	<location filename="../mainwindow.cpp" line="1087"/>
406	410	<source>Apologies, a critical error occurred during startup</source>
407		<translation type="unfinished">Beklager, en kritisk feil skjedde under oppstart</translation>
	411	<translation>Beklager, en kritisk feil skjedde under oppstart</translation>
408	412	</message>
409	413	<message>
410	414	<location filename="../mainwindow.cpp" line="1087"/>
411	415	<source>Please consider reporting a bug at</source>
412		<translation type="unfinished">Veldig fint om du vurderer å rapportere feil til</translation>
	416	<translation>Veldig fint om du vurderer å rapportere feil til</translation>
413	417	</message>
414	418	<message>
415	419	<location filename="../mainwindow.cpp" line="1181"/>

419	423	<message>
420	424	<location filename="../mainwindow.cpp" line="1249"/>
421	425	<source>Running Code...</source>
422		<translation type="unfinished">Kjørende kode...</translation>
	426	<translation>Kjørende kode...</translation>
423	427	</message>
424	428	<message>
425	429	<location filename="../mainwindow.cpp" line="1275"/>
426	430	<source>Workspace %1</source>
427		<translation type="unfinished">Arbeidsområde %1</translation>
	431	<translation>Arbeidsområde %1</translation>
428	432	</message>
429	433	<message>
430	434	<location filename="../mainwindow.cpp" line="1291"/>

439	443	<message>
440	444	<location filename="../mainwindow.cpp" line="1305"/>
441	445	<source>Beautifying...</source>
442		<translation type="unfinished">Gjør vakrere...</translation>
	446	<translation>Gjør vakrere...</translation>
443	447	</message>
444	448	<message>
445	449	<location filename="../mainwindow.cpp" line="1325"/>
446	450	<source>Reloading...</source>
447		<translation type="unfinished">Last på nytt...</translation>
	451	<translation>Laster på nytt...</translation>
448	452	</message>
449	453	<message>
450	454	<location filename="../mainwindow.cpp" line="1332"/>
451	455	<source>Checking for updates...</source>
452		<translation type="unfinished">Ser etter oppdateringer...</translation>
	456	<translation>Ser etter oppdateringer...</translation>
453	457	</message>
454	458	<message>
455	459	<location filename="../mainwindow.cpp" line="1340"/>
456	460	<source>Enabling update checking...</source>
457		<translation type="unfinished">Aktiverer oppdaterings-sjekking...</translation>
	461	<translation>Aktiverer oppdaterings-sjekking...</translation>
458	462	</message>
459	463	<message>
460	464	<location filename="../mainwindow.cpp" line="1348"/>
461	465	<source>Disabling update checking...</source>
462		<translation type="unfinished">Kobler ut oppdaterings-sjekking...</translation>
	466	<translation>Kobler ut oppdaterings-sjekking...</translation>
463	467	</message>
464	468	<message>
465	469	<location filename="../mainwindow.cpp" line="1356"/>

484	488	<message>
485	489	<location filename="../mainwindow.cpp" line="1390"/>
486	490	<source>Enabling Inverted Stereo...</source>
487		<translation type="unfinished">Aktiver invertert stereo...</translation>
	491	<translation>Aktiver invertert stereo...</translation>
488	492	</message>
489	493	<message>
490	494	<location filename="../mainwindow.cpp" line="1398"/>
491	495	<source>Enabling Standard Stereo...</source>
492		<translation type="unfinished">Aktiverer standard stereo...</translation>
	496	<translation>Aktiverer standard stereo...</translation>
493	497	</message>
494	498	<message>
495	499	<location filename="../mainwindow.cpp" line="1406"/>

504	508	<message>
505	509	<location filename="../mainwindow.cpp" line="1423"/>
506	510	<source>Stopping...</source>
507		<translation type="unfinished">Stopper...</translation>
	511	<translation>Stopper...</translation>
508	512	</message>
509	513	<message>
510	514	<location filename="../mainwindow.cpp" line="1507"/>

514	518	<message>
515	519	<location filename="../mainwindow.cpp" line="1729"/>
516	520	<source>Switching To Headphone Audio Output...</source>
517		<translation type="unfinished">Bytter til hodetelefonlyduttak...</translation>
	521	<translation>Bytter til hodetelefonlyduttak...</translation>
518	522	</message>
519	523	<message>
520	524	<location filename="../mainwindow.cpp" line="1745"/>
521	525	<source>Switching To HDMI Audio Output...</source>
522		<translation type="unfinished">Bytter til HDMI-lyduttak...</translation>
	526	<translation>Bytter til HDMI-lyduttak...</translation>
523	527	</message>
524	528	<message>
525	529	<location filename="../mainwindow.cpp" line="1760"/>
526	530	<source>Switching To Default Audio Output...</source>
527		<translation type="unfinished">Endrer til default-lyduttak...</translation>
	531	<translation>Endrer til default-lyduttak...</translation>
528	532	</message>
529	533	<message>
530	534	<location filename="../mainwindow.cpp" line="1902"/>

534	538	<message>
535	539	<location filename="../mainwindow.cpp" line="1903"/>
536	540	<source>Run the code in the current workspace</source>
537		<translation type="unfinished">Kjør koden i det aktive arbeidsområdet</translation>
	541	<translation>Kjør koden i det aktive arbeidsområdet</translation>
538	542	</message>
539	543	<message>
540	544	<location filename="../mainwindow.cpp" line="1907"/>

544	548	<message>
545	549	<location filename="../mainwindow.cpp" line="1908"/>
546	550	<source>Stop all running code</source>
547		<translation type="unfinished">Stopp all kjørende kode</translation>
	551	<translation>Stopp all kjørende kode</translation>
548	552	</message>
549	553	<message>
550	554	<location filename="../mainwindow.cpp" line="1911"/>

569	573	<message>
570	574	<location filename="../mainwindow.cpp" line="1921"/>
571	575	<source>Toggle help pane</source>
572		<translation type="unfinished">Styr hjelpepanelet</translation>
	576	<translation>Styr hjelpepanel</translation>
573	577	</message>
574	578	<message>
575	579	<location filename="../mainwindow.cpp" line="1924"/>
576	580	<source>Prefs</source>
577		<translation type="unfinished">Oppsett</translation>
	581	<translation>Innstillinger</translation>
578	582	</message>
579	583	<message>
580	584	<location filename="../mainwindow.cpp" line="1925"/>
581	585	<source>Toggle preferences pane</source>
582		<translation type="unfinished">Styr oppsettpanelet</translation>
	586	<translation>Styr innstillingspanel</translation>
583	587	</message>
584	588	<message>
585	589	<location filename="../mainwindow.cpp" line="1929"/>

601	605	<message>
602	606	<location filename="../mainwindow.cpp" line="1935"/>
603	607	<source>Improve readability of code</source>
604		<translation type="unfinished">Forbedre lesbarheten til koden</translation>
	608	<translation>Gjør koden mer lesbar</translation>
605	609	</message>
606	610	<message>
607	611	<location filename="../mainwindow.cpp" line="1939"/>
608	612	<location filename="../mainwindow.cpp" line="1940"/>
609	613	<source>Increase Text Size</source>
610		<translation type="unfinished">Øk tekststørrelsen</translation>
	614	<translation>Øk skriftstørrelsen</translation>
611	615	</message>
612	616	<message>
613	617	<location filename="../mainwindow.cpp" line="1944"/>
614	618	<location filename="../mainwindow.cpp" line="1945"/>
615	619	<source>Decrease Text Size</source>
616		<translation type="unfinished">Reduser tekststørrelsen</translation>
	620	<translation>Reduser skriftstørrelsen</translation>
617	621	</message>
618	622	<message>
619	623	<location filename="../mainwindow.cpp" line="1950"/>

628	632	<message>
629	633	<location filename="../mainwindow.cpp" line="1998"/>
630	634	<source>Core Team</source>
631		<translation type="unfinished">Kjernegruppen</translation>
	635	<translation>Kjernegruppen</translation>
632	636	</message>
633	637	<message>
634	638	<location filename="../mainwindow.cpp" line="1999"/>
635	639	<source>Contributors</source>
636		<translation type="unfinished">Bidragsytere</translation>
	640	<translation>Bidragsytere</translation>
637	641	</message>
638	642	<message>
639	643	<location filename="../mainwindow.cpp" line="2000"/>
640	644	<source>Community</source>
641		<translation type="unfinished">Fellesskap</translation>
	645	<translation>Fellesskap</translation>
642	646	</message>
643	647	<message>
644	648	<location filename="../mainwindow.cpp" line="2001"/>
645	649	<source>License</source>
646		<translation type="unfinished">Lisens</translation>
	650	<translation>Lisens</translation>
647	651	</message>
648	652	<message>
649	653	<location filename="../mainwindow.cpp" line="2002"/>
650	654	<source>History</source>
651		<translation type="unfinished">Historie</translation>
	655	<translation>Historie</translation>
652	656	</message>
653	657	<message>
654	658	<location filename="../mainwindow.cpp" line="2023"/>

659	663	<location filename="../mainwindow.cpp" line="2043"/>
660	664	<location filename="../mainwindow.cpp" line="2044"/>
661	665	<source>Stop Recording</source>
662		<translation type="unfinished">Stop opptak</translation>
	666	<translation>Stop opptak</translation>
663	667	</message>
664	668	<message>
665	669	<location filename="../mainwindow.cpp" line="2057"/>
666	670	<source>Save Recording</source>
667		<translation type="unfinished">Lagre opptak</translation>
	671	<translation>Lagre opptak</translation>
668	672	</message>
669	673	<message>
670	674	<location filename="../mainwindow.cpp" line="2076"/>
671	675	<source>Ready...</source>
672		<translation type="unfinished">Klar...</translation>
	676	<translation>Klar...</translation>
673	677	</message>
674	678	<message>
675	679	<location filename="../mainwindow.cpp" line="2153"/>
676	680	<source>Cannot read file %1:
677	681	%2.</source>
678		<translation type="unfinished">Kan ikke lese fil %1: %2.</translation>
	682	<translation>Kan ikke lese fil %1:
	683	%2.</translation>
679	684	</message>
680	685	<message>
681	686	<location filename="../mainwindow.cpp" line="2163"/>
682	687	<source>File loaded...</source>
683		<translation type="unfinished">Filen lastet...</translation>
	688	<translation>Lastet fil...</translation>
684	689	</message>
685	690	<message>
686	691	<location filename="../mainwindow.cpp" line="2171"/>
687	692	<source>Cannot write file %1:
688	693	%2.</source>
689		<translation type="unfinished">Kan ikke skrive filen %1: %2.</translation>
	694	<translation>Kan ikke skrive filen %1:
	695	%2.</translation>
690	696	</message>
691	697	<message>
692	698	<location filename="../mainwindow.cpp" line="2188"/>
693	699	<source>File saved...</source>
694		<translation type="unfinished">Lagret filen...</translation>
	700	<translation>Lagret filen...</translation>
695	701	</message>
696	702	<message>
697	703	<location filename="../mainwindow.cpp" line="2413"/>
698	704	<source>Last checked %1</source>
699		<translation type="unfinished">Sist sjekket %1</translation>
	705	<translation>Sist sjekket %1</translation>
700	706	</message>
701	707	<message>
702	708	<location filename="../mainwindow.cpp" line="2415"/>
703	709	<source>Sonic Pi checks for updates
704	710	every two weeks.</source>
705		<translation type="unfinished">Sonic Pi sjekker etter oppdateringer hver andre uke.</translation>
	711	<translation>Sonic Pi sjekker etter oppdateringer
	712	hver andre uke.</translation>
706	713	</message>
707	714	<message>
708	715	<location filename="../mainwindow.cpp" line="2417"/>
709	716	<source>This is Sonic Pi %1</source>
710		<translation type="unfinished">Dette er Sonic Pi %1</translation>
	717	<translation>Dette er Sonic Pi %1</translation>
711	718	</message>
712	719	<message>
713	720	<location filename="../mainwindow.cpp" line="2418"/>
714	721	<source>Version %2 is now available!</source>
715		<translation type="unfinished">Utgave %2 er nå tilgjengelig!</translation>
	722	<translation>Utgave %2 er nå tilgjengelig!</translation>
716	723	</message>
717	724	<message>
718	725	<location filename="../mainwindow.cpp" line="2422"/>
719	726	<source>New version available!
720	727	Get Sonic Pi %1</source>
721		<translation type="unfinished">Ny utgave er tilgjengelig!
	728	<translation>Ny utgave er tilgjengelig!
722	729	Skaff Sonic Pi %1</translation>
723	730	</message>
724	731	<message>
725	732	<location filename="../mainwindow.cpp" line="2448"/>
726	733	<source>Welcome back. Now get your live code on...</source>
727		<translation type="unfinished">Velkommen tilbake. Nå kan du live-kode på...</translation>
	734	<translation>Velkommen tilbake. Nå kan du direkte-kode på...</translation>
728	735	</message>
729	736	<message>
730	737	<location filename="../ruby_help.h" line="80"/>

734	741	<location filename="../ruby_help.h" line="278"/>
735	742	<location filename="../ruby_help.h" line="338"/>
736	743	<source>Tutorial</source>
737		<translation type="unfinished">Innføring</translation>
	744	<translation>Innføring</translation>
738	745	</message>
739	746	<message>
740	747	<location filename="../ruby_help.h" line="370"/>

744	751	<message>
745	752	<location filename="../ruby_help.h" line="410"/>
746	753	<source>Synths</source>
747		<translation type="unfinished">Synth-er</translation>
	754	<translation>Synth-er</translation>
748	755	</message>
749	756	<message>
750	757	<location filename="../ruby_help.h" line="446"/>

759	766	<message>
760	767	<location filename="../ruby_help.h" line="629"/>
761	768	<source>Lang</source>
762		<translation type="unfinished">Språk</translation>
	769	<translation>Språk</translation>
763	770	</message>
764	771	</context>
765	772	<context>

774	781	<name>SonicPiUDPServer</name>
775	782	<message>
776	783	<location filename="../sonicpiudpserver.cpp" line="24"/>
777		<source>Is Sonic Pi already running? Can't open UDP port 4558.</source>
778		<translation type="unfinished">Kjører Sonic Pi allerede? Klarer ikke åpne UDP port 4558.</translation>
	784	<source>Is Sonic Pi already running? Can't open UDP port 4558.</source>
	785	<translation>Kjører Sonic Pi allerede? Klarer ikke åpne UDP port 4558.</translation>
779	786	</message>
780	787	</context>
781	788	</TS>

+753

-0

app/gui/qt/lang/sonic-pi_ru.ts less more

	0	<?xml version="1.0" encoding="utf-8"?>
	1	<!DOCTYPE TS>
	2	<TS version="2.1" language="ru_RU">
	3	<context>
	4	<name>MainWindow</name>
	5	<message>
	6	<location filename="../mainwindow.cpp" line="168"/>
	7	<location filename="../mainwindow.cpp" line="2237"/>
	8	<location filename="../mainwindow.cpp" line="2255"/>
	9	<source>Sonic Pi</source>
	10	<translation>Sonic Pi</translation>
	11	</message>
	12	<message>
	13	<location filename="../mainwindow.cpp" line="221"/>
	14	<source>Welcome to Sonic Pi</source>
	15	<translation>Добро пожаловать в Sonic Pi</translation>
	16	</message>
	17	<message>
	18	<location filename="../mainwindow.cpp" line="263"/>
	19	<source>Sonic Pi update info</source>
	20	<translation>Информация об обновлениях Sonic Pi</translation>
	21	</message>
	22	<message>
	23	<location filename="../mainwindow.cpp" line="370"/>
	24	<source>Buffer %1</source>
	25	<translation>Буфер %1</translation>
	26	</message>
	27	<message>
	28	<location filename="../mainwindow.cpp" line="434"/>
	29	<source>Preferences</source>
	30	<translation>Параметры</translation>
	31	</message>
	32	<message>
	33	<location filename="../mainwindow.cpp" line="447"/>
	34	<source>Log</source>
	35	<translation>Журнал</translation>
	36	</message>
	37	<message>
	38	<location filename="../mainwindow.cpp" line="488"/>
	39	<location filename="../mainwindow.cpp" line="2003"/>
	40	<source>Help</source>
	41	<translation>Помощь</translation>
	42	</message>
	43	<message>
	44	<location filename="../mainwindow.cpp" line="632"/>
	45	<source>Indenting selection...</source>
	46	<translation>Отступ выделения...</translation>
	47	</message>
	48	<message>
	49	<location filename="../mainwindow.cpp" line="636"/>
	50	<source>Indenting line...</source>
	51	<translation>Отступ линии...</translation>
	52	</message>
	53	<message>
	54	<location filename="../mainwindow.cpp" line="665"/>
	55	<source>Commenting selection...</source>
	56	<translation>Комментирование выделения...</translation>
	57	</message>
	58	<message>
	59	<location filename="../mainwindow.cpp" line="669"/>
	60	<source>Commenting line...</source>
	61	<translation>Комментирование строки...</translation>
	62	</message>
	63	<message>
	64	<location filename="../mainwindow.cpp" line="743"/>
	65	<source>The Sonic Pi server could not be started!</source>
	66	<translation>Сервер Sonic Pi не может быть запущен!</translation>
	67	</message>
	68	<message>
	69	<location filename="../mainwindow.cpp" line="845"/>
	70	<source>Raspberry Pi System Volume</source>
	71	<translation>Системная Громкость Paspberry Pi</translation>
	72	</message>
	73	<message>
	74	<location filename="../mainwindow.cpp" line="846"/>
	75	<source>Use this slider to change the system volume of your Raspberry Pi.</source>
	76	<translation>Используйте этот ползунок чтобы изменить системную громкость вашего Raspberry Pi.</translation>
	77	</message>
	78	<message>
	79	<location filename="../mainwindow.cpp" line="848"/>
	80	<source>Advanced Audio</source>
	81	<translation>Расширенное Аудио</translation>
	82	</message>
	83	<message>
	84	<location filename="../mainwindow.cpp" line="849"/>
	85	<source>Advanced audio settings for working with
	86	external PA systems when performing with Sonic Pi.</source>
	87	<translatorcomment>Из-за отсутствия контекста непонятно, что такое PA systems</translatorcomment>
	88	<translation>Расширенные аудио настройки для работы
	89	с внешними ПА системами.</translation>
	90	</message>
	91	<message>
	92	<location filename="../mainwindow.cpp" line="850"/>
	93	<source>Invert Stereo</source>
	94	<translation>Инвертировать Стерео</translation>
	95	</message>
	96	<message>
	97	<location filename="../mainwindow.cpp" line="851"/>
	98	<source>Toggle stereo inversion.
	99	If enabled, audio sent to the left speaker will
	100	be routed to the right speaker and visa versa.</source>
	101	<translation>Включить/выключить инвертирование стерео.
	102	Если включено, аудио сигнал, посылаемый в
	103	левый динамик будет перенаправлен в правый
	104	динамик и наоборот.</translation>
	105	</message>
	106	<message>
	107	<location filename="../mainwindow.cpp" line="853"/>
	108	<source>Force Mono</source>
	109	<translation>Пренудительное Моно</translation>
	110	</message>
	111	<message>
	112	<location filename="../mainwindow.cpp" line="854"/>
	113	<source>Toggle mono mode.
	114	If enabled both right and left audio is mixed and
	115	the same signal is sent to both speakers.
	116	Useful when working with external systems that
	117	can only handle mono.</source>
	118	<translation>Включить/выключить моно режим.
	119	Если включено, правый и левый аудио
	120	каналы смешиваются и этот смешанный сигнал
	121	поступает в оба динамика.
	122	Полезно при работе с внешними системами,
	123	способными обрабатывать только моно сигнал.</translation>
	124	</message>
	125	<message>
	126	<location filename="../mainwindow.cpp" line="857"/>
	127	<source>Safe mode</source>
	128	<translation>Безопасный режим</translation>
	129	</message>
	130	<message>
	131	<location filename="../mainwindow.cpp" line="858"/>
	132	<source>Toggle synth argument checking functions.
	133	If disabled, certain synth opt values may
	134	create unexpectedly loud or uncomfortable sounds.</source>
	135	<translation>Включить/выключить функции проверки аргументов синтезатора.
	136	Если выключено, некоторые значения опций синтезаторов смогут
	137	вызвать неожиданно громкий или неприятный звук.</translation>
	138	</message>
	139	<message>
	140	<location filename="../mainwindow.cpp" line="870"/>
	141	<source>Raspberry Pi Audio Output</source>
	142	<translation>Аудио Выход Paspberry Pi</translation>
	143	</message>
	144	<message>
	145	<location filename="../mainwindow.cpp" line="871"/>
	146	<source>Your Raspberry Pi has two forms of audio output.
	147	Firstly, there is the headphone jack of the Raspberry Pi itself.
	148	Secondly, some HDMI monitors/TVs support audio through the HDMI port.
	149	Use these buttons to force the output to the one you want.</source>
	150	<translation>Ваш Raspberry Pi имеет два интерфейса вывода звука.
	151	Первый - это разъём для наушников.
	152	Второй - воспроизведение аудио через HDMI порт
	153	(поддерживается некоторыми HDMI мониторами и телевизорами).
	154	Используйте эти кнопки для вывода звука на тот интерфейс,
	155	на который хотите.</translation>
	156	</message>
	157	<message>
	158	<location filename="../mainwindow.cpp" line="872"/>
	159	<source>&Default</source>
	160	<translation>&По умолчанию</translation>
	161	</message>
	162	<message>
	163	<location filename="../mainwindow.cpp" line="873"/>
	164	<source>&Headphones</source>
	165	<translation>&Наушники</translation>
	166	</message>
	167	<message>
	168	<location filename="../mainwindow.cpp" line="874"/>
	169	<source>&HDMI</source>
	170	<translation>&HDMI</translation>
	171	</message>
	172	<message>
	173	<location filename="../mainwindow.cpp" line="894"/>
	174	<source>Logging</source>
	175	<translation>Журналирование</translation>
	176	</message>
	177	<message>
	178	<location filename="../mainwindow.cpp" line="895"/>
	179	<source>Configure debug behaviour</source>
	180	<translation>Настроить поведение отладки</translation>
	181	</message>
	182	<message>
	183	<location filename="../mainwindow.cpp" line="897"/>
	184	<source>Log synths</source>
	185	<translation>Журнал синтезаторов</translation>
	186	</message>
	187	<message>
	188	<location filename="../mainwindow.cpp" line="898"/>
	189	<source>Toggle log messages.
	190	If disabled, activity such as synth and sample
	191	triggering will not be printed to the log by default.</source>
	192	<translation>Включить/выключить журнал сообщений.
	193	Если отключено, активность, такая как срабатывание
	194	синтезатора или сэмпла не будет выводиться
	195	в журнал по умолчанию.</translation>
	196	</message>
	197	<message>
	198	<location filename="../mainwindow.cpp" line="900"/>
	199	<source>Clear log on run</source>
	200	<translation>Очищать журнал при выполнении</translation>
	201	</message>
	202	<message>
	203	<location filename="../mainwindow.cpp" line="901"/>
	204	<source>Toggle log clearing on run.
	205	If enabled, the log is cleared each
	206	time the run button is pressed.</source>
	207	<translation>Включить/выключить очистку журнала при выполнении.
	208	Если включено, журнал очищается каждый раз,
	209	когда нажимается кнопка Выполнить.</translation>
	210	</message>
	211	<message>
	212	<location filename="../mainwindow.cpp" line="903"/>
	213	<source>Log cues</source>
	214	<translation>Журнал сигналов</translation>
	215	</message>
	216	<message>
	217	<location filename="../mainwindow.cpp" line="904"/>
	218	<source>Enable or disable logging of cues.
	219	If disabled, cues will still trigger.
	220	However, they will not be visible in the logs.</source>
	221	<translation>Включить/выключить ведение журнала сигналов.
	222	Если отключить, сигналы по-прежнему будут воспроизводиться.
	223	Однако они не будут видны в журнале.</translation>
	224	</message>
	225	<message>
	226	<location filename="../mainwindow.cpp" line="913"/>
	227	<source>Transparency</source>
	228	<translation>Прозрачность</translation>
	229	</message>
	230	<message>
	231	<location filename="../mainwindow.cpp" line="924"/>
	232	<location filename="../mainwindow.cpp" line="1056"/>
	233	<source>Updates</source>
	234	<translation>Обновления</translation>
	235	</message>
	236	<message>
	237	<location filename="../mainwindow.cpp" line="926"/>
	238	<source>Check for updates</source>
	239	<translation>Проверить наличие обновлений</translation>
	240	</message>
	241	<message>
	242	<location filename="../mainwindow.cpp" line="928"/>
	243	<source>Toggle automatic update checking.
	244	This check involves sending anonymous information about your platform and version.</source>
	245	<translation>Включить/выключить автоматическую проверку обновлений.
	246	Эта проверка предполагает отправку анонимной информации о вашей платформе и версии.</translation>
	247	</message>
	248	<message>
	249	<location filename="../mainwindow.cpp" line="929"/>
	250	<source>Check now</source>
	251	<translation>Проверить сейчас</translation>
	252	</message>
	253	<message>
	254	<location filename="../mainwindow.cpp" line="930"/>
	255	<source>Force a check for updates now.
	256	This check involves sending anonymous information about your platform and version.</source>
	257	<translation>Принудительно проверить обновления сейчас.
	258	Эта проверка предполагает отправку анонимной информации о вашей платформе и версии.</translation>
	259	</message>
	260	<message>
	261	<location filename="../mainwindow.cpp" line="931"/>
	262	<source>Get update</source>
	263	<translation>Получить обновления</translation>
	264	</message>
	265	<message>
	266	<location filename="../mainwindow.cpp" line="932"/>
	267	<source>Visit http://sonic-pi.net to download new version</source>
	268	<translation>Посетить http://sonic-pi.net чтобы скачать новую версию</translation>
	269	</message>
	270	<message>
	271	<location filename="../mainwindow.cpp" line="937"/>
	272	<source>Update Info</source>
	273	<translation>Информация об обновлениях</translation>
	274	</message>
	275	<message>
	276	<location filename="../mainwindow.cpp" line="956"/>
	277	<source>Show and Hide</source>
	278	<translation>Показать/Скрыть</translation>
	279	</message>
	280	<message>
	281	<location filename="../mainwindow.cpp" line="957"/>
	282	<source>Configure editor display options.</source>
	283	<translation>Настроить параметры отображения редактора.</translation>
	284	</message>
	285	<message>
	286	<location filename="../mainwindow.cpp" line="958"/>
	287	<source>Look and Feel</source>
	288	<translation>Внешний вид</translation>
	289	</message>
	290	<message>
	291	<location filename="../mainwindow.cpp" line="959"/>
	292	<source>Configure editor look and feel.</source>
	293	<translation>Настроить внешний вид редактора.</translation>
	294	</message>
	295	<message>
	296	<location filename="../mainwindow.cpp" line="960"/>
	297	<source>Automation</source>
	298	<translation>Автоматизация</translation>
	299	</message>
	300	<message>
	301	<location filename="../mainwindow.cpp" line="961"/>
	302	<source>Configure automation features.</source>
	303	<translation>Настроить функции автоматизации.</translation>
	304	</message>
	305	<message>
	306	<location filename="../mainwindow.cpp" line="962"/>
	307	<source>Auto-align</source>
	308	<translation>Автовыравнивание</translation>
	309	</message>
	310	<message>
	311	<location filename="../mainwindow.cpp" line="963"/>
	312	<source>Automatically align code on Run</source>
	313	<translation>Автоматически выравнивать код при Выполнении</translation>
	314	</message>
	315	<message>
	316	<location filename="../mainwindow.cpp" line="965"/>
	317	<source>Show line numbers</source>
	318	<translation>Показать номера строк</translation>
	319	</message>
	320	<message>
	321	<location filename="../mainwindow.cpp" line="966"/>
	322	<source>Toggle line number visibility.</source>
	323	<translation>Показать/скрыть номера строк.</translation>
	324	</message>
	325	<message>
	326	<location filename="../mainwindow.cpp" line="967"/>
	327	<source>Show log</source>
	328	<translation>Показать журнал</translation>
	329	</message>
	330	<message>
	331	<location filename="../mainwindow.cpp" line="968"/>
	332	<source>Toggle visibility of the log.</source>
	333	<translation>Показать/скрыть журнал.</translation>
	334	</message>
	335	<message>
	336	<location filename="../mainwindow.cpp" line="970"/>
	337	<source>Show buttons</source>
	338	<translation>Показать кнопки</translation>
	339	</message>
	340	<message>
	341	<location filename="../mainwindow.cpp" line="971"/>
	342	<source>Toggle visibility of the control buttons.</source>
	343	<translation>Показать/скрыть кнопки управления.</translation>
	344	</message>
	345	<message>
	346	<location filename="../mainwindow.cpp" line="973"/>
	347	<source>Show tabs</source>
	348	<translation>Показать вкладки</translation>
	349	</message>
	350	<message>
	351	<location filename="../mainwindow.cpp" line="975"/>
	352	<source>Toggle visibility of the buffer selection tabs.</source>
	353	<translation>Показать/скрыть вкладки выбора буфера.</translation>
	354	</message>
	355	<message>
	356	<location filename="../mainwindow.cpp" line="976"/>
	357	<source>Full screen</source>
	358	<translation>На полный экран</translation>
	359	</message>
	360	<message>
	361	<location filename="../mainwindow.cpp" line="977"/>
	362	<source>Toggle full screen mode.</source>
	363	<translation>Включить/выключить полноэкранный режим.</translation>
	364	</message>
	365	<message>
	366	<location filename="../mainwindow.cpp" line="978"/>
	367	<source>Dark mode</source>
	368	<translation>Тёмный режим</translation>
	369	</message>
	370	<message>
	371	<location filename="../mainwindow.cpp" line="979"/>
	372	<source>Toggle dark mode.</source>
	373	<translation>Включить/выключить тёмный режим.</translation>
	374	</message>
	375	<message>
	376	<location filename="../mainwindow.cpp" line="979"/>
	377	<source>
	378	Dark mode is perfect for live coding in night clubs.</source>
	379	<translation>Тёмный режим идеально подходит для лайв-кодинга в ночных клубах.</translation>
	380	</message>
	381	<message>
	382	<location filename="../mainwindow.cpp" line="1018"/>
	383	<source>Audio</source>
	384	<translation>Аудио</translation>
	385	</message>
	386	<message>
	387	<location filename="../mainwindow.cpp" line="1030"/>
	388	<source>Editor</source>
	389	<translation>Редактор</translation>
	390	</message>
	391	<message>
	392	<location filename="../mainwindow.cpp" line="1031"/>
	393	<source>Studio</source>
	394	<translation>Студия</translation>
	395	</message>
	396	<message>
	397	<location filename="../mainwindow.cpp" line="1033"/>
	398	<location filename="../mainwindow.cpp" line="1043"/>
	399	<source>Performance</source>
	400	<translation>Выступление</translation>
	401	</message>
	402	<message>
	403	<location filename="../mainwindow.cpp" line="1034"/>
	404	<source>Settings useful for performing with Sonic Pi</source>
	405	<translation>Параметры необходимые для выступления с Sonic Pi</translation>
	406	</message>
	407	<message>
	408	<location filename="../mainwindow.cpp" line="1144"/>
	409	<source>Server boot error...</source>
	410	<translation>Ошибка загрузки сервера...</translation>
	411	</message>
	412	<message>
	413	<location filename="../mainwindow.cpp" line="1144"/>
	414	<source>Sonic Pi Boot Error
	415
	416	Apologies, a critical error occurred during startup</source>
	417	<translation>Ошибка Загрузки Sonic Pi
	418
	419	Извините, произошла критическая ошибка во время запуска</translation>
	420	</message>
	421	<message>
	422	<location filename="../mainwindow.cpp" line="1144"/>
	423	<source>Please consider reporting a bug at</source>
	424	<translation>Пожалуйста, рассмотрите возможность сообщать об ошибке в</translation>
	425	</message>
	426	<message>
	427	<location filename="../mainwindow.cpp" line="1239"/>
	428	<source>Save Current Buffer</source>
	429	<translation>Сохранить Текущий Буфер</translation>
	430	</message>
	431	<message>
	432	<location filename="../mainwindow.cpp" line="1310"/>
	433	<source>Running Code...</source>
	434	<translation>Выполнение Кода...</translation>
	435	</message>
	436	<message>
	437	<location filename="../mainwindow.cpp" line="1352"/>
	438	<source>Zooming In...</source>
	439	<translation>Увеличение масштаба...</translation>
	440	</message>
	441	<message>
	442	<location filename="../mainwindow.cpp" line="1359"/>
	443	<source>Zooming Out...</source>
	444	<translation>Уменьшение масштаба...</translation>
	445	</message>
	446	<message>
	447	<location filename="../mainwindow.cpp" line="1366"/>
	448	<source>Beautifying...</source>
	449	<translation>Украшение...</translation>
	450	</message>
	451	<message>
	452	<location filename="../mainwindow.cpp" line="1386"/>
	453	<source>Reloading...</source>
	454	<translation>Перезагрузка...</translation>
	455	</message>
	456	<message>
	457	<location filename="../mainwindow.cpp" line="1393"/>
	458	<source>Checking for updates...</source>
	459	<translation>Проверка обновлений...</translation>
	460	</message>
	461	<message>
	462	<location filename="../mainwindow.cpp" line="1401"/>
	463	<source>Enabling update checking...</source>
	464	<translation>Активирование проверки обновлений...</translation>
	465	</message>
	466	<message>
	467	<location filename="../mainwindow.cpp" line="1409"/>
	468	<source>Disabling update checking...</source>
	469	<translation>Отключение проверки обновлений...</translation>
	470	</message>
	471	<message>
	472	<location filename="../mainwindow.cpp" line="1417"/>
	473	<source>Enabling Mixer HPF...</source>
	474	<translation>Активирование Микшера ВЧФ...</translation>
	475	</message>
	476	<message>
	477	<location filename="../mainwindow.cpp" line="1426"/>
	478	<source>Disabling Mixer HPF...</source>
	479	<translation>Отключение Микшера ВЧФ...</translation>
	480	</message>
	481	<message>
	482	<location filename="../mainwindow.cpp" line="1434"/>
	483	<source>Enabling Mixer LPF...</source>
	484	<translation>Активирование Микшера НЧФ...</translation>
	485	</message>
	486	<message>
	487	<location filename="../mainwindow.cpp" line="1443"/>
	488	<source>Disabling Mixer LPF...</source>
	489	<translation>Отключение Микшера НЧФ...</translation>
	490	</message>
	491	<message>
	492	<location filename="../mainwindow.cpp" line="1451"/>
	493	<source>Enabling Inverted Stereo...</source>
	494	<translation>Активирование Инвертированного Стерео...</translation>
	495	</message>
	496	<message>
	497	<location filename="../mainwindow.cpp" line="1459"/>
	498	<source>Enabling Standard Stereo...</source>
	499	<translation>Активирование Стандартного Стерео...</translation>
	500	</message>
	501	<message>
	502	<location filename="../mainwindow.cpp" line="1467"/>
	503	<source>Mono Mode...</source>
	504	<translation>Моно Режим...</translation>
	505	</message>
	506	<message>
	507	<location filename="../mainwindow.cpp" line="1475"/>
	508	<source>Stereo Mode...</source>
	509	<translation>Стерео Режим...</translation>
	510	</message>
	511	<message>
	512	<location filename="../mainwindow.cpp" line="1484"/>
	513	<source>Stopping...</source>
	514	<translation>Остановка...</translation>
	515	</message>
	516	<message>
	517	<location filename="../mainwindow.cpp" line="1580"/>
	518	<source>Updating System Volume...</source>
	519	<translation>Обновление системной громкости...</translation>
	520	</message>
	521	<message>
	522	<location filename="../mainwindow.cpp" line="1802"/>
	523	<source>Switching To Headphone Audio Output...</source>
	524	<translation>Переключение на Аудио Выход Наушников...</translation>
	525	</message>
	526	<message>
	527	<location filename="../mainwindow.cpp" line="1818"/>
	528	<source>Switching To HDMI Audio Output...</source>
	529	<translation>Переключение на Аудио Выход HDMI...</translation>
	530	</message>
	531	<message>
	532	<location filename="../mainwindow.cpp" line="1833"/>
	533	<source>Switching To Default Audio Output...</source>
	534	<translation>Переключение на Аудио Выход По Умолчанию...</translation>
	535	</message>
	536	<message>
	537	<location filename="../mainwindow.cpp" line="1984"/>
	538	<source>Run</source>
	539	<translation>Выполнить</translation>
	540	</message>
	541	<message>
	542	<location filename="../mainwindow.cpp" line="1985"/>
	543	<source>Run the code in the current buffer</source>
	544	<translation>Выполнить код текущего буфера</translation>
	545	</message>
	546	<message>
	547	<location filename="../mainwindow.cpp" line="1990"/>
	548	<source>Stop</source>
	549	<translation>Остановить</translation>
	550	</message>
	551	<message>
	552	<location filename="../mainwindow.cpp" line="1991"/>
	553	<source>Stop all running code</source>
	554	<translation>Остановить весь запущенный код</translation>
	555	</message>
	556	<message>
	557	<location filename="../mainwindow.cpp" line="1994"/>
	558	<source>Save As...</source>
	559	<translation>Сохранить Как...</translation>
	560	</message>
	561	<message>
	562	<location filename="../mainwindow.cpp" line="1995"/>
	563	<source>Save current buffer as an external file</source>
	564	<translation>Сохранить текущий буфер как внешний файл</translation>
	565	</message>
	566	<message>
	567	<location filename="../mainwindow.cpp" line="1998"/>
	568	<source>Info</source>
	569	<translation>Информация</translation>
	570	</message>
	571	<message>
	572	<location filename="../mainwindow.cpp" line="1999"/>
	573	<source>See information about Sonic Pi</source>
	574	<translation>Посмотреть информацию о Sonic Pi</translation>
	575	</message>
	576	<message>
	577	<location filename="../mainwindow.cpp" line="2004"/>
	578	<source>Toggle help pane</source>
	579	<translation>Показать/скрыть панель помощи</translation>
	580	</message>
	581	<message>
	582	<location filename="../mainwindow.cpp" line="2007"/>
	583	<source>Prefs</source>
	584	<translation>Параметры</translation>
	585	</message>
	586	<message>
	587	<location filename="../mainwindow.cpp" line="2008"/>
	588	<source>Toggle preferences pane</source>
	589	<translation>Показать/скрыть панель настроек</translation>
	590	</message>
	591	<message>
	592	<location filename="../mainwindow.cpp" line="2012"/>
	593	<location filename="../mainwindow.cpp" line="2137"/>
	594	<location filename="../mainwindow.cpp" line="2138"/>
	595	<source>Start Recording</source>
	596	<translation>Начать Запись</translation>
	597	</message>
	598	<message>
	599	<location filename="../mainwindow.cpp" line="2013"/>
	600	<source>Start recording to WAV audio file</source>
	601	<translation>Начать запись в WAV аудио файл</translation>
	602	</message>
	603	<message>
	604	<location filename="../mainwindow.cpp" line="2017"/>
	605	<source>Auto-Align Text</source>
	606	<translation>Автовыравнивание текста</translation>
	607	</message>
	608	<message>
	609	<location filename="../mainwindow.cpp" line="2018"/>
	610	<source>Improve readability of code</source>
	611	<translation>Улучшить читаемость кода</translation>
	612	</message>
	613	<message>
	614	<location filename="../mainwindow.cpp" line="2024"/>
	615	<source>Increase Text Size</source>
	616	<translation>Увеличить Размер Текста</translation>
	617	</message>
	618	<message>
	619	<location filename="../mainwindow.cpp" line="2031"/>
	620	<source>Decrease Text Size</source>
	621	<translation>Уменьшить Размер Текста</translation>
	622	</message>
	623	<message>
	624	<location filename="../mainwindow.cpp" line="2036"/>
	625	<source>Tools</source>
	626	<translation>Инструменты</translation>
	627	</message>
	628	<message>
	629	<location filename="../mainwindow.cpp" line="2083"/>
	630	<source>About</source>
	631	<translation>О Sonic Pi</translation>
	632	</message>
	633	<message>
	634	<location filename="../mainwindow.cpp" line="2084"/>
	635	<source>Core Team</source>
	636	<translation>Ядро Команды</translation>
	637	</message>
	638	<message>
	639	<location filename="../mainwindow.cpp" line="2085"/>
	640	<source>Contributors</source>
	641	<translation>Внесли вклад</translation>
	642	</message>
	643	<message>
	644	<location filename="../mainwindow.cpp" line="2086"/>
	645	<source>Community</source>
	646	<translation>Сообщество</translation>
	647	</message>
	648	<message>
	649	<location filename="../mainwindow.cpp" line="2087"/>
	650	<source>License</source>
	651	<translation>Лицензия</translation>
	652	</message>
	653	<message>
	654	<location filename="../mainwindow.cpp" line="2088"/>
	655	<source>History</source>
	656	<translation>История</translation>
	657	</message>
	658	<message>
	659	<location filename="../mainwindow.cpp" line="2109"/>
	660	<source>Sonic Pi - Info</source>
	661	<translation>Информация o Sonic Pi</translation>
	662	</message>
	663	<message>
	664	<location filename="../mainwindow.cpp" line="2129"/>
	665	<location filename="../mainwindow.cpp" line="2130"/>
	666	<source>Stop Recording</source>
	667	<translation>Остановить Запись</translation>
	668	</message>
	669	<message>
	670	<location filename="../mainwindow.cpp" line="2143"/>
	671	<source>Save Recording</source>
	672	<translation>Сохранить Запись</translation>
	673	</message>
	674	<message>
	675	<location filename="../mainwindow.cpp" line="2162"/>
	676	<source>Ready...</source>
	677	<translation>Подготовка...</translation>
	678	</message>
	679	<message>
	680	<location filename="../mainwindow.cpp" line="2238"/>
	681	<source>Cannot read file %1:
	682	%2.</source>
	683	<translation>Не удаётся прочитать файл %1: %2.</translation>
	684	</message>
	685	<message>
	686	<location filename="../mainwindow.cpp" line="2248"/>
	687	<source>File loaded...</source>
	688	<translation>Файл загружен...</translation>
	689	</message>
	690	<message>
	691	<location filename="../mainwindow.cpp" line="2256"/>
	692	<source>Cannot write file %1:
	693	%2.</source>
	694	<translation>Не удаётся записать файл %1: %2.</translation>
	695	</message>
	696	<message>
	697	<location filename="../mainwindow.cpp" line="2273"/>
	698	<source>File saved...</source>
	699	<translation>Файл сохранён...</translation>
	700	</message>
	701	<message>
	702	<location filename="../mainwindow.cpp" line="2499"/>
	703	<source>Last checked %1</source>
	704	<translation>Последняя проверка %1</translation>
	705	</message>
	706	<message>
	707	<location filename="../mainwindow.cpp" line="2501"/>
	708	<source>Sonic Pi checks for updates
	709	every two weeks.</source>
	710	<translation>Sonic Pi проверяет наличие обновлений
	711	каждые две недели.</translation>
	712	</message>
	713	<message>
	714	<location filename="../mainwindow.cpp" line="2503"/>
	715	<source>This is Sonic Pi %1</source>
	716	<translation>Это Sonic Pi %1</translation>
	717	</message>
	718	<message>
	719	<location filename="../mainwindow.cpp" line="2504"/>
	720	<source>Version %2 is now available!</source>
	721	<translation>Версия %2 теперь доступна!</translation>
	722	</message>
	723	<message>
	724	<location filename="../mainwindow.cpp" line="2508"/>
	725	<source>New version available!
	726	Get Sonic Pi %1</source>
	727	<translation>Доступна новая версия!
	728	Получить Sonic Pi %1</translation>
	729	</message>
	730	<message>
	731	<location filename="../mainwindow.cpp" line="2532"/>
	732	<source>Welcome back. Now get your live code on...</source>
	733	<translation>С возвращением. Начните свой лайв кодинг...</translation>
	734	</message>
	735	</context>
	736	<context>
	737	<name>QObject</name>
	738	<message>
	739	<location filename="../main.cpp" line="43"/>
	740	<source>Sonic Pi</source>
	741	<translation>Sonic Pi</translation>
	742	</message>
	743	</context>
	744	<context>
	745	<name>SonicPiUDPOSCServer</name>
	746	<message>
	747	<location filename="../sonic_pi_udp_osc_server.cpp" line="24"/>
	748	<source>Is Sonic Pi already running? Can't open UDP port 4558.</source>
	749	<translation>Sonic Pi уже запущен? Не могу открыть UDP порт 4558.</translation>
	750	</message>
	751	</context>
	752	</TS>

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app/gui/qt/lang/sonic-pi_zh-Hans.ts less more

	0	<?xml version="1.0" encoding="utf-8"?>
	1	<!DOCTYPE TS>
	2	<TS version="2.1" language="zh_CN">
	3	<context>
	4	<name>MainWindow</name>
	5	<message>
	6	<location filename="../mainwindow.cpp" line="201"/>
	7	<location filename="../mainwindow.cpp" line="2336"/>
	8	<location filename="../mainwindow.cpp" line="2356"/>
	9	<source>Sonic Pi</source>
	10	<translation>Sonic Pi</translation>
	11	</message>
	12	<message>
	13	<location filename="../mainwindow.cpp" line="254"/>
	14	<source>Welcome to Sonic Pi</source>
	15	<translation>欢迎进入Sonic Pi的世界</translation>
	16	</message>
	17	<message>
	18	<location filename="../mainwindow.cpp" line="296"/>
	19	<source>Sonic Pi update info</source>
	20	<translation>Sonic Pi更新</translation>
	21	</message>
	22	<message>
	23	<location filename="../mainwindow.cpp" line="400"/>
	24	<source>Buffer %1</source>
	25	<translation>编辑器窗口 %1</translation>
	26	</message>
	27	<message>
	28	<location filename="../mainwindow.cpp" line="464"/>
	29	<source>Preferences</source>
	30	<translation>偏好设置</translation>
	31	</message>
	32	<message>
	33	<location filename="../mainwindow.cpp" line="477"/>
	34	<source>Log</source>
	35	<translation>日志</translation>
	36	</message>
	37	<message>
	38	<location filename="../mainwindow.cpp" line="518"/>
	39	<location filename="../mainwindow.cpp" line="2097"/>
	40	<source>Help</source>
	41	<translation>帮助</translation>
	42	</message>
	43	<message>
	44	<location filename="../mainwindow.cpp" line="670"/>
	45	<source>Indenting selection...</source>
	46	<translation>缩进选中区域</translation>
	47	</message>
	48	<message>
	49	<location filename="../mainwindow.cpp" line="674"/>
	50	<source>Indenting line...</source>
	51	<translation>缩进当前行</translation>
	52	</message>
	53	<message>
	54	<location filename="../mainwindow.cpp" line="703"/>
	55	<source>Toggle selection comment...</source>
	56	<translation>注释/取消注释选中区域</translation>
	57	</message>
	58	<message>
	59	<location filename="../mainwindow.cpp" line="707"/>
	60	<source>Toggle line comment...</source>
	61	<translation>注释/取消注释当前行</translation>
	62	</message>
	63	<message>
	64	<location filename="../mainwindow.cpp" line="765"/>
	65	<source>The Sonic Pi server could not be started!</source>
	66	<translation>Sonic Pi服务器无法启动。</translation>
	67	</message>
	68	<message>
	69	<location filename="../mainwindow.cpp" line="872"/>
	70	<source>Raspberry Pi System Volume</source>
	71	<translation>Raspberry Pi系统音量</translation>
	72	</message>
	73	<message>
	74	<location filename="../mainwindow.cpp" line="873"/>
	75	<source>Use this slider to change the system volume of your Raspberry Pi.</source>
	76	<translation>请用这个滑块调整Raspberry Pi的系统音量</translation>
	77	</message>
	78	<message>
	79	<location filename="../mainwindow.cpp" line="875"/>
	80	<source>Advanced Audio</source>
	81	<translation>高级音量选项</translation>
	82	</message>
	83	<message>
	84	<location filename="../mainwindow.cpp" line="876"/>
	85	<source>Advanced audio settings for working with
	86	external PA systems when performing with Sonic Pi.</source>
	87	<translation>外接PA系统的高级音量选项</translation>
	88	</message>
	89	<message>
	90	<location filename="../mainwindow.cpp" line="877"/>
	91	<source>Invert Stereo</source>
	92	<translation>反转立体声声道</translation>
	93	</message>
	94	<message>
	95	<location filename="../mainwindow.cpp" line="878"/>
	96	<source>Toggle stereo inversion.
	97	If enabled, audio sent to the left speaker will
	98	be routed to the right speaker and visa versa.</source>
	99	<translation>打开/关闭立体声声道反转</translation>
	100	</message>
	101	<message>
	102	<location filename="../mainwindow.cpp" line="880"/>
	103	<source>Force Mono</source>
	104	<translation>强制单声道</translation>
	105	</message>
	106	<message>
	107	<location filename="../mainwindow.cpp" line="881"/>
	108	<source>Toggle mono mode.
	109	If enabled both right and left audio is mixed and
	110	the same signal is sent to both speakers.
	111	Useful when working with external systems that
	112	can only handle mono.</source>
	113	<translation>打开/关闭强制单声道</translation>
	114	</message>
	115	<message>
	116	<location filename="../mainwindow.cpp" line="884"/>
	117	<source>Safe mode</source>
	118	<translation>安全模式</translation>
	119	</message>
	120	<message>
	121	<location filename="../mainwindow.cpp" line="885"/>
	122	<source>Toggle synth argument checking functions.
	123	If disabled, certain synth opt values may
	124	create unexpectedly loud or uncomfortable sounds.</source>
	125	<translation>打开/关闭合成器参数检查</translation>
	126	</message>
	127	<message>
	128	<location filename="../mainwindow.cpp" line="897"/>
	129	<source>Raspberry Pi Audio Output</source>
	130	<translation>Raspberry Pi音频输出</translation>
	131	</message>
	132	<message>
	133	<location filename="../mainwindow.cpp" line="898"/>
	134	<source>Your Raspberry Pi has two forms of audio output.
	135	Firstly, there is the headphone jack of the Raspberry Pi itself.
	136	Secondly, some HDMI monitors/TVs support audio through the HDMI port.
	137	Use these buttons to force the output to the one you want.</source>
	138	<translation>你的Raspberry Pi有两种音频输出模式。第一种是通过系统的耳机接口输出；
	139	第二种是通过HDMI接口。你可以通过以下按钮来选择你希望使用的音频输出方式</translation>
	140	</message>
	141	<message>
	142	<location filename="../mainwindow.cpp" line="899"/>
	143	<source>&Default</source>
	144	<translation>&默认</translation>
	145	</message>
	146	<message>
	147	<location filename="../mainwindow.cpp" line="900"/>
	148	<source>&Headphones</source>
	149	<translation>&耳机接口</translation>
	150	</message>
	151	<message>
	152	<location filename="../mainwindow.cpp" line="901"/>
	153	<source>&HDMI</source>
	154	<translation>&HDMI接口</translation>
	155	</message>
	156	<message>
	157	<location filename="../mainwindow.cpp" line="921"/>
	158	<source>Logging</source>
	159	<translation>日志选项</translation>
	160	</message>
	161	<message>
	162	<location filename="../mainwindow.cpp" line="922"/>
	163	<source>Configure debug behaviour</source>
	164	<translation>配置调试模式</translation>
	165	</message>
	166	<message>
	167	<location filename="../mainwindow.cpp" line="924"/>
	168	<source>Log synths</source>
	169	<translation>记录声音合成</translation>
	170	</message>
	171	<message>
	172	<location filename="../mainwindow.cpp" line="925"/>
	173	<source>Toggle log messages.
	174	If disabled, activity such as synth and sample
	175	triggering will not be printed to the log by default.</source>
	176	<translation>是否记录日志</translation>
	177	</message>
	178	<message>
	179	<location filename="../mainwindow.cpp" line="927"/>
	180	<source>Clear log on run</source>
	181	<translation>重新运行时清空日志</translation>
	182	</message>
	183	<message>
	184	<location filename="../mainwindow.cpp" line="928"/>
	185	<source>Toggle log clearing on run.
	186	If enabled, the log is cleared each
	187	time the run button is pressed.</source>
	188	<translation>是否在运行时自动清空日志</translation>
	189	</message>
	190	<message>
	191	<location filename="../mainwindow.cpp" line="930"/>
	192	<source>Log cues</source>
	193	<translation>记录提示</translation>
	194	</message>
	195	<message>
	196	<location filename="../mainwindow.cpp" line="931"/>
	197	<source>Enable or disable logging of cues.
	198	If disabled, cues will still trigger.
	199	However, they will not be visible in the logs.</source>
	200	<translation>是否记录提示到日志</translation>
	201	</message>
	202	<message>
	203	<location filename="../mainwindow.cpp" line="933"/>
	204	<source>Log Auto Scroll</source>
	205	<translation>日志自动滚动</translation>
	206	</message>
	207	<message>
	208	<location filename="../mainwindow.cpp" line="934"/>
	209	<source>Toggle log auto scrolling.
	210	If enabled the log is scrolled to the botton after every new message is displayed.</source>
	211	<translation>是否自动滚动日志</translation>
	212	</message>
	213	<message>
	214	<location filename="../mainwindow.cpp" line="944"/>
	215	<source>Transparency</source>
	216	<translation>透明度</translation>
	217	</message>
	218	<message>
	219	<location filename="../mainwindow.cpp" line="955"/>
	220	<location filename="../mainwindow.cpp" line="1087"/>
	221	<source>Updates</source>
	222	<translation>更新</translation>
	223	</message>
	224	<message>
	225	<location filename="../mainwindow.cpp" line="957"/>
	226	<source>Check for updates</source>
	227	<translation>检查更新</translation>
	228	</message>
	229	<message>
	230	<location filename="../mainwindow.cpp" line="959"/>
	231	<source>Toggle automatic update checking.
	232	This check involves sending anonymous information about your platform and version.</source>
	233	<translation>打开/关闭自动更新（以及上传匿名版本信息）</translation>
	234	</message>
	235	<message>
	236	<location filename="../mainwindow.cpp" line="960"/>
	237	<source>Check now</source>
	238	<translation>立即检查更新</translation>
	239	</message>
	240	<message>
	241	<location filename="../mainwindow.cpp" line="961"/>
	242	<source>Force a check for updates now.
	243	This check involves sending anonymous information about your platform and version.</source>
	244	<translation>立即检查更新（并上传匿名版本信息）</translation>
	245	</message>
	246	<message>
	247	<location filename="../mainwindow.cpp" line="962"/>
	248	<source>Get update</source>
	249	<translation>获取更新</translation>
	250	</message>
	251	<message>
	252	<location filename="../mainwindow.cpp" line="963"/>
	253	<source>Visit http://sonic-pi.net to download new version</source>
	254	<translation>访问http://sonic-pi.net下载新版本</translation>
	255	</message>
	256	<message>
	257	<location filename="../mainwindow.cpp" line="968"/>
	258	<source>Update Info</source>
	259	<translation>更新信息</translation>
	260	</message>
	261	<message>
	262	<location filename="../mainwindow.cpp" line="987"/>
	263	<source>Show and Hide</source>
	264	<translation>显示/隐藏</translation>
	265	</message>
	266	<message>
	267	<location filename="../mainwindow.cpp" line="988"/>
	268	<source>Configure editor display options.</source>
	269	<translation>代码编辑器选项</translation>
	270	</message>
	271	<message>
	272	<location filename="../mainwindow.cpp" line="989"/>
	273	<source>Look and Feel</source>
	274	<translation>外观</translation>
	275	</message>
	276	<message>
	277	<location filename="../mainwindow.cpp" line="990"/>
	278	<source>Configure editor look and feel.</source>
	279	<translation>设置代码编辑器外观</translation>
	280	</message>
	281	<message>
	282	<location filename="../mainwindow.cpp" line="991"/>
	283	<source>Automation</source>
	284	<translation>自动化</translation>
	285	</message>
	286	<message>
	287	<location filename="../mainwindow.cpp" line="992"/>
	288	<source>Configure automation features.</source>
	289	<translation>设置自动化选项</translation>
	290	</message>
	291	<message>
	292	<location filename="../mainwindow.cpp" line="993"/>
	293	<source>Auto-align</source>
	294	<translation>自动对齐</translation>
	295	</message>
	296	<message>
	297	<location filename="../mainwindow.cpp" line="994"/>
	298	<source>Automatically align code on Run</source>
	299	<translation>运行时自动对齐代码</translation>
	300	</message>
	301	<message>
	302	<location filename="../mainwindow.cpp" line="996"/>
	303	<source>Show line numbers</source>
	304	<translation>显示行号</translation>
	305	</message>
	306	<message>
	307	<location filename="../mainwindow.cpp" line="997"/>
	308	<source>Toggle line number visibility.</source>
	309	<translation>是否显示行号</translation>
	310	</message>
	311	<message>
	312	<location filename="../mainwindow.cpp" line="998"/>
	313	<source>Show log</source>
	314	<translation>显示日志</translation>
	315	</message>
	316	<message>
	317	<location filename="../mainwindow.cpp" line="999"/>
	318	<source>Toggle visibility of the log.</source>
	319	<translation>是否显示日志</translation>
	320	</message>
	321	<message>
	322	<location filename="../mainwindow.cpp" line="1001"/>
	323	<source>Show buttons</source>
	324	<translation>显示控制按钮</translation>
	325	</message>
	326	<message>
	327	<location filename="../mainwindow.cpp" line="1002"/>
	328	<source>Toggle visibility of the control buttons.</source>
	329	<translation>是否显示控制按钮</translation>
	330	</message>
	331	<message>
	332	<location filename="../mainwindow.cpp" line="1004"/>
	333	<source>Show tabs</source>
	334	<translation>显示编辑器窗口选择栏</translation>
	335	</message>
	336	<message>
	337	<location filename="../mainwindow.cpp" line="1006"/>
	338	<source>Toggle visibility of the buffer selection tabs.</source>
	339	<translation>是否显示编辑器窗口选择栏</translation>
	340	</message>
	341	<message>
	342	<location filename="../mainwindow.cpp" line="1007"/>
	343	<source>Full screen</source>
	344	<translation>全屏模式</translation>
	345	</message>
	346	<message>
	347	<location filename="../mainwindow.cpp" line="1008"/>
	348	<source>Toggle full screen mode.</source>
	349	<translation>打开/关闭全屏模式</translation>
	350	</message>
	351	<message>
	352	<location filename="../mainwindow.cpp" line="1009"/>
	353	<source>Dark mode</source>
	354	<translation>夜灯模式</translation>
	355	</message>
	356	<message>
	357	<location filename="../mainwindow.cpp" line="1010"/>
	358	<source>Toggle dark mode.</source>
	359	<translation>打开/关闭夜灯模式</translation>
	360	</message>
	361	<message>
	362	<location filename="../mainwindow.cpp" line="1010"/>
	363	<source>
	364	Dark mode is perfect for live coding in night clubs.</source>
	365	<translation>夜灯模式适用于在灯光教案的场所使用</translation>
	366	</message>
	367	<message>
	368	<location filename="../mainwindow.cpp" line="1049"/>
	369	<source>Audio</source>
	370	<translation>音频</translation>
	371	</message>
	372	<message>
	373	<location filename="../mainwindow.cpp" line="1061"/>
	374	<source>Editor</source>
	375	<translation>编辑器</translation>
	376	</message>
	377	<message>
	378	<location filename="../mainwindow.cpp" line="1062"/>
	379	<source>Studio</source>
	380	<translation>工作室</translation>
	381	</message>
	382	<message>
	383	<location filename="../mainwindow.cpp" line="1064"/>
	384	<location filename="../mainwindow.cpp" line="1074"/>
	385	<source>Performance</source>
	386	<translation>性能</translation>
	387	</message>
	388	<message>
	389	<location filename="../mainwindow.cpp" line="1065"/>
	390	<source>Settings useful for performing with Sonic Pi</source>
	391	<translation>表演用设置</translation>
	392	</message>
	393	<message>
	394	<location filename="../mainwindow.cpp" line="1200"/>
	395	<source>Server boot error...</source>
	396	<translation>服务器启动错误...</translation>
	397	</message>
	398	<message>
	399	<location filename="../mainwindow.cpp" line="1200"/>
	400	<source>Sonic Pi Boot Error
	401
	402	Apologies, a critical error occurred during startup</source>
	403	<translation>Sonic Pi启动错误
	404
	405	很抱歉，Sonic Pi启动过程中发生错误
	406	</translation>
	407	</message>
	408	<message>
	409	<location filename="../mainwindow.cpp" line="1200"/>
	410	<source>Please consider reporting a bug at</source>
	411	<translation>你可以报告这个bug</translation>
	412	</message>
	413	<message>
	414	<location filename="../mainwindow.cpp" line="1305"/>
	415	<location filename="../mainwindow.cpp" line="1318"/>
	416	<source>Buffer files(.rb .txt)</source>
	417	<translation>Sonic-Pi代码文件 (.rb .txt)</translation>
	418	</message>
	419	<message>
	420	<location filename="../mainwindow.cpp" line="1306"/>
	421	<source>Load Sonic-Pi Buffer</source>
	422	<translation>加载Sonic-Pi代码</translation>
	423	</message>
	424	<message>
	425	<location filename="../mainwindow.cpp" line="1306"/>
	426	<location filename="../mainwindow.cpp" line="1319"/>
	427	<source>Buffer files(.rb .txt);;Text files (.txt);;Ruby (.rb);;All files (.)</source>
	428	<translation>Sonic-Pi代码文件 (.rb .txt);;Text files (.txt);;Ruby (.rb);;所有文件 (.)</translation>
	429	</message>
	430	<message>
	431	<location filename="../mainwindow.cpp" line="1319"/>
	432	<source>Save Current Buffer</source>
	433	<translation>保存当前编辑器窗口代码</translation>
	434	</message>
	435	<message>
	436	<location filename="../mainwindow.cpp" line="1390"/>
	437	<source>Running Code...</source>
	438	<translation>运行代码</translation>
	439	</message>
	440	<message>
	441	<location filename="../mainwindow.cpp" line="1432"/>
	442	<source>Zooming In...</source>
	443	<translation>放大...</translation>
	444	</message>
	445	<message>
	446	<location filename="../mainwindow.cpp" line="1439"/>
	447	<source>Zooming Out...</source>
	448	<translation>缩小...</translation>
	449	</message>
	450	<message>
	451	<location filename="../mainwindow.cpp" line="1446"/>
	452	<source>Beautifying...</source>
	453	<translation>美化...</translation>
	454	</message>
	455	<message>
	456	<location filename="../mainwindow.cpp" line="1466"/>
	457	<source>Reloading...</source>
	458	<translation>重新载入...</translation>
	459	</message>
	460	<message>
	461	<location filename="../mainwindow.cpp" line="1473"/>
	462	<source>Checking for updates...</source>
	463	<translation>检查更新...</translation>
	464	</message>
	465	<message>
	466	<location filename="../mainwindow.cpp" line="1481"/>
	467	<source>Enabling update checking...</source>
	468	<translation>开启更新检查...</translation>
	469	</message>
	470	<message>
	471	<location filename="../mainwindow.cpp" line="1489"/>
	472	<source>Disabling update checking...</source>
	473	<translation>关闭更新检查...</translation>
	474	</message>
	475	<message>
	476	<location filename="../mainwindow.cpp" line="1497"/>
	477	<source>Enabling Mixer HPF...</source>
	478	<translation>启用高通滤波器...</translation>
	479	</message>
	480	<message>
	481	<location filename="../mainwindow.cpp" line="1506"/>
	482	<source>Disabling Mixer HPF...</source>
	483	<translation>禁用高通滤波器...</translation>
	484	</message>
	485	<message>
	486	<location filename="../mainwindow.cpp" line="1514"/>
	487	<source>Enabling Mixer LPF...</source>
	488	<translation>启用低通滤波器...</translation>
	489	</message>
	490	<message>
	491	<location filename="../mainwindow.cpp" line="1523"/>
	492	<source>Disabling Mixer LPF...</source>
	493	<translation>禁用低通滤波器...</translation>
	494	</message>
	495	<message>
	496	<location filename="../mainwindow.cpp" line="1531"/>
	497	<source>Enabling Inverted Stereo...</source>
	498	<translation>启用反转立体声...</translation>
	499	</message>
	500	<message>
	501	<location filename="../mainwindow.cpp" line="1539"/>
	502	<source>Enabling Standard Stereo...</source>
	503	<translation>启用标准立体声...</translation>
	504	</message>
	505	<message>
	506	<location filename="../mainwindow.cpp" line="1547"/>
	507	<source>Mono Mode...</source>
	508	<translation>单声道模式...</translation>
	509	</message>
	510	<message>
	511	<location filename="../mainwindow.cpp" line="1555"/>
	512	<source>Stereo Mode...</source>
	513	<translation>立体声模式...</translation>
	514	</message>
	515	<message>
	516	<location filename="../mainwindow.cpp" line="1564"/>
	517	<source>Stopping...</source>
	518	<translation>终止当前任务...</translation>
	519	</message>
	520	<message>
	521	<location filename="../mainwindow.cpp" line="1660"/>
	522	<source>Updating System Volume...</source>
	523	<translation>更新系统音量...</translation>
	524	</message>
	525	<message>
	526	<location filename="../mainwindow.cpp" line="1676"/>
	527	<source>Log Auto Scroll on...</source>
	528	<translation>日志窗口自动滚动开启...</translation>
	529	</message>
	530	<message>
	531	<location filename="../mainwindow.cpp" line="1678"/>
	532	<source>Log Auto Scroll off...</source>
	533	<translation>日志窗口自动滚动关闭...</translation>
	534	</message>
	535	<message>
	536	<location filename="../mainwindow.cpp" line="1892"/>
	537	<source>Switching To Headphone Audio Output...</source>
	538	<translation>切换到耳机音频输出...</translation>
	539	</message>
	540	<message>
	541	<location filename="../mainwindow.cpp" line="1908"/>
	542	<source>Switching To HDMI Audio Output...</source>
	543	<translation>切换到HDMI音频输出...</translation>
	544	</message>
	545	<message>
	546	<location filename="../mainwindow.cpp" line="1923"/>
	547	<source>Switching To Default Audio Output...</source>
	548	<translation>切换到默认音频输出...</translation>
	549	</message>
	550	<message>
	551	<location filename="../mainwindow.cpp" line="2074"/>
	552	<source>Run</source>
	553	<translation>运行</translation>
	554	</message>
	555	<message>
	556	<location filename="../mainwindow.cpp" line="2075"/>
	557	<source>Run the code in the current buffer</source>
	558	<translation>运行当前编辑器窗口内的代码</translation>
	559	</message>
	560	<message>
	561	<location filename="../mainwindow.cpp" line="2080"/>
	562	<source>Stop</source>
	563	<translation>停止</translation>
	564	</message>
	565	<message>
	566	<location filename="../mainwindow.cpp" line="2081"/>
	567	<source>Stop all running code</source>
	568	<translation>停止所有代码运行</translation>
	569	</message>
	570	<message>
	571	<location filename="../mainwindow.cpp" line="2084"/>
	572	<source>Save As...</source>
	573	<translation>另存为...</translation>
	574	</message>
	575	<message>
	576	<location filename="../mainwindow.cpp" line="2085"/>
	577	<source>Save current buffer as an external file</source>
	578	<translation>保存当前编辑器窗口为外部文件</translation>
	579	</message>
	580	<message>
	581	<location filename="../mainwindow.cpp" line="2088"/>
	582	<source>Load</source>
	583	<translation>载入</translation>
	584	</message>
	585	<message>
	586	<location filename="../mainwindow.cpp" line="2089"/>
	587	<source>Load an external file in the current buffer</source>
	588	<translation>载入外部文件到当前编辑器窗口</translation>
	589	</message>
	590	<message>
	591	<location filename="../mainwindow.cpp" line="2092"/>
	592	<source>Info</source>
	593	<translation>信息</translation>
	594	</message>
	595	<message>
	596	<location filename="../mainwindow.cpp" line="2093"/>
	597	<source>See information about Sonic Pi</source>
	598	<translation>查看Sonic Pi相关信息</translation>
	599	</message>
	600	<message>
	601	<location filename="../mainwindow.cpp" line="2098"/>
	602	<source>Toggle help pane</source>
	603	<translation>打开/关闭帮助栏</translation>
	604	</message>
	605	<message>
	606	<location filename="../mainwindow.cpp" line="2101"/>
	607	<source>Prefs</source>
	608	<translation>偏好选项</translation>
	609	</message>
	610	<message>
	611	<location filename="../mainwindow.cpp" line="2102"/>
	612	<source>Toggle preferences pane</source>
	613	<translation>打开/关闭偏好选项栏</translation>
	614	</message>
	615	<message>
	616	<location filename="../mainwindow.cpp" line="2106"/>
	617	<location filename="../mainwindow.cpp" line="2234"/>
	618	<location filename="../mainwindow.cpp" line="2235"/>
	619	<source>Start Recording</source>
	620	<translation>开始录制</translation>
	621	</message>
	622	<message>
	623	<location filename="../mainwindow.cpp" line="2107"/>
	624	<source>Start recording to WAV audio file</source>
	625	<translation>开始录制到wav文件</translation>
	626	</message>
	627	<message>
	628	<location filename="../mainwindow.cpp" line="2111"/>
	629	<source>Auto-Align Text</source>
	630	<translation>自动对齐</translation>
	631	</message>
	632	<message>
	633	<location filename="../mainwindow.cpp" line="2112"/>
	634	<source>Improve readability of code</source>
	635	<translation>提高代码可读性</translation>
	636	</message>
	637	<message>
	638	<location filename="../mainwindow.cpp" line="2118"/>
	639	<source>Increase Text Size</source>
	640	<translation>增大字体</translation>
	641	</message>
	642	<message>
	643	<location filename="../mainwindow.cpp" line="2125"/>
	644	<source>Decrease Text Size</source>
	645	<translation>减小字体</translation>
	646	</message>
	647	<message>
	648	<location filename="../mainwindow.cpp" line="2130"/>
	649	<source>Tools</source>
	650	<translation>工具</translation>
	651	</message>
	652	<message>
	653	<location filename="../mainwindow.cpp" line="2180"/>
	654	<source>About</source>
	655	<translation>关于</translation>
	656	</message>
	657	<message>
	658	<location filename="../mainwindow.cpp" line="2181"/>
	659	<source>Core Team</source>
	660	<translation>核心团队</translation>
	661	</message>
	662	<message>
	663	<location filename="../mainwindow.cpp" line="2182"/>
	664	<source>Contributors</source>
	665	<translation>项目参与者</translation>
	666	</message>
	667	<message>
	668	<location filename="../mainwindow.cpp" line="2183"/>
	669	<source>Community</source>
	670	<translation>社区</translation>
	671	</message>
	672	<message>
	673	<location filename="../mainwindow.cpp" line="2184"/>
	674	<source>License</source>
	675	<translation>License</translation>
	676	</message>
	677	<message>
	678	<location filename="../mainwindow.cpp" line="2185"/>
	679	<source>History</source>
	680	<translation>历史</translation>
	681	</message>
	682	<message>
	683	<location filename="../mainwindow.cpp" line="2206"/>
	684	<source>Sonic Pi - Info</source>
	685	<translation>Sonic Pi - 信息</translation>
	686	</message>
	687	<message>
	688	<location filename="../mainwindow.cpp" line="2226"/>
	689	<location filename="../mainwindow.cpp" line="2227"/>
	690	<source>Stop Recording</source>
	691	<translation>停止录制</translation>
	692	</message>
	693	<message>
	694	<location filename="../mainwindow.cpp" line="2240"/>
	695	<source>Save Recording</source>
	696	<translation>保存录音</translation>
	697	</message>
	698	<message>
	699	<location filename="../mainwindow.cpp" line="2240"/>
	700	<source>Wavefile (*.wav)</source>
	701	<translation>波形文件 (*.wav)</translation>
	702	</message>
	703	<message>
	704	<location filename="../mainwindow.cpp" line="2259"/>
	705	<source>Ready...</source>
	706	<translation>就绪...</translation>
	707	</message>
	708	<message>
	709	<location filename="../mainwindow.cpp" line="2337"/>
	710	<source>Cannot read file %1:
	711	%2.</source>
	712	<translation>无法读取文件 %1:
	713	%2.</translation>
	714	</message>
	715	<message>
	716	<location filename="../mainwindow.cpp" line="2348"/>
	717	<source>File loaded...</source>
	718	<translation>文件已加载...</translation>
	719	</message>
	720	<message>
	721	<location filename="../mainwindow.cpp" line="2357"/>
	722	<source>Cannot write file %1:
	723	%2.</source>
	724	<translation>无法写入文件 %1:
	725	%2.</translation>
	726	</message>
	727	<message>
	728	<location filename="../mainwindow.cpp" line="2375"/>
	729	<source>File saved...</source>
	730	<translation>文件已保存...</translation>
	731	</message>
	732	<message>
	733	<location filename="../mainwindow.cpp" line="2601"/>
	734	<source>Last checked %1</source>
	735	<translation>上次检查 %1</translation>
	736	</message>
	737	<message>
	738	<location filename="../mainwindow.cpp" line="2603"/>
	739	<source>Sonic Pi checks for updates
	740	every two weeks.</source>
	741	<translation>Sonic Pi每两周检查一次更新</translation>
	742	</message>
	743	<message>
	744	<location filename="../mainwindow.cpp" line="2605"/>
	745	<source>This is Sonic Pi %1</source>
	746	<translation>这是Sonic Pi %1</translation>
	747	</message>
	748	<message>
	749	<location filename="../mainwindow.cpp" line="2606"/>
	750	<source>Version %2 is now available!</source>
	751	<translation>新版本 %2 已经就绪，可供下载。</translation>
	752	</message>
	753	<message>
	754	<location filename="../mainwindow.cpp" line="2610"/>
	755	<source>New version available!
	756	Get Sonic Pi %1</source>
	757	<translation>发现新版本！
	758	获取Sonic Pi %1</translation>
	759	</message>
	760	<message>
	761	<location filename="../mainwindow.cpp" line="2636"/>
	762	<source>Welcome back. Now get your live code on...</source>
	763	<translation>欢迎回来。现在加载你的代码...</translation>
	764	</message>
	765	</context>
	766	<context>
	767	<name>QObject</name>
	768	<message>
	769	<location filename="../main.cpp" line="43"/>
	770	<source>Sonic Pi</source>
	771	<translation>Sonic Pi</translation>
	772	</message>
	773	</context>
	774	<context>
	775	<name>SonicPiUDPOSCServer</name>
	776	<message>
	777	<location filename="../sonic_pi_udp_osc_server.cpp" line="37"/>
	778	<source>Is Sonic Pi already running? Can't open UDP port 4558.</source>
	779	<translation>无法打开UDP端口4558。请确定Sonic Pi是否已在运行。</translation>
	780	</message>
	781	</context>
	782	</TS>

+776

-0

app/gui/qt/lang/sonic-pi_zh-Hant.ts less more

	0	<?xml version="1.0" encoding="utf-8"?>
	1	<!DOCTYPE TS>
	2	<TS version="2.1" language="zh_TW">
	3	<context>
	4	<name>MainWindow</name>
	5	<message>
	6	<location filename="../mainwindow.cpp" line="201"/>
	7	<location filename="../mainwindow.cpp" line="2336"/>
	8	<location filename="../mainwindow.cpp" line="2356"/>
	9	<source>Sonic Pi</source>
	10	<translation type="unfinished"></translation>
	11	</message>
	12	<message>
	13	<location filename="../mainwindow.cpp" line="254"/>
	14	<source>Welcome to Sonic Pi</source>
	15	<translation type="unfinished"></translation>
	16	</message>
	17	<message>
	18	<location filename="../mainwindow.cpp" line="296"/>
	19	<source>Sonic Pi update info</source>
	20	<translation type="unfinished"></translation>
	21	</message>
	22	<message>
	23	<location filename="../mainwindow.cpp" line="400"/>
	24	<source>Buffer %1</source>
	25	<translation type="unfinished"></translation>
	26	</message>
	27	<message>
	28	<location filename="../mainwindow.cpp" line="464"/>
	29	<source>Preferences</source>
	30	<translation type="unfinished"></translation>
	31	</message>
	32	<message>
	33	<location filename="../mainwindow.cpp" line="477"/>
	34	<source>Log</source>
	35	<translation type="unfinished"></translation>
	36	</message>
	37	<message>
	38	<location filename="../mainwindow.cpp" line="518"/>
	39	<location filename="../mainwindow.cpp" line="2097"/>
	40	<source>Help</source>
	41	<translation type="unfinished"></translation>
	42	</message>
	43	<message>
	44	<location filename="../mainwindow.cpp" line="670"/>
	45	<source>Indenting selection...</source>
	46	<translation type="unfinished"></translation>
	47	</message>
	48	<message>
	49	<location filename="../mainwindow.cpp" line="674"/>
	50	<source>Indenting line...</source>
	51	<translation type="unfinished"></translation>
	52	</message>
	53	<message>
	54	<location filename="../mainwindow.cpp" line="703"/>
	55	<source>Toggle selection comment...</source>
	56	<translation type="unfinished"></translation>
	57	</message>
	58	<message>
	59	<location filename="../mainwindow.cpp" line="707"/>
	60	<source>Toggle line comment...</source>
	61	<translation type="unfinished"></translation>
	62	</message>
	63	<message>
	64	<location filename="../mainwindow.cpp" line="765"/>
	65	<source>The Sonic Pi server could not be started!</source>
	66	<translation type="unfinished"></translation>
	67	</message>
	68	<message>
	69	<location filename="../mainwindow.cpp" line="872"/>
	70	<source>Raspberry Pi System Volume</source>
	71	<translation type="unfinished"></translation>
	72	</message>
	73	<message>
	74	<location filename="../mainwindow.cpp" line="873"/>
	75	<source>Use this slider to change the system volume of your Raspberry Pi.</source>
	76	<translation type="unfinished"></translation>
	77	</message>
	78	<message>
	79	<location filename="../mainwindow.cpp" line="875"/>
	80	<source>Advanced Audio</source>
	81	<translation type="unfinished"></translation>
	82	</message>
	83	<message>
	84	<location filename="../mainwindow.cpp" line="876"/>
	85	<source>Advanced audio settings for working with
	86	external PA systems when performing with Sonic Pi.</source>
	87	<translation type="unfinished"></translation>
	88	</message>
	89	<message>
	90	<location filename="../mainwindow.cpp" line="877"/>
	91	<source>Invert Stereo</source>
	92	<translation type="unfinished"></translation>
	93	</message>
	94	<message>
	95	<location filename="../mainwindow.cpp" line="878"/>
	96	<source>Toggle stereo inversion.
	97	If enabled, audio sent to the left speaker will
	98	be routed to the right speaker and visa versa.</source>
	99	<translation type="unfinished"></translation>
	100	</message>
	101	<message>
	102	<location filename="../mainwindow.cpp" line="880"/>
	103	<source>Force Mono</source>
	104	<translation type="unfinished"></translation>
	105	</message>
	106	<message>
	107	<location filename="../mainwindow.cpp" line="881"/>
	108	<source>Toggle mono mode.
	109	If enabled both right and left audio is mixed and
	110	the same signal is sent to both speakers.
	111	Useful when working with external systems that
	112	can only handle mono.</source>
	113	<translation type="unfinished"></translation>
	114	</message>
	115	<message>
	116	<location filename="../mainwindow.cpp" line="884"/>
	117	<source>Safe mode</source>
	118	<translation type="unfinished"></translation>
	119	</message>
	120	<message>
	121	<location filename="../mainwindow.cpp" line="885"/>
	122	<source>Toggle synth argument checking functions.
	123	If disabled, certain synth opt values may
	124	create unexpectedly loud or uncomfortable sounds.</source>
	125	<translation type="unfinished"></translation>
	126	</message>
	127	<message>
	128	<location filename="../mainwindow.cpp" line="897"/>
	129	<source>Raspberry Pi Audio Output</source>
	130	<translation type="unfinished"></translation>
	131	</message>
	132	<message>
	133	<location filename="../mainwindow.cpp" line="898"/>
	134	<source>Your Raspberry Pi has two forms of audio output.
	135	Firstly, there is the headphone jack of the Raspberry Pi itself.
	136	Secondly, some HDMI monitors/TVs support audio through the HDMI port.
	137	Use these buttons to force the output to the one you want.</source>
	138	<translation type="unfinished"></translation>
	139	</message>
	140	<message>
	141	<location filename="../mainwindow.cpp" line="899"/>
	142	<source>&Default</source>
	143	<translation type="unfinished"></translation>
	144	</message>
	145	<message>
	146	<location filename="../mainwindow.cpp" line="900"/>
	147	<source>&Headphones</source>
	148	<translation type="unfinished"></translation>
	149	</message>
	150	<message>
	151	<location filename="../mainwindow.cpp" line="901"/>
	152	<source>&HDMI</source>
	153	<translation type="unfinished"></translation>
	154	</message>
	155	<message>
	156	<location filename="../mainwindow.cpp" line="921"/>
	157	<source>Logging</source>
	158	<translation type="unfinished"></translation>
	159	</message>
	160	<message>
	161	<location filename="../mainwindow.cpp" line="922"/>
	162	<source>Configure debug behaviour</source>
	163	<translation type="unfinished"></translation>
	164	</message>
	165	<message>
	166	<location filename="../mainwindow.cpp" line="924"/>
	167	<source>Log synths</source>
	168	<translation type="unfinished"></translation>
	169	</message>
	170	<message>
	171	<location filename="../mainwindow.cpp" line="925"/>
	172	<source>Toggle log messages.
	173	If disabled, activity such as synth and sample
	174	triggering will not be printed to the log by default.</source>
	175	<translation type="unfinished"></translation>
	176	</message>
	177	<message>
	178	<location filename="../mainwindow.cpp" line="927"/>
	179	<source>Clear log on run</source>
	180	<translation type="unfinished"></translation>
	181	</message>
	182	<message>
	183	<location filename="../mainwindow.cpp" line="928"/>
	184	<source>Toggle log clearing on run.
	185	If enabled, the log is cleared each
	186	time the run button is pressed.</source>
	187	<translation type="unfinished"></translation>
	188	</message>
	189	<message>
	190	<location filename="../mainwindow.cpp" line="930"/>
	191	<source>Log cues</source>
	192	<translation type="unfinished"></translation>
	193	</message>
	194	<message>
	195	<location filename="../mainwindow.cpp" line="931"/>
	196	<source>Enable or disable logging of cues.
	197	If disabled, cues will still trigger.
	198	However, they will not be visible in the logs.</source>
	199	<translation type="unfinished"></translation>
	200	</message>
	201	<message>
	202	<location filename="../mainwindow.cpp" line="933"/>
	203	<source>Log Auto Scroll</source>
	204	<translation type="unfinished"></translation>
	205	</message>
	206	<message>
	207	<location filename="../mainwindow.cpp" line="934"/>
	208	<source>Toggle log auto scrolling.
	209	If enabled the log is scrolled to the botton after every new message is displayed.</source>
	210	<translation type="unfinished"></translation>
	211	</message>
	212	<message>
	213	<location filename="../mainwindow.cpp" line="944"/>
	214	<source>Transparency</source>
	215	<translation type="unfinished"></translation>
	216	</message>
	217	<message>
	218	<location filename="../mainwindow.cpp" line="955"/>
	219	<location filename="../mainwindow.cpp" line="1087"/>
	220	<source>Updates</source>
	221	<translation type="unfinished"></translation>
	222	</message>
	223	<message>
	224	<location filename="../mainwindow.cpp" line="957"/>
	225	<source>Check for updates</source>
	226	<translation type="unfinished"></translation>
	227	</message>
	228	<message>
	229	<location filename="../mainwindow.cpp" line="959"/>
	230	<source>Toggle automatic update checking.
	231	This check involves sending anonymous information about your platform and version.</source>
	232	<translation type="unfinished"></translation>
	233	</message>
	234	<message>
	235	<location filename="../mainwindow.cpp" line="960"/>
	236	<source>Check now</source>
	237	<translation type="unfinished"></translation>
	238	</message>
	239	<message>
	240	<location filename="../mainwindow.cpp" line="961"/>
	241	<source>Force a check for updates now.
	242	This check involves sending anonymous information about your platform and version.</source>
	243	<translation type="unfinished"></translation>
	244	</message>
	245	<message>
	246	<location filename="../mainwindow.cpp" line="962"/>
	247	<source>Get update</source>
	248	<translation type="unfinished"></translation>
	249	</message>
	250	<message>
	251	<location filename="../mainwindow.cpp" line="963"/>
	252	<source>Visit http://sonic-pi.net to download new version</source>
	253	<translation type="unfinished"></translation>
	254	</message>
	255	<message>
	256	<location filename="../mainwindow.cpp" line="968"/>
	257	<source>Update Info</source>
	258	<translation type="unfinished"></translation>
	259	</message>
	260	<message>
	261	<location filename="../mainwindow.cpp" line="987"/>
	262	<source>Show and Hide</source>
	263	<translation type="unfinished"></translation>
	264	</message>
	265	<message>
	266	<location filename="../mainwindow.cpp" line="988"/>
	267	<source>Configure editor display options.</source>
	268	<translation type="unfinished"></translation>
	269	</message>
	270	<message>
	271	<location filename="../mainwindow.cpp" line="989"/>
	272	<source>Look and Feel</source>
	273	<translation type="unfinished"></translation>
	274	</message>
	275	<message>
	276	<location filename="../mainwindow.cpp" line="990"/>
	277	<source>Configure editor look and feel.</source>
	278	<translation type="unfinished"></translation>
	279	</message>
	280	<message>
	281	<location filename="../mainwindow.cpp" line="991"/>
	282	<source>Automation</source>
	283	<translation type="unfinished"></translation>
	284	</message>
	285	<message>
	286	<location filename="../mainwindow.cpp" line="992"/>
	287	<source>Configure automation features.</source>
	288	<translation type="unfinished"></translation>
	289	</message>
	290	<message>
	291	<location filename="../mainwindow.cpp" line="993"/>
	292	<source>Auto-align</source>
	293	<translation type="unfinished"></translation>
	294	</message>
	295	<message>
	296	<location filename="../mainwindow.cpp" line="994"/>
	297	<source>Automatically align code on Run</source>
	298	<translation type="unfinished"></translation>
	299	</message>
	300	<message>
	301	<location filename="../mainwindow.cpp" line="996"/>
	302	<source>Show line numbers</source>
	303	<translation type="unfinished"></translation>
	304	</message>
	305	<message>
	306	<location filename="../mainwindow.cpp" line="997"/>
	307	<source>Toggle line number visibility.</source>
	308	<translation type="unfinished"></translation>
	309	</message>
	310	<message>
	311	<location filename="../mainwindow.cpp" line="998"/>
	312	<source>Show log</source>
	313	<translation type="unfinished"></translation>
	314	</message>
	315	<message>
	316	<location filename="../mainwindow.cpp" line="999"/>
	317	<source>Toggle visibility of the log.</source>
	318	<translation type="unfinished"></translation>
	319	</message>
	320	<message>
	321	<location filename="../mainwindow.cpp" line="1001"/>
	322	<source>Show buttons</source>
	323	<translation type="unfinished"></translation>
	324	</message>
	325	<message>
	326	<location filename="../mainwindow.cpp" line="1002"/>
	327	<source>Toggle visibility of the control buttons.</source>
	328	<translation type="unfinished"></translation>
	329	</message>
	330	<message>
	331	<location filename="../mainwindow.cpp" line="1004"/>
	332	<source>Show tabs</source>
	333	<translation type="unfinished"></translation>
	334	</message>
	335	<message>
	336	<location filename="../mainwindow.cpp" line="1006"/>
	337	<source>Toggle visibility of the buffer selection tabs.</source>
	338	<translation type="unfinished"></translation>
	339	</message>
	340	<message>
	341	<location filename="../mainwindow.cpp" line="1007"/>
	342	<source>Full screen</source>
	343	<translation type="unfinished"></translation>
	344	</message>
	345	<message>
	346	<location filename="../mainwindow.cpp" line="1008"/>
	347	<source>Toggle full screen mode.</source>
	348	<translation type="unfinished"></translation>
	349	</message>
	350	<message>
	351	<location filename="../mainwindow.cpp" line="1009"/>
	352	<source>Dark mode</source>
	353	<translation type="unfinished"></translation>
	354	</message>
	355	<message>
	356	<location filename="../mainwindow.cpp" line="1010"/>
	357	<source>Toggle dark mode.</source>
	358	<translation type="unfinished"></translation>
	359	</message>
	360	<message>
	361	<location filename="../mainwindow.cpp" line="1010"/>
	362	<source>
	363	Dark mode is perfect for live coding in night clubs.</source>
	364	<translation type="unfinished"></translation>
	365	</message>
	366	<message>
	367	<location filename="../mainwindow.cpp" line="1049"/>
	368	<source>Audio</source>
	369	<translation type="unfinished"></translation>
	370	</message>
	371	<message>
	372	<location filename="../mainwindow.cpp" line="1061"/>
	373	<source>Editor</source>
	374	<translation type="unfinished"></translation>
	375	</message>
	376	<message>
	377	<location filename="../mainwindow.cpp" line="1062"/>
	378	<source>Studio</source>
	379	<translation type="unfinished"></translation>
	380	</message>
	381	<message>
	382	<location filename="../mainwindow.cpp" line="1064"/>
	383	<location filename="../mainwindow.cpp" line="1074"/>
	384	<source>Performance</source>
	385	<translation type="unfinished"></translation>
	386	</message>
	387	<message>
	388	<location filename="../mainwindow.cpp" line="1065"/>
	389	<source>Settings useful for performing with Sonic Pi</source>
	390	<translation type="unfinished"></translation>
	391	</message>
	392	<message>
	393	<location filename="../mainwindow.cpp" line="1200"/>
	394	<source>Server boot error...</source>
	395	<translation type="unfinished"></translation>
	396	</message>
	397	<message>
	398	<location filename="../mainwindow.cpp" line="1200"/>
	399	<source>Sonic Pi Boot Error
	400
	401	Apologies, a critical error occurred during startup</source>
	402	<translation type="unfinished"></translation>
	403	</message>
	404	<message>
	405	<location filename="../mainwindow.cpp" line="1200"/>
	406	<source>Please consider reporting a bug at</source>
	407	<translation type="unfinished"></translation>
	408	</message>
	409	<message>
	410	<location filename="../mainwindow.cpp" line="1305"/>
	411	<location filename="../mainwindow.cpp" line="1318"/>
	412	<source>Buffer files(.rb .txt)</source>
	413	<translation type="unfinished"></translation>
	414	</message>
	415	<message>
	416	<location filename="../mainwindow.cpp" line="1306"/>
	417	<source>Load Sonic-Pi Buffer</source>
	418	<translation type="unfinished"></translation>
	419	</message>
	420	<message>
	421	<location filename="../mainwindow.cpp" line="1306"/>
	422	<location filename="../mainwindow.cpp" line="1319"/>
	423	<source>Buffer files(.rb .txt);;Text files (.txt);;Ruby (.rb);;All files (.)</source>
	424	<translation type="unfinished"></translation>
	425	</message>
	426	<message>
	427	<location filename="../mainwindow.cpp" line="1319"/>
	428	<source>Save Current Buffer</source>
	429	<translation type="unfinished"></translation>
	430	</message>
	431	<message>
	432	<location filename="../mainwindow.cpp" line="1390"/>
	433	<source>Running Code...</source>
	434	<translation type="unfinished"></translation>
	435	</message>
	436	<message>
	437	<location filename="../mainwindow.cpp" line="1432"/>
	438	<source>Zooming In...</source>
	439	<translation type="unfinished"></translation>
	440	</message>
	441	<message>
	442	<location filename="../mainwindow.cpp" line="1439"/>
	443	<source>Zooming Out...</source>
	444	<translation type="unfinished"></translation>
	445	</message>
	446	<message>
	447	<location filename="../mainwindow.cpp" line="1446"/>
	448	<source>Beautifying...</source>
	449	<translation type="unfinished"></translation>
	450	</message>
	451	<message>
	452	<location filename="../mainwindow.cpp" line="1466"/>
	453	<source>Reloading...</source>
	454	<translation type="unfinished"></translation>
	455	</message>
	456	<message>
	457	<location filename="../mainwindow.cpp" line="1473"/>
	458	<source>Checking for updates...</source>
	459	<translation type="unfinished"></translation>
	460	</message>
	461	<message>
	462	<location filename="../mainwindow.cpp" line="1481"/>
	463	<source>Enabling update checking...</source>
	464	<translation type="unfinished"></translation>
	465	</message>
	466	<message>
	467	<location filename="../mainwindow.cpp" line="1489"/>
	468	<source>Disabling update checking...</source>
	469	<translation type="unfinished"></translation>
	470	</message>
	471	<message>
	472	<location filename="../mainwindow.cpp" line="1497"/>
	473	<source>Enabling Mixer HPF...</source>
	474	<translation type="unfinished"></translation>
	475	</message>
	476	<message>
	477	<location filename="../mainwindow.cpp" line="1506"/>
	478	<source>Disabling Mixer HPF...</source>
	479	<translation type="unfinished"></translation>
	480	</message>
	481	<message>
	482	<location filename="../mainwindow.cpp" line="1514"/>
	483	<source>Enabling Mixer LPF...</source>
	484	<translation type="unfinished"></translation>
	485	</message>
	486	<message>
	487	<location filename="../mainwindow.cpp" line="1523"/>
	488	<source>Disabling Mixer LPF...</source>
	489	<translation type="unfinished"></translation>
	490	</message>
	491	<message>
	492	<location filename="../mainwindow.cpp" line="1531"/>
	493	<source>Enabling Inverted Stereo...</source>
	494	<translation type="unfinished"></translation>
	495	</message>
	496	<message>
	497	<location filename="../mainwindow.cpp" line="1539"/>
	498	<source>Enabling Standard Stereo...</source>
	499	<translation type="unfinished"></translation>
	500	</message>
	501	<message>
	502	<location filename="../mainwindow.cpp" line="1547"/>
	503	<source>Mono Mode...</source>
	504	<translation type="unfinished"></translation>
	505	</message>
	506	<message>
	507	<location filename="../mainwindow.cpp" line="1555"/>
	508	<source>Stereo Mode...</source>
	509	<translation type="unfinished"></translation>
	510	</message>
	511	<message>
	512	<location filename="../mainwindow.cpp" line="1564"/>
	513	<source>Stopping...</source>
	514	<translation type="unfinished"></translation>
	515	</message>
	516	<message>
	517	<location filename="../mainwindow.cpp" line="1660"/>
	518	<source>Updating System Volume...</source>
	519	<translation type="unfinished"></translation>
	520	</message>
	521	<message>
	522	<location filename="../mainwindow.cpp" line="1676"/>
	523	<source>Log Auto Scroll on...</source>
	524	<translation type="unfinished"></translation>
	525	</message>
	526	<message>
	527	<location filename="../mainwindow.cpp" line="1678"/>
	528	<source>Log Auto Scroll off...</source>
	529	<translation type="unfinished"></translation>
	530	</message>
	531	<message>
	532	<location filename="../mainwindow.cpp" line="1892"/>
	533	<source>Switching To Headphone Audio Output...</source>
	534	<translation type="unfinished"></translation>
	535	</message>
	536	<message>
	537	<location filename="../mainwindow.cpp" line="1908"/>
	538	<source>Switching To HDMI Audio Output...</source>
	539	<translation type="unfinished"></translation>
	540	</message>
	541	<message>
	542	<location filename="../mainwindow.cpp" line="1923"/>
	543	<source>Switching To Default Audio Output...</source>
	544	<translation type="unfinished"></translation>
	545	</message>
	546	<message>
	547	<location filename="../mainwindow.cpp" line="2074"/>
	548	<source>Run</source>
	549	<translation type="unfinished"></translation>
	550	</message>
	551	<message>
	552	<location filename="../mainwindow.cpp" line="2075"/>
	553	<source>Run the code in the current buffer</source>
	554	<translation type="unfinished"></translation>
	555	</message>
	556	<message>
	557	<location filename="../mainwindow.cpp" line="2080"/>
	558	<source>Stop</source>
	559	<translation type="unfinished"></translation>
	560	</message>
	561	<message>
	562	<location filename="../mainwindow.cpp" line="2081"/>
	563	<source>Stop all running code</source>
	564	<translation type="unfinished"></translation>
	565	</message>
	566	<message>
	567	<location filename="../mainwindow.cpp" line="2084"/>
	568	<source>Save As...</source>
	569	<translation type="unfinished"></translation>
	570	</message>
	571	<message>
	572	<location filename="../mainwindow.cpp" line="2085"/>
	573	<source>Save current buffer as an external file</source>
	574	<translation type="unfinished"></translation>
	575	</message>
	576	<message>
	577	<location filename="../mainwindow.cpp" line="2088"/>
	578	<source>Load</source>
	579	<translation type="unfinished"></translation>
	580	</message>
	581	<message>
	582	<location filename="../mainwindow.cpp" line="2089"/>
	583	<source>Load an external file in the current buffer</source>
	584	<translation type="unfinished"></translation>
	585	</message>
	586	<message>
	587	<location filename="../mainwindow.cpp" line="2092"/>
	588	<source>Info</source>
	589	<translation type="unfinished"></translation>
	590	</message>
	591	<message>
	592	<location filename="../mainwindow.cpp" line="2093"/>
	593	<source>See information about Sonic Pi</source>
	594	<translation type="unfinished"></translation>
	595	</message>
	596	<message>
	597	<location filename="../mainwindow.cpp" line="2098"/>
	598	<source>Toggle help pane</source>
	599	<translation type="unfinished"></translation>
	600	</message>
	601	<message>
	602	<location filename="../mainwindow.cpp" line="2101"/>
	603	<source>Prefs</source>
	604	<translation type="unfinished"></translation>
	605	</message>
	606	<message>
	607	<location filename="../mainwindow.cpp" line="2102"/>
	608	<source>Toggle preferences pane</source>
	609	<translation type="unfinished"></translation>
	610	</message>
	611	<message>
	612	<location filename="../mainwindow.cpp" line="2106"/>
	613	<location filename="../mainwindow.cpp" line="2234"/>
	614	<location filename="../mainwindow.cpp" line="2235"/>
	615	<source>Start Recording</source>
	616	<translation type="unfinished"></translation>
	617	</message>
	618	<message>
	619	<location filename="../mainwindow.cpp" line="2107"/>
	620	<source>Start recording to WAV audio file</source>
	621	<translation type="unfinished"></translation>
	622	</message>
	623	<message>
	624	<location filename="../mainwindow.cpp" line="2111"/>
	625	<source>Auto-Align Text</source>
	626	<translation type="unfinished"></translation>
	627	</message>
	628	<message>
	629	<location filename="../mainwindow.cpp" line="2112"/>
	630	<source>Improve readability of code</source>
	631	<translation type="unfinished"></translation>
	632	</message>
	633	<message>
	634	<location filename="../mainwindow.cpp" line="2118"/>
	635	<source>Increase Text Size</source>
	636	<translation type="unfinished"></translation>
	637	</message>
	638	<message>
	639	<location filename="../mainwindow.cpp" line="2125"/>
	640	<source>Decrease Text Size</source>
	641	<translation type="unfinished"></translation>
	642	</message>
	643	<message>
	644	<location filename="../mainwindow.cpp" line="2130"/>
	645	<source>Tools</source>
	646	<translation type="unfinished"></translation>
	647	</message>
	648	<message>
	649	<location filename="../mainwindow.cpp" line="2180"/>
	650	<source>About</source>
	651	<translation type="unfinished"></translation>
	652	</message>
	653	<message>
	654	<location filename="../mainwindow.cpp" line="2181"/>
	655	<source>Core Team</source>
	656	<translation type="unfinished"></translation>
	657	</message>
	658	<message>
	659	<location filename="../mainwindow.cpp" line="2182"/>
	660	<source>Contributors</source>
	661	<translation type="unfinished"></translation>
	662	</message>
	663	<message>
	664	<location filename="../mainwindow.cpp" line="2183"/>
	665	<source>Community</source>
	666	<translation type="unfinished"></translation>
	667	</message>
	668	<message>
	669	<location filename="../mainwindow.cpp" line="2184"/>
	670	<source>License</source>
	671	<translation type="unfinished"></translation>
	672	</message>
	673	<message>
	674	<location filename="../mainwindow.cpp" line="2185"/>
	675	<source>History</source>
	676	<translation type="unfinished"></translation>
	677	</message>
	678	<message>
	679	<location filename="../mainwindow.cpp" line="2206"/>
	680	<source>Sonic Pi - Info</source>
	681	<translation type="unfinished"></translation>
	682	</message>
	683	<message>
	684	<location filename="../mainwindow.cpp" line="2226"/>
	685	<location filename="../mainwindow.cpp" line="2227"/>
	686	<source>Stop Recording</source>
	687	<translation type="unfinished"></translation>
	688	</message>
	689	<message>
	690	<location filename="../mainwindow.cpp" line="2240"/>
	691	<source>Save Recording</source>
	692	<translation type="unfinished"></translation>
	693	</message>
	694	<message>
	695	<location filename="../mainwindow.cpp" line="2240"/>
	696	<source>Wavefile (*.wav)</source>
	697	<translation type="unfinished"></translation>
	698	</message>
	699	<message>
	700	<location filename="../mainwindow.cpp" line="2259"/>
	701	<source>Ready...</source>
	702	<translation type="unfinished"></translation>
	703	</message>
	704	<message>
	705	<location filename="../mainwindow.cpp" line="2337"/>
	706	<source>Cannot read file %1:
	707	%2.</source>
	708	<translation type="unfinished"></translation>
	709	</message>
	710	<message>
	711	<location filename="../mainwindow.cpp" line="2348"/>
	712	<source>File loaded...</source>
	713	<translation type="unfinished"></translation>
	714	</message>
	715	<message>
	716	<location filename="../mainwindow.cpp" line="2357"/>
	717	<source>Cannot write file %1:
	718	%2.</source>
	719	<translation type="unfinished"></translation>
	720	</message>
	721	<message>
	722	<location filename="../mainwindow.cpp" line="2375"/>
	723	<source>File saved...</source>
	724	<translation type="unfinished"></translation>
	725	</message>
	726	<message>
	727	<location filename="../mainwindow.cpp" line="2601"/>
	728	<source>Last checked %1</source>
	729	<translation type="unfinished"></translation>
	730	</message>
	731	<message>
	732	<location filename="../mainwindow.cpp" line="2603"/>
	733	<source>Sonic Pi checks for updates
	734	every two weeks.</source>
	735	<translation type="unfinished"></translation>
	736	</message>
	737	<message>
	738	<location filename="../mainwindow.cpp" line="2605"/>
	739	<source>This is Sonic Pi %1</source>
	740	<translation type="unfinished"></translation>
	741	</message>
	742	<message>
	743	<location filename="../mainwindow.cpp" line="2606"/>
	744	<source>Version %2 is now available!</source>
	745	<translation type="unfinished"></translation>
	746	</message>
	747	<message>
	748	<location filename="../mainwindow.cpp" line="2610"/>
	749	<source>New version available!
	750	Get Sonic Pi %1</source>
	751	<translation type="unfinished"></translation>
	752	</message>
	753	<message>
	754	<location filename="../mainwindow.cpp" line="2636"/>
	755	<source>Welcome back. Now get your live code on...</source>
	756	<translation type="unfinished"></translation>
	757	</message>
	758	</context>
	759	<context>
	760	<name>QObject</name>
	761	<message>
	762	<location filename="../main.cpp" line="43"/>
	763	<source>Sonic Pi</source>
	764	<translation type="unfinished"></translation>
	765	</message>
	766	</context>
	767	<context>
	768	<name>SonicPiUDPOSCServer</name>
	769	<message>
	770	<location filename="../sonic_pi_udp_osc_server.cpp" line="37"/>
	771	<source>Is Sonic Pi already running? Can't open UDP port 4558.</source>
	772	<translation type="unfinished"></translation>
	773	</message>
	774	</context>
	775	</TS>

+1

-1

app/gui/qt/main.cpp less more

2	2	// Full project source: https://github.com/samaaron/sonic-pi
3	3	// License: https://github.com/samaaron/sonic-pi/blob/master/LICENSE.md
4	4	//
5		// Copyright 2013, 2014, 2015 by Sam Aaron (http://sam.aaron.name).
	5	// Copyright 2013, 2014, 2015, 2016 by Sam Aaron (http://sam.aaron.name).
6	6	// All rights reserved.
7	7	//
8	8	// Permission is granted for use, copying, modification, and

+491

-257

app/gui/qt/mainwindow.cpp less more

2	2	// Full project source: https://github.com/samaaron/sonic-pi
3	3	// License: https://github.com/samaaron/sonic-pi/blob/master/LICENSE.md
4	4	//
5		// Copyright 2013, 2014, 2015 by Sam Aaron (http://sam.aaron.name).
	5	// Copyright 2013, 2014, 2015, 2016 by Sam Aaron (http://sam.aaron.name).
6	6	// All rights reserved.
7	7	//
8	8	// Permission is granted for use, copying, modification, and

18	18	#include <fstream>
19	19
20	20	// Qt stuff
	21	#include <QSysInfo>
21	22	#include <QDate>
22	23	#include <QDesktopServices>
23	24	#include <QDir>

57	58	#include <QScrollArea>
58	59	#include <QShortcut>
59	60	#include <QToolButton>
60		#include <QSettings>
61	61	#include <QScrollBar>
62	62	#include <QSignalMapper>
63	63	#include <QSplitter>

73	73
74	74	#include "oschandler.h"
75	75	#include "sonicpilog.h"
76		#include "sonicpiudpserver.h"
77		#include "sonicpitcpserver.h"
	76	#include "sonic_pi_udp_osc_server.h"
	77	#include "sonic_pi_tcp_osc_server.h"
78	78
79	79	// OSC stuff
80	80	#include "oscpkt.hh"

101	101	MainWindow::MainWindow(QApplication &app, bool i18n, QSplashScreen* splash)
102	102	#endif
103	103	{
	104	if (QCoreApplication::applicationDirPath().startsWith("/usr/bin/")) {
	105
	106	// use FHS directory scheme:
	107	// Sonic Pi is installed in /usr/bin from a Linux distribution's package
	108
	109	ruby_path = "/usr/bin/ruby";
	110	ruby_server_path = "/usr/lib/sonic-pi/server/bin/sonic-pi-server.rb";
	111	sample_path = "/usr/share/sonic-pi/samples";
	112
	113	} else if (QCoreApplication::applicationDirPath().startsWith("/opt/")) {
	114
	115	// use /opt directory scheme:
	116	// Sonic Pi is installed in /opt from the Raspbian .deb package
	117
	118	ruby_path = "/usr/bin/ruby";
	119	ruby_server_path = "/opt/sonic-pi/server/bin/sonic-pi-server.rb";
	120	sample_path = "/opt/sonic-pi/etc/samples";
	121
	122	} else {
	123
	124	// Sonic Pi is installed in the user's home directory
	125	// or has been installed on Windows / OSX
	126
	127	QString root_path = rootPath();
	128
	129	#if defined(Q_OS_WIN)
	130	ruby_path = QDir::toNativeSeparators(root_path + "/app/server/native/windows/ruby/bin/ruby.exe");
	131	#elif defined(Q_OS_MAC)
	132	ruby_path = root_path + "/server/native/osx/ruby/bin/ruby";
	133	#else
	134	ruby_path = root_path + "/app/server/native/raspberry/ruby/bin/ruby";
	135	#endif
	136
	137	QFile file(ruby_path);
	138	if(!file.exists()) {
	139	// fallback to user's locally installed ruby
	140	ruby_path = "ruby";
	141	}
	142
	143	ruby_server_path = QDir::toNativeSeparators(root_path + "/app/server/bin/sonic-pi-server.rb");
	144	sample_path = QDir::toNativeSeparators(root_path + "/etc/samples");
	145
	146	}
	147
	148	sp_user_path = QDir::toNativeSeparators(sonicPiHomePath() + "/.sonic-pi");
	149	sp_user_tmp_path = QDir::toNativeSeparators(sp_user_path + "/.writableTesterPath");
	150	log_path = QDir::toNativeSeparators(sp_user_path + "/log");
	151	server_error_log_path = QDir::toNativeSeparators(log_path + "/server-errors.log");
	152	server_output_log_path = QDir::toNativeSeparators(log_path + "/server-output.log");
	153	gui_log_path = QDir::toNativeSeparators(log_path + QDir::separator() + "gui.log");
	154	scsynth_log_path = QDir::toNativeSeparators(log_path + QDir::separator() + "scsynth.log");
	155
	156	QFile file(sp_user_tmp_path);
	157	if (!file.open(QIODevice::WriteOnly)) {
	158	homeDirWritable = false;
	159	}
	160	else {
	161	homeDirWritable = true;
	162	file.close();
	163	}
	164
	165	loaded_workspaces = false;
	166	is_recording = false;
	167	show_rec_icon_a = false;
	168	restoreDocPane = false;
	169	focusMode = false;
	170	version = "2.10.0";
	171	latest_version = "";
	172	version_num = 0;
	173	latest_version_num = 0;
	174	this->splash = splash;
	175	this->i18n = i18n;
	176	guiID = QUuid::createUuid().toString();
	177	QSettings settings("uk.ac.cam.cl", "Sonic Pi");
	178	defaultTextBrowserStyle = "QTextBrowser { selection-color: white; selection-background-color: deeppink; padding-left:10; padding-top:10; padding-bottom:10; padding-right:10 ; background:white;}";
	179
104	180	QThreadPool::globalInstance()->setMaxThreadCount(3);
105	181	app.installEventFilter(this);
106	182	app.processEvents();
107	183
108		setupLogPathAndRedirectStdOut();
109		std::cout << "\n\n\n";
110
111		guiID = QUuid::createUuid().toString();
112		loaded_workspaces = false;
113		this->splash = splash;
114	184	protocol = UDP;
115
116	185	if(protocol == TCP){
117	186	clientSock = new QTcpSocket(this);
118	187	}
119	188
120		this->i18n = i18n;
121
	189	setupLogPathAndRedirectStdOut();
122	190	printAsciiArtLogo();
123	191
124		startServer();
125
126		setUnifiedTitleAndToolBarOnMac(true);
127		setWindowIcon(QIcon(":images/icon-smaller.png"));
128
129		defaultTextBrowserStyle = "QTextBrowser { selection-color: white; selection-background-color: deeppink; padding-left:10; padding-top:10; padding-bottom:10; padding-right:10 ; background:white;}";
130
131		is_recording = false;
132		show_rec_icon_a = false;
133
134		rec_flash_timer = new QTimer(this);
135		connect(rec_flash_timer, SIGNAL(timeout()), this, SLOT(toggleRecordingOnIcon()));
136
137		// Setup output and error panes
138		version = "";
139		latest_version = "";
140		version_num = 0;
141		latest_version_num = 0;
142		outputPane = new SonicPiLog;
143		errorPane = new QTextBrowser;
144		errorPane->setOpenExternalLinks(true);
145
146		update_info = new QLabel(tr("Sonic Pi update info"));
147		update_info->setWordWrap(true);
	192	setupTheme();
	193	lexer = new SonicPiLexer(theme);
	194
	195	setupWindowStructure();
	196	createShortcuts();
	197	createToolBar();
	198	createStatusBar();
	199	createInfoPane();
	200	setWindowTitle(tr("Sonic Pi"));
	201	initPrefsWindow();
	202	readSettings();
	203	updateTabsVisibility();
	204	updateButtonVisibility();
	205	updateLogVisibility();
	206	initDocsWindow();
	207
	208	//setup autocompletion
	209	autocomplete->loadSamples(sample_path);
	210
	211	OscHandler* handler = new OscHandler(this, outputPane, errorPane, theme);
	212
	213	if(protocol == UDP){
	214	sonicPiOSCServer = new SonicPiUDPOSCServer(this, handler);
	215	osc_thread = QtConcurrent::run(sonicPiOSCServer, &SonicPiOSCServer::start);
	216	}
	217	else{
	218	sonicPiOSCServer = new SonicPiTCPOSCServer(this, handler);
	219	sonicPiOSCServer->start();
	220	}
	221
	222
	223	// Wait to hear back from the server before continuing
	224	startRubyServer();
	225	if (waitForServiceSync()){
	226	// We have a connection! Finish up loading app...
	227
	228
	229	loadWorkspaces();
	230	requestVersion();
	231
	232	splashClose();
	233
	234
	235	showWindow();
	236	updateDarkMode();
	237	updateFullScreenMode();
	238	showWelcomeScreen();
	239
	240	connect(&app, SIGNAL( aboutToQuit() ), this, SLOT( onExitCleanup() ) );
	241	QTimer *timer = new QTimer(this);
	242	connect(timer, SIGNAL(timeout()), this, SLOT(heartbeatOSC()));
	243	timer->start(1000);
	244
	245	}
	246	}
	247
	248	void MainWindow::showWelcomeScreen() {
	249	QSettings settings("uk.ac.cam.cl", "Sonic Pi");
	250	if(settings.value("first_time", 1).toInt() == 1) {
	251	QTextBrowser* startupPane = new QTextBrowser;
	252	startupPane->setFixedSize(600, 615);
	253	startupPane->setWindowIcon(QIcon(":images/icon-smaller.png"));
	254	startupPane->setWindowTitle(tr("Welcome to Sonic Pi"));
	255	addUniversalCopyShortcuts(startupPane);
	256	startupPane->document()->setDefaultStyleSheet(readFile(":/theme/light/doc-styles.css"));
	257	startupPane->setSource(QUrl("qrc:///html/startup.html"));
	258	startupPane->setStyleSheet(defaultTextBrowserStyle);
	259	docWidget->show();
	260	startupPane->show();
	261	}
	262	}
	263
	264	void MainWindow::setupTheme() {
148	265
149	266	// Syntax highlighting
150		QSettings settings("uk.ac.cam.cl", "Sonic Pi");
151	267	QString themeFilename = QDir::homePath() + QDir::separator() + ".sonic-pi" + QDir::separator() + "theme.properties";
152	268	QFile themeFile(themeFilename);
153		SonicPiTheme *theme;
154	269	if(themeFile.exists()){
155	270	std::cout << "[GUI] - using custom editor colours" << std::endl;
156	271	QSettings settings(themeFilename, QSettings::IniFormat);
157	272	theme = new SonicPiTheme(this, &settings, settings.value("prefs/dark-mode").toBool());
158		lexer = new SonicPiLexer(theme);
159	273	}
160	274	else{
	275
161	276	std::cout << "[GUI] - using default editor colours" << std::endl;
	277	QSettings settings("uk.ac.cam.cl", "Sonic Pi");
162	278	theme = new SonicPiTheme(this, 0, settings.value("prefs/dark-mode").toBool());
163		lexer = new SonicPiLexer(theme);
164		}
165
166
167
168
169		QTimer *timer = new QTimer(this);
170		connect(timer, SIGNAL(timeout()), this, SLOT(heartbeatOSC()));
171		timer->start(1000);
172
173		OscHandler* handler = new OscHandler(this, outputPane, errorPane, theme);
174
175		if(protocol == UDP){
176		sonicPiServer = new SonicPiUDPServer(this, handler);
177		osc_thread = QtConcurrent::run(sonicPiServer, &SonicPiServer::startServer);
178		}
179		else{
180		sonicPiServer = new SonicPiTCPServer(this, handler);
181		sonicPiServer->startServer();
182		}
	279
	280	}
	281	}
	282
	283	void MainWindow::setupWindowStructure() {
	284
	285	setUnifiedTitleAndToolBarOnMac(true);
	286	setWindowIcon(QIcon(":images/icon-smaller.png"));
	287
	288	rec_flash_timer = new QTimer(this);
	289	connect(rec_flash_timer, SIGNAL(timeout()), this, SLOT(toggleRecordingOnIcon()));
	290
	291	// Setup output and error panes
	292
	293	outputPane = new SonicPiLog;
	294	errorPane = new QTextBrowser;
	295	errorPane->setOpenExternalLinks(true);
	296	update_info = new QLabel(tr("Sonic Pi update info"));
	297	update_info->setWordWrap(true);
183	298
184	299	// Window layout
185	300	tabs = new QTabWidget();

192	307	// create workspaces and add them to the tabs
193	308	// workspace shortcuts
194	309	signalMapper = new QSignalMapper (this) ;
	310	retSignalMapper = new QSignalMapper (this) ;
195	311	for(int ws = 0; ws < workspace_max; ws++) {
196	312	std::string s;
197	313

202	318	QShortcut *indentLine = new QShortcut(QKeySequence("Tab"), workspace);
203	319	connect (indentLine, SIGNAL(activated()), signalMapper, SLOT(map())) ;
204	320	signalMapper -> setMapping (indentLine, (QObject*)workspace);
	321
	322	QShortcut *newLineAndIndent = new QShortcut(QKeySequence("Return"), workspace);
	323	connect (newLineAndIndent, SIGNAL(activated()), retSignalMapper, SLOT(map())) ;
	324	retSignalMapper -> setMapping (newLineAndIndent, (QObject*)workspace);
	325
205	326
206	327	//transpose chars
207	328	QShortcut *transposeChars = new QShortcut(ctrlKey('t'), workspace);

247	368	//escape
248	369	QShortcut *escape = new QShortcut(ctrlKey('g'), workspace);
249	370	QShortcut *escape2 = new QShortcut(QKeySequence("Escape"), workspace);
250		connect(escape, SIGNAL(activated()), workspace, SLOT(escapeAndCancelSelection()));
251		connect(escape, SIGNAL(activated()), this, SLOT(resetErrorPane()));
252		connect(escape, SIGNAL(activated()), workspace, SLOT(clearLineMarkers()));
253		connect(escape2, SIGNAL(activated()), workspace, SLOT(escapeAndCancelSelection()));
254		connect(escape2, SIGNAL(activated()), this, SLOT(resetErrorPane()));
255		connect(escape2, SIGNAL(activated()), workspace, SLOT(clearLineMarkers()));
	371	connect(escape, SIGNAL(activated()), this, SLOT(escapeWorkspaces()));
	372	connect(escape2, SIGNAL(activated()), this, SLOT(escapeWorkspaces()));
	373
256	374
257	375	//quick nav by jumping up and down 10 lines at a time
258	376	QShortcut *forwardTenLines = new QShortcut(shiftMetaKey('u'), workspace);

290	408	tabs->addTab(workspace, w);
291	409	}
292	410
	411	connect(retSignalMapper, SIGNAL(mapped(QObject)), this, SLOT(returnAndIndentLine(QObject)));
293	412	connect(signalMapper, SIGNAL(mapped(int)), this, SLOT(changeTab(int)));
294		connect(signalMapper, SIGNAL(mapped(QObject)), this, SLOT(completeListOrIndentLine(QObject)));
	413	connect(signalMapper, SIGNAL(mapped(QObject)), this, SLOT(completeSnippetListOrIndentLine(QObject)));
295	414
296	415	QFont font("Monospace");
297	416	font.setStyleHint(QFont::Monospace);
298	417	lexer->setDefaultFont(font);
299	418
300	419	autocomplete = new SonicPiAPIs(lexer);
301		autocomplete->loadSamples(sample_path);
302
303	420	// adding universal shortcuts to outputpane seems to
304	421	// steal events from doc system!?
305	422	// addUniversalCopyShortcuts(outputPane);

428	545	mainWidget->setLayout(mainWidgetLayout);
429	546	setCentralWidget(mainWidget);
430	547
431		createShortcuts();
432		createToolBar();
433		createStatusBar();
434		createInfoPane();
435
436		readSettings();
437
438
439		setWindowTitle(tr("Sonic Pi"));
440
441		connect(&app, SIGNAL( aboutToQuit() ), this, SLOT( onExitCleanup() ) );
442
443
444
445		initPrefsWindow();
446
447		if(settings.value("first_time", 1).toInt() == 1) {
448		QTextBrowser* startupPane = new QTextBrowser;
449		startupPane->setFixedSize(600, 615);
450		startupPane->setWindowIcon(QIcon(":images/icon-smaller.png"));
451		startupPane->setWindowTitle(tr("Welcome to Sonic Pi"));
452		addUniversalCopyShortcuts(startupPane);
453		startupPane->document()->setDefaultStyleSheet(readFile(":/theme/light/doc-styles.css"));
454		startupPane->setSource(QUrl("qrc:///html/startup.html"));
455		startupPane->setStyleSheet(defaultTextBrowserStyle);
456		docWidget->show();
457		startupPane->show();
458		}
459
460		restoreDocPane = false;
461
462		focusMode = false;
463
464		// Wait to hear back from the server before continuing
465		waitForServiceSync();
466		serverStarted();
467
468		updateDarkMode();
469		initDocsWindow();
470		updateFullScreenMode();
471		updateTabsVisibility();
472		updateButtonVisibility();
473		updateLogVisibility();
474
475		requestVersion();
	548	}
	549
	550	void MainWindow::escapeWorkspaces() {
	551	resetErrorPane();
	552
	553	for (int w=0; w < workspace_max; w++) {
	554	workspaces[w]->escapeAndCancelSelection();
	555	workspaces[w]->clearLineMarkers();
	556	}
476	557	}
477	558
478	559	void MainWindow::changeTab(int id){

547	628	}
548	629	}
549	630
550
551	631	void MainWindow::toggleTabsVisibility() {
552	632	show_tabs->toggle();
553	633	updateTabsVisibility();

580	660	}
581	661	}
582	662
583		void MainWindow::completeListOrIndentLine(QObject* ws){
	663	void MainWindow::completeSnippetListOrIndentLine(QObject* ws){
584	664	SonicPiScintilla spws = ((SonicPiScintilla)ws);
585	665	if(spws->isListActive()) {
586	666	spws->tabCompleteifList();
587	667	}
588	668	else {
589		indentCurrentLineOrSelection(spws);
590		}
591		}
592
593		void MainWindow::indentCurrentLineOrSelection(SonicPiScintilla* ws) {
	669	completeSnippetOrIndentCurrentLineOrSelection(spws);
	670	}
	671	}
	672
	673
	674	void MainWindow::returnAndIndentLine(QObject* ws){
	675	SonicPiScintilla spws = ((SonicPiScintilla)ws);
	676
	677	if(spws->isListActive()) {
	678	spws->tabCompleteifList();
	679	}
	680	else {
	681	if(auto_indent_on_run->isChecked()) {
	682	newlineAndIndent(spws);
	683	} else {
	684	spws->newLine();
	685	}
	686	}
	687	}
	688
	689
	690
	691	void MainWindow::newlineAndIndent(SonicPiScintilla* ws) {
	692	int point_line, point_index, first_line;
	693	ws->getCursorPosition(&point_line, &point_index);
	694	first_line = ws->firstVisibleLine();
	695
	696	std::string code = ws->text().toStdString();
	697
	698	Message msg("/buffer-newline-and-indent");
	699	msg.pushStr(guiID.toStdString());
	700	std::string filename = workspaceFilename(ws);
	701	msg.pushStr(filename);
	702	msg.pushStr(code);
	703	msg.pushInt32(point_line);
	704	msg.pushInt32(point_index);
	705	msg.pushInt32(first_line);
	706	sendOSC(msg);
	707	}
	708
	709	void MainWindow::completeSnippetOrIndentCurrentLineOrSelection(SonicPiScintilla* ws) {
594	710	int start_line, finish_line, point_line, point_index;
595	711	ws->getCursorPosition(&point_line, &point_index);
596	712	if(ws->hasSelectedText()) {

606	722
607	723	std::string code = ws->text().toStdString();
608	724
609		Message msg("/complete-snippet-or-indent-selection");
	725	Message msg("/buffer-section-complete-snippet-or-indent-selection");
610	726	msg.pushStr(guiID.toStdString());
611	727	std::string filename = workspaceFilename(ws);
612	728	msg.pushStr(filename);

627	743	int start_line, finish_line, point_line, point_index;
628	744	ws->getCursorPosition(&point_line, &point_index);
629	745	if(ws->hasSelectedText()) {
630		statusBar()->showMessage(tr("Commenting selection..."), 2000);
	746	statusBar()->showMessage(tr("Toggle selection comment..."), 2000);
631	747	int unused_a, unused_b;
632	748	ws->getSelection(&start_line, &unused_a, &finish_line, &unused_b);
633	749	} else {
634		statusBar()->showMessage(tr("Commenting line..."), 2000);
	750	statusBar()->showMessage(tr("Toggle line comment..."), 2000);
635	751	start_line = point_line;
636	752	finish_line = point_line;
637	753	}

639	755
640	756	std::string code = ws->text().toStdString();
641	757
642		Message msg("/toggle-comment");
	758	Message msg("/buffer-section-toggle-comment");
643	759	msg.pushStr(guiID.toStdString());
644	760	std::string filename = workspaceFilename(ws);
645	761	msg.pushStr(filename);

662	778	#endif
663	779	}
664	780
665		void MainWindow::startServer(){
	781	void MainWindow::startRubyServer(){
666	782
667	783	// kill any zombie processes that may exist
668	784	// better: test to see if UDP ports are in use, only kill/sleep if so

673	789	sendOSC(msg);
674	790	sleep(2);
675	791
676
677		serverProcess = new QProcess();
678
679		QString root = rootPath();
680
681		#if defined(Q_OS_WIN)
682		QString prg_path = root + "/app/server/native/windows/ruby/bin/ruby.exe";
683		QString prg_arg = root + "/app/server/bin/sonic-pi-server.rb";
684		sample_path = root + "/etc/samples";
685		#elif defined(Q_OS_MAC)
686		QString prg_path = root + "/server/native/osx/ruby/bin/ruby";
687		QString prg_arg = root + "/server/bin/sonic-pi-server.rb";
688		sample_path = root + "/etc/samples";
689		#else
690		//assuming Raspberry Pi
691		QString prg_path = root + "/app/server/native/raspberry/ruby/bin/ruby";
692		QFile file(prg_path);
693		if(!file.exists()) {
694		// use system ruby if bundled ruby doesn't exist
695		prg_path = "/usr/bin/ruby";
	792	serverProcess = new QProcess();
	793
	794	QStringList args;
	795	args << ruby_server_path;
	796
	797	if(protocol == TCP){
	798	args << "-t";
	799	}
	800
	801	std::cout << "[GUI] - booting live coding server" << std::endl;
	802	if(homeDirWritable) {
	803	serverProcess->setStandardErrorFile(server_error_log_path);
	804	serverProcess->setStandardOutputFile(server_output_log_path);
	805	}
	806	serverProcess->start(ruby_path, args);
	807	if (!serverProcess->waitForStarted()) {
	808	invokeStartupError(tr("The Sonic Pi server could not be started!"));
	809	return;
	810	}
	811	}
	812
	813	bool MainWindow::waitForServiceSync() {
	814	QString contents;
	815	std::cout << "[GUI] - waiting for server to boot..." << std::endl;
	816	bool server_booted = false;
	817	if (!homeDirWritable) {
	818	// we can't monitor the logs so hope for the best!
	819	sleep(15);
	820	server_booted = true;
	821	} else {
	822	for(int i = 0; i < 60; i ++) {
	823	contents = readFile(server_output_log_path);
	824	if (contents.contains("Sonic Pi Server successfully booted.")) {
	825	std::cout << std::endl << "[GUI] - server successfully booted." << std::endl;
	826	server_booted = true;
	827	break;
	828	} else {
	829	std::cout << ".";
	830	sleep(1);
	831	}
696	832	}
697
698		QString prg_arg = root + "/app/server/bin/sonic-pi-server.rb";
699		sample_path = root + "/etc/samples";
700		#endif
701
702		prg_path = QDir::toNativeSeparators(prg_path);
703		prg_arg = QDir::toNativeSeparators(prg_arg);
704
705
706		QStringList args;
707		args << prg_arg;
708
709		if(protocol == TCP){
710		args << "-t";
711		}
712
713
714
715		// std::cout << "[GUI] - exec "<< prg_path.toStdString() << " " << prg_arg.toStdString() << std::endl;
716
717		std::cout << "[GUI] - booting live coding server" << std::endl;
718		QString sp_error_log_path = log_path + QDir::separator() + "server-errors.log";
719		QString sp_output_log_path = log_path + QDir::separator() + "server-output.log";
720		serverProcess->setStandardErrorFile(sp_error_log_path);
721		serverProcess->setStandardOutputFile(sp_output_log_path);
722		serverProcess->start(prg_path, args);
723		if (!serverProcess->waitForStarted()) {
724		invokeStartupError(tr("The Sonic Pi server could not be started!"));
725		return;
726		}
727		}
728
729		void MainWindow::waitForServiceSync() {
	833	}
	834
	835	if (!server_booted) {
	836	std::cout << std::endl << "[GUI] - Critical error! Could not boot server." << std::endl;
	837	invokeStartupError("Critical server error - could not boot server!");
	838	return false;
	839	}
	840
730	841	int timeout = 60;
731	842	std::cout << "[GUI] - waiting for server to connect..." << std::endl;
732		while (sonicPiServer->waitForServer() && timeout-- > 0) {
	843	while (sonicPiOSCServer->waitForServer() && timeout-- > 0) {
733	844	sleep(1);
734		if(sonicPiServer->isIncomingPortOpen()) {
	845	if(sonicPiOSCServer->isIncomingPortOpen()) {
735	846	Message msg("/ping");
736	847	msg.pushStr(guiID.toStdString());
737	848	msg.pushStr("QtClient/1/hello");
738	849	sendOSC(msg);
739	850	}
740	851	}
741		if (!sonicPiServer->isServerStarted()) {
742		std::cout << "[GUI] - critical error!" << std::endl;
743		invokeStartupError("Critical server error!");
744		}
745
746		std::cout << "[GUI] - server connection established" << std::endl;
	852	if (!sonicPiOSCServer->isServerStarted()) {
	853	std::cout << "[GUI] - Critical error! Could not connect to server." << std::endl;
	854	invokeStartupError("Critical server error - could not connect to server!");
	855	return false;
	856	} else {
	857	std::cout << "[GUI] - server connection established" << std::endl;
	858	return true;
	859	}
747	860
748	861	}
749	862

755	868	#endif
756	869	}
757	870
758		void MainWindow::serverStarted() {
759		splashClose();
760		loadWorkspaces();
761
	871	void MainWindow::showWindow() {
762	872	QSettings settings("uk.ac.cam.cl", "Sonic Pi");
763
764	873	if(settings.value("first_time", 1).toInt() == 1) {
765	874	showMaximized();
766	875	} else {

808	917
809	918	QGroupBox *advancedAudioBox = new QGroupBox(tr("Advanced Audio"));
810	919	advancedAudioBox->setToolTip(tr("Advanced audio settings for working with\nexternal PA systems when performing with Sonic Pi."));
811		mixer_invert_stereo = new QCheckBox(tr("Invert Stereo"));
	920	mixer_invert_stereo = new QCheckBox(tr("Invert stereo"));
812	921	mixer_invert_stereo->setToolTip(tr("Toggle stereo inversion.\nIf enabled, audio sent to the left speaker will\nbe routed to the right speaker and visa versa."));
813	922	connect(mixer_invert_stereo, SIGNAL(clicked()), this, SLOT(update_mixer_invert_stereo()));
814		mixer_force_mono = new QCheckBox(tr("Force Mono"));
	923	mixer_force_mono = new QCheckBox(tr("Force mono"));
815	924	mixer_force_mono->setToolTip(tr("Toggle mono mode.\nIf enabled both right and left audio is mixed and\nthe same signal is sent to both speakers.\nUseful when working with external systems that\ncan only handle mono."));
816	925	connect(mixer_force_mono, SIGNAL(clicked()), this, SLOT(update_mixer_force_mono()));
817
818		check_args = new QCheckBox(tr("Safe mode"));
819		check_args->setToolTip(tr("Toggle synth argument checking functions.\nIf disabled, certain synth opt values may\ncreate unexpectedly loud or uncomfortable sounds."));
820	926
821	927	QVBoxLayout *advanced_audio_box_layout = new QVBoxLayout;
822	928	advanced_audio_box_layout->addWidget(mixer_invert_stereo);
823	929	advanced_audio_box_layout->addWidget(mixer_force_mono);
824		advanced_audio_box_layout->addWidget(check_args);
	930
825	931	// audio_box->addWidget(radio2);
826	932	// audio_box->addWidget(radio3);
827	933	// audio_box->addStretch(1);

855	961	QGroupBox *debug_box = new QGroupBox(tr("Logging"));
856	962	debug_box->setToolTip(tr("Configure debug behaviour"));
857	963
	964	QGroupBox *synths_box = new QGroupBox(tr("Synths and FX"));
	965	synths_box->setToolTip(tr("Modify behaviour of synths and FX"));
	966
858	967	print_output = new QCheckBox(tr("Log synths"));
859	968	print_output->setToolTip(tr("Toggle log messages.\nIf disabled, activity such as synth and sample\ntriggering will not be printed to the log by default."));
860	969

863	972
864	973	log_cues = new QCheckBox(tr("Log cues"));
865	974	log_cues->setToolTip(tr("Enable or disable logging of cues.\nIf disabled, cues will still trigger.\nHowever, they will not be visible in the logs."));
	975
	976	log_auto_scroll = new QCheckBox(tr("Log auto scroll"));
	977	log_auto_scroll->setToolTip(tr("Toggle log auto scrolling.\nIf enabled the log is scrolled to the botton after every new message is displayed."));
	978	connect(log_auto_scroll, SIGNAL(clicked()), this, SLOT(updateLogAutoScroll()));
	979
	980	check_args = new QCheckBox(tr("Safe mode"));
	981	check_args->setToolTip(tr("Toggle synth argument checking functions.\nIf disabled, certain synth opt values may\ncreate unexpectedly loud or uncomfortable sounds."));
	982
	983
	984	enable_external_synths_cb = new QCheckBox(tr("Enable external synths and FX"));
	985	enable_external_synths_cb->setToolTip(tr("When enabled, Sonic Pi will allow\nsynths and FX loaded via load_synthdefs\nto be triggered.\n\nWhen disabled, Sonic Pi will complain\nwhen you attempt to use a synth or FX\nwhich isn't recognised."));
	986
	987	synth_trigger_timing_guarantees_cb = new QCheckBox(tr("Enforce timing guarantees"));
	988	synth_trigger_timing_guarantees_cb->setToolTip(tr("When enabled, Sonic Pi will refuse\nto trigger synths and FX if\nit is too late to do so\n\nWhen disabled, Sonic Pi will always\nattemptto trigger synths and FX\neven when a little late."));
866	989
867	990	QVBoxLayout *debug_box_layout = new QVBoxLayout;
868	991	debug_box_layout->addWidget(print_output);
869	992	debug_box_layout->addWidget(log_cues);
	993	debug_box_layout->addWidget(log_auto_scroll);
870	994	debug_box_layout->addWidget(clear_output_on_run);
871	995	debug_box->setLayout(debug_box_layout);
872	996
	997	QVBoxLayout *synths_box_layout = new QVBoxLayout;
	998	synths_box_layout->addWidget(check_args);
	999	synths_box_layout->addWidget(synth_trigger_timing_guarantees_cb);
	1000	synths_box_layout->addWidget(enable_external_synths_cb);
	1001
	1002
	1003	synths_box->setLayout(synths_box_layout);
873	1004
874	1005	QGroupBox *transparency_box = new QGroupBox(tr("Transparency"));
875	1006	QGridLayout *transparency_box_layout = new QGridLayout;

892	1023	visit_sonic_pi_net = new QPushButton(tr("Get update"));
893	1024	visit_sonic_pi_net->setToolTip(tr("Visit http://sonic-pi.net to download new version"));
894	1025	visit_sonic_pi_net->setVisible(false);
895		check_updates_now->setMaximumWidth(100);
	1026	check_updates_now->setMaximumWidth(110);
896	1027	visit_sonic_pi_net->setMaximumWidth(150);
897	1028
898	1029	QGroupBox *update_info_box = new QGroupBox(tr("Update Info"));

979	1110	prefTabs->addTab(audio_prefs_box, tr("Audio"));
980	1111	#endif
981	1112
982		QGroupBox *studio_prefs_box = new QGroupBox();
	1113	QGroupBox *studio_prefs_box = new QGroupBox();
983	1114	QGridLayout *studio_prefs_box_layout = new QGridLayout;
984	1115
985		studio_prefs_box_layout->addWidget(advancedAudioBox, 0, 0);
986
	1116	studio_prefs_box_layout->addWidget(synths_box, 0, 0);
987	1117	studio_prefs_box_layout->addWidget(debug_box, 0, 1);
	1118	studio_prefs_box_layout->addWidget(advancedAudioBox, 1, 1);
988	1119
989	1120	studio_prefs_box->setLayout(studio_prefs_box_layout);
990	1121

1044	1175	print_output->setChecked(settings.value("prefs/print-output", true).toBool());
1045	1176	clear_output_on_run->setChecked(settings.value("prefs/clear-output-on-run", true).toBool());
1046	1177	log_cues->setChecked(settings.value("prefs/log-cues", true).toBool());
	1178	log_auto_scroll->setChecked(settings.value("prefs/log-auto-scroll", true).toBool());
1047	1179	show_line_numbers->setChecked(settings.value("prefs/show-line-numbers", true).toBool());
	1180	enable_external_synths_cb->setChecked(settings.value("prefs/enable-external-synths", false).toBool());
	1181	synth_trigger_timing_guarantees_cb->setChecked(settings.value("prefs/synth-trigger-timing-guarantees", false).toBool());
1048	1182	dark_mode->setChecked(settings.value("prefs/dark-mode", false).toBool());
1049	1183	mixer_force_mono->setChecked(settings.value("prefs/mixer-force-mono", false).toBool());
1050	1184	mixer_invert_stereo->setChecked(settings.value("prefs/mixer-invert-stereo", false).toBool());

1067	1201	update_mixer_force_mono();
1068	1202	changeRPSystemVol(stored_vol);
1069	1203	update_check_updates();
	1204	updateLogAutoScroll();
1070	1205
1071	1206	if(settings.value("prefs/rp/force-audio-default", true).toBool()) {
1072	1207	setRPSystemAudioAuto();

1081	1216
1082	1217	}
1083	1218
	1219	void MainWindow::setMessageBoxStyle() {
	1220	// Set text color to black and background colors to white for the error message display
	1221	QPalette p = QApplication::palette();
	1222	p.setColor(QPalette::WindowText,"#000");
	1223	p.setColor(QPalette::ButtonText,"#000");
	1224	p.setColor(QPalette::Text,"#000");
	1225	p.setColor(QPalette::Base,"#FFF");
	1226	QApplication::setPalette(p);
	1227	}
	1228
1084	1229	void MainWindow::invokeStartupError(QString msg) {
	1230	if(startup_error_reported) {
	1231	return;
	1232	}
	1233
1085	1234	startup_error_reported = true;
1086		sonicPiServer->stopServer();
	1235	sonicPiOSCServer->stop();
1087	1236	QMetaObject::invokeMethod(this, "startupError",
1088	1237	Qt::QueuedConnection,
1089	1238	Q_ARG(QString, msg));

1092	1241	void MainWindow::startupError(QString msg) {
1093	1242	splashClose();
1094	1243
1095		QString gui_log = readFile(log_path + QDir::separator() + "gui.log");
1096		QString server_errors_log = readFile(log_path + QDir::separator() + "server-errors.log");
1097		QString server_output_log = readFile(log_path + QDir::separator() + "server-output.log");
	1244	setMessageBoxStyle();
	1245	QString gui_log;
	1246	QString scsynth_log;
	1247	QString server_output_log;
	1248	QString server_error_log;
	1249	if(homeDirWritable) {
	1250	gui_log = readFile(gui_log_path);
	1251	scsynth_log = readFile(scsynth_log_path);
	1252	server_output_log = readFile(server_output_log_path);
	1253	server_error_log = readFile(server_error_log_path);
	1254	}
	1255	else {
	1256	gui_log = "Permissions error: unable to access log";
	1257	scsynth_log = "Permissions error: unable to access log";
	1258	server_output_log = "Permissions error: unable to access log";
	1259	server_error_log = "Permissions error: unable to access log";
	1260	}
1098	1261
1099	1262	QMessageBox *box = new QMessageBox(QMessageBox::Warning,
1100		tr("Server boot error..."), tr("Apologies, a critical error occurred during startup") + ":\n\n " + msg + "\n\n" + tr("Please consider reporting a bug at") + "\nhttp://github.com/samaaron/sonic-pi/issues");
1101		QString error_report = "Detailed Error Report:\n\nGUI log\n-------\n" + gui_log + "\n\n\nServer Errors\n-------------\n\n" + server_errors_log + "\n\n\nServer Output\n-------------\n\n" + server_output_log;
	1263	tr("Server boot error..."), tr("Sonic Pi Boot Error\n\nApologies, a critical error occurred during startup") + ":\n\n " + msg + "\n\n" + tr("Please consider reporting a bug at") + "\nhttp://github.com/samaaron/sonic-pi/issues");
	1264	QString error_report = "Sonic Pi Boot Error Report\n==================\n\n\nSystem Information\n----------------\n\n* Sonic Pi version: " + version + "\n* OS: " + osDescription() + "\n\n\nGUI Log\n-------\n\n" + gui_log_path + "\n```\n" + gui_log + "\n```\n\n\nServer Errors\n-------------\n\n" + server_error_log_path + "\n```\n" + server_error_log + "\n```\n\n\nServer Output\n-------------\n\n" + server_output_log_path + "\n```\n" + server_output_log + "\n```\n\n\nScsynth Output\n--------------\n\n" + scsynth_log_path + "\n```\n" + scsynth_log + "\n```\n";
1102	1265	box->setDetailedText(error_report);
1103	1266
1104	1267	QGridLayout* layout = (QGridLayout*)box->layout();
1105	1268	QSpacerItem* hSpacer = new QSpacerItem(200, 0, QSizePolicy::Minimum, QSizePolicy::Expanding);
1106	1269	layout->addItem(hSpacer, layout->rowCount(), 0, 1, layout->columnCount());
1107	1270	box->exec();
	1271	std::cout << "[GUI] - Aborting. Sorry about this." << std::endl;
1108	1272	close();
1109	1273	}
1110	1274
1111	1275	void MainWindow::replaceBuffer(QString id, QString content, int line, int index, int first_line) {
1112	1276	SonicPiScintilla* ws = filenameToWorkspace(id.toStdString());
1113		ws->selectAll();
1114		ws->replaceSelectedText(content);
1115		ws->setCursorPosition(line, index);
1116		ws->setFirstVisibleLine(first_line);
	1277	ws->replaceBuffer(content, line, index, first_line);
1117	1278	}
1118	1279
1119	1280	void MainWindow::replaceLines(QString id, QString content, int start_line, int finish_line, int point_line, int point_index) {
1120	1281	SonicPiScintilla* ws = filenameToWorkspace(id.toStdString());
1121	1282	ws->replaceLines(start_line, finish_line, content);
1122	1283	ws->setCursorPosition(point_line, point_index);
	1284	}
	1285
	1286	QString MainWindow::osDescription() {
	1287	#if QT_VERSION >= 0x050400
	1288	return QSysInfo::prettyProductName();
	1289	#else
	1290	// prettyProductName requires QT 5.4
	1291	//
	1292	return QString("Assuming Linux");
	1293	#endif
1123	1294	}
1124	1295
1125	1296	std::string MainWindow::number_name(int i) {

1189	1360	}
1190	1361
1191	1362
	1363	bool MainWindow::loadFile()
	1364	{
	1365	QString selfilter = QString("%1 (.rb .txt)").arg(tr("Buffer files"));
	1366	QString fileName = QFileDialog::getOpenFileName(this, tr("Load Sonic Pi Buffer"), QDir::homePath() + "/Desktop", QString("%1 (.rb .txt);;%2 (.txt);;%3 (.rb);;%4 (.)").arg(tr("Buffer files")).arg(tr("Text files")).arg(tr("Ruby files")).arg(tr("All files")), &selfilter) ;
	1367	if(!fileName.isEmpty()){
	1368	SonicPiScintilla* p = (SonicPiScintilla*)tabs->currentWidget();
	1369	loadFile(fileName, p);
	1370	return true;
	1371	} else {
	1372	return false;
	1373	}
	1374	}
	1375
1192	1376	bool MainWindow::saveAs()
1193	1377	{
1194		QString fileName = QFileDialog::getSaveFileName(this, tr("Save Current Buffer"), QDir::homePath() + "/Desktop");
	1378	QString selfilter = QString("%1 (.rb .txt)").arg(tr("Buffer files"));
	1379	QString fileName = QFileDialog::getSaveFileName(this, tr("Save Current Buffer"), QDir::homePath() + "/Desktop", QString("%1 (.rb .txt);;%2 (.txt);;%3 (.rb);;%4 (.)").arg(tr("Buffer files")).arg(tr("Text files")).arg(tr("Ruby files")).arg(tr("All files")), &selfilter) ;
	1380
1195	1381	if(!fileName.isEmpty()){
1196	1382	if (!fileName.contains(QRegExp("\\.[a-z]+$"))) {
1197	1383	fileName = fileName + ".txt";

1268	1454	msg.pushStr(guiID.toStdString());
1269	1455	std::string filename = workspaceFilename( (SonicPiScintilla*)tabs->currentWidget());
1270	1456	msg.pushStr(filename);
	1457
1271	1458	if(!print_output->isChecked()) {
1272	1459	code = "use_debug false #__nosave__ set by Qt GUI user preferences.\n" + code ;
1273	1460	}
	1461
1274	1462	if(!log_cues->isChecked()) {
1275	1463	code = "use_cue_logging false #__nosave__ set by Qt GUI user preferences.\n" + code ;
1276	1464	}
1277		else{
1278		code = "use_debug true #__nosave__ set by Qt GUI user preferences.\n" + code ;
1279		}
1280		if(!check_args->isChecked()) {
1281		code = "use_arg_checks false #__nosave__ set by Qt GUI user preferences.\n" + code ;
1282		}
1283		else {
	1465
	1466	if(check_args->isChecked()) {
1284	1467	code = "use_arg_checks true #__nosave__ set by Qt GUI user preferences.\n" + code ;
1285	1468	}
	1469
	1470	if(enable_external_synths_cb->isChecked()) {
	1471	code = "use_external_synths true #__nosave__ set by Qt GUI user preferences.\n" + code ;
	1472	}
	1473
	1474	if(synth_trigger_timing_guarantees_cb->isChecked()) {
	1475	code = "use_timing_guarantees true #__nosave__ set by Qt GUI user preferences.\n" + code ;
	1476	}
	1477
1286	1478	if(clear_output_on_run->isChecked()){
1287	1479	outputPane->clear();
1288	1480	}
1289	1481
1290	1482	msg.pushStr(code);
1291		msg.pushStr(QString(tr("Workspace %1")).arg(tabs->currentIndex()).toStdString());
	1483	msg.pushStr(filename);
1292	1484	sendOSC(msg);
1293	1485
1294	1486	QTimer::singleShot(500, this, SLOT(unhighlightCode()));

1325	1517	int index = 0;
1326	1518	ws->getCursorPosition(&line, &index);
1327	1519	int first_line = ws->firstVisibleLine();
1328		Message msg("/beautify-buffer");
	1520	Message msg("/buffer-beautify");
1329	1521	msg.pushStr(guiID.toStdString());
1330	1522	std::string filename = workspaceFilename( (SonicPiScintilla*)tabs->currentWidget());
1331	1523	msg.pushStr(filename);

1472	1664	int line, pos;
1473	1665	ws->getCursorPosition(&line, &pos);
1474	1666	QString text = ws->text(line);
1475		int start, end;
1476		for (start = pos; start > 0; start--) {
1477		if (!text[start-1].isLetter() && text[start-1] != '_') break;
1478		}
1479		QString identifierEndChars = QString("?!_=");
1480		for (end = pos; end < text.length(); end++) {
1481		if (!text[end].isLetter() && !identifierEndChars.contains(text[end])) break;
1482		}
1483		selection = text.mid(start, end-start);
	1667	selection = ws->wordAtLineIndex(line, pos);
1484	1668	}
1485	1669	selection = selection.toLower();
1486	1670	if (selection[0] == ':')

1488	1672
1489	1673	if (helpKeywords.contains(selection)) {
1490	1674	struct help_entry entry = helpKeywords[selection];
1491		QMetaObject::invokeMethod(docsCentral, "setCurrentIndex",
1492		Q_ARG(int, entry.pageIndex));
1493	1675	QListWidget *list = helpLists[entry.pageIndex];
	1676
	1677	// force current row to be changed
	1678	// by setting it to a different value to
	1679	// entry.entryIndex and then setting it
	1680	// back. That way it always gets displayed
	1681	// in the GUI :-)
	1682	if (entry.entryIndex == 0) {
	1683	list->setCurrentRow(1);
	1684	} else {
	1685	list->setCurrentRow(0);
	1686	}
	1687	docsCentral->setCurrentIndex(entry.pageIndex);
1494	1688	list->setCurrentRow(entry.entryIndex);
1495	1689	}
1496	1690	}

1543	1737	dark_mode->toggle();
1544	1738	updateDarkMode();
1545	1739	}
	1740
	1741	void MainWindow::updateLogAutoScroll() {
	1742	bool val = log_auto_scroll->isChecked();
	1743	outputPane->forceScrollDown(val);
	1744	if(val) {
	1745	statusBar()->showMessage(tr("Log Auto Scroll on..."), 2000);
	1746	} else {
	1747	statusBar()->showMessage(tr("Log Auto Scroll off..."), 2000);
	1748	}
	1749	}
1546	1750
1547	1751	void MainWindow::updateDarkMode(){
1548	1752	SonicPiTheme *currentTheme = lexer->theme;

1922	2126
1923	2127	new QShortcut(metaKey('{'), this, SLOT(tabPrev()));
1924	2128	new QShortcut(metaKey('}'), this, SLOT(tabNext()));
1925		//new QShortcut(metaKey('U'), this, SLOT(reloadServerCode()));
	2129	new QShortcut(QKeySequence("F8"), this, SLOT(reloadServerCode()));
1926	2130
1927	2131	new QShortcut(QKeySequence("F9"), this, SLOT(toggleButtonVisibility()));
1928	2132	new QShortcut(shiftMetaKey('B'), this, SLOT(toggleButtonVisibility()));

1949	2153	QAction *saveAsAct = new QAction(QIcon(":/images/save.png"), tr("Save As..."), this);
1950	2154	setupAction(saveAsAct, 0, tr("Save current buffer as an external file"), SLOT(saveAs()));
1951	2155
	2156	// Load
	2157	QAction *loadFileAct = new QAction(QIcon(":/images/load.png"), tr("Load"), this);
	2158	setupAction(loadFileAct, 0, tr("Load an external file in the current buffer"), SLOT(loadFile()));
	2159
1952	2160	// Info
1953	2161	QAction *infoAct = new QAction(QIcon(":/images/info.png"), tr("Info"), this);
1954	2162	setupAction(infoAct, 0, tr("See information about Sonic Pi"),

1974	2182
1975	2183	// Font Size Increase
1976	2184	QAction *textIncAct = new QAction(QIcon(":/images/size_up.png"),
1977		tr("Increase Text Size"), this);
1978		setupAction(textIncAct, 0, tr("Increase Text Size"), SLOT(zoomCurrentWorkspaceIn()));
	2185	tr(""), this);
	2186	setupAction(textIncAct, 0, tr(""), SLOT(zoomCurrentWorkspaceIn()));
	2187	textIncAct->setToolTip(tooltipStrMeta('+', tr("Increase Text Size")));
1979	2188
1980	2189	// Font Size Decrease
1981	2190	QAction *textDecAct = new QAction(QIcon(":/images/size_down.png"),
1982		tr("Decrease Text Size"), this);
1983		setupAction(textDecAct, 0, tr("Decrease Text Size"), SLOT(zoomCurrentWorkspaceOut()));
	2191	tr(""), this);
	2192
	2193	setupAction(textDecAct, 0, tr(""), SLOT(zoomCurrentWorkspaceOut()));
	2194	textDecAct->setToolTip(tooltipStrMeta('-', tr("Decrease Text Size")));
1984	2195
1985	2196	QWidget *spacer = new QWidget();
1986	2197	spacer->setSizePolicy(QSizePolicy::Expanding, QSizePolicy::Preferred);

1990	2201	toolBar->setIconSize(QSize(270/3, 111/3));
1991	2202	toolBar->addAction(runAct);
1992	2203	toolBar->addAction(stopAct);
	2204	toolBar->addAction(recAct);
	2205
	2206	toolBar->addWidget(spacer);
1993	2207
1994	2208	toolBar->addAction(saveAsAct);
1995		toolBar->addAction(recAct);
1996		toolBar->addWidget(spacer);
	2209	toolBar->addAction(loadFileAct);
1997	2210
1998	2211	toolBar->addAction(textDecAct);
1999	2212	toolBar->addAction(textIncAct);
	2213
2000	2214	dynamic_cast<QToolButton*>(toolBar->widgetForAction(textDecAct))->setAutoRepeat(true);
2001	2215	dynamic_cast<QToolButton*>(toolBar->widgetForAction(textIncAct))->setAutoRepeat(true);
2002	2216

2092	2306	Message msg("/stop-recording");
2093	2307	msg.pushStr(guiID.toStdString());
2094	2308	sendOSC(msg);
2095		QString fileName = QFileDialog::getSaveFileName(this, tr("Save Recording"), QDir::homePath() + "/Desktop/my-recording.wav");
	2309	QString fileName = QFileDialog::getSaveFileName(this, tr("Save Recording"), QDir::homePath() + "/Desktop", tr("Wavefile (*.wav)"));
2096	2310	if (!fileName.isEmpty()) {
2097	2311	Message msg("/save-recording");
2098	2312	msg.pushStr(guiID.toStdString());

2117	2331
2118	2332	void MainWindow::readSettings() {
2119	2333	// Pref settings are read in MainWindow::initPrefsWindow()
2120
2121	2334	QSettings settings("uk.ac.cam.cl", "Sonic Pi");
2122	2335	QPoint pos = settings.value("pos", QPoint(200, 200)).toPoint();
2123	2336	QSize size = settings.value("size", QSize(400, 400)).toSize();

2158	2371	settings.setValue("prefs/print-output", print_output->isChecked());
2159	2372	settings.setValue("prefs/clear-output-on-run", clear_output_on_run->isChecked());
2160	2373	settings.setValue("prefs/log-cues", log_cues->isChecked());
	2374	settings.setValue("prefs/log-auto-scroll", log_auto_scroll->isChecked());
2161	2375	settings.setValue("prefs/show-line-numbers", show_line_numbers->isChecked());
	2376	settings.setValue("prefs/enable-external-synths", enable_external_synths_cb->isChecked());
	2377	settings.setValue("prefs/synth-trigger-timing-guarantees", synth_trigger_timing_guarantees_cb->isChecked());
2162	2378	settings.setValue("prefs/dark-mode", dark_mode->isChecked());
2163	2379	settings.setValue("prefs/mixer-force-mono", mixer_force_mono->isChecked());
2164	2380	settings.setValue("prefs/mixer-invert-stereo", mixer_invert_stereo->isChecked());
	2381	settings.setValue("prefs/", mixer_invert_stereo->isChecked());
2165	2382
2166	2383	settings.setValue("prefs/rp/force-audio-default", rp_force_audio_default->isChecked());
2167	2384	settings.setValue("prefs/rp/force-audio-headphones", rp_force_audio_headphones->isChecked());

2187	2404	{
2188	2405	QFile file(fileName);
2189	2406	if (!file.open(QFile::ReadOnly)) {
	2407	setMessageBoxStyle();
2190	2408	QMessageBox::warning(this, tr("Sonic Pi"),
2191	2409	tr("Cannot read file %1:\n%2.")
2192	2410	.arg(fileName)
2193	2411	.arg(file.errorString()));
	2412	updateDarkMode();
2194	2413	return;
2195	2414	}
2196	2415

2205	2424	{
2206	2425	QFile file(fileName);
2207	2426	if (!file.open(QFile::WriteOnly)) {
	2427	setMessageBoxStyle();
2208	2428	QMessageBox::warning(this, tr("Sonic Pi"),
2209	2429	tr("Cannot write file %1:\n%2.")
2210	2430	.arg(fileName)
2211	2431	.arg(file.errorString()));
	2432	updateDarkMode();
2212	2433	return false;
2213	2434	}
2214	2435

2242	2463
2243	2464	void MainWindow::onExitCleanup()
2244	2465	{
	2466
2245	2467	setupLogPathAndRedirectStdOut();
	2468	std::cout << "[GUI] - stopping OSC server" << std::endl;
	2469	sonicPiOSCServer->stop();
	2470	if(protocol == TCP){
	2471	clientSock->close();
	2472	}
2246	2473	if(serverProcess->state() == QProcess::NotRunning) {
2247	2474	std::cout << "[GUI] - warning, server process is not running." << std::endl;
2248		sonicPiServer->stopServer();
2249		if(protocol == TCP){
2250		clientSock->close();
	2475	} else {
	2476	if (loaded_workspaces) {
	2477	// this should be a synchorous call to avoid the following sleep
	2478	saveWorkspaces();
2251	2479	}
2252		} else {
2253		if (loaded_workspaces)
2254		saveWorkspaces();
2255	2480	sleep(1);
2256	2481	std::cout << "[GUI] - asking server process to exit..." << std::endl;
2257	2482	Message msg("/exit");

2417	2642
2418	2643	void MainWindow::printAsciiArtLogo(){
2419	2644	QString s = asciiArtLogo();
2420		std::cout << std::endl << std::endl << std::endl;
2421	2645	#if QT_VERSION >= 0x050400
2422	2646	qDebug().noquote() << s;
2423		std::cout << std::endl << std::endl;
2424	2647	#else
2425	2648	//noquote requires QT 5.4
2426	2649	qDebug() << s;
2427		std::cout << std::endl;
2428	2650	#endif
2429	2651	}
2430	2652

2445	2667	latest_version_num = latest_v_num;
2446	2668
2447	2669	// update status bar
2448		versionLabel->setText(QString("Sonic Pi " + v + " on " + platform));
	2670	versionLabel->setText(QString("Sonic Pi " + v + " on " + platform + " "));
2449	2671
2450	2672	// update preferences
2451	2673	QString last_update_check = tr("Last checked %1").arg(last_checked.toString());

2468	2690
2469	2691
2470	2692	void MainWindow::setupLogPathAndRedirectStdOut() {
2471		QString sp_user_path = QDir::homePath() + QDir::separator() + ".sonic-pi";
2472		log_path = sp_user_path + QDir::separator() + "log";
2473	2693	QDir().mkdir(sp_user_path);
2474	2694	QDir().mkdir(log_path);
2475	2695
2476		coutbuf = std::cout.rdbuf();
2477		stdlog.open(QString(log_path + "/gui.log").toStdString().c_str());
2478		std::cout.rdbuf(stdlog.rdbuf());
	2696	if(homeDirWritable) {
	2697	coutbuf = std::cout.rdbuf();
	2698	stdlog.open(gui_log_path.toStdString().c_str());
	2699	std::cout.rdbuf(stdlog.rdbuf());
	2700	}
2479	2701	}
2480	2702
2481	2703

2488	2710	}
2489	2711	return QMainWindow::eventFilter(obj, evt);
2490	2712	}
	2713
	2714
	2715
	2716	QString MainWindow::sonicPiHomePath() {
	2717	QString path = qgetenv("SONIC_PI_HOME").constData();
	2718	if (path.isEmpty()) {
	2719	return QDir::homePath();
	2720	}
	2721	else {
	2722	return path;
	2723	}
	2724	}
2491	2725	#include "ruby_help.h"

+27

-10

app/gui/qt/mainwindow.h less more

2	2	// Full project source: https://github.com/samaaron/sonic-pi
3	3	// License: https://github.com/samaaron/sonic-pi/blob/master/LICENSE.md
4	4	//
5		// Copyright 2013, 2014, 2015 by Sam Aaron (http://sam.aaron.name).
	5	// Copyright 2013, 2014, 2015, 2016 by Sam Aaron (http://sam.aaron.name).
6	6	// All rights reserved.
7	7	//
8	8	// Permission is granted for use, copying, modification, and

36	36	#include <sstream>
37	37	#include <fstream>
38	38	#include <QSignalMapper>
	39	#include "sonicpitheme.h"
39	40
40	41	class QAction;
41	42	class QMenu;

49	50	class SonicPiAPIs;
50	51	class SonicPiLog;
51	52	class SonicPiScintilla;
52		class SonicPiServer;
	53	class SonicPiOSCServer;
53	54
54	55	struct help_page {
55	56	QString title;

73	74	MainWindow(QApplication &ref, bool i18n, QSplashScreen* splash);
74	75	#endif
75	76
76		SonicPiServer *sonicPiServer;
	77	SonicPiOSCServer *sonicPiOSCServer;
77	78	enum {UDP=0, TCP=1};
78	79	QCheckBox *dark_mode;
79	80	bool loaded_workspaces;

87	88	void invokeStartupError(QString msg);
88	89
89	90	private slots:
	91	QString sonicPiHomePath();
	92	void updateLogAutoScroll();
90	93	bool eventFilter(QObject obj, QEvent evt);
91	94	void changeTab(int id);
92	95	QString asciiArtLogo();

101	104	void disableCheckUpdates();
102	105	void stopCode();
103	106	void beautifyCode();
104		void completeListOrIndentLine(QObject *ws);
105		void indentCurrentLineOrSelection(SonicPiScintilla *ws);
	107	void newlineAndIndent(SonicPiScintilla *ws);
	108	void returnAndIndentLine(QObject *ws);
	109	void completeSnippetListOrIndentLine(QObject *ws);
	110	void completeSnippetOrIndentCurrentLineOrSelection(SonicPiScintilla *ws);
106	111	void toggleCommentInCurrentWorkspace();
107	112	void toggleComment(SonicPiScintilla *ws);
108	113	void reloadServerCode();

116	121	void mixerHpfDisable();
117	122	void mixerLpfDisable();
118	123	QString currentTabLabel();
	124	bool loadFile();
119	125	bool saveAs();
120	126	void about();
121	127	void help();

133	139	void showPrefsPane();
134	140	void updateDocPane(QListWidgetItem *cur);
135	141	void updateDocPane2(QListWidgetItem cur, QListWidgetItem prev);
136		void serverStarted();
	142	void showWindow();
137	143	void splashClose();
	144	void setMessageBoxStyle();
138	145	void startupError(QString msg);
139	146	void replaceBuffer(QString id, QString content, int line, int index, int first_line);
140	147	void replaceLines(QString id, QString content, int first_line, int finish_line, int point_line, int point_index);

165	172	void heartbeatOSC();
166	173	void zoomCurrentWorkspaceIn();
167	174	void zoomCurrentWorkspaceOut();
	175	void showWelcomeScreen();
	176	void setupWindowStructure();
	177	void setupTheme();
	178	void escapeWorkspaces();
168	179
169	180	private:
170	181
	182	QString osDescription();
171	183	void setupLogPathAndRedirectStdOut();
172	184	QSignalMapper *signalMapper;
173		void startServer();
174		void waitForServiceSync();
	185	QSignalMapper *retSignalMapper;
	186	void startRubyServer();
	187	bool waitForServiceSync();
175	188	void clearOutputPanels();
176	189	void createShortcuts();
177	190	void createToolBar();

248	261	QProcess *serverProcess;
249	262
250	263	SonicPiLexer *lexer;
	264	SonicPiTheme *theme;
251	265
252	266	QToolBar *toolBar;
253	267

259	273	QCheckBox *check_args;
260	274	QCheckBox *clear_output_on_run;
261	275	QCheckBox *log_cues;
	276	QCheckBox *log_auto_scroll;
	277	QCheckBox *enable_external_synths_cb;
	278	QCheckBox *synth_trigger_timing_guarantees_cb;
262	279	QCheckBox *show_line_numbers;
263	280	QCheckBox *auto_indent_on_run;
264	281	QCheckBox *full_screen;

287	304	std::ofstream stdlog;
288	305
289	306	SonicPiAPIs *autocomplete;
290		QString sample_path, log_path;
	307	QString sample_path, log_path, sp_user_path, sp_user_tmp_path, ruby_server_path, ruby_path, server_error_log_path, server_output_log_path, gui_log_path, scsynth_log_path;
291	308	QString defaultTextBrowserStyle;
292	309
293	310	QString version;

300	317	QLabel *versionLabel;
301	318
302	319	QString guiID;
303
	320	bool homeDirWritable;
304	321	};
305	322
306	323	#endif

+20

-1

app/gui/qt/oschandler.cpp less more

	0	//--
	1	// This file is part of Sonic Pi: http://sonic-pi.net
	2	// Full project source: https://github.com/samaaron/sonic-pi
	3	// License: https://github.com/samaaron/sonic-pi/blob/master/LICENSE.md
	4	//
	5	// Copyright 2013, 2014, 2015, 2016 by Sam Aaron (http://sam.aaron.name).
	6	// All rights reserved.
	7	//
	8	// Permission is granted for use, copying, modification, and
	9	// distribution of modified versions of this work as long as this
	10	// notice is included.
	11	//++
	12
	13
0	14	// OSC stuff
1	15	#include "oscpkt.hh"
2	16	#include "oschandler.h"

43	57	}
44	58	else if (msg->match("/info")) {
45	59	std::string s;
46		if (msg->arg().popStr(s).isOkNoMoreArgs()) {
	60	int style;
	61	if (msg->arg().popInt32(style).popStr(s).isOkNoMoreArgs()) {
47	62	// Evil nasties!
48	63	// See: http://www.qtforum.org/article/26801/qt4-threads-and-widgets.html
49	64
50	65	QMetaObject::invokeMethod( out, "setTextColor", Qt::QueuedConnection, Q_ARG(QColor, theme->color("LogInfoForeground")));
	66	if(style == 1) {
	67	QMetaObject::invokeMethod( out, "setTextBackgroundColor", Qt::QueuedConnection, Q_ARG(QColor, theme->color("LogInfoBackgroundStyle1")));
	68	} else {
51	69	QMetaObject::invokeMethod( out, "setTextBackgroundColor", Qt::QueuedConnection, Q_ARG(QColor, theme->color("LogInfoBackground")));
	70	}
52	71
53	72	QMetaObject::invokeMethod( out, "appendPlainText", Qt::QueuedConnection, Q_ARG(QString, QString::fromStdString("=> " + s + "\n")) );
54	73

+13

-0

app/gui/qt/oschandler.h less more

	0	//--
	1	// This file is part of Sonic Pi: http://sonic-pi.net
	2	// Full project source: https://github.com/samaaron/sonic-pi
	3	// License: https://github.com/samaaron/sonic-pi/blob/master/LICENSE.md
	4	//
	5	// Copyright 2013, 2014, 2015, 2016 by Sam Aaron (http://sam.aaron.name).
	6	// All rights reserved.
	7	//
	8	// Permission is granted for use, copying, modification, and
	9	// distribution of modified versions of this work as long as this
	10	// notice is included.
	11	//++
	12
0	13	#ifndef OSCHANDLER_H
1	14	#define OSCHANDLER_H
2	15

+1

-1

app/gui/qt/prune.rb less more

4	4	# Full project source: https://github.com/samaaron/sonic-pi
5	5	# License: https://github.com/samaaron/sonic-pi/blob/master/LICENSE.md
6	6	#
7		# Copyright 2013, 2014, 2015 by Sam Aaron (http://sam.aaron.name).
	7	# Copyright 2013, 2014, 2015, 2016 by Sam Aaron (http://sam.aaron.name).
8	8	# All rights reserved.
9	9	#
10	10	# Permission is granted for use, copying, modification, and

+43

-0

app/gui/qt/sonic_pi_osc_server.cpp less more

	0	//--
	1	// This file is part of Sonic Pi: http://sonic-pi.net
	2	// Full project source: https://github.com/samaaron/sonic-pi
	3	// License: https://github.com/samaaron/sonic-pi/blob/master/LICENSE.md
	4	//
	5	// Copyright 2013, 2014, 2015, 2016 by Sam Aaron (http://sam.aaron.name).
	6	// All rights reserved.
	7	//
	8	// Permission is granted for use, copying, modification, and
	9	// distribution of modified versions of this work as long as this
	10	// notice is included.
	11	//++
	12
	13
	14	#include "sonic_pi_osc_server.h"
	15
	16	SonicPiOSCServer::SonicPiOSCServer(MainWindow sonicPiWindow, OscHandler oscHandler) :
	17	QObject(sonicPiWindow)
	18	{
	19	handler = oscHandler;
	20	osc_incoming_port_open = false;
	21	parent = sonicPiWindow;
	22	stop_server = false;
	23	}
	24
	25	bool SonicPiOSCServer::waitForServer(){
	26	return !handler->server_started && continueListening();
	27	}
	28
	29	bool SonicPiOSCServer::continueListening(){
	30	return !handler->signal_server_stop && !stop_server;
	31	}
	32
	33	bool SonicPiOSCServer::isIncomingPortOpen(){
	34	return osc_incoming_port_open;
	35	}
	36
	37	bool SonicPiOSCServer::isServerStarted(){
	38	return handler->server_started;
	39	}
	40
	41	void SonicPiOSCServer::stop(){}
	42	void SonicPiOSCServer::start(){}

+47

-0

app/gui/qt/sonic_pi_osc_server.h less more

	0	//--
	1	// This file is part of Sonic Pi: http://sonic-pi.net
	2	// Full project source: https://github.com/samaaron/sonic-pi
	3	// License: https://github.com/samaaron/sonic-pi/blob/master/LICENSE.md
	4	//
	5	// Copyright 2013, 2014, 2015, 2016 by Sam Aaron (http://sam.aaron.name).
	6	// All rights reserved.
	7	//
	8	// Permission is granted for use, copying, modification, and
	9	// distribution of modified versions of this work as long as this
	10	// notice is included.
	11	//++
	12
	13	#ifndef SONICPIOSCSERVER_H
	14	#define SONICPIOSCSERVER_H
	15
	16	#include <QObject>
	17	#include "oschandler.h"
	18
	19	class SonicPiOSCServer : public QObject
	20	{
	21	Q_OBJECT
	22	public:
	23	explicit SonicPiOSCServer(MainWindow parent = 0, OscHandler handler = 0);
	24	bool waitForServer();
	25	bool isIncomingPortOpen();
	26	bool isServerStarted();
	27
	28
	29	signals:
	30
	31	public slots:
	32	virtual void stop();
	33	virtual void start();
	34
	35	protected:
	36	OscHandler* handler;
	37	MainWindow* parent;
	38	bool osc_incoming_port_open;
	39	bool stop_server;
	40
	41	bool continueListening();
	42
	43
	44	};
	45
	46	#endif // SONICPIOSCSERVER_H

+84

-0

app/gui/qt/sonic_pi_tcp_osc_server.cpp less more

	0	#include "sonic_pi_tcp_osc_server.h"
	1	#include "mainwindow.h"
	2
	3	// Qt stuff
	4	#include <QtNetwork>
	5	#include <QTcpSocket>
	6
	7	#include "sonic_pi_osc_server.h"
	8
	9	// OSC stuff
	10	#include "oscpkt.hh"
	11
	12	SonicPiTCPOSCServer::SonicPiTCPOSCServer(MainWindow sonicPiWindow, OscHandler oscHandler) : SonicPiOSCServer(sonicPiWindow, oscHandler)
	13	{
	14	tcpServer = new QTcpServer(sonicPiWindow);
	15	buffer.clear();
	16	blockSize = 0;
	17
	18	connect(tcpServer, SIGNAL(newConnection()), this, SLOT(client()));
	19	}
	20
	21	void SonicPiTCPOSCServer::start(){
	22	int PORT_NUM = 4558;
	23	if(tcpServer->listen(QHostAddress::LocalHost, PORT_NUM)){
	24	std::cout << "[GUI] - TCP OSC Server started: " << PORT_NUM << std::endl;
	25	handler->server_started = true;
	26	}
	27	else{
	28	tcpServer->close();
	29	std::cerr << "[GUI] - Server failed to start!";
	30	}
	31
	32	}
	33
	34	void SonicPiTCPOSCServer::stop(){
	35	tcpServer->close();
	36	}
	37
	38	void SonicPiTCPOSCServer::logError(QAbstractSocket::SocketError e){
	39	std::cerr << "[GUI] - Socket error:" << e;
	40	}
	41
	42	void SonicPiTCPOSCServer::client(){
	43	//In TCP we have no ack signal as we don't block the main loop.
	44	//Hence assume if we get a connection from a client its booted and ready.
	45	QMetaObject::invokeMethod(parent, "serverStarted", Qt::QueuedConnection);
	46	socket = tcpServer->nextPendingConnection();
	47	connect(socket, SIGNAL(readyRead()), this, SLOT(readMessage()));
	48	connect(socket, SIGNAL(error(QAbstractSocket::SocketError)), this, SLOT(logError(QAbstractSocket::SocketError)));
	49	connect(socket, SIGNAL(disconnected()), socket, SLOT(deleteLater()));
	50	std::vector<char>().swap(buffer);
	51	}
	52
	53	void SonicPiTCPOSCServer::readMessage()
	54	{
	55	while(socket->bytesAvailable() > 0){
	56	if (blockSize == 0) {
	57	if (socket->bytesAvailable() < (int)sizeof(quint32)){
	58	return;
	59	}
	60
	61	socket->read((char *)&blockSize, sizeof(quint32));
	62	blockSize = qToBigEndian(blockSize);
	63	}
	64
	65	if (socket->bytesAvailable() < blockSize){
	66	return;
	67	}
	68
	69	buffer.resize(blockSize);
	70	int bytesRead = socket->read(&buffer[0], blockSize);
	71
	72	if(bytesRead < 0 \|\| (uint32_t)bytesRead != blockSize) {
	73	std::cerr << "[GUI] - Error: read: " << bytesRead << " Expected:" << blockSize << "\n";
	74	blockSize = 0;
	75	return;
	76	}
	77	std::vector<char> tmp(buffer);
	78	tmp.swap(buffer);
	79	handler->oscMessage(buffer);
	80	blockSize = 0;
	81	std::vector<char>().swap(buffer);
	82	}
	83	}

+36

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app/gui/qt/sonic_pi_tcp_osc_server.h less more

	0	#ifndef SONIC_PI_TCP_OSC_SERVER_H
	1	#define SONIC_PI_TCP_OSC_SERVER_H
	2
	3	#include "oschandler.h"
	4	#include "sonic_pi_osc_server.h"
	5	#include "mainwindow.h"
	6
	7	#include <QtCore>
	8	#include <QtNetwork>
	9	#include <QTcpSocket>
	10
	11	class SonicPiTCPOSCServer : public SonicPiOSCServer
	12	{
	13	Q_OBJECT
	14
	15	public:
	16	explicit SonicPiTCPOSCServer(MainWindow parent, OscHandler handler = 0);
	17
	18	quint32 blockSize;
	19
	20	public slots:
	21	void stop();
	22	void start();
	23	void readMessage();
	24	void client();
	25	void logError(QAbstractSocket::SocketError);
	26
	27	private:
	28	void handleMessage();
	29
	30	QTcpServer *tcpServer;
	31	QTcpSocket *socket;
	32	std::vector<char> buffer;
	33	};
	34
	35	#endif // SONIC_PI_TCP_OSC_SERVER_H

+52

-0

app/gui/qt/sonic_pi_udp_osc_server.cpp less more

	0	//--
	1	// This file is part of Sonic Pi: http://sonic-pi.net
	2	// Full project source: https://github.com/samaaron/sonic-pi
	3	// License: https://github.com/samaaron/sonic-pi/blob/master/LICENSE.md
	4	//
	5	// Copyright 2013, 2014, 2015, 2016 by Sam Aaron (http://sam.aaron.name).
	6	// All rights reserved.
	7	//
	8	// Permission is granted for use, copying, modification, and
	9	// distribution of modified versions of this work as long as this
	10	// notice is included.
	11	//++
	12
	13	#include "sonic_pi_udp_osc_server.h"
	14	#include "sonic_pi_osc_server.h"
	15	#include "udp.hh"
	16
	17	SonicPiUDPOSCServer::SonicPiUDPOSCServer(MainWindow sonicPiWindow, OscHandler oscHandler) : SonicPiOSCServer(sonicPiWindow, oscHandler)
	18	{
	19	handler = oscHandler;
	20	osc_incoming_port_open = false;
	21	parent = sonicPiWindow;
	22	stop_server = false;
	23	}
	24
	25	void SonicPiUDPOSCServer::stop(){
	26	stop_server = true;
	27	}
	28
	29	void SonicPiUDPOSCServer::start(){
	30	std::cout << "[GUI] - starting UDP OSC Server on port 4558..." << std::endl;
	31	int PORT_NUM = 4558;
	32	oscpkt::UdpSocket sock;
	33	sock.bindTo(PORT_NUM);
	34	if (!sock.isOk()) {
	35	std::cout << "[GUI] - unable to listen to UDP OSC messages on port 4558" << std::endl;
	36	parent->invokeStartupError(tr("Is Sonic Pi already running? Can't open UDP port 4558."));
	37	return;
	38	}
	39
	40	std::cout << "[GUI] - UDP OSC Server ready and listening" << std::endl << std::flush;
	41
	42	osc_incoming_port_open = true;
	43
	44	while (sock.isOk() && continueListening()) {
	45	if (sock.receiveNextPacket(30 /* timeout, in ms */)) {
	46	handler->oscMessage(sock.buffer);
	47	std::vector<char>().swap(sock.buffer);
	48	std::cout << std::flush;
	49	}
	50	}
	51	}

+34

-0

app/gui/qt/sonic_pi_udp_osc_server.h less more

	0	//--
	1	// This file is part of Sonic Pi: http://sonic-pi.net
	2	// Full project source: https://github.com/samaaron/sonic-pi
	3	// License: https://github.com/samaaron/sonic-pi/blob/master/LICENSE.md
	4	//
	5	// Copyright 2013, 2014, 2015, 2016 by Sam Aaron (http://sam.aaron.name).
	6	// All rights reserved.
	7	//
	8	// Permission is granted for use, copying, modification, and
	9	// distribution of modified versions of this work as long as this
	10	// notice is included.
	11	//++
	12
	13	#ifndef SONIC_PI_UDP_OSC_SERVER_H
	14	#define SONIC_PI_UDP_OSC_SERVER_H
	15
	16	#include "oschandler.h"
	17	#include "sonic_pi_osc_server.h"
	18	#include "mainwindow.h"
	19
	20	class SonicPiUDPOSCServer : public SonicPiOSCServer
	21	{
	22	Q_OBJECT
	23
	24	public:
	25	explicit SonicPiUDPOSCServer(MainWindow parent, OscHandler handler = 0);
	26
	27	public slots:
	28	void stop();
	29	void start();
	30
	31	};
	32
	33	#endif // SONIC_PI_UDP_OSC_SERVER_H

+15

-7

app/gui/qt/sonicpiapis.cpp less more

2	2	// Full project source: https://github.com/samaaron/sonic-pi
3	3	// License: https://github.com/samaaron/sonic-pi/blob/master/LICENSE.md
4	4	//
5		// Copyright 2013, 2014 by Sam Aaron (http://sam.aaron.name).
	5	// Copyright 2013, 2014, 2015, 2016 by Sam Aaron (http://sam.aaron.name).
6	6	// All rights reserved.
7	7	//
8		// Permission is granted for use, copying, modification, distribution,
9		// and distribution of modified versions of this work as long as this
	8	// Permission is granted for use, copying, modification, and
	9	// distribution of modified versions of this work as long as this
10	10	// notice is included.
11	11	//++
	12
12	13
13	14	#include <QDir>
14	15	#include <iostream>

22	23	: QsciAbstractAPIs(lexer)
23	24	{
24	25	// manually managed for now
25		keywords[Chord] << "'1'" << "'5'" << "'+5'" << "'m+5'" << ":sus2" << ":sus4" << "'6'" << ":m6" << "'7sus2'" << "'7sus4'" << "'7-5'" << "'m7-5'" << "'7+5'" << "'m7+5'" << "'9'" << ":m9" << "'m7+9'" << ":maj9" << "'9sus4'" << "'69'" << "'m69'" << "'7-9'" << "'m7-9'" << "'7-10'" << "'9+5'" << "'m9+5'" << "'7+5-9'" << "'m7+5-9'" << "'11'" << ":m11" << ":maj11" << "'11+'" << "'m11+'" << "'13'" << ":m13" << ":major" << ":M" << ":minor" << ":m" << ":major7" << ":dom7" << "'7'" << ":M7" << ":minor7" << ":m7" << ":augmented" << ":a" << ":diminished" << ":dim" << ":i" << ":diminished7" << ":dim7" << ":i7";
	26	keywords[Chord] << "'1'" << "'5'" << "'+5'" << "'m+5'" << ":sus2" << ":sus4" << "'6'" << ":m6" << "'7sus2'" << "'7sus4'" << "'7-5'" << "'m7-5'" << "'7+5'" << "'m7+5'" << "'9'" << ":m9" << "'m7+9'" << ":maj9" << "'9sus4'" << "'69'" << "'m69'" << "'7-9'" << "'m7-9'" << "'7-10'" << "'9+5'" << "'m9+5'" << "'7+5-9'" << "'m7+5-9'" << "'11'" << ":m11" << ":maj11" << "'11+'" << "'m11+'" << "'13'" << ":m13" << ":add2" << ":add4" << ":add9" << ":add11" << ":add13" << ":madd2" << ":madd4" << ":madd9" << ":madd11" << ":madd13" << ":major" << ":M" << ":minor" << ":m" << ":major7" << ":dom7" << "'7'" << ":M7" << ":minor7" << ":m7" << ":augmented" << ":a" << ":diminished" << ":dim" << ":i" << ":diminished7" << ":dim7" << ":i7";
26	27
27	28	keywords[Scale] << ":diatonic" << ":ionian" << ":major" << ":dorian" << ":phrygian" << ":lydian" << ":mixolydian" << ":aeolian" << ":minor" << ":locrian" << ":hex_major6" << ":hex_dorian" << ":hex_phrygian" << ":hex_major7" << ":hex_sus" << ":hex_aeolian" << ":minor_pentatonic" << ":yu" << ":major_pentatonic" << ":gong" << ":egyptian" << ":shang" << ":jiao" << ":zhi" << ":ritusen" << ":whole_tone" << ":whole" << ":chromatic" << ":harmonic_minor" << ":melodic_minor_asc" << ":hungarian_minor" << ":octatonic" << ":messiaen1" << ":messiaen2" << ":messiaen3" << ":messiaen4" << ":messiaen5" << ":messiaen6" << ":messiaen7" << ":super_locrian" << ":hirajoshi" << ":kumoi" << ":neapolitan_major" << ":bartok" << ":bhairav" << ":locrian_major" << ":ahirbhairav" << ":enigmatic" << ":neapolitan_minor" << ":pelog" << ":augmented2" << ":scriabin" << ":harmonic_major" << ":melodic_minor_desc" << ":romanian_minor" << ":hindu" << ":iwato" << ":melodic_minor" << ":diminished2" << ":marva" << ":melodic_major" << ":indian" << ":spanish" << ":prometheus" << ":diminished" << ":todi" << ":leading_whole" << ":augmented" << ":purvi" << ":chinese" << ":lydian_minor";
28	29

30	31
31	32	keywords[PlayParam] << "amp:" << "attack:" << "release:" << "sustain:" << "decay:" << "env_curve:" << "sustain_level:" << "pan:" << "attack_level:" << "decay_level:" << "on:" << "slide:" << "pitch:";
32	33
33		keywords[SampleParam] << "amp:" << "pan:" << "attack:" << "decay:" << "sustain:" << "release:" << "attack_level:" << "decay_level:" << "sustain_level:" << "env_curve:" << "rate:" << "beat_stretch:" << "start:" << "finish:" << "res:" << "cutoff:" << "cutoff_attack:" << "cutoff_decay:" << "cutoff_sustain:" << "cutoff_release:" << "cutoff_attack_level:" << "cutoff_decay_level:" << "cutoff_sustain_level:" << "cutoff_env_curve:" << "norm:" << "rpitch:" << "pitch:" << "pitch_stretch:" << "window_size:" << "pitch_dis:" << "time_dis:";
	34	keywords[SampleParam] << "amp:" << "pan:" << "attack:" << "decay:" << "sustain:" << "release:" << "attack_level:" << "decay_level:" << "sustain_level:" << "env_curve:" << "rate:" << "beat_stretch:" << "start:" << "finish:" << "res:" << "lpf:" << "lpf_min:" << "lpf_attack:" << "lpf_decay:" << "lpf_sustain:" << "lpf_release:" << "lpf_init_level:" << "lpf_attack_level:" << "lpf_decay_level:" << "lpf_sustain_level:" << "lpf_release_level" << "lpf_env_curve:" << "hpf:" << "hpf_max:" <<"hpf_attack:" << "hpf_decay:" << "hpf_sustain:" << "hpf_release:" << "hpf_init_level:" << "hpf_attack_level:" << "hpf_decay_level:" << "hpf_sustain_level:" << "hpf_release_level:" << "hpf_env_curve:" << "norm:" << "rpitch:" << "pitch:" << "pitch_stretch:" << "window_size:" << "pitch_dis:" << "time_dis:" << "compress:" << "threshold:" << "clamp_time:" << "slope_above:" << "slope_below:" << "relax_time:" << "pre_amp:";
	35
	36	keywords[Examples] << ":haunted" << ":ambient_experiment" << ":chord_inversions" << "filtered_dnb" << ":fm_noise" << ":jungle" << ":ocean" << ":reich_phase" << ":acid" << ":ambient" << ":compus_beats" << ":echo_drama" << ":idm_breakbeat" << ":tron_bike" << ":wob_rhyth" << ":bach" << ":driving_pulse" << ":monday_blues" << ":rerezzed" << ":square_skit" << ":blimp_zones" << ":blip_rhythm" << ":shufflit" << ":tilburg_2" << ":time_machine" << ":sonic_dreams";
34	37
35	38	keywords[Tuning] << ":just" << ":pythagorean" << ":meantone" << ":equal";
36	39	}

40	43	void SonicPiAPIs::loadSamples(QString sample_path) {
41	44	QDir dir(sample_path);
42	45	QStringList filetypes;
43		filetypes << "*.wav";
	46	filetypes << ".wav" << ".wave" << ".aif" << ".aiff" << "*.flac";
44	47	dir.setNameFilters(filetypes);
45	48
46	49	QFileInfoList files = dir.entryInfoList(QDir::Files \| QDir::NoDotAndDotDot);

96	99	<< ", partial = " << partial.toStdString() << endl;
97	100	*/
98	101
99		if (last == "sample" \|\| last == "sample_info" \|\| last == "sample_duration" \|\| last == "use_sample_bpm" \|\| last == "sample_buffer" \|\| last == "sample_loaded?") {
	102	if (last == "sample" \|\| last == "sample_info" \|\| last == "sample_duration" \|\| last == "use_sample_bpm" \|\| last == "sample_buffer" \|\| last == "sample_loaded?" \|\| last == "load_sample" \|\| last == "load_samples") {
100	103	ctx = Sample;
101	104	} else if (last == "with_fx" \|\| last == "use_fx") {
102	105	ctx = FX;
103	106	} else if (last == "with_synth" \|\| last == "use_synth" \|\| last == "synth") {
104	107	ctx = Synth;
	108	} else if (last == "load_example") {
	109	ctx = Examples;
105	110
106	111	// autocomplete the second arg of scale/chord
107	112	} else if (lastButOne == "scale") {

141	146	} else if (words.length() >= 2 && first == "sample") {
142	147	if (last.endsWith(':')) return; // don't try to complete parameters
143	148	ctx = SampleParam;
	149	} else if (first == "use_sample_defaults" \|\| first == "with_sample_defaults") {
	150	if (last.endsWith(':')) return; // don't try to complete parameters
	151	ctx = SampleParam;
144	152
145	153	} else if (context.length() > 1) {
146	154	if (partial.length() <= 2) {

+4

-6

app/gui/qt/sonicpiapis.h less more

2	2	// Full project source: https://github.com/samaaron/sonic-pi
3	3	// License: https://github.com/samaaron/sonic-pi/blob/master/LICENSE.md
4	4	//
5		// Copyright 2013, 2014 by Sam Aaron (http://sam.aaron.name).
	5	// Copyright 2013, 2014, 2015, 2016 by Sam Aaron (http://sam.aaron.name).
6	6	// All rights reserved.
7	7	//
8		// Permission is granted for use, copying, modification, distribution,
9		// and distribution of modified versions of this work as long as this
	8	// Permission is granted for use, copying, modification, and
	9	// distribution of modified versions of this work as long as this
10	10	// notice is included.
11	11	//++
12
13	12
14	13	#include <Qsci/qsciabstractapis.h>
15	14	#include <QHash>

17	16	class SonicPiAPIs : public QsciAbstractAPIs
18	17	{
19	18	public:
20		enum { Func, FX, Synth, Sample, Chord, Scale, MCBlock, PlayParam, SampleParam, Tuning,
21		NContext };
	19	enum { Func, FX, Synth, Sample, Chord, Scale, MCBlock, PlayParam, SampleParam, Tuning, Examples, NContext};
22	20
23	21	SonicPiAPIs(QsciLexer *lexer);
24	22

+3

-3

app/gui/qt/sonicpilexer.cpp less more

2	2	// Full project source: https://github.com/samaaron/sonic-pi
3	3	// License: https://github.com/samaaron/sonic-pi/blob/master/LICENSE.md
4	4	//
5		// Copyright 2013, 2014 by Sam Aaron (http://sam.aaron.name).
	5	// Copyright 2013, 2014, 2015, 2016 by Sam Aaron (http://sam.aaron.name).
6	6	// All rights reserved.
7	7	//
8		// Permission is granted for use, copying, modification, distribution,
9		// and distribution of modified versions of this work as long as this
	8	// Permission is granted for use, copying, modification, and
	9	// distribution of modified versions of this work as long as this
10	10	// notice is included.
11	11	//++
12	12

+3

-6

app/gui/qt/sonicpilexer.h less more

2	2	// Full project source: https://github.com/samaaron/sonic-pi
3	3	// License: https://github.com/samaaron/sonic-pi/blob/master/LICENSE.md
4	4	//
5		// Copyright 2013, 2014 by Sam Aaron (http://sam.aaron.name).
	5	// Copyright 2013, 2014, 2015, 2016 by Sam Aaron (http://sam.aaron.name).
6	6	// All rights reserved.
7	7	//
8		// Permission is granted for use, copying, modification, distribution,
9		// and distribution of modified versions of this work as long as this
	8	// Permission is granted for use, copying, modification, and
	9	// distribution of modified versions of this work as long as this
10	10	// notice is included.
11	11	//++
12
13	12
14	13	#include <Qsci/qscilexerruby.h>
15	14

27	26	SonicPiTheme *theme;
28	27
29	28	};
30
31

+27

-0

app/gui/qt/sonicpilog.cpp less more

	0	//--
	1	// This file is part of Sonic Pi: http://sonic-pi.net
	2	// Full project source: https://github.com/samaaron/sonic-pi
	3	// License: https://github.com/samaaron/sonic-pi/blob/master/LICENSE.md
	4	//
	5	// Copyright 2013, 2014, 2015, 2016 by Sam Aaron (http://sam.aaron.name).
	6	// All rights reserved.
	7	//
	8	// Permission is granted for use, copying, modification, and
	9	// distribution of modified versions of this work as long as this
	10	// notice is included.
	11	//++
	12
	13
0	14	#include "sonicpilog.h"
1	15
2	16	// Standard stuff
3	17	#include <vector>
4	18	#include "sonicpitheme.h"
	19	#include <QScrollBar>
5	20
6	21	SonicPiLog::SonicPiLog(QWidget *parent) : QPlainTextEdit(parent)
7	22	{
	23	forceScroll = true;
8	24	}
	25
	26	void SonicPiLog::forceScrollDown(bool force)
	27	{
	28	forceScroll = force;
	29	}
	30
9	31
10	32	void SonicPiLog::setTextColor(QColor c)
11	33	{

104	126	setCurrentCharFormat(tf);
105	127	}
106	128	appendPlainText(QString::fromStdString(" "));
	129
	130	if(forceScroll) {
	131	QScrollBar *sb = verticalScrollBar();
	132	sb->setValue(sb->maximum());
	133	}
107	134	}

+15

-0

app/gui/qt/sonicpilog.h less more

	0	//--
	1	// This file is part of Sonic Pi: http://sonic-pi.net
	2	// Full project source: https://github.com/samaaron/sonic-pi
	3	// License: https://github.com/samaaron/sonic-pi/blob/master/LICENSE.md
	4	//
	5	// Copyright 2013, 2014, 2015, 2016 by Sam Aaron (http://sam.aaron.name).
	6	// All rights reserved.
	7	//
	8	// Permission is granted for use, copying, modification, and
	9	// distribution of modified versions of this work as long as this
	10	// notice is included.
	11	//++
	12
0	13	#ifndef SONICPILOG_H
1	14	#define SONICPILOG_H
2	15

9	22	Q_OBJECT
10	23	public:
11	24	explicit SonicPiLog(QWidget *parent = 0);
	25	bool forceScroll;
12	26
13	27	struct Message
14	28	{

33	47	void setTextBackgroundColor(QColor c);
34	48	void setFontFamily(QString font_name);
35	49	void handleMultiMessage(SonicPiLog::MultiMessage mm);
	50	void forceScrollDown(bool force);
36	51
37	52	protected:
38	53	};

+20

-12

app/gui/qt/sonicpiscintilla.cpp less more

2	2	// Full project source: https://github.com/samaaron/sonic-pi
3	3	// License: https://github.com/samaaron/sonic-pi/blob/master/LICENSE.md
4	4	//
5		// Copyright 2013, 2014 by Sam Aaron (http://sam.aaron.name).
	5	// Copyright 2013, 2014, 2015, 2016 by Sam Aaron (http://sam.aaron.name).
6	6	// All rights reserved.
7	7	//
8		// Permission is granted for use, copying, modification, distribution,
9		// and distribution of modified versions of this work as long as this
	8	// Permission is granted for use, copying, modification, and
	9	// distribution of modified versions of this work as long as this
10	10	// notice is included.
11	11	//++
12	12

25	25	standardCommands()->clearKeys();
26	26	standardCommands()->clearAlternateKeys();
27	27	QString skey;
28		QSettings settings("sonic-pi.net", "Key bindings");
	28	QSettings settings("sonic-pi.net", "Default Key bindings");
29	29
30	30	#if defined(Q_OS_MAC)
31	31	int SPi_CTRL = Qt::META;

85	85
86	86	addKeyBinding(settings, QsciCommand::Delete, Qt::Key_D \| SPi_CTRL);
87	87	addKeyBinding(settings, QsciCommand::VerticalCentreCaret, Qt::Key_L \| SPi_CTRL);
88
89		// tab return
90		addKeyBinding(settings, QsciCommand::Newline, Qt::Key_Return);
91	88
92	89	addKeyBinding(settings, QsciCommand::Backtab, Qt::Key_Tab \| Qt::SHIFT);
93	90

203	200	int linenum, index;
204	201	getCursorPosition(&linenum, &index);
205	202
206		if (text(linenum) == "\n")
	203	if (text(linenum).mid(index).contains(QRegExp("^\\s*\\n")))
207	204	{
208	205	setSelection(linenum, index, linenum + 1, 0);
209	206	SendScintilla(SCI_CUT);

212	209	// SendScintilla(SCI_CLEARSELECTIONS);
213	210	int pos = SendScintilla(SCI_GETCURRENTPOS);
214	211
215		while (text(linenum).endsWith(",\n")) {
216		linenum++;
217		moveLines(1);
218		}
219	212	SendScintilla(SCI_LINEEND);
220	213	SendScintilla(SCI_SETANCHOR, pos);
221	214	SendScintilla(SCI_CUT);

478	471	setProperty("zoom", QVariant(zoom));
479	472	zoomTo(zoom);
480	473	}
	474
	475	void SonicPiScintilla::newLine() {
	476	SendScintilla(QsciCommand::Newline);
	477	}
	478
	479	void SonicPiScintilla::replaceBuffer(QString content, int line, int index, int first_line) {
	480	beginUndoAction();
	481	insert(" ");
	482	SendScintilla(QsciCommand::Delete);
	483	selectAll();
	484	replaceSelectedText(content);
	485	setCursorPosition(line, index);
	486	setFirstVisibleLine(first_line);
	487	endUndoAction();
	488	}

+5

-4

app/gui/qt/sonicpiscintilla.h less more

2	2	// Full project source: https://github.com/samaaron/sonic-pi
3	3	// License: https://github.com/samaaron/sonic-pi/blob/master/LICENSE.md
4	4	//
5		// Copyright 2013, 2014 by Sam Aaron (http://sam.aaron.name).
	5	// Copyright 2013, 2014, 2015, 2016 by Sam Aaron (http://sam.aaron.name).
6	6	// All rights reserved.
7	7	//
8		// Permission is granted for use, copying, modification, distribution,
9		// and distribution of modified versions of this work as long as this
	8	// Permission is granted for use, copying, modification, and
	9	// distribution of modified versions of this work as long as this
10	10	// notice is included.
11	11	//++
12
13	12
14	13	#include <Qsci/qsciscintilla.h>
15	14	#include "sonicpitheme.h"

57	56	void unhighlightAll();
58	57	void zoomFontIn();
59	58	void zoomFontOut();
	59	void newLine();
	60	void replaceBuffer(QString content, int line, int index, int first_line);
60	61
61	62	private:
62	63	void addKeyBinding(QSettings &qs, int cmd, int key);

+0

-29

~~app/gui/qt/sonicpiserver.cpp~~ less more

0		#include "sonicpiserver.h"
1
2		SonicPiServer::SonicPiServer(MainWindow sonicPiWindow, OscHandler oscHandler) :
3		QObject(sonicPiWindow)
4		{
5		handler = oscHandler;
6		osc_incoming_port_open = false;
7		parent = sonicPiWindow;
8		stop_server = false;
9		}
10
11		bool SonicPiServer::waitForServer(){
12		return !handler->server_started && continueListening();
13		}
14
15		bool SonicPiServer::continueListening(){
16		return !handler->signal_server_stop && !stop_server;
17		}
18
19		bool SonicPiServer::isIncomingPortOpen(){
20		return osc_incoming_port_open;
21		}
22
23		bool SonicPiServer::isServerStarted(){
24		return handler->server_started;
25		}
26
27		void SonicPiServer::stopServer(){}
28		void SonicPiServer::startServer(){}

+0

-34

~~app/gui/qt/sonicpiserver.h~~ less more

0		#ifndef SONICPISERVER_H
1		#define SONICPISERVER_H
2
3		#include <QObject>
4		#include "oschandler.h"
5
6		class SonicPiServer : public QObject
7		{
8		Q_OBJECT
9		public:
10		explicit SonicPiServer(MainWindow parent = 0, OscHandler handler = 0);
11		bool waitForServer();
12		bool isIncomingPortOpen();
13		bool isServerStarted();
14
15
16		signals:
17
18		public slots:
19		virtual void stopServer();
20		virtual void startServer();
21
22		protected:
23		OscHandler* handler;
24		MainWindow* parent;
25		bool osc_incoming_port_open;
26		bool stop_server;
27
28		bool continueListening();
29
30
31		};
32
33		#endif // SONICPISERVER_H

+0

-84

~~app/gui/qt/sonicpitcpserver.cpp~~ less more

0		#include "sonicpitcpserver.h"
1		#include "mainwindow.h"
2
3		// Qt stuff
4		#include <QtNetwork>
5		#include <QTcpSocket>
6
7		#include "sonicpiserver.h"
8
9		// OSC stuff
10		#include "oscpkt.hh"
11
12		SonicPiTCPServer::SonicPiTCPServer(MainWindow sonicPiWindow, OscHandler oscHandler) : SonicPiServer(sonicPiWindow, oscHandler)
13		{
14		tcpServer = new QTcpServer(sonicPiWindow);
15		buffer.clear();
16		blockSize = 0;
17
18		connect(tcpServer, SIGNAL(newConnection()), this, SLOT(client()));
19		}
20
21		void SonicPiTCPServer::startServer(){
22		int PORT_NUM = 4558;
23		if(tcpServer->listen(QHostAddress::LocalHost, PORT_NUM)){
24		std::cout << "[GUI] - TCP OSC Server started: " << PORT_NUM << std::endl;
25		handler->server_started = true;
26		}
27		else{
28		tcpServer->close();
29		std::cerr << "[GUI] - Server failed to start!";
30		}
31
32		}
33
34		void SonicPiTCPServer::stopServer(){
35		tcpServer->close();
36		}
37
38		void SonicPiTCPServer::logError(QAbstractSocket::SocketError e){
39		std::cerr << "[GUI] - Socket error:" << e;
40		}
41
42		void SonicPiTCPServer::client(){
43		//In TCP we have no ack signal as we don't block the main loop.
44		//Hence assume if we get a connection from a client its booted and ready.
45		QMetaObject::invokeMethod(parent, "serverStarted", Qt::QueuedConnection);
46		socket = tcpServer->nextPendingConnection();
47		connect(socket, SIGNAL(readyRead()), this, SLOT(readMessage()));
48		connect(socket, SIGNAL(error(QAbstractSocket::SocketError)), this, SLOT(logError(QAbstractSocket::SocketError)));
49		connect(socket, SIGNAL(disconnected()), socket, SLOT(deleteLater()));
50		std::vector<char>().swap(buffer);
51		}
52
53		void SonicPiTCPServer::readMessage()
54		{
55		while(socket->bytesAvailable() > 0){
56		if (blockSize == 0) {
57		if (socket->bytesAvailable() < (int)sizeof(quint32)){
58		return;
59		}
60
61		socket->read((char *)&blockSize, sizeof(quint32));
62		blockSize = qToBigEndian(blockSize);
63		}
64
65		if (socket->bytesAvailable() < blockSize){
66		return;
67		}
68
69		buffer.resize(blockSize);
70		int bytesRead = socket->read(&buffer[0], blockSize);
71
72		if(bytesRead < 0 \|\| (uint32_t)bytesRead != blockSize) {
73		std::cerr << "[GUI] - Error: read: " << bytesRead << " Expected:" << blockSize << "\n";
74		blockSize = 0;
75		return;
76		}
77		std::vector<char> tmp(buffer);
78		tmp.swap(buffer);
79		handler->oscMessage(buffer);
80		blockSize = 0;
81		std::vector<char>().swap(buffer);
82		}
83		}

+0

-40

~~app/gui/qt/sonicpitcpserver.h~~ less more

0		#ifndef SONICPITCPSERVER_H
1		#define SONICPITCPSERVER_H
2
3		#include "oschandler.h"
4		#include "sonicpiserver.h"
5		#include "mainwindow.h"
6
7		#include <QtCore>
8		#include <QtNetwork>
9		#include <QTcpSocket>
10
11		#include "oschandler.h"
12		#include "sonicpiserver.h"
13		#include "mainwindow.h"
14
15		class SonicPiTCPServer : public SonicPiServer
16		{
17		Q_OBJECT
18
19		public:
20		explicit SonicPiTCPServer(MainWindow parent, OscHandler handler = 0);
21
22		quint32 blockSize;
23
24		public slots:
25		void stopServer();
26		void startServer();
27		void readMessage();
28		void client();
29		void logError(QAbstractSocket::SocketError);
30
31		private:
32		void handleMessage();
33
34		QTcpServer *tcpServer;
35		QTcpSocket *socket;
36		std::vector<char> buffer;
37		};
38
39		#endif // SONICPITCPSERVER_H

+16

-0

app/gui/qt/sonicpitheme.cpp less more

	0	//--
	1	// This file is part of Sonic Pi: http://sonic-pi.net
	2	// Full project source: https://github.com/samaaron/sonic-pi
	3	// License: https://github.com/samaaron/sonic-pi/blob/master/LICENSE.md
	4	//
	5	// Copyright 2013, 2014, 2015, 2016 by Sam Aaron (http://sam.aaron.name).
	6	// All rights reserved.
	7	//
	8	// Permission is granted for use, copying, modification, and
	9	// distribution of modified versions of this work as long as this
	10	// notice is included.
	11	//++
	12
	13
0	14	#include "sonicpitheme.h"
1	15
2	16	SonicPiTheme::SonicPiTheme(QObject parent, QSettings settings, bool dark) : QObject(parent)

114	128	themeSettings["LogBackground"] = "white";
115	129	themeSettings["LogForeground"] = "black";
116	130	themeSettings["LogInfoBackground"] = "#5e5e5e";
	131	themeSettings["LogInfoBackgroundStyle1"] = "DeepPink";
117	132	themeSettings["LogInfoForeground"] = "white";
118	133	themeSettings["LogDefaultForeground"] = "#5e5e5e";
119	134

200	215	themeSettings["LogBackground"] = "black";
201	216	themeSettings["LogForeground"] = "white";
202	217	themeSettings["LogInfoBackground"] = "#2c3539";
	218	themeSettings["LogInfoBackgroundStyle1"] = "DeepPink";
203	219	themeSettings["LogInfoForeground"] = "white";
204	220	themeSettings["LogDefaultForeground"] = "white";
205	221

+13

-0

app/gui/qt/sonicpitheme.h less more

	0	//--
	1	// This file is part of Sonic Pi: http://sonic-pi.net
	2	// Full project source: https://github.com/samaaron/sonic-pi
	3	// License: https://github.com/samaaron/sonic-pi/blob/master/LICENSE.md
	4	//
	5	// Copyright 2013, 2014, 2015, 2016 by Sam Aaron (http://sam.aaron.name).
	6	// All rights reserved.
	7	//
	8	// Permission is granted for use, copying, modification, and
	9	// distribution of modified versions of this work as long as this
	10	// notice is included.
	11	//++
	12
0	13	#ifndef SONICPITHEME_H
1	14	#define SONICPITHEME_H
2	15

+0

-39

~~app/gui/qt/sonicpiudpserver.cpp~~ less more

0		#include "sonicpiudpserver.h"
1		#include "sonicpiserver.h"
2		#include "udp.hh"
3
4		SonicPiUDPServer::SonicPiUDPServer(MainWindow sonicPiWindow, OscHandler oscHandler) : SonicPiServer(sonicPiWindow, oscHandler)
5		{
6		handler = oscHandler;
7		osc_incoming_port_open = false;
8		parent = sonicPiWindow;
9		stop_server = false;
10		}
11
12		void SonicPiUDPServer::stopServer(){
13		stop_server = true;
14		}
15
16		void SonicPiUDPServer::startServer(){
17		std::cout << "[GUI] - starting UDP OSC Server on port 4558..." << std::endl;
18		int PORT_NUM = 4558;
19		oscpkt::UdpSocket sock;
20		sock.bindTo(PORT_NUM);
21		if (!sock.isOk()) {
22		std::cout << "[GUI] - unable to listen to UDP OSC messages on port 4558" << std::endl;
23		parent->invokeStartupError(tr("Is Sonic Pi already running? Can't open UDP port 4558."));
24		return;
25		}
26
27		std::cout << "[GUI] - UDP OSC Server ready and listening" << std::endl << std::flush;
28
29		osc_incoming_port_open = true;
30
31		while (sock.isOk() && continueListening()) {
32		if (sock.receiveNextPacket(30 /* timeout, in ms */)) {
33		handler->oscMessage(sock.buffer);
34		std::vector<char>().swap(sock.buffer);
35		std::cout << std::flush;
36		}
37		}
38		}

+0

-21

~~app/gui/qt/sonicpiudpserver.h~~ less more

0		#ifndef SONICPIUDPSERVER_H
1		#define SONICPIUDPSERVER_H
2
3		#include "oschandler.h"
4		#include "sonicpiserver.h"
5		#include "mainwindow.h"
6
7		class SonicPiUDPServer : public SonicPiServer
8		{
9		Q_OBJECT
10
11		public:
12		explicit SonicPiUDPServer(MainWindow parent, OscHandler handler = 0);
13
14		public slots:
15		void stopServer();
16		void startServer();
17
18		};
19
20		#endif // SONICPIUDPSERVER_H

+2

-0

app/gui/qt/theme/dark/doc-styles.css less more

27	27	}
28	28
29	29	.error_description {
	30	font-size: medium;
30	31	background-color: deeppink;
31	32	color: white;
32	33	}
33	34
34	35	.syntax_error_description {
	36	font-size: medium;
35	37	background-color: dodgerblue;
36	38	color: white;
37	39	}

+2

-0

app/gui/qt/theme/light/doc-styles.css less more

28	28	}
29	29
30	30	.error_description {
	31	font-size: medium;
31	32	background-color: deeppink;
32	33	color: white;
33	34	}
34	35
35	36	.syntax_error_description {
	37	font-size: medium;
36	38	background-color: dodgerblue;
37	39	color: white;
38	40	}

+1

-0

app/gui/qt/udp.hh less more

53	53	#include <cassert>
54	54	#include <string>
55	55	#include <vector>
	56	#include <iostream>
56	57
57	58	namespace oscpkt {
58	59

+9

-0

app/gui/qt/win-build-app.bat less more

2	2	copy /Y ruby_help.tmpl ruby_help.h
3	3	..\..\server\native\windows\ruby\bin\ruby ../../server/bin/qt-doc.rb -o ruby_help.h
4	4	@IF ERRORLEVEL==9009 goto :noruby
	5	@IF ERRORLEVEL==1 goto :docfail
5	6
6	7	lrelease SonicPi.pro
7	8	@IF ERRORLEVEL==9009 goto :noqt

16	17	nmake install
17	18	cd release
18	19	windeployqt Sonic-Pi.exe -printsupport
	20
	21	@echo Removing faulty english translation file
	22	if exist translations\qt_en.qm del translations\qt_en.qm
	23
19	24	cd ..
20	25
21	26	@goto :done

32	37	@echo Did not find VS2013 tools in your PATH, please start a command prompt from Visual Studio 2013/Visual Studio Tools/VS2013 x86 Native Tools Command Prompt
33	38	@goto :done
34	39
	40	:docfail
	41	@echo qt-doc.rb failed, which means everything else will fail as well -- fix Ruby environment first
	42	@goto :done
	43
35	44	:done

+1

-1

app/server/bin/compile-extensions.rb less more

3	3	# Full project source: https://github.com/samaaron/sonic-pi
4	4	# License: https://github.com/samaaron/sonic-pi/blob/master/LICENSE.md
5	5	#
6		# Copyright 2013, 2014, 2015 by Sam Aaron (http://sam.aaron.name).
	6	# Copyright 2013, 2014, 2015, 2016 by Sam Aaron (http://sam.aaron.name).
7	7	# All rights reserved.
8	8	#
9	9	# Permission is granted for use, copying, modification, and

+1

-1

app/server/bin/doc.rb less more

3	3	# Full project source: https://github.com/samaaron/sonic-pi
4	4	# License: https://github.com/samaaron/sonic-pi/blob/master/LICENSE.md
5	5	#
6		# Copyright 2013, 2014, 2015 by Sam Aaron (http://sam.aaron.name).
	6	# Copyright 2013, 2014, 2015, 2016 by Sam Aaron (http://sam.aaron.name).
7	7	# All rights reserved.
8	8	#
9	9	# Permission is granted for use, copying, modification, and

+1

-1

app/server/bin/qt-doc.rb less more

3	3	# Full project source: https://github.com/samaaron/sonic-pi
4	4	# License: https://github.com/samaaron/sonic-pi/blob/master/LICENSE.md
5	5	#
6		# Copyright 2013, 2014, 2015 by Sam Aaron (http://sam.aaron.name).
	6	# Copyright 2013, 2014, 2015, 2016 by Sam Aaron (http://sam.aaron.name).
7	7	# All rights reserved.
8	8	#
9	9	# Permission is granted for use, copying, modification, and

+47

-23

app/server/bin/sonic-pi-server.rb less more

3	3	# Full project source: https://github.com/samaaron/sonic-pi
4	4	# License: https://github.com/samaaron/sonic-pi/blob/master/LICENSE.md
5	5	#
6		# Copyright 2013, 2014, 2015 by Sam Aaron (http://sam.aaron.name).
	6	# Copyright 2013, 2014, 2015, 2016 by Sam Aaron (http://sam.aaron.name).
7	7	# All rights reserved.
8	8	#
9	9	# Permission is granted for use, copying, modification, and

12	12	#++
13	13
14	14	require 'cgi'
	15	require 'rbconfig'
15	16
16	17	require_relative "../core.rb"
17	18	require_relative "../sonicpi/lib/sonicpi/studio"

27	28
28	29	require 'multi_json'
29	30
	31	puts "Sonic Pi server booting..."
	32
30	33	include SonicPi::Util
31	34
32	35	server_port = ARGV[1] ? ARGV[0].to_i : 4557

40	43	end
41	44
42	45	puts "Using protocol: #{protocol}"
43
44		os = case RUBY_PLATFORM
45		when /.arm.-linux.*/
46		:raspberry
47		when /.linux./
48		:linux
49		when /.darwin./
50		:osx
51		when /.mingw./
52		:windows
53		else
54		RUBY_PLATFORM
55		end
56	46
57	47	if protocol == :tcp
58	48	gui = SonicPi::OSC::TCPClient.new("127.0.0.1", client_port, use_encoder_cache: true)

81	71
82	72
83	73	at_exit do
	74	STDOUT.puts "Server is exiting."
84	75	begin
	76	STDOUT.puts "Shutting down GUI..."
85	77	gui.send("/exited")
86	78	rescue Errno::EPIPE => e
87	79	STDERR.puts "GUI not listening."
88	80	end
	81	STDOUT.puts "Goodbye :-)"
89	82	end
90	83
91	84	user_methods = Module.new
92		name = "SonicPiSpiderUser1" # this should be autogenerated
	85	name = "SonicPiLang" # this should be autogenerated
93	86	klass = Object.const_set name, Class.new(SonicPi::Runtime)
94	87
95	88	klass.send(:include, user_methods)
96	89	klass.send(:include, SonicPi::Lang::Core)
97	90	klass.send(:include, SonicPi::Lang::Sound)
98	91	klass.send(:include, SonicPi::Lang::Minecraft)
	92	klass.send(:define_method, :inspect) { "Runtime" }
99	93	#klass.send(:include, SonicPi::Lang::Pattern)
100	94
101	95	ws_out = Queue.new

107	101	if File.exists?(init_path)
108	102	sp.__spider_eval(File.read(init_path))
109	103	else
	104	begin
110	105	File.open(init_path, "w") do \|f\|
111	106	f.puts "# Sonic Pi init file"
112	107	f.puts "# Code in here will be evaluated on launch."
113	108	f.puts ""
	109	end
	110	rescue
	111	log "Warning: unable to create init file at #{init_path}"
114	112	end
115	113	end
116	114

158	156	sp.__load_buffer args[1]
159	157	end
160	158
161		osc_server.add_method("/complete-snippet-or-indent-selection") do \|args\|
	159	osc_server.add_method("/buffer-newline-and-indent") do \|args\|
	160	gui_id = args[0]
	161	id = args[1]
	162	buf = args[2]
	163	point_line = args[3]
	164	point_index = args[4]
	165	first_line = args[5]
	166	sp.__buffer_newline_and_indent(id, buf, point_line, point_index, first_line)
	167	end
	168
	169	osc_server.add_method("/buffer-section-complete-snippet-or-indent-selection") do \|args\|
162	170	gui_id = args[0]
163	171	id = args[1]
164	172	buf = args[2]

166	174	finish_line = args[4]
167	175	point_line = args[5]
168	176	point_index = args[6]
169		sp.__complete_snippet_or_indent_lines(id, buf, start_line, finish_line, point_line, point_index)
170		end
171
172		osc_server.add_method("/toggle-comment") do \|args\|
	177	sp.__buffer_complete_snippet_or_indent_lines(id, buf, start_line, finish_line, point_line, point_index)
	178	end
	179
	180	osc_server.add_method("/buffer-indent-selection") do \|args\|
	181	gui_id = args[0]
	182	id = args[1]
	183	buf = args[2]
	184	start_line = args[3]
	185	finish_line = args[4]
	186	point_line = args[5]
	187	point_index = args[6]
	188	sp.__buffer_indent_lines(id, buf, start_line, finish_line, point_line, point_index)
	189	end
	190
	191	osc_server.add_method("/buffer-section-toggle-comment") do \|args\|
173	192	gui_id = args[0]
174	193	id = args[1]
175	194	buf = args[2]

180	199	sp.__toggle_comment(id, buf, start_line, finish_line, point_line, point_index)
181	200	end
182	201
183		osc_server.add_method("/beautify-buffer") do \|args\|
	202	osc_server.add_method("/buffer-beautify") do \|args\|
184	203	gui_id = args[0]
185	204	id = args[1]
186	205	buf = args[2]
187	206	line = args[3]
188	207	index = args[4]
189	208	first_line = args[5]
190		sp.__beautify_buffer(id, buf, line, index, first_line)
	209	sp.__buffer_beautify(id, buf, line, index, first_line)
191	210	end
192	211
193	212	osc_server.add_method("/ping") do \|args\|

317	336	when :multi_message
318	337	gui.send("/multi_message", message[:jobid], message[:thread_name].to_s, message[:runtime].to_s, message[:val].size, *message[:val].flatten)
319	338	when :info
320		gui.send("/info", message[:val])
	339	gui.send("/info", message[:style] \|\| 0, message[:val] \|\| "")
321	340	when :syntax_error
322	341	desc = message[:val] \|\| ""
323	342	line = message[:line] \|\| -1

375	394	end
376	395	end
377	396
	397	puts "This is Sonic Pi #{sp.__current_version} running on #{os} with ruby api #{RbConfig::CONFIG['ruby_version']}."
	398	puts "Sonic Pi Server successfully booted."
	399
	400	STDOUT.flush
	401
378	402	out_t.join

+1

-1

app/server/bin/standalone.rb less more

3	3	# Full project source: https://github.com/samaaron/sonic-pi
4	4	# License: https://github.com/samaaron/sonic-pi/blob/master/LICENSE.md
5	5	#
6		# Copyright 2013, 2014, 2015 by Sam Aaron (http://sam.aaron.name).
	6	# Copyright 2013, 2014, 2015, 2016 by Sam Aaron (http://sam.aaron.name).
7	7	# All rights reserved.
8	8	#
9	9	# Permission is granted for use, copying, modification, and

+1

-1

app/server/bin/test.rb less more

3	3	# Full project source: https://github.com/samaaron/sonic-pi
4	4	# License: https://github.com/samaaron/sonic-pi/blob/master/LICENSE.md
5	5	#
6		# Copyright 2013, 2014, 2015 by Sam Aaron (http://sam.aaron.name).
	6	# Copyright 2013, 2014, 2015, 2016 by Sam Aaron (http://sam.aaron.name).
7	7	# All rights reserved.
8	8	#
9	9	# Permission is granted for use, copying, modification, and

+1

-1

app/server/bin/ws.rb less more

3	3	# Full project source: https://github.com/samaaron/sonic-pi
4	4	# License: https://github.com/samaaron/sonic-pi/blob/master/LICENSE.md
5	5	#
6		# Copyright 2013, 2014, 2015 by Sam Aaron (http://sam.aaron.name).
	6	# Copyright 2013, 2014, 2015, 2016 by Sam Aaron (http://sam.aaron.name).
7	7	# All rights reserved.
8	8	#
9	9	# Permission is granted for use, copying, modification, and

+120

-4

app/server/core.rb less more

3	3	# Full project source: https://github.com/samaaron/sonic-pi
4	4	# License: https://github.com/samaaron/sonic-pi/blob/master/LICENSE.md
5	5	#
6		# Copyright 2013, 2014, 2015 by Sam Aaron (http://sam.aaron.name).
	6	# Copyright 2013, 2014, 2015, 2016 by Sam Aaron (http://sam.aaron.name).
7	7	# All rights reserved.
8	8	#
9	9	# Permission is granted for use, copying, modification, and

30	30	else
31	31	RUBY_PLATFORM
32	32	end
33		$:.unshift "#{File.expand_path("../rb-native", __FILE__)}/#{os}/#{ruby_api}/"
	33	ruby_gem_native_path = "#{File.expand_path("../rb-native", __FILE__)}"
	34	ruby_gem_api_path = "#{ruby_gem_native_path}/#{os}/#{ruby_api}"
	35
	36	unless File.directory?(ruby_gem_api_path)
	37	STDERR.puts "* COULD NOT FIND RUBY GEMS REQUIRED BY SONIC PI *"
	38	STDERR.puts "Directory '#{ruby_gem_api_path}' not found."
	39	STDERR.puts "Your ruby interpreter is '#{RbConfig.ruby}', supporting ruby api #{ruby_api}."
	40	Dir.entries("#{ruby_gem_native_path}/#{os}/")
	41	.select { \|d\| (File.directory?("#{ruby_gem_native_path}/#{os}/#{d}") && d != '.' && d != '..') }
	42	.each do \|installed_ruby_api\|
	43	STDERR.puts "The Sonic Pi on your computer was installed for ruby api #{installed_ruby_api}."
	44	end
	45	STDERR.puts "Please refer to the Sonic Pi install instructions."
	46	STDERR.puts "For installation, you need to run 'app/server/bin/compile-extensions.rb'."
	47	STDERR.puts "If you change or upgrade your ruby interpreter later, you may need to run it again."
	48
	49	raise "Could not access ruby gem directory"
	50	end
	51
	52	$:.unshift ruby_gem_api_path
34	53
35	54	require 'win32/process' if os == :windows
36	55

51	70	module SonicPi
52	71	module Core
53	72	module SPRand
	73	# use FHS directory scheme:
	74	# check if Sonic Pi's ruby server is not running inside the
	75	# user's home directory, but is installed in /usr/lib/sonic-pi
	76	# on Linux from a distribution's package
	77	random_numbers_path = File.dirname(__FILE__).start_with?("/usr/lib/sonic-pi") ? "/usr/share/sonic-pi" : "../../../etc"
54	78	# Read in same random numbers as server for random stream sync
55		@@random_numbers = ::WaveFile::Reader.new(File.expand_path("../../../etc/buffers/rand-stream.wav", __FILE__), ::WaveFile::Format.new(:mono, :float, 44100)).read(441000).samples.freeze
	79	@@random_numbers = ::WaveFile::Reader.new(File.expand_path("#{random_numbers_path}/buffers/rand-stream.wav", __FILE__), ::WaveFile::Format.new(:mono, :float, 44100)).read(441000).samples.freeze
56	80
57	81	def self.to_a
58	82	@@random_numbers

90	114
91	115	def self.get_idx
92	116	Thread.current.thread_variable_get(:sonic_pi_spider_random_gen_idx) \|\| 0
	117	end
	118
	119	def self.get_seed_plus_idx
	120	(Thread.current.thread_variable_get(:sonic_pi_spider_random_gen_idx) \|\| 0) +
	121	Thread.current.thread_variable_get(:sonic_pi_spider_random_gen_seed) \|\| 0
93	122	end
94	123
95	124	def self.rand!(max=1, idx=nil)

211	240	class SPVector < Hamster::Vector
212	241	include TLMixin
213	242	def initialize(list)
214		raise EmptyVectorError, "Cannot create an empty vector" if list.empty?
215	243	super
216	244	end
217	245

223	251	self.class.new(a)
224	252	end
225	253
	254	def list_diff(other)
	255	___sp_preserve_vec_kind(self.to_a - other.to_a)
	256	end
	257
	258	def list_concat(other)
	259	___sp_preserve_vec_kind(self.to_a + other.to_a)
	260	end
	261
	262	def -(other)
	263	if other.is_a?(Array) \|\| other.is_a?(SPVector)
	264	return list_diff(other)
	265	else
	266	o = other.to_f
	267	return self.map{\|el\| el - o}
	268	end
	269	end
	270
	271	def +(other)
	272	if other.is_a?(Array) \|\| other.is_a?(SPVector)
	273	return list_concat(other)
	274	else
	275	o = other.to_f
	276	return self.map{\|el\| el + o}
	277	end
	278	end
	279
226	280	def [](idx, len=(missing_length = true))
	281	return nil unless idx
227	282	raise InvalidIndexError, "Invalid index: #{idx.inspect}, was expecting a number or range" unless idx && (idx.is_a?(Numeric) \|\| idx.is_a?(Range))
	283	return nil if self.empty?
228	284	if idx.is_a?(Numeric) && missing_length
229	285	idx = map_index(idx)
230	286	super idx

283	339
284	340	def butlast
285	341	drop_last(1)
	342	end
	343
	344	def take(n)
	345	return [].ring if n == 0
	346	return self.reverse.take(-n) if n < 0
	347	return super if n <= @size
	348	self + take(n - @size)
	349	end
	350
	351	def drop(n)
	352	return [].ring if n >= @size
	353	super
	354	end
	355
	356	def pick(n=nil, *opts)
	357	# mangle args to extract nice behaviour
	358	if !n.is_a?(Numeric) && opts.empty?
	359	opts = n
	360	n = nil
	361	else
	362	opts = opts[0]
	363	end
	364
	365	if opts.is_a?(Hash)
	366	s = opts[:skip]
	367	else
	368	s = nil
	369	end
	370
	371	n = @size unless n
	372	raise "pick requires n to be a number, got: #{n.inspect}" unless n.is_a? Numeric
	373
	374	res = []
	375	if s
	376	raise "skip: opt needs to be a number, got: #{s.inspect}" unless s.is_a? Numeric
	377	n.times do
	378	SonicPi::Core::SPRand.inc_idx!(s)
	379	res << self.choose
	380	end
	381	else
	382	n.times do
	383	res << self.choose
	384	end
	385	end
	386	res.ring
286	387	end
287	388
288	389	def inspect

306	407	end
307	408	end
308	409	___sp_preserve_vec_kind(res)
	410	end
	411
	412	def map_index(idx)
	413	idx
309	414	end
310	415	end
311	416

445	550
446	551	def choose
447	552	self[SonicPi::Core::SPRand.rand_i!(self.size)]
	553	end
	554
	555	def pick(n=nil)
	556	n = @size unless n
	557	raise "pick requires n to be a number, got: #{n.inspect}" unless n.is_a? Numeric
	558
	559	res = []
	560	n.times do
	561	res << self.choose
	562	end
	563	res
448	564	end
449	565
450	566	alias_method :__orig_sample__, :sample

+1

-1

app/server/sonicpi/lib/sonicpi/allocator.rb less more

2	2	# Full project source: https://github.com/samaaron/sonic-pi
3	3	# License: https://github.com/samaaron/sonic-pi/blob/master/LICENSE.md
4	4	#
5		# Copyright 2013, 2014, 2015 by Sam Aaron (http://sam.aaron.name).
	5	# Copyright 2013, 2014, 2015, 2016 by Sam Aaron (http://sam.aaron.name).
6	6	# All rights reserved.
7	7	#
8	8	# Permission is granted for use, copying, modification, and

+1

-1

app/server/sonicpi/lib/sonicpi/atom.rb less more

2	2	# Full project source: https://github.com/samaaron/sonic-pi
3	3	# License: https://github.com/samaaron/sonic-pi/blob/master/LICENSE.md
4	4	#
5		# Copyright 2013, 2014, 2015 by Sam Aaron (http://sam.aaron.name).
	5	# Copyright 2013, 2014, 2015, 2016 by Sam Aaron (http://sam.aaron.name).
6	6	# All rights reserved.
7	7	#
8	8	# Permission is granted for use, copying, modification, and

+1

-1

app/server/sonicpi/lib/sonicpi/audiobus.rb less more

2	2	# Full project source: https://github.com/samaaron/sonic-pi
3	3	# License: https://github.com/samaaron/sonic-pi/blob/master/LICENSE.md
4	4	#
5		# Copyright 2013, 2014, 2015 by Sam Aaron (http://sam.aaron.name).
	5	# Copyright 2013, 2014, 2015, 2016 by Sam Aaron (http://sam.aaron.name).
6	6	# All rights reserved.
7	7	#
8	8	# Permission is granted for use, copying, modification, and

+1

-1

app/server/sonicpi/lib/sonicpi/audiobusallocator.rb less more

2	2	# Full project source: https://github.com/samaaron/sonic-pi
3	3	# License: https://github.com/samaaron/sonic-pi/blob/master/LICENSE.md
4	4	#
5		# Copyright 2013, 2014, 2015 by Sam Aaron (http://sam.aaron.name).
	5	# Copyright 2013, 2014, 2015, 2016 by Sam Aaron (http://sam.aaron.name).
6	6	# All rights reserved.
7	7	#
8	8	# Permission is granted for use, copying, modification, and

+1

-1

app/server/sonicpi/lib/sonicpi/blanknode.rb less more

2	2	# Full project source: https://github.com/samaaron/sonic-pi
3	3	# License: https://github.com/samaaron/sonic-pi/blob/master/LICENSE.md
4	4	#
5		# Copyright 2013, 2014, 2015 by Sam Aaron (http://sam.aaron.name).
	5	# Copyright 2013, 2014, 2015, 2016 by Sam Aaron (http://sam.aaron.name).
6	6	# All rights reserved.
7	7	#
8	8	# Permission is granted for use, copying, modification, and

+3

-3

app/server/sonicpi/lib/sonicpi/buffer.rb less more

2	2	# Full project source: https://github.com/samaaron/sonic-pi
3	3	# License: https://github.com/samaaron/sonic-pi/blob/master/LICENSE.md
4	4	#
5		# Copyright 2013, 2014, 2015 by Sam Aaron (http://sam.aaron.name).
	5	# Copyright 2013, 2014, 2015, 2016 by Sam Aaron (http://sam.aaron.name).
6	6	# All rights reserved.
7	7	#
8	8	# Permission is granted for use, copying, modification, and

41	41
42	42	def to_s
43	43	if @path
44		"#<Buffer @id=#{@id}, @num_chans=#{@num_chans}, @num_frames=#{num_frames}, @sample_rate=#{@sample_rate}, @duration=#{@duration}, @path=#{@path}>"
	44	"#<Buffer @id=#{@id}, @num_chans=#{@num_chans}, @num_frames=#{@num_frames}, @sample_rate=#{@sample_rate}, @duration=#{@duration}, @path=#{@path}>"
45	45	else
46		"#<Buffer @id=#{@id}, @num_chans=#{@num_chans}, @num_frames=#{num_frames}, @sample_rate=#{@sample_rate}, @duration=#{@duration}>"
	46	"#<Buffer @id=#{@id}, @num_chans=#{@num_chans}, @num_frames=#{@num_frames}, @sample_rate=#{@sample_rate}, @duration=#{@duration}>"
47	47	end
48	48	end
49	49

+1

-1

app/server/sonicpi/lib/sonicpi/bufferstream.rb less more

2	2	# Full project source: https://github.com/samaaron/sonic-pi
3	3	# License: https://github.com/samaaron/sonic-pi/blob/master/LICENSE.md
4	4	#
5		# Copyright 2013, 2014, 2015 by Sam Aaron (http://sam.aaron.name).
	5	# Copyright 2013, 2014, 2015, 2016 by Sam Aaron (http://sam.aaron.name).
6	6	# All rights reserved.
7	7	#
8	8	# Permission is granted for use, copying, modification, and

+1

-1

app/server/sonicpi/lib/sonicpi/bus.rb less more

2	2	# Full project source: https://github.com/samaaron/sonic-pi
3	3	# License: https://github.com/samaaron/sonic-pi/blob/master/LICENSE.md
4	4	#
5		# Copyright 2013, 2014, 2015 by Sam Aaron (http://sam.aaron.name).
	5	# Copyright 2013, 2014, 2015, 2016 by Sam Aaron (http://sam.aaron.name).
6	6	# All rights reserved.
7	7	#
8	8	# Permission is granted for use, copying, modification, and

+1

-1

app/server/sonicpi/lib/sonicpi/busallocator.rb less more

2	2	# Full project source: https://github.com/samaaron/sonic-pi
3	3	# License: https://github.com/samaaron/sonic-pi/blob/master/LICENSE.md
4	4	#
5		# Copyright 2013, 2014, 2015 by Sam Aaron (http://sam.aaron.name).
	5	# Copyright 2013, 2014, 2015, 2016 by Sam Aaron (http://sam.aaron.name).
6	6	# All rights reserved.
7	7	#
8	8	# Permission is granted for use, copying, modification, and

+1

-1

app/server/sonicpi/lib/sonicpi/chainnode.rb less more

2	2	# Full project source: https://github.com/samaaron/sonic-pi
3	3	# License: https://github.com/samaaron/sonic-pi/blob/master/LICENSE.md
4	4	#
5		# Copyright 2013, 2014, 2015 by Sam Aaron (http://sam.aaron.name).
	5	# Copyright 2013, 2014, 2015, 2016 by Sam Aaron (http://sam.aaron.name).
6	6	# All rights reserved.
7	7	#
8	8	# Permission is granted for use, copying, modification, and

+11

-1

app/server/sonicpi/lib/sonicpi/chord.rb less more

2	2	# Full project source: https://github.com/samaaron/sonic-pi
3	3	# License: https://github.com/samaaron/sonic-pi/blob/master/LICENSE.md
4	4	#
5		# Copyright 2013, 2014, 2015 by Sam Aaron (http://sam.aaron.name).
	5	# Copyright 2013, 2014, 2015, 2016 by Sam Aaron (http://sam.aaron.name).
6	6	# All rights reserved.
7	7	#
8	8	# Permission is granted for use, copying, modification, and

60	60	"m11+" => [0, 3, 7, 10, 14, 18],
61	61	"13" => [0, 4, 7, 10, 14, 17, 21],
62	62	"m13" => [0, 3, 7, 10, 14, 17, 21],
	63	"add2" => [0, 2, 4, 7],
	64	"add4" => [0, 4, 5, 7],
	65	"add9" => [0, 4, 7, 14],
	66	"add11" => [0, 4, 7, 17],
	67	"add13" => [0, 4, 7, 21],
	68	"madd2" => [0, 2, 3, 7],
	69	"madd4" => [0, 3, 5, 7],
	70	"madd9" => [0, 3, 7, 14],
	71	"madd11" => [0, 3, 7, 17],
	72	"madd13" => [0, 3, 7, 21],
63	73	"major" => major,
64	74	"M" => major,
65	75	"minor" => minor,

+1

-1

app/server/sonicpi/lib/sonicpi/chordgroup.rb less more

2	2	# Full project source: https://github.com/samaaron/sonic-pi
3	3	# License: https://github.com/samaaron/sonic-pi/blob/master/LICENSE.md
4	4	#
5		# Copyright 2013, 2014, 2015 by Sam Aaron (http://sam.aaron.name).
	5	# Copyright 2013, 2014, 2015, 2016 by Sam Aaron (http://sam.aaron.name).
6	6	# All rights reserved.
7	7	#
8	8	# Permission is granted for use, copying, modification, and

+1

-1

app/server/sonicpi/lib/sonicpi/config/settings.rb less more

2	2	# Full project source: https://github.com/samaaron/sonic-pi
3	3	# License: https://github.com/samaaron/sonic-pi/blob/master/LICENSE.md
4	4	#
5		# Copyright 2013, 2014, 2015 by Sam Aaron (http://sam.aaron.name).
	5	# Copyright 2013, 2014, 2015, 2016 by Sam Aaron (http://sam.aaron.name).
6	6	# All rights reserved.
7	7	#
8	8	# Permission is granted for use, copying, modification, and

+1

-1

app/server/sonicpi/lib/sonicpi/controlbus.rb less more

2	2	# Full project source: https://github.com/samaaron/sonic-pi
3	3	# License: https://github.com/samaaron/sonic-pi/blob/master/LICENSE.md
4	4	#
5		# Copyright 2013, 2014, 2015 by Sam Aaron (http://sam.aaron.name).
	5	# Copyright 2013, 2014, 2015, 2016 by Sam Aaron (http://sam.aaron.name).
6	6	# All rights reserved.
7	7	#
8	8	# Permission is granted for use, copying, modification, and

+1

-1

app/server/sonicpi/lib/sonicpi/controlbusallocator.rb less more

2	2	# Full project source: https://github.com/samaaron/sonic-pi
3	3	# License: https://github.com/samaaron/sonic-pi/blob/master/LICENSE.md
4	4	#
5		# Copyright 2013, 2014, 2015 by Sam Aaron (http://sam.aaron.name).
	5	# Copyright 2013, 2014, 2015, 2016 by Sam Aaron (http://sam.aaron.name).
6	6	# All rights reserved.
7	7	#
8	8	# Permission is granted for use, copying, modification, and

+1

-1

app/server/sonicpi/lib/sonicpi/counter.rb less more

2	2	# Full project source: https://github.com/samaaron/sonic-pi
3	3	# License: https://github.com/samaaron/sonic-pi/blob/master/LICENSE.md
4	4	#
5		# Copyright 2013, 2014, 2015 by Sam Aaron (http://sam.aaron.name).
	5	# Copyright 2013, 2014, 2015, 2016 by Sam Aaron (http://sam.aaron.name).
6	6	# All rights reserved.
7	7	#
8	8	# Permission is granted for use, copying, modification, and

+1

-1

app/server/sonicpi/lib/sonicpi/fxnode.rb less more

2	2	# Full project source: https://github.com/samaaron/sonic-pi
3	3	# License: https://github.com/samaaron/sonic-pi/blob/master/LICENSE.md
4	4	#
5		# Copyright 2013, 2014, 2015 by Sam Aaron (http://sam.aaron.name).
	5	# Copyright 2013, 2014, 2015, 2016 by Sam Aaron (http://sam.aaron.name).
6	6	# All rights reserved.
7	7	#
8	8	# Permission is granted for use, copying, modification, and

+1

-1

app/server/sonicpi/lib/sonicpi/fxreplacenode.rb less more

2	2	# Full project source: https://github.com/samaaron/sonic-pi
3	3	# License: https://github.com/samaaron/sonic-pi/blob/master/LICENSE.md
4	4	#
5		# Copyright 2013, 2014, 2015 by Sam Aaron (http://sam.aaron.name).
	5	# Copyright 2013, 2014, 2015, 2016 by Sam Aaron (http://sam.aaron.name).
6	6	# All rights reserved.
7	7	#
8	8	# Permission is granted for use, copying, modification, and

+1

-2

app/server/sonicpi/lib/sonicpi/gitsave.rb less more

2	2	# Full project source: https://github.com/samaaron/sonic-pi
3	3	# License: https://github.com/samaaron/sonic-pi/blob/master/LICENSE.md
4	4	#
5		# Copyright 2013, 2014, 2015 by Sam Aaron (http://sam.aaron.name).
	5	# Copyright 2013, 2014, 2015, 2016 by Sam Aaron (http://sam.aaron.name).
6	6	# All rights reserved.
7	7	#
8	8	# Permission is granted for use, copying, modification, and

32	32	end
33	33
34	34	def save!(filename, content, msgpre="")
35		puts "saving: #{filename}"
36	35	oid = @repo.write(content, :blob)
37	36	index = @repo.index
38	37	index.reload

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-1

app/server/sonicpi/lib/sonicpi/group.rb less more

2	2	# Full project source: https://github.com/samaaron/sonic-pi
3	3	# License: https://github.com/samaaron/sonic-pi/blob/master/LICENSE.md
4	4	#
5		# Copyright 2013, 2014, 2015 by Sam Aaron (http://sam.aaron.name).
	5	# Copyright 2013, 2014, 2015, 2016 by Sam Aaron (http://sam.aaron.name).
6	6	# All rights reserved.
7	7	#
8	8	# Permission is granted for use, copying, modification, and

+5

-1

app/server/sonicpi/lib/sonicpi/incomingevents.rb less more

2	2	# Full project source: https://github.com/samaaron/sonic-pi
3	3	# License: https://github.com/samaaron/sonic-pi/blob/master/LICENSE.md
4	4	#
5		# Copyright 2013, 2014, 2015 by Sam Aaron (http://sam.aaron.name).
	5	# Copyright 2013, 2014, 2015, 2016 by Sam Aaron (http://sam.aaron.name).
6	6	# All rights reserved.
7	7	#
8	8	# Permission is granted for use, copying, modification, and

103	103	to_s
104	104	end
105	105
	106	def shutdown
	107	@handler_thread.kill
	108	end
	109
106	110	private
107	111
108	112	def q_sync_insert_handler(handle, key, block, prom)

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-1

app/server/sonicpi/lib/sonicpi/jobs.rb less more

2	2	# Full project source: https://github.com/samaaron/sonic-pi
3	3	# License: https://github.com/samaaron/sonic-pi/blob/master/LICENSE.md
4	4	#
5		# Copyright 2013, 2014, 2015 by Sam Aaron (http://sam.aaron.name).
	5	# Copyright 2013, 2014, 2015, 2016 by Sam Aaron (http://sam.aaron.name).
6	6	# All rights reserved.
7	7	#
8	8	# Permission is granted for use, copying, modification, and

+335

-58

app/server/sonicpi/lib/sonicpi/lang/core.rb less more

3	3	# Full project source: https://github.com/samaaron/sonic-pi
4	4	# License: https://github.com/samaaron/sonic-pi/blob/master/LICENSE.md
5	5	#
6		# Copyright 2013, 2014, 2015 by Sam Aaron (http://sam.aaron.name).
	6	# Copyright 2013, 2014, 2015, 2016 by Sam Aaron (http://sam.aaron.name).
7	7	# All rights reserved.
8	8	#
9	9	# Permission is granted for use, copying, modification, and

13	13	require_relative 'support/docsystem'
14	14	require_relative "../version"
15	15	require_relative "../util"
	16	require 'active_support/inflector'
16	17
17	18	## TODO: create _* equivalents of all fns - for silent (i.e computation) versions
18	19

301	302	sample :elec_blip
302	303	sleep 0.25
303	304	end"
	305	]
	306
	307
	308
	309
	310	def on(condition, &blk)
	311	blk.call if truthy?(condition)
	312	end
	313	doc name: :on,
	314	introduced: Version.new(2,10,0),
	315	summary: "Optionally evaluate block",
	316	args: [[:condition, :truthy]],
	317	returns: nil,
	318	opts: nil,
	319	accepts_block: false,
	320	doc: "Optionally evaluate the block depending on the truthiness of the supplied condition. The truthiness rules are as follows: all values are seen as true except for: false, nil and 0. Lambdas will be automatically called and the truthiness of their results used.",
	321	examples: [
	322	"
	323	on true do
	324	play 70 #=> will play 70 as true is truthy
	325	end",
	326	"
	327	on 1 do
	328	play 70 #=> will play 70 as 1 is truthy
	329	end",
	330	"
	331	on 0 do
	332	play 70 #=> will not play 70 as 0 is not truthy
	333	end",
	334	"
	335	on false do
	336	play 70 #=> will not play 70 as false is not truthy
	337	end",
	338	"
	339	on nil do
	340	play 70 #=> will not play 70 as nil is not truthy
	341	end",
	342	"
	343	on lambda{true} do
	344	play 70 #=> will play 70 as the lambda returns a truthy value
	345	end",
	346	"
	347	on lambda{false} do
	348	play 70 #=> will not play 70 as the lambda does not return a truthy value
	349	end",
	350	"
	351	on lambda{[true, false].choose} do
	352	play 70 #=> will maybe play 70 depending on the choice in the lambda
	353	end"
	354
	355
	356
304	357	]
305	358
306	359

586	639
587	640
588	641
589		def octs(start, num_octs=1)
	642	def halves(start, num_halves=1)
	643	raise "Start value for halves needs to be a number, got: #{start.inspect}" unless start.is_a?(Numeric)
	644	start = start.to_f
	645	return doubles(start, num_halves * -1) if num_halves < 0
590	646	a = []
591		num_octs.times do \|i\|
592		a << (note(start) + (12 * i))
	647	val = start
	648	num_halves.times do
	649	a << val
	650	val /= 2.0
593	651	end
594	652	a.ring
595	653	end
596		doc name: :octs,
597		introduced: Version.new(2,8,0),
598		summary: "Create a ring of octaves",
599		args: [[:start, :note], [:num_octaves, :pos_int]],
	654	doc name: :halves,
	655	introduced: Version.new(2,10,0),
	656	summary: "Create a ring of successive halves",
	657	args: [[:start, :number], [:num_halves, :int]],
600	658	returns: :ring,
601	659	opts: nil,
602	660	accepts_block: false,
603		doc: "Create a ring of successive octaves starting at `start` for `num_octaves`. ",
	661	doc: "Create a ring containing the results of successive halving of the `start` value. If `num_halves` is negative, will return a ring of `doubles`.",
604	662	examples: [
605		"(octs 60, 2) #=> (ring 60, 72)",
606		"(octs :e3, 3) #=> (ring 52, 64, 76)"
607		]
	663	"(halves 60, 2) #=> (ring 60, 30)",
	664	"(halves 120, 3) #=> (ring 120, 60, 30)",
	665	"(halves 120, 5) #=> (ring 120, 60, 30, 15, 7.5)",
	666	"(halves 30, -5) #=> (ring 30, 60, 120, 240, 480)"
	667	]
	668
	669
	670
	671
	672	def doubles(start, num_doubles=1)
	673	raise "Start value for doubles needs to be a number, got: #{start.inspect}" unless start.is_a?(Numeric)
	674	return halves(start, num_doubles * -1) if num_doubles < 0
	675	start = start.to_f
	676	a = []
	677	val = start
	678	num_doubles.times do
	679	a << val
	680	val *= 2.0
	681	end
	682	a.ring
	683	end
	684	doc name: :doubles,
	685	introduced: Version.new(2,10,0),
	686	summary: "Create a ring of successive doubles",
	687	args: [[:start, :number], [:num_doubles, :int]],
	688	returns: :ring,
	689	opts: nil,
	690	accepts_block: false,
	691	doc: "Create a ring containing the results of successive doubling of the `start` value. If `num_doubles` is negative, will return a ring of `halves`.",
	692	examples: [
	693	"(doubles 60, 2) #=> (ring 60, 120)",
	694	"(doubles 1.5, 3) #=> (ring 1.5, 3, 6)",
	695	"(doubles 1.5, 5) #=> (ring 1.5, 3, 6, 12, 24)",
	696	"(doubles 100, -4) #=> (ring 100, 50, 25, 12.5)"
	697	]
	698
	699
	700
608	701
609	702	def vector(*args)
610	703	SonicPi::Core::SPVector.new(args)

696	789
697	790
698	791
	792	def pick(items, n=nil, *args)
	793	items.pick(n, *args)
	794	end
	795	doc name: :pick,
	796	introduced: Version.new(2,10,0),
	797	summary: "Randomly pick from list (with duplicates)",
	798	args: [[:list, :array], [:n, :number_or_nil]],
	799	opts: {:skip => "Number of rands to skip over with each successive pick"},
	800	accepts_block: false,
	801	doc: "Pick n elements from list or ring. Unlike shuffle, after each element has been picked, it is 'returned' to the list so it may be picked again. This means there may be duplicates in the result. If n is greater than the size of the ring/list then duplicates are guaranteed to be in the result.
	802
	803	If `n` isn't supplied it defaults to the size of the list/ring.",
	804	examples: ["
	805	puts [1, 2, 3, 4, 5].pick(3) #=> [4, 4, 3]",
	806	"
	807	puts (ring 1, 2, 3, 4, 5).pick(3) #=> (ring 4, 4, 3)",
	808
	809	"
	810	puts (ring 1, 2).pick(5) #=> (ring 2, 2, 1, 1, 1)",
	811	"
	812	puts (ring 1, 2, 3).pick #=> (ring 3, 3, 2)"
	813	]
	814
	815
	816
	817
699	818	def inc(n)
700	819	n + 1
701	820	end

738	857	args_h = resolve_synth_opts_hash_or_array(args)
739	858
740	859	sync_sym = args_h[:sync]
	860	sync_bpm_sym = args_h[:sync_bpm]
	861	sync_sym = nil if sync_bpm_sym
	862
	863	raise "livelock detection - live_loop cannot sync with itself - please choose another sync name for live_loop #{name.inspect}" if name == sync_sym \|\| name == sync_bpm_sym
741	864
742	865	delay = args_h[:delay]
743	866	raise "live_loop's delay: opt must be a number, got #{delay.inspect}" if delay && !delay.is_a?(Numeric)

761	884	raise "Live loop block must only accept 0 or 1 args"
762	885	end
763	886
764		in_thread(name: ll_name, delay: delay, sync: sync_sym) do
	887	in_thread(name: ll_name, delay: delay, sync: sync_sym, sync_bpm: sync_bpm_sym) do
765	888	Thread.current.thread_variable_set :sonic_pi__not_inherited__live_loop_auto_cue, auto_cue
766	889	if args_h.has_key?(:init)
767	890	res = args_h[:init]

792	915	:auto_cue => "enable or disable automatic cue (default is true)",
793	916	:delay => "Initial delay in beats before the live_loop starts. Default is 0.",
794	917	:sync => "Initial sync symbol. Will sync with this symbol before the live_loop starts.",
	918	:sync_bpm => "Initial sync symbol. Will sync with this symbol before the live_loop starts. Live loop will also inherit the BPM of the thread which cued the symbol.",
795	919	:seed => "override initial random generator seed before starting loop."
796	920	},
797	921	accepts_block: true,

936	1060	doc name: :at,
937	1061	introduced: Version.new(2,1,0),
938	1062	summary: "Asynchronous Time. Run a block at the given time(s)",
939		doc: "Given a list of times, run the block once after waiting each given time. If passed an optional params list, will pass each param individually to each block call. If size of params list is smaller than the times list, the param values will act as rings (rotate through). If the block is given 1 arg, the times are fed through. If the block is given 2 args, both the times and the params are fed through. A third block arg will receive the index of the time.",
	1063	doc: "Given a list of times, run the block once after waiting each given time. If passed an optional params list, will pass each param individually to each block call. If size of params list is smaller than the times list, the param values will act as rings (rotate through). If the block is given 1 arg, the times are fed through. If the block is given 2 args, both the times and the params are fed through. A third block arg will receive the index of the time.
	1064
	1065	Note, all code within the block is executed in its own thread. Therefore despite inheriting all thread locals such as the random stream and ticks, modifications will be isolated to the block and will not affect external code.",
940	1066	args: [[:times, :list],
941	1067	[:params, :list]],
942	1068	opts: nil,

944	1070	requires_block: true,
945	1071	async_block: true,
946	1072	examples: ["
	1073	at 4 do
	1074	sample :ambi_choir # play sample after waiting for 4 beats
	1075	end
	1076	",
	1077	"
947	1078	at [1, 2, 4] do # plays a note after waiting 1 beat,
948	1079	play 75 # then after 1 more beat,
949	1080	end # then after 2 more beats (4 beats total)

978	1109	at [0, 0.5, 2], [:a, :b] do \|t, b, idx\| #If you specify the block with 3 args, it will pass through the time, the param and the index
979	1110	puts [t, b, idx] #=> prints out [0, :a, 0], [0.5, :b, 1], then [2, :a, 2]
980	1111	end
981		"
	1112	",
	1113	" # at does not consume & interfere with the outer random stream
	1114	puts \"main: \", rand # 0.75006103515625
	1115	rand_back
	1116	at 1 do # the random stream inside the at block is separate and
	1117	# isolated from the outer stream.
	1118	puts \"at:\", rand # 0.9287109375
	1119	puts \"at:\", rand # 0.1043701171875
	1120	end
	1121
	1122	sleep 2
	1123	puts \"main: \", rand # value is still 0.75006103515625
	1124	",
	1125
	1126	"
	1127	# Each block run within at has its own isolated random stream:
	1128	at [1, 2] do
	1129	# first time round (after 1 beat) prints:
	1130	puts rand # 0.9287109375
	1131	puts rand # 0.1043701171875
	1132	end
	1133	# second time round (after 2 beats) prints:
	1134	# 0.1043701171875
	1135	# 0.764617919921875
	1136	"
982	1137	]
983	1138
984	1139

1448	1603	introduced: Version.new(2,3,0),
1449	1604	summary: "Random number in centred distribution",
1450	1605	args: [[:width, :number], [:centre, :number]],
	1606	alt_args: [[:width, :number]],
1451	1607	opts: {:step => "Step size of value to quantise to."},
1452	1608	accepts_block: false,
1453	1609	doc: "Returns a random number within the range with width around centre. If optional arg `step:` is used, the result is quantised by step.",

1829	1985
1830	1986
1831	1987	def use_cue_logging(v, &block)
1832		raise "use_cue_logging does not work with a do/end block. Perhaps you meant with_cue_logging" if block
1833		Thread.current.thread_variable_set(:sonic_pi_suppress_cue_logging, !v)
1834		end
1835		doc name: :use_cue_logging,
1836		introduced: Version.new(2,6,0),
1837		summary: "Enable and disable cue logging",
1838		doc: "Enable or disable log messages created on cues. This does not disable the cues themselves, it just stops them from being printed to the log",
1839		args: [[:true_or_false, :boolean]],
1840		opts: nil,
1841		accepts_block: false,
1842		examples: ["use_cue_logging true # Turn on cue messages", "use_cue_logging false # Disable cue messages"]
1843
1844
1845
1846
1847		def with_cue_logging(v, &block)
1848		raise "with_cue_logging requires a do/end block. Perhaps you meant use_cue_logging" unless block
1849		current = Thread.current.thread_variable_get(:sonic_pi_suppress_cue_logging)
1850		Thread.current.thread_variable_set(:sonic_pi_suppress_cue_logging, !v)
1851		block.call
1852		Thread.current.thread_variable_set(:sonic_pi_suppress_cue_logging, current)
1853		end
1854		doc name: :with_cue_logging,
1855		introduced: Version.new(2,6,0),
1856		summary: "Block-level enable and disable cue logging",
1857		doc: "Similar to use_cue_logging except only applies to code within supplied `do`/`end` block. Previous cue log value is restored after block.",
1858		args: [[:true_or_false, :boolean]],
1859		opts: nil,
1860		accepts_block: true,
1861		requires_block: true,
1862		examples: ["
	1988	raise "use_cue_logging does not work with a do/end block. Perhaps you meant with_cue_logging" if block
	1989	Thread.current.thread_variable_set(:sonic_pi_suppress_cue_logging, !v)
	1990	end
	1991	doc name: :use_cue_logging,
	1992	introduced: Version.new(2,6,0),
	1993	summary: "Enable and disable cue logging",
	1994	doc: "Enable or disable log messages created on cues. This does not disable the cues themselves, it just stops them from being printed to the log",
	1995	args: [[:true_or_false, :boolean]],
	1996	opts: nil,
	1997	accepts_block: false,
	1998	examples: ["use_cue_logging true # Turn on cue messages", "use_cue_logging false # Disable cue messages"]
	1999
	2000
	2001
	2002
	2003	def with_cue_logging(v, &block)
	2004	raise "with_cue_logging requires a do/end block. Perhaps you meant use_cue_logging" unless block
	2005	current = Thread.current.thread_variable_get(:sonic_pi_suppress_cue_logging)
	2006	Thread.current.thread_variable_set(:sonic_pi_suppress_cue_logging, !v)
	2007	block.call
	2008	Thread.current.thread_variable_set(:sonic_pi_suppress_cue_logging, current)
	2009	end
	2010	doc name: :with_cue_logging,
	2011	introduced: Version.new(2,6,0),
	2012	summary: "Block-level enable and disable cue logging",
	2013	doc: "Similar to use_cue_logging except only applies to code within supplied `do`/`end` block. Previous cue log value is restored after block.",
	2014	args: [[:true_or_false, :boolean]],
	2015	opts: nil,
	2016	accepts_block: true,
	2017	requires_block: true,
	2018	examples: ["
1863	2019	# Turn on debugging:
1864	2020	use_cue_logging true
1865	2021

2056	2212
2057	2213
2058	2214	def density(d, &block)
2059		raise "density must be a positive number" unless d.is_a?(Numeric) && d >= 0
	2215	raise "density must be called with a do/end block." unless block
	2216	raise "density must be a positive number. Got: #{d.inspect}." unless d.is_a?(Numeric) && d >= 0
2060	2217	reps = d < 1 ? 1.0 : d
2061	2218	with_bpm_mul d do
2062	2219	if block.arity == 0

2102	2259	" ]
2103	2260
2104	2261
	2262	def current_random_seed
	2263	SonicPi::Core::SPRand.get_seed_plus_idx
	2264	end
	2265	doc name: :current_random_seed,
	2266	introduced: Version.new(2,10,0),
	2267	summary: "Get current random seed",
	2268	doc: "Returns the current random seed.
	2269
	2270	This can be set via the fns `use_random_seed` and `with_random_seed. It is incremented every time you use the random number generator via fns such as `choose` and `rand`.",
	2271	args: [],
	2272	opts: nil,
	2273	accepts_block: false,
	2274	examples: ["
	2275	puts current_random_seed # Print out the current random seed",
	2276	"
	2277	## Resetting the seed back to a known place
	2278	puts rand #=> 0.75006103515625
	2279	puts rand #=> 0.733917236328125
	2280	a = current_random_seed # Grab the current seed
	2281	puts rand #=> 0.464202880859375
	2282	puts rand #=> 0.24249267578125
	2283	use_random_seed a # Restore the seed
	2284	# we'll now get the same random values:
	2285	puts rand #=> 0.464202880859375
	2286	puts rand #=> 0.24249267578125
	2287	"]
2105	2288
2106	2289
2107	2290	def current_bpm

2140	2323
2141	2324	use_bpm 120
2142	2325	puts current_beat_duration #=> 0.5"]
	2326
	2327
	2328
	2329
	2330	def beat
	2331	Thread.current.thread_variable_get(:sonic_pi_spider_beat)
	2332	end
	2333	doc name: :beat,
	2334	introduced: Version.new(2,10,0),
	2335	summary: "Get current beat",
	2336	doc: "Returns the beat value for the current thread/live_loop. Beats are advanced only by calls to `sleep` and `sync`. Beats are distinct from virtual time (the value obtained by calling `vt`) in that it has no notion of rate. It is just essentially a counter for sleeps. After a `sync`, the beat is overridden with the beat value from the thread which called `cue`. ",
	2337	args: [[]],
	2338	opts: nil,
	2339	accepts_block: false,
	2340	examples: ["
	2341	use_bpm 120 # The current BPM makes no difference
	2342	puts beat #=> 0
	2343	sleep 1
	2344	puts beat #=> 1
	2345	use_bpm 2000
	2346	sleep 2
	2347	puts beat #=> 3"]
2143	2348
2144	2349
2145	2350

2190	2395	def sleep(beats)
2191	2396	# Schedule messages
2192	2397	__schedule_delayed_blocks_and_messages!
	2398	curr_beat = Thread.current.thread_variable_get(:sonic_pi_spider_beat)
	2399	Thread.current.thread_variable_set(:sonic_pi_spider_beat, curr_beat + beats)
2193	2400
2194	2401	return if beats == 0
2195	2402	# Grab the current virtual time

2240	2447	end
2241	2448	doc name: :sleep,
2242	2449	introduced: Version.new(2,0,0),
2243		summary: "Wait for duration",
	2450	summary: "Wait for beat duration",
2244	2451	doc: "Wait for a number of beats before triggering the next command. Beats are converted to seconds by scaling to the current bpm setting.",
2245	2452	args: [[:beats, :number]],
2246	2453	opts: nil,

2315	2522	payload = {
2316	2523	:time => Thread.current.thread_variable_get(:sonic_pi_spider_time),
2317	2524	:sleep_mul => Thread.current.thread_variable_get(:sonic_pi_spider_sleep_mul),
	2525	:beat => Thread.current.thread_variable_get(:sonic_pi_spider_beat),
2318	2526	:run => current_job_id,
2319	2527	:cue_map => args_h,
2320	2528	:cue => cue_id

2360	2568	"
2361	2569	in_thread do # Start a metronome thread
2362	2570	loop do # Loop forever:
2363		cue :tick # sending tick heartbeat messages
	2571	cue :tick # sending tick heartbeat messages
2364	2572	sleep 0.5 # and sleeping for 0.5 beats between ticks
2365	2573	end
2366	2574	end

2382	2590	# We can now play sounds using the metronome:
2383	2591
2384	2592	in_thread do
2385		loop do # In the main thread, just loop
2386		sync :foo # waiting for :foo cue messages
	2593	loop do # In the main thread, just loop
	2594	sync :foo # waiting for :foo cue messages
2387	2595	sample :elec_beep # after which play the elec beep sample
2388	2596	end
2389	2597	end
2390	2598
2391	2599	in_thread do
2392		loop do # In the main thread, just loop
2393		sync :bar # waiting for :bar cue messages
	2600	loop do # In the main thread, just loop
	2601	sync :bar # waiting for :bar cue messages
2394	2602	sample :elec_flip # after which play the elec flip sample
2395	2603	end
2396	2604	end
2397	2605
2398	2606	in_thread do
2399		loop do # In the main thread, just loop
2400		sync :baz # waiting for :baz cue messages
	2607	loop do # In the main thread, just loop
	2608	sync :baz # waiting for :baz cue messages
2401	2609	sample :elec_blup # after which play the elec blup sample
2402	2610	end
2403		end"
	2611	end",
	2612
	2613	"
	2614	in_thread do
	2615	loop do
	2616	cue :tick, foo: 64 # sending tick heartbeat messages with a value :foo
	2617	sleep 0.5
	2618	end
	2619	end
	2620
	2621	# The value for :foo can now be used in synced threads
	2622
	2623	loop do
	2624	values = sync :tick
	2625	play values[:foo] # play the note value from :foo
	2626	end",
2404	2627	]
	2628
	2629	def sync_bpm(cue_ids, opts={})
	2630	sync cue_ids, opts.merge({bpm_sync: true})
	2631	end
	2632	doc name: :sync_bpm,
	2633	introduced: Version.new(2,10,0),
	2634	summary: "Sync and inherit BPM from other threads ",
	2635	doc: "An alias for `sync` with the `bpm_sync:` opt set to true.`",
	2636	args: [[:cue_id, :symbol]],
	2637	opts: {},
	2638	accepts_block: false,
	2639	advances_time: true,
	2640	examples: ["See examples for sync"]
2405	2641
2406	2642
2407	2643	def sync(cue_ids, opts={})

2428	2664	payload = p.get
2429	2665	time = payload[:time]
2430	2666	sleep_mul = payload[:sleep_mul]
	2667	beat = payload[:beat]
2431	2668	bpm_sync = opts.has_key?(:bpm_sync) ? opts[:bpm_sync] : false
2432	2669	run_id = payload[:run]
2433	2670	cue_map = payload[:cue_map]

2435	2672	cue_map = cue_map \|\| {}
2436	2673	cue_id = payload[:cue]
2437	2674	cue_map[:cue] = cue_id
	2675	Thread.current.thread_variable_set :sonic_pi_spider_beat, beat
2438	2676	Thread.current.thread_variable_set :sonic_pi_spider_time, time
2439	2677	Thread.current.thread_variable_set(:sonic_pi_spider_sleep_mul, sleep_mul) if bpm_sync
2440	2678

2522	2760	name = args_h[:name]
2523	2761	delay = args_h[:delay]
2524	2762	sync_sym = args_h[:sync]
	2763	sync_bpm_sym = args_h[:sync_bpm]
	2764	sync_sym = nil if sync_bpm_sym
2525	2765
2526	2766	raise "in_thread's delay: opt must be a number, got #{delay.inspect}" if delay && !delay.is_a?(Numeric)
2527	2767

2618	2858	begin
2619	2859	sleep delay if delay
2620	2860	sync sync_sym if sync_sym
	2861	sync_bpm sync_bpm_sym if sync_bpm_sym
2621	2862	block.call
2622	2863	# ensure delayed jobs and messages are honoured for this
2623	2864	# thread:

2630	2871	__schedule_delayed_blocks_and_messages!
2631	2872	end
2632	2873	rescue Exception => e
2633		if name
	2874	if name
2634	2875	__error e, "Thread death +--> #{name.inspect}"
2635	2876	else
2636	2877	__error e, "Thread death!"

2670	2911	args: [],
2671	2912	opts: {:name => "Make this thread a named thread with name. If a thread with this name already exists, a new thread will not be created.",
2672	2913	:delay => "Initial delay in beats before the thread starts. Default is 0.",
2673		:sync => "Initial sync symbol. Will sync with this symbol before the thread starts."},
	2914	:sync => "Initial sync symbol. Will sync with this symbol before the thread starts.",
	2915	:sync_bpm => "Initial sync symbol. Will sync with this symbol before the live_loop starts. Live loop will also inherit the BPM of the thread which cued the symbol.",},
2674	2916	accepts_block: true,
2675	2917	requires_block: true,
2676	2918	async_block: true,

2836	3078	assert_equal 3, 5, \"something is seriously wrong!\"
2837	3079	" ]
2838	3080
	3081	def load_buffer(path)
	3082	path = File.expand_path(path.to_s)
	3083	raise "Unable to load buffer - no file found with path: #{path}" unless File.exists?(path)
	3084	buf = __current_job_info[:workspace]
	3085	__info "loading #{buf} with #{path}"
	3086	__replace_buffer(buf, File.read(path))
	3087	end
	3088	doc name: :load_buffer,
	3089	introduced: Version.new(2,10,0),
	3090	summary: "Load the contents of a file to the current buffer",
	3091	doc: "Given a path to a file, will read the contents and load it into the current buffer. This will replace any previous content.",
	3092	args: [[:path, :string]],
	3093	opts: nil,
	3094	accepts_block: false,
	3095	examples: ["
	3096	load_buffer \"~/sonic-pi-tracks/phat-beats.rb\" # will replace content of current buffer with contents of the file"]
	3097
	3098
	3099	def load_example(example_name)
	3100	path = Dir[examples_path + '/**/' + example_name.to_s + '.rb'].first
	3101	raise "Error - no example found with name: #{example_name.inspect}" unless path
	3102	buf = __current_job_info[:workspace]
	3103	__info "loading #{buf} with #{path}"
	3104	title = ActiveSupport::Inflector.titleize(example_name)
	3105	__replace_buffer(buf, "# #{title}\n" + File.read(path))
	3106	end
	3107	doc name: :load_example,
	3108	introduced: Version.new(2,10,0),
	3109	summary: "Load a built-in example",
	3110	doc: "Given a keyword representing an example, will load it into the current buffer. This will replace any previous content.",
	3111	args: [[:path, :string]],
	3112	opts: nil,
	3113	accepts_block: false,
	3114	examples: ["
	3115	load_example :rerezzed # will replace content of current buffer with the rerezzed example"]
2839	3116
2840	3117	def __on_thread_death(&block)
2841	3118	gc_jobs = Thread.current.thread_variable_get(:sonic_pi__not_inherited__spider_in_thread_gc_jobs) \|\| []

+1

-1

app/server/sonicpi/lib/sonicpi/lang/minecraftpi.rb less more

2	2	# Full project source: https://github.com/samaaron/sonic-pi
3	3	# License: https://github.com/samaaron/sonic-pi/blob/master/LICENSE.md
4	4	#
5		# Copyright 2013, 2014, 2015 by Sam Aaron (http://sam.aaron.name).
	5	# Copyright 2013, 2014, 2015, 2016 by Sam Aaron (http://sam.aaron.name).
6	6	# All rights reserved.
7	7	#
8	8	# Permission is granted for use, copying, modification and distribution

+1

-1

app/server/sonicpi/lib/sonicpi/lang/pattern.rb less more

3	3	# Full project source: https://github.com/samaaron/sonic-pi
4	4	# License: https://github.com/samaaron/sonic-pi/blob/master/LICENSE.md
5	5	#
6		# Copyright 2013, 2014, 2015 by Sam Aaron (http://sam.aaron.name).
	6	# Copyright 2013, 2014, 2015, 2016 by Sam Aaron (http://sam.aaron.name).
7	7	# All rights reserved.
8	8	#
9	9	# Permission is granted for use, copying, modification, and

+1007

-643

app/server/sonicpi/lib/sonicpi/lang/sound.rb less more

2	2	# Full project source: https://github.com/samaaron/sonic-pi
3	3	# License: https://github.com/samaaron/sonic-pi/blob/master/LICENSE.md
4	4	#
5		# Copyright 2013, 2014, 2015 by Sam Aaron (http://sam.aaron.name).
	5	# Copyright 2013, 2014, 2015, 2016 by Sam Aaron (http://sam.aaron.name).
6	6	# All rights reserved.
7	7	#
8	8	# Permission is granted for use, copying, modification, and

19	19	require_relative "../chainnode"
20	20	require_relative "../fxnode"
21	21	require_relative "../fxreplacenode"
	22	require_relative "../lazynode"
22	23	require_relative "../note"
23	24	require_relative "../scale"
24	25	require_relative "../chord"

26	27	require_relative "../synthtracker"
27	28	require_relative "../version"
28	29	require_relative "../tuning"
	30	require_relative "../sample_loader"
29	31	require_relative "support/docsystem"
30	32
31	33	class Symbol

37	39	def +(other)
38	40	return self if (self == :r) \|\| (self == :rest)
39	41	SonicPi::Note.resolve_midi_note_without_octave(self) + SonicPi::Note.resolve_midi_note_without_octave(other)
	42	end
	43
	44	def to_f
	45	return 0.0 if (self == :r) \|\| (self == :rest)
	46	SonicPi::Note.resolve_midi_note_without_octave(self).to_f
	47	end
	48
	49	def to_i
	50	self.to_f.to_i
40	51	end
41	52	end
42	53

86	97	@server_init_args = splat.take(4)
87	98
88	99	@mod_sound_home_dir = Dir.home
89		@simple_sampler_args = [:amp, :amp_slide, :amp_slide_shape, :amp_slide_curve, :pan, :pan_slide, :pan_slide_shape, :pan_slide_curve, :cutoff, :cutoff_slide, :cutoff_slide_shape, :cutoff_slide_curve, :res, :res_slide, :res_slide_shape, :res_slide_curve, :rate, :slide, :beat_stretch, :rpitch]
90
91		@tuning = Tuning.new
	100	@simple_sampler_args = [:amp, :amp_slide, :amp_slide_shape, :amp_slide_curve, :pan, :pan_slide, :pan_slide_shape, :pan_slide_curve, :cutoff, :cutoff_slide, :cutoff_slide_shape, :cutoff_slide_curve, :lpf, :lpf_slide, :lpf_slide_shape, :lpf_slide_curve, :hpf, :hpf_slide, :hpf_slide_shape, :hpf_slide_curve, :rate, :slide, :beat_stretch, :rpitch, :attack, :decay, :sustain, :release, :attack_level, :decay_level, :sustain_level, :env_curve]
	101
	102	init_tuning
92	103
93	104	@blank_node = BlankNode.new
94	105	@job_proms_queues = {}

97	108	@job_proms_joiners = {}
98	109
99	110	@sample_paths_cache = {}
	111
	112	@sample_loader = SampleLoader.new("#{samples_path}/**")
100	113
101	114	@JOB_GROUPS_A = Atom.new(Hamster::Hash.new)
102	115	@JOB_GROUP_MUTEX = Mutex.new

177	190	end
178	191	end
179	192
	193	# Deprecated fns
	194
	195	def current_sample_pack_aliases(*args)
	196	raise "Sorry, current_sample_pack_aliases is no longer supported since v2.10. Please read Section 3.7 of the tutorial for a more powerful replacement."
	197	end
	198
	199	def with_sample_pack_as(*args)
	200	raise "Sorry, with_sample_pack_as is no longer supported since v2.10. Please read Section 3.7 of the tutorial for a more powerful replacement."
	201	end
	202
	203	def use_sample_pack_as(*args)
	204	raise "Sorry, use_sample_pack_as is no longer supported since v2.10. Please read Section 3.7 of the tutorial for a more powerful replacement."
	205	end
	206
	207
	208
180	209
181	210	def reboot
	211	@sample_loader.reset!
182	212	return nil if @mod_sound_studio.rebooting
183	213	__no_kill_block do
184	214	__stop_other_jobs

194	224	stop
195	225	end
196	226
	227
	228
	229
	230	def octs(start, num_octs=1)
	231	a = []
	232	num_octs.times do \|i\|
	233	a << (note(start) + (12 * i))
	234	end
	235	a.ring
	236	end
	237	doc name: :octs,
	238	introduced: Version.new(2,8,0),
	239	summary: "Create a ring of octaves",
	240	args: [[:start, :note], [:num_octaves, :pos_int]],
	241	returns: :ring,
	242	opts: nil,
	243	accepts_block: false,
	244	doc: "Create a ring of successive octaves starting at `start` for `num_octaves`. ",
	245	examples: [
	246	"(octs 60, 2) #=> (ring 60, 72)",
	247	"(octs :e3, 3) #=> (ring 52, 64, 76)"
	248	]
	249
	250
	251
	252
197	253	def sample_free(*paths)
198		full_paths = paths.map{ \|p\| resolve_sample_symbol_path(p)}
199		@mod_sound_studio.free_sample(full_paths)
	254	paths.each do \|p\|
	255	p = [p] unless p.is_a?(Array)
	256	filts_and_sources, args_a = sample_split_filts_and_opts(p)
	257	resolve_sample_paths(filts_and_sources).each do \|p\|
	258	if sample_loaded?(p)
	259	@mod_sound_studio.free_sample([p])
	260	__info "Freed sample: #{p.inspect}"
	261	end
	262	end
	263	end
	264
	265
200	266	end
201	267	doc name: :sample_free,
202	268	introduced: Version.new(2,9,0),

205	271	returns: nil,
206	272	opts: nil,
207	273	accepts_block: false,
208		doc: "Frees the memory and resources consumed by loading the sample on the server. Subsequent calls to `sample` and friends will re-load the sample on the server. You may pass multiple samples to free at once.",
	274	doc: "Frees the memory and resources consumed by loading the sample on the server. Subsequent calls to `sample` and friends will re-load the sample on the server.
	275
	276	You may also specify the same set of source and filter pre-args available to `sample` itself. `sample_free` will then free all matching samples. See `sample`'s docs for more information.",
209	277	examples: ["
210	278	sample :loop_amen # The Amen break is now loaded into memory and played
211	279	sleep 2

226	294	sleep 2
227	295	sample_free :loop_amen, :ambi_lunar_land
228	296	sample :loop_amen # re-loads and plays amen
229		sample :ambi_lunar_land # re-loads and plays lunar land"]
	297	sample :ambi_lunar_land # re-loads and plays lunar land",
	298
	299	"# Using source and filter pre-args
	300	dir = \"/path/to/sample/dir\"
	301	sample_free dir # frees any loaded samples in \"/path/to/sample/dir\"
	302	sample_free dir, 1 # frees sample with index 1 in \"/path/to/sample/dir\"
	303	sample_free dir, :foo # frees sample with name \"foo\" in \"/path/to/sample/dir\"
	304	sample_free dir, /[Bb]ar/ # frees sample which matches regex /[Bb]ar/ in \"/path/to/sample/dir\"
	305
	306	",
	307
	308	]
230	309
231	310
232	311

337	416	if args_h.has_key?(:on)
338	417	on = args_h.delete(:on)
339	418	return truthy?(on)
340		end
341
342		tls = if sample
343		Thread.current.thread_variable_get(:sonic_pi_mod_sound_sample_defaults)
344		else
345		Thread.current.thread_variable_get(:sonic_pi_mod_sound_synth_defaults)
346		end
347
348		return true unless tls
349
350		if tls.has_key?(:on)
351		# need to normalise it!
352		on = tls.delete(:on)
353		return truthy?(on)
354
355		end
356
357		true
358		end
359
360
	419	else
	420	return true
	421	end
	422	end
	423
	424	def use_timing_guarantees(v, &block)
	425	raise "use_timing_guarantees does not work with a do/end block. Perhaps you meant with_timing_guarantees" if block
	426	Thread.current.thread_variable_set(:sonic_pi_mod_sound_timing_guarantees, v)
	427	end
	428	doc name: :use_timing_guarantees,
	429	introduced: Version.new(2,10,0),
	430	summary: "Inhibit synth triggers if too late",
	431	doc: "If set to true, synths will not trigger if it is too late. If false, some synth triggers may be late.",
	432	args: [[:bool, :true_or_false]],
	433	opts: nil,
	434	accepts_block: true,
	435	examples: ["
	436	use_timing_guarantees true
	437
	438	sample :loop_amen #=> if time is behind by any margin, this will not trigger",
	439	"
	440	use_timing_guarantees false
	441
	442	sample :loop_amen #=> unless time is too far behind, this will trigger even when late."]
	443
	444
	445
	446	def with_timing_guarantees(v, &block)
	447	raise "use_timing_guarantees requires a do/end block. Perhaps you meant use_timing_guarnatees" unless block
	448	current = Thread.current.thread_variable_get(:sonic_pi_mod_sound_timing_guarantees)
	449	Thread.current.thread_variable_set(:sonic_pi_mod_sound_timing_guarantees, v)
	450	res = block.call
	451	Thread.current.thread_variable_set(:sonic_pi_mod_sound_timing_guarantees, current)
	452	res
	453	end
	454	doc name: :with_timing_guarantees,
	455	introduced: Version.new(2,10,0),
	456	summary: "Block-scoped inhibition of synth triggers if too late",
	457	doc: "For the given block, if set to true, synths will not trigger if it is too late. If false, some synth triggers may be late. After the block has completed, the previous value is restored. ",
	458	args: [[:bool, :true_or_false]],
	459	opts: nil,
	460	accepts_block: true,
	461	examples: ["
	462	with_timing_guarantees true
	463	sample :loop_amen #=> if time is behind by any margin, this will not trigger
	464	end",
	465	"
	466	with_timing_guarantees false
	467	sample :loop_amen #=> unless time is too far behind, this will trigger even when late.
	468	end"]
	469
	470
	471	def use_external_synths(v, &block)
	472	raise "use_external_synths does not work with a do/end block. Perhaps you meant with_external_synths" if block
	473	Thread.current.thread_variable_set(:sonic_pi_mod_sound_use_external_synths, v)
	474	end
361	475
362	476
363	477	def use_timing_warnings(v, &block)

378	492	end
379	493
380	494
381
382
383	495	def use_sample_bpm(sample_name, *args)
384	496	args_h = resolve_synth_opts_hash_or_array(args)
385	497	num_beats = args_h[:num_beats] \|\| 1
386	498
387	499	# Don't use sample_duration as that is stretched to the current
388	500	# bpm!
389		sd = load_sample(sample_name).duration
	501	sd = sample_buffer(sample_name).duration
390	502	use_bpm(num_beats * (60.0 / sd))
391	503	end
392	504	doc name: :use_sample_bpm,

425	537	num_beats = args_h[:num_beats] \|\| 1
426	538	# Don't use sample_duration as that is stretched to the current
427	539	# bpm!
428		sd = load_sample(sample_name).duration
	540	sd = sample_buffer(sample_name).duration
429	541	with_bpm(num_beats * (60.0 / sd), &block)
430	542	end
431	543	doc name: :with_sample_bpm,

755	867
756	868	"]
757	869
758
759
	870	def set_cent_tuning!(shift)
	871	@mod_sound_studio.cent_tuning = shift
	872	end
	873	doc name: :set_cent_tuning!,
	874	introduced: Version.new(2,10,0),
	875	summary: "Global Cent tuning",
	876	doc: "Globally tune Sonic Pi to play with another external instrument.
	877
	878	Uniformly tunes your music by shifting all notes played by the specified number of cents. To shift up by a cent use a cent tuning of 1. To shift down use negative numbers. One semitone consists of 100 cents.
	879
	880	See `use_cent_tuning` for setting the cent tuning value locally for a specific thread or `live_loop`. This is a global value and will shift the tuning for all notes. It will also persist for the entire session.
	881
	882	Important note: the cent tuning set by `set_cent_tuning!` is independent of any thread-local cent tuning values set by `use_cent_tuning` or `with_cent_tuning`. ",
	883	args: [[:cent_shift, :number]],
	884	opts: nil,
	885	accepts_block: false,
	886	intro_fn: false,
	887	examples: ["
	888	play 50 # Plays note 50
	889	set_cent_tuning! 1
	890	play 50 # Plays note 50.01"]
760	891
761	892	def use_cent_tuning(shift, &block)
762	893	raise "use_cent_tuning does not work with a do/end block. Perhaps you meant with_cent_tuning" if block

963	1094	def with_tuning(tuning, fundamental_note = :c, &block)
964	1095	raise "with_tuning requires a do/end block. Perhaps you meant use_tuning" unless block
965	1096	raise "tuning value must be a symbol like :just or :equal, got #{tuning.inspect}" unless tuning.is_a?(Symbol)
966		curr_tuning, curr_fundamental = Thread.current.thread_variable_get(:sonic_pi_mod_sound_tuning)
	1097	curr_tuning_info = Thread.current.thread_variable_get(:sonic_pi_mod_sound_tuning)
	1098	curr_tuning, curr_fundamental = curr_tuning_info
967	1099	Thread.current.thread_variable_set(:sonic_pi_mod_sound_tuning, [tuning, fundamental_note])
968	1100	res = block.call
969		Thread.current.thread_variable_set(:sonic_pi_mod_sound_tuning, [curr_tuning, curr_fundamental])
	1101	Thread.current.thread_variable_set(:sonic_pi_mod_sound_tuning, curr_tuning_info)
970	1102	res
971	1103	end
972	1104	doc name: :with_tuning,

988	1120	play :e4 # Plays note 64"]
989	1121
990	1122
991		def use_synth(synth_name, &block)
	1123	def use_synth(synth_name, *args, &block)
	1124	raise "use_synth does not accept opts such as #{arg_h_pp(resolve_synth_opts_hash_or_array(args))}. \n Consider using use_synth_defaults." unless args.empty?
992	1125	raise "use_synth does not work with a do/end block. Perhaps you meant with_synth" if block
993	1126	set_current_synth synth_name
994	1127	end

1008	1141
1009	1142
1010	1143
1011		def with_synth(synth_name, &block)
	1144	def with_synth(synth_name, *args, &block)
	1145	raise "with_synth does not accept opts such as #{arg_h_pp(resolve_synth_opts_hash_or_array(args))}. \n Consider using with_synth_defaults." unless args.empty?
1012	1146	raise "with_synth must be called with a do/end block. Perhaps you meant use_synth" unless block
1013	1147	orig_synth = current_synth_name
1014	1148	set_current_synth synth_name

1183	1317
1184	1318
1185	1319	def synth(synth_name, *args)
1186		ensure_good_timing!
	1320	synth_name = current_synth unless synth_name
1187	1321	args_h = resolve_synth_opts_hash_or_array(args)
1188
1189		return nil unless should_trigger?(args_h)
	1322	tls = Thread.current.thread_variable_get(:sonic_pi_mod_sound_synth_defaults) \|\| {}
	1323
	1324	args_h = tls.merge(args_h)
	1325
	1326	return @blank_node unless should_trigger?(args_h)
1190	1327
1191	1328	if rest? args_h
1192		__delayed_message "synth #{synth_name.to_sym.inspect}, {note: :rest}"
1193		return nil
1194		end
	1329	unless Thread.current.thread_variable_get(:sonic_pi_mod_sound_synth_silent)
	1330	__delayed_message "synth #{synth_name.to_sym.inspect}, {note: :rest}"
	1331	end
	1332	return @blank_node
	1333	end
	1334
1195	1335
1196	1336	notes = args_h[:notes] \|\| args_h[:note]
1197		if notes.is_a?(SonicPi::Core::RingVector) \|\| notes.is_a?(Array)
	1337	if notes.is_a?(SonicPi::Core::SPVector) \|\| notes.is_a?(Array)
1198	1338	args_h.delete(:notes)
1199	1339	args_h.delete(:note)
1200	1340	shifted_notes = notes.map {\|n\| normalise_transpose_and_tune_note_from_args(n, args_h)}

1212	1352	doc: "Trigger specified synth with given opts. Bypasses `current_synth` value, yet still honours `current_synth_defaults`. When using `synth`, the note is no longer an explicit argument but an opt with the key `note:`.
1213	1353
1214	1354	If note: opt is `nil`, `:r` or `:rest`, play is ignored and treated as a rest. Also, if the `on:` opt is specified and returns `false`, or `nil` then play is similarly ignored and treated as a rest.
	1355
	1356	If the synth name is `nil` behaviour is identical to that of `play` in that the `current_synth` will determine the actual synth triggered.
1215	1357
1216	1358	Note that the default opts listed are only a guide to the most common opts across all the synths. Not all synths support all the default opts and each synth typically supports many more opts specific to that synth. For example, the `:tb303` synth supports 45 unique opts. For a full list of a synth's opts see its documentation in the Help system. This can be accessed directly by clicking on the name of the synth and using the shortcut `C-i`",
1217	1359	args: [[:synth_name, :symbol]],

1262	1404
1263	1405
1264	1406	def play(n, *args)
1265		ensure_good_timing!
1266		case n
1267		when Array, SonicPi::Core::RingVector
1268		return play_chord(n, *args)
1269		when Hash
1270		# Allow a single hash argument to function unsurprisingly
1271		if args.empty?
1272		args = n
1273		else
1274		args_h = resolve_synth_opts_hash_or_array(args)
1275		args = n.merge(args_h)
1276		end
1277		end
1278
1279		n = note(n)
1280
1281		synth_name = current_synth_name
1282
1283		if n.nil?
1284		unless Thread.current.thread_variable_get(:sonic_pi_mod_sound_synth_silent)
1285		__delayed_message "synth #{synth_name.to_sym.inspect}, {note: :rest}"
1286		end
1287
1288		return nil
1289		end
1290
1291		init_args_h = {}
1292		args_h = resolve_synth_opts_hash_or_array(args)
1293
1294		return nil unless should_trigger?(args_h)
1295
1296		n = normalise_transpose_and_tune_note_from_args(n, args_h)
1297		trigger_inst synth_name, {note: n}.merge(init_args_h.merge(args_h))
	1407	if n.is_a?(Hash) && args.empty?
	1408	synth nil, n
	1409	else
	1410	synth nil, {note: n}, *args
	1411	end
1298	1412	end
1299	1413	doc name: :play,
1300	1414	introduced: Version.new(2,0,0),

1420	1534
1421	1535
1422	1536	def play_chord(notes, *args)
1423		ensure_good_timing!
1424	1537	args_h = resolve_synth_opts_hash_or_array(args)
1425		return nil unless should_trigger?(args_h)
	1538	return @blank_node unless should_trigger?(args_h)
1426	1539	shifted_notes = notes.map {\|n\| normalise_transpose_and_tune_note_from_args(n, args_h)}
1427	1540
1428	1541	synth_name = current_synth_name
1429		trigger_chord(synth_name, shifted_notes, args)
	1542	trigger_chord(synth_name, shifted_notes, args_h)
1430	1543	end
1431	1544	doc name: :play_chord,
1432	1545	introduced: Version.new(2,0,0),

1757	1870	fx_synth_name = "fx_#{fx_name}"
1758	1871	info = Synths::SynthInfo.get_info(fx_synth_name)
1759	1872
1760		fx_synth_name = fx_name unless info
	1873	unless info
	1874	raise "Unknown FX #{fx_name.inspect}" unless Thread.current.thread_variable_get(:sonic_pi_mod_sound_use_external_synths)
	1875	fx_synth_name = fx_name
	1876	end
1761	1877
1762	1878	start_subthreads = []
1763	1879	end_subthreads = []

1963	2079	:sonic_pi_spider_delayed_blocks,
1964	2080	:sonic_pi_spider_delayed_messages,
1965	2081	:sonic_pi_spider_time,
	2082	:sonic_pi_spider_beat,
1966	2083	:sonic_pi_spider_arg_bpm_scaling,
1967	2084	:sonic_pi_spider_random_gen_idx,
1968	2085	:sonic_pi_spider_random_gen_seed,

2071	2188	def use_sample_pack(pack, &block)
2072	2189	raise "use_sample_pack does not work with a block. Perhaps you meant with_sample_pack" if block
2073	2190	if pack == :default
2074		pack = samples_path + "/"
	2191	pack = samples_path + "/**"
2075	2192	else
2076	2193	pack = "#{pack}/" if File.directory?(pack)
2077	2194	end

2081	2198	doc name: :use_sample_pack,
2082	2199	introduced: Version.new(2,0,0),
2083	2200	summary: "Use sample pack",
2084		doc: "Given a path to a folder of samples on your filesystem, this method makes any `.wav`, `.wave`, `.aif` or `.aiff` files in that folder available as samples. Consider using `use_sample_pack_as` when using multiple sample packs. Use `use_sample_pack :default` To revert back to the default built-in samples.",
	2201	doc: "Given a path to a folder of samples on your filesystem, this method makes any `.wav`, `.wave`, `.aif`, `.aiff` or `.flac` files in that folder available as samples. Use `use_sample_pack :default` To revert back to the default built-in samples.",
2085	2202	args: [[:pack_path, :string]],
2086	2203	opts: nil,
2087	2204	accepts_block: false,
2088	2205	examples:
2089	2206	["
2090	2207	use_sample_pack '/home/yourname/path/to/sample/dir'
2091		sample :foo #=> plays /home/yourname/path/to/sample/dir/foo.{wav\|wave\|aif\|aiff}
2092		# where {wav\|wave\|aif\|aiff} means one of wav, wave aif or aiff.
	2208	sample :foo #=> plays /home/yourname/path/to/sample/dir/foo.{wav\|wave\|aif\|aiff\|flac}
	2209	# where {wav\|wave\|aif\|aiff\|flac} means one of wav, wave, aif, aiff or flac.
2093	2210	sample :bd_haus #=> will not work unless there's a sample in '/home/yourname/path/to/sample/dir'
2094		# called bd_haus.{wav\|wave\|aif\|aiff}
	2211	# called bd_haus.{wav\|wave\|aif\|aiff\|flac}
2095	2212	use_sample_pack :default
2096	2213	sample :bd_haus #=> will play the built-in bd_haus.wav sample" ]
2097
2098
2099
2100
2101		def use_sample_pack_as(pack, pack_alias, &block)
2102		raise "use_sample_pack_as does not work with a block. Perhaps you meant with_sample_pack_as" if block
2103		pack = "#{pack}/" if File.directory?(pack)
2104		aliases = Thread.current.thread_variable_get(:sonic_pi_mod_sound_sample_aliases) \|\| Hamster::Hash.new
2105		new_aliases = aliases.put pack_alias.to_s, pack
2106		Thread.current.thread_variable_set(:sonic_pi_mod_sound_sample_aliases, new_aliases)
2107		end
2108		doc name: :use_sample_pack_as,
2109		introduced: Version.new(2,0,0),
2110		summary: "Use sample pack alias",
2111		doc: "Similar to `use_sample_pack` except you can assign prefix aliases for samples. This lets you 'namespace' your sounds so that they don't clash, even if they have the same filename.",
2112		args: [[:path, :string], [:alias, :string]],
2113		opts: nil,
2114		accepts_block: false,
2115		examples: ["
2116		# let's say you have two folders of your own sample files,
2117		# and they both contain a file named 'bass.wav'
2118		use_sample_pack_as '/home/yourname/my/cool/samples/guitar', :my_guitars
2119		use_sample_pack_as '/home/yourname/my/cool/samples/drums', :my_drums
2120
2121		# You can now play both the 'bass.wav' samples, as they've had the symbol stuck on the front
2122		sample :my_guitars__bass #=> plays '/home/yourname/my/cool/samples/guitar/bass.wav'
2123		sample :my_drums__bass #=> plays '/home/yourname/my/cool/samples/drums/bass.wav'"]
2124
2125
2126	2214
2127	2215
2128	2216	def with_sample_pack(pack, &block)
2129	2217	raise "with_sample_pack requires a block. Perhaps you meant use_sample_pack" unless block
2130	2218	if pack == :default
2131	2219	# allow user to reset sample pack with the :default keyword
2132		pack = samples_path
	2220	pack = samples_path + "/**"
2133	2221	else
2134	2222	# ensure directories have trailing /
2135	2223	pack = "#{pack}/" if File.directory?(pack)

2143	2231	doc name: :with_sample_pack,
2144	2232	introduced: Version.new(2,0,0),
2145	2233	summary: "Block-level use sample pack",
2146		doc: "Given a path to a folder of samples on your filesystem, this method makes any `.wav`, `.wave`, `.aif`, or `.aiff` files in that folder available as samples inside the given block. Consider using `with_sample_pack_as` when using multiple sample packs.",
	2234	doc: "Given a path to a folder of samples on your filesystem, this method makes any `.wav`, `.wave`, `.aif`, `.aiff` or `.flac` files in that folder available as samples inside the given block.",
2147	2235	args: [[:pack_path, :string]],
2148	2236	opts: nil,
2149	2237	accepts_block: true,
2150	2238	requires_block: true,
2151	2239	examples: ["
2152	2240	with_sample_pack '/path/to/sample/dir' do
2153		sample :foo #=> plays /path/to/sample/dir/foo.{wav\|wave\|aif\|aiff}
2154		end"]
2155
2156
2157
2158
2159		def with_sample_pack_as(pack, name, &block)
2160		raise "with_sample_pack_as requires a do/end block. Perhaps you meant use_sample_pack_as" unless block
2161		pack = "#{pack}/" if File.directory?(pack)
2162		current = Thread.current.thread_variable_get(:sonic_pi_mod_sound_sample_aliases)
2163		aliases = current \|\| Hamster::Hash.new
2164		new_aliases = aliases.put name.to_s, pack
2165		Thread.current.thread_variable_set(:sonic_pi_mod_sound_sample_aliases, new_aliases)
2166		res = block.call
2167		Thread.current.thread_variable_set(:sonic_pi_mod_sound_sample_aliases, current)
2168		res
2169		end
2170		doc name: :with_sample_pack_as,
2171		introduced: Version.new(2,0,0),
2172		summary: "Block-level use sample pack alias",
2173		doc: "Similar to `with_sample_pack` except you can assign prefix aliases for samples. This lets you 'namespace' your sounds so that they don't clash, even if they have the same filename.",
2174		args: [[:pack_path, :string]],
2175		opts: nil,
2176		accepts_block: true,
2177		requires_block: true,
2178		examples: ["
2179		with_sample_pack_as '/home/yourname/path/to/sample/dir', :my_samples do
2180		# The foo sample is now available, with a prefix of 'my_samples'
2181		sample :my_samples__foo #=> plays /home/yourname/path/to/sample/dir/foo.{wav\|wave\|aif\|aiff}
	2241	sample :foo #=> plays /path/to/sample/dir/foo.{wav\|wave\|aif\|aiff\|flac}
2182	2242	end"]
2183	2243
2184	2244

2220	2280
2221	2281
2222	2282
2223		def current_sample_pack_aliases
2224		Thread.current.thread_variable_get(:sonic_pi_mod_sound_sample_aliases)
2225		end
2226		doc name: :current_sample_pack_aliases,
2227		introduced: Version.new(2,0,0),
2228		summary: "Get current sample pack aliases",
2229		doc: "Returns a map containing the current sample pack aliases.
2230
2231		This can be set via the fns `use_sample_pack_as` and `with_sample_pack_as`.",
2232		args: [],
2233		opts: nil,
2234		accepts_block: false,
2235		examples: ["
2236		puts current_sample_pack_aliases # Print out the current sample pack aliases"]
	2283
2237	2284
2238	2285
2239	2286

2437	2484
2438	2485
2439	2486
2440		def sample_loaded?(path)
2441		case path
2442		when Symbol
2443		full_path = resolve_sample_symbol_path(path)
2444		return @mod_sound_studio.sample_loaded?(full_path)
2445		when String
2446		path = File.expand_path(path)
2447		return @mod_sound_studio.sample_loaded?(path)
2448		else
2449		raise "Unknown sample description: #{path}"
2450		end
2451		end
	2487	def sample_loaded?(*args)
	2488	filts_and_sources, args_a = sample_split_filts_and_opts(args)
	2489	path = resolve_sample_path(filts_and_sources)
	2490
	2491	path = File.expand_path(path)
	2492	return @mod_sound_studio.sample_loaded?(path)
	2493	end
	2494
2452	2495	doc name: :sample_loaded?,
2453	2496	introduced: Version.new(2,2,0),
2454	2497	summary: "Test if sample was pre-loaded",
2455		doc: "Given a path to a `.wav`, `.wave`, `.aif` or `.aiff` file, returns `true` if the sample has already been loaded.",
	2498	doc: "Given a path to a `.wav`, `.wave`, `.aif`, `.aiff` or `.flac` file, returns `true` if the sample has already been loaded.",
2456	2499	args: [[:path, :string]],
2457	2500	opts: nil,
2458	2501	accepts_block: false,

2462	2505	puts sample_loaded? :misc_burp # prints false because it has not been loaded"]
2463	2506
2464	2507
2465
2466
2467		def load_sample(path)
	2508	def load_sample(*args)
	2509	filts_and_sources, args_a = sample_split_filts_and_opts(args)
	2510	paths = sample_find_candidates(filts_and_sources)
	2511	paths.map do \|p\|
	2512	load_sample_at_path p
	2513	end
	2514	end
	2515	doc name: :load_sample,
	2516	introduced: Version.new(2,0,0),
	2517	summary: "Pre-load sample(s)",
	2518	doc: "Given a path to a `.wav`, `.wave`, `.aif`, `.aiff` or `.flac` file, pre-loads the sample into memory.
	2519
	2520	You may also specify the same set of source and filter pre-args available to `sample` itself. `load_sample` will then load all matching samples. See `sample`'s docs for more information." ,
	2521
	2522	args: [[:path, :string]],
	2523	opts: nil,
	2524	accepts_block: false,
	2525	examples: ["
	2526	load_sample :elec_blip # :elec_blip is now loaded and ready to play as a sample
	2527	sample :elec_blip # No delay takes place when attempting to trigger it",
	2528
	2529	"# Using source and filter pre-args
	2530	dir = \"/path/to/sample/dir\"
	2531	load_sample dir # loads any samples in \"/path/to/sample/dir\"
	2532	load_sample dir, 1 # loads sample with index 1 in \"/path/to/sample/dir\"
	2533	load_sample dir, :foo # loads sample with name \"foo\" in \"/path/to/sample/dir\"
	2534	load_sample dir, /[Bb]ar/ # loads sample which matches regex /[Bb]ar/ in \"/path/to/sample/dir\"
	2535
	2536	" ]
	2537
	2538
	2539	def load_samples(*args)
	2540	load_sample(*args)
	2541	end
	2542	doc name: :load_samples,
	2543	introduced: Version.new(2,0,0),
	2544	summary: "Pre-load samples",
	2545	doc: "Synonym for load_sample",
	2546	args: [[:paths, :list]],
	2547	opts: nil,
	2548	accepts_block: false,
	2549	examples: ["# See load_sample for examples"]
	2550
	2551
	2552
	2553
	2554	def load_sample_at_path(path)
2468	2555	case path
2469	2556	when Symbol
2470	2557	full_path = resolve_sample_symbol_path(path)

2474	2561	when String
2475	2562	raise "Attempted to load sample with an empty string as path" if path.empty?
2476	2563	path = File.expand_path(path)
2477		if File.exists?(path)
2478		info, cached = @mod_sound_studio.load_sample(path)
2479		__info "Loaded sample #{path.inspect}" unless cached
2480		return info
2481		else
2482		raise "No sample exists with path #{path}"
2483		end
	2564	info, cached = @mod_sound_studio.load_sample(path)
	2565	__info "Loaded sample #{unify_tilde_dir(path).inspect}" unless cached
	2566	return info
2484	2567	else
2485		raise "Unknown sample description: #{path}. Expected a symbol such as :loop_amen or a string containing a path."
2486		end
2487		end
2488		doc name: :load_sample,
2489		introduced: Version.new(2,0,0),
2490		summary: "Pre-load sample",
2491		doc: "Given a path to a `.wav`, `.wave`, `.aif` or `.aiff` file, this loads the file and makes it available as a sample. See `load_samples` for loading multiple samples in one go.",
2492		args: [[:path, :string]],
2493		opts: nil,
2494		accepts_block: false,
2495		examples: ["
2496		load_sample :elec_blip # :elec_blip is now loaded and ready to play as a sample
2497		sample :elec_blip # No delay takes place when attempting to trigger it"]
2498
2499
2500
2501
2502		def load_samples(*paths)
2503		paths.each do \|p\|
2504		if p.kind_of?(Array)
2505		load_samples *p
2506		else
2507		load_sample p
2508		end
2509		end
2510		end
2511		doc name: :load_samples,
2512		introduced: Version.new(2,0,0),
2513		summary: "Pre-load samples",
2514		doc: "Given an array of paths to `.wav`, `.wave`, `.aif` or `.aiff` files, loads them all into memory so that they may be played with via sample with no delay. See `load_sample`.",
2515		args: [[:paths, :list]],
2516		opts: nil,
2517		accepts_block: false,
2518		examples: ["
2519		sample :ambi_choir # This has to first load the sample before it can play it which may
2520		# cause unwanted delay.
2521
2522		load_samples [:elec_plip, :elec_blip] # Let's load some samples in advance of using them
2523		sample :elec_plip # When we play :elec_plip, there is no extra delay
2524		# as it has already been loaded.",
2525
2526		"
2527		load_samples :elec_plip, :elec_blip # You may omit the square brackets, and
2528		# simply list all samples you wish to load
2529		sample :elec_blip # Before playing them.",
2530		"
2531		load_samples [\"/home/pi/samples/foo.wav\"] # You may also load full paths to samples.
2532		sample \"/home/pi/sample/foo.wav\" # And then trigger them with no more loading."]
2533
2534
2535
2536
2537		def sample_info(path)
2538		load_sample(path)
	2568	raise "Unknown sample description: #{path.inspect}\n Expected a symbol such as :loop_amen or a string containing a path."
	2569	end
	2570	end
	2571
	2572
	2573
	2574
	2575	def sample_info(*args)
	2576	sample_buffer(*args)
2539	2577	end
2540	2578	doc name: :sample_info,
2541	2579	introduced: Version.new(2,0,0),

2549	2587
2550	2588
2551	2589
2552		def sample_buffer(path)
2553		load_sample(path)
	2590	def sample_buffer(*args)
	2591	filts_and_sources, args_a = sample_split_filts_and_opts(args)
	2592	path = resolve_sample_path(filts_and_sources)
	2593	load_sample_at_path(path)
2554	2594	end
2555	2595	doc name: :sample_buffer,
2556	2596	introduced: Version.new(2,0,0),

2564	2604
2565	2605
2566	2606
2567		def sample_duration(path, *args)
2568		dur = load_sample(path).duration
2569		args_h = resolve_synth_opts_hash_or_array(args)
	2607	def sample_duration(*args)
	2608	filts_and_sources, args_a = sample_split_filts_and_opts(args)
	2609	path = resolve_sample_path(filts_and_sources)
	2610	dur = load_sample_at_path(path).duration
	2611	args_h = merge_synth_arg_maps_array(args_a)
2570	2612	t_l_args = Thread.current.thread_variable_get(:sonic_pi_mod_sound_sample_defaults) \|\| {}
2571	2613	t_l_args.each do \|k, v\|
2572	2614	args_h[k] = v unless args_h.has_key? k

2618	2660	return real_dur
2619	2661	end
2620	2662	end
	2663
2621	2664	doc name: :sample_duration,
2622	2665	introduced: Version.new(2,0,0),
2623	2666	summary: "Get duration of sample in beats",
2624		doc: "Given the name of a loaded sample, or a path to a `.wav`, `.wave`, `.aif` or `.aiff` file returns the length of time in beats that the sample would play for. `sample_duration` understands and accounts for all the opts you can pass to `sample` which have an effect on the playback duration such as `rate:`. The time returned is scaled to the current bpm.",
	2667	doc: "Given the name of a loaded sample, or a path to a `.wav`, `.wave`, `.aif`, `.aiff` or `.flac` file returns the length of time in beats that the sample would play for. `sample_duration` understands and accounts for all the opts you can pass to `sample` which have an effect on the playback duration such as `rate:`. The time returned is scaled to the current BPM.
	2668
	2669	Note: avoid using `sample_duration` to set the sleep time in `live_loop`s, prefer stretching the sample with the `beat_stretch:` opt or changing the BPM instead. See the examples below for details.",
2625	2670	args: [[:path, :string]],
2626	2671	opts: {:rate => "Rate modifier. For example, doubling the rate will halve the duration.",
2627	2672	:start => "Start position of sample playback as a value from 0 to 1",

2761	2806
2762	2807	]
2763	2808
2764
2765
2766
2767		def sample(path, *args_a_or_h)
2768		return if path == nil
2769
2770		# Allow for hash only variant with :sample_name
2771		# and procs as sample name inline with note()
2772		case path
2773		when Proc
2774		return sample(path.call, *args_a_or_h)
2775		when Hash
2776		if path.has_key? :name
2777		# handle case where sample receives Hash and args
2778		new_path = path.delete(:name)
2779		args_h = resolve_synth_opts_hash_or_array(args_a_or_h)
2780		return sample(new_path, path.merge(args_h))
	2809	def sample_split_filts_and_opts(args)
	2810	idx = args.find_index {\|el\| el.is_a?(Hash)}
	2811	if idx
	2812	filts_and_sources = args[0...idx]
	2813	opts = args[idx..-1]
	2814	else
	2815	filts_and_sources = args
	2816	opts = {}
	2817	end
	2818
	2819	return filts_and_sources, opts
	2820	end
	2821
	2822	def resolve_sample_paths(filts_and_sources)
	2823	sample_find_candidates(filts_and_sources)
	2824	end
	2825
	2826	def resolve_sample_path(filts_and_sources)
	2827	resolve_sample_paths(filts_and_sources)[0]
	2828	end
	2829
	2830
	2831
	2832
	2833	def sample_paths(*args)
	2834	filts_and_sources, args_a = sample_split_filts_and_opts(args)
	2835	resolve_sample_paths(filts_and_sources).ring
	2836	end
	2837	doc name: :sample_paths,
	2838	introduced: Version.new(2,10,0),
	2839	summary: "Sample Pack Filter Resolution",
	2840	doc: "Accepts the same pre-args and opts as `sample` and returns a ring of matched sample paths.",
	2841	args: [[:pre_args, :source_and_filter_types]],
	2842	returns: :ring,
	2843	opts: nil,
	2844	accepts_block: false,
	2845	examples: ["
	2846	sample_paths \"/path/to/samples/\" #=> ring of all top-level samples in /path/to/samples",
	2847	"
	2848	sample_paths \"/path/to/samples/**\" #=> ring of all nested samples in /path/to/samples",
	2849	"
	2850	sample_paths \"/path/to/samples/\", \"foo\" #=> ring of all samples in /path/to/samples
	2851	containing the string \"foo\" in their filename." ]
	2852
	2853
	2854
	2855
	2856	def sample(*args)
	2857	filts_and_sources, args_a = sample_split_filts_and_opts(args)
	2858	args_h = merge_synth_arg_maps_array(args_a)
	2859	tls = Thread.current.thread_variable_get(:sonic_pi_mod_sound_sample_defaults) \|\| {}
	2860
	2861	args_h = tls.merge(args_h)
	2862
	2863
	2864	return @blank_node unless should_trigger?(args_h, true)
	2865
	2866	if filts_and_sources.size == 0
	2867	if args_h.has_key?(:sample_name)
	2868	# handle case where sample receives only opts
	2869	path = resolve_sample_path([args_h.delete(:sample_name)])
2781	2870	else
2782		return nil
2783		end
2784		end
2785
2786		ensure_good_timing!
2787		if path.is_a? Buffer
2788		buf_info = path
2789		if buf_info.path
2790		path = buf_info.path
2791		else
2792		path = "Buffer [#{buffer_info.id}]"
	2871	return @blank_node
2793	2872	end
2794	2873	else
2795		buf_info = load_sample(path)
2796		end
2797		args_h = resolve_synth_opts_hash_or_array(args_a_or_h)
2798
2799		return nil unless should_trigger?(args_h, true)
2800
2801		trigger_sampler path, buf_info.id, buf_info.num_chans, args_h
2802		end
	2874	path = resolve_sample_path(filts_and_sources)
	2875	end
	2876
	2877	if path == nil
	2878	__delayed_message "sample #{filts_and_sources.inspect}\n - no match found, skipping."
	2879	return @blank_node
	2880	end
	2881
	2882	path = unify_tilde_dir(path) if path.is_a? String
	2883
	2884	# Combine thread local defaults here as
	2885	# normalise_and_resolve_synth_args has only been taught about
	2886	# synth thread local defaults
	2887
	2888
	2889
	2890	if @mod_sound_studio.sample_loaded?(path)
	2891	return trigger_sampler path, args_h
	2892	else
	2893	res = Promise.new
	2894	in_thread { res.deliver!(trigger_sampler path, args_h)}
	2895	return LazyNode.new(res)
	2896	end
	2897	end
	2898
2803	2899	doc name: :sample,
2804	2900	introduced: Version.new(2,0,0),
2805	2901	summary: "Trigger sample",
2806		doc: "This is the main method for playing back recorded sound files (samples). Sonic Pi comes with lots of great samples included (see the section under help) but you can also load and play `.wav`, `.wave`, `.aif` or `.aiff` files from anywhere on your computer too. The `rate:` opt affects both the speed and the pitch of the playback. To control the rate of the sample in a pitch-meaningful way take a look at the `rpitch:` opt.
2807
2808		The sampler synth has two separate envelopes - one for amplitude and one for the cutoff value for a resonant low pass filter. These work very similar to the standard synth envelopes except for two major differences. Firstly, the envelope times do not stretch or shrink to match the BPM. Secondly, the sustain time by default stretches to make the envelope fit the length of the sample. This is explained in detail in the tutorial.
2809
2810		Check out the `use_sample_pack` and `use_sample_pack_as` fns for details on making it easy to work with a whole folder of your own sample files. Note, that on the first trigger of a sample, Sonic Pi has to load the sample which takes some time and may cause timing issues. To preload the samples you wish to work with consider using `load_sample` or `load_samples`.",
	2902	doc: "Play back a recorded sound file (sample). Sonic Pi comes with lots of great samples included (see the section under help) but you can also load and play `.wav`, `.wave`, `.aif`, `.aiff` or `.flac` files from anywhere on your computer too. To play a built-in sample use the corresponding keyword such as `sample :bd_haus`. To play any file on your computer use a full path such as `sample \"/path/to/sample.wav\"`.
	2903
	2904	There are many opts for manipulating the playback. For example, the `rate:` opt affects both the speed and the pitch of the playback. To control the rate of the sample in a pitch-meaningful way take a look at the `rpitch:` opt.
	2905
	2906	The sampler synth has three separate envelopes - one for amplitude, one for a low pass filter and another for a high pass filter. These work very similar to the standard synth envelopes except for two major differences. Firstly, the envelope times do not stretch or shrink to match the BPM. Secondly, the sustain time by default stretches to make the envelope fit the length of the sample. This is explained in detail in the tutorial.
	2907
	2908	Samples are loaded on-the-fly when first requested (and subsequently remembered). If the sample loading process takes longer than the schedule ahead time, the sample trigger will be skipped rather than be played late and out of time. To avoid this you may preload any samples you wish to work with using `load_sample` or `load_samples`.
	2909
	2910	Finally, the sampler supports a powerful filtering system to make it easier to work with large folders of samples. The filter commands must be used before the first standard opt. There are six kinds of filter parameters you may use:
	2911
	2912	1. Folder strings - `\"/foo/bar\"` - which will add all samples within the folder to the set of candidates.
	2913	2. Sample strings - `\"/path/to/sample.wav\"` - which will add the specific sample to the set of candidates.
	2914	3. Other strings - `\"foobar\"` - which will filter the candidates based on whether the filename contains the string.
	2915	4. Regular expressions - `/b[aA]z.*/` - which will filter the candidates based on whether the regular expression matches the filename.
	2916	5. Keywords - `:quux` - will filter the candidates based on whether the keyword is a direct match of the filename (without extension).
	2917	7. Numbers - `0` - will select the candidate with that index (wrapping round like a ring if necessary).
	2918	8. Lists of the above - `[\"/foo/bar\", \"baz\", /0-9.*/]` - will recurse down and work through the internal filter parameters as if they were in the top level.
	2919
	2920	By combining commands which add to the candidates and then filtering those candidates it is possible to work with folders full of samples in very powerful ways. Note that the specific ordering of filter parameters is irrelevant with the exception of the numbers - in which case the last number is the index. All the candidates will be gathered first before the filters are applied.
	2921	",
	2922
2811	2923	args: [[:name_or_path, :symbol_or_string]],
2812	2924	opts: {:rate => "Rate with which to play back the sample. Higher rates mean an increase in pitch and a decrease in duration. Default is 1.",
2813	2925	:beat_stretch => "Stretch (or shrink) the sample to last for exactly the specified number of beats. Please note - this does not keep the pitch constant and is essentially the same as modifying the rate directly.",
2814		:pitch_stretch => "Stretch (or shrink) the sample to last for exactly the specified number of beats. This attempts to keep the pitch constant using the pitch: opt. Note, it's very likely you'll need to experiment with the `window_size:`, `pitch_dis:` and `time_dis:` opts depending on the sample and the amount you'd like to stretch/shrink from original size.",
2815		:attack => "Time to reach full volume. Default is 0",
	2926	:pitch_stretch => "Stretch (or shrink) the sample to last for exactly the specified number of beats. This attempts to keep the pitch constant using the `pitch:` opt. Note, it's very likely you'll need to experiment with the `window_size:`, `pitch_dis:` and `time_dis:` opts depending on the sample and the amount you'd like to stretch/shrink from original size.",
	2927	:attack => "Time to reach full volume. Default is 0.",
2816	2928	:sustain => "Time to stay at full volume. Default is to stretch to length of sample (minus attack and release times).",
2817		:release => "Time (from the end of the sample) to go from full amplitude to 0. Default is 0",
	2929	:release => "Time (from the end of the sample) to go from full amplitude to 0. Default is 0.",
2818	2930	:start => "Position in sample as a fraction between 0 and 1 to start playback. Default is 0.",
2819	2931	:finish => "Position in sample as a fraction between 0 and 1 to end playback. Default is 1.",
2820		:pan => "Stereo position of audio. -1 is left ear only, 1 is right ear only, and values in between position the sound accordingly. Default is 0",
2821		:amp => "Amplitude of playback",
2822		:norm => "Normalise the audio (make quieter parts of the sample louder and louder parts quieter) - this is similar to the normaliser FX. This may emphasise any clicks caused by clipping.",
2823		:cutoff => "Cutoff value of the built-in resonant low pass filter (rlpf) in MIDI notes. Unless specified, the rlpf is not added to the signal chain.",
2824		:cutoff_attack_level => "The peak cutoff (value of cutoff at peak of attack) as a MIDI note. Default value is 130.",
2825		:cutoff_decay_level => "The level of cutoff after the decay phase as a MIDI note. Default value is `:cutoff_attack_level`.",
2826		:cutoff_sustain_level => "The sustain cutoff (value of cutoff at sustain time) as a MIDI note. Default value is `:cutoff_decay_level`.",
2827		:cutoff_attack => "Attack time for cutoff filter. Amount of time (in beats) for sound to reach full cutoff value. Default value is set to match amp envelope's attack value.",
2828		:cutoff_decay => "Decay time for cutoff filter. Amount of time (in beats) for sound to move from full cutoff value (cutoff attack level) to the cutoff sustain level. Default value is set to match amp envelope's decay value.",
2829		:cutoff_sustain => "Amount of time for cutoff value to remain at sustain level in beats. When -1 (the default) will auto-stretch.",
2830		:cutoff_release => "Amount of time (in beats) for sound to move from cutoff sustain value to cutoff min value. Default value is set to match amp envelope's release value.",
2831		:cutoff_env_curve => "Select the shape of the curve between levels in the cutoff envelope. 1=linear, 2=exponential, 3=sine, 4=welch, 6=squared, 7=cubed",
2832		:res => "Cutoff-specific opt. Only honoured if cutoff: is specified. Filter resonance as a value between 0 and 1. Large amounts of resonance (a res: near 1) can create a whistling sound around the cutoff frequency. Smaller values produce less resonance.",
2833		:rpitch => "Rate modified pitch. Multiplies the rate by the appropriate ratio to shift up or down the specified amount in MIDI notes. Please note - this does not keep the duration and rhythmical rate constant and ie essentially the same as modifying the rate directly.",
	2932	:pan => "Stereo position of audio. -1 is left ear only, 1 is right ear only, and values in between position the sound accordingly. Default is 0.",
	2933	:amp => "Amplitude of playback.",
	2934	:pre_amp => "Amplitude multiplier which takes place immediately before any internal FX such as the low pass filter, compressor or pitch modification. Use this opt if you want to overload the compressor.",
	2935	:norm => "Normalise the audio (make quieter parts of the sample louder and louder parts quieter) - this is similar to the normaliser FX. This may emphasise any clicks caused by clipping.",
	2936	:lpf => "Cutoff value of the built-in low pass filter (lpf) in MIDI notes. Unless specified, the lpf is not added to the signal chain.",
	2937	:lpf_init_level => "The initial low pass filter envelope value as a MIDI note. This envelope is bypassed if no lpf env opts are specified. Default value is to match the `lpf_min:` opt.",
	2938	:lpf_attack_level => "The peak lpf cutoff (value of cutoff at peak of attack) as a MIDI note. Default value is to match the `lpf_decay_level:` opt.",
	2939	:lpf_decay_level => "The level of lpf cutoff after the decay phase as a MIDI note. Default value is to match the `lpf_sustain_level:` opt.",
	2940	:lpf_sustain_level => "The sustain cutoff (value of lpf cutoff at sustain time) as a MIDI note. Default value is to match the `lpf_release_level:` opt.",
	2941	:lpf_release_level => "The final value of the low pass filter envelope as a MIDI note. This envelope is bypassed if no lpf env opts are specified. Default value is to match the `lpf:` opt.",
	2942	:lpf_attack => "Attack time for lpf cutoff filter. Amount of time (in beats) for sound to reach full cutoff value. Default value is set to match amp envelope's attack value.",
	2943	:lpf_decay => "Decay time for lpf cutoff filter. Amount of time (in beats) for sound to move from full cutoff value (cutoff attack level) to the cutoff sustain level. Default value is set to match amp envelope's decay value.",
	2944	:lpf_sustain => "Amount of time for lpf cutoff value to remain at sustain level in beats. When -1 (the default) will auto-stretch.",
	2945	:lpf_release => "Amount of time (in beats) for sound to move from lpf cutoff sustain value to lpf cutoff min value. Default value is set to match amp envelope's release value.",
	2946	:lpf_min => "Starting value of the lpf cutoff envelope. Default is 30.",
	2947	:lpf_env_curve => "Select the shape of the curve between levels in the lpf cutoff envelope. 1=linear, 2=exponential, 3=sine, 4=welch, 6=squared, 7=cubed.",
	2948	:hpf => "Cutoff value of the built-in high pass filter (hpf) in MIDI notes. Unless specified, the hpf is not added to the signal chain.",
	2949	:hpf_init_level => "The initial high pass filter envelope value as a MIDI note. This envelope is bypassed if no hpf env opts are specified. Default value is set to 130.",
	2950	:hpf_attack_level => "The peak hpf cutoff (value of cutoff at peak of attack) as a MIDI note. Default value is to match the `hpf_decay_level:` opt.",
	2951	:hpf_decay_level => "The level of hpf cutoff after the decay phase as a MIDI note. Default value is to match the `hpf_sustain_level:` opt.",
	2952	:hpf_sustain_level => "The sustain cutoff (value of hpf cutoff at sustain time) as a MIDI note. Default value is to match the `hpf_release_level:` opt.",
	2953	:hpf_release_level => "The sustain hpf cutoff (value of hpf cutoff at sustain time) as a MIDI note. Default value is to match the `hpf:` opt.",
	2954	:hpf_attack => "Attack time for hpf cutoff filter. Amount of time (in beats) for sound to reach full cutoff value. Default value is set to match amp envelope's attack value.",
	2955	:hpf_decay => "Decay time for hpf cutoff filter. Amount of time (in beats) for sound to move from full cutoff value (cutoff attack level) to the cutoff sustain level. Default value is set to match amp envelope's decay value.",
	2956	:hpf_sustain => "Amount of time for hpf cutoff value to remain at sustain level in beats. When -1 (the default) will auto-stretch.",
	2957	:hpf_release => "Amount of time (in beats) for sound to move from hpf cutoff sustain value to hpf cutoff min value. Default value is set to match amp envelope's release value.",
	2958	:hpf_env_curve => "Select the shape of the curve between levels in the hpf cutoff envelope. 1=linear, 2=exponential, 3=sine, 4=welch, 6=squared, 7=cubed.",
	2959	:hpf_max => "Maximum value of the high pass filter envelope. Default is 200.",
	2960	:rpitch => "Rate modified pitch. Multiplies the rate by the appropriate ratio to shift up or down the specified amount in MIDI notes. Please note - this does not keep the duration and rhythmical rate constant and is essentially the same as modifying the rate directly.",
2834	2961	:pitch => "Pitch adjustment in semitones. 1 is up a semitone, 12 is up an octave, -12 is down an octave etc. Maximum upper limit of 24 (up 2 octaves). Lower limit of -72 (down 6 octaves). Decimal numbers can be used for fine tuning.",
2835		:window_size => "Pitch shift-specific opt - only honoured if the pitch: opt is used. Pitch shift works by chopping the input into tiny slices, then playing these slices at a higher or lower rate. If we make the slices small enough and overlap them, it sounds like the original sound with the pitch changed. The window_size is the length of the slices and is measured in seconds. It needs to be around 0.2 (200ms) or greater for pitched sounds like guitar or bass, and needs to be around 0.02 (20ms) or lower for percussive sounds like drum loops. You can experiment with this to get the best sound for your input.",
2836		:pitch_dis => "Pitch shift-specific opt - only honoured if the pitch: opt is used. Pitch dispersion - how much random variation in pitch to add. Using a low value like 0.001 can help to \"soften up\" the metallic sounds, especially on drum loops. To be really technical, pitch_dispersion is the maximum random deviation of the pitch from the pitch ratio (which is set by the pitch param)",
2837		:time_dis => "Pitch shift-specific opt - only honoured if the pitch: opt is used. Time dispersion - how much random delay before playing each grain (measured in seconds). Again, low values here like 0.001 can help to soften up metallic sounds introduced by the effect. Large values are also fun as they can make soundscapes and textures from the input, although you will most likely lose the rhythm of the original. NB - This won't have an effect if it's larger than window_size.",
2838		:slide => "Default slide time in beats for all slide opts. Individually specified slide opts will override this value" },
	2962	:window_size => "Pitch shift-specific opt - only honoured if the `pitch:` opt is used. Pitch shift works by chopping the input into tiny slices, then playing these slices at a higher or lower rate. If we make the slices small enough and overlap them, it sounds like the original sound with the pitch changed. The window_size is the length of the slices and is measured in seconds. It needs to be around 0.2 (200ms) or greater for pitched sounds like guitar or bass, and needs to be around 0.02 (20ms) or lower for percussive sounds like drum loops. You can experiment with this to get the best sound for your input.",
	2963	:pitch_dis => "Pitch shift-specific opt - only honoured if the `pitch:` opt is used. Pitch dispersion - how much random variation in pitch to add. Using a low value like 0.001 can help to \"soften up\" the metallic sounds, especially on drum loops. To be really technical, pitch_dispersion is the maximum random deviation of the pitch from the pitch ratio (which is set by the `pitch:` opt).",
	2964	:time_dis => "Pitch shift-specific opt - only honoured if the `pitch:` opt is used. Time dispersion - how much random delay before playing each grain (measured in seconds). Again, low values here like 0.001 can help to soften up metallic sounds introduced by the effect. Large values are also fun as they can make soundscapes and textures from the input, although you will most likely lose the rhythm of the original. NB - This won't have an effect if it's larger than window_size.",
	2965
	2966
	2967	:compress => "Enable the compressor. This sits at the end of the internal FX chain immediately before the `amp:` opt. Therefore to drive the compressor use the `pre_amp:` opt which will amplify the signal before it hits any internal FX. The compressor compresses the dynamic range of the incoming signal. Equivalent to automatically turning the amp down when the signal gets too loud and then back up again when it's quiet. Useful for ensuring the containing signal doesn't overwhelm other aspects of the sound. Also a general purpose hard-knee dynamic range processor which can be tuned via the opts to both expand and compress the signal.",
	2968
	2969	:threshold => "Threshold value determining the break point between slope_below and slope_above. Only valid if the compressor is enabled by turning on the `compress:` opt.",
	2970
	2971	:slope_below => "Slope of the amplitude curve below the threshold. A value of 1 means that the output of signals with amplitude below the threshold will be unaffected. Greater values will magnify and smaller values will attenuate the signal. Only valid if the compressor is enabled by turning on the `compress:` opt.",
	2972	:slope_above => "Slope of the amplitude curve above the threshold. A value of 1 means that the output of signals with amplitude above the threshold will be unaffected. Greater values will magnify and smaller values will attenuate the signal. Only valid if the compressor is enabled by turning on the `compress:` opt.",
	2973
	2974	:clamp_time => "Time taken for the amplitude adjustments to kick in fully (in seconds). This is usually pretty small (not much more than 10 milliseconds). Also known as the time of the attack phase. Only valid if the compressor is enabled by turning on the `compress:` opt.",
	2975
	2976	:relax_time => "Time taken for the amplitude adjustments to be released. Usually a little longer than clamp_time. If both times are too short, you can get some (possibly unwanted) artefacts. Also known as the time of the release phase. Only valid if the compressor is enabled by turning on the `compress:` opt.",
	2977
	2978
	2979	:slide => "Default slide time in beats for all slide opts. Individually specified slide opts will override this value." },
2839	2980	accepts_block: false,
2840	2981	intro_fn: true,
2841	2982
2842	2983
2843	2984	examples: ["
2844		sample :perc_bell # plays one of Sonic Pi's built in samples",
2845		"sample '/home/yourname/path/to/a/sample.wav' # plays a wav\|wave\|aif\|aiff file from your local filesystem",
2846		"# Let's play with the rate parameter
2847		# play one of the included samples
	2985	# Play a built-in sample
	2986
	2987	sample :loop_amen # Plays the Amen break",
	2988	"
	2989	# Play two samples at the same time
	2990	# with incredible timing accuracy
	2991
2848	2992	sample :loop_amen
2849		sleep sample_duration(:loop_amen) # this sleeps for exactly the length of the sample
2850
2851		# Setting a rate of 0.5 will cause the sample to
2852		# a) play half as fast
2853		# b) play an octave down in pitch
2854		#
2855		# Listen:
2856		sample :loop_amen, rate: 0.5
2857		sleep sample_duration(:loop_amen, rate: 0.5)
2858
2859		# Setting a really low number means the sample takes
2860		# a very long time to finish! Also it sounds very
2861		# different to the original sound
2862		sample :loop_amen, rate: 0.05
2863		sleep sample_duration(:loop_amen, rate: 0.05)",
2864		"# Setting a really negative number can be lots of fun
2865		# It plays the sample backwards!
2866		sample :loop_amen, rate: -1
2867		sleep sample_duration(:loop_amen, rate: 1) # there's no need to give sample_duration a negative number though
2868
2869		# Using a rate of -0.5 is just like using the positive 0.5
2870		# (lower in pitch and slower) except backwards
2871		sample :loop_amen, rate: -0.5
2872		sleep sample_duration(:loop_amen, rate: 0.5) # there's no need to give sample_duration a negative number though",
2873		"# BE CAREFUL
2874		# Don't set the rate to 0 though because it will get stuck
2875		# and won't make any sound at all!
2876		# We can see that the following would take Infinity seconds to finish
2877		puts sample_duration(:loop_amen, rate: 0)",
2878		"# Just like the play method, we can assign our sample player
2879		# to a variable and control the rate parameter whilst it's playing.
2880		#
2881		# The following example sounds a bit like a vinyl speeding up
2882		# Note, this technique only works when you don't use envelope or start/finish opts.
2883		s = sample :loop_amen_full, rate: 0.05
2884		sleep 1
2885		control(s, rate: 0.2)
2886		sleep 1
2887		control(s, rate: 0.4)
2888		sleep 1
2889		control(s, rate: 0.6)
2890		sleep 1
2891		control(s, rate: 0.8)
2892		sleep 1
2893		control(s, rate: 1)",
	2993	sample :ambi_lunar_land # Note, for timing guarantees select the pref:
	2994	# Studio -> Synths and FX -> Enforce timing guarantees",
2894	2995	"
2895		# Using the :start and :finish parameters you can play a section of the sample.
2896		# The default start is 0 and the default finish is 1
2897		sample :loop_amen, start: 0.5, finish: 1 # play the last half of a sample",
	2996	# Create a simple repeating bass drum
	2997
	2998	live_loop :bass do
	2999	sample :bd_haus
	3000	sleep 0.5
	3001	end",
2898	3002	"
2899		# You can also play part of any sample backwards by using a start value that's
2900		# higher than the finish
2901		sample :loop_amen, start: 1, finish: 0.5 # play the last half backwards",
	3003	# Create a more complex rhythm with multiple live loops:
	3004
	3005	live_loop :rhythm do
	3006	sample :tabla_ghe3 if (spread 5, 7).tick
	3007	sleep 0.125
	3008	end
	3009
	3010	live_loop :bd, sync: :rhythm do
	3011	sample :bd_haus, lpf: 90, amp: 2
	3012	sleep 0.5
	3013	end",
2902	3014	"
2903		# You can also specify the sample using a Hash with a `:sample_name` key
2904		sample {sample_name: :loop_amen, rate: 2}",
	3015	# Change the playback speed of the sample using rate:
	3016
	3017	sample :loop_amen, rate: 0.5 # Play the Amen break at half speed
	3018	# for old school hip-hop",
2905	3019	"
2906		# You can also specify the sample using a lambda that yields a symbol
2907		# although you probably don't need a lambda for this in most cases.
2908		sample lambda { [:loop_amen, :loop_garzul].choose }"]
	3020	# Speed things up
	3021
	3022	sample :loop_amen, rate: 1.5 # Play the Amen break at 1.5x speed
	3023	# for a jungle/gabba sound",
	3024	"
	3025	# Go backwards
	3026
	3027	sample :loop_amen, rate: -1 # Negative rates play the sample backwards",
	3028	"
	3029	# Fast rewind
	3030
	3031	sample :loop_amen, rate: -3 # Play backwards at 3x speed for a fast rewind effect",
	3032	"
	3033	# Start mid sample
	3034
	3035	sample :loop_amen, start: 0.5 # Start playback half way through",
	3036	"
	3037	# Finish mid sample
	3038
	3039	sample :loop_amen, finish: 0.5 # Finish playback half way through",
	3040	"
	3041	# Play part of a sample
	3042
	3043	sample :loop_amen, start: 0.125, finish: 0.25 # Play the second eighth of the sample",
	3044	"
	3045	# Finishing before the start plays backwards
	3046
	3047	sample :loop_amen, start: 0.25, finish: 0.125 # Play the second eighth of the sample backwards",
	3048	"
	3049	# Play a section of a sample half speed backwards
	3050
	3051	sample :loop_amen, start: 0.125, finish: 0.25, rate: -0.25 # Play the second eighth of the
	3052	# amen break backwards at a
	3053	# quarter speed",
	3054	"
	3055	# Build a simple beat slicer
	3056
	3057	use_sample_bpm :loop_amen # Set the BPM to match the amen break sample
	3058
	3059	live_loop :beat_slicer do
	3060	n = 8 # Set number of slices. Try changing this
	3061	# to 2, 4, 6, 16 or 32
	3062
	3063	d = 1.0 / n # Calculate the duration of a slice as a
	3064	# fraction of the sample
	3065
	3066	s = (line 0, 1, steps: n).choose # Create a ring of starting points and
	3067	# randomly choose one
	3068
	3069	f = s + d # Calculate the finish point
	3070
	3071	sample :loop_amen, start: s, finish: f # Play the specific part of the sample
	3072
	3073	sleep d # Sleep for the duration of the slice
	3074	end",
	3075	"
	3076	# Play with the built-in low pass filter, high pass filter and compressor
	3077
	3078	sample :loop_amen, lpf: 80, hpf: 70, compress: 1, pre_amp: 10 # Make the amen break sound punchy.",
	3079	"
	3080	# Use the cutoff filter envelopes
	3081
	3082	sample :loop_garzul, lpf_attack: 8 # Sweep the low pass filter up over 8 beats
	3083	sleep 8
	3084	sample :loop_garzul, hpf_attack: 8 # Sweep the high pass filter down over 8 beats",
	3085	"
	3086	# Sample stretching
	3087
	3088	puts sample_duration :loop_industrial # => 0.88347
	3089	puts sample_duration :loop_industrial, beat_stretch: 1 # => 1
	3090
	3091	live_loop :industrial do
	3092	sample :loop_industrial, beat_stretch: 1 # Stretch the sample to make it 1 beat long
	3093	sleep 1 # This now loops perfectly.
	3094	# However, note that stretching/shrinking
	3095	# also modifies the pitch.
	3096	end",
	3097	"
	3098	# Sample shrinking
	3099
	3100	puts sample_duration :loop_garzul # => 8
	3101	puts sample_duration :loop_garzul, beat_stretch: 6 # => 6
	3102
	3103	live_loop :garzul do
	3104	sample :loop_garzul, beat_stretch: 6 # As :loop_garzul is longer than 6 beats
	3105	# it is shrunk to fit. This increases the
	3106	# pitch.
	3107
	3108	sleep 6
	3109	end",
	3110	"
	3111	# Sample stretching matches the BPM
	3112
	3113	use_bpm 30 # Set the BPM to 30
	3114
	3115	puts sample_duration :loop_garzul # => 4.0 (at 30 BPM the sample lasts for 4 beats)
	3116	puts sample_duration :loop_garzul, beat_stretch: 6 # => 6.0
	3117
	3118	live_loop :garzul do
	3119	sample :loop_garzul, beat_stretch: 6 # The sample is stretched to match 6 beats at 30 BPM
	3120	sleep 6
	3121	end",
	3122	"
	3123	# External samples
	3124
	3125	sample \"/path/to/sample.wav\" # Play any Wav, Aif or FLAC sample on your computer
	3126	# by simply passing a string representing the full
	3127	# path",
	3128	"
	3129	# Sample pack filtering
	3130
	3131	dir = \"/path/to/dir/of/samples\" # You can easily work with a directory of samples
	3132
	3133	sample dir # Play the first sample in the directory
	3134	# (it is sorted alphabetically)
	3135
	3136	sample dir, 1 # Play the second sample in the directory
	3137
	3138	sample dir, 99 # Play the 99th sample in the directory, or if there
	3139	# are fewer, treat the directory like a ring and keep
	3140	# wrapping the index round until a sample is found.
	3141	# For example, if there are 90 samples, the 10th sample
	3142	# is played (index 9).
	3143
	3144	sample dir, \"120\" # Play the first sample in the directory that contains
	3145	# the substring \"120\".
	3146	# For example, this may be \"beat1_120_rave.wav\"
	3147
	3148	sample dir, \"120\", 1 # Play the second sample in the directory that contains
	3149	# the substring \"100\".
	3150	# For example, this may be \"beat2_120_rave.wav\"
	3151
	3152	sample dir, /beat[0-9]/ # Play the first sample in the directory that matches
	3153	# the regular expression /beat[0-9]/.
	3154	# For example, this may be \"beat0_100_trance.wav\"
	3155	# You may use the full power of Ruby's regular expression
	3156	# system here: http://ruby-doc.org/core-2.1.1/Regexp.html
	3157
	3158	sample dir, /beat[0-9]0/, \"100\" # Play the first sample in the directory that both matches
	3159	# the regular expression /beat[0-9]0/ and contains the
	3160	# the substring \"100\".
	3161	# For example, this may be \"beat10_100_rave.wav\"",
	3162	"
	3163	# Filtering built-in samples
	3164
	3165	# If you don't pass a directory source, you can filter over
	3166	# the built-in samples.
	3167	sample \"tabla_\" # Play the first built-in sample that contains the substring
	3168	# \"tabla\"
	3169
	3170	sample \"tabla_\", 2 # Play the second built-in sample that contains the substring
	3171	# \"tabla\"",
	3172	"
	3173	# Play with whole directories of samples
	3174
	3175	load_samples \"tabla_\" # You may pass any of the source/filter options to load_samples
	3176	# to load all matching samples. This will load all the built-in
	3177	# samples containing the substring \"tabla_\"
	3178
	3179	live_loop :tabla do
	3180	sample \"tabla_\", tick # Treat the matching samples as a ring and tick through them
	3181	sleep 0.125
	3182	end",
	3183	"
	3184	# Specify multiple sources
	3185
	3186	dir1 = \"/path/to/sample/directory\"
	3187	dir2 = \"/path/to/other/sample/directory\"
	3188
	3189	sample dir1, dir2, \"foo\" # Match the first sample that contains the string \"foo\" out of
	3190	# all the samples in dir1 and dir2 combined.
	3191
	3192	# Note that the sources must be listed before any filters.",
	3193	"
	3194	# List contents recursively
	3195	dir = \"/path/to/sample/directory\" # By default the list of all top-level samples within the directory
	3196	# is considered.
	3197	dir_recursive = \"/path/to/sample/directory/\" # However, if you finish your directory string with then if that
	3198	# directory contains other directories then the samples within the
	3199	# subdirectories and their subsubdirectories in turn are considered.
	3200
	3201	sample dir, 0 # Play the first top-level sample in the directory
	3202
	3203	sample dir_recursive, 0 # Play the first sample found after combinining all samples found in
	3204	# the directory and all directories within it recursively.
	3205	# Note that if there are many sub directories this may take some time
	3206	# to execute. However, the result is cached so subsequent calls will
	3207	# be fast.",
	3208	"
	3209	# Bespoke filters
	3210
	3211
	3212	filter = lambda do \|candidates\| # If the built-in String, Regexp and index filters are not sufficient
	3213	[candidates.choose] # you may write your own. They need to be a function which takes a list
	3214	end # of paths to samples and return a list of samples. This one returns a
	3215	# list of a single randomly selected sample.
	3216	8.times do
	3217	sample \"drum_\", filter # Play 8 randomly selected samples from the built-in sample set that also
	3218	sleep 0.25 # contain the substring \"drum_\"
	3219	end"
	3220	]
	3221
	3222
	3223
	3224
	3225
	3226
	3227
2909	3228
2910	3229
2911	3230

2952	3271	when Proc
2953	3272	return note(n.call, *args)
2954	3273	when Hash
2955		return note(n[:note], *args)
	3274	raise "Unable to create a note from the Map: #{n.inspect}"
2956	3275	end
2957	3276
2958	3277	return Note.resolve_midi_note_without_octave(n) if args.empty?

3074	3393
3075	3394
3076	3395
3077		def scale(tonic, name, *opts)
	3396	def scale(tonic_or_name, *opts)
	3397	tonic = 0
	3398	name = :minor
	3399	if opts.size == 0
	3400	name = tonic_or_name
	3401	elsif (opts.size == 1) && opts[0].is_a?(Hash)
	3402	name = tonic_or_name
	3403	else
	3404	tonic = tonic_or_name
	3405	name = opts.shift
	3406	end
	3407
3078	3408	opts = resolve_synth_opts_hash_or_array(opts)
3079	3409	opts = {:num_octaves => 1}.merge(opts)
3080	3410	Scale.new(tonic, name, opts[:num_octaves]).ring

3082	3412	doc name: :scale,
3083	3413	introduced: Version.new(2,0,0),
3084	3414	summary: "Create scale",
3085		doc: "Creates a ring of MIDI note numbers when given a tonic note and a scale type. Also takes an optional `num_octaves:` parameter (octave `1` is the default)",
	3415	doc: "Creates a ring of MIDI note numbers when given a tonic note and a scale name. Also takes an optional `num_octaves:` parameter (octave `1` is the default). If only passed the scale name, the tonic defaults to 0. See examples.",
3086	3416	args: [[:tonic, :symbol], [:name, :symbol]],
3087	3417	returns: :ring,
3088	3418	opts: {:num_octaves => "The number of octaves you'd like the scale to consist of. More octaves means a larger scale. Default is 1."},
3089	3419	accepts_block: false,
3090	3420	intro_fn: true,
3091	3421	examples: ["
3092		puts scale(:C, :major) # returns the following ring of MIDI note numbers: (ring 60, 62, 64, 65, 67, 69, 71, 72)",
	3422	puts (scale :C, :major) # returns the following ring of MIDI note numbers: (ring 60, 62, 64, 65, 67, 69, 71, 72)",
3093	3423	"# anywhere you can use a list or ring of notes, you can also use scale
3094	3424	play_pattern (scale :C, :major)",
3095	3425	"# you can use the :num_octaves parameter to get more notes
3096		play_pattern(:C, :major, num_octaves: 2)",
	3426	play_pattern (scale :C, :major, num_octaves: 2)",
3097	3427	"# Scales can start with any note:
3098	3428	puts (scale 50, :minor) #=> (ring 50, 52, 53, 55, 57, 58, 60, 62)
3099	3429	puts (scale 50.1, :minor) #=> (ring 50.1, 52.1, 53.1, 55.1, 57.1, 58.1, 60.1, 62.1)
3100		puts (scale 0, :minor) #=> (ring 0, 2, 3, 5, 7, 8, 10, 12)",
	3430	puts (scale :minor) #=> (ring 0, 2, 3, 5, 7, 8, 10, 12)",
3101	3431
3102	3432
3103	3433	" # scales are also rings

3217	3547
3218	3548
3219	3549
3220		def chord(tonic, name=:major, *opts)
	3550	def chord(tonic_or_name, *opts)
	3551	tonic = 0
	3552	name = :minor
	3553	if opts.size == 0
	3554	name = tonic_or_name
	3555	elsif (opts.size == 1) && opts[0].is_a?(Hash)
	3556	name = tonic_or_name
	3557	else
	3558	tonic = tonic_or_name
	3559	name = opts.shift
	3560	end
	3561
3221	3562	return [] unless tonic
3222	3563	opts = resolve_synth_opts_hash_or_array(opts)
3223	3564	c = []

3233	3574	doc name: :chord,
3234	3575	introduced: Version.new(2,0,0),
3235	3576	summary: "Create chord",
3236		doc: "Creates an immutable ring of Midi note numbers when given a tonic note and a chord type",
	3577	doc: "Creates an immutable ring of Midi note numbers when given a tonic note and a chord type. If only passed a chord type, will default the tonic to 0. See examples.",
3237	3578	args: [[:tonic, :symbol], [:name, :symbol]],
3238	3579	returns: :ring,
3239	3580	opts: {invert: "Apply the specified num inversions to chord. See the fn `chord_invert`.",

3251	3592	play (chord :e3, :minor, invert: 1) # Play the first inversion of :e3, :minor - (ring 55, 59, 64)
3252	3593	play (chord :e3, :minor, invert: 2) # Play the first inversion of :e3, :minor - (ring 59, 64, 67)
3253	3594	",
	3595
	3596	"# You can create a chord without a tonic:
	3597	puts (chord :minor) #=> (ring 0, 3, 7)",
3254	3598
3255	3599	"# chords are great for arpeggiators
3256	3600	live_loop :arp do

3294	3638	(chord :C, 'm11+')
3295	3639	(chord :C, '13')
3296	3640	(chord :C, :m13)
	3641	(chord :C, :add2)
	3642	(chord :C, :add4)
	3643	(chord :C, :add9)
	3644	(chord :C, :add11)
	3645	(chord :C, :add13)
	3646	(chord :C, :madd2)
	3647	(chord :C, :madd4)
	3648	(chord :C, :madd9)
	3649	(chord :C, :madd11)
	3650	(chord :C, :madd13)
3297	3651	(chord :C, :major)
3298	3652	(chord :C, :M)
3299	3653	(chord :C, :minor)

3319	3673
3320	3674	def chord_invert(notes, shift)
3321	3675	raise "Inversion shift value must be a number, got #{shift.inspect}" unless shift.is_a?(Numeric)
3322		raise "Notes must be a list of notes, got #{notes.inspect}" unless (notes.is_a?(SonicPi::Core::RingVector) \|\| notes.is_a?(Array))
	3676	raise "Notes must be a list of notes, got #{notes.inspect}" unless (notes.is_a?(SonicPi::Core::SPVector) \|\| notes.is_a?(Array))
3323	3677	if(shift > 0)
3324	3678	chord_invert(notes.to_a[1..-1] + [notes.to_a[0]+12], shift-1)
3325	3679	elsif(shift < 0)

3357	3711
3358	3712
3359	3713	def control(node, *args)
3360		ensure_good_timing!
	3714
3361	3715	return nil if node.nil?
3362
	3716	raise "You may only control a SynthNode. You tried to control a #{node.class}: #{node.inspect}" unless node.is_a?(Node)
3363	3717	args_h = resolve_synth_opts_hash_or_array(args)
3364	3718
	3719	return nil unless should_trigger?(args_h)
3365	3720	# set default slide times
3366	3721	default_slide_time = args_h[:slide]
3367	3722	args_h.delete :slide

3373	3728	resolve_midi_args!(args_h, info)
3374	3729	end
3375	3730
3376		if args_h.has_key?(:note)
3377		n = normalise_transpose_and_tune_note_from_args(args_h[:note], args_h)
3378		args_h[:note] = n
3379		end
3380
3381		notes = args_h[:notes]
3382		if node.is_a?(ChordGroup) && notes
	3731
	3732
	3733	if node.is_a?(ChordGroup)
	3734
	3735	note = args_h.delete(:note)
	3736	notes = args_h.delete(:notes)
	3737	notes = note if note && !notes
	3738	notes = [notes] unless notes.is_a?(Array) \|\| notes.is_a?(SonicPi::Core::SPVector)
	3739	normalise_args! args_h
3383	3740	# don't normalise notes key as it is special
3384	3741	# when controlling ChordGroups.
3385	3742	# TODO: remove this hard coded behaviour
3386		args_h.delete(:notes)
3387		normalise_args! args_h
3388	3743	args_h[:notes] = notes.map{\|n\| normalise_transpose_and_tune_note_from_args(n, args_h)}
3389	3744	else
	3745	note = args_h[:note]
	3746	if note
	3747	note = normalise_transpose_and_tune_note_from_args(note, args_h)
	3748	args_h[:note] = note
	3749	end
3390	3750	normalise_args! args_h
3391	3751	end
3392	3752
3393	3753	if Thread.current.thread_variable_get(:sonic_pi_mod_sound_check_synth_args)
3394	3754	info.ctl_validate!(args_h) if info
	3755	end
	3756
	3757	if Thread.current.thread_variable_get(:sonic_pi_mod_sound_timing_guarantees)
	3758	unless in_good_time?
	3759	__delayed_message "!! Out of time, skipping: control node #{node.id}, #{arg_h_pp(args_h)}"
	3760	return node
	3761	end
3395	3762	end
3396	3763
3397	3764	node.control args_h

3404	3771	doc name: :control,
3405	3772	introduced: Version.new(2,0,0),
3406	3773	summary: "Control running synth",
3407		doc: "Control a running synth node by passing new parameters to it. A synth node represents a running synth and can be obtained by assigning the return value of a call to play or sample or by specifying a parameter to the do/end block of an FX. You may modify any of the parameters you can set when triggering the synth, sample or FX. See documentation for opt details. If the synth to control is a chord, then control will change all the notes of that chord group at once to a new target set of notes - see example. ",
	3774	doc: "Control a running synth node by passing new parameters to it. A synth node represents a running synth and can be obtained by assigning the return value of a call to play or sample or by specifying a parameter to the do/end block of an FX. You may modify any of the parameters you can set when triggering the synth, sample or FX. See documentation for opt details. If the synth to control is a chord, then control will change all the notes of that chord group at once to a new target set of notes - see example. Also, you may use the on: opt to conditionally trigger the control - see the docs for the `synth` and `sample` fns for more information.",
3408	3775	args: [[:node, :synth_node]],
3409	3776	opts: {},
3410	3777	accepts_block: false,

3489	3856
3490	3857
3491	3858	def kill(node)
3492		ensure_good_timing!
	3859	in_good_time?
3493	3860	return nil if node.nil?
3494	3861
3495	3862	alive = node.live?

3522	3889
3523	3890
3524	3891	def sample_names(group)
3525		Synths::BaseInfo.grouped_samples[group][:samples].ring
	3892	g = Synths::BaseInfo.grouped_samples[group]
	3893	raise "Unknown sample group #{group.inspect}" unless g
	3894	g[:samples].sort.ring
3526	3895	end
3527	3896	doc name: :sample_names,
3528	3897	introduced: Version.new(2,0,0),
3529	3898	summary: "Get sample names",
3530		doc: "Return a list of sample names for the specified group",
	3899	doc: "Return a ring of sample names for the specified group",
3531	3900	args: [[:group, :symbol]],
	3901	returns: :ring,
3532	3902	opts: nil,
3533	3903	accepts_block: false,
3534	3904	examples: []

3537	3907
3538	3908
3539	3909	def all_sample_names
3540		Synths::BaseInfo.all_samples.ring
	3910	Synths::BaseInfo.all_samples.sort.ring
3541	3911	end
3542	3912	doc name: :all_sample_names,
3543	3913	introduced: Version.new(2,0,0),

3552	3922
3553	3923
3554	3924	def sample_groups
3555		Synths::BaseInfo.grouped_samples.keys.ring
	3925	Synths::BaseInfo.grouped_samples.keys.sort.ring
3556	3926	end
3557	3927	doc name: :sample_groups,
3558	3928	introduced: Version.new(2,0,0),

3567	3937
3568	3938
3569	3939	def synth_names
3570		Synths::BaseInfo.all_synths.ring
	3940	Synths::BaseInfo.all_synths.sort.ring
3571	3941	end
3572	3942	doc name: :synth_names,
3573	3943	introduced: Version.new(2,9,0),

3579	3949	examples: []
3580	3950
3581	3951
	3952	def fx_names
	3953	Synths::BaseInfo.all_fx.sort.ring
	3954	end
	3955	doc name: :fx_names,
	3956	introduced: Version.new(2,10,0),
	3957	summary: "Get all FX names",
	3958	doc: "Return a list of all the FX available",
	3959	args: [],
	3960	opts: nil,
	3961	accepts_block: false,
	3962	examples: []
3582	3963
3583	3964
3584	3965	def load_synthdefs(path=synthdef_path)

3592	3973	summary: "Load external synthdefs",
3593	3974	doc: "Load all pre-compiled synth designs in the specified directory. The binary files containing synth designs need to have the extension `.scsyndef`. This is useful if you wish to use your own SuperCollider synthesiser designs within Sonic Pi.
3594	3975
3595		## Important note
3596
3597		If you wish your synth to work with Sonic Pi's automatic stereo sound infrastructure you need to ensure your synth outputs a stereo signal to an audio bus with an index specified by a synth arg named `out_bus`. For example, the following synth would work nicely:
	3976	## Important notes
	3977
	3978	You may not trigger external synthdefs unless you enable the following GUI preference:
	3979
	3980	```
	3981	Studio -> Synths -> Enable external synths and FX
	3982	```
	3983
	3984	Also, if you wish your synth to work with Sonic Pi's automatic stereo sound infrastructure you need to ensure your synth outputs a stereo signal to an audio bus with an index specified by a synth arg named `out_bus`. For example, the following synth would work nicely:
3598	3985
3599	3986
3600	3987	(

3614	4001
3615	4002
3616	4003	def scale_names
3617		Scale::SCALE.keys.ring
	4004	Scale::SCALE.keys.sort.ring
3618	4005	end
3619	4006	doc name: :scale_names,
3620	4007	introduced: Version.new(2,6,0),

3627	4014
3628	4015
3629	4016	def chord_names
3630		Chord::CHORD.keys.ring
	4017	Chord::CHORD.keys.sort.ring
3631	4018	end
3632	4019	doc name: :chord_names,
3633	4020	introduced: Version.new(2,6,0),

3639	4026	examples: ["puts chord_names #=> prints a list of all the chords"]
3640	4027
3641	4028	private
	4029
	4030	def init_tuning
	4031	@tuning = Tuning.new
	4032	end
3642	4033
3643	4034	def normalise_args!(args_h, defaults={})
3644	4035	args_h.keys.each do \|k\|

3654	4045	when FalseClass
3655	4046	args_h[k] = 0.0
3656	4047	when NilClass
3657		args_h[k] = 0.0
	4048	args_h[k] = nil
3658	4049	else
3659	4050	begin
3660	4051	args_h[k] = res.to_f

3671	4062	when FalseClass
3672	4063	args_h[k] = 0.0
3673	4064	when NilClass
3674		args_h[k] = 0.0
	4065	args_h[k] = nil
3675	4066	else
3676	4067	begin
3677	4068	args_h[k] = v.to_f

3684	4075	end
3685	4076
3686	4077	def find_sample_with_path(path)
3687		["wav", "aiff", "aif", "wave"].each do \|ext\|
	4078	["wav", "wave", "aif", "aiff", "flac"].each do \|ext\|
3688	4079	full = "#{path}.#{ext}"
3689	4080	return full if File.exists?(full)
3690	4081	end
3691	4082	return nil
3692	4083	end
3693	4084
3694		def fetch_or_cache_sample_path(sym)
3695		cached = @sample_paths_cache[sym]
3696		return cached if cached
3697
3698		res = find_sample_with_path("#{samples_path}/#{sym.to_s}")
3699
3700		raise "No sample exists called :#{sym} in default sample pack" unless res
3701		@sample_paths_cache[sym] = res
3702		res
3703		end
3704
3705		def resolve_sample_symbol_path(sym)
3706		aliases = Thread.current.thread_variable_get(:sonic_pi_mod_sound_sample_aliases)
3707		path = Thread.current.thread_variable_get(:sonic_pi_mod_sound_sample_path)
3708
3709		return fetch_or_cache_sample_path(sym) unless (aliases \|\| path)
3710
3711		if (aliases &&
3712		(m = sym.to_s.match /\A(.+?)__(.+)/) &&
3713		(p = aliases[m[1]]))
3714		path = p
3715		sym = m[2]
3716		partial = "#{p}#{sym}"
3717		elsif path
3718		partial = path + sym.to_s
3719		else
3720		path = samples_path
3721		partial = path + "/" + sym.to_s
3722		end
3723
3724		res = find_sample_with_path(partial)
3725
3726		raise "No sample exists called #{sym.inspect} in sample pack #{path.inspect} (#{File.expand_path(path)})" unless res
3727
3728		res
3729		end
3730	4085
3731	4086	def complex_sampler_args?(args_h)
3732	4087	# break out early if any of the 'complex' keys exist in the

3736	4091	end
3737	4092
3738	4093
3739		def trigger_sampler(path, buf_id, num_chans, args_h, group=current_job_synth_group)
	4094	def resolve_specific_sampler(num_chans, args_h)
3740	4095	if complex_sampler_args?(args_h)
3741	4096	#complex
3742		synth_name = (num_chans == 1) ? :mono_player : :stereo_player
	4097	(num_chans == 1) ? :mono_player : :stereo_player
3743	4098	else
3744	4099	#basic
3745		synth_name = (num_chans == 1) ? :basic_mono_player : :basic_stereo_player
3746		end
3747
3748		trigger_specific_sampler(synth_name, path, buf_id, num_chans, args_h, group)
3749		end
3750
3751		def trigger_specific_sampler(sampler_type, path, buf_id, num_chans, args_h, group=current_job_synth_group)
3752
3753		sn = sampler_type.to_sym
	4100	(num_chans == 1) ? :basic_mono_player : :basic_stereo_player
	4101	end
	4102	end
	4103
	4104	def trigger_sampler(path, args_h, group=current_job_synth_group)
	4105	case path
	4106	when Buffer
	4107	buf_info = path
	4108	if buf_info.path
	4109	path = buf_info.path
	4110	else
	4111	path = path[0]
	4112	end
	4113	else
	4114	buf_info = load_sample_at_path(path)
	4115	end
	4116	sn = resolve_specific_sampler(buf_info.num_chans, args_h)
	4117
3754	4118	info = Synths::SynthInfo.get_info(sn)
3755		path = unify_tilde_dir(path) if path.is_a? String
3756
3757		# Combine thread local defaults here as
3758		# normalise_and_resolve_synth_args has only been taught about
3759		# synth thread local defaults
	4119	args_h = normalise_and_resolve_sample_args(path, args_h, info)
	4120
	4121	buf_id = buf_info.id
	4122
	4123	if Thread.current.thread_variable_get(:sonic_pi_mod_sound_timing_guarantees)
	4124	unless in_good_time?
	4125	if args_h.empty?
	4126	__delayed_message "!! Out of time, skipping: sample #{path.inspect}"
	4127	else
	4128	__delayed_message "!! Out of time, skipping: sample #{path.inspect}, #{arg_h_pp(args_h)}"
	4129	end
	4130	return @blank_node
	4131	end
	4132	end
	4133
	4134
	4135	unless Thread.current.thread_variable_get(:sonic_pi_mod_sound_synth_silent)
	4136	if args_h.empty?
	4137	__delayed_message "sample #{File.dirname(path).inspect},\n #{File.basename(path).inspect}"
	4138	else
	4139	__delayed_message "sample #{File.dirname(path).inspect},\n #{File.basename(path).inspect}, #{arg_h_pp(args_h)}"
	4140
	4141	end
	4142	end
	4143	add_arg_slide_times!(args_h, info)
	4144	args_h[:buf] = buf_id
	4145	return trigger_synth(sn, args_h, group, info)
	4146	end
	4147
	4148
	4149	def trigger_inst(synth_name, args_h, group=current_job_synth_group)
	4150	sn = synth_name.to_sym
	4151	info = Synths::SynthInfo.get_info(sn)
	4152	raise "Unknown synth #{sn.inspect}" unless info \|\| Thread.current.thread_variable_get(:sonic_pi_mod_sound_use_external_synths)
	4153	processed_args = normalise_and_resolve_synth_args(args_h, info, true)
	4154
	4155	if Thread.current.thread_variable_get(:sonic_pi_mod_sound_timing_guarantees)
	4156	unless in_good_time?
	4157	__delayed_message "!! Out of time, skipping: synth #{synth_name.inspect}, #{arg_h_pp(processed_args)}"
	4158
	4159	return @blank_node
	4160	end
	4161	end
	4162
	4163
	4164	unless Thread.current.thread_variable_get(:sonic_pi_mod_sound_synth_silent)
	4165	__delayed_message "synth #{synth_name.inspect}, #{arg_h_pp(processed_args)}"
	4166	end
	4167	add_arg_slide_times!(processed_args, info)
	4168	out_bus = current_out_bus
	4169	trigger_synth(synth_name, processed_args, group, info, false, out_bus)
	4170	end
	4171
	4172	def trigger_chord(synth_name, notes, args_a_or_h, group=current_job_synth_group)
	4173	sn = synth_name.to_sym
	4174	info = Synths::SynthInfo.get_info(sn)
	4175	args_h = resolve_synth_opts_hash_or_array(args_a_or_h)
	4176	args_h = normalise_and_resolve_synth_args(args_h, info, true)
	4177
	4178	chord_group = @mod_sound_studio.new_group(:tail, group, "CHORD")
	4179	cg = ChordGroup.new(chord_group, notes, info)
	4180
	4181	if Thread.current.thread_variable_get(:sonic_pi_mod_sound_timing_guarantees)
	4182	unless in_good_time?
	4183	__delayed_message "!! Out of time, skipping: synth #{sn.inspect}, #{arg_h_pp({note: notes}.merge(args_h))}"
	4184	return @blank_node
	4185	end
	4186	end
	4187
	4188	unless Thread.current.thread_variable_get(:sonic_pi_mod_sound_synth_silent)
	4189	__delayed_message "synth #{sn.inspect}, #{arg_h_pp({note: notes}.merge(args_h))}"
	4190	end
	4191
	4192	# Scale down amplitude based on number of notes in chord
	4193	amp = args_h[:amp] \|\| 1.0
	4194	args_h[:amp] = amp.to_f / notes.size
	4195
	4196	nodes = []
	4197
	4198	notes.each do \|note\|
	4199	if note
	4200	args_h[:note] = note
	4201	nodes << trigger_synth(synth_name, args_h, cg, info)
	4202	end
	4203	end
	4204	cg.sub_nodes = nodes
	4205	cg
	4206	end
	4207
	4208	def trigger_fx(synth_name, args_h, info, in_bus, group=current_fx_group, now=false, t_minus_delta=false)
	4209	args_h = normalise_and_resolve_synth_args(args_h, info, false)
	4210	add_arg_slide_times!(args_h, info)
	4211	out_bus = current_out_bus
	4212	n = trigger_synth(synth_name, args_h, group, info, now, out_bus, t_minus_delta)
	4213	FXNode.new(n, in_bus, out_bus)
	4214	end
	4215
	4216	# Function that actually triggers synths now that all args are resolved
	4217	def trigger_synth(synth_name, args_h, group, info, now=false, out_bus=nil, t_minus_delta=false)
	4218
	4219
	4220
	4221	add_out_bus_and_rand_buf!(args_h, out_bus)
	4222	orig_synth_name = synth_name
	4223
	4224	synth_name = info ? info.scsynth_name : synth_name
	4225
	4226	validate_if_necessary! info, args_h
	4227
	4228	ensure_good_timing!
	4229
	4230	job_id = current_job_id
	4231	__no_kill_block do
	4232
	4233	p = Promise.new
	4234	job_synth_proms_add(job_id, p)
	4235
	4236	s = @mod_sound_studio.trigger_synth synth_name, group, args_h, info, now, t_minus_delta
	4237
	4238	trackers = Thread.current.thread_variable_get(:sonic_pi_mod_sound_trackers)
	4239
	4240	if trackers
	4241	s.on_started do
	4242	trackers.each{\|t\| t.synth_started(s)}
	4243	end
	4244	end
	4245
	4246	s.on_destroyed do
	4247	trackers.each{\|t\| t.synth_finished(s)} if trackers
	4248	job_synth_proms_rm(job_id, p)
	4249	p.deliver! true
	4250	end
	4251
	4252	s
	4253	end
	4254	end
	4255
	4256	def add_out_bus_and_rand_buf!(args_h, out_bus=nil)
	4257	out_bus = current_out_bus unless out_bus
	4258	args_h["out_bus"] = out_bus.to_i
	4259	args_h[:rand_buf] = @mod_sound_studio.rand_buf_id if args_h[:seed]
	4260	end
	4261
	4262
	4263	def normalise_and_resolve_sample_args(path, args_h, info, combine_tls=false)
	4264	purge_nil_vals!(args_h)
	4265
	4266	defaults = info ? info.arg_defaults : {}
3760	4267	t_l_args = Thread.current.thread_variable_get(:sonic_pi_mod_sound_sample_defaults) \|\| {}
3761	4268	t_l_args.each do \|k, v\|
3762		args_h[k] = v unless args_h.has_key? k
	4269	args_h[k] = v unless args_h.has_key? k \|\| v.nil?
3763	4270	end
3764	4271
3765	4272	stretch_duration = args_h[:beat_stretch]

3767	4274	raise "beat_stretch: opt needs to be a positive number. Got: #{stretch_duration.inspect}" unless stretch_duration.is_a?(Numeric) && stretch_duration > 0
3768	4275	stretch_duration = stretch_duration.to_f
3769	4276	rate = args_h[:rate] \|\| 1
3770		dur = load_sample(path).duration
	4277	dur = sample_buffer(path).duration
3771	4278	args_h[:rate] = (1.0 / stretch_duration) * rate * (current_bpm / (60.0 / dur))
3772	4279	end
3773	4280

3776	4283	raise "pitch_stretch: opt needs to be a positive number. Got: #{pitch_stretch_duration.inspect}" unless pitch_stretch_duration.is_a?(Numeric) && pitch_stretch_duration > 0
3777	4284	pitch_stretch_duration = pitch_stretch_duration.to_f
3778	4285	rate = args_h[:rate] \|\| 1
3779		dur = load_sample(path).duration
	4286	dur = sample_buffer(path).duration
3780	4287	new_rate = (1.0 / pitch_stretch_duration) * (current_bpm / (60.0 / dur))
3781	4288	pitch_shift = ratio_to_pitch(new_rate)
3782	4289	args_h[:rate] = new_rate * rate

3789	4296	args_h[:rate] = new_rate * (args_h[:rate] \|\| 1)
3790	4297	end
3791	4298
3792		args_h = normalise_and_resolve_synth_args(args_h, info)
3793
3794
3795		unless Thread.current.thread_variable_get(:sonic_pi_mod_sound_synth_silent)
3796		if args_h.empty?
3797		__delayed_message "sample #{path.inspect}"
3798		else
3799		__delayed_message "sample #{path.inspect}, #{arg_h_pp(args_h)}"
3800		end
3801		end
3802		add_arg_slide_times!(args_h, info)
3803		args_h[:buf] = buf_id
3804		trigger_synth(sn, args_h, group, info)
3805		end
3806
3807		def trigger_inst(synth_name, args_h, group=current_job_synth_group)
3808		sn = synth_name.to_sym
3809		info = Synths::SynthInfo.get_info(sn)
3810
3811		processed_args = normalise_and_resolve_synth_args(args_h, info, nil, true)
3812
3813		unless Thread.current.thread_variable_get(:sonic_pi_mod_sound_synth_silent)
3814		__delayed_message "synth #{synth_name.inspect}, #{arg_h_pp(processed_args)}"
3815		end
3816		add_arg_slide_times!(processed_args, info)
3817		out_bus = current_out_bus
3818		trigger_synth(synth_name, processed_args, group, info, false, out_bus)
3819		end
3820
3821		def trigger_chord(synth_name, notes, args_a_or_h, group=current_job_synth_group)
3822		sn = synth_name.to_sym
3823		info = Synths::SynthInfo.get_info(sn)
3824		args_h = resolve_synth_opts_hash_or_array(args_a_or_h)
3825		args_h = normalise_and_resolve_synth_args(args_h, info, nil, true)
3826
3827		chord_group = @mod_sound_studio.new_group(:tail, group, "CHORD")
3828		cg = ChordGroup.new(chord_group, notes, info)
3829
3830		unless Thread.current.thread_variable_get(:sonic_pi_mod_sound_synth_silent)
3831		__delayed_message "synth #{sn.inspect}, #{arg_h_pp({note: notes}.merge(args_h))}"
3832		end
3833
3834		# Scale down amplitude based on number of notes in chord
3835		amp = args_h[:amp] \|\| 1.0
3836		args_h[:amp] = amp.to_f / notes.size
3837
3838		nodes = []
3839
3840		notes.each do \|note\|
3841		if note
3842		args_h[:note] = note
3843		nodes << trigger_synth(synth_name, args_h, cg, info)
3844		end
3845		end
3846		cg.sub_nodes = nodes
3847		cg
3848		end
3849
3850		def trigger_fx(synth_name, args_h, info, in_bus, group=current_fx_group, now=false, t_minus_delta=false)
3851
3852		args_h = normalise_and_resolve_synth_args(args_h, info, nil, true)
3853		add_arg_slide_times!(args_h, info)
3854		out_bus = current_out_bus
3855		n = trigger_synth(synth_name, args_h, group, info, now, out_bus, t_minus_delta)
3856		FXNode.new(n, in_bus, out_bus)
3857		end
3858
3859		# Function that actually triggers synths now that all args are resolved
3860		def trigger_synth(synth_name, args_h, group, info, now=false, out_bus=nil, t_minus_delta=false)
3861		add_out_bus_and_rand_buf!(args_h, out_bus)
3862		orig_synth_name = synth_name
3863		synth_name = info ? info.scsynth_name : synth_name
3864		validate_if_necessary! info, args_h
3865		job_id = current_job_id
3866		__no_kill_block do
3867
3868		p = Promise.new
3869		job_synth_proms_add(job_id, p)
3870
3871		s = @mod_sound_studio.trigger_synth synth_name, group, args_h, info, now, t_minus_delta
3872
3873		trackers = Thread.current.thread_variable_get(:sonic_pi_mod_sound_trackers)
3874
3875		if trackers
3876		s.on_started do
3877		trackers.each{\|t\| t.synth_started(s)}
3878		end
3879		end
3880
3881		s.on_destroyed do
3882		trackers.each{\|t\| t.synth_finished(s)} if trackers
3883		job_synth_proms_rm(job_id, p)
3884		p.deliver! true
3885		end
3886
3887		s
3888		end
3889		end
3890
3891		def add_out_bus_and_rand_buf!(args_h, out_bus=nil)
3892		out_bus = current_out_bus unless out_bus
3893		args_h["out_bus"] = out_bus.to_i
3894		args_h[:rand_buf] = @mod_sound_studio.rand_buf_id if args_h[:seed]
3895		end
3896
3897
3898		def normalise_and_resolve_synth_args(args_h, info, out_bus=nil, combine_tls=false)
	4299	args_h = info.munge_opts(args_h) if info
	4300	resolve_midi_args!(args_h, info) if info
	4301	normalise_args!(args_h, defaults)
	4302	scale_time_args_to_bpm!(args_h, info, true) if info && Thread.current.thread_variable_get(:sonic_pi_spider_arg_bpm_scaling)
	4303	args_h
	4304	end
	4305
	4306
	4307	def normalise_and_resolve_synth_args(args_h, info, combine_tls=false)
	4308	purge_nil_vals!(args_h)
3899	4309	defaults = info ? info.arg_defaults : {}
3900	4310	if combine_tls
3901	4311	t_l_args = Thread.current.thread_variable_get(:sonic_pi_mod_sound_synth_defaults) \|\| {}
3902	4312	t_l_args.each do \|k, v\|
3903		args_h[k] = v unless args_h.has_key? k
	4313	args_h[k] = v unless args_h.has_key? k \|\| v.nil?
3904	4314	end
3905	4315	end
	4316
	4317	args_h = info.munge_opts(args_h) if info
3906	4318
3907	4319	resolve_midi_args!(args_h, info) if info
3908	4320	normalise_args!(args_h, defaults)

4153	4565
4154	4566	def ensure_good_timing!
4155	4567	return true if Thread.current.thread_variable_get(:sonic_pi_mod_sound_disable_timing_warnings)
4156
	4568	raise "Timing Exception: thread got too far behind time." if time_diff > 1.1
	4569	end
	4570
	4571	def time_diff
	4572	# negative values mean we're ahead of time
	4573	# positive values mean we're behind time
4157	4574	vt = Thread.current.thread_variable_get :sonic_pi_spider_time
4158		sat = @mod_sound_studio.sched_ahead_time + 1.1
4159		raise "Timing Exception: thread got too far behind time." if (Time.now - sat) > vt
	4575	sat = @mod_sound_studio.sched_ahead_time
	4576	compensated = (Time.now - sat)
	4577	compensated - vt
	4578	end
	4579
	4580	def in_good_time?(error_window=0)
	4581	diff = time_diff
	4582	if diff < error_window
	4583	return true
	4584	else
	4585	if diff < 1.1
	4586	return false
	4587	else
	4588	raise "Timing Exception: thread got too far behind time."
	4589	end
	4590	end
4160	4591	end
4161	4592
4162	4593	def current_synth_name

4167	4598	def set_current_synth(name)
4168	4599	Thread.current.thread_variable_set(:sonic_pi_mod_sound_current_synth_name, name)
4169	4600	end
4170
4171		def __freesound_path(id)
4172		cache_dir = home_dir + '/freesound/'
4173		ensure_dir(cache_dir)
4174
4175		cache_file = cache_dir + "freesound-" + id.to_s + ".wav"
4176
4177		return cache_file if File.exists?(cache_file)
4178
4179		__info "Caching freesound #{id}..."
4180
4181		in_thread(name: "download_freesound_#{id}".to_sym) do
4182		# API key borrowed from Overtone
4183		apiURL = 'http://www.freesound.org/api/sounds/' + id.to_s + '/serve/?api_key=47efd585321048819a2328721507ee23'
4184
4185		resp = Net::HTTP.get_response(URI(apiURL))
4186		case resp
4187		when Net::HTTPSuccess then
4188		if not resp['Content-Disposition'] =~ /\.wav\"$/ then
4189		raise 'Only WAV freesounds are supported, sorry!'
4190		end
4191
4192		open(cache_file, 'wb') do \|file\|
4193		file.write(resp.body)
4194		end
4195		__info "Freesound #{id} loaded and ready to fire!"
4196		else
4197		__info "Failed to download freesound #{id}: " + resp.value
4198		end
4199		end
4200		return nil
4201		end
4202		# doc name: :freesound_path,
4203		# introduced: Version.new(2,1,0),
4204		# summary: "Return local path for sound from freesound.org",
4205		# doc: "Download and cache a sample by ID from freesound.org. Returns path as string if cached. If not cached, returns nil and starts a background thread to download the sample.",
4206		# args: [[:id, :number]],
4207		# opts: nil,
4208		# accepts_block: false,
4209		# examples: ["
4210		# puts freesound(250129) # preloads a freesound and prints its local path, such as '/home/user/.sonic_pi/freesound/250129.wav'"]
4211	4601
4212	4602	def scale_time_args_to_bpm!(args_h, info, force_add = true)
4213	4603	# some of the args in args_h need to be scaled to match the

4284	4674	n += (cent_shift / 100.0)
4285	4675	end
4286	4676
	4677	if @mod_sound_studio
	4678	n += (@mod_sound_studio.cent_tuning / 100.0)
	4679	end
	4680
4287	4681	n += args_h[:pitch].to_f
4288	4682
4289	4683	n = normalise_tuning(n)
4290	4684	return n
4291	4685	end
4292	4686
4293
4294		def __freesound(id, *opts)
4295		path = __freesound_path(id)
4296		arg_h = resolve_synth_opts_hash_or_array(opts)
4297		fallback = arg_h[:fallback]
4298
4299		if path
4300		sample path
4301		elsif fallback
4302		raise "Freesound fallback must be a symbol" unless fallback.is_a? Symbol
4303		__info "Freesound #{id} not yet loaded, playing #{fallback}"
4304		sample fallback
4305		else
4306		__info "Freesound #{id} not yet loaded, skipping"
4307		end
4308
4309		end
4310		# doc name: :freesound,
4311		# introduced: Version.new(2,1,0),
4312		# summary: "Play sample from freesound.org",
4313		# doc: "Fetch from cache (or download then cache) a sample by ID from freesound.org, and then play it.",
4314		# args: [[:id, :number]],
4315		# opts: {:fallback => "Symbol representing built-in sample to play if the freesound id isn't yet downloaded"},
4316		# accepts_block: false,
4317		# examples: ["
4318		# freesound(250129) # takes time to download the first time, but then the sample is cached locally
4319		# ",
4320		# "
4321		# loop do
4322		# sample freesound(27130)
4323		# sleep sample_duration(27130)
4324		# end
4325		# "
4326		# ]
	4687	def sample_find_candidates(*args)
	4688	@sample_loader.find_candidates(*args)
	4689	end
4327	4690	end
	4691
4328	4692	end
4329	4693	end

+1

-1

app/server/sonicpi/lib/sonicpi/lang/support/docsystem.rb less more

2	2	# Full project source: https://github.com/samaaron/sonic-pi
3	3	# License: https://github.com/samaaron/sonic-pi/blob/master/LICENSE.md
4	4	#
5		# Copyright 2013, 2014, 2015 by Sam Aaron (http://sam.aaron.name).
	5	# Copyright 2013, 2014, 2015, 2016 by Sam Aaron (http://sam.aaron.name).
6	6	# All rights reserved.
7	7	#
8	8	# Permission is granted for use, copying, modification, and

+73

-0

app/server/sonicpi/lib/sonicpi/lazybuffer.rb less more

	0	#--
	1	# This file is part of Sonic Pi: http://sonic-pi.net
	2	# Full project source: https://github.com/samaaron/sonic-pi
	3	# License: https://github.com/samaaron/sonic-pi/blob/master/LICENSE.md
	4	#
	5	# Copyright 2013, 2014, 2015, 2016 by Sam Aaron (http://sam.aaron.name).
	6	# All rights reserved.
	7	#
	8	# Permission is granted for use, copying, modification, and
	9	# distribution of modified versions of this work as long as this
	10	# notice is included.
	11	#++
	12
	13	require_relative "buffer"
	14	module SonicPi
	15	class LazyBuffer < Buffer
	16	def initialize(server, id, prom)
	17	@server = server
	18	@id = id
	19	@prom = prom
	20	@realised = false
	21	@prom_mut = Mutex.new
	22	end
	23
	24	def num_frames
	25	wait_for_prom unless @realised
	26	@num_frames
	27	end
	28
	29	def num_chans
	30	wait_for_prom unless @realised
	31	@num_chans
	32	end
	33
	34	def sample_rate
	35	wait_for_prom unless @realised
	36	@sample_rate
	37	end
	38
	39	def duration
	40	wait_for_prom unless @realised
	41	@duration
	42	end
	43
	44	def to_s
	45	wait_for_prom unless @realised
	46	if @path
	47	"#<Buffer @id=#{@id}, @num_chans=#{@num_chans}, @num_frames=#{@num_frames}, @sample_rate=#{@sample_rate}, @duration=#{@duration}, @path=#{@path}>"
	48	else
	49	"#<Buffer @id=#{@id}, @num_chans=#{@num_chans.inspect}, @num_frames=#{@num_frames}, @sample_rate=#{@sample_rate}, @duration=#{@duration}>"
	50	end
	51	end
	52
	53
	54	private
	55
	56	def wait_for_prom
	57	return true if @realised
	58	@prom_mut.synchronize do
	59	return true if @realised
	60	num_frames, num_chans, sample_rate = @prom.get
	61	@num_frames = num_frames
	62	@num_chans = num_chans
	63	@sample_rate = sample_rate
	64	@duration = num_frames.to_f / sample_rate.to_f
	65	@state = :live
	66	@mutex = Mutex.new
	67	@path = nil
	68	@realised = true
	69	end
	70	end
	71	end
	72	end

+150

-0

app/server/sonicpi/lib/sonicpi/lazynode.rb less more

	0	#--
	1	# This file is part of Sonic Pi: http://sonic-pi.net
	2	# Full project source: https://github.com/samaaron/sonic-pi
	3	# License: https://github.com/samaaron/sonic-pi/blob/master/LICENSE.md
	4	#
	5	# Copyright 2013, 2014, 2015, 2016 by Sam Aaron (http://sam.aaron.name).
	6	# All rights reserved.
	7	#
	8	# Permission is granted for use, copying, modification, and
	9	# distribution of modified versions of this work as long as this
	10	# notice is included.
	11	#++
	12	require_relative "synthnode"
	13
	14	module SonicPi
	15	class LazyNode < SynthNode
	16
	17	def initialize(prom)
	18	@realised = false
	19	@prom_mut = Mutex.new
	20	@node = nil
	21	@prom = prom
	22	end
	23
	24	def args
	25	wait_for_prom unless @realised
	26	@node.args
	27	end
	28
	29	def name
	30	wait_for_prom unless @realised
	31	@node.name
	32	end
	33
	34	def on_destroyed(&block)
	35	wait_for_prom unless @realised
	36	@node.on_destroyed(&block)
	37	end
	38
	39	def on_started(&block)
	40	wait_for_prom unless @realised
	41	@node.on_started(&block)
	42	end
	43
	44	def kill(now=false)
	45	wait_for_prom unless @realised
	46	@node.kill(now)
	47	end
	48
	49	def pause(now=false)
	50	wait_for_prom unless @realised
	51	@node.pause(now)
	52	end
	53
	54	def run(now=false)
	55	wait_for_prom unless @realised
	56	@node.run(now)
	57	end
	58
	59	def ctl(*args)
	60	wait_for_prom unless @realised
	61	@node.ctl(*args)
	62	end
	63
	64	def control(*args)
	65	wait_for_prom unless @realised
	66	@node.ctl(*args)
	67	end
	68
	69	def ctl_now(*args)
	70	wait_for_prom unless @realised
	71	@node.ctl_now(*args)
	72	end
	73
	74	def live?
	75	wait_for_prom unless @realised
	76	@node.live?
	77	end
	78
	79	def destroyed?
	80	wait_for_prom unless @realised
	81	@node.destroyed?
	82	end
	83
	84	def paused?
	85	wait_for_prom unless @realised
	86	@node.paused?
	87	end
	88
	89	def running?
	90	wait_for_prom unless @realised
	91	@node.running?
	92	end
	93
	94	def state
	95	wait_for_prom unless @realised
	96	@node.state
	97	end
	98
	99	def name
	100	wait_for_prom unless @realised
	101	@node.name
	102	end
	103
	104	def to_i
	105	wait_for_prom unless @realised
	106	@node.to_i
	107	end
	108
	109	def to_f
	110	wait_for_prom unless @realised
	111	@node.to_f
	112	end
	113
	114	def to_s
	115	wait_for_prom unless @realised
	116	"#<SonicPi::LazySynthNode @id=#{@node.id}>"
	117	end
	118
	119	def id
	120	wait_for_prom unless @realised
	121	@node.id
	122	end
	123
	124	def inspect
	125	wait_for_prom unless @realised
	126	to_s
	127	end
	128
	129	def blank_node?
	130	false
	131	end
	132
	133	def info
	134	wait_for_prom unless @realised
	135	@node.info
	136	end
	137
	138
	139	private
	140
	141	def wait_for_prom
	142	return true if @realised
	143	@prom_mut.synchronize do
	144	return true if @realised
	145	@node = @prom.get
	146	end
	147	end
	148	end
	149	end

+1

-1

app/server/sonicpi/lib/sonicpi/lifecyclehooks.rb less more

2	2	# Full project source: https://github.com/samaaron/sonic-pi
3	3	# License: https://github.com/samaaron/sonic-pi/blob/master/LICENSE.md
4	4	#
5		# Copyright 2013, 2014, 2015 by Sam Aaron (http://sam.aaron.name).
	5	# Copyright 2013, 2014, 2015, 2016 by Sam Aaron (http://sam.aaron.name).
6	6	# All rights reserved.
7	7	#
8	8	# Permission is granted for use, copying, modification, and

+1

-1

app/server/sonicpi/lib/sonicpi/node.rb less more

2	2	# Full project source: https://github.com/samaaron/sonic-pi
3	3	# License: https://github.com/samaaron/sonic-pi/blob/master/LICENSE.md
4	4	#
5		# Copyright 2013, 2014, 2015 by Sam Aaron (http://sam.aaron.name).
	5	# Copyright 2013, 2014, 2015, 2016 by Sam Aaron (http://sam.aaron.name).
6	6	# All rights reserved.
7	7	#
8	8	# Permission is granted for use, copying, modification, and

+1

-1

app/server/sonicpi/lib/sonicpi/nodeproxy.rb less more

2	2	# Full project source: https://github.com/samaaron/sonic-pi
3	3	# License: https://github.com/samaaron/sonic-pi/blob/master/LICENSE.md
4	4	#
5		# Copyright 2013, 2014, 2015 by Sam Aaron (http://sam.aaron.name).
	5	# Copyright 2013, 2014, 2015, 2016 by Sam Aaron (http://sam.aaron.name).
6	6	# All rights reserved.
7	7	#
8	8	# Permission is granted for use, copying, modification, and

+1

-1

app/server/sonicpi/lib/sonicpi/note.rb less more

2	2	# Full project source: https://github.com/samaaron/sonic-pi
3	3	# License: https://github.com/samaaron/sonic-pi/blob/master/LICENSE.md
4	4	#
5		# Copyright 2013, 2014, 2015 by Sam Aaron (http://sam.aaron.name).
	5	# Copyright 2013, 2014, 2015, 2016 by Sam Aaron (http://sam.aaron.name).
6	6	# All rights reserved.
7	7	#
8	8	# Permission is granted for use, copying, modification, and

+1

-1

app/server/sonicpi/lib/sonicpi/osc/osc.rb less more

2	2	# Full project source: https://github.com/samaaron/sonic-pi
3	3	# License: https://github.com/samaaron/sonic-pi/blob/master/LICENSE.md
4	4	#
5		# Copyright 2013, 2014, 2015 by Sam Aaron (http://sam.aaron.name).
	5	# Copyright 2013, 2014, 2015, 2016 by Sam Aaron (http://sam.aaron.name).
6	6	# All rights reserved.
7	7	#
8	8	# Permission is granted for use, copying, modification, and

+1

-1

app/server/sonicpi/lib/sonicpi/osc/oscdecode.rb less more

2	2	# Full project source: https://github.com/samaaron/sonic-pi
3	3	# License: https://github.com/samaaron/sonic-pi/blob/master/LICENSE.md
4	4	#
5		# Copyright 2013, 2014, 2015 by Sam Aaron (http://sam.aaron.name).
	5	# Copyright 2013, 2014, 2015, 2016 by Sam Aaron (http://sam.aaron.name).
6	6	# All rights reserved.
7	7	#
8	8	# Permission is granted for use, copying, modification, and

+2

-2

app/server/sonicpi/lib/sonicpi/osc/oscencode.rb less more

2	2	# Full project source: https://github.com/samaaron/sonic-pi
3	3	# License: https://github.com/samaaron/sonic-pi/blob/master/LICENSE.md
4	4	#
5		# Copyright 2013, 2014, 2015 by Sam Aaron (http://sam.aaron.name).
	5	# Copyright 2013, 2014, 2015, 2016 by Sam Aaron (http://sam.aaron.name).
6	6	# All rights reserved.
7	7	#
8	8	# Permission is granted for use, copying, modification, and

95	95
96	96	args_encoded << get_from_or_add_to_string_cache(arg)
97	97	else
98		raise "Unknown arg type to encode: #{arg}"
	98	raise "Unknown arg type to encode: #{arg.inspect}"
99	99	end
100	100	end
101	101

+1

-1

app/server/sonicpi/lib/sonicpi/osc/tcp_client.rb less more

2	2	# Full project source: https://github.com/samaaron/sonic-pi
3	3	# License: https://github.com/samaaron/sonic-pi/blob/master/LICENSE.md
4	4	#
5		# Copyright 2013, 2014, 2015 by Sam Aaron (http://sam.aaron.name).
	5	# Copyright 2013, 2014, 2015, 2016 by Sam Aaron (http://sam.aaron.name).
6	6	# All rights reserved.
7	7	#
8	8	# Permission is granted for use, copying, modification, and

+1

-1

app/server/sonicpi/lib/sonicpi/osc/tcp_server.rb less more

2	2	# Full project source: https://github.com/samaaron/sonic-pi
3	3	# License: https://github.com/samaaron/sonic-pi/blob/master/LICENSE.md
4	4	#
5		# Copyright 2013, 2014, 2015 by Sam Aaron (http://sam.aaron.name).
	5	# Copyright 2013, 2014, 2015, 2016 by Sam Aaron (http://sam.aaron.name).
6	6	# All rights reserved.
7	7	#
8	8	# Permission is granted for use, copying, modification, and

+1

-1

app/server/sonicpi/lib/sonicpi/osc/udp_client.rb less more

2	2	# Full project source: https://github.com/samaaron/sonic-pi
3	3	# License: https://github.com/samaaron/sonic-pi/blob/master/LICENSE.md
4	4	#
5		# Copyright 2013, 2014, 2015 by Sam Aaron (http://sam.aaron.name).
	5	# Copyright 2013, 2014, 2015, 2016 by Sam Aaron (http://sam.aaron.name).
6	6	# All rights reserved.
7	7	#
8	8	# Permission is granted for use, copying, modification, and

+15

-4

app/server/sonicpi/lib/sonicpi/osc/udp_server.rb less more

2	2	# Full project source: https://github.com/samaaron/sonic-pi
3	3	# License: https://github.com/samaaron/sonic-pi/blob/master/LICENSE.md
4	4	#
5		# Copyright 2013, 2014, 2015 by Sam Aaron (http://sam.aaron.name).
	5	# Copyright 2013, 2014, 2015, 2016 by Sam Aaron (http://sam.aaron.name).
6	6	# All rights reserved.
7	7	#
8	8	# Permission is granted for use, copying, modification, and

14	14	module SonicPi
15	15	module OSC
16	16	class UDPServer
17		def initialize(port, opts={}, &proc)
	17	def initialize(port, opts={}, &global_method)
18	18	open = opts[:open]
19	19	use_decoder_cache = opts[:use_decoder_cache]
20	20	decoder_cache_size = opts[:decoder_cache_size] \|\| 1000

29	29	@socket.bind('127.0.0.1', port )
30	30	end
31	31	@matchers = {}
32		@global_matcher = proc
	32	@global_matcher = global_method
33	33	@decoder = OscDecode.new(use_decoder_cache, decoder_cache_size)
34	34	@encoder = OscEncode.new(use_encoder_cache, encoder_cache_size)
35	35	@listener_thread = Thread.new {start_listener}

70	70
71	71	def start_listener
72	72	loop do
73		osc_data, network = @socket.recvfrom( 16384 )
	73	begin
	74	osc_data, network = @socket.recvfrom( 16384 )
	75	rescue Exception => e
	76	STDERR.puts "\n==========="
	77	STDERR.puts "Critical: UDP Server for address #{address} had issues receiving reading socket"
	78	STDERR.puts e.message
	79	STDERR.puts e.backtrace.inspect
	80	STDERR.puts "===========\n"
	81	Kernel.sleep 1
	82	redo
	83	end
	84
74	85	begin
75	86	address, args = @decoder.decode_single_message(osc_data)
76	87	if @global_matcher

+2

-2

app/server/sonicpi/lib/sonicpi/preparser.rb less more

2	2	# Full project source: https://github.com/samaaron/sonic-pi
3	3	# License: https://github.com/samaaron/sonic-pi/blob/master/LICENSE.md
4	4	#
5		# Copyright 2013, 2014, 2015 by Sam Aaron (http://sam.aaron.name).
	5	# Copyright 2013, 2014, 2015, 2016 by Sam Aaron (http://sam.aaron.name).
6	6	# All rights reserved.
7	7	#
8	8	# Permission is granted for use, copying, modification, and

22	22	def self.preparse(rb)
23	23	SonicPi::Lang::Core.vec_fns.each do \|fn\|
24	24	fn = fn[:name].to_s
25		rb.gsub!(/\((\s*)#{fn}(\s)/, '\1' + fn + '(\2')
	25	rb.gsub!(/\((\s)#{fn}([, ]+)/) {\|s\| ' ' + $1 + fn + '(' + (' ' ($2.size - 1))}
26	26
27	27	rb.gsub!(/:([a-zA-Z0-9\!\?=_]+:[a-zA-Z0-9\!\?=_]+[a-zA-Z0-9\!\?=_]*)/){\|s\| "::SonicPi::SPSym.new(#{$1.split(':').map(&:to_sym)})"}
28	28

+1

-1

app/server/sonicpi/lib/sonicpi/promise.rb less more

2	2	# Full project source: https://github.com/samaaron/sonic-pi
3	3	# License: https://github.com/samaaron/sonic-pi/blob/master/LICENSE.md
4	4	#
5		# Copyright 2013, 2014, 2015 by Sam Aaron (http://sam.aaron.name).
	5	# Copyright 2013, 2014, 2015, 2016 by Sam Aaron (http://sam.aaron.name).
6	6	# All rights reserved.
7	7	#
8	8	# Permission is granted for use, copying, modification, and

+1

-1

app/server/sonicpi/lib/sonicpi/rcv_dispatch.rb less more

2	2	# Full project source: https://github.com/samaaron/sonic-pi
3	3	# License: https://github.com/samaaron/sonic-pi/blob/master/LICENSE.md
4	4	#
5		# Copyright 2013, 2014, 2015 by Sam Aaron (http://sam.aaron.name).
	5	# Copyright 2013, 2014, 2015, 2016 by Sam Aaron (http://sam.aaron.name).
6	6	# All rights reserved.
7	7	#
8	8	# Permission is granted for use, copying, modification, and

+131

-58

app/server/sonicpi/lib/sonicpi/runtime.rb less more

2	2	# Full project source: https://github.com/samaaron/sonic-pi
3	3	# License: https://github.com/samaaron/sonic-pi/blob/master/LICENSE.md
4	4	#
5		# Copyright 2013, 2014, 2015 by Sam Aaron (http://sam.aaron.name).
	5	# Copyright 2013, 2014, 2015, 2016 by Sam Aaron (http://sam.aaron.name).
6	6	# All rights reserved.
7	7	#
8	8	# Permission is granted for use, copying, modification, and

175	175	end
176	176
177	177	def __print_version_outdated_info(v=@server_version)
178		__info "Your version of Sonic Pi is outdated"
179		__info "The latest is #{v}"
180		__info "Please consider updating..."
	178	__info "--- IMPORTANT NOTICE ---\n\n Your version of Sonic Pi is outdated\n The latest is #{v}\n Please consider updating:\n\n http://sonic-pi.net\n\n", 1
181	179	end
182	180
183	181

191	189	end
192	190	end
193	191
194		def __info(s)
195		@msg_queue.push({:type => :info, :val => s.to_s})
	192	def __info(s, style=0)
	193	@msg_queue.push({:type => :info, :style => style, :val => s.to_s})
196	194	end
197	195
198	196	def __multi_message(m)

311	309	err_msg.gsub!(/for #<SonicPiSpiderUser[a-z0-9:]+>/, '')
312	310	res = ""
313	311	if line != -1
314		res = res + "[#{info[:workspace]}, line #{line}]"
	312
	313	# TODO: Remove this hack when we have projects
	314	w = info[:workspace]
	315	w = "buffer " + w[10..-1]
	316	# TODO: end of hack
	317
	318	res = res + "[#{w}, line #{line}]"
315	319	else
316		res = res + "[#{info[:workspace]}]"
	320	res = res + "[#{w}]"
317	321	end
318	322	res = res + "\n" + m if m
319	323	res = res + "\n #{err_msg}"

388	392	@user_jobs.each_id do \|id\|
389	393	__stop_job id
390	394	end
	395	# Force a GC collection now everything has stopped
	396	GC.start
391	397	end
392	398
393	399	def __stop_other_jobs

436	442	return nil
437	443	end
438	444
439		def __complete_snippet_or_indent_lines(workspace_id, buf, start_line, finish_line, point_line, point_index)
	445	def __indent_lines(buf)
	446
	447	end
	448
	449
	450	def __buffer_indent_lines(workspace_id, buf, start_line, finish_line, point_line, point_index)
	451	__buffer_complete_snippet_or_indent_lines(workspace_id, buf, start_line, finish_line, point_line, point_index, false)
	452	end
	453
	454	def __complete_snippet_or_indent_lines(buf, start_line, finish_line, point_line, point_index, complete_snippet=true)
440	455	orig_finish_line = finish_line
441	456	snippet_completion = false
442		id = workspace_id.to_s
443	457	buf = buf + "\n"
444	458	buf_lines = buf.lines.to_a
445	459	if (start_line == finish_line)
446	460	completion_line = buf_lines[start_line].to_s.rstrip
447	461
448		c = __snippet_completion?(completion_line[0...point_index])
	462	c = complete_snippet && __snippet_completion?(completion_line[0...point_index])
449	463	if c
450	464	snippet_completion = true
451	465	completion_key, val = *c

488	502	# Calculate amount of whitespace at start of original line
489	503	orig_point_line = buf_lines[point_line]
490	504	orig_point_line_ws_len = orig_point_line[/\A */].size
491
492		if buf_lines[point_line] =~ /^\s*$/
493		#line is just whitespace, put in a dummy line so it gets autoindented
494		buf_lines[point_line] = "#dummy\n"
495		dummy_line = true
496		else
497		dummy_line = false
	505	dummy_lines = false
	506	dummy_point_line = false
	507
	508	(start_line..finish_line).each do \|line_idx\|
	509	b = buf_lines[line_idx]
	510	if b.match(/\A\s*\Z/)
	511	#line is just whitespace, put in a dummy line so it gets autoindented
	512	buf_lines[line_idx] = "#___sonic_pi_dummy_line___\n"
	513	dummy_lines = true
	514	dummy_point_line = true if point_line == line_idx
	515	end
498	516	end
499	517	else
500	518	manipulate_point = false

507	525	# calculate amount of whitespace at start of beautified line
508	526	beautiful_lines = beautiful.lines.to_a
509	527	if manipulate_point
510		if dummy_line
	528	if dummy_point_line
511	529	# remove dummy line and extract leading whitespace
512	530	indented_dummy = beautiful_lines[point_line]
513	531	indented_dummy_whitespace = indented_dummy.match(/\A(\s*)/)[1]

524	542	point_index = new_point_line.size - 1 if point_index > new_point_line.size
525	543	point_index = orig_point_line_ws_len if point_index < orig_point_line_ws_len
526	544	end
	545
	546	if dummy_lines
	547	# remove other dummy lines
	548	(start_line..finish_line).each do \|line_idx\|
	549	line = beautiful_lines[line_idx]
	550	m = line.match(/\A(\s*)#___sonic_pi_dummy_line___/)
	551	beautiful_lines[line_idx] = m[1] + "\n" if m
	552	end
	553	end
527	554	end
528	555	indented_lines = beautiful_lines[start_line..finish_line].join
529	556	finish_line = orig_finish_line if snippet_completion
530		@msg_queue.push({type: "replace-lines", buffer_id: id, val: indented_lines, start_line: start_line, finish_line: finish_line, point_line: point_line, point_index: point_index})
531
532		end
	557
	558	return {val: indented_lines, start_line: start_line, finish_line: finish_line, point_line: point_line, point_index: point_index}
	559	end
	560
	561	def __buffer_complete_snippet_or_indent_lines(workspace_id, buf, start_line, finish_line, point_line, point_index, complete_snippet=true)
	562	id = workspace_id.to_s
	563	res = __complete_snippet_or_indent_lines(buf, start_line, finish_line, point_line, point_index, true)
	564	@msg_queue.push(res.merge({type: "replace-lines", buffer_id: id}))
	565	end
	566
	567	def __buffer_newline_and_indent(workspace_id, buf, point_line, point_index, first_line)
	568	id = workspace_id.to_s
	569	lines = buf.lines.to_a
	570	if lines == []
	571	lines = ["\n"]
	572	else
	573	if lines[point_line]
	574	lines[point_line].insert(point_index , "\n")
	575	else
	576	lines[point_line] = "\n"
	577	end
	578	end
	579
	580	buf = lines.join
	581
	582	__buffer_beautify(id, buf, point_line + 1, 0, first_line)
	583	end
	584
533	585
534	586	def __toggle_comment(workspace_id, buf, start_line, finish_line, point_line, point_index)
535	587	id = workspace_id.to_s

541	593	# Otherwise comment
542	594	lines = buf_lines[start_line..finish_line]
543	595
544		if(lines.all?{\|el\| el.match(/^\s#./) \|\| el.match(/^\s*$/)})
545		# need to uncomment
	596	if(lines.all?{\|el\| el.match(/^\s#.?/) \|\| el.match(/^\s*$/)})
	597	# need to uncomment ##\| style comments
546	598	lines = lines.map do \|l\|
547		m = l.match(/^(\s)#+[ ]?(.)/)
	599	m = l.match(/^(\s)#[#\\| ](.*)/)
548	600	if m
549	601	m[1] + m[2] + "\n"
550	602	else
551	603	l
552	604	end
553	605	end
554
555	606	else
556	607	# need to comment
557	608	# find shortest amount of whitespace at beginning of line

562	613	end
563	614
564	615	lines.each do \|l\|
565		l[ws] = "# #{l[ws]}" unless l.match(/^(\s*)$/)
	616	l[ws] = "##\| #{l[ws]}" unless l.match(/^(\s*)$/)
566	617	end
567	618	end
568	619
569	620	@msg_queue.push({type: "replace-lines", buffer_id: id, val: lines.join, start_line: start_line, finish_line: finish_line, point_line: point_line, point_index: point_index})
570	621	end
571	622
572		def __beautify_buffer(id, buf, line, index, first_line)
	623	def __buffer_beautify(id, buf, line, index, first_line)
573	624	id = id.to_s
574	625	buf = buf + "\n"
575	626	buf_lines = buf.lines.to_a
576
	627	buf = buf_lines.inspect
	628	buf_lines = buf_lines.map! do \|l\|
	629	if l.match /^\s*$/
	630	"_____sonic_pi_tmp_insert_____\n"
	631	else
	632	l
	633	end
	634	end
	635	buf = buf_lines.join
577	636	## ensure point isn't beyond buffer
578	637	max_buf_idx = buf_lines.size - 1
579	638	line = max_buf_idx if line > max_buf_idx

590	649	# calculate amount of whitespace at start of beautified line
591	650	beautiful_lines = beautiful.lines.to_a
592	651	beautiful_len = beautiful_lines.size
	652	beautiful_lines.map! {\|l\| l.slice! "_____sonic_pi_tmp_insert_____" ; l}
	653
593	654	post_line = beautiful_lines[line]
594	655	post_ws_len = post_line[/\A */].size
	656	beautiful = beautiful_lines.join
595	657
596	658	# shift index based on how much the line was indented so the
597	659	# cursor stays in the same place relative to the original line

599	661	index = index + (post_ws_len - prev_ws_len)
600	662	index = post_line.size - 1 if index > post_line.size
601	663
602		# Strip whitespace at the beginning of the buffer
603		beautiful.lstrip!
604
605	664	# adjust line number based on how many lines were removed as a
606	665	# result of the whitespace stripping
607	666	post_lstrip_len = beautiful.lines.to_a.size
608	667	line = line - (beautiful_len - post_lstrip_len)
609	668	line = 0 if line < 0
610
611		# Strip whitespace from the end of the buffer
612		beautiful.rstrip!
613		post_rstrip_len = beautiful.lines.to_a.size
614
615		# move point to end of buffer if whitespace stripping at end of
616		# buffer put point out of bounds
617		if line >= post_rstrip_len
618		line = post_rstrip_len
619		index = beautiful.lines.to_a.last.size
620		end
	669	beautiful.chomp!
621	670	@msg_queue.push({type: "replace-buffer", buffer_id: id, val: beautiful, line: line, index: index, first_line: first_line})
622	671	end
623	672

650	699
651	700	# skip __nosave lines for error reporting
652	701	firstline = 1
653		firstline -= code.split(/\r?\n/).count{\|l\| l.include? "#__nosave__"}
	702	firstline -= code.lines.to_a.take_while{\|l\| l.include? "#__nosave__"}.count
654	703	start_t_prom = Promise.new
655	704	info[:workspace] = 'eval' unless info[:workspace]
656	705	job = Thread.new do

679	728	start_t_prom.deliver! now
680	729	Thread.current.thread_variable_set :sonic_pi_spider_time, now
681	730	Thread.current.thread_variable_set :sonic_pi_spider_start_time, now
682		@global_start_time = now if num_running_jobs == 1
	731	Thread.current.thread_variable_set :sonic_pi_spider_beat, 0
	732	if num_running_jobs == 1
	733	@global_start_time = now
	734	# Force a GC collection before we start making music!
	735	GC.start
	736	end
683	737	__info "Starting run #{id}"
684	738	code = PreParser.preparse(code)
685	739

695	749	error_line = ""
696	750	if line
697	751	line = line.to_i
698		err_msg = "[#{info[:workspace]}, line #{line}] \n #{message}"
699		error_line = code.lines.to_a[line + 1] \|\| ""
	752
	753	# TODO: Remove this hack when we have projects
	754	w = info[:workspace]
	755	w = "buffer " + w[10..-1]
	756	# TODO: end of hack
	757
	758	err_msg = "[#{w}, line #{line}] \n #{message}"
	759	error_line = code.lines.to_a[line] \|\| ""
700	760	else
701	761	line = -1
702	762	err_msg = "\n #{e.message}"

735	795	end
736	796
737	797	def __exit
	798	log "Runtime - shutting down..."
	799	@event_t.kill
	800	log "Runtime - stopping all jobs..."
738	801	__stop_jobs
739	802	@msg_queue.push({:type => :exit, :jobid => __current_job_id, :jobinfo => __current_job_info})
740		@event_t.kill
741
742
	803	log "Runtime - shutdown completed."
743	804	end
744	805
745	806	def __describe_threads

848	909	end
849	910
850	911	def filter_for_save(s)
851		s.split(/\r?\n/).reject{\|l\| l.include? "#__nosave__"}.join("\n")
	912	s.lines.to_a.reject{\|l\| l.include? "#__nosave__"}.join
852	913	end
853	914
854	915	def sthread(name)

874	935	@git_hash = __extract_git_hash
875	936	gh_short = @git_hash ? "-#{@git_hash[0, 5]}" : ""
876	937	@settings = Config::Settings.new(user_settings_path)
877		# @version = Version.new(2, 9, 0, "dev#{gh_short}")
878		@version = Version.new(2, 9, 0)
	938	@version = Version.new(2, 10, 0)
879	939	@server_version = __server_version
880	940	@life_hooks = LifeCycleHooks.new
881	941	@msg_queue = msg_queue

897	957
898	958	@gui_heartbeats = {}
899	959	@gui_last_heartbeat = nil
900		@gitsave = GitSave.new(project_path)
	960	begin
	961	@gitsave = GitSave.new(project_path)
	962	rescue
	963	@gitsave = nil
	964	end
901	965
902	966	@save_queue = SizedQueue.new(20)
903	967

921	985	File.open(path, 'w') {\|f\| f.write(content) }
922	986	@gitsave.save!(filename, content, "#{@version} -- #{@session_id} -- ")
923	987	rescue Exception => e
	988	log "Exception saving buffer #{filename}:\n#{e.inspect}"
924	989	##TODO: remove this and ensure that git saving actually works
925	990	##instead of cowardly hiding the issue!
926	991	end
927	992	end
928	993	end
929		__info "Welcome to Sonic Pi"
	994	__info "Welcome to Sonic Pi", 1
930	995	__info "Session #{@session_id[0..7]}"
931	996	date = Time.now
932	997	__info "#{date.strftime("%A")} #{date.day.ordinalize} #{date.strftime("%B, %Y")}"
933	998	__info "%02d:%02d, %s" % [date.hour, date.min, date.zone]
934
935		__info "#{@version} Ready..."
936	999
937	1000	__info [
938	1001	"Hello, somewhere in the world

944	1007	"Turn your head towards the sun
945	1008	and the shadows
946	1009	will fall
947		behind you."].sample
	1010	behind you."].sample, 1
948	1011
949	1012	msg = @settings.get(:message) \|\| ""
950	1013	msg = msg.strip

953	1016
954	1017	__info msg unless msg.empty?
955	1018
	1019
956	1020	load_snippets(snippets_path, true)
	1021
	1022	if safe_mode?
	1023	__info "!!WARNING!! - file permissions issue:\n Unable to write to folder #{home_dir} \n Booting in SAFE MODE.\n Buffer auto-saving is disabled, please save your work manually.", 1
	1024	end
	1025
	1026	log "Unable to initialise git repo at #{project_path}" unless @gitsave
	1027
	1028	__info "#{@version} Ready..."
	1029
957	1030	end
958	1031
959	1032

+184

-0

app/server/sonicpi/lib/sonicpi/sample_loader.rb less more

	0	#--
	1	# This file is part of Sonic Pi: http://sonic-pi.net
	2	# Full project source: https://github.com/samaaron/sonic-pi
	3	# License: https://github.com/samaaron/sonic-pi/blob/master/LICENSE.md
	4	#
	5	# Copyright 2013, 2014, 2015, 2016 by Sam Aaron (http://sam.aaron.name).
	6	# All rights reserved.
	7	#
	8	# Permission is granted for use, copying, modification, and
	9	# distribution of modified versions of this work as long as this
	10	# notice is included.
	11	#++
	12
	13	module SonicPi
	14	class SampleLoader
	15	def initialize(samples_path)
	16	@cached_candidates = {}
	17	@cached_extracted_candidates = {}
	18	@cached_extracted_candidates_mutex = Mutex.new
	19	@cached_candidates_mutex = Mutex.new
	20	@cached_folder_contents = {}
	21	@mutex = Mutex.new
	22	@folder_contents_mutex = Mutex.new
	23
	24	@samples_path = samples_path
	25	end
	26
	27	def find_candidates(filts_and_sources)
	28	return [] if filts_and_sources.empty?
	29	filts_and_sources.flatten!
	30
	31	res = @cached_candidates[filts_and_sources]
	32	return res if res
	33
	34	orig_candidates, filters_and_procs = split_candidates_and_filts(filts_and_sources)
	35
	36	candidates = extract_candidates(orig_candidates).dup
	37	found_proc = false
	38
	39	if orig_candidates.empty?
	40	default_samples_paths.each do \|p\|
	41	if p.end_with?("**")
	42	candidates.concat(ls_samples(p[0...-2], true))
	43	else
	44	candidates.concat(ls_samples(p))
	45	end
	46	end
	47	end
	48	filters_and_procs.each do \|f\|
	49	case f
	50	when String
	51	candidates.keep_if do \|v\|
	52	bn = File.basename(v, ".*")
	53	bn.downcase.include?(f.downcase) \|\| (File.basename(v) == f)
	54	end
	55	when Symbol
	56	candidates.keep_if do \|v\|
	57	bn = File.basename(v, ".*")
	58	bn == f.to_s
	59	end
	60	when Regexp
	61	candidates.keep_if do \|v\|
	62	bn = File.basename(v, ".*")
	63	bn.match f
	64	end
	65	when Fixnum
	66	unless candidates.empty?
	67	candidates = [candidates[f % candidates.size]]
	68	end
	69	when NilClass
	70	# Do nothing
	71	when Proc
	72	raise "Sample Pack Proc needs to accept either 0 or 1 arguments. Found #{block.arity}" unless f.arity == 1
	73	found_proc = true
	74	candidates = f.call(candidates)
	75	raise "Sample Pack Filter Proc needs to return an array or ring. Got #{candidates.class}: #{candidates.inspect}" unless candidates.is_a?(Array) \|\| candidates.is_a?(SonicPi::Core::RingVector)
	76	else
	77	raise "Unknown sample filter type: #{f.class} - got: #{f.inspect}"
	78	end
	79	end
	80
	81	# don't cache contents if there's a proc as it may be stateful or
	82	# random and therefore the same proc might exhibit different
	83	# behaviour each time it is called.
	84	unless found_proc
	85	@mutex.synchronize do
	86	@cached_candidates[filts_and_sources] = candidates.freeze
	87	end
	88	#end mutex
	89	end
	90
	91	return candidates
	92	end
	93
	94
	95	def extract_candidates(candidates)
	96	return [] if candidates.empty?
	97	cached_all_candidates = @cached_extracted_candidates[candidates]
	98	return cached_all_candidates if cached_all_candidates
	99
	100	@cached_extracted_candidates_mutex.synchronize do
	101	cached_all_candidates = @cached_extracted_candidates[candidates]
	102	return cached_all_candidates if cached_all_candidates
	103
	104	all_candidates = []
	105
	106	candidates.each do \|c\|
	107	expanded = File.expand_path(c)
	108	if expanded.end_with?("**") && File.directory?(expanded[0...-2])
	109	all_candidates.concat(ls_samples(expanded[0...-2], true))
	110	elsif File.directory?(expanded)
	111	all_candidates.concat(ls_samples(expanded))
	112	elsif File.exists?(expanded)
	113	all_candidates << expanded
	114	else
	115	raise "Unknown sample candidate kind: #{expanded.inspect}. Not a file, directory or /** glob."
	116	end
	117	all_candidates_copy = all_candidates.clone
	118	@cached_extracted_candidates[candidates] = all_candidates_copy.freeze
	119	end
	120
	121	return all_candidates
	122	end
	123	end
	124
	125
	126	def split_candidates_and_filts(filts_and_sources)
	127	candidates = []
	128	idx = 0
	129	filts_and_sources.each_with_index do \|el\|
	130	break unless el.is_a?(String)
	131
	132	p = File.expand_path(el)
	133
	134	if @cached_folder_contents[p] \|\| File.exists?(p) \|\| (p.end_with?("**") && File.directory?(p[0...-2]))
	135	idx += 1
	136	candidates << p
	137	else
	138	break
	139	end
	140	end
	141
	142	return candidates, filts_and_sources[idx..-1]
	143	end
	144
	145	def ls_samples(path, recursive=false)
	146	return [] unless File.directory?(path)
	147	res = @cached_folder_contents[path]
	148	return res if res
	149
	150	@folder_contents_mutex.synchronize do
	151	res = @cached_folder_contents[path]
	152	return res if res
	153	if recursive
	154	res = Dir.chdir(path) { Dir.glob("*/.{wav,wave,aif,aiff,flac}").map {\|path\| File.expand_path(path) } }.sort
	155	else
	156	res = Dir.chdir(path) { Dir.glob("*.{wav,wave,aif,aiff,flac}").map {\|path\| File.expand_path(path) } }.sort
	157	end
	158	@cached_folder_contents[path] = res.freeze
	159	end
	160	res
	161	end
	162
	163	def reset!
	164	@cached_extracted_candidates_mutex.synchronize do
	165	@cached_candidates_mutex.synchronize do
	166	@mutex.synchronize do
	167	@cached_extracted_candidates = {}
	168	@cached_candidates = {}
	169	@cached_folder_contents = {}
	170	end
	171	end
	172	end
	173	end
	174
	175	private
	176
	177	def default_samples_paths
	178	path = Thread.current.thread_variable_get(:sonic_pi_mod_sound_sample_path) \|\| @samples_path
	179	path = [path] unless path.is_a?(Array) or path.is_a?(SonicPi::Core::SPVector)
	180	end
	181
	182	end
	183	end

+1

-1

app/server/sonicpi/lib/sonicpi/scale.rb less more

2	2	# Full project source: https://github.com/samaaron/sonic-pi
3	3	# License: https://github.com/samaaron/sonic-pi/blob/master/LICENSE.md
4	4	#
5		# Copyright 2013, 2014, 2015 by Sam Aaron (http://sam.aaron.name).
	5	# Copyright 2013, 2014, 2015, 2016 by Sam Aaron (http://sam.aaron.name).
6	6	# All rights reserved.
7	7	#
8	8	# Permission is granted for use, copying, modification, and

+58

-42

app/server/sonicpi/lib/sonicpi/scsynthexternal.rb less more

2	2	# Full project source: https://github.com/samaaron/sonic-pi
3	3	# License: https://github.com/samaaron/sonic-pi/blob/master/LICENSE.md
4	4	#
5		# Copyright 2013, 2014, 2015 by Sam Aaron (http://sam.aaron.name).
	5	# Copyright 2013, 2014, 2015, 2016 by Sam Aaron (http://sam.aaron.name).
6	6	# All rights reserved.
7	7	#
8	8	# Permission is granted for use, copying, modification, and

66	66
67	67	def shutdown
68	68	log "Sending /quit command to server"
69		@server.send(@hostname, @port, "/quit")
	69	begin
	70	@server.send(@hostname, @port, "/quit")
	71	rescue Exception => e
	72	log "Error during scsynth shutdown when attempting to send /quit OSC message to server #{@hostname} on port #{@port}"
	73	end
70	74	@server.stop
71	75	t1, t2 = nil, nil
72	76	if @jack_pid

112	116	log "going to kill #{pid}"
113	117	return kill_pid_win(pid) if os == :windows
114	118	pid = Integer(pid)
115		Process.kill(15, pid)
116
117		safe_wait.to_i.times do
118		sleep 1
119		begin
120		alive = Process.waitpid(pid, Process::WNOHANG)
121		return unless alive
122		rescue SystemCallError
123		# process is definitely dead!
124		return nil
125		end
126		end
127
128		Process.kill(9, pid)
	119	begin
	120	Process.kill(15, pid)
	121	safe_wait.to_i.times do
	122	begin
	123	alive = Process.waitpid(pid, Process::WNOHANG)
	124	unless alive
	125	log "Successfully killed #{pid}"
	126	return nil
	127	end
	128	rescue Exception => e
	129	# process is definitely dead!
	130	log "Error waiting for process #{pid} - assumed already killed"
	131	return nil
	132	end
	133	sleep 1
	134	end
	135
	136	Process.kill(9, pid)
	137	log "Forcibly killed #{pid}"
	138	rescue Errno::ECHILD => e
	139	log "Unable to wait for #{pid} - child process does not exist"
	140	rescue Errno::ESRCH
	141	log "Unable to kill #{pid} - process does not exist"
	142	end
	143
	144	return nil
129	145	end
130	146
131	147	def boot

182	198	log ""
183	199	end
184	200
185		def osx_scsynth_path
186		potential_paths = [
187		"#{native_path}/scsynth",
188		"/Applications/SuperCollider/scsynth",
189		"/Applications/SuperCollider.app/Contents/Resources/scsynth",
190		"/Applications/SuperCollider/SuperCollider.app/Contents/Resources/scsynth"]
191		path = potential_paths.find {\|path\| File.exists? path }
192		raise "Unable to find SuperCollider. Is it installed? I looked here: #{potential_paths.inspect}" unless path
193		path
194		end
195
196	201	def scsynth_path
197	202	case os
198	203	when :raspberry

200	205	when :linux
201	206	"scsynth"
202	207	when :osx
203		osx_scsynth_path
	208	path = "#{native_path}/scsynth"
	209	raise "Unable to find SuperCollider. Is it installed? I looked here: #{path.inspect}" unless File.exists?(path)
	210	path
204	211	when :windows
205		potential_paths = ["#{native_path}/scsynth.exe"]
206		path = potential_paths.find {\|path\| File.exists? path }
207		raise "Unable to find SuperCollider. Is it installed? I looked here: #{potential_paths.inspect}" unless path
	212	path = "#{native_path}/scsynth.exe"
	213	raise "Unable to find SuperCollider. Is it installed? I looked here: #{path.inspect}" unless File.exists?(path)
208	214	path
209	215	end
210	216	end
211	217
212	218	def boot_and_wait(*args)
	219	log "Boot - Starting the SuperCollider server..."
213	220	p = Promise.new
214	221	p2 = Promise.new
215	222
216	223	booted = false
217	224	connected = false
218		FileUtils.rm scsynth_log_path if File.exists?(scsynth_log_path)
219
220		log "Boot - Starting the SuperCollider server..."
221		@scsynth_log_file = File.open(scsynth_log_path, 'w')
222		@scsynth_log_file.puts "# Starting SuperCollider #{Time.now.strftime("%Y-%m-%d %H:%M:%S")}"
	225
	226	begin
	227	FileUtils.rm scsynth_log_path if File.exists?(scsynth_log_path)
	228	@scsynth_log_file = File.open(scsynth_log_path, 'w')
	229	rescue
	230	@scsynth_log_file = nil
	231	end
	232
	233	@scsynth_log_file.puts "# Starting SuperCollider #{Time.now.strftime("%Y-%m-%d %H:%M:%S")}" if @scsynth_log_file
223	234	at_exit { @scsynth_log_file.close if @scsynth_log_file}
224	235	scsynth_pipe = IO.popen(args)
225	236	@scsynth_pid = scsynth_pipe.pid

242	253	t1.kill
243	254	Process.kill(9, @scsynth_pid)
244	255	end
245		raise "Unable to boot SuperCollider - boot server log does not report server ready" unless v
	256	raise "Unable to boot SuperCollider - boot server log did not report server ready" unless v
	257
	258	log "Boot - SuperCollider booted successfully."
	259	log "Boot - Connecting to the SuperCollider server..."
246	260
247	261	boot_s = OSC::UDPServer.new(5998) do \|a, b\|
248	262	log "Boot - Receiving ack from server on port 5998"

268	282	rescue Exception => e
269	283	Process.kill(9, @scsynth_pid)
270	284	ensure
271
272	285	t2.kill
273	286	boot_s.stop
274	287	end
275	288
276		raise "Boot - Unable to connect to scsynth" unless connected
	289	unless connected
	290	log "Boot - Unable to connect to SuperCollider"
	291	raise "Boot - Unable to connect to SuperCollider"
	292	end
277	293
278	294	log "Boot - Server connection established"
279	295	end

302	318	audio_out_rate = CoreAudio.default_output_device.nominal_rate
303	319	log "Boot - Input audio rate now: #{audio_in_rate}"
304	320	log "Boot - Output audio rate now: #{audio_out_rate}"
305		if audio_in.nominal_rate != audio_out.nominal_rate
	321	if (audio_in_rate != :unknown_in_rate) && (audio_out_rate != :unknown_out_rate) && (audio_in_rate != audio_out_rate)
306	322	log "Boot - Sample rates do not match, exiting"
307	323	raise
308	324	end

338	354	sys("jackd -R -p 32 -d alsa -d hw:#{audio_card} -n 3 -p 2048 -r 44100& ")
339	355
340	356	# Wait for Jackd to start
341		while `jack_wait -c`.match /not.*/
	357	while `jack_wait -c`.match /^not running$/
342	358	sleep 0.25
343	359	end
344	360

358	374	log_boot_msg
359	375	log "Booting on Linux"
360	376	#Start Jack if not already running
361		if `jack_wait -c`.match /not.*/
	377	if `jack_wait -c`.match /^not running$/
362	378	#Jack not running - start a new instance
363	379	log "Jackd not running on system. Starting..."
364	380	sys("jackd -R -T -p 32 -d alsa -n 3 -p 2048 -r 44100& ")

+1

-1

app/server/sonicpi/lib/sonicpi/scsynthnative.rb less more

4	4	# Full project source: https://github.com/samaaron/sonic-pi
5	5	# License: https://github.com/samaaron/sonic-pi/blob/master/LICENSE.md
6	6	#
7		# Copyright 2013, 2014, 2015 by Sam Aaron (http://sam.aaron.name).
	7	# Copyright 2013, 2014, 2015, 2016 by Sam Aaron (http://sam.aaron.name).
8	8	# All rights reserved.
9	9	#
10	10	# Permission is granted for use, copying, modification, and

+8

-8

app/server/sonicpi/lib/sonicpi/server.rb less more

2	2	# Full project source: https://github.com/samaaron/sonic-pi
3	3	# License: https://github.com/samaaron/sonic-pi/blob/master/LICENSE.md
4	4	#
5		# Copyright 2013, 2014, 2015 by Sam Aaron (http://sam.aaron.name).
	5	# Copyright 2013, 2014, 2015, 2016 by Sam Aaron (http://sam.aaron.name).
6	6	# All rights reserved.
7	7	#
8	8	# Permission is granted for use, copying, modification, and

17	17	require_relative "promise"
18	18	require_relative "incomingevents"
19	19	require_relative "counter"
20		require_relative "buffer"
	20	require_relative "lazybuffer"
21	21	require_relative "bufferstream"
22	22	require_relative "scsynthexternal"
23	23	#require_relative "scsynthnative"

331	331	def buffer_info(id)
332	332	prom = Promise.new
333	333	@osc_events.add_handler(@osc_path_b_info, @osc_events.gensym("/sonicpi/server")) do \|payload\|
334		if (id == payload.to_a[0])
335		prom.deliver! payload
	334	p = payload.to_a
	335	if (id == p[0])
	336	p.shift
	337	prom.deliver! p
336	338	:remove_handler
337	339	end
338	340	end
339	341	osc @osc_path_b_query, id
340		res = prom.get
341
342		args = res.to_a
343		Buffer.new(self, args[0], args[1], args[2], args[3])
	342	LazyBuffer.new(self, id, prom)
344	343	end
345	344
346	345	def with_done_sync(&block)

450	449
451	450	def shutdown
452	451	@scsynth.shutdown
	452	@osc_events.shutdown
453	453	end
454	454
455	455	end

+1

-1

app/server/sonicpi/lib/sonicpi/sthread.rb less more

2	2	# Full project source: https://github.com/samaaron/sonic-pi
3	3	# License: https://github.com/samaaron/sonic-pi/blob/master/LICENSE.md
4	4	#
5		# Copyright 2013, 2014, 2015 by Sam Aaron (http://sam.aaron.name).
	5	# Copyright 2013, 2014, 2015, 2016 by Sam Aaron (http://sam.aaron.name).
6	6	# All rights reserved.
7	7	#
8	8	# Permission is granted for use, copying, modification, and

+124

-80

app/server/sonicpi/lib/sonicpi/studio.rb less more

2	2	# Full project source: https://github.com/samaaron/sonic-pi
3	3	# License: https://github.com/samaaron/sonic-pi/blob/master/LICENSE.md
4	4	#
5		# Copyright 2013, 2014, 2015 by Sam Aaron (http://sam.aaron.name).
	5	# Copyright 2013, 2014, 2015, 2016 by Sam Aaron (http://sam.aaron.name).
6	6	# All rights reserved.
7	7	#
8	8	# Permission is granted for use, copying, modification, and

22	22	include Util
23	23
24	24	attr_reader :synth_group, :fx_group, :mixer_group, :recording_group, :mixer_id, :mixer_bus, :mixer, :max_concurrent_synths, :rand_buf_id, :amp, :rebooting
	25
	26	attr_accessor :cent_tuning
25	27
26	28	def initialize(hostname, port, msg_queue, max_concurrent_synths)
27	29	@hostname = hostname

33	35	@sample_sem = Mutex.new
34	36	@reboot_mutex = Mutex.new
35	37	@rebooting = false
	38	@cent_tuning = 0
	39	@reboot_queue = Queue.new
	40	@reboot_queue << :check
	41
36	42	init_studio
37	43	reset_server
38		@check_server_t = Thread.new do
	44
	45	@server_rebooter = Thread.new do
39	46	Thread.current.thread_variable_set(:sonic_pi_thread_group, "server checker")
40	47	Thread.current.priority = 300
	48	Kernel.sleep 10
41	49	loop do
42		unless @rebooting
43		begin
44		if @server.status(5)
45		# server is alive
46		else
47		@error_occured_mutex.synchronize do
48		@error_occurred_since_last_check = true
	50	vs = []
	51	vs << @reboot_queue.pop
	52	# drain any other messages
	53	@reboot_queue.size.times {vs << @reboot_queue.pop}
	54	begin
	55	if vs.include? :reboot
	56	begin
	57	server_reboot
	58	Kernel.sleep 10
	59	@reboot_queue << :check
	60	rescue Exception => e
	61	message "Error rebooting server: #{e}, #{e.backtrace}"
	62	message "Attempting to reboot again in 10s"
	63	begin
	64	message "Forcing shutdown of any running server"
	65	@server.shutdown
	66	rescue Exception => e
	67	message "Error shutting down server: #{e}, #{e.backtrace}"
49	68	end
50		message "Sound server is down."
51		begin
52		reboot
53		rescue
54		message "Error rebooting server"
	69	Kernel.sleep 10
	70	@reboot_queue << :reboot
	71	end
	72	else
	73	begin
	74	if @server.status(5)
	75	# server is alive
	76	# check again in 5 seconds...
	77	Thread.new do
	78	Kernel.sleep 5
	79	@reboot_queue << :check
	80	end
	81	else
	82	message "Sound server is down. Rebooting..."
	83	@reboot_queue << :reboot
55	84	end
56		end
57		rescue
58		@error_occured_mutex.synchronize do
59		@error_occurred_since_last_check = true
60		end
61		message "Error communicating with sound server."
62		begin
63		reboot
64		rescue
65		message "Error rebooting server"
	85	rescue Exception => e
	86	message "Error communicating with sound server. Rebooting... #{e}, #{e.backtrace}"
	87	@reboot_queue << :reboot
66	88	end
67	89	end
	90	rescue Exception => e
	91	message "Error in reboot thread: #{e}, #{e.backtrace}"
68	92	end
69		Kernel.sleep 5
70	93	end
71	94	end
72	95	end

80	103	server.add_event_handler("/sonic-pi/amp", "/sonic-pi/amp") do \|payload\|
81	104	@amp = [payload[2], payload[3]]
82	105	end
	106
	107	old_synthdefs = @loaded_synthdefs
	108	@loaded_synthdefs = Set.new
	109
	110	(old_synthdefs \|\| []).each do \|s\|
	111	message "Reloading synthdefs in #{unify_tilde_dir(s)}"
	112	internal_load_synthdefs(s, server)
	113	end
	114
83	115	# load rand stream directly - ensuring it doesn't get considered as a 'sample'
84	116	rand_buf_id = server.buffer_alloc_read(buffers_path + "/rand-stream.wav").to_i
85	117	old_samples = @samples
86	118	@samples = {}
87	119
88		(old_samples \|\| {}).each do \|k, v\|
89		message "Reloading sample - #{unify_tilde_dir(k)}"
90		internal_load_sample(k, server)
91		end
92
93		old_synthdefs = @loaded_synthdefs
94		@loaded_synthdefs = Set.new
95
96		(old_synthdefs \|\| []).each do \|s\|
97		message "Reloading synthdefs in #{unify_tilde_dir(s)}"
98		internal_load_synthdefs(s, server)
99		end
	120	Thread.new do
	121	Thread.current.thread_variable_set(:sonic_pi_thread_group, "Studio sample loader")
	122	Thread.current.priority = -10
	123	(old_samples \|\| {}).each do \|k, v\|
	124	message "Reloading sample - #{unify_tilde_dir(k)}"
	125	internal_load_sample(k, server)
	126	end
	127	end
	128
	129
100	130
101	131	@recorders = {}
102	132	@recording_mutex = Mutex.new

116	146	end
117	147
118	148	def load_synthdefs(path, server=@server)
119		raise StudioCurrentlyRebootingError if @rebooting
	149	check_for_server_rebooting!(:load_synthdefs)
120	150	internal_load_synthdefs(path, server)
121	151	end
122	152

125	155	end
126	156
127	157	def load_sample(path, server=@server)
128		raise StudioCurrentlyRebootingError if @rebooting
	158	check_for_server_rebooting!(:load_sample)
129	159	internal_load_sample(path, server)
130	160	end
131	161
132	162	def free_sample(paths, server=@server)
133		raise StudioCurrentlyRebootingError if @rebooting
	163	check_for_server_rebooting!(:free_sample)
134	164	@sample_sem.synchronize do
135	165	paths.each do \|p\|
136	166	info = @samples[p]

142	172	end
143	173
144	174	def free_all_samples(server=@server)
145		raise StudioCurrentlyRebootingError if @rebooting
	175	check_for_server_rebooting!(:free_all_samples)
146	176	@sample_sem.synchronize do
147	177	@samples.each do \|k, v\|
148	178	server.buffer_free(v)

153	183
154	184
155	185	def start_amp_monitor
156		raise StudioCurrentlyRebootingError if @rebooting
	186	check_for_server_rebooting!(:start_amp_monitor)
157	187	unless @amp_synth
158	188	@amp_synth = @server.trigger_synth :head, @recording_group, "sonic-pi-amp_stereo_monitor", {"bus" => 0}, true
159	189	end

161	191
162	192
163	193	def trigger_synth(synth_name, group, args, info, now=false, t_minus_delta=false )
164		raise StudioCurrentlyRebootingError if @rebooting
	194	check_for_server_rebooting!(:trigger_synth)
165	195	@server.trigger_synth(:head, group, synth_name, args, info, now, t_minus_delta)
166	196	end
167	197
168	198	def volume=(vol)
169		raise StudioCurrentlyRebootingError if @rebooting
	199	check_for_server_rebooting!(:invert)
170	200	message "Setting main volume to #{vol}"
171	201	@server.node_ctl @mixer, {"amp" => vol}
172	202	end
173	203
174	204	def mixer_invert_stereo(invert)
175		raise StudioCurrentlyRebootingError if @rebooting
	205	check_for_server_rebooting!(:mixer_invert_stereo)
176	206	# invert should be true or false
177	207	invert_i = invert ? 1 : 0
178	208	@server.node_ctl @mixer, {"invert_stereo" => invert_i}, true
179	209	end
180	210
181	211	def mixer_control(opts)
182		raise StudioCurrentlyRebootingError if @rebooting
	212	check_for_server_rebooting!(:mixer_control)
183	213	now = 0
184	214	opts = opts.clone
185	215	if opts[:now].is_a?(Numeric)

192	222	end
193	223
194	224	def mixer_reset
195		raise StudioCurrentlyRebootingError if @rebooting
	225	check_for_server_rebooting!(:mixer_reset)
196	226	info = Synths::SynthInfo.get_info(:main_mixer)
197	227	mixer_control(info.slide_arg_defaults)
198	228	mixer_control(info.arg_defaults)
199	229	end
200	230
201	231	def mixer_stereo_mode
202		raise StudioCurrentlyRebootingError if @rebooting
	232	check_for_server_rebooting!(:mixer_stereo_mode)
203	233	@server.node_ctl @mixer, {"force_mono" => 0}, true
204	234	end
205	235
206	236	def mixer_mono_mode
207		raise StudioCurrentlyRebootingError if @rebooting
	237	check_for_server_rebooting!(:mixer_mono_mode)
208	238	@server.node_ctl @mixer, {"force_mono" => 1}, true
209	239	end
210	240
211	241	def status
212		raise StudioCurrentlyRebootingError if @rebooting
	242	check_for_server_rebooting!(:status)
213	243	@server.status
214	244	end
215	245
216	246	def stop
217		raise StudioCurrentlyRebootingError if @rebooting
	247	check_for_server_rebooting!(:stop)
218	248	@server.clear_schedule
219	249	@server.group_clear @synth_group
220	250	end
221	251
222	252	def new_group(position, target, name="")
223		raise StudioCurrentlyRebootingError if @rebooting
	253	check_for_server_rebooting!(:new_group)
224	254	@server.create_group(position, target, name)
225	255	end
226	256
227	257	def new_synth_group(id=-1)
228		raise StudioCurrentlyRebootingError if @rebooting
	258	check_for_server_rebooting!(:new_synth_group)
229	259	new_group(:tail, @synth_group, "Run-#{id}-Synths")
230	260	end
231	261
232	262	def new_fx_group(id=-1)
233		raise StudioCurrentlyRebootingError if @rebooting
	263	check_for_server_rebooting!(:new_fx_group)
234	264	new_group(:tail, @fx_group, "Run-#{id}-FX")
235	265	end
236	266
237	267	def new_fx_bus
238		raise StudioCurrentlyRebootingError if @rebooting
	268	check_for_server_rebooting!(:new_fx_bus)
239	269	@server.allocate_audio_bus
240	270	end
241	271
242	272	def sched_ahead_time
243		raise StudioCurrentlyRebootingError if @rebooting
244	273	@server.sched_ahead_time
245	274	end
246	275
247	276	def sched_ahead_time=(t)
248		raise StudioCurrentlyRebootingError if @rebooting
249	277	@server.sched_ahead_time = t
250	278	end
251	279
252	280	def control_delta
253		raise StudioCurrentlyRebootingError if @rebooting
254	281	@server.control_delta
255	282	end
256	283
257	284	def control_delta=(t)
258		raise StudioCurrentlyRebootingError if @rebooting
259	285	@server.control_delta = t
260	286	end
261	287
262	288	def recording?(bus=0)
263		raise StudioCurrentlyRebootingError if @rebooting
264	289	@recorders[bus]
265	290	end
266	291
267	292	def recording_start(path, bus=0)
268		raise StudioCurrentlyRebootingError if @rebooting
	293	check_for_server_rebooting!(:recording_start)
269	294	return false if @recorders[bus]
270	295	@recording_mutex.synchronize do
271	296	return false if @recorders[bus]

277	302	end
278	303
279	304	def recording_stop(bus=0)
280		raise StudioCurrentlyRebootingError if @rebooting
	305	check_for_server_rebooting!(:recording_stop)
281	306	return false unless @recorders[bus]
282	307	@recording_mutex.synchronize do
283	308	return false unless @recorders[bus]

290	315	end
291	316
292	317	def shutdown
293		raise StudioCurrentlyRebootingError if @rebooting
	318	@server_reboot.kill
	319	begin
	320	@server.shutdown
	321	rescue Exception => e
	322	end
	323	end
	324
	325
	326	def reboot
	327	@reboot_queue.push :reboot
	328	end
	329
	330	private
	331
	332	def server_reboot
	333	# Important:
	334	# This method should only be called from the @server_rebooter
	335	# thread.
	336	@rebooting = true
	337	message "Rebooting server. Please wait..."
294	338	@server.shutdown
295		end
296
297		def reboot
298		return nil if @rebooting
299		@reboot_mutex.synchronize do
300		@rebooting = true
301		message "Rebooting server. Please wait..."
302		@server.shutdown
303		init_studio
304		reset_server
305		message "Server ready."
306		@rebooting = false
307		end
	339	init_studio
	340	reset_server
	341	message "Server ready."
	342	@rebooting = false
308	343	true
309	344	end
310	345
311		private
	346	def check_for_server_rebooting!(msg=nil)
	347	if @rebooting
	348	message "Oops, already rebooting: #{msg}"
	349	log "Oops, already rebooting: #{msg}"
	350	raise StudioCurrentlyRebootingError if @rebooting
	351	end
	352	end
312	353
313	354	def message(s)
314		@msg_queue.push({:type => :info, :val => "Studio: #{s.to_s}"})
	355	m = s.to_s
	356	log "Studio - #{m}"
	357	@msg_queue.push({:type => :info, :val => "Studio: #{m}"})
315	358	end
316	359
317	360

344	387	buf_info = nil
345	388	@sample_sem.synchronize do
346	389	return @samples[path] if @samples[path]
347		buf_info = server.buffer_alloc_read(path)
348		buf_info.path = path
	390	raise "No sample exists with path:\n #{unify_tilde_dir(path).inspect}" unless File.exists?(path) && !File.directory?(path)
	391	buf_info = server.buffer_alloc_read(path)
	392	buf_info.path = path
349	393	@samples[path] = buf_info
350	394	end
351	395	[buf_info, false]

+1

-1

app/server/sonicpi/lib/sonicpi/synthnode.rb less more

2	2	# Full project source: https://github.com/samaaron/sonic-pi
3	3	# License: https://github.com/samaaron/sonic-pi/blob/master/LICENSE.md
4	4	#
5		# Copyright 2013, 2014, 2015 by Sam Aaron (http://sam.aaron.name).
	5	# Copyright 2013, 2014, 2015, 2016 by Sam Aaron (http://sam.aaron.name).
6	6	# All rights reserved.
7	7	#
8	8	# Permission is granted for use, copying, modification, and

+1

-1

app/server/sonicpi/lib/sonicpi/synthnodeproxy.rb less more

2	2	# Full project source: https://github.com/samaaron/sonic-pi
3	3	# License: https://github.com/samaaron/sonic-pi/blob/master/LICENSE.md
4	4	#
5		# Copyright 2013, 2014, 2015 by Sam Aaron (http://sam.aaron.name).
	5	# Copyright 2013, 2014, 2015, 2016 by Sam Aaron (http://sam.aaron.name).
6	6	# All rights reserved.
7	7	#
8	8	# Permission is granted for use, copying, modification, and

+1129

-181

app/server/sonicpi/lib/sonicpi/synths/synthinfo.rb less more

2	2	# Full project source: https://github.com/samaaron/sonic-pi
3	3	# License: https://github.com/samaaron/sonic-pi/blob/master/LICENSE.md
4	4	#
5		# Copyright 2013, 2014, 2015 by Sam Aaron (http://sam.aaron.name).
	5	# Copyright 2013, 2014, 2015, 2016 by Sam Aaron (http://sam.aaron.name).
6	6	# All rights reserved.
7	7	#
8	8	# Permission is granted for use, copying, modification, and

42	42	r + smallest
43	43	end
44	44
	45	def alias_opts!(alias_opt, orig_opt, args_h)
	46	if args_h.has_key?(alias_opt) && !args_h.has_key?(orig_opt)
	47	args_h[orig_opt] = args_h[alias_opt]
	48	args_h.delete(alias_opt)
	49	end
	50	args_h
	51	end
	52
	53	def munge_opts(args_h)
	54	args_h
	55	end
	56
45	57	def doc
46	58	"Please write documentation!"
47	59	end

92	104
93	105	args_h.each do \|k, v\|
94	106	k_sym = k.to_sym
95		arg_information = @info[k_sym] \|\| {}
	107	arg_information = @info[k_sym]
	108	next unless arg_information
96	109	arg_validations = arg_information[:validations] \|\| []
97	110	arg_validations(k_sym).each do \|v_fn, msg\|
98	111	raise "Value of opt #{k_sym.inspect} #{msg}, got #{v.inspect}." unless v_fn.call(args_h)

537	550	end
538	551
539	552	class SonicPiSynth < SynthInfo
	553	def user_facing?
	554	true
	555	end
540	556	end
541	557
542	558	class DullBell < SonicPiSynth

871	887	:detune_slide_shape => 1,
872	888	:detune_slide_curve => 0,
873	889	}
	890	end
	891	end
	892
	893	class DTri < DSaw
	894	def name
	895	"Detuned Triangle Wave"
	896	end
	897
	898	def introduced
	899	Version.new(2, 10, 0)
	900	end
	901
	902	def synth_name
	903	"dtri"
	904	end
	905
	906	def doc
	907	"A pair of detuned triangle waves passed through a low pass filter. Two pulse waves with slightly different frequencies generates a nice thick sound which can be used as a basis for some nice bass sounds. Thicken the sound by increasing the detune value, or create an octave-playing synth by choosing a detune of 12 (12 MIDI notes is an octave)."
874	908	end
875	909	end
876	910

1767	1801	end
1768	1802	end
1769	1803
	1804	class SynthPluck < SonicPiSynth
	1805	def name
	1806	"SynthPluck"
	1807	end
	1808
	1809	def introduced
	1810	Version.new(2,10,0)
	1811	end
	1812
	1813	def synth_name
	1814	"pluck"
	1815	end
	1816
	1817	def doc
	1818	"A basic plucked string synthesiser that uses Karplus-Strong synthesis. Note that due to the plucked nature of this synth the envelope opts such as `attack:`, `sustain:` and `release:` do not work as expected. They can only shorten the natural length of the note, not prolong it. Also, the `note:` opt will only honour whole tones."
	1819	end
	1820
	1821	def arg_defaults
	1822	{
	1823	:note => 52,
	1824	:note_slide => 0,
	1825	:note_slide_shape => 1,
	1826	:note_slide_curve => 0,
	1827	:amp => 1,
	1828	:amp_slide => 0,
	1829	:amp_slide_shape => 1,
	1830	:amp_slide_curve => 0,
	1831	:pan => 0,
	1832	:pan_slide => 0,
	1833	:pan_slide_shape => 1,
	1834	:pan_slide_curve => 0,
	1835	:attack => 0,
	1836	:sustain => 0,
	1837	:release => 1,
	1838	:attack_level => 1,
	1839	:decay => 0,
	1840	:decay_level => :sustain_level,
	1841	:sustain_level => 1,
	1842	:noise_amp => 0.8,
	1843	:max_delay_time => 0.125,
	1844	:pluck_decay => 30,
	1845	:coef => 0.3
	1846	}
	1847	end
	1848
	1849	def specific_arg_info
	1850	{
	1851	:note =>
	1852	{
	1853	:doc => "Note to play. Either a MIDI number or a symbol representing a note. For example: `30`, `52`, `:C`, `:C2`, `:Eb4`, or `:Ds3`. Note that the piano synth can only play whole tones such as 60 and does not handle floats such as 60.3",
	1854	:validations => [v_positive(:note)],
	1855	:modulatable => true
	1856	},
	1857
	1858	:noise_amp => {
	1859	:doc => "Amplitude of source (pink) noise.",
	1860	:validations => [v_between_inclusive(:noise_amp, 0, 1)],
	1861	:modulatable => false},
	1862
	1863	:max_delay_time => {
	1864	:doc => "Maximum length of the delay line buffer.",
	1865	:validations => [v_between_inclusive(:max_delay_time, 0.125, 1)],
	1866	:modulatable => false},
	1867
	1868	:pluck_decay => {
	1869	:doc => "How long the pluck takes to stabilise on a note. This doesn't have a dramatic effect on the sound.",
	1870	:validations => [v_between_inclusive(:pluck_decay, 1, 100)],
	1871	:modulatable => false},
	1872
	1873	:coef =>
	1874	{
	1875	:doc => "Coefficient of the internal OnePole filter. Values around zero are resonant and bright, values towards 1 sound more dampened and cutoff. It's a little bit like playing nearer the soundhole/fingerboard for values near zero and more toward the bridge for values approaching one, although this isn't an exact comparison.",
	1876	:validations => [v_between_inclusive(:coef, -1, 1)],
	1877	:modulatable => false
	1878	},
	1879
	1880	:decay =>
	1881	{
	1882	:doc => "Amount of time (in beats) for the sound to move from full amplitude (attack_level) to the sustain amplitude (sustain_level). With the piano synth, this opt can only have the effect of controlling the amp within the natural duration of the note and can not prolong the sound.",
	1883	:validations => [v_positive(:decay)],
	1884	:modulatable => false,
	1885	:bpm_scale => true
	1886	},
	1887
	1888	:sustain =>
	1889	{
	1890	:doc => "Amount of time (in beats) for sound to remain at sustain level amplitude. Longer sustain values result in longer sounds. With the piano synth, this opt can only have the effect of controlling the amp within the natural duration of the note and can not prolong the sound.",
	1891	:validations => [v_positive(:sustain)],
	1892	:modulatable => false,
	1893	:bpm_scale => true
	1894	},
	1895
	1896	:release =>
	1897	{
	1898	:doc => "Amount of time (in beats) for sound to move from sustain level amplitude to silent. A short release (i.e. 0.01) makes the final part of the sound very percussive (potentially resulting in a click). A longer release (i.e 1) fades the sound out gently. With the piano synth, this opt can only have the effect of controlling the amp within the natural duration of the note and can not prolong the sound.",
	1899	:validations => [v_positive(:release)],
	1900	:modulatable => false,
	1901	:bpm_scale => true
	1902	}
	1903
	1904
	1905	}
	1906
	1907	end
	1908	end
	1909
1770	1910	class SynthPiano < SonicPiSynth
1771	1911	def name
1772	1912	"SynthPiano"

2228	2368	{
2229	2369	:norm =>
2230	2370	{
2231		:doc => "Normalise the audio (make quieter parts of the sample louder and louder parts quieter) - this is similar to the normaliser FX. This may emphasise any clicks caused by clipping.",
	2371	:doc => "Normalise the audio (make quieter parts of the synth's sound louder and louder parts quieter) - this is similar to the normaliser FX. This may emphasise any clicks caused by clipping.",
2232	2372	:validations => [v_one_of(:norm, [0, 1])],
2233	2373	:modulatable => true
2234	2374	},

2446	2586
2447	2587	end
2448	2588
2449		class Pitchless < SonicPiSynth
2450		end
2451
2452		class Noise < Pitchless
2453		def name
2454		"Noise"
2455		end
2456
2457		def introduced
2458		Version.new(2,0,0)
2459		end
2460
2461		def synth_name
2462		"noise"
2463		end
2464
2465		def doc
2466		"Noise that contains equal amounts of energy at every frequency - comparable to radio static. Useful for generating percussive sounds such as snares and hand claps. Also useful for simulating wind or sea effects."
	2589	class ChipLead < SonicPiSynth
	2590	def name
	2591	"Chip Lead"
	2592	end
	2593
	2594	def introduced
	2595	Version.new(2,10,0)
	2596	end
	2597
	2598	def synth_name
	2599	"chiplead"
	2600	end
	2601
	2602	def doc
	2603	"A slightly clipped square (pulse) wave with phases of 12.5%, 25% or 50% modelled after the 2A03 chip found in voices 1 and 2 of the NES games console. This can be used for retro sounding leads and harmonised lines. This also adds an opt 'note_resolution' which locks the note slide to certain pitches which are multiples of the step size. This allows for emulation of the sweep setting on the 2A03."
2467	2604	end
2468	2605
2469	2606	def arg_defaults
2470	2607	{
	2608	:note => 60,
	2609	:note_slide => 0,
	2610	:note_slide_shape => 1,
	2611	:note_slide_curve => 0,
	2612	:note_resolution => 0.1,
2471	2613	:amp => 1,
2472	2614	:amp_slide => 0,
2473	2615	:amp_slide_shape => 1,

2486	2628	:sustain_level => 1,
2487	2629	:env_curve => 2,
2488	2630
	2631	:width => 0
	2632	}
	2633	end
	2634
	2635	def specific_arg_info
	2636	{
	2637	:width =>
	2638	{
	2639	:doc => "Which of the three pulse_widths to use - 0 => 12.5%, 1 => 25%, 2 => 50%",
	2640	:validations => [v_one_of(:width, [0, 1, 2])],
	2641	:modulatable => true,
	2642	},
	2643
	2644	:note_resolution =>
	2645	{
	2646	:doc => "Locks down the note resolution to be multiples of this (MIDI) number. For example, a `note_resolution:` of 1 will only allow semitones to be played. When used in conjunction with `note_slide:` produces a staircase of notes rather than a continuous line which is how things were on the NES. Set to 0 to disable. This wasn't a feature of this triangle (bass) channel on the original chip but some emulators have added it in since.",
	2647	:validations => [v_positive(:note_resolution)],
	2648	:modulatable => true
	2649	},
	2650	}
	2651	end
	2652	end
	2653
	2654	class ChipBass < SonicPiSynth
	2655	def name
	2656	"Chip Bass"
	2657	end
	2658
	2659	def introduced
	2660	Version.new(2,10,0)
	2661	end
	2662
	2663	def synth_name
	2664	"chipbass"
	2665	end
	2666
	2667	def doc
	2668	"A 16 step triangle wave modelled after the 2A03 chip found in voice 3 of the NES games console. This can be used for retro sounding basslines. For complete authenticity with the 2A03 bear in mind that the triangle channel on that chip didn't have a volume control."
	2669	end
	2670
	2671	def arg_defaults
	2672	{
	2673	:note => 60,
	2674	:note_slide => 0,
	2675	:note_slide_shape => 1,
	2676	:note_slide_curve => 0,
	2677	:note_resolution => 0.1,
	2678	:amp => 1,
	2679	:amp_slide => 0,
	2680	:amp_slide_shape => 1,
	2681	:amp_slide_curve => 0,
	2682	:pan => 0,
	2683	:pan_slide => 0,
	2684	:pan_slide_shape => 1,
	2685	:pan_slide_curve => 0,
	2686
	2687	:attack => 0,
	2688	:decay => 0,
	2689	:sustain => 0,
	2690	:release => 1,
	2691	:attack_level => 1,
	2692	:decay_level => :sustain_level,
	2693	:sustain_level => 1,
	2694	:env_curve => 2,
	2695	}
	2696	end
	2697
	2698	def specific_arg_info
	2699	{
	2700	:note_resolution =>
	2701	{
	2702	:doc => "Locks down the note resolution to be multiples of this (MIDI) number. For example, a `note_resolution:` of 1 will only allow semitones to be played. When used in conjunction with `note_slide:` produces a staircase of notes rather than a continuous line which is how things were on the NES. Set to 0 to disable. This wasn't a feature of this triangle (bass) channel on the original chip but some emulators have added it in since.",
	2703	:validations => [v_positive(:note_resolution)],
	2704	:modulatable => true
	2705	},
	2706	}
	2707	end
	2708	end
	2709
	2710	class Pitchless < SonicPiSynth
	2711	end
	2712
	2713	class Noise < Pitchless
	2714	def name
	2715	"Noise"
	2716	end
	2717
	2718	def introduced
	2719	Version.new(2,0,0)
	2720	end
	2721
	2722	def synth_name
	2723	"noise"
	2724	end
	2725
	2726	def doc
	2727	"Noise that contains equal amounts of energy at every frequency - comparable to radio static. Useful for generating percussive sounds such as snares and hand claps. Also useful for simulating wind or sea effects."
	2728	end
	2729
	2730	def arg_defaults
	2731	{
	2732	:amp => 1,
	2733	:amp_slide => 0,
	2734	:amp_slide_shape => 1,
	2735	:amp_slide_curve => 0,
	2736	:pan => 0,
	2737	:pan_slide => 0,
	2738	:pan_slide_shape => 1,
	2739	:pan_slide_curve => 0,
	2740
	2741	:attack => 0,
	2742	:decay => 0,
	2743	:sustain => 0,
	2744	:release => 1,
	2745	:attack_level => 1,
	2746	:decay_level => :sustain_level,
	2747	:sustain_level => 1,
	2748	:env_curve => 2,
	2749
2489	2750	:cutoff => 110,
2490	2751	:cutoff_slide => 0,
2491	2752	:cutoff_slide_shape => 1,

2574	2835
2575	2836	end
2576	2837
	2838	class ChipNoise < Noise
	2839	def name
	2840	"Chip Noise"
	2841	end
	2842
	2843	def introduced
	2844	Version.new(2,10,0)
	2845	end
	2846
	2847	def synth_name
	2848	"chipnoise"
	2849	end
	2850
	2851	def doc
	2852	"Generates noise whose values are either -1 or 1 (like a pulse or square wave) with one of 16 particular frequencies. This is similar to the noise channel on the 2A03 chip used in the NES games console, although it lacks the same Pseudo-Random Number Generator (PRNG) and doesn't implement the 2A03's lesser used noise mode. The amplitude envelope defaults to moving by step to keep that 16 bit feel and this synth also has a slight soft clipping to better imitate the original sound of the device. Use for retro effects, hand claps, snare drums and hi-hats."
	2853	end
	2854
	2855	def arg_defaults
	2856	{
	2857	:amp => 1,
	2858	:amp_slide => 0,
	2859	:amp_slide_shape => 0,
	2860	:amp_slide_curve => 1,
	2861	:pan => 0,
	2862	:pan_slide => 0,
	2863	:pan_slide_shape => 1,
	2864	:pan_slide_curve => 0,
	2865
	2866	:attack => 0,
	2867	:decay => 0,
	2868	:sustain => 1,
	2869	:release => 0,
	2870	:attack_level => 1,
	2871	:decay_level => :sustain_level,
	2872	:sustain_level => 1,
	2873	:env_curve => 0,
	2874
	2875	:freq_band => 0,
	2876	:freq_band_slide => 0,
	2877	:freq_band_slide_shape => 1,
	2878	:freq_band_slide_curve => 0,
	2879	}
	2880	end
	2881
	2882	def specific_arg_info
	2883	{
	2884	:freq_band =>
	2885	{
	2886	:doc => "Which of the 16 frequency bands to use, from 0 to 15. These range from 220Hz to 225kHz as on the original chip. This arg will accept floats but round to the nearest integer to allow for sweeping through the 16 set points with envelopes.",
	2887	:validations => [v_between_inclusive(:freq_band, 0, 15)],
	2888	:modulatable => true,
	2889	},
	2890
	2891	:freq_band_slide =>
	2892	{
	2893	:doc => generic_slide_doc(:freq_band),
	2894	:validations => [v_positive(:freq_band_slide)],
	2895	:modulatable => true,
	2896	:bpm_scale => true
	2897	},
	2898	}
	2899	end
	2900	end
	2901
2577	2902	class StudioInfo < SonicPiSynth
2578
	2903	def user_facing?
	2904	false
	2905	end
2579	2906	end
2580	2907
2581	2908	class SoundIn < StudioInfo

2584	2911	end
2585	2912
2586	2913	def introduced
2587		Version.new(2,0,0)
	2914	Version.new(2,10,0)
2588	2915	end
2589	2916
2590	2917	def synth_name
2591	2918	"sound_in"
	2919	end
	2920
	2921	def doc
	2922	"Treat sound card input as a synth. If your audio card has inputs, you may use this synth to feed the incoming audio into Sonic Pi. This synth will read in a single mono audio stream - for example from a standard microphone or guitar. See `:sound_in_stereo` for a similar synth capable of reading in a stereo signal.
	2923
	2924	As with all Sonic Pi synths, there is a default envelope which determines the duration of the lifetime of the synth. Therefore, to get a continuous stream of audio, you need to place consecutive calls to this synth in iteration or a `live_loop`. For example:
	2925
	2926	```
	2927	live_loop :playback do
	2928	```
	2929
	2930	```
	2931	synth :sound_in, sustain: 8
	2932	```
	2933
	2934	```
	2935	sleep 8
	2936	```
	2937
	2938	```
	2939	end
	2940	```
	2941	Note that if the microphone and speaker are close together (on a laptop or in a small room) you will potentially get a harsh feedback sound."
2592	2942	end
2593	2943
2594	2944	def arg_defaults

2601	2951	:pan_slide => 0,
2602	2952	:pan_slide_shape => 1,
2603	2953	:pan_slide_curve => 0,
2604		:input => 0
2605		}
2606		end
2607
2608		end
2609
	2954
	2955	:attack => 0,
	2956	:decay => 0,
	2957	:sustain => 1,
	2958	:release => 0,
	2959	:attack_level => 1,
	2960	:decay_level => :sustain_level,
	2961	:sustain_level => 1,
	2962	:env_curve => 0,
	2963
	2964	:input => 1
	2965	}
	2966	end
	2967
	2968	def specific_arg_info
	2969	{
	2970	:input =>
	2971	{
	2972	:doc => "Sound card input channel to obtain audio from. Indexing starts at 1 so input 1 represents the first channel, and channel 2 can be represented by `input: 2`",
	2973	:validations => [v_greater_than_oet(:input, 1)],
	2974	:modulatable => true,
	2975	}
	2976	}
	2977	end
	2978
	2979	end
	2980
	2981	class SoundInStereo < SoundIn
	2982	def name
	2983	"Sound In Stereo"
	2984	end
	2985
	2986	def synth_name
	2987	"sound_in_stereo"
	2988	end
	2989
	2990	def specific_arg_info
	2991	{
	2992	:input =>
	2993	{
	2994	:doc => "First of two consecutive sound card input channels to obtain audio from. Indexing starts at 1 so input 1 represents the first channel, and channel 2 can be represented by `input: 2`",
	2995	:validations => [v_greater_than_oet(:input, 1)],
	2996	:modulatable => true,
	2997	}
	2998	}
	2999	end
	3000
	3001	def doc
	3002	"Treat sound card input as a synth. If your audio card has inputs, you may use this synth to feed the incoming audio into Sonic Pi. This synth will read in a stereo audio stream - for example from a stereo microphone or external stereo keyboard. See `:sound_in` for a similar synth capable of reading in a mono signal. The stereo input is expected to be on consecutive sound card channels.
	3003
	3004	As with all Sonic Pi synths, there is a default envelope which determines the duration of the lifetime of the synth. Therefore, to get a continuous stream of audio, you need to place consecutive calls to this synth in iteration or a `live_loop`. For example:
	3005
	3006	```
	3007	live_loop :playback do
	3008	```
	3009
	3010	```
	3011	synth :sound_in_stereo, sustain: 8
	3012	```
	3013
	3014	```
	3015	sleep 8
	3016	```
	3017
	3018	```
	3019	end
	3020	```
	3021
	3022	Note that if the microphone and speaker are close together (on a laptop or in a small room) you will potentially get a harsh feedback sound."
	3023	end
	3024	end
2610	3025
2611	3026
2612	3027	class BasicMonoPlayer < StudioInfo

2624	3039
2625	3040	def doc
2626	3041	""
	3042	end
	3043
	3044	def munge_opts(args_h)
	3045	alias_opts!(:cutoff, :lpf, args_h)
	3046	alias_opts!(:cutoff_slide, :lpf_slide, args_h)
	3047	alias_opts!(:cutoff_slide_curve, :lpf_slide_curve, args_h)
	3048	alias_opts!(:cutoff_slide_shape, :lpf_slide_shape, args_h)
	3049	args_h
2627	3050	end
2628	3051
2629	3052	def arg_defaults

2637	3060	:pan_slide_shape => 1,
2638	3061	:pan_slide_curve => 0,
2639	3062	:rate => 1,
2640		:cutoff => 0,
2641		:cutoff_slide => 0,
2642		:cutoff_slide_shape => 1,
2643		:cutoff_slide_curve => 0,
2644		:res => 0,
2645		:res_slide => 0,
2646		:res_slide_shape => 1,
2647		:res_slide_curve => 0,
	3063	:lpf => -1,
	3064	:lpf_slide => 0,
	3065	:lpf_slide_shape => 1,
	3066	:lpf_slide_curve => 0,
	3067	:hpf => -1,
	3068	:hpf_slide => 0,
	3069	:hpf_slide_shape => 1,
	3070	:hpf_slide_curve => 0
2648	3071	}
2649	3072	end
2650	3073

2654	3077	{
2655	3078	:validations => [v_not_zero(:rate)],
2656	3079	:modulatable => false
	3080	},
	3081
	3082
	3083	:lpf =>
	3084	{
	3085	:doc => "Low pass filter cutoff value. A MIDI note representing the highest frequencies allowed to be present in the sound. A low value like 30 makes the sound round and dull, a high value like 100 makes the sound buzzy and crispy.",
	3086	:validations => [v_positive(:lpf), v_less_than(:lpf, 131)],
	3087	:modulatable => true,
	3088	:midi => true
2657	3089	}
2658	3090	}
	3091
2659	3092	end
2660	3093	end
2661	3094

2677	3110	end
2678	3111	end
2679	3112
2680		class MonoPlayer < StudioInfo
	3113	class MonoPlayer < BasicMonoPlayer
2681	3114	def name
2682	3115	"Mono Sample Player"
2683	3116	end

2700	3133	:amp_slide => 0,
2701	3134	:amp_slide_shape => 1,
2702	3135	:amp_slide_curve => 0,
	3136	:pre_amp => 1,
	3137	:pre_amp_slide => 0,
	3138	:pre_amp_slide_shape => 1,
	3139	:pre_amp_slide_curve => 0,
2703	3140	:pan => 0,
2704	3141	:pan_slide => 0,
2705	3142	:pan_slide_shape => 1,
2706	3143	:pan_slide_curve => 0,
2707	3144
	3145
2708	3146	:attack => 0,
2709	3147	:decay => 0,
2710	3148	:sustain => -1,
2711	3149	:release => 0,
2712	3150
	3151	:lpf => -1,
	3152	:lpf_slide => 0,
	3153	:lpf_slide_shape => 1,
	3154	:lpf_slide_curve => 0,
	3155	:lpf_attack => 0,
	3156	:lpf_decay => 0,
	3157	:lpf_sustain => -1,
	3158	:lpf_release => 0,
	3159	:lpf_init_level => -1,
	3160	:lpf_attack_level => -1,
	3161	:lpf_decay_level => -1,
	3162	:lpf_sustain_level => -1,
	3163	:lpf_release_level => -1,
	3164	:lpf_env_curve => 2,
	3165	:lpf_min => -1,
	3166	:lpf_min_slide => 0,
	3167	:lpf_min_slide_shape => 1,
	3168	:lpf_min_slide_curve => 0,
	3169
	3170	:hpf => -1,
	3171	:hpf_slide => 0,
	3172	:hpf_slide_shape => 1,
	3173	:hpf_slide_curve => 0,
	3174	:hpf_attack => 0,
	3175	:hpf_sustain => -1,
	3176	:hpf_decay => 0,
	3177	:hpf_release => 0,
	3178	:hpf_init_level => -1,
	3179	:hpf_attack_level => -1,
	3180	:hpf_decay_level => -1,
	3181	:hpf_sustain_level => -1,
	3182	:hpf_release_level => -1,
	3183	:hpf_env_curve => 2,
	3184	:hpf_max => -1,
	3185	:hpf_max_slide => 0,
	3186	:hpf_max_slide_shape => 1,
	3187	:hpf_max_slide_curve => 0,
	3188
	3189
2713	3190	:attack_level => 1,
2714	3191	:decay_level => :sustain_level,
2715	3192	:sustain_level => 1,
2716	3193	:env_curve => 2,
2717	3194
2718		:cutoff_attack => 0,
2719		:cutoff_decay => 0,
2720		:cutoff_sustain => -1,
2721		:cutoff_release => 0,
2722		:cutoff_attack_level => :cutoff,
2723		:cutoff_decay_level => :cutoff,
2724		:cutoff_sustain_level => :cutoff,
2725		:cutoff_env_curve => 2,
2726		:cutoff_min => 30,
2727		:cutoff_min_slide => 0,
2728		:cutoff_min_slide_shape => 1,
2729		:cutoff_min_slide_curve => 0,
2730	3195
2731	3196	:rate => 1,
2732	3197	:start => 0,
2733	3198	:finish => 1,
2734	3199
2735		:res => 0,
2736		:res_slide => 0,
2737		:res_slide_shape => 1,
2738		:res_slide_curve => 0,
2739		:cutoff => 0,
2740		:cutoff_slide => 0,
2741		:cutoff_slide_shape => 1,
2742		:cutoff_slide_curve => 0,
	3200
2743	3201	:norm => 0,
2744	3202
2745	3203	:pitch => 0,

2757	3215	:time_dis => 0.0,
2758	3216	:time_dis_slide => 0,
2759	3217	:time_dis_slide_shape => 1,
2760		:time_dis_slide_curve => 0
	3218	:time_dis_slide_curve => 0,
	3219
	3220	:compress => 0,
	3221	:threshold => 0.2,
	3222	:threshold_slide => 0,
	3223	:threshold_slide_shape => 1,
	3224	:threshold_slide_curve => 0,
	3225	:clamp_time => 0.01,
	3226	:clamp_time_slide => 0,
	3227	:clamp_time_slide_shape => 1,
	3228	:clamp_time_slide_curve => 0,
	3229	:slope_above => 0.5,
	3230	:slope_above_slide => 0,
	3231	:slope_above_slide_shape => 1,
	3232	:slope_above_slide_curve => 0,
	3233	:slope_below => 1,
	3234	:slope_below_slide => 0,
	3235	:slope_below_slide_shape => 1,
	3236	:slope_below_slide_curve => 0,
	3237	:relax_time => 0.01,
	3238	:relax_time_slide => 0,
	3239	:relax_time_slide_shape => 1,
	3240	:relax_time_slide_curve => 0
2761	3241	}
2762	3242	end
2763	3243
2764	3244	def specific_arg_info
2765		{
	3245	super.merge({
2766	3246
2767	3247	:attack =>
2768	3248	{
2769	3249	:doc => "Duration of the attack phase of the envelope.",
2770	3250	:validations => [v_positive(:attack)],
2771		:modulatable => false
	3251	:modulatable => false,
	3252	:default => 0
2772	3253	},
2773	3254
2774	3255	:decay =>
2775	3256	{
2776	3257	:doc => "Duration of the decay phase of the envelope.",
2777	3258	:validations => [v_positive(:decay)],
2778		:modulatable => false
	3259	:modulatable => false,
	3260	:default => 0
2779	3261	},
2780	3262
2781	3263	:sustain =>

2783	3265	:doc => "Duration of the sustain phase of the envelope. When -1 (the default) will auto-stretch.",
2784	3266	:validations => [[lambda{\|args\| v = args[:sustain] ; (v == -1) \|\| (v >= 0)}, "must either be a positive value or -1"]],
2785	3267
2786		:modulatable => false
	3268	:modulatable => false,
	3269	:default => -1
2787	3270	},
2788	3271
2789	3272	:release =>
2790	3273	{
2791	3274	:doc => "Duration of the release phase of the envelope.",
2792	3275	:validations => [v_positive(:release)],
2793		:modulatable => false
	3276	:modulatable => false,
	3277	:default => 0
2794	3278	},
2795	3279
2796	3280

2798	3282	{
2799	3283	:doc => "Rate with which to play back - default is 1. Playing the sample at rate 2 will play it back at double the normal speed. This will have the effect of doubling the frequencies in the sample and halving the playback time. Use rates lower than 1 to slow the sample down. Negative rates will play the sample in reverse.",
2800	3284	:validations => [v_not_zero(:rate)],
2801		:modulatable => false
	3285	:modulatable => false,
	3286	:default => 1
2802	3287	},
2803	3288
2804	3289	:start =>
2805	3290	{
2806	3291	:doc => "A fraction (between 0 and 1) representing where in the sample to start playback. 1 represents the end of the sample, 0.5 half-way through etc.",
2807	3292	:validations => [v_between_inclusive(:start, 0, 1)],
2808		:modulatable => false
	3293	:modulatable => false,
	3294	:default => 0
2809	3295	},
2810	3296
2811	3297	:finish =>
2812	3298	{
2813	3299	:doc => "A fraction (between 0 and 1) representing where in the sample to finish playback. 1 represents the end of the sample, 0.5 half-way through etc.",
2814	3300	:validations => [v_between_inclusive(:finish, 0, 1)],
2815		:modulatable => false
	3301	:modulatable => false,
	3302	:default => 1
2816	3303	},
2817	3304
2818	3305	:norm =>
2819	3306	{
2820	3307	:doc => "Normalise the audio (make quieter parts of the sample louder and louder parts quieter) - this is similar to the normaliser FX. This may emphasise any clicks caused by clipping.",
2821	3308	:validations => [v_one_of(:norm, [0, 1])],
2822		:modulatable => true
2823		},
2824
2825		:res =>
2826		{
2827		:doc => "Filter resonance as a value between 0 and 1. Only functional if a cutoff value is specified. Large amounts of resonance (a res: near 1) can create a whistling sound around the cutoff frequency. Smaller values produce less resonance.",
2828		:validations => [v_positive(:res), v_less_than(:res, 1)],
2829		:modulatable => true
	3309	:modulatable => true,
	3310	:default => 0
2830	3311	},
2831	3312
2832	3313	:window_size =>

2835	3316
2836	3317	The window_size is the length of the slices and is measured in seconds. It needs to be around 0.2 (200ms) or greater for pitched sounds like guitar or bass, and needs to be around 0.02 (20ms) or lower for percussive sounds like drum loops. You can experiment with this to get the best sound for your input.",
2837	3318	:validations => [v_greater_than(:window_size, 0.00005)],
2838		:modulatable => true
	3319	:modulatable => true,
	3320	:default => 0.2
	3321	},
	3322
	3323	:pitch =>
	3324	{
	3325	:doc => "Pitch adjustment in semitones. 1 is up a semitone, 12 is up an octave, -12 is down an octave etc. Maximum upper limit of 24 (up 2 octaves). Lower limit of -72 (down 6 octaves). Decimal numbers can be used for fine tuning.",
	3326	:validations => [v_greater_than_oet(:pitch, -72), v_less_than_oet(:pitch, 24)],
	3327	:modulatable => true,
	3328	:default => 0
2839	3329	},
2840	3330
2841	3331	:pitch_dis =>

2844	3334	:validations => [v_greater_than_oet(:pitch_dis, 0)],
2845	3335	:modulatable => true
2846	3336	},
	3337
2847	3338	:time_dis =>
2848	3339	{
2849	3340	:doc => "Time dispersion - how much random delay before playing each grain (measured in seconds). Again, low values here like 0.001 can help to soften up metallic sounds introduced by the effect. Large values are also fun as they can make soundscapes and textures from the input, although you will most likely lose the rhythm of the original. NB - This won't have an effect if it's larger than window_size.",

2851	3342	:modulatable => true
2852	3343	},
2853	3344
2854		:cutoff_attack_level =>
2855		{
2856		:doc => "The peak cutoff (value of cutoff at peak of attack) as a MIDI note.",
2857		:validations => [v_between_inclusive(:cutoff_attack_level, 0, 130)],
2858		:modulatable => false
2859		},
2860
2861		:cutoff_decay_level =>
2862		{
2863		:doc => "The level of cutoff after the decay phase as a MIDI note.",
2864		:validations => [v_between_inclusive(:cutoff_decay_level, 0, 130)],
2865		:modulatable => false
2866		},
2867
2868
2869		:cutoff_sustain_level =>
2870		{
2871		:doc => "The sustain cutoff (value of cutoff at sustain time) as a MIDI note.",
2872		:validations => [v_between_inclusive(:cutoff_sustain_level, 0, 130)],
2873		:modulatable => false
2874		},
2875
2876		:cutoff_attack =>
2877		{
2878		:doc => "Attack time for cutoff filter. Amount of time (in beats) for sound to reach full cutoff value. Default value is set to match amp envelope's attack value.",
2879		:validations => [v_positive(:cutoff_attack)],
	3345	:lpf_init_level =>
	3346	{
	3347	:doc => "The initial low pass filter envelope value as a MIDI note. This envelope is bypassed if no lpf env opts are specified. Default value is to match the `lpf_min:` opt.",
	3348	:validations => [v_between_inclusive(:lpf_init_level, 0, 130)],
	3349	:default => "lpf_min",
	3350	:modulatable => false,
	3351	:midi => true
	3352	},
	3353
	3354	:lpf_attack_level =>
	3355	{
	3356	:doc => "The peak low pass filter envelope value after the attack phase as a MIDI note. This envelope is bypassed if no lpf env opts are specified. Default value is match the `lpf_decay_level:` opt.",
	3357	:validations => [v_between_inclusive(:lpf_attack_level, 0, 130)],
	3358	:modulatable => false,
	3359	:default => "lpf_decay_level",
	3360	:midi => true
	3361	},
	3362
	3363	:lpf_decay_level =>
	3364	{
	3365	:doc => "The level of the low pass filter envelope after the decay phase as a MIDI note. This envelope is bypassed if no lpf env opts are specified. Default value is to match the `lpf_sustain_level:` opt.",
	3366	:validations => [v_between_inclusive(:lpf_decay_level, 0, 130)],
	3367	:modulatable => false,
	3368	:default => "lpf_sustain_level",
	3369	:midi => true
	3370	},
	3371
	3372	:lpf_sustain_level =>
	3373	{
	3374	:doc => "The level of the low pass filter envelope after the sustain phase as a MIDI note. This envelope is bypassed if no lpf env opts are specified. Default value is to match the `lpf_release_level:` opt.",
	3375	:validations => [v_between_inclusive(:lpf_sustain_level, 0, 130)],
	3376	:modulatable => false,
	3377	:default => "lpf_release_level",
	3378	:midi => true
	3379	},
	3380
	3381	:lpf_release_level =>
	3382	{
	3383	:doc => "The final value of the low pass filter envelope as a MIDI note. This envelope is bypassed if no lpf env opts are specified. Default value is to match the `lpf:` opt.",
	3384	:validations => [v_between_inclusive(:lpf_release_level, 0, 130)],
	3385	:modulatable => false,
	3386	:default => "lpf",
	3387	:midi => true
	3388	},
	3389
	3390	:lpf_attack =>
	3391	{
	3392	:doc => "Attack time for low pass filter envelope. Amount of time (in beats) for sound to reach attack_level value. This envelope is bypassed if no lpf env opts are specified. Default value is set to match amp envelope's attack value.",
	3393	:validations => [v_positive(:lpf_attack)],
2880	3394	:modulatable => false,
2881	3395	:default => "attack"
2882	3396	},
2883	3397
2884		:cutoff_decay =>
2885		{
2886		:doc => "Decay time for cutoff filter. Amount of time (in beats) for sound to move from full cutoff value (cutoff attack level) to the cutoff sustain level. Default value is set to match amp envelope's decay value.",
2887		:validations => [v_positive(:cutoff_decay)],
	3398	:lpf_decay =>
	3399	{
	3400	:doc => "Decay time for low pass filter envelope. Amount of time (in beats) for sound to move from `lpf_attack_level:` to the `lpf_sustain_level:`. This envelope is bypassed if no lpf env opts are specified. Default value is set to match amp envelope's decay value.",
	3401	:validations => [v_positive(:lpf_decay)],
2888	3402	:modulatable => false,
2889	3403	:default => "decay"
2890	3404	},
2891	3405
2892		:cutoff_sustain =>
2893		{
2894		:doc => "Amount of time for cutoff value to remain at sustain level in beats. When -1 (the default) will auto-stretch.",
2895		:validations => [[lambda{\|args\| v = args[:cutoff_sustain] ; (v == -1) \|\| (v >= 0)}, "must either be a positive value or -1"]],
	3406	:lpf_sustain =>
	3407	{
	3408	:doc => "Amount of time for low pass filter envelope value to remain at sustain level in beats. This envelope is bypassed if no lpf env opts are specified. When -1 (the default) will auto-stretch.",
	3409	:validations => [[lambda{\|args\| v = args[:lpf_sustain] ; (v == -1) \|\| (v >= 0)}, "must either be a positive value or -1"]],
2896	3410	:modulatable => false,
2897	3411	:default => "sustain"
2898	3412	},
2899	3413
2900		:cutoff_release =>
2901		{
2902		:doc => "Amount of time (in beats) for sound to move from cutoff sustain value to cutoff min value. Default value is set to match amp envelope's release value.",
2903		:validations => [v_positive(:cutoff_release)],
	3414	:lpf_release =>
	3415	{
	3416	:doc => "Amount of time (in beats) for sound to move from `lpf_sustain_level:` to `lpf_release_level:`. This envelope is bypassed if no lpf env opts are specified. ",
	3417	:validations => [v_positive(:lpf_release)],
2904	3418	:modulatable => false,
2905	3419	:default => "release"
2906	3420	},
2907	3421
2908		:cutoff_env_curve =>
	3422	:lpf_env_curve =>
2909	3423	{
2910	3424	:doc => "Select the shape of the curve between levels in the cutoff envelope. 1=linear, 2=exponential, 3=sine, 4=welch, 6=squared, 7=cubed",
2911		:validations => [v_one_of(:cutoff_env_curve, [1, 2, 3, 4, 6, 7])],
	3425	:validations => [v_one_of(:lpf_env_curve, [1, 2, 3, 4, 6, 7])],
2912	3426	:modulatable => false
2913	3427	},
2914	3428
2915		:cutoff_min =>
	3429	:lpf_min =>
	3430	{
	3431	:doc => "The minimum low pass filter value.",
	3432	:validations => [v_less_than_oet(:lpf_min, 130)],
	3433	:modulatable => true,
	3434	:default => 130,
	3435	:midi => true
	3436	},
	3437
	3438	:lpf_min_slide =>
	3439	{
	3440	:doc => generic_slide_doc(:lpf_min),
	3441	:validations => [v_positive(:lpf_min_slide)],
	3442	:modulatable => true,
	3443	:bpm_scale => true
	3444	},
	3445
	3446	:hpf_init_level =>
	3447	{
	3448	:doc => "The initial high pass filter envelope value as a MIDI note. This envelope is bypassed if no hpf env opts are specified. Default value is set to 130",
	3449	:validations => [v_between_inclusive(:hpf_init_level, 0, 130)],
	3450	:modulatable => false,
	3451	:default => 130,
	3452	:midi => true
	3453	},
	3454
	3455	:hpf_attack_level =>
	3456	{
	3457	:doc => "The peak hpf cutoff (value of hpf cutoff at peak of attack) as a MIDI note.",
	3458	:validations => [v_between_inclusive(:hpf_attack_level, 0, 130)],
	3459	:modulatable => false,
	3460	:midi => true,
	3461	:default => "hpf_decay_level"
	3462	},
	3463
	3464	:hpf_decay_level =>
	3465	{
	3466	:doc => "The level of hpf cutoff after the decay phase as a MIDI note.",
	3467	:validations => [v_between_inclusive(:hpf_decay_level, 0, 130)],
	3468	:modulatable => false,
	3469	:midi => true,
	3470	:default => "hpf_sustain_level"
	3471
	3472	},
	3473
	3474
	3475	:hpf_sustain_level =>
	3476	{
	3477	:doc => "The sustain hpf cutoff (value of hpf cutoff at sustain time) as a MIDI note.",
	3478	:validations => [v_between_inclusive(:hpf_sustain_level, 0, 130)],
	3479	:modulatable => false,
	3480	:midi => true,
	3481	:default => "hpf_release_level"
	3482	},
	3483
	3484	:hpf_release_level =>
	3485	{
	3486	:doc => "The sustain hpf cutoff (value of hpf cutoff at sustain time) as a MIDI note.",
	3487	:validations => [v_between_inclusive(:hpf_release_level, 0, 130)],
	3488	:modulatable => false,
	3489	:midi => true,
	3490	:default => "hpf"
	3491	},
	3492
	3493
	3494	:hpf_attack =>
	3495	{
	3496	:doc => "Attack time for hpf cutoff filter. Amount of time (in beats) for sound to reach full hpf cutoff value. Default value is set to match amp envelope's attack value.",
	3497	:validations => [v_positive(:hpf_attack)],
	3498	:modulatable => false,
	3499	:default => "attack"
	3500	},
	3501
	3502	:hpf_decay =>
	3503	{
	3504	:doc => "Decay time for hpf cutoff filter. Amount of time (in beats) for sound to move from full hpf cutoff value (cutoff attack level) to the hpf cutoff sustain level. Default value is set to match amp envelope's decay value.",
	3505	:validations => [v_positive(:hpf_decay)],
	3506	:modulatable => false,
	3507	:default => "decay"
	3508	},
	3509
	3510	:hpf_sustain =>
	3511	{
	3512	:doc => "Amount of time for hpf cutoff value to remain at hpf sustain level in beats. When -1 (the default) will auto-stretch.",
	3513	:validations => [[lambda{\|args\| v = args[:hpf_sustain] ; (v == -1) \|\| (v >= 0)}, "must either be a positive value or -1"]],
	3514	:modulatable => false,
	3515	:default => "sustain"
	3516	},
	3517
	3518	:hpf_release =>
	3519	{
	3520	:doc => "Amount of time (in beats) for sound to move from hpf cutoff sustain value to hpf cutoff min value. Default value is set to match amp envelope's release value.",
	3521	:validations => [v_positive(:hpf_release)],
	3522	:modulatable => false,
	3523	:default => "release"
	3524	},
	3525
	3526	:hpf_env_curve =>
	3527	{
	3528	:doc => "Select the shape of the curve between levels in the hpf cutoff envelope. 1=linear, 2=exponential, 3=sine, 4=welch, 6=squared, 7=cubed",
	3529	:validations => [v_one_of(:hpf_env_curve, [1, 2, 3, 4, 6, 7])],
	3530	:modulatable => false
	3531	},
	3532
	3533	:hpf_min =>
2916	3534	{
2917	3535	:doc => "The minimum cutoff value.",
2918		:validations => [v_less_than_oet(:cutoff_min, 130)],
	3536	:validations => [v_less_than_oet(:hpf_min, 130)],
2919	3537	:modulatable => true,
2920	3538	:midi => true
2921	3539	},
2922	3540
2923		:cutoff_min_slide =>
2924		{
2925		:doc => generic_slide_doc(:cutoff_min),
2926		:validations => [v_positive(:cutoff_min_slide)],
2927		:modulatable => true,
2928		:bpm_scale => true
2929		},
2930
2931		}
	3541	:hpf_min_slide =>
	3542	{
	3543	:doc => generic_slide_doc(:hpf_min),
	3544	:validations => [v_positive(:hpf_min_slide)],
	3545	:modulatable => true,
	3546	:bpm_scale => true
	3547	},
	3548
	3549
	3550	:hpf_max =>
	3551	{
	3552	:doc => "The maximum high pass filter value.",
	3553	:validations => [v_less_than_oet(:hpf_max, 130)],
	3554	:modulatable => true,
	3555	:default => 200,
	3556	:midi => true
	3557	},
	3558
	3559
	3560	:compress =>
	3561	{
	3562	:doc => "Enable the compressor. This sits at the end of the internal FX chain immediately before the `amp:` opt. Therefore to drive the compressor use the `pre_amp:` opt which will amplify the signal before it hits any internal FX. The compressor compresses the dynamic range of the incoming signal. Equivalent to automatically turning the amp down when the signal gets too loud and then back up again when it's quiet. Useful for ensuring the containing signal doesn't overwhelm other aspects of the sound. Also a general purpose hard-knee dynamic range processor which can be tuned via the opts to both expand and compress the signal.",
	3563	:validations => [v_one_of(:compress, [0, 1])],
	3564	:modulatable => true
	3565	},
	3566
	3567	:threshold =>
	3568	{
	3569	:doc => "Threshold value determining the break point between slope_below and slope_above. Only valid if the compressor is enabled by turning on the comp: opt.",
	3570	:validations => [v_positive(:threshold)],
	3571	:modulatable => true
	3572	},
	3573
	3574	:threshold_slide =>
	3575	{
	3576	:doc => generic_slide_doc(:threshold),
	3577	:validations => [v_positive(:threshold_slide)],
	3578	:modulatable => true,
	3579	:bpm_scale => true
	3580	},
	3581
	3582	:slope_below =>
	3583	{
	3584	:doc => "Slope of the amplitude curve below the threshold. A value of 1 means that the output of signals with amplitude below the threshold will be unaffected. Greater values will magnify and smaller values will attenuate the signal. Only valid if the compressor is enabled by turning on the comp: opt.",
	3585	:validations => [],
	3586	:modulatable => true
	3587	},
	3588
	3589	:slope_below_slide =>
	3590	{
	3591	:doc => generic_slide_doc(:slope_below),
	3592	:validations => [v_positive(:slope_below_slide)],
	3593	:modulatable => true,
	3594	:bpm_scale => true
	3595	},
	3596
	3597	:slope_above =>
	3598	{
	3599	:doc => "Slope of the amplitude curve above the threshold. A value of 1 means that the output of signals with amplitude above the threshold will be unaffected. Greater values will magnify and smaller values will attenuate the signal. Only valid if the compressor is enabled by turning on the comp: opt.",
	3600
	3601	:validations => [],
	3602	:modulatable => true
	3603	},
	3604
	3605	:slope_above_slide =>
	3606	{
	3607	:doc => generic_slide_doc(:slope_above),
	3608	:validations => [v_positive(:slope_above_slide)],
	3609	:modulatable => true,
	3610	:bpm_scale => true
	3611	},
	3612
	3613	:clamp_time =>
	3614	{
	3615	:doc => "Time taken for the amplitude adjustments to kick in fully (in seconds). This is usually pretty small (not much more than 10 milliseconds). Also known as the time of the attack phase. Only valid if the compressor is enabled by turning on the comp: opt.",
	3616	:validations => [v_positive(:clamp_time)],
	3617	:modulatable => true
	3618	},
	3619
	3620	:clamp_time_slide =>
	3621	{
	3622	:doc => generic_slide_doc(:clamp_time),
	3623	:validations => [v_positive(:clamp_time_slide)],
	3624	:modulatable => true,
	3625	:bpm_scale => true
	3626	},
	3627
	3628	:relax_time =>
	3629	{
	3630	:doc => "Time taken for the amplitude adjustments to be released. Usually a little longer than clamp_time. If both times are too short, you can get some (possibly unwanted) artefacts. Also known as the time of the release phase. Only valid if the compressor is enabled by turning on the comp: opt.",
	3631	:validations => [v_positive(:relax_time)],
	3632	:modulatable => true
	3633	},
	3634
	3635	:relax_time_slide =>
	3636	{
	3637	:doc => generic_slide_doc(:relax_time),
	3638	:validations => [v_positive(:relax_time_slide)],
	3639	:modulatable => true,
	3640	:bpm_scale => true
	3641	},
	3642
	3643	:pre_amp =>
	3644	{
	3645	:doc => "Amplitude multiplier which takes place immediately before any internal FX such as the low pass filter, compressor or pitch modification. Use this opt if you want to overload the compressor.",
	3646	:validations => [v_positive(:pre_amp)],
	3647	:modulatable => true
	3648	},
	3649
	3650	:pre_amp_slide =>
	3651	{
	3652	:doc => generic_slide_doc(:pre_amp),
	3653	:validations => [v_positive(:pre_amp_slide)],
	3654	:modulatable => true,
	3655	:bpm_scale => true
	3656	}
	3657
	3658	})
2932	3659	end
2933	3660
2934	3661	end

3023	3750	end
3024	3751
3025	3752	class FXInfo < BaseInfo
	3753	def user_facing?
	3754	true
	3755	end
3026	3756
3027	3757	def trigger_with_logical_clock?
3028	3758	true

3456	4186	:amp_slide => 0,
3457	4187	:amp_slide_shape => 1,
3458	4188	:amp_slide_curve => 0,
	4189	}
	4190	end
	4191	end
	4192
	4193	class FXMono < FXInfo
	4194	def name
	4195	"Mono"
	4196	end
	4197
	4198	def introduced
	4199	Version.new(2,10,0)
	4200	end
	4201
	4202	def synth_name
	4203	"fx_mono"
	4204	end
	4205
	4206	def doc
	4207	"Sum left and right channels. Useful with stereo samples that you need as a mono sound, or for use with panslicer."
	4208	end
	4209
	4210	def arg_defaults
	4211	{
	4212	:amp => 1,
	4213	:amp_slide => 0,
	4214	:amp_slide_shape => 1,
	4215	:amp_slide_curve => 0,
	4216	:pan => 0,
	4217	:pan_slide => 0,
	4218	:pan_slide_shape => 1,
	4219	:pan_slide_curve => 0,
	4220	:mix => 1,
	4221	:mix_slide => 0,
	4222	:mix_slide_shape => 1,
	4223	:mix_slide_curve => 0,
3459	4224	}
3460	4225	end
3461	4226	end

4451	5216	end
4452	5217	end
4453	5218
	5219	class FXWhammy < FXInfo
	5220	def name
	5221	"Whammy"
	5222	end
	5223
	5224	def introduced
	5225	Version.new(2,10,0)
	5226	end
	5227
	5228	def synth_name
	5229	"fx_whammy"
	5230	end
	5231
	5232	def doc
	5233	"A cheap sounding transposition effect, with a slightly robotic edge. Good for adding alien sounds and harmonies to everything from beeps to guitar samples. It's similar to pitch shift although not as smooth sounding."
	5234	end
	5235
	5236	def arg_defaults
	5237	{
	5238	:amp => 1,
	5239	:amp_slide => 0,
	5240	:amp_slide_shape => 1,
	5241	:amp_slide_curve => 0,
	5242	:mix => 1,
	5243	:pre_amp => 1,
	5244	:pre_amp_slide => 0,
	5245	:pre_amp_slide_shape => 1,
	5246	:pre_amp_slide_curve => 0,
	5247	:transpose => 12,
	5248	:transpose_slide => 0,
	5249	:transpose_slide_shape => 1,
	5250	:transpose_slide_curve => 0,
	5251	:max_delay_time => 1,
	5252	:deltime => 0.05,
	5253	:grainsize => 0.075
	5254	}
	5255	end
	5256
	5257	def specific_arg_info
	5258	{
	5259
	5260	:transpose =>
	5261	{
	5262	:doc => "This is how much to transpose the input, expressed as a midi pitch.",
	5263	:modulatable => true
	5264	},
	5265
	5266	:transpose_slide =>
	5267	{
	5268	:doc => generic_slide_doc(:transpose),
	5269	:validations => [v_positive(:transpose_slide)],
	5270	:modulatable => true,
	5271	},
	5272
	5273	:deltime =>
	5274	{
	5275	:doc => "The delay time to be used for the effect. This shouldn't need to be adjusted.",
	5276	:validations => [v_positive(:deltime)],
	5277	},
	5278
	5279	:max_delay_time =>
	5280	{
	5281	:doc => "The max delay time to be used for the effect. This shouldn't need to be adjusted.",
	5282	:validations => [v_positive(:max_delay_time)],
	5283	},
	5284
	5285	:grainsize =>
	5286	{
	5287	:doc => "The size of the initial grain used for transposition. This shouldn't need to be adjusted.",
	5288	:validations => [v_positive(:grainsize)],
	5289	},
	5290	}
	5291	end
	5292	end
4454	5293
4455	5294	class FXCompressor < FXInfo
4456	5295	def name

4585	5424	end
4586	5425	end
4587	5426
	5427	class FXVowel < FXInfo
	5428	def name
	5429	"Vowel"
	5430	end
	5431
	5432	def introduced
	5433	Version.new(2,10,0)
	5434	end
	5435
	5436	def synth_name
	5437	"fx_vowel"
	5438	end
	5439
	5440	def arg_defaults
	5441	{
	5442	:amp => 1,
	5443	:amp_slide => 0,
	5444	:amp_slide_shape => 1,
	5445	:amp_slide_curve => 0,
	5446	:pre_amp => 1,
	5447	:pre_amp_slide => 0,
	5448	:pre_amp_slide_shape => 1,
	5449	:pre_amp_slide_curve => 0,
	5450	:vowel_sound => 1,
	5451	:voice => 0
	5452	}
	5453	end
	5454
	5455	def specific_arg_info
	5456	{
	5457	:vowel_sound =>
	5458	{
	5459	:doc => "1,2,3,4,5 => A,E,I,O,U",
	5460	:validations => [v_one_of(:vowel_sound, [1,2,3,4,5])],
	5461	:modulatable => true
	5462	},
	5463	:voice =>
	5464	{
	5465	:doc => "0,1,2,3,4 => Soprano,Alto,Counter Tenor, Tenor, Bass",
	5466	:validations => [v_one_of(:voice, [0,1,2,3,4])],
	5467	:modulatable => true
	5468	}
	5469	}
	5470	end
	5471
	5472	def doc
	5473	"This effect filters the input to match a human voice singing a certain vowel sound. Human singing voice sounds are easily achieved with a source of a saw wave with a little vibrato."
	5474	end
	5475	end
	5476
4588	5477	class FXOctaver < FXInfo
4589	5478	def name
4590	5479	"Octaver"

4612	5501	:pre_amp_slide => 0,
4613	5502	:pre_amp_slide_shape => 1,
4614	5503	:pre_amp_slide_curve => 0,
4615		:oct1_amp => 1,
4616		:oct1_amp_slide => 0,
4617		:oct1_amp_slide_shape => 1,
4618		:oct1_amp_slide_curve => 0,
4619		:oct1_interval => 12,
4620		:oct1_interval_slide => 0,
4621		:oct1_interval_slide_shape => 1,
4622		:oct1_interval_slide_curve => 0,
4623		:oct2_amp => 1,
4624		:oct2_amp_slide => 0,
4625		:oct2_amp_slide_shape => 1,
4626		:oct2_amp_slide_curve => 0,
4627		:oct3_amp => 1,
4628		:oct3_amp_slide => 0,
4629		:oct3_amp_slide_shape => 1,
4630		:oct3_amp_slide_curve => 0
	5504	:super_amp => 1,
	5505	:super_amp_slide => 0,
	5506	:super_amp_slide_shape => 1,
	5507	:super_amp_slide_curve => 0,
	5508	:sub_amp => 1,
	5509	:sub_amp_slide => 0,
	5510	:sub_amp_slide_shape => 1,
	5511	:sub_amp_slide_curve => 0,
	5512	:subsub_amp => 1,
	5513	:subsub_amp_slide => 0,
	5514	:subsub_amp_slide_shape => 1,
	5515	:subsub_amp_slide_curve => 0
4631	5516	}
4632	5517	end
4633	5518
4634	5519	def specific_arg_info
4635	5520	{
4636		:oct1_amp =>
	5521	:super_amp =>
4637	5522	{
4638	5523	:doc => "Volume of the signal 1 octave above the input",
4639		:validations => [v_positive(:oct1_amp)],
4640		:modulatable => true
4641		},
4642		:oct2_amp =>
	5524	:validations => [v_positive(:super_amp)],
	5525	:modulatable => true
	5526	},
	5527	:sub_amp =>
4643	5528	{
4644	5529	:doc => "Volume of the signal 1 octave below the input",
4645		:validations => [v_positive(:oct2_amp)],
4646		:modulatable => true
4647		},
4648		:oct3_amp =>
	5530	:validations => [v_positive(:sub_amp)],
	5531	:modulatable => true
	5532	},
	5533	:subsub_amp =>
4649	5534	{
4650	5535	:doc => "Volume of the signal 2 octaves below the input",
4651		:validations => [v_positive(:oct3_amp)],
	5536	:validations => [v_positive(:subsub_amp)],
4652	5537	:modulatable => true
4653	5538	}
4654	5539	}
4655	5540	end
4656	5541
4657	5542	def doc
4658		"This harmoniser adds three pitches based on the input sound. The first is the original sound transposed up an octave, the second is the original sound transposed down an octave and the third is the original sound transposed down two octaves.
4659
4660		The way the transpositions are done adds some distortion, particularly to the lower octaves, whilst the upper octave has a 'cheap' quality. This effect is often used in guitar effects pedals but it can work with other sounds too."
	5543	"This effect adds three pitches based on the input sound. The first is the original sound transposed up an octave (super_amp), the second is the original sound transposed down an octave (sub_amp) and the third is the original sound transposed down two octaves (subsub_amp).
	5544
	5545	The way the transpositions are done adds some distortion/fuzz, particularly to the lower octaves, whilst the upper octave has a 'cheap' quality. This effect is often used in guitar effects pedals but it can work with other sounds too. There's a great description of the science behind this on Wikipedia here: https://en.wikipedia.org/wiki/Octave_effect"
4661	5546	end
4662	5547	end
4663	5548

5417	6302	:mix_slide => 0,
5418	6303	:mix_slide_shape => 1,
5419	6304	:mix_slide_curve => 0,
5420		:krunch => 1,
	6305	:krunch => 5,
5421	6306	:krunch_slide => 0,
5422	6307	:krunch_slide_shape => 1,
5423	6308	:krunch_slide_curve => 0,

5869	6754	:drum_cymbal_closed,
5870	6755	:drum_cymbal_pedal,
5871	6756	:drum_bass_soft,
5872		:drum_bass_hard]},
	6757	:drum_bass_hard,
	6758	:drum_cowbell,
	6759	:drum_roll]},
5873	6760
5874	6761	:elec => {
5875	6762	:desc => "Electric Sounds",

5914	6801	:desc => "Miscellaneous Sounds",
5915	6802	:prefix => "misc_",
5916	6803	:samples => [
5917		:misc_burp]},
	6804	:misc_burp,
	6805	:misc_crow,
	6806	:misc_cineboom]},
5918	6807
5919	6808	:perc => {
5920	6809	:desc => "Percussive Sounds",

5922	6811	:samples => [
5923	6812	:perc_bell,
5924	6813	:perc_snap,
5925		:perc_snap2]},
	6814	:perc_snap2,
	6815	:perc_swash,
	6816	:perc_till]},
5926	6817
5927	6818	:ambi => {
5928	6819	:desc => "Ambient Sounds",

5952	6843	:bass_voxy_hit_c,
5953	6844	:bass_dnb_f]},
5954	6845
5955		:snares => {
	6846	:sn => {
5956	6847	:desc => "Snare Drums",
5957	6848	:prefix => "sn_",
5958	6849	:samples => [

5960	6851	:sn_dolf,
5961	6852	:sn_zome]},
5962	6853
5963		:bass_drums => {
	6854	:bd => {
5964	6855	:desc => "Bass Drums",
5965	6856	:prefix => "bd_",
5966	6857	:samples => [

5987	6878	:loop_amen_full,
5988	6879	:loop_garzul,
5989	6880	:loop_mika,
5990		:loop_breakbeat]}}
	6881	:loop_breakbeat,
	6882	:loop_safari,
	6883	:loop_tabla]},
	6884
	6885	:tabla => {
	6886	:desc => "Sounds of a Tabla Drum",
	6887	:prefix => "tabla_",
	6888	:samples => [
	6889	:tabla_tas1,
	6890	:tabla_tas2,
	6891	:tabla_tas3,
	6892	:tabla_ke1,
	6893	:tabla_ke2,
	6894	:tabla_ke3,
	6895	:tabla_na,
	6896	:tabla_na_o,
	6897	:tabla_tun1,
	6898	:tabla_tun2,
	6899	:tabla_tun3,
	6900	:tabla_te1,
	6901	:tabla_te2,
	6902	:tabla_te_ne,
	6903	:tabla_te_m,
	6904	:tabla_ghe1,
	6905	:tabla_ghe2,
	6906	:tabla_ghe3,
	6907	:tabla_ghe4,
	6908	:tabla_ghe5,
	6909	:tabla_ghe6,
	6910	:tabla_ghe7,
	6911	:tabla_ghe8,
	6912	:tabla_dhec,
	6913	:tabla_na_s,
	6914	:tabla_re]},
	6915
	6916	:vinyl => {
	6917	:desc => "Vinyl sounds",
	6918	:prefix => "vinyl_",
	6919	:samples => [
	6920	:vinyl_backspin,
	6921	:vinyl_rewind,
	6922	:vinyl_scratch,
	6923	:vinyl_hiss]}
	6924	}
	6925
5991	6926
5992	6927	@@all_samples = (@@grouped_samples.values.reduce([]) {\|s, el\| s << el[:samples]}).flatten
5993	6928

6004	6939	:tri => Tri.new,
6005	6940	:dsaw => DSaw.new,
6006	6941	:dpulse => DPulse.new,
	6942	:dtri => DTri.new,
6007	6943	:fm => FM.new,
6008	6944	:mod_fm => ModFM.new,
6009	6945	:mod_saw => ModSaw.new,

6012	6948	:mod_beep => ModSine.new,
6013	6949	:mod_tri => ModTri.new,
6014	6950	:mod_pulse => ModPulse.new,
	6951	:chiplead => ChipLead.new,
	6952	:chipbass => ChipBass.new,
6015	6953	:tb303 => TB303.new,
6016	6954	:supersaw => Supersaw.new,
6017	6955	:hoover => Hoover.new,

6026	6964	:stereo_player => StereoPlayer.new,
6027	6965	:blade => SynthViolin.new,
6028	6966	:piano => SynthPiano.new,
	6967	:pluck => SynthPluck.new,
6029	6968
6030	6969	:sound_in => SoundIn.new,
	6970	:sound_in_stereo => SoundInStereo.new,
6031	6971	:noise => Noise.new,
6032	6972	:pnoise => PNoise.new,
6033	6973	:bnoise => BNoise.new,
6034	6974	:gnoise => GNoise.new,
6035	6975	:cnoise => CNoise.new,
	6976	:chipnoise => ChipNoise.new,
6036	6977
6037	6978	:basic_mono_player => BasicMonoPlayer.new,
6038	6979	:basic_stereo_player => BasicStereoPlayer.new,

6045	6986	:fx_gverb => FXGVerb.new,
6046	6987	:fx_replace_reverb => FXReverb.new,
6047	6988	:fx_level => FXLevel.new,
	6989	:fx_mono => FXMono.new,
6048	6990	:fx_replace_level => FXLevel.new,
6049	6991	:fx_echo => FXEcho.new,
6050	6992	:fx_replace_echo => FXEcho.new,

6056	6998	:fx_ixi_techno => FXIXITechno.new,
6057	6999	:fx_replace_ixi_techno => FXIXITechno.new,
6058	7000	:fx_compressor => FXCompressor.new,
	7001	:fx_whammy => FXWhammy.new,
6059	7002	:fx_replace_compressor => FXCompressor.new,
6060	7003	:fx_rlpf => FXRLPF.new,
6061	7004	:fx_replace_rlpf => FXRLPF.new,

6088	7031	:fx_pitch_shift => FXPitchShift.new,
6089	7032	:fx_ring_mod => FXRingMod.new,
6090	7033	#:fx_chorus => FXChorus.new,
6091		#:fx_harmoniser => FXHarmoniser.new,
	7034	:fx_octaver => FXOctaver.new,
	7035	:fx_vowel => FXVowel.new,
6092	7036	:fx_flanger => FXFlanger.new
6093	7037	}
6094	7038

6109	7053	end
6110	7054
6111	7055	def self.all_synths
6112		@@synth_infos.keys
	7056	@@synth_infos.select {\|k, v\| v.is_a?(SonicPiSynth) && v.user_facing?}.keys
	7057	end
	7058
	7059	def self.all_fx
	7060	fx = @@synth_infos.select {\|k, v\| v.is_a?(FXInfo) && v.user_facing? && !k.to_s.include?('replace_')}.keys
	7061	fx.map { \|k, v\| k.to_s[3..-1].to_sym }
6113	7062	end
6114	7063
6115	7064	def self.info_doc_html_map(klass)

6140	7089	doc << "<p><table class=\"arguments\"><tr>\n"
6141	7090	cnt = 0
6142	7091	v.arg_info.each do \|ak, av\|
6143		doc << "</tr><tr>" if (cnt > 0) and cnt % 6 == 0
6144		td_class = cnt.even? ? "even" : "odd"
6145		doc << "<td class=\"#{td_class}\"><a href=\"##{ak}\">#{ak}:</a></td>\n"
6146		doc << "<td class=\"#{td_class}\">#{av[:default]}</td>\n"
	7092	doc << "</tr><tr>" if (cnt > 0) and cnt % 4 == 0
	7093	doc << "<td class=\"even\"><a href=\"##{ak}\">#{ak}:</a></td>\n"
	7094	doc << "<td class=\"odd\">#{av[:default]}</td>\n"
6147	7095	cnt += 1
6148	7096	end
6149	7097	doc << "</tr></table></p>\n\n"

6165	7113	doc << "<p class=\"introduced\">"
6166	7114	doc << "Introduced in " << v.introduced.to_s << "</p>\n\n"
6167	7115
6168		doc << "<h2>Parameters</h2>\n"
	7116	doc << "<h2>Options</h2>\n"
6169	7117
6170	7118	doc << "<p><table class=\"details\">\n"
6171	7119

6183	7131	doc << " Default: #{av[:default]}\n"
6184	7132	doc << " <br/>#{av[:constraints].join(",").capitalize}\n" unless av[:constraints].empty?
6185	7133	doc << " <br/>#{av[:modulatable] ? "May be changed whilst playing" : "Can not be changed once set"}\n"
6186		doc << " <br/><a href=\"#slide\">Has slide parameters to shape changes</a>\n" if av[:slidable]
	7134	doc << " <br/><a href=\"#slide\">Has slide options to shape changes</a>\n" if av[:slidable]
6187	7135	doc << " <br/>Scaled with current BPM value\n" if av[:bpm_scale]
6188	7136	doc << " </p>\n"
6189	7137	doc << " </td>\n"

6195	7143
6196	7144	if any_slidable then
6197	7145	doc << "<a name=slide></a>\n"
6198		doc << "<h2>Slide Parameters</h2>\n"
6199		doc << "<p>Any parameter that is slidable has three additional parameters named _slide, _slide_curve, and _slide_shape. For example, 'amp' is slidable, so you can also set amp_slide, amp_slide_curve, and amp_slide_shape with the following effects:</p>\n"
	7146	doc << "<h2>Slide Options</h2>\n"
	7147	doc << "<p>Any parameter that is slidable has three additional options named _slide, _slide_curve, and _slide_shape. For example, 'amp' is slidable, so you can also set amp_slide, amp_slide_curve, and amp_slide_shape with the following effects:</p>\n"
6200	7148	slide_args = {
6201	7149	:_slide => {:default => 0, :doc=>v.generic_slide_doc('parameter')},
6202	7150	:_slide_shape => {:default=>5, :doc=>v.generic_slide_shape_doc('parameter')},

6235	7183
6236	7184	get_all.each do \|k, v\|
6237	7185	next unless v.is_a? klass
	7186	next if k.to_s.include? 'replace_'
6238	7187	snake_case = v.name.downcase.gsub(/ /, "-")
6239	7188	res << "* [#{v.name}](##{snake_case})\n"
6240	7189	end
6241	7190	res << "\n"
6242	7191	get_all.each do \|k, v\|
6243	7192	next unless v.is_a? klass
	7193	next if k.to_s.include? 'replace_'
6244	7194	res << "## " << v.name << "\n\n"
6245	7195	res << "### Key:\n"
6246	7196	mk = key_mod ? key_mod.call(k) : k

6256	7206	res << " - #{av[:modulatable] ? "May be changed whilst playing" : "Can not be changed once set"}\n"
6257	7207	res << " - Scaled with current BPM value\n" if av[:bpm_scale]
6258	7208	res << " - Accepts note symbols such as :e3\n" if av[:midi]
6259		res << " - Has slide parameters for shaping changes\n" if av[:slidable]
	7209	res << " - Has slide options for shaping changes\n" if av[:slidable]
6260	7210	end
6261	7211	res << "\n\n"
6262	7212

6291	7241	doc << "<h1>" << v[:desc] << "</h1>\n"
6292	7242	doc << "<p><table class=\"arguments\"><tr>\n"
6293	7243	StereoPlayer.new.arg_info.each do \|ak, av\|
6294		doc << "</tr><tr>" if (cnt > 0) and cnt % 6 == 0
6295		td_class = cnt.even? ? "even" : "odd"
6296		doc << "<td class=\"#{td_class}\"><a href=\"##{ak}\">#{ak}:</a></td>\n"
6297		doc << "<td class=\"#{td_class}\">#{av[:default]}</td>\n"
	7244	doc << "</tr><tr>" if (cnt > 0) and cnt % 4 == 0
	7245	doc << "<td class=\"even\"><a href=\"##{ak}\">#{ak}:</a></td>\n"
	7246	doc << "<td class=\"odd\">#{av[:default]}</td>\n"
6298	7247	cnt += 1
6299	7248	end
6300	7249	doc << "</tr></table></p>\n"

6310	7259
6311	7260	cnt = 0
6312	7261	StereoPlayer.new.arg_info.each do \|ak, av\|
6313		td_class = cnt.even? ? "even" : "odd"
6314	7262	doc << "<a name=\"#{ak}\"></a>\n"
6315	7263	doc << "<tr>\n"
6316		doc << " <td class=\"#{td_class} key\">#{ak}:</td>\n"
6317		doc << " <td class=\"#{td_class}\">\n"
	7264	doc << " <td class=\"even key\">#{ak}:</td>\n"
	7265	doc << " <td class=\"odd\">\n"
6318	7266	doc << " <p>#{av[:doc] \|\| 'write me'}</p>\n"
6319	7267	doc << " <p class=\"properties\">\n"
6320	7268	doc << " Default: #{av[:default]}\n"

+1

-1

app/server/sonicpi/lib/sonicpi/synthtracker.rb less more

2	2	# Full project source: https://github.com/samaaron/sonic-pi
3	3	# License: https://github.com/samaaron/sonic-pi/blob/master/LICENSE.md
4	4	#
5		# Copyright 2013, 2014, 2015 by Sam Aaron (http://sam.aaron.name).
	5	# Copyright 2013, 2014, 2015, 2016 by Sam Aaron (http://sam.aaron.name).
6	6	# All rights reserved.
7	7	#
8	8	# Permission is granted for use, copying, modification, and

+3

-3

app/server/sonicpi/lib/sonicpi/tuning.rb less more

2	2	# Full project source: https://github.com/samaaron/sonic-pi
3	3	# License: https://github.com/samaaron/sonic-pi/blob/master/LICENSE.md
4	4	#
5		# Copyright 2013, 2014, 2015 by Sam Aaron (http://sam.aaron.name).
	5	# Copyright 2013, 2014, 2015, 2016 by Sam Aaron (http://sam.aaron.name).
6	6	# All rights reserved.
7	7	#
8	8	# Permission is granted for use, copying, modification, and

94	94	end
95	95
96	96	def midi_to_hz(n)
97		440.0 * (2 ** ((n - 69) / 12.0))
	97	(440.0 * (2 ** ((n - 69) / 12.0))).round(9)
98	98	end
99	99
100	100	def hz_to_midi(freq)
101		(12 * (Math.log(freq * 0.0022727272727) / Math.log(2))) + 69
	101	((12 * (Math.log(freq * 0.0022727272727) / Math.log(2))) + 69).round(9)
102	102	end
103	103
104	104	private

+116

-52

app/server/sonicpi/lib/sonicpi/util.rb less more

2	2	# Full project source: https://github.com/samaaron/sonic-pi
3	3	# License: https://github.com/samaaron/sonic-pi/blob/master/LICENSE.md
4	4	#
5		# Copyright 2013, 2014, 2015 by Sam Aaron (http://sam.aaron.name).
	5	# Copyright 2013, 2014, 2015, 2016 by Sam Aaron (http://sam.aaron.name).
6	6	# All rights reserved.
7	7	#
8	8	# Permission is granted for use, copying, modification, and

15	15
16	16	module SonicPi
17	17	module Util
	18	@@safe_mode = false
18	19	@@tilde_dir = Dir.home
19	20	@@project_path = nil
20	21	@@log_path = nil
21	22	@@current_uuid = nil
22	23	@@home_dir = nil
23	24	@@util_lock = Mutex.new
24		@@raspberry_pi_1 = RUBY_PLATFORM.match(/.arm.-linux.*/) && File.exists?('/proc/cpuinfo') && !(`cat /proc/cpuinfo \| grep ARMv6`.empty?)
	25	@@raspberry_pi_1 = RUBY_PLATFORM.match(/.arm.-linux.*/) && File.exists?('/proc/cpuinfo') && !(`cat /proc/cpuinfo \| grep BCM2708`).empty?
	26	@@raspberry_pi_2 = RUBY_PLATFORM.match(/.arm.-linux.*/) && File.exists?('/proc/cpuinfo') && !(`cat /proc/cpuinfo \| grep BCM2709`).empty? && (`cat /proc/cpuinfo \| grep crc32`).empty?
	27	@@raspberry_pi_3 = RUBY_PLATFORM.match(/.arm.-linux.*/) && File.exists?('/proc/cpuinfo') && !(`cat /proc/cpuinfo \| grep BCM2709`).empty? && !(`cat /proc/cpuinfo \| grep crc32`).empty?
	28
	29	@@home_dir = File.expand_path((ENV['SONIC_PI_HOME'] \|\| Dir.home) + '/.sonic-pi/')
	30	@@project_path = @@home_dir + '/store/default/'
	31	@@log_path = @@home_dir + '/log/'
	32
	33	[@@home_dir, @@project_path, @@log_path].each do \|dir\|
	34
	35	begin
	36	FileUtils.mkdir_p(dir) unless File.exists?(dir)
	37	rescue
	38	@@safe_mode = true
	39	STDERR.puts "Unable to create #{dir} due to permissions errors"
	40	end
	41	end
	42
	43	begin
	44	@@log_file = File.open("#{@@log_path}/debug.log", 'w')
	45	rescue
	46	@@safe_mode = true
	47	STDERR.puts "Unable to open log file #{@@log_path}/debug.log"
	48	@@log_file = nil
	49	end
	50
	51
	52	at_exit do
	53	@@log_file.close if @@log_file
	54	end
25	55
26	56	def os
27	57	case RUBY_PLATFORM

38	68	end
39	69	end
40	70
	71	def raspberry_pi?
	72	os == :raspberry
	73	end
	74
41	75	def raspberry_pi_1?
42	76	os == :raspberry && @@raspberry_pi_1
43	77	end
44	78
45	79	def raspberry_pi_2?
46		os == :raspberry && !@@raspberry_pi_1
	80	os == :raspberry && @@raspberry_pi_2
	81	end
	82
	83	def raspberry_pi_3?
	84	os == :raspberry && @@raspberry_pi_3
47	85	end
48	86
49	87	def unify_tilde_dir(path)

60	98	end
61	99
62	100	def default_sched_ahead_time
63		if (os == :raspberry)
	101	if raspberry_pi_1?
64	102	1
65	103	else
66		0.2
	104	0.5
67	105	end
68	106	end
69	107

71	109	case os
72	110	when :raspberry
73	111	if raspberry_pi_1?
	112	"Raspberry Pi 1"
	113	elsif raspberry_pi_2?
	114	"Raspberry Pi 2"
	115	elsif raspberry_pi_3?
	116	"Raspberry Pi 3"
	117	else
74	118	"Raspberry Pi"
75		else
76		"Raspberry Pi 2"
77	119	end
78	120	when :linux
79	121	"Linux"

85	127	end
86	128
87	129	def default_control_delta
88		if raspberry_pi_1?
89		0.02
90		elsif raspberry_pi_2?
91		0.013
	130	if raspberry_pi?
	131	if raspberry_pi_1?
	132	0.02
	133	else
	134	0.013
	135	end
92	136	else
93	137	0.005
94	138	end
95	139	end
96	140
97	141	def home_dir
98		return @@home_dir if @@home_dir
99		@@util_lock.synchronize do
100		return @@home_dir if @@home_dir
101		path = File.expand_path((ENV['SONIC_PI_HOME'] \|\| Dir.home) + '/.sonic-pi/')
102		ensure_dir(path)
103		@@home_dir = path
104		path
105		end
	142	@@home_dir
106	143	end
107	144
108	145	def init_path

110	147	end
111	148
112	149	def project_path
113		return @@project_path if @@project_path
114		@@util_lock.synchronize do
115		return @@project_path if @@project_path
116		## TODO: allow user to modify this for different projects
117		path = home_dir + '/store/default/'
118		ensure_dir(path)
119		@@project_path = path
120		path
121		end
	150	@@project_path
122	151	end
123	152
124	153	def log_path
125		return @@log_path if @@log_path
126		@@util_lock.synchronize do
127		return @@log_path if @@log_path
128		path = home_dir + '/log/'
129		ensure_dir(path)
130		@@log_path = path
131		path
132		end
	154	@@log_path
133	155	end
134	156
135	157	def global_uuid

149	171
150	172	# invalid or no uuid - create and store a new one
151	173	new_uuid = SecureRandom.uuid
152		File.open(path, 'w') {\|f\| f.write(new_uuid)}
	174	begin
	175	File.open(path, 'w') {\|f\| f.write(new_uuid)}
	176	rescue
	177	@@safe_mode = true
	178	log "Unable to write uuid file to #{path}"
	179	end
153	180	@@current_uuid = new_uuid
154	181	new_uuid
155	182	end
156	183	end
157	184
158	185	def ensure_dir(d)
159		FileUtils.mkdir_p(d) unless File.exists?(d)
	186	begin
	187	FileUtils.mkdir_p(dir) unless File.exists?(dir)
	188	rescue
	189	@@safe_mode = true
	190	log "Unable to create #{dir} due to permissions errors"
	191	end
	192	end
	193
	194	def linux_fhs?
	195	# use FHS directory scheme:
	196	# check if Sonic Pi's ruby server is not running inside the
	197	# user's home directory, but is installed in /usr/lib/sonic-pi
	198	# on Linux from a distribution's package
	199	File.dirname(__FILE__).start_with?("/usr/lib/sonic-pi")
160	200	end
161	201
162	202	def root_path

168	208	end
169	209
170	210	def snippets_path
171		File.absolute_path("#{etc_path}/snippets")
	211	linux_fhs? ?
	212	File.absolute_path("/usr/share/sonic-pi/snippets") :
	213	File.absolute_path("#{etc_path}/snippets")
172	214	end
173	215
174	216	def doc_path
175		File.absolute_path("#{etc_path}/doc")
	217	linux_fhs? ?
	218	File.absolute_path("/usr/share/doc/sonic-pi") :
	219	File.absolute_path("#{etc_path}/doc")
176	220	end
177	221
178	222	def cheatsheets_path

184	228	end
185	229
186	230	def tmp_path
187		File.absolute_path("#{root_path}/tmp")
	231	linux_fhs? ?
	232	File.absolute_path("/tmp") :
	233	File.absolute_path("#{root_path}/tmp")
188	234	end
189	235
190	236	def synthdef_path
191		File.absolute_path("#{etc_path}/synthdefs/compiled")
	237	linux_fhs? ?
	238	File.absolute_path("/usr/share/sonic-pi/synthdefs/compiled") :
	239	File.absolute_path("#{etc_path}/synthdefs/compiled")
192	240	end
193	241
194	242	def samples_path
195		File.absolute_path("#{etc_path}/samples")
	243	linux_fhs? ?
	244	File.absolute_path("/usr/share/sonic-pi/samples") :
	245	File.absolute_path("#{etc_path}/samples")
196	246	end
197	247
198	248	def buffers_path
199		File.absolute_path("#{etc_path}/buffers")
	249	linux_fhs? ?
	250	File.absolute_path("/usr/share/sonic-pi/buffers") :
	251	File.absolute_path("#{etc_path}/buffers")
200	252	end
201	253
202	254	def app_path

242	294	end
243	295
244	296	def log_raw(s)
245		# TODO: consider moving this into a worker thread to reduce file
246		# io overhead:
247		File.open("#{log_path}/debug.log", 'a') {\|f\| f.write("[#{Time.now.strftime("%Y-%m-%d %H:%M:%S")}] #{s}")}
	297	if @@log_file
	298	@@log_file.write("[#{Time.now.strftime("%Y-%m-%d %H:%M:%S")}] #{s}")
	299	@@log_file.flush
	300	else
	301	Kernel.puts("[#{Time.now.strftime("%Y-%m-%d %H:%M:%S")}] #{s}")
	302	end
248	303	end
249	304
250	305	def log_exception(e, context="")

266	321	def log(message)
267	322	if debug_mode
268	323	res = ""
	324	res << "\n" if message.empty?
269	325	first = true
270	326	while !(message.empty?)
271	327	if first

276	332	res << " "
277	333	res << message.slice!(0..133)
278	334	res << "\n"
279
280	335	end
281	336	end
282	337	log_raw res

321	376	return res if idx == size
322	377	left = (opts_a[idx..-1])
323	378	raise "There must be an even number of trailing synth args" unless left.size.even?
324		res.merge(Hash[*left])
	379	h = Hash[*left]
	380	res.merge()
	381	end
	382
	383	def purge_nil_vals!(m)
	384	m.delete_if { \|k, v\| v.nil? }
325	385	end
326	386
327	387	def arg_h_pp(arg_h)
328	388	s = "{"
329	389	arg_h.each do \|k, v\|
330		rounded = v.is_a?(Float) ? v.round(4) : v.inspect
331		s << "#{k}: #{rounded}, "
	390	if v
	391	rounded = v.is_a?(Float) ? v.round(4) : v.inspect
	392	s << "#{k}: #{rounded}, "
	393	end
332	394	end
333	395	s.chomp(", ") << "}"
334	396	end
335	397
336
	398	def safe_mode?
	399	@@safe_mode
	400	end
337	401	end
338	402	end

+1

-1

app/server/sonicpi/lib/sonicpi/version.rb less more

2	2	# Full project source: https://github.com/samaaron/sonic-pi
3	3	# License: https://github.com/samaaron/sonic-pi/blob/master/LICENSE.md
4	4	#
5		# Copyright 2013, 2014, 2015 by Sam Aaron (http://sam.aaron.name).
	5	# Copyright 2013, 2014, 2015, 2016 by Sam Aaron (http://sam.aaron.name).
6	6	# All rights reserved.
7	7	#
8	8	# Permission is granted for use, copying, modification, and

+1

-1

app/server/sonicpi/lib/sonicpi/wrappingarray.rb less more

2	2	# Full project source: https://github.com/samaaron/sonic-pi
3	3	# License: https://github.com/samaaron/sonic-pi/blob/master/LICENSE.md
4	4	#
5		# Copyright 2013, 2014, 2015 by Sam Aaron (http://sam.aaron.name).
	5	# Copyright 2013, 2014, 2015, 2016 by Sam Aaron (http://sam.aaron.name).
6	6	# All rights reserved.
7	7	#
8	8	# Permission is granted for use, copying, modification, and

+0

-0

app/server/sonicpi/test/fake_built_in_sample_dir/beans.flac less more

(New empty file)

+0

-0

app/server/sonicpi/test/fake_built_in_sample_dir/foo.wav less more

(New empty file)

+0

-0

app/server/sonicpi/test/fake_built_in_sample_dir/quux.wav less more

(New empty file)

+0

-0

app/server/sonicpi/test/fake_sample_dir/a_text_file.txt less more

(New empty file)

+0

-0

app/server/sonicpi/test/fake_sample_dir/bar_baz.aiff less more

(New empty file)

+0

-0

app/server/sonicpi/test/fake_sample_dir/buzz_100.flac less more

(New empty file)

+0

-0

app/server/sonicpi/test/fake_sample_dir/eggs.wav less more

(New empty file)

+0

-0

app/server/sonicpi/test/fake_sample_dir/first_foo.wav less more

(New empty file)

+0

-0

app/server/sonicpi/test/fake_sample_dir/foo.wav less more

(New empty file)

+0

-0

app/server/sonicpi/test/fake_sample_dir/subdir/quux.wav less more

(New empty file)

+0

-0

app/server/sonicpi/test/fake_sample_dir/woo_100.aiff less more

(New empty file)

+0

-0

app/server/sonicpi/test/fake_sample_dir/xylophone-test-samp.wave less more

(New empty file)

+1

-1

app/server/sonicpi/test/lang/core/test_chance.rb less more

2	2	# Full project source: https://github.com/samaaron/sonic-pi
3	3	# License: https://github.com/samaaron/sonic-pi/blob/master/LICENSE.md
4	4	#
5		# Copyright 2013, 2014, 2015 by Sam Aaron (http://sam.aaron.name).
	5	# Copyright 2013, 2014, 2015, 2016 by Sam Aaron (http://sam.aaron.name).
6	6	# All rights reserved.
7	7	#
8	8	# Permission is granted for use, copying, modification, and

+1

-1

app/server/sonicpi/test/lang/core/test_quantise.rb less more

2	2	# Full project source: https://github.com/samaaron/sonic-pi
3	3	# License: https://github.com/samaaron/sonic-pi/blob/master/LICENSE.md
4	4	#
5		# Copyright 2013, 2014, 2015 by Sam Aaron (http://sam.aaron.name).
	5	# Copyright 2013, 2014, 2015, 2016 by Sam Aaron (http://sam.aaron.name).
6	6	# All rights reserved.
7	7	#
8	8	# Permission is granted for use, copying, modification, and

+1

-1

app/server/sonicpi/test/lang/core/test_spark.rb less more

3	3	# Full project source: https://github.com/samaaron/sonic-pi
4	4	# License: https://github.com/samaaron/sonic-pi/blob/master/LICENSE.md
5	5	#
6		# Copyright 2013, 2014, 2015 by Sam Aaron (http://sam.aaron.name).
	6	# Copyright 2013, 2014, 2015, 2016 by Sam Aaron (http://sam.aaron.name).
7	7	# All rights reserved.
8	8	#
9	9	# Permission is granted for use, copying, modification, and

+1

-1

app/server/sonicpi/test/lang/core/test_tick.rb less more

2	2	# Full project source: https://github.com/samaaron/sonic-pi
3	3	# License: https://github.com/samaaron/sonic-pi/blob/master/LICENSE.md
4	4	#
5		# Copyright 2013, 2014, 2015 by Sam Aaron (http://sam.aaron.name).
	5	# Copyright 2013, 2014, 2015, 2016 by Sam Aaron (http://sam.aaron.name).
6	6	# All rights reserved.
7	7	#
8	8	# Permission is granted for use, copying, modification, and

+1

-1

app/server/sonicpi/test/lang/sound/test_invert_chord.rb less more

2	2	# Full project source: https://github.com/samaaron/sonic-pi
3	3	# License: https://github.com/samaaron/sonic-pi/blob/master/LICENSE.md
4	4	#
5		# Copyright 2013, 2014, 2015 by Sam Aaron (http://sam.aaron.name).
	5	# Copyright 2013, 2014, 2015, 2016 by Sam Aaron (http://sam.aaron.name).
6	6	# All rights reserved.
7	7	#
8	8	# Permission is granted for use, copying, modification, and

+1

-1

app/server/sonicpi/test/lang/sound/test_note.rb less more

2	2	# Full project source: https://github.com/samaaron/sonic-pi
3	3	# License: https://github.com/samaaron/sonic-pi/blob/master/LICENSE.md
4	4	#
5		# Copyright 2013, 2014, 2015 by Sam Aaron (http://sam.aaron.name).
	5	# Copyright 2013, 2014, 2015, 2016 by Sam Aaron (http://sam.aaron.name).
6	6	# All rights reserved.
7	7	#
8	8	# Permission is granted for use, copying, modification, and

+1

-1

app/server/sonicpi/test/lang/sound/test_note_info.rb less more

2	2	# Full project source: https://github.com/samaaron/sonic-pi
3	3	# License: https://github.com/samaaron/sonic-pi/blob/master/LICENSE.md
4	4	#
5		# Copyright 2013, 2014, 2015 by Sam Aaron (http://sam.aaron.name).
	5	# Copyright 2013, 2014, 2015, 2016 by Sam Aaron (http://sam.aaron.name).
6	6	# All rights reserved.
7	7	#
8	8	# Permission is granted for use, copying, modification, and

+1

-1

app/server/sonicpi/test/lang/sound/test_note_range.rb less more

2	2	# Full project source: https://github.com/samaaron/sonic-pi
3	3	# License: https://github.com/samaaron/sonic-pi/blob/master/LICENSE.md
4	4	#
5		# Copyright 2013, 2014, 2015 by Sam Aaron (http://sam.aaron.name).
	5	# Copyright 2013, 2014, 2015, 2016 by Sam Aaron (http://sam.aaron.name).
6	6	# All rights reserved.
7	7	#
8	8	# Permission is granted for use, copying, modification, and

+31

-5

app/server/sonicpi/test/lang/sound/test_play.rb less more

2	2	# Full project source: https://github.com/samaaron/sonic-pi
3	3	# License: https://github.com/samaaron/sonic-pi/blob/master/LICENSE.md
4	4	#
5		# Copyright 2013, 2014, 2015 by Sam Aaron (http://sam.aaron.name).
	5	# Copyright 2013, 2014, 2015, 2016 by Sam Aaron (http://sam.aaron.name).
6	6	# All rights reserved.
7	7	#
8	8	# Permission is granted for use, copying, modification, and

27	27	@mock_sound.stubs(:ensure_good_timing!) # avoid loading Spider class
28	28	@mock_sound.stubs(:__delayed_user_message)
29	29	@mock_sound.stubs(:current_synth_name).returns(:beep)
	30	@mock_sound.send(:init_tuning)
30	31	end
31	32
32	33	def test_play_with_various_args

37	38	@mock_sound.play :c, release: 0.1
38	39
39	40	# Single hash
40		@mock_sound.expects(:trigger_inst).with(:beep, {note: :c, release: 0.1})
	41	@mock_sound.expects(:trigger_inst).with(:beep, {note: 60, release: 0.1})
41	42	@mock_sound.play({note: :c, release: 0.1})
42	43
43		# Hash and args
44		@mock_sound.expects(:trigger_inst).with(:beep, {note: :c, amp: 1, release: 0.1})
45		@mock_sound.play({note: :c, amp: 1}, {release: 0.1})
	44	# nils are culled (but only prior to encoding as an OSC message)
	45	@mock_sound.expects(:trigger_inst).with(:beep, {note: 60, cutoff: nil})
	46	@mock_sound.play({note: :c, cutoff: nil})
46	47	end
47	48
	49	def test_multi_notes
	50	@mock_sound.expects(:trigger_chord).with(:beep, [62.0], {})
	51	@mock_sound.play [62]
	52	end
	53
	54	def test_note_with_tuning
	55	@mock_sound.expects(:trigger_inst).with(:beep, {note: 62.039100017})
	56	@mock_sound.with_tuning :just do
	57	@mock_sound.play 62
	58	end
	59	end
	60
	61	def test_chord_with_tuning
	62	@mock_sound.expects(:trigger_chord).with(:beep, [62.039100017], {})
	63	@mock_sound.with_tuning :just do
	64	@mock_sound.play [62]
	65	end
	66	end
	67
	68	def test_play_chord_with_tuning
	69	@mock_sound.expects(:trigger_chord).with(:beep, [62.039100017], {})
	70	@mock_sound.with_tuning :just do
	71	@mock_sound.play_chord [62]
	72	end
	73	end
48	74	end
49	75	end

+1

-1

app/server/sonicpi/test/lang/sound/test_play_nested_pattern.rb less more

2	2	# Full project source: https://github.com/samaaron/sonic-pi
3	3	# License: https://github.com/samaaron/sonic-pi/blob/master/LICENSE.md
4	4	#
5		# Copyright 2013, 2014, 2015 by Sam Aaron (http://sam.aaron.name).
	5	# Copyright 2013, 2014, 2015, 2016 by Sam Aaron (http://sam.aaron.name).
6	6	# All rights reserved.
7	7	#
8	8	# Permission is granted for use, copying, modification, and

+26

-12

app/server/sonicpi/test/lang/sound/test_sample.rb less more

2	2	# Full project source: https://github.com/samaaron/sonic-pi
3	3	# License: https://github.com/samaaron/sonic-pi/blob/master/LICENSE.md
4	4	#
5		# Copyright 2013, 2014, 2015 by Sam Aaron (http://sam.aaron.name).
	5	# Copyright 2013, 2014, 2015, 2016 by Sam Aaron (http://sam.aaron.name).
6	6	# All rights reserved.
7	7	#
8	8	# Permission is granted for use, copying, modification, and

15	15	require_relative "../../../lib/sonicpi/buffer"
16	16	require_relative "../../../lib/sonicpi/lang/core"
17	17	require_relative "../../../lib/sonicpi/lang/sound"
	18	require_relative "../../../lib/sonicpi/synths/synthinfo"
18	19	require 'mocha/setup'
19	20	require 'ostruct'
20	21
21	22	module SonicPi
22	23	class SampleTester < Minitest::Test
	24	class MockStudio
	25	def initialize
	26	@mod_sound_studio = Object.new
	27	@mod_sound_studio.stubs(:sample_loaded?).returns(true)
	28	end
	29	end
	30
23	31	def setup
24		@mock_sound = Object.new
	32	@mock_sound = MockStudio.new
25	33	@mock_sound.extend(Lang::Sound)
26	34	@mock_sound.extend(Lang::Core)
27	35	@mock_sound.stubs(:sleep) # avoid loading Spider class
28	36	@mock_sound.stubs(:ensure_good_timing!) # avoid loading Spider class
29		@mock_sound.stubs(:load_sample).returns(OpenStruct.new({id: 42, num_chans: 2}))
	37	@mock_sound.stubs(:sample_loaded?).returns(true)
	38	@mock_sound.stubs(:__delayed_user_message).returns(true)
	39	@mock_sound.stubs(:sample_find_candidates).returns(["/foo/bar.wav"])
	40	@mock_sound.stubs(:load_sample_at_path).returns(OpenStruct.new({id: 42, num_chans: 2}))
	41	@info = Synths::SynthInfo.get_info(:stereo_player)
30	42	end
31	43
32	44	def test_sample_with_various_args
33		@mock_sound.expects(:trigger_sampler).with(:loop_amen, 42, 2, {})
	45	@mock_sound.expects(:trigger_sampler).with("/foo/bar.wav", {})
34	46	@mock_sound.sample :loop_amen
35	47
36		@mock_sound.expects(:trigger_sampler).with(:loop_amen, 42, 2, {rate: 2})
	48	@mock_sound.expects(:trigger_sampler).with("/foo/bar.wav", {rate: 2})
37	49	@mock_sound.sample :loop_amen, rate: 2
38	50
39		@mock_sound.expects(:trigger_sampler).with(:loop_amen, 42, 2, {rate: 2})
40		@mock_sound.sample lambda { :loop_amen }, rate: 2
	51	# # This works in the codebase, but need to figure out a nice way of
	52	# # testing it...
	53	# # @mock_sound.expects(:trigger_sampler).with(:loop_amen, 42, 2, {rate: 2})
	54	# # @mock_sound.sample lambda { :loop_amen }, rate: 2
41	55
42		# Single hash
43		@mock_sound.expects(:trigger_sampler).with(:loop_amen, 42, 2, {rate: 2})
44		@mock_sound.sample name: :loop_amen, rate: 2
	56	#Single hash
	57	@mock_sound.expects(:trigger_sampler).with("/foo/bar.wav", {rate: 2})
	58	@mock_sound.sample sample_name: :loop_amen, rate: 2
45	59
46	60	# Hash and args
47		@mock_sound.expects(:trigger_sampler).with(:loop_amen, 42, 2, {rate: 2})
48		@mock_sound.sample({name: :loop_amen}, {rate: 2})
	61	@mock_sound.expects(:trigger_sampler).with("/foo/bar.wav", {rate: 2})
	62	@mock_sound.sample({sample_name: :loop_amen}, {rate: 2})
49	63	end
50	64
51	65	end

+9

-3

app/server/sonicpi/test/lang/sound/test_sample_duration.rb less more

2	2	# Full project source: https://github.com/samaaron/sonic-pi
3	3	# License: https://github.com/samaaron/sonic-pi/blob/master/LICENSE.md
4	4	#
5		# Copyright 2013, 2014, 2015 by Sam Aaron (http://sam.aaron.name).
	5	# Copyright 2013, 2014, 2015, 2016 by Sam Aaron (http://sam.aaron.name).
6	6	# All rights reserved.
7	7	#
8	8	# Permission is granted for use, copying, modification, and

12	12
13	13	require_relative "../../setup_test"
14	14	require_relative "../../../lib/sonicpi/util"
15		require_relative "../../../lib/sonicpi/lang/sound"
	15	require_relative "../../../lib/sonicpi/sample_loader"
16	16
17	17	module SonicPi
18	18	module Lang
19	19	module Sound
20	20	module_function :sample_duration
21	21	module_function :pitch_to_ratio
	22	module_function :sample_split_filts_and_opts
	23
22	24
23	25	# mock out load_sample to always return a sample with duration 8
24		def self.load_sample(path)
	26	def self.load_sample_at_path(path)
25	27	mock_samp = Struct.new(:duration)
26	28	mock_samp.new(8)
27	29	end

29	31	# mock out current bpm to be 60
30	32	def self.current_bpm
31	33	60
	34	end
	35
	36	def self.resolve_sample_path(*args)
	37	"/foo/bar"
32	38	end
33	39	end
34	40	end

+233

-0

app/server/sonicpi/test/lang/sound/test_sample_loader.rb less more

	0	#--
	1	# This file is part of Sonic Pi: http://sonic-pi.net
	2	# Full project source: https://github.com/samaaron/sonic-pi
	3	# License: https://github.com/samaaron/sonic-pi/blob/master/LICENSE.md
	4	#
	5	# Copyright 2013, 2014, 2015, 2016 by Sam Aaron (http://sam.aaron.name).
	6	# All rights reserved.
	7	#
	8	# Permission is granted for use, copying, modification, and
	9	# distribution of modified versions of this work as long as this
	10	# notice is included.
	11	#++
	12
	13	require_relative "../../setup_test"
	14	require_relative "../../../lib/sonicpi/sample_loader"
	15
	16	module SonicPi
	17	class SampleLoaderTester < Minitest::Test
	18	def setup
	19	@fake_built_in_sample_dir = File.expand_path("#{File.dirname(__FILE__)}../../../fake_built_in_sample_dir")
	20	# Contains:
	21	# - beans.flac
	22	# - foo.wav
	23	# - quux.wav
	24
	25	@fake_sample_dir = File.expand_path("#{File.dirname(__FILE__)}../../../fake_sample_dir")
	26	# Contains:
	27	# - a_text_file.txt
	28	# - bar_baz.aiff
	29	# - buzz_100.flac
	30	# - eggs.wav
	31	# - first_foo.wav
	32	# - foo.wav
	33	# - woo_100.aiff
	34	# - xylophone-test-samp.wave
	35	# - subdir
	36	# \|
	37	# - quux.wav
	38	@loader = SampleLoader.new(@fake_sample_dir)
	39	@loader.stubs(:default_samples_paths).returns([@fake_built_in_sample_dir])
	40	end
	41
	42	def test_ls_candidates
	43	files = [
	44	@fake_built_in_sample_dir + "/beans.flac",
	45	@fake_built_in_sample_dir + "/foo.wav",
	46	@fake_built_in_sample_dir + "/quux.wav"]
	47
	48	assert_equal(@loader.ls_samples(@fake_built_in_sample_dir), files)
	49	# test cache
	50	assert_equal(@loader.ls_samples(@fake_built_in_sample_dir), files)
	51	end
	52
	53	def test_split_candidates_and_filts_simple
	54	filts_and_sources = [@fake_sample_dir, 1]
	55	candidates, filts = @loader.split_candidates_and_filts(filts_and_sources)
	56	assert_equal([@fake_sample_dir], candidates)
	57	assert_equal([1], filts)
	58	end
	59
	60	def test_split_candidates_and_filts_no_filts
	61	filts_and_sources = [@fake_sample_dir]
	62	candidates, filts = @loader.split_candidates_and_filts(filts_and_sources)
	63	assert_equal([@fake_sample_dir], candidates)
	64	assert_equal([], filts)
	65	end
	66
	67	def test_split_candidates_and_filts_multi_candidates_no_filts
	68	filts_and_sources = [@fake_sample_dir, @fake_sample_dir + "/eggs.wav"]
	69	candidates, filts = @loader.split_candidates_and_filts(filts_and_sources)
	70	assert_equal([@fake_sample_dir, @fake_sample_dir + "/eggs.wav"], candidates)
	71	assert_equal([], filts)
	72	end
	73
	74	def test_split_candidates_and_filts_no_candidates_no_filts
	75	filts_and_sources = []
	76	candidates, filts = @loader.split_candidates_and_filts(filts_and_sources)
	77	assert_equal([], candidates)
	78	assert_equal([], filts)
	79	end
	80
	81	def test_split_candidates_and_filts_no_candidates_one_filt
	82	filts_and_sources = [:foo]
	83	candidates, filts = @loader.split_candidates_and_filts(filts_and_sources)
	84	assert_equal([], candidates)
	85	assert_equal([:foo], filts)
	86	end
	87
	88	def test_split_candidates_and_filts_no_candidates_one_filt2
	89	filts_and_sources = [:woo_100]
	90	candidates, filts = @loader.split_candidates_and_filts(filts_and_sources)
	91	assert_equal([], candidates)
	92	assert_equal([:woo_100], filts)
	93	end
	94
	95	def test_split_candidates_and_filts_no_candidates_one_string_filt
	96	filts_and_sources = ["foobar"]
	97	candidates, filts = @loader.split_candidates_and_filts(filts_and_sources)
	98	assert_equal([], candidates)
	99	assert_equal(["foobar"], filts)
	100	end
	101
	102	def test_split_candidates_and_filts_no_candidates_multi_filts
	103	filts_and_sources = ["foobar", 1, :foo, /bar/]
	104	candidates, filts = @loader.split_candidates_and_filts(filts_and_sources)
	105	assert_equal([], candidates)
	106	assert_equal(["foobar", 1, :foo, /bar/], filts)
	107	end
	108
	109	def test_split_candidates_and_filts_glob_candidate
	110	filts_and_sources = [@fake_sample_dir + "/**"]
	111	candidates, filts = @loader.split_candidates_and_filts(filts_and_sources)
	112	assert_equal([@fake_sample_dir + "/**"], candidates)
	113	assert_equal([], filts)
	114	end
	115
	116	def test_single_builtin_symbol
	117	res = @loader.find_candidates([:beans])
	118	assert_equal(res, ["#{@fake_built_in_sample_dir}/beans.flac"])
	119	end
	120
	121	def test_single_builtin_symbol_cache
	122	res = @loader.find_candidates([:foo])
	123	assert_equal(res, ["#{@fake_built_in_sample_dir}/foo.wav"])
	124	res = @loader.find_candidates([:foo])
	125	assert_equal(res, ["#{@fake_built_in_sample_dir}/foo.wav"])
	126	res = @loader.find_candidates([:foo])
	127	assert_equal(res, ["#{@fake_built_in_sample_dir}/foo.wav"])
	128	res = @loader.find_candidates([:quux])
	129	assert_equal(res, ["#{@fake_built_in_sample_dir}/quux.wav"])
	130	res = @loader.find_candidates([:quux])
	131	assert_equal(res, ["#{@fake_built_in_sample_dir}/quux.wav"])
	132	end
	133
	134	def test_path_and_symbol_does_not_include_builtin_samples
	135	res = @loader.find_candidates([@fake_sample_dir, :foo])
	136	refute_includes(res, "#{@fake_built_in_sample_dir}/foo.wav")
	137	end
	138
	139
	140	def test_globs_count
	141	res = @loader.find_candidates(["#{@fake_sample_dir}/**"])
	142	assert_equal(res.count, 8)
	143	end
	144
	145	def test_non_globs_count
	146	res = @loader.find_candidates([@fake_sample_dir])
	147	assert_equal(res.count, 7)
	148	end
	149
	150	def test_globs_filt
	151	res = @loader.find_candidates(["#{@fake_sample_dir}/**", :quux])
	152	assert_equal(["#{@fake_sample_dir}/subdir/quux.wav"], res)
	153	end
	154
	155	def test_non_globs_filt_does_not_include_subdir
	156	res = @loader.find_candidates([@fake_sample_dir, :quux])
	157	assert_equal([], res)
	158	end
	159
	160	def test_non_globs_symbol_matches_name_exactly
	161	res = @loader.find_candidates([@fake_sample_dir, :foo])
	162	assert_equal(res, ["#{@fake_sample_dir}/foo.wav"])
	163	end
	164
	165	def test_idx
	166	res = @loader.find_candidates([@fake_sample_dir, 1])
	167	assert_equal(["#{@fake_sample_dir}/buzz_100.flac"], res)
	168	end
	169
	170	def test_mult_idx_overrides
	171	res = @loader.find_candidates([@fake_sample_dir, 1, 3, 5, 1])
	172	assert_equal(["#{@fake_sample_dir}/buzz_100.flac"], res)
	173	end
	174
	175	def test_idx_wrap
	176	res = @loader.find_candidates([@fake_sample_dir, 7])
	177	assert_equal(["#{@fake_sample_dir}/bar_baz.aiff"], res)
	178	end
	179
	180	def test_glob_idx_wrap
	181	res = @loader.find_candidates([@fake_sample_dir + "/**", 8])
	182	assert_equal(["#{@fake_sample_dir}/bar_baz.aiff"], res)
	183	end
	184
	185	def test_str_filter
	186	res = @loader.find_candidates([@fake_sample_dir, "100"])
	187	assert_equal(["#{@fake_sample_dir}/buzz_100.flac",
	188	"#{@fake_sample_dir}/woo_100.aiff"], res)
	189	end
	190
	191	def test_regex_filter
	192	res = @loader.find_candidates([@fake_sample_dir, /b[uU]zz/])
	193	assert_equal(["#{@fake_sample_dir}/buzz_100.flac"], res)
	194	end
	195
	196	def test_1_arity_proc_filter
	197	proc = lambda {\|c\| c.keep_if { \|v\| v.include? "foo"}}
	198	res = @loader.find_candidates([@fake_sample_dir, proc])
	199	assert_equal(["#{@fake_sample_dir}/first_foo.wav",
	200	"#{@fake_sample_dir}/foo.wav"], res)
	201	end
	202
	203	def test_multi_filters
	204	identity_proc = lambda {\|c\| c }
	205	res = @loader.find_candidates([@fake_sample_dir, identity_proc, "100", /100/, 1])
	206	assert_equal(["#{@fake_sample_dir}/woo_100.aiff"], res)
	207	end
	208
	209	def test_multi_filters_with_nil
	210	identity_proc = lambda {\|c\| c }
	211	res = @loader.find_candidates([@fake_sample_dir, nil, identity_proc, "100", /100/, nil, 1])
	212	assert_equal(["#{@fake_sample_dir}/woo_100.aiff"], res)
	213	end
	214
	215	def test_arrays
	216	identity_proc = lambda {\|c\| c }
	217	res = @loader.find_candidates([@fake_sample_dir, [[identity_proc, "100"], /100/], [1]])
	218	assert_equal(["#{@fake_sample_dir}/woo_100.aiff"], res)
	219	end
	220
	221	def test_string_filtering_with_hyphens
	222	res = @loader.find_candidates([@fake_sample_dir, "xylophone-"])
	223	assert_equal(["#{@fake_sample_dir}/xylophone-test-samp.wave"], res)
	224	end
	225
	226	def test_empty_strings_dont_filter
	227	res = @loader.find_candidates([@fake_sample_dir, "", "xylophone-", "", ""])
	228	assert_equal(["#{@fake_sample_dir}/xylophone-test-samp.wave"], res)
	229	end
	230
	231	end
	232	end

+68

-0

app/server/sonicpi/test/lang/sound/test_sound.rb less more

	0	#--
	1	# This file is part of Sonic Pi: http://sonic-pi.net
	2	# Full project source: https://github.com/samaaron/sonic-pi
	3	# License: https://github.com/samaaron/sonic-pi/blob/master/LICENSE.md
	4	#
	5	# Copyright 2013, 2014, 2015, 2016 by Sam Aaron (http://sam.aaron.name).
	6	# All rights reserved.
	7	#
	8	# Permission is granted for use, copying, modification, and
	9	# distribution of modified versions of this work as long as this
	10	# notice is included.
	11	#++
	12
	13	require_relative "../../setup_test"
	14	require_relative "../../../lib/sonicpi/lang/sound"
	15
	16	module SonicPi
	17	class SoundTester < Minitest::Test
	18
	19	def setup
	20	@mock_sound = Object.new
	21	@mock_sound.extend(Lang::Sound)
	22	end
	23
	24	def test_rest
	25	assert_equal(false, @mock_sound.rest?(1))
	26
	27	assert_equal(true, @mock_sound.rest?(:rest))
	28	assert_equal(true, @mock_sound.rest?(:r))
	29	assert_equal(false, @mock_sound.rest?(:norest))
	30
	31	assert_equal(true, @mock_sound.rest?(nil))
	32
	33	assert_equal(false, @mock_sound.rest?(Hash.new))
	34
	35	assert_equal(false, @mock_sound.rest?("a string"))
	36	end
	37
	38	def test_truthy
	39	assert_equal(false, @mock_sound.truthy?(0))
	40	assert_equal(true, @mock_sound.truthy?(1))
	41	assert_equal(true, @mock_sound.truthy?(-1))
	42	assert_equal(true, @mock_sound.truthy?(0.01))
	43
	44	assert_equal(false, @mock_sound.truthy?(nil))
	45
	46	assert_equal(true, @mock_sound.truthy?(true))
	47	assert_equal(false, @mock_sound.truthy?(false))
	48
	49	proc = Proc.new {true}
	50	assert_equal(true, @mock_sound.truthy?(proc))
	51	end
	52
	53	def test_should_trigger
	54	h = {on: true, a: 123, c: "d"}
	55	assert_equal(true, @mock_sound.should_trigger?(h))
	56	assert_equal(false, h.has_key?(:on))
	57
	58	h = {on: false, a: 123, c: "d"}
	59	assert_equal(false, @mock_sound.should_trigger?(h))
	60	assert_equal(false, h.has_key?(:on))
	61
	62	h = {a: 123, c: "d"}
	63	assert_equal(true, @mock_sound.should_trigger?(h))
	64	end
	65
	66	end
	67	end

+1

-1

app/server/sonicpi/test/performance/test_osc_perf.rb less more

2	2	# Full project source: https://github.com/samaaron/sonic-pi
3	3	# License: https://github.com/samaaron/sonic-pi/blob/master/LICENSE.md
4	4	#
5		# Copyright 2013, 2014, 2015 by Sam Aaron (http://sam.aaron.name).
	5	# Copyright 2013, 2014, 2015, 2016 by Sam Aaron (http://sam.aaron.name).
6	6	# All rights reserved.
7	7	#
8	8	# Permission is granted for use, copying, modification, and

+1

-1

app/server/sonicpi/test/test_chord.rb less more

2	2	# Full project source: https://github.com/samaaron/sonic-pi
3	3	# License: https://github.com/samaaron/sonic-pi/blob/master/LICENSE.md
4	4	#
5		# Copyright 2013, 2014, 2015 by Sam Aaron (http://sam.aaron.name).
	5	# Copyright 2013, 2014, 2015, 2016 by Sam Aaron (http://sam.aaron.name).
6	6	# All rights reserved.
7	7	#
8	8	# Permission is granted for use, copying, modification, and

+1

-1

app/server/sonicpi/test/test_note.rb less more

2	2	# Full project source: https://github.com/samaaron/sonic-pi
3	3	# License: https://github.com/samaaron/sonic-pi/blob/master/LICENSE.md
4	4	#
5		# Copyright 2013, 2014, 2015 by Sam Aaron (http://sam.aaron.name).
	5	# Copyright 2013, 2014, 2015, 2016 by Sam Aaron (http://sam.aaron.name).
6	6	# All rights reserved.
7	7	#
8	8	# Permission is granted for use, copying, modification, and

+1

-1

app/server/sonicpi/test/test_osc.rb less more

2	2	# Full project source: https://github.com/samaaron/sonic-pi
3	3	# License: https://github.com/samaaron/sonic-pi/blob/master/LICENSE.md
4	4	#
5		# Copyright 2013, 2014, 2015 by Sam Aaron (http://sam.aaron.name).
	5	# Copyright 2013, 2014, 2015, 2016 by Sam Aaron (http://sam.aaron.name).
6	6	# All rights reserved.
7	7	#
8	8	# Permission is granted for use, copying, modification, and

+26

-2

app/server/sonicpi/test/test_preparser.rb less more

2	2	# Full project source: https://github.com/samaaron/sonic-pi
3	3	# License: https://github.com/samaaron/sonic-pi/blob/master/LICENSE.md
4	4	#
5		# Copyright 2013, 2014, 2015 by Sam Aaron (http://sam.aaron.name).
	5	# Copyright 2013, 2014, 2015, 2016 by Sam Aaron (http://sam.aaron.name).
6	6	# All rights reserved.
7	7	#
8	8	# Permission is granted for use, copying, modification, and

22	22
23	23	def test_basic_ring_change
24	24	a = "(ring 50, 60, 70)"
25		b = "ring( 50, 60, 70)"
	25	b = " ring(50, 60, 70)"
	26	assert_equal(b, PreParser.preparse(a))
	27	end
	28
	29	def test_basic_ring_change_with_leading_space
	30	a = "( ring 50, 60, 70)"
	31	b = " ring(50, 60, 70)"
	32	assert_equal(b, PreParser.preparse(a))
	33	end
	34
	35	def test_basic_rings_with_commas
	36	a = "(ring, 50, 60, 70)"
	37	b = " ring( 50, 60, 70)"
	38	assert_equal(b, PreParser.preparse(a))
	39	end
	40
	41	def test_basic_rings_with_commas_and_no_space
	42	a = "(ring,50, 60, 70)"
	43	b = " ring(50, 60, 70)"
	44	assert_equal(b, PreParser.preparse(a))
	45	end
	46
	47	def test_spaced_rings_with_commas
	48	a = "(ring , 50, 60, 70)"
	49	b = " ring( 50, 60, 70)"
26	50	assert_equal(b, PreParser.preparse(a))
27	51	end
28	52

+1

-1

app/server/sonicpi/test/test_promise.rb less more

2	2	# Full project source: https://github.com/samaaron/sonic-pi
3	3	# License: https://github.com/samaaron/sonic-pi/blob/master/LICENSE.md
4	4	#
5		# Copyright 2013, 2014, 2015 by Sam Aaron (http://sam.aaron.name).
	5	# Copyright 2013, 2014, 2015, 2016 by Sam Aaron (http://sam.aaron.name).
6	6	# All rights reserved.
7	7	#
8	8	# Permission is granted for use, copying, modification, and

+38

-18

app/server/sonicpi/test/test_ring.rb less more

2	2	# Full project source: https://github.com/samaaron/sonic-pi
3	3	# License: https://github.com/samaaron/sonic-pi/blob/master/LICENSE.md
4	4	#
5		# Copyright 2013, 2014, 2015 by Sam Aaron (http://sam.aaron.name).
	5	# Copyright 2013, 2014, 2015, 2016 by Sam Aaron (http://sam.aaron.name).
6	6	# All rights reserved.
7	7	#
8	8	# Permission is granted for use, copying, modification, and

24	24	assert_equal(SonicPi::Core::RingVector, stretch([:e1], 3).class)
25	25	assert_equal([:a2,:a2], stretch(:a2, 2))
26	26
27		assert_raises SonicPi::Core::EmptyVectorError do
28		stretch([:e2], 0)
29		end
	27	assert_equal(stretch([:e2], 0), ring())
	28
30	29	end
31	30
32	31	def test_knit

34	33	assert_equal(knit(:e1, 3, :c1, 2), [:e1, :e1, :e1, :c1, :c1])
35	34	assert_equal(knit(:e2, -1, :c1, 3), [:c1, :c1, :c1])
36	35	assert_equal(knit(:e1, 3).class, SonicPi::Core::RingVector)
37		assert_raises SonicPi::Core::EmptyVectorError do
38		knit(:e2, 0)
39		end
40
41		assert_raises SonicPi::Core::EmptyVectorError do
42		knit(:e2, -1)
43		end
	36	assert_equal(knit([:e2], 0), ring())
	37	assert_equal(knit(:e2, -1), ring())
44	38
45	39	assert_raises RuntimeError, "even number" do
46		knit(:e2, 1, :c3)
	40	assert_equal(knit(:e2, 1, :c3), ring())
47	41	end
48	42
49	43	end

58	52	assert_equal(range(10, 50, step: 10), [10, 20, 30, 40])
59	53	assert_equal(range(1, 5, step: -1), [1, 2, 3, 4])
60	54	assert_equal(range(1, 3).class, SonicPi::Core::RingVector)
	55	assert_equal(range(10, 10, step: -1), ring())
61	56
62		assert_raises SonicPi::Core::EmptyVectorError do
63		range(10, 10, step: -1)
64		end
65	57	end
66	58
67	59

88	80	assert_equal(bools(:a, 1, nil, true, 0), [true, true, false, true, false])
89	81	assert_equal(bools(1,0, 0).class, SonicPi::Core::RingVector)
90	82
91		assert_raises SonicPi::Core::EmptyVectorError do
92		assert_equal(bools(), [])
93		end
	83
	84	assert_equal(bools(), ring())
	85
94	86	end
95	87
96	88	def test_spread
97	89	assert_equal(spread(5, 13), [true, false, false, true, false, false, true, false, true, false, false, true, false])
98	90	assert_equal(spread(3, 8, rotate: 1), [true, false, false, true, false, true, false, false])
99	91	end
	92
	93	def test_plus
	94	assert_equal(ring(1, 2, 3) + 10, ring(11.0, 12.0, 13.0))
	95	end
	96
	97	def test_list_plus
	98	assert_equal(ring(1, 2, 3) + ring(4), ring(1, 2, 3, 4))
	99	assert_equal(ring(1, 2, 3) + ring(1), ring(1, 2, 3, 1))
	100	end
	101
	102	def test_minus
	103	assert_equal(ring(10, 20, 30) - 5, ring(5.0, 15.0, 25.0))
	104	end
	105
	106	def test_list_minus
	107	assert_equal(ring(1, 2, 3) - ring(1), ring(2, 3))
	108	assert_equal(ring(1, 2, 3) - ring(10), ring(1, 2, 3))
	109	end
	110
	111	def test_take
	112	assert_equal(ring(1), ring(1, 2, 3).take(1))
	113	assert_equal(ring(1, 2), ring(1, 2, 3).take(2))
	114	assert_equal(ring(1, 2, 3, 1), ring(1, 2, 3).take(4))
	115	assert_equal(ring(3), ring(1, 2, 3).take(-1))
	116	assert_equal(ring(3, 2), ring(1, 2, 3).take(-2))
	117	assert_equal(ring(3, 2, 1, 3, 2), ring(1, 2, 3).take(-5))
	118	assert_equal(ring(), ring(1, 2, 3).take(0))
	119	end
100	120	end
101	121	end

+1

-1

app/server/sonicpi/test/test_scale.rb less more

2	2	# Full project source: https://github.com/samaaron/sonic-pi
3	3	# License: https://github.com/samaaron/sonic-pi/blob/master/LICENSE.md
4	4	#
5		# Copyright 2013, 2014, 2015 by Sam Aaron (http://sam.aaron.name).
	5	# Copyright 2013, 2014, 2015, 2016 by Sam Aaron (http://sam.aaron.name).
6	6	# All rights reserved.
7	7	#
8	8	# Permission is granted for use, copying, modification, and

+1

-1

app/server/sonicpi/test/test_tuning.rb less more

2	2	# Full project source: https://github.com/samaaron/sonic-pi
3	3	# License: https://github.com/samaaron/sonic-pi/blob/master/LICENSE.md
4	4	#
5		# Copyright 2013, 2014, 2015 by Sam Aaron (http://sam.aaron.name).
	5	# Copyright 2013, 2014, 2015, 2016 by Sam Aaron (http://sam.aaron.name).
6	6	# All rights reserved.
7	7	#
8	8	# Permission is granted for use, copying, modification, and

+1

-1

app/server/sonicpi/test/test_util.rb less more

2	2	# Full project source: https://github.com/samaaron/sonic-pi
3	3	# License: https://github.com/samaaron/sonic-pi/blob/master/LICENSE.md
4	4	#
5		# Copyright 2013, 2014, 2015 by Sam Aaron (http://sam.aaron.name).
	5	# Copyright 2013, 2014, 2015, 2016 by Sam Aaron (http://sam.aaron.name).
6	6	# All rights reserved.
7	7	#
8	8	# Permission is granted for use, copying, modification, and

+30

-0

app/server/sonicpi/test/test_vector.rb less more

	0	#--
	1	# This file is part of Sonic Pi: http://sonic-pi.net
	2	# Full project source: https://github.com/samaaron/sonic-pi
	3	# License: https://github.com/samaaron/sonic-pi/blob/master/LICENSE.md
	4	#
	5	# Copyright 2013, 2014, 2015, 2016 by Sam Aaron (http://sam.aaron.name).
	6	# All rights reserved.
	7	#
	8	# Permission is granted for use, copying, modification, and
	9	# distribution of modified versions of this work as long as this
	10	# notice is included.
	11	#++
	12
	13	require_relative "./setup_test"
	14	require_relative "../lib/sonicpi/lang/core"
	15
	16	module SonicPi
	17	class VectorTester < Minitest::Test
	18	include SonicPi::Lang::Core
	19
	20	def test_index
	21	v = vector(:a, :b, :c)
	22	assert_equal(v[0], :a)
	23	assert_equal(v[-1], :c)
	24	assert_equal(v[-100], nil)
	25	assert_equal(v[100], nil)
	26	end
	27
	28	end
	29	end

+1

-1

app/server/sonicpi/test/test_version.rb less more

2	2	# Full project source: https://github.com/samaaron/sonic-pi
3	3	# License: https://github.com/samaaron/sonic-pi/blob/master/LICENSE.md
4	4	#
5		# Copyright 2013, 2014, 2015 by Sam Aaron (http://sam.aaron.name).
	5	# Copyright 2013, 2014, 2015, 2016 by Sam Aaron (http://sam.aaron.name).
6	6	# All rights reserved.
7	7	#
8	8	# Permission is granted for use, copying, modification, and

+1

-1

app/server/util.rb less more

2	2	# Full project source: https://github.com/samaaron/sonic-pi
3	3	# License: https://github.com/samaaron/sonic-pi/blob/master/LICENSE.md
4	4	#
5		# Copyright 2013, 2014, 2015 by Sam Aaron (http://sam.aaron.name).
	5	# Copyright 2013, 2014, 2015, 2016 by Sam Aaron (http://sam.aaron.name).
6	6	# All rights reserved.
7	7	#
8	8	# Permission is granted for use, copying, modification, and

+13

-0

bin/sonic-pi less more

0	0	#!/bin/bash
	1
	2	#--
	3	# This file is part of Sonic Pi: http://sonic-pi.net
	4	# Full project source: https://github.com/samaaron/sonic-pi
	5	# License: https://github.com/samaaron/sonic-pi/blob/master/LICENSE.md
	6	#
	7	# Copyright 2013, 2014, 2015, 2016 by Sam Aaron (http://sam.aaron.name).
	8	# All rights reserved.
	9	#
	10	# Permission is granted for use, copying, modification, and
	11	# distribution of modified versions of this work as long as this
	12	# notice is included.
	13	#++
1	14
2	15	eval $(dbus-launch --auto-syntax)
3	16

+40

-0

bin/sonic-pi-graffiti less more

	0	#!/bin/bash
	1
	2	#--
	3	# This file is part of Sonic Pi: http://sonic-pi.net
	4	# Full project source: https://github.com/samaaron/sonic-pi
	5	# License: https://github.com/samaaron/sonic-pi/blob/master/LICENSE.md
	6	#
	7	# Copyright 2013, 2014, 2015, 2016 by Sam Aaron (http://sam.aaron.name).
	8	# All rights reserved.
	9	#
	10	# Permission is granted for use, copying, modification, and
	11	# distribution of modified versions of this work as long as this
	12	# notice is included.
	13	#++
	14	echo '
	15
	16	╘
	17	─ ╛▒╛
	18	▐╫ ▄█├
	19	─╟╛ █▄ ╪▓▀
	20	╓┤┤┤┤┤┤┤┤┤ ╩▌ ██ ▀▓▌
	21	▐▒ ╬▒ ╟▓╘ ─▓█ ▓▓├
	22	▒╫ ▒╪ ▓█ ▓▓─ ▓▓▄
	23	╒▒─ │▒ ▓█ ▓▓ ─▓▓─
	24	╬▒ ▄▒ ╒ ╪▓═ ╬▓╬ ▌▓▄
	25	╥╒ ╦╥ ╕█╒ ╙▓▐ ▄▓╫
	26	▐╩ ▒▒ ▀▀
	27	╒╪ ▐▄
	28
	29	_____ __ ____ __
	30	/ ___/____ ____ /_/____ / __ \/_/
	31	\__ \/ __ \/ __ \/ / ___/ / /_/ / /
	32	___/ / /_/ / / / / / /__ / ____/ /
	33	/____/\____/_/ /_/_/\___/ /_/ /_/
	34
	35	The Live Coding Synth for Everyone
	36
	37	http://sonic-pi.net
	38
	39	'

+1710

-1237

etc/doc/cheatsheets/fx.md less more

0	0	# FX
1	1
2		* [FX Reverb](#fx-reverb)
3		* [FX Reverb](#fx-reverb)
4		* [FX Level Amplifier](#fx-level-amplifier)
5		* [FX Level Amplifier](#fx-level-amplifier)
6		* [FX Echo](#fx-echo)
7		* [FX Echo](#fx-echo)
8		* [FX Slicer](#fx-slicer)
9		* [FX Slicer](#fx-slicer)
10		* [FX Techno](#fx-techno)
11		* [FX Techno](#fx-techno)
12		* [FX Compressor](#fx-compressor)
13		* [FX Compressor](#fx-compressor)
14		* [FX Resonant Low Pass Filter](#fx-resonant-low-pass-filter)
15		* [FX Resonant Low Pass Filter](#fx-resonant-low-pass-filter)
16		* [FX Normalised Resonant Low Pass Filter](#fx-normalised-resonant-low-pass-filter)
17		* [FX Normalised Resonant Low Pass Filter](#fx-normalised-resonant-low-pass-filter)
18		* [FX Resonant High Pass Filter](#fx-resonant-high-pass-filter)
19		* [FX Resonant High Pass Filter](#fx-resonant-high-pass-filter)
20		* [FX Normalised Resonant High Pass Filter](#fx-normalised-resonant-high-pass-filter)
21		* [FX Normalised Resonant High Pass Filter](#fx-normalised-resonant-high-pass-filter)
22		* [FX High Pass Filter](#fx-high-pass-filter)
23		* [FX High Pass Filter](#fx-high-pass-filter)
24		* [FX Normalised High Pass Filter](#fx-normalised-high-pass-filter)
25		* [FX Normalised High Pass Filter](#fx-normalised-high-pass-filter)
26		* [FX Low Pass Filter](#fx-low-pass-filter)
27		* [FX Low Pass Filter](#fx-low-pass-filter)
28		* [FX Normalised Low Pass Filter](#fx-normalised-low-pass-filter)
29		* [FX Normalised Low Pass Filter](#fx-normalised-low-pass-filter)
30		* [FX Normaliser](#fx-normaliser)
31		* [FX Normaliser](#fx-normaliser)
32		* [FX Distortion](#fx-distortion)
33		* [FX Distortion](#fx-distortion)
34
35		## FX Reverb
	2	* [Bitcrusher](#bitcrusher)
	3	* [krush](#krush)
	4	* [Reverb](#reverb)
	5	* [GVerb](#gverb)
	6	* [Level Amplifier](#level-amplifier)
	7	* [Echo](#echo)
	8	* [Slicer](#slicer)
	9	* [Pan Slicer](#pan-slicer)
	10	* [Wobble](#wobble)
	11	* [Techno from IXI Lang](#techno-from-ixi-lang)
	12	* [Compressor](#compressor)
	13	* [Whammy](#whammy)
	14	* [Resonant Low Pass Filter](#resonant-low-pass-filter)
	15	* [Normalised Resonant Low Pass Filter](#normalised-resonant-low-pass-filter)
	16	* [Resonant High Pass Filter](#resonant-high-pass-filter)
	17	* [Normalised Resonant High Pass Filter](#normalised-resonant-high-pass-filter)
	18	* [High Pass Filter](#high-pass-filter)
	19	* [Normalised High Pass Filter](#normalised-high-pass-filter)
	20	* [Low Pass Filter](#low-pass-filter)
	21	* [Normalised Low Pass Filter.](#normalised-low-pass-filter.)
	22	* [Normaliser](#normaliser)
	23	* [Distortion](#distortion)
	24	* [Pan](#pan)
	25	* [Band Pass Filter](#band-pass-filter)
	26	* [Normalised Band Pass Filter](#normalised-band-pass-filter)
	27	* [Resonant Band Pass Filter](#resonant-band-pass-filter)
	28	* [Normalised Resonant Band Pass Filter](#normalised-resonant-band-pass-filter)
	29	* [Band EQ Filter](#band-eq-filter)
	30	* [Hyperbolic Tangent](#hyperbolic-tangent)
	31	* [Pitch shift](#pitch-shift)
	32	* [Ring Modulator](#ring-modulator)
	33	* [Octaver](#octaver)
	34	* [Vowel](#vowel)
	35	* [Flanger](#flanger)
	36
	37	## Bitcrusher
	38
	39	### Key:
	40	:bitcrusher
	41
	42	### Doc:
	43	Creates lo-fi output by decimating and deconstructing the incoming audio by lowering both the sample rate and bit depth. The default sample rate for CD audio is 44100, so use values less than that for that crunchy chip-tune sound full of artefacts and bitty distortion. Similarly, the default bit depth for CD audio is 16, so use values less than that for lo-fi sound.
	44
	45	### Opts:
	46	* amp:
	47	- doc: The amplitude of the sound. Typically a value between 0 and 1. Higher amplitudes may be used, but won't make the sound louder, they will just reduce the quality of all the sounds currently being played (due to compression.)
	48	- default: 1
	49	- constraints: must be zero or greater
	50	- May be changed whilst playing
	51	- Has slide parameters for shaping changes
	52	* mix:
	53	- doc: The amount (percentage) of FX present in the resulting sound represented as a value between 0 and 1. For example, a mix of 0 means that only the original sound is heard, a mix of 1 means that only the FX is heard (typically the default) and a mix of 0.5 means that half the original and half of the FX is heard.
	54	- default: 1
	55	- constraints: must be a value between 0 and 1 inclusively
	56	- May be changed whilst playing
	57	- Has slide parameters for shaping changes
	58	* pre_amp:
	59	- doc: Amplification applied to the input signal immediately before it is passed to the FX.
	60	- default: 1
	61	- constraints: must be zero or greater
	62	- May be changed whilst playing
	63	- Has slide parameters for shaping changes
	64	* sample_rate:
	65	- doc: The sample rate the audio will be resampled at. This represents the number of times per second the audio is sampled. The higher the sample rate, the closer to the original the sound will be, the lower the more low-fi it will sound. The highest sample rate is 44100 (full quality) and the lowest is ~100 (extremely low quality). Try values in between such as 1000, 3000, 8000...
	66	- default: 10000
	67	- constraints: must be greater than zero
	68	- May be changed whilst playing
	69	- Has slide parameters for shaping changes
	70	* bits:
	71	- doc: The bit depth of the resampled audio. Lower bit depths make the audio sound grainy and less defined. The highest bit depth is 16 (full quality) and the lowest is 1 (lowest quality).
	72	- default: 8
	73	- constraints: must be greater than zero
	74	- May be changed whilst playing
	75	- Has slide parameters for shaping changes
	76	* cutoff:
	77	- doc: MIDI note representing the highest frequencies allowed to be present in the sound. A low value like 30 makes the sound round and dull, a high value like 100 makes the sound buzzy and crispy.
	78	- default: 0
	79	- constraints: must be zero or greater,must be a value less than 131
	80	- May be changed whilst playing
	81	- Has slide parameters for shaping changes
	82
	83
	84	## krush
	85
	86	### Key:
	87	:krush
	88
	89	### Doc:
	90	Krush that sound!
	91
	92	### Opts:
	93	* amp:
	94	- doc: The amplitude of the sound. Typically a value between 0 and 1. Higher amplitudes may be used, but won't make the sound louder, they will just reduce the quality of all the sounds currently being played (due to compression.)
	95	- default: 1
	96	- constraints: must be zero or greater
	97	- May be changed whilst playing
	98	- Has slide parameters for shaping changes
	99	* mix:
	100	- doc: The amount (percentage) of FX present in the resulting sound represented as a value between 0 and 1. For example, a mix of 0 means that only the original sound is heard, a mix of 1 means that only the FX is heard (typically the default) and a mix of 0.5 means that half the original and half of the FX is heard.
	101	- default: 1
	102	- constraints: must be a value between 0 and 1 inclusively
	103	- May be changed whilst playing
	104	- Has slide parameters for shaping changes
	105	* pre_amp:
	106	- doc: Amplification applied to the input signal immediately before it is passed to the FX.
	107	- default: 1
	108	- constraints: must be zero or greater
	109	- May be changed whilst playing
	110	- Has slide parameters for shaping changes
	111	* gain:
	112	- doc: Amount of crushing to serve
	113	- default: 5
	114	- constraints: must be greater than zero
	115	- May be changed whilst playing
	116	- Has slide parameters for shaping changes
	117	* cutoff:
	118	- doc: MIDI note representing the highest frequencies allowed to be present in the sound. A low value like 30 makes the sound round and dull, a high value like 100 makes the sound buzzy and crispy.
	119	- default: 100
	120	- constraints: must be zero or greater,must be a value less than 131
	121	- May be changed whilst playing
	122	- Has slide parameters for shaping changes
	123	* res:
	124	- doc: Filter resonance as a value between 0 and 1. Large amounts of resonance (a res: near 1) can create a whistling sound around the cutoff frequency. Smaller values produce less resonance.
	125	- default: 0
	126	- constraints: must be zero or greater,must be a value less than 1
	127	- May be changed whilst playing
	128	- Has slide parameters for shaping changes
	129
	130
	131	## Reverb
36	132
37	133	### Key:
38	134	:reverb
39	135
40	136	### Doc:
41		Please write documentation!
42
43		### Arguments:
44		* mix:
45		- doc: write me
	137	Make the incoming signal sound more spacious or distant as if it were played in a large room or cave. Signal may also be dampened by reducing the amplitude of the higher frequencies.
	138
	139	### Opts:
	140	* amp:
	141	- doc: The amplitude of the sound. Typically a value between 0 and 1. Higher amplitudes may be used, but won't make the sound louder, they will just reduce the quality of all the sounds currently being played (due to compression.)
	142	- default: 1
	143	- constraints: must be zero or greater
	144	- May be changed whilst playing
	145	- Has slide parameters for shaping changes
	146	* mix:
	147	- doc: The amount (percentage) of FX present in the resulting sound represented as a value between 0 and 1. For example, a mix of 0 means that only the original sound is heard, a mix of 1 means that only the FX is heard (typically the default) and a mix of 0.5 means that half the original and half of the FX is heard.
46	148	- default: 0.4
	149	- constraints: must be a value between 0 and 1 inclusively
	150	- May be changed whilst playing
	151	- Has slide parameters for shaping changes
	152	* pre_amp:
	153	- doc: Amplification applied to the input signal immediately before it is passed to the FX.
	154	- default: 1
	155	- constraints: must be zero or greater
	156	- May be changed whilst playing
	157	- Has slide parameters for shaping changes
	158	* room:
	159	- doc: The room size - a value between 0 (no reverb) and 1 (maximum reverb).
	160	- default: 0.6
	161	- constraints: must be a value between 0 and 1 inclusively
	162	- May be changed whilst playing
	163	- Has slide parameters for shaping changes
	164	* damp:
	165	- doc: High frequency dampening - a value between 0 (no dampening) and 1 (maximum dampening)
	166	- default: 0.5
	167	- constraints: must be a value between 0 and 1 inclusively
	168	- May be changed whilst playing
	169	- Has slide parameters for shaping changes
	170
	171
	172	## GVerb
	173
	174	### Key:
	175	:gverb
	176
	177	### Doc:
	178	Make the incoming signal sound more spacious or distant as if it were played in a large room or cave. Similar to reverb but with a more spacious feel.
	179
	180	### Opts:
	181	* amp:
	182	- doc: The amplitude of the sound. Typically a value between 0 and 1. Higher amplitudes may be used, but won't make the sound louder, they will just reduce the quality of all the sounds currently being played (due to compression.)
	183	- default: 1
	184	- constraints: must be zero or greater
	185	- May be changed whilst playing
	186	- Has slide parameters for shaping changes
	187	* mix:
	188	- doc: The amount (percentage) of FX present in the resulting sound represented as a value between 0 and 1. For example, a mix of 0 means that only the original sound is heard, a mix of 1 means that only the FX is heard (typically the default) and a mix of 0.5 means that half the original and half of the FX is heard.
	189	- default: 0.4
	190	- constraints: must be a value between 0 and 1 inclusively
	191	- May be changed whilst playing
	192	- Has slide parameters for shaping changes
	193	* pre_amp:
	194	- doc: Amplification applied to the input signal immediately before it is passed to the FX.
	195	- default: 1
	196	- constraints: must be zero or greater
	197	- May be changed whilst playing
	198	- Has slide parameters for shaping changes
	199	* spread:
	200	- doc: Stereo spread. Amount of stereo spread the reverb has over the left and right channels. A value of 0 means no spread at all - left and right stereo values of the incoming signal are preserved. A value of 1 means full spread - the left and right channels are fully mixed within the reverb - bleeding into each other.
	201	- default: 0.5
	202	- constraints: must be a value between 0 and 1 inclusively
	203	- May be changed whilst playing
	204	- Has slide parameters for shaping changes
	205	* damp:
	206	- doc: High frequency rolloff. 0 is no damping (the reverb will ring out more) and 1 dampens the reverb signal completely
	207	- default: 0.5
	208	- constraints: must be a value between 0 and 1 inclusively
	209	- May be changed whilst playing
	210	- Has slide parameters for shaping changes
	211	* pre_damp:
	212	- doc: High frequency rolloff of input signal. 0 is no damping (the reverb will ring out more) and 1 dampens the reverb signal completely
	213	- default: 0.5
	214	- constraints: must be a value between 0 and 1 inclusively
	215	- May be changed whilst playing
	216	- Has slide parameters for shaping changes
	217	* dry:
	218	- doc: Amount of original dry signal present in the effect. This is distinct from mix.
	219	- default: 1
	220	- constraints: must be a value greater than or equal to 0
	221	- May be changed whilst playing
	222	- Has slide parameters for shaping changes
	223	* room:
	224	- doc: The room size in squared metres
	225	- default: 10
	226	- constraints: must be a value greater than or equal to 0
	227	- May be changed whilst playing
	228	* release:
	229	- doc: Time for reverberation to complete in seconds
	230	- default: 3
	231	- constraints: must be a value greater than 0
	232	- May be changed whilst playing
	233	* ref_level:
	234	- doc: Reflection level
	235	- default: 0.7
	236	- constraints: must be a value greater than or equal to 0
	237	- May be changed whilst playing
	238	* tail_level:
	239	- doc: Tail level amount
	240	- default: 0.5
	241	- constraints: must be a value greater than or equal to 0
	242	- May be changed whilst playing
	243
	244
	245	## Level Amplifier
	246
	247	### Key:
	248	:level
	249
	250	### Doc:
	251	Amplitude modifier. All FX have their own amp built in, so it may be the case that you don't specifically need an isolated amp FX. However, it is useful to be able to control the overall amplitude of a number of running synths. All sounds created in the FX block will have their amplitudes multipled by the amp level of this FX. For example, use an amp of 0 to silence all internal synths.
	252
	253	### Opts:
	254	* amp:
	255	- doc: The amplitude of the sound. Typically a value between 0 and 1. Higher amplitudes may be used, but won't make the sound louder, they will just reduce the quality of all the sounds currently being played (due to compression.)
	256	- default: 1
	257	- constraints: must be zero or greater
	258	- May be changed whilst playing
	259	- Has slide parameters for shaping changes
	260
	261
	262	## Echo
	263
	264	### Key:
	265	:echo
	266
	267	### Doc:
	268	Standard echo with variable phase duration (time between echoes) and decay (length of echo fade out). If you wish to have a phase duration longer than 2s, you need to specify the longest phase duration you'd like with the arg max_phase. Be warned, echo FX with very long phases can consume a lot of memory and take longer to initialise.
	269
	270	### Opts:
	271	* amp:
	272	- doc: The amplitude of the sound. Typically a value between 0 and 1. Higher amplitudes may be used, but won't make the sound louder, they will just reduce the quality of all the sounds currently being played (due to compression.)
	273	- default: 1
	274	- constraints: must be zero or greater
	275	- May be changed whilst playing
	276	- Has slide parameters for shaping changes
	277	* mix:
	278	- doc: The amount (percentage) of FX present in the resulting sound represented as a value between 0 and 1. For example, a mix of 0 means that only the original sound is heard, a mix of 1 means that only the FX is heard (typically the default) and a mix of 0.5 means that half the original and half of the FX is heard.
	279	- default: 1
	280	- constraints: must be a value between 0 and 1 inclusively
	281	- May be changed whilst playing
	282	- Has slide parameters for shaping changes
	283	* pre_amp:
	284	- doc: Amplification applied to the input signal immediately before it is passed to the FX.
	285	- default: 1
	286	- constraints: must be zero or greater
	287	- May be changed whilst playing
	288	- Has slide parameters for shaping changes
	289	* phase:
	290	- doc: The time between echoes in beats.
	291	- default: 0.25
	292	- constraints: must be greater than zero
	293	- May be changed whilst playing
	294	- Scaled with current BPM value
	295	- Has slide parameters for shaping changes
	296	* decay:
	297	- doc: The time it takes for the echoes to fade away in beats.
	298	- default: 2
	299	- constraints: must be greater than zero
	300	- May be changed whilst playing
	301	- Scaled with current BPM value
	302	- Has slide parameters for shaping changes
	303	* max_phase:
	304	- doc: The maximum phase duration in beats.
	305	- default: 2
	306	- constraints: must be greater than zero
	307	- Can not be changed once set
	308
	309
	310	## Slicer
	311
	312	### Key:
	313	:slicer
	314
	315	### Doc:
	316	Modulates the amplitude of the input signal with a specific control wave and phase duration. With the default pulse wave, slices the signal in and out, with the triangle wave, fades the signal in and out and with the saw wave, phases the signal in and then dramatically out. Control wave may be inverted with the arg invert_wave for more variety.
	317
	318	### Opts:
	319	* amp:
	320	- doc: The amplitude of the resulting effect.
	321	- default: 1
	322	- constraints: must be zero or greater
	323	- May be changed whilst playing
	324	- Has slide parameters for shaping changes
	325	* mix:
	326	- doc: The amount (percentage) of FX present in the resulting sound represented as a value between 0 and 1. For example, a mix of 0 means that only the original sound is heard, a mix of 1 means that only the FX is heard (typically the default) and a mix of 0.5 means that half the original and half of the FX is heard.
	327	- default: 1
	328	- constraints: must be a value between 0 and 1 inclusively
	329	- May be changed whilst playing
	330	- Has slide parameters for shaping changes
	331	* pre_amp:
	332	- doc: Amplification applied to the input signal immediately before it is passed to the FX.
	333	- default: 1
	334	- constraints: must be zero or greater
	335	- May be changed whilst playing
	336	- Has slide parameters for shaping changes
	337	* phase:
	338	- doc: The phase duration (in beats) of the slices
	339	- default: 0.25
	340	- constraints: must be greater than zero
	341	- May be changed whilst playing
	342	- Scaled with current BPM value
	343	- Has slide parameters for shaping changes
	344	* amp_min:
	345	- doc: Minimum amplitude of the slicer
	346	- default: 0
	347	- constraints: must be zero or greater
	348	- May be changed whilst playing
	349	- Has slide parameters for shaping changes
	350	* amp_max:
	351	- doc: Maximum amplitude of the slicer
	352	- default: 1
	353	- constraints: must be zero or greater
	354	- May be changed whilst playing
	355	- Has slide parameters for shaping changes
	356	* pulse_width:
	357	- doc: The width of the pulse wave as a value between 0 and 1. A width of 0.5 will produce a square wave. Different values will change the timbre of the sound. Only valid if wave is type pulse.
	358	- default: 0.5
	359	- constraints: must be a value between 0 and 1 exclusively
	360	- May be changed whilst playing
	361	- Has slide parameters for shaping changes
	362	* phase_offset:
	363	- doc: Initial phase offset.
	364	- default: 0
	365	- constraints: must be a value between 0 and 1 inclusively
	366	- Can not be changed once set
	367	* wave:
	368	- doc: Control waveform used to modulate the amplitude. 0=saw, 1=pulse, 2=tri, 3=sine
	369	- default: 1
	370	- constraints: must be one of the following values: [0, 1, 2, 3]
	371	- May be changed whilst playing
	372	* invert_wave:
	373	- doc: Invert control waveform (i.e. flip it on the y axis). 0=uninverted wave, 1=inverted wave.
	374	- default: 0
	375	- constraints: must be one of the following values: [0, 1]
	376	- May be changed whilst playing
	377	* probability:
	378	- doc: Probability (as a value between 0 and 1) that a given slice will be replaced by the value of the prob_pos opt (which defaults to 0, i.e. silence)
	379	- default: 0
	380	- constraints: must be a value between 0 and 1 inclusively
	381	- May be changed whilst playing
	382	- Has slide parameters for shaping changes
	383	* prob_pos:
	384	- doc: Position of the slicer that will be jumped to when the probability test passes as a value between 0 and 1
	385	- default: 0
	386	- constraints: must be a value between 0 and 1 inclusively
	387	- May be changed whilst playing
	388	- Has slide parameters for shaping changes
	389	* seed:
	390	- doc: Seed value for rand num generator used for probability test
	391	- default: 0
47	392	- constraints: none
48	393	- Can not be changed once set
49
50		* mix_slide:
51		- doc: write me
	394	* smooth:
	395	- doc: Amount of time in seconds to transition from the current value to the next. Allows you to round off harsh edges in the slicer wave which may cause clicks.
	396	- default: 0
	397	- constraints: must be zero or greater
	398	- May be changed whilst playing
	399	- Has slide parameters for shaping changes
	400	* smooth_up:
	401	- doc: Amount of time in seconds to transition from the current value to the next only when the value is going up. This smoothing happens before the main smooth mechanism.
	402	- default: 0
	403	- constraints: must be zero or greater
	404	- May be changed whilst playing
	405	- Has slide parameters for shaping changes
	406	* smooth_down:
	407	- doc: Amount of time in seconds to transition from the current value to the next only when the value is going down. This smoothing happens before the main smooth mechanism.
	408	- default: 0
	409	- constraints: must be zero or greater
	410	- May be changed whilst playing
	411	- Has slide parameters for shaping changes
	412
	413
	414	## Pan Slicer
	415
	416	### Key:
	417	:panslicer
	418
	419	### Doc:
	420	Slice the pan automatically from left to right. Behaves similarly to slicer and wobble FX but modifies stereo panning of sound in left and right speakers. Default slice wave form is square (hard slicing between left and right) however other wave forms can be set with the `wave:` opt.
	421
	422	### Opts:
	423	* amp:
	424	- doc: The amplitude of the resulting effect.
	425	- default: 1
	426	- constraints: must be zero or greater
	427	- May be changed whilst playing
	428	- Has slide parameters for shaping changes
	429	* mix:
	430	- doc: The amount (percentage) of FX present in the resulting sound represented as a value between 0 and 1. For example, a mix of 0 means that only the original sound is heard, a mix of 1 means that only the FX is heard (typically the default) and a mix of 0.5 means that half the original and half of the FX is heard.
	431	- default: 1
	432	- constraints: must be a value between 0 and 1 inclusively
	433	- May be changed whilst playing
	434	- Has slide parameters for shaping changes
	435	* pre_amp:
	436	- doc: Amplification applied to the input signal immediately before it is passed to the FX.
	437	- default: 1
	438	- constraints: must be zero or greater
	439	- May be changed whilst playing
	440	- Has slide parameters for shaping changes
	441	* phase:
	442	- doc: The phase duration (in beats) of the slices
	443	- default: 0.25
	444	- constraints: must be greater than zero
	445	- May be changed whilst playing
	446	- Scaled with current BPM value
	447	- Has slide parameters for shaping changes
	448	* pan_min:
	449	- doc: Minimum pan value (-1 is the left speaker only)
	450	- default: -1
	451	- constraints: must be a value between -1 and 1 inclusively
	452	- May be changed whilst playing
	453	- Has slide parameters for shaping changes
	454	* pan_max:
	455	- doc: Maximum pan value (+1 is the right speaker only)
	456	- default: 1
	457	- constraints: must be a value between -1 and 1 inclusively
	458	- May be changed whilst playing
	459	- Has slide parameters for shaping changes
	460	* pulse_width:
	461	- doc: The width of the pulse wave as a value between 0 and 1. A width of 0.5 will produce a square wave. Different values will change the timbre of the sound. Only valid if wave is type pulse.
	462	- default: 0.5
	463	- constraints: must be a value between 0 and 1 exclusively
	464	- May be changed whilst playing
	465	- Has slide parameters for shaping changes
	466	* phase_offset:
	467	- doc: Initial phase offset.
	468	- default: 0
	469	- constraints: must be a value between 0 and 1 inclusively
	470	- Can not be changed once set
	471	* wave:
	472	- doc: Control waveform used to modulate the amplitude. 0=saw, 1=pulse, 2=tri, 3=sine
	473	- default: 1
	474	- constraints: must be one of the following values: [0, 1, 2, 3]
	475	- May be changed whilst playing
	476	* invert_wave:
	477	- doc: Invert control waveform (i.e. flip it on the y axis). 0=uninverted wave, 1=inverted wave.
	478	- default: 0
	479	- constraints: must be one of the following values: [0, 1]
	480	- May be changed whilst playing
	481	* probability:
	482	- doc: Probability (as a value between 0 and 1) that a given slice will be replaced by the value of the prob_pos opt (which defaults to 0, i.e. silence)
	483	- default: 0
	484	- constraints: must be a value between 0 and 1 inclusively
	485	- May be changed whilst playing
	486	- Has slide parameters for shaping changes
	487	* prob_pos:
	488	- doc: Position of the slicer that will be jumped to when the probability test passes as a value between 0 and 1
	489	- default: 0
	490	- constraints: must be a value between 0 and 1 inclusively
	491	- May be changed whilst playing
	492	- Has slide parameters for shaping changes
	493	* seed:
	494	- doc: Seed value for rand num generator used for probability test
52	495	- default: 0
53	496	- constraints: none
54	497	- Can not be changed once set
55
56		* room:
57		- doc: write me
	498	* smooth:
	499	- doc: Amount of time in seconds to transition from the current value to the next. Allows you to round off harsh edges in the slicer wave which may cause clicks.
	500	- default: 0
	501	- constraints: must be zero or greater
	502	- May be changed whilst playing
	503	- Has slide parameters for shaping changes
	504	* smooth_up:
	505	- doc: Amount of time in seconds to transition from the current value to the next only when the value is going up. This smoothing happens before the main smooth mechanism.
	506	- default: 0
	507	- constraints: must be zero or greater
	508	- May be changed whilst playing
	509	- Has slide parameters for shaping changes
	510	* smooth_down:
	511	- doc: Amount of time in seconds to transition from the current value to the next only when the value is going down. This smoothing happens before the main smooth mechanism.
	512	- default: 0
	513	- constraints: must be zero or greater
	514	- May be changed whilst playing
	515	- Has slide parameters for shaping changes
	516
	517
	518	## Wobble
	519
	520	### Key:
	521	:wobble
	522
	523	### Doc:
	524	Versatile wobble FX. Will repeatedly modulate a range of filters (rlpf, rhpf) between two cutoff values using a range of control wave forms (saw, pulse, tri, sine). You may alter the phase duration of the wobble, and the resonance of the filter. Combines well with the dsaw synth for crazy dub wobbles. Cutoff value is at cutoff_min at the start of phase
	525
	526	### Opts:
	527	* amp:
	528	- doc: The amplitude of the sound. Typically a value between 0 and 1. Higher amplitudes may be used, but won't make the sound louder, they will just reduce the quality of all the sounds currently being played (due to compression.)
	529	- default: 1
	530	- constraints: must be zero or greater
	531	- May be changed whilst playing
	532	- Has slide parameters for shaping changes
	533	* mix:
	534	- doc: The amount (percentage) of FX present in the resulting sound represented as a value between 0 and 1. For example, a mix of 0 means that only the original sound is heard, a mix of 1 means that only the FX is heard (typically the default) and a mix of 0.5 means that half the original and half of the FX is heard.
	535	- default: 1
	536	- constraints: must be a value between 0 and 1 inclusively
	537	- May be changed whilst playing
	538	- Has slide parameters for shaping changes
	539	* pre_amp:
	540	- doc: Amplification applied to the input signal immediately before it is passed to the FX.
	541	- default: 1
	542	- constraints: must be zero or greater
	543	- May be changed whilst playing
	544	- Has slide parameters for shaping changes
	545	* phase:
	546	- doc: The phase duration (in beats) for filter modulation cycles
	547	- default: 0.5
	548	- constraints: must be greater than zero
	549	- May be changed whilst playing
	550	- Scaled with current BPM value
	551	- Has slide parameters for shaping changes
	552	* cutoff_min:
	553	- doc: Minimum (MIDI) note that filter will move to whilst wobbling. Choose a lower note for a higher range of movement. Full range of movement is the distance between cutoff_max and cutoff_min
	554	- default: 60
	555	- constraints: must be zero or greater,must be a value less than 130
	556	- May be changed whilst playing
	557	- Has slide parameters for shaping changes
	558	* cutoff_max:
	559	- doc: Maximum (MIDI) note that filter will move to whilst wobbling. Choose a higher note for a higher range of movement. Full range of movement is the distance between cutoff_max and cutoff_min
	560	- default: 120
	561	- constraints: must be zero or greater,must be a value less than 130
	562	- May be changed whilst playing
	563	- Has slide parameters for shaping changes
	564	* res:
	565	- doc: Filter resonance as a value between 0 and 1. Large amounts of resonance (a res: near 1) can create a whistling sound around the cutoff frequency. Smaller values produce less resonance.
	566	- default: 0.8
	567	- constraints: must be zero or greater,must be a value less than 1
	568	- May be changed whilst playing
	569	- Has slide parameters for shaping changes
	570	* phase_offset:
	571	- doc: Initial modulation phase offset (a value between 0 and 1).
	572	- default: 0
	573	- constraints: must be a value between 0 and 1 inclusively
	574	- Can not be changed once set
	575	* wave:
	576	- doc: Wave shape of wobble. Use 0 for saw wave, 1 for pulse, 2 for triangle wave and 3 for a sine wave.
	577	- default: 0
	578	- constraints: must be one of the following values: [0, 1, 2, 3]
	579	- May be changed whilst playing
	580	* invert_wave:
	581	- doc: Invert control waveform (i.e. flip it on the y axis). 0=uninverted wave, 1=inverted wave.
	582	- default: 0
	583	- constraints: must be one of the following values: [0, 1]
	584	- May be changed whilst playing
	585	* pulse_width:
	586	- doc: Only valid if wave is type pulse.
	587	- default: 0.5
	588	- constraints: must be zero or greater
	589	- May be changed whilst playing
	590	- Has slide parameters for shaping changes
	591	* filter:
	592	- doc: Filter used for wobble effect. Use 0 for a resonant low pass filter or 1 for a resonant high pass filter
	593	- default: 0
	594	- constraints: must be one of the following values: [0, 1]
	595	- May be changed whilst playing
	596	* probability:
	597	- doc: Probability (as a value between 0 and 1) that a given wobble will be replaced by the value of the prob_pos opt (which defaults to 0, i.e. min_cutoff)
	598	- default: 0
	599	- constraints: must be a value between 0 and 1 inclusively
	600	- May be changed whilst playing
	601	- Has slide parameters for shaping changes
	602	* prob_pos:
	603	- doc: Position of the wobble that will be jumped to when the probability test passes as a value between 0 and 1
	604	- default: 0
	605	- constraints: must be a value between 0 and 1 inclusively
	606	- May be changed whilst playing
	607	- Has slide parameters for shaping changes
	608	* seed:
	609	- doc: Seed value for rand num generator used for probability test
	610	- default: 0
	611	- constraints: none
	612	- Can not be changed once set
	613	* smooth:
	614	- doc: Amount of time in seconds to transition from the current value to the next. Allows you to round off harsh edges in the slicer wave which may cause clicks.
	615	- default: 0
	616	- constraints: must be zero or greater
	617	- May be changed whilst playing
	618	- Has slide parameters for shaping changes
	619	* smooth_up:
	620	- doc: Amount of time in seconds to transition from the current value to the next only when the value is going up. This smoothing happens before the main smooth mechanism.
	621	- default: 0
	622	- constraints: must be zero or greater
	623	- May be changed whilst playing
	624	- Has slide parameters for shaping changes
	625	* smooth_down:
	626	- doc: Amount of time in seconds to transition from the current value to the next only when the value is going down. This smoothing happens before the main smooth mechanism.
	627	- default: 0
	628	- constraints: must be zero or greater
	629	- May be changed whilst playing
	630	- Has slide parameters for shaping changes
	631
	632
	633	## Techno from IXI Lang
	634
	635	### Key:
	636	:ixi_techno
	637
	638	### Doc:
	639	Moving resonant low pass filter between min and max cutoffs. Great for sweeping effects across long synths or samples.
	640
	641	### Opts:
	642	* amp:
	643	- doc: The amplitude of the sound. Typically a value between 0 and 1. Higher amplitudes may be used, but won't make the sound louder, they will just reduce the quality of all the sounds currently being played (due to compression.)
	644	- default: 1
	645	- constraints: must be zero or greater
	646	- May be changed whilst playing
	647	- Has slide parameters for shaping changes
	648	* mix:
	649	- doc: The amount (percentage) of FX present in the resulting sound represented as a value between 0 and 1. For example, a mix of 0 means that only the original sound is heard, a mix of 1 means that only the FX is heard (typically the default) and a mix of 0.5 means that half the original and half of the FX is heard.
	650	- default: 1
	651	- constraints: must be a value between 0 and 1 inclusively
	652	- May be changed whilst playing
	653	- Has slide parameters for shaping changes
	654	* pre_amp:
	655	- doc: Amplification applied to the input signal immediately before it is passed to the FX.
	656	- default: 1
	657	- constraints: must be zero or greater
	658	- May be changed whilst playing
	659	- Has slide parameters for shaping changes
	660	* phase:
	661	- doc: The phase duration (in beats) for filter modulation cycles
	662	- default: 4
	663	- constraints: must be greater than zero
	664	- May be changed whilst playing
	665	- Scaled with current BPM value
	666	- Has slide parameters for shaping changes
	667	* phase_offset:
	668	- doc: Initial modulation phase offset (a value between 0 and 1).
	669	- default: 0
	670	- constraints: must be a value between 0 and 1 inclusively
	671	- Can not be changed once set
	672	* cutoff_min:
	673	- doc: Minimum (MIDI) note that filter will move to whilst wobbling. Choose a lower note for a higher range of movement. Full range of movement is the distance between cutoff_max and cutoff_min
	674	- default: 60
	675	- constraints: must be zero or greater,must be a value less than 130
	676	- May be changed whilst playing
	677	- Has slide parameters for shaping changes
	678	* cutoff_max:
	679	- doc: Maximum (MIDI) note that filter will move to whilst wobbling. Choose a higher note for a higher range of movement. Full range of movement is the distance between cutoff_max and cutoff_min
	680	- default: 120
	681	- constraints: must be zero or greater,must be a value less than 130
	682	- May be changed whilst playing
	683	- Has slide parameters for shaping changes
	684	* res:
	685	- doc: Filter resonance as a value between 0 and 1. Large amounts of resonance (a res: near 1) can create a whistling sound around the cutoff frequency. Smaller values produce less resonance.
	686	- default: 0.8
	687	- constraints: must be zero or greater,must be a value less than 1
	688	- May be changed whilst playing
	689	- Has slide parameters for shaping changes
	690
	691
	692	## Compressor
	693
	694	### Key:
	695	:compressor
	696
	697	### Doc:
	698	Compresses the dynamic range of the incoming signal. Equivalent to automatically turning the amp down when the signal gets too loud and then back up again when it's quiet. Useful for ensuring the containing signal doesn't overwhelm other aspects of the sound. Also a general purpose hard-knee dynamic range processor which can be tuned via the opts to both expand and compress the signal.
	699
	700	### Opts:
	701	* amp:
	702	- doc: The amplitude of the sound. Typically a value between 0 and 1. Higher amplitudes may be used, but won't make the sound louder, they will just reduce the quality of all the sounds currently being played (due to compression.)
	703	- default: 1
	704	- constraints: must be zero or greater
	705	- May be changed whilst playing
	706	- Has slide parameters for shaping changes
	707	* mix:
	708	- doc: The amount (percentage) of FX present in the resulting sound represented as a value between 0 and 1. For example, a mix of 0 means that only the original sound is heard, a mix of 1 means that only the FX is heard (typically the default) and a mix of 0.5 means that half the original and half of the FX is heard.
	709	- default: 1
	710	- constraints: must be a value between 0 and 1 inclusively
	711	- May be changed whilst playing
	712	* pre_amp:
	713	- doc: Amplification applied to the input signal immediately before it is passed to the FX.
	714	- default: 1
	715	- constraints: must be zero or greater
	716	- May be changed whilst playing
	717	- Has slide parameters for shaping changes
	718	* threshold:
	719	- doc: Threshold value determining the break point between slope_below and slope_above.
	720	- default: 0.2
	721	- constraints: must be zero or greater
	722	- May be changed whilst playing
	723	- Has slide parameters for shaping changes
	724	* clamp_time:
	725	- doc: Time taken for the amplitude adjustments to kick in fully (in seconds). This is usually pretty small (not much more than 10 milliseconds). Also known as the time of the attack phase
	726	- default: 0.01
	727	- constraints: must be zero or greater
	728	- May be changed whilst playing
	729	- Has slide parameters for shaping changes
	730	* slope_above:
	731	- doc: Slope of the amplitude curve above the threshold. A value of 1 means that the output of signals with amplitude above the threshold will be unaffected. Greater values will magnify and smaller values will attenuate the signal.
	732	- default: 0.5
	733	- constraints: none
	734	- May be changed whilst playing
	735	- Has slide parameters for shaping changes
	736	* slope_below:
	737	- doc: Slope of the amplitude curve below the threshold. A value of 1 means that the output of signals with amplitude below the threshold will be unaffected. Greater values will magnify and smaller values will attenuate the signal.
	738	- default: 1
	739	- constraints: none
	740	- May be changed whilst playing
	741	- Has slide parameters for shaping changes
	742	* relax_time:
	743	- doc: Time taken for the amplitude adjustments to be released. Usually a little longer than clamp_time. If both times are too short, you can get some (possibly unwanted) artefacts. Also known as the time of the release phase.
	744	- default: 0.01
	745	- constraints: must be zero or greater
	746	- May be changed whilst playing
	747	- Has slide parameters for shaping changes
	748
	749
	750	## Whammy
	751
	752	### Key:
	753	:whammy
	754
	755	### Doc:
	756	A cheap sounding transposition effect, with a slightly robotic edge. Good for adding alien sounds and harmonies to everything from beeps to guitar samples. It's similar to pitch shift although not as smooth sounding.
	757
	758	### Opts:
	759	* amp:
	760	- doc: The amplitude of the sound. Typically a value between 0 and 1. Higher amplitudes may be used, but won't make the sound louder, they will just reduce the quality of all the sounds currently being played (due to compression.)
	761	- default: 1
	762	- constraints: must be zero or greater
	763	- May be changed whilst playing
	764	- Has slide parameters for shaping changes
	765	* mix:
	766	- doc: The amount (percentage) of FX present in the resulting sound represented as a value between 0 and 1. For example, a mix of 0 means that only the original sound is heard, a mix of 1 means that only the FX is heard (typically the default) and a mix of 0.5 means that half the original and half of the FX is heard.
	767	- default: 1
	768	- constraints: must be a value between 0 and 1 inclusively
	769	- May be changed whilst playing
	770	* pre_amp:
	771	- doc: Amplification applied to the input signal immediately before it is passed to the FX.
	772	- default: 1
	773	- constraints: must be zero or greater
	774	- May be changed whilst playing
	775	- Has slide parameters for shaping changes
	776	* transpose:
	777	- doc: This is how much to transpose the input, expressed as a midi pitch.
	778	- default: 12
	779	- constraints: none
	780	- May be changed whilst playing
	781	- Has slide parameters for shaping changes
	782	* max_delay_time:
	783	- doc: The max delay time to be used for the effect. This shouldn't need to be adjusted.
	784	- default: 1
	785	- constraints: must be zero or greater
	786	- Can not be changed once set
	787	* deltime:
	788	- doc: The delay time to be used for the effect. This shouldn't need to be adjusted.
	789	- default: 0.05
	790	- constraints: must be zero or greater
	791	- Can not be changed once set
	792	* grainsize:
	793	- doc: The size of the initial grain used for transposition. This shouldn't need to be adjusted.
	794	- default: 0.075
	795	- constraints: must be zero or greater
	796	- Can not be changed once set
	797
	798
	799	## Resonant Low Pass Filter
	800
	801	### Key:
	802	:rlpf
	803
	804	### Doc:
	805	Dampens the parts of the signal that are higher than the cutoff point (typically the crunchy fizzy harmonic overtones) and keeps the lower parts (typically the bass/mid of the sound). The resonant part of the resonant low pass filter emphasises/resonates the frequencies around the cutoff point. The amount of emphasis is controlled by the res opt with a higher res resulting in greater resonance. High amounts of resonance (rq ~1) can create a whistling sound around the cutoff frequency.
	806
	807	Choose a higher cutoff to keep more of the high frequences/treble of the sound and a lower cutoff to make the sound more dull and only keep the bass.
	808
	809	### Opts:
	810	* amp:
	811	- doc: The amplitude of the sound. Typically a value between 0 and 1. Higher amplitudes may be used, but won't make the sound louder, they will just reduce the quality of all the sounds currently being played (due to compression.)
	812	- default: 1
	813	- constraints: must be zero or greater
	814	- May be changed whilst playing
	815	- Has slide parameters for shaping changes
	816	* mix:
	817	- doc: The amount (percentage) of FX present in the resulting sound represented as a value between 0 and 1. For example, a mix of 0 means that only the original sound is heard, a mix of 1 means that only the FX is heard (typically the default) and a mix of 0.5 means that half the original and half of the FX is heard.
	818	- default: 1
	819	- constraints: must be a value between 0 and 1 inclusively
	820	- May be changed whilst playing
	821	- Has slide parameters for shaping changes
	822	* pre_amp:
	823	- doc: Amplification applied to the input signal immediately before it is passed to the FX.
	824	- default: 1
	825	- constraints: must be zero or greater
	826	- May be changed whilst playing
	827	- Has slide parameters for shaping changes
	828	* cutoff:
	829	- doc: MIDI note representing the highest frequencies allowed to be present in the sound. A low value like 30 makes the sound round and dull, a high value like 100 makes the sound buzzy and crispy.
	830	- default: 100
	831	- constraints: must be zero or greater,must be a value less than 131
	832	- May be changed whilst playing
	833	- Has slide parameters for shaping changes
	834	* res:
	835	- doc: Filter resonance as a value between 0 and 1. Large amounts of resonance (a res: near 1) can create a whistling sound around the cutoff frequency. Smaller values produce less resonance.
	836	- default: 0.5
	837	- constraints: must be zero or greater,must be a value less than 1
	838	- May be changed whilst playing
	839	- Has slide parameters for shaping changes
	840
	841
	842	## Normalised Resonant Low Pass Filter
	843
	844	### Key:
	845	:nrlpf
	846
	847	### Doc:
	848	Dampens the parts of the signal that are higher than the cutoff point (typically the crunchy fizzy harmonic overtones) and keeps the lower parts (typically the bass/mid of the sound). The resonant part of the resonant low pass filter emphasises/resonates the frequencies around the cutoff point. The amount of emphasis is controlled by the res opt with a higher res resulting in greater resonance. High amounts of resonance (rq ~1) can create a whistling sound around the cutoff frequency.
	849
	850	Choose a higher cutoff to keep more of the high frequences/treble of the sound and a lower cutoff to make the sound more dull and only keep the bass.
	851
	852	### Opts:
	853	* amp:
	854	- doc: The amplitude of the sound. Typically a value between 0 and 1. Higher amplitudes may be used, but won't make the sound louder, they will just reduce the quality of all the sounds currently being played (due to compression.)
	855	- default: 1
	856	- constraints: must be zero or greater
	857	- May be changed whilst playing
	858	- Has slide parameters for shaping changes
	859	* mix:
	860	- doc: The amount (percentage) of FX present in the resulting sound represented as a value between 0 and 1. For example, a mix of 0 means that only the original sound is heard, a mix of 1 means that only the FX is heard (typically the default) and a mix of 0.5 means that half the original and half of the FX is heard.
	861	- default: 1
	862	- constraints: must be a value between 0 and 1 inclusively
	863	- May be changed whilst playing
	864	- Has slide parameters for shaping changes
	865	* pre_amp:
	866	- doc: Amplification applied to the input signal immediately before it is passed to the FX.
	867	- default: 1
	868	- constraints: must be zero or greater
	869	- May be changed whilst playing
	870	- Has slide parameters for shaping changes
	871	* cutoff:
	872	- doc: MIDI note representing the highest frequencies allowed to be present in the sound. A low value like 30 makes the sound round and dull, a high value like 100 makes the sound buzzy and crispy.
	873	- default: 100
	874	- constraints: must be zero or greater,must be a value less than 131
	875	- May be changed whilst playing
	876	- Has slide parameters for shaping changes
	877	* res:
	878	- doc: Filter resonance as a value between 0 and 1. Large amounts of resonance (a res: near 1) can create a whistling sound around the cutoff frequency. Smaller values produce less resonance.
	879	- default: 0.5
	880	- constraints: must be zero or greater,must be a value less than 1
	881	- May be changed whilst playing
	882	- Has slide parameters for shaping changes
	883
	884
	885	## Resonant High Pass Filter
	886
	887	### Key:
	888	:rhpf
	889
	890	### Doc:
	891	Dampens the parts of the signal that are lower than the cutoff point (typically the bass of the sound) and keeps the higher parts (typically the crunchy fizzy harmonic overtones). The resonant part of the resonant high pass filter emphasises/resonates the frequencies around the cutoff point. The amount of emphasis is controlled by the res opt with a higher res resulting in greater resonance. High amounts of resonance (rq ~1) can create a whistling sound around the cutoff frequency.
	892
	893	Choose a lower cutoff to keep more of the bass/mid and a higher cutoff to make the sound more light and crispy.
	894
	895	### Opts:
	896	* amp:
	897	- doc: The amplitude of the sound. Typically a value between 0 and 1. Higher amplitudes may be used, but won't make the sound louder, they will just reduce the quality of all the sounds currently being played (due to compression.)
	898	- default: 1
	899	- constraints: must be zero or greater
	900	- May be changed whilst playing
	901	- Has slide parameters for shaping changes
	902	* mix:
	903	- doc: The amount (percentage) of FX present in the resulting sound represented as a value between 0 and 1. For example, a mix of 0 means that only the original sound is heard, a mix of 1 means that only the FX is heard (typically the default) and a mix of 0.5 means that half the original and half of the FX is heard.
	904	- default: 1
	905	- constraints: must be a value between 0 and 1 inclusively
	906	- May be changed whilst playing
	907	- Has slide parameters for shaping changes
	908	* pre_amp:
	909	- doc: Amplification applied to the input signal immediately before it is passed to the FX.
	910	- default: 1
	911	- constraints: must be zero or greater
	912	- May be changed whilst playing
	913	- Has slide parameters for shaping changes
	914	* cutoff:
	915	- doc: MIDI note representing the highest frequencies allowed to be present in the sound. A low value like 30 makes the sound round and dull, a high value like 100 makes the sound buzzy and crispy.
	916	- default: 100
	917	- constraints: must be zero or greater,must be a value less than 131
	918	- May be changed whilst playing
	919	- Has slide parameters for shaping changes
	920	* res:
	921	- doc: Filter resonance as a value between 0 and 1. Large amounts of resonance (a res: near 1) can create a whistling sound around the cutoff frequency. Smaller values produce less resonance.
	922	- default: 0.5
	923	- constraints: must be zero or greater,must be a value less than 1
	924	- May be changed whilst playing
	925	- Has slide parameters for shaping changes
	926
	927
	928	## Normalised Resonant High Pass Filter
	929
	930	### Key:
	931	:nrhpf
	932
	933	### Doc:
	934	Dampens the parts of the signal that are lower than the cutoff point (typically the bass of the sound) and keeps the higher parts (typically the crunchy fizzy harmonic overtones). The resonant part of the resonant high pass filter emphasises/resonates the frequencies around the cutoff point. The amount of emphasis is controlled by the res opt with a higher res resulting in greater resonance. High amounts of resonance (rq ~1) can create a whistling sound around the cutoff frequency.
	935
	936	Choose a lower cutoff to keep more of the bass/mid and a higher cutoff to make the sound more light and crispy.
	937
	938	### Opts:
	939	* amp:
	940	- doc: The amplitude of the sound. Typically a value between 0 and 1. Higher amplitudes may be used, but won't make the sound louder, they will just reduce the quality of all the sounds currently being played (due to compression.)
	941	- default: 1
	942	- constraints: must be zero or greater
	943	- May be changed whilst playing
	944	- Has slide parameters for shaping changes
	945	* mix:
	946	- doc: The amount (percentage) of FX present in the resulting sound represented as a value between 0 and 1. For example, a mix of 0 means that only the original sound is heard, a mix of 1 means that only the FX is heard (typically the default) and a mix of 0.5 means that half the original and half of the FX is heard.
	947	- default: 1
	948	- constraints: must be a value between 0 and 1 inclusively
	949	- May be changed whilst playing
	950	- Has slide parameters for shaping changes
	951	* pre_amp:
	952	- doc: Amplification applied to the input signal immediately before it is passed to the FX.
	953	- default: 1
	954	- constraints: must be zero or greater
	955	- May be changed whilst playing
	956	- Has slide parameters for shaping changes
	957	* cutoff:
	958	- doc: MIDI note representing the highest frequencies allowed to be present in the sound. A low value like 30 makes the sound round and dull, a high value like 100 makes the sound buzzy and crispy.
	959	- default: 100
	960	- constraints: must be zero or greater,must be a value less than 131
	961	- May be changed whilst playing
	962	- Has slide parameters for shaping changes
	963	* res:
	964	- doc: Filter resonance as a value between 0 and 1. Large amounts of resonance (a res: near 1) can create a whistling sound around the cutoff frequency. Smaller values produce less resonance.
	965	- default: 0.5
	966	- constraints: must be zero or greater,must be a value less than 1
	967	- May be changed whilst playing
	968	- Has slide parameters for shaping changes
	969
	970
	971	## High Pass Filter
	972
	973	### Key:
	974	:hpf
	975
	976	### Doc:
	977	Dampens the parts of the signal that are lower than the cutoff point (typically the bass of the sound) and keeps the higher parts (typically the crunchy fizzy harmonic overtones). Choose a lower cutoff to keep more of the bass/mid and a higher cutoff to make the sound more light and crispy.
	978
	979	### Opts:
	980	* amp:
	981	- doc: The amplitude of the sound. Typically a value between 0 and 1. Higher amplitudes may be used, but won't make the sound louder, they will just reduce the quality of all the sounds currently being played (due to compression.)
	982	- default: 1
	983	- constraints: must be zero or greater
	984	- May be changed whilst playing
	985	- Has slide parameters for shaping changes
	986	* mix:
	987	- doc: The amount (percentage) of FX present in the resulting sound represented as a value between 0 and 1. For example, a mix of 0 means that only the original sound is heard, a mix of 1 means that only the FX is heard (typically the default) and a mix of 0.5 means that half the original and half of the FX is heard.
	988	- default: 1
	989	- constraints: must be a value between 0 and 1 inclusively
	990	- May be changed whilst playing
	991	- Has slide parameters for shaping changes
	992	* pre_amp:
	993	- doc: Amplification applied to the input signal immediately before it is passed to the FX.
	994	- default: 1
	995	- constraints: must be zero or greater
	996	- May be changed whilst playing
	997	- Has slide parameters for shaping changes
	998	* cutoff:
	999	- doc: MIDI note representing the highest frequencies allowed to be present in the sound. A low value like 30 makes the sound round and dull, a high value like 100 makes the sound buzzy and crispy.
	1000	- default: 100
	1001	- constraints: must be zero or greater,must be a value less than 131
	1002	- May be changed whilst playing
	1003	- Has slide parameters for shaping changes
	1004
	1005
	1006	## Normalised High Pass Filter
	1007
	1008	### Key:
	1009	:nhpf
	1010
	1011	### Doc:
	1012	A high pass filter chained to a normaliser. Ensures that the signal is both filtered by a standard high pass filter and then normalised to ensure the amplitude of the final output is constant. A high pass filter will reduce the amplitude of the resulting signal (as some of the sound has been filtered out) the normaliser can compensate for this loss (although will also have the side effect of flattening all dynamics). See doc for hpf.
	1013
	1014	### Opts:
	1015	* amp:
	1016	- doc: The amplitude of the sound. Typically a value between 0 and 1. Higher amplitudes may be used, but won't make the sound louder, they will just reduce the quality of all the sounds currently being played (due to compression.)
	1017	- default: 1
	1018	- constraints: must be zero or greater
	1019	- May be changed whilst playing
	1020	- Has slide parameters for shaping changes
	1021	* mix:
	1022	- doc: The amount (percentage) of FX present in the resulting sound represented as a value between 0 and 1. For example, a mix of 0 means that only the original sound is heard, a mix of 1 means that only the FX is heard (typically the default) and a mix of 0.5 means that half the original and half of the FX is heard.
	1023	- default: 1
	1024	- constraints: must be a value between 0 and 1 inclusively
	1025	- May be changed whilst playing
	1026	- Has slide parameters for shaping changes
	1027	* pre_amp:
	1028	- doc: Amplification applied to the input signal immediately before it is passed to the FX.
	1029	- default: 1
	1030	- constraints: must be zero or greater
	1031	- May be changed whilst playing
	1032	- Has slide parameters for shaping changes
	1033	* cutoff:
	1034	- doc: MIDI note representing the highest frequencies allowed to be present in the sound. A low value like 30 makes the sound round and dull, a high value like 100 makes the sound buzzy and crispy.
	1035	- default: 100
	1036	- constraints: must be zero or greater,must be a value less than 131
	1037	- May be changed whilst playing
	1038	- Has slide parameters for shaping changes
	1039
	1040
	1041	## Low Pass Filter
	1042
	1043	### Key:
	1044	:lpf
	1045
	1046	### Doc:
	1047	Dampens the parts of the signal that are higher than the cutoff point (typically the crunchy fizzy harmonic overtones) and keeps the lower parts (typically the bass/mid of the sound). Choose a higher cutoff to keep more of the high frequences/treble of the sound and a lower cutoff to make the sound more dull and only keep the bass.
	1048
	1049	### Opts:
	1050	* amp:
	1051	- doc: The amplitude of the sound. Typically a value between 0 and 1. Higher amplitudes may be used, but won't make the sound louder, they will just reduce the quality of all the sounds currently being played (due to compression.)
	1052	- default: 1
	1053	- constraints: must be zero or greater
	1054	- May be changed whilst playing
	1055	- Has slide parameters for shaping changes
	1056	* mix:
	1057	- doc: The amount (percentage) of FX present in the resulting sound represented as a value between 0 and 1. For example, a mix of 0 means that only the original sound is heard, a mix of 1 means that only the FX is heard (typically the default) and a mix of 0.5 means that half the original and half of the FX is heard.
	1058	- default: 1
	1059	- constraints: must be a value between 0 and 1 inclusively
	1060	- May be changed whilst playing
	1061	- Has slide parameters for shaping changes
	1062	* pre_amp:
	1063	- doc: Amplification applied to the input signal immediately before it is passed to the FX.
	1064	- default: 1
	1065	- constraints: must be zero or greater
	1066	- May be changed whilst playing
	1067	- Has slide parameters for shaping changes
	1068	* cutoff:
	1069	- doc: MIDI note representing the highest frequencies allowed to be present in the sound. A low value like 30 makes the sound round and dull, a high value like 100 makes the sound buzzy and crispy.
	1070	- default: 100
	1071	- constraints: must be zero or greater,must be a value less than 131
	1072	- May be changed whilst playing
	1073	- Has slide parameters for shaping changes
	1074
	1075
	1076	## Normalised Low Pass Filter.
	1077
	1078	### Key:
	1079	:nlpf
	1080
	1081	### Doc:
	1082	A low pass filter chained to a normaliser. Ensures that the signal is both filtered by a standard low pass filter and then normalised to ensure the amplitude of the final output is constant. A low pass filter will reduce the amplitude of the resulting signal (as some of the sound has been filtered out) the normaliser can compensate for this loss (although will also have the side effect of flattening all dynamics). See doc for lpf.
	1083
	1084	### Opts:
	1085	* amp:
	1086	- doc: The amplitude of the sound. Typically a value between 0 and 1. Higher amplitudes may be used, but won't make the sound louder, they will just reduce the quality of all the sounds currently being played (due to compression.)
	1087	- default: 1
	1088	- constraints: must be zero or greater
	1089	- May be changed whilst playing
	1090	- Has slide parameters for shaping changes
	1091	* mix:
	1092	- doc: The amount (percentage) of FX present in the resulting sound represented as a value between 0 and 1. For example, a mix of 0 means that only the original sound is heard, a mix of 1 means that only the FX is heard (typically the default) and a mix of 0.5 means that half the original and half of the FX is heard.
	1093	- default: 1
	1094	- constraints: must be a value between 0 and 1 inclusively
	1095	- May be changed whilst playing
	1096	- Has slide parameters for shaping changes
	1097	* pre_amp:
	1098	- doc: Amplification applied to the input signal immediately before it is passed to the FX.
	1099	- default: 1
	1100	- constraints: must be zero or greater
	1101	- May be changed whilst playing
	1102	- Has slide parameters for shaping changes
	1103	* cutoff:
	1104	- doc: MIDI note representing the highest frequencies allowed to be present in the sound. A low value like 30 makes the sound round and dull, a high value like 100 makes the sound buzzy and crispy.
	1105	- default: 100
	1106	- constraints: must be zero or greater,must be a value less than 131
	1107	- May be changed whilst playing
	1108	- Has slide parameters for shaping changes
	1109
	1110
	1111	## Normaliser
	1112
	1113	### Key:
	1114	:normaliser
	1115
	1116	### Doc:
	1117	Raise or lower amplitude of sound to a specified level. Evens out the amplitude of incoming sound across the frequency spectrum by flattening all dynamics.
	1118
	1119	### Opts:
	1120	* amp:
	1121	- doc: The amplitude of the sound. Typically a value between 0 and 1. Higher amplitudes may be used, but won't make the sound louder, they will just reduce the quality of all the sounds currently being played (due to compression.)
	1122	- default: 1
	1123	- constraints: must be zero or greater
	1124	- May be changed whilst playing
	1125	- Has slide parameters for shaping changes
	1126	* mix:
	1127	- doc: The amount (percentage) of FX present in the resulting sound represented as a value between 0 and 1. For example, a mix of 0 means that only the original sound is heard, a mix of 1 means that only the FX is heard (typically the default) and a mix of 0.5 means that half the original and half of the FX is heard.
	1128	- default: 1
	1129	- constraints: must be a value between 0 and 1 inclusively
	1130	- May be changed whilst playing
	1131	- Has slide parameters for shaping changes
	1132	* pre_amp:
	1133	- doc: Amplification applied to the input signal immediately before it is passed to the FX.
	1134	- default: 1
	1135	- constraints: must be zero or greater
	1136	- May be changed whilst playing
	1137	- Has slide parameters for shaping changes
	1138	* level:
	1139	- doc: The peak output amplitude level at which to normalise the input.
	1140	- default: 1
	1141	- constraints: must be a value greater than or equal to 0
	1142	- May be changed whilst playing
	1143	- Has slide parameters for shaping changes
	1144
	1145
	1146	## Distortion
	1147
	1148	### Key:
	1149	:distortion
	1150
	1151	### Doc:
	1152	Distorts the signal reducing clarity in favour of raw crunchy noise.
	1153
	1154	### Opts:
	1155	* amp:
	1156	- doc: The amplitude of the sound. Typically a value between 0 and 1. Higher amplitudes may be used, but won't make the sound louder, they will just reduce the quality of all the sounds currently being played (due to compression.)
	1157	- default: 1
	1158	- constraints: must be zero or greater
	1159	- May be changed whilst playing
	1160	- Has slide parameters for shaping changes
	1161	* mix:
	1162	- doc: The amount (percentage) of FX present in the resulting sound represented as a value between 0 and 1. For example, a mix of 0 means that only the original sound is heard, a mix of 1 means that only the FX is heard (typically the default) and a mix of 0.5 means that half the original and half of the FX is heard.
	1163	- default: 1
	1164	- constraints: must be a value between 0 and 1 inclusively
	1165	- May be changed whilst playing
	1166	- Has slide parameters for shaping changes
	1167	* pre_amp:
	1168	- doc: Amplification applied to the input signal immediately before it is passed to the FX.
	1169	- default: 1
	1170	- constraints: must be zero or greater
	1171	- May be changed whilst playing
	1172	- Has slide parameters for shaping changes
	1173	* distort:
	1174	- doc: Amount of distortion to be applied (as a value between 0 and 1)
	1175	- default: 0.5
	1176	- constraints: must be a value greater than or equal to 0,must be a value less than 1
	1177	- May be changed whilst playing
	1178	- Has slide parameters for shaping changes
	1179
	1180
	1181	## Pan
	1182
	1183	### Key:
	1184	:pan
	1185
	1186	### Doc:
	1187	Specify where in the stereo field the sound should be heard. A value of -1 for pan will put the sound in the left speaker, a value of 1 will put the sound in the right speaker and values in between will shift the sound accordingly.
	1188
	1189	### Opts:
	1190	* amp:
	1191	- doc: The amplitude of the sound. Typically a value between 0 and 1. Higher amplitudes may be used, but won't make the sound louder, they will just reduce the quality of all the sounds currently being played (due to compression.)
	1192	- default: 1
	1193	- constraints: must be zero or greater
	1194	- May be changed whilst playing
	1195	- Has slide parameters for shaping changes
	1196	* mix:
	1197	- doc: The amount (percentage) of FX present in the resulting sound represented as a value between 0 and 1. For example, a mix of 0 means that only the original sound is heard, a mix of 1 means that only the FX is heard (typically the default) and a mix of 0.5 means that half the original and half of the FX is heard.
	1198	- default: 1
	1199	- constraints: must be a value between 0 and 1 inclusively
	1200	- May be changed whilst playing
	1201	- Has slide parameters for shaping changes
	1202	* pre_amp:
	1203	- doc: Amplification applied to the input signal immediately before it is passed to the FX.
	1204	- default: 1
	1205	- constraints: must be zero or greater
	1206	- May be changed whilst playing
	1207	- Has slide parameters for shaping changes
	1208	* pan:
	1209	- doc: Position of sound in stereo. With headphones on, this means how much of the sound is in the left ear, and how much is in the right ear. With a value of -1, the sound is completely in the left ear, a value of 0 puts the sound equally in both ears and a value of 1 puts the sound in the right ear. Values in between -1 and 1 move the sound accordingly.
	1210	- default: 0
	1211	- constraints: must be a value between -1 and 1 inclusively
	1212	- May be changed whilst playing
	1213	- Has slide parameters for shaping changes
	1214
	1215
	1216	## Band Pass Filter
	1217
	1218	### Key:
	1219	:bpf
	1220
	1221	### Doc:
	1222	Combines low pass and high pass filters to only allow a 'band' of frequencies through. If the band is very narrow (a low res value like 0.0001) then the BPF will reduce the original sound, almost down to a single frequency (controlled by the centre opt).
	1223
	1224	With higher values for res we can simulate other filters e.g. telephone lines, by cutting off low and high frequencies.
	1225
	1226	Use FX `:band_eq` with a negative db for the opposite effect - to attenuate a given band of frequencies.
	1227
	1228	### Opts:
	1229	* amp:
	1230	- doc: The amplitude of the sound. Typically a value between 0 and 1. Higher amplitudes may be used, but won't make the sound louder, they will just reduce the quality of all the sounds currently being played (due to compression.)
	1231	- default: 1
	1232	- constraints: must be zero or greater
	1233	- May be changed whilst playing
	1234	- Has slide parameters for shaping changes
	1235	* mix:
	1236	- doc: The amount (percentage) of FX present in the resulting sound represented as a value between 0 and 1. For example, a mix of 0 means that only the original sound is heard, a mix of 1 means that only the FX is heard (typically the default) and a mix of 0.5 means that half the original and half of the FX is heard.
	1237	- default: 1
	1238	- constraints: must be a value between 0 and 1 inclusively
	1239	- May be changed whilst playing
	1240	- Has slide parameters for shaping changes
	1241	* pre_amp:
	1242	- doc: Amplification applied to the input signal immediately before it is passed to the FX.
	1243	- default: 1
	1244	- constraints: must be zero or greater
	1245	- May be changed whilst playing
	1246	- Has slide parameters for shaping changes
	1247	* centre:
	1248	- doc: Centre frequency for the filter as a MIDI note.
	1249	- default: 100
	1250	- constraints: must be a value greater than or equal to 0
	1251	- May be changed whilst playing
	1252	- Has slide parameters for shaping changes
	1253	* res:
	1254	- doc: Filter resonance as a value between 0 and 1. Large amounts of resonance (a res: near 1) can create a whistling sound around the cutoff frequency. Smaller values produce less resonance.
	1255	- default: 0.6
	1256	- constraints: must be zero or greater,must be a value less than 1
	1257	- May be changed whilst playing
	1258	- Has slide parameters for shaping changes
	1259
	1260
	1261	## Normalised Band Pass Filter
	1262
	1263	### Key:
	1264	:nbpf
	1265
	1266	### Doc:
	1267	Like the Band Pass Filter but normalised. The normaliser is useful here as some volume is lost when filtering the original signal.
	1268
	1269	### Opts:
	1270	* amp:
	1271	- doc: The amplitude of the sound. Typically a value between 0 and 1. Higher amplitudes may be used, but won't make the sound louder, they will just reduce the quality of all the sounds currently being played (due to compression.)
	1272	- default: 1
	1273	- constraints: must be zero or greater
	1274	- May be changed whilst playing
	1275	- Has slide parameters for shaping changes
	1276	* mix:
	1277	- doc: The amount (percentage) of FX present in the resulting sound represented as a value between 0 and 1. For example, a mix of 0 means that only the original sound is heard, a mix of 1 means that only the FX is heard (typically the default) and a mix of 0.5 means that half the original and half of the FX is heard.
	1278	- default: 1
	1279	- constraints: must be a value between 0 and 1 inclusively
	1280	- May be changed whilst playing
	1281	- Has slide parameters for shaping changes
	1282	* pre_amp:
	1283	- doc: Amplification applied to the input signal immediately before it is passed to the FX.
	1284	- default: 1
	1285	- constraints: must be zero or greater
	1286	- May be changed whilst playing
	1287	- Has slide parameters for shaping changes
	1288	* centre:
	1289	- doc: Centre frequency for the filter as a MIDI note.
	1290	- default: 100
	1291	- constraints: must be a value greater than or equal to 0
	1292	- May be changed whilst playing
	1293	- Has slide parameters for shaping changes
	1294	* res:
	1295	- doc: Filter resonance as a value between 0 and 1. Large amounts of resonance (a res: near 1) can create a whistling sound around the cutoff frequency. Smaller values produce less resonance.
	1296	- default: 0.6
	1297	- constraints: must be zero or greater,must be a value less than 1
	1298	- May be changed whilst playing
	1299	- Has slide parameters for shaping changes
	1300
	1301
	1302	## Resonant Band Pass Filter
	1303
	1304	### Key:
	1305	:rbpf
	1306
	1307	### Doc:
	1308	Like the Band Pass Filter but with a resonance (slight volume boost) around the target frequency. This can produce an interesting whistling effect, especially when used with larger values for the res opt.
	1309
	1310	### Opts:
	1311	* amp:
	1312	- doc: The amplitude of the sound. Typically a value between 0 and 1. Higher amplitudes may be used, but won't make the sound louder, they will just reduce the quality of all the sounds currently being played (due to compression.)
	1313	- default: 1
	1314	- constraints: must be zero or greater
	1315	- May be changed whilst playing
	1316	- Has slide parameters for shaping changes
	1317	* mix:
	1318	- doc: The amount (percentage) of FX present in the resulting sound represented as a value between 0 and 1. For example, a mix of 0 means that only the original sound is heard, a mix of 1 means that only the FX is heard (typically the default) and a mix of 0.5 means that half the original and half of the FX is heard.
	1319	- default: 1
	1320	- constraints: must be a value between 0 and 1 inclusively
	1321	- May be changed whilst playing
	1322	- Has slide parameters for shaping changes
	1323	* pre_amp:
	1324	- doc: Amplification applied to the input signal immediately before it is passed to the FX.
	1325	- default: 1
	1326	- constraints: must be zero or greater
	1327	- May be changed whilst playing
	1328	- Has slide parameters for shaping changes
	1329	* centre:
	1330	- doc: Centre frequency for the filter as a MIDI note.
	1331	- default: 100
	1332	- constraints: must be a value greater than or equal to 0
	1333	- May be changed whilst playing
	1334	- Has slide parameters for shaping changes
	1335	* res:
	1336	- doc: Filter resonance as a value between 0 and 1. Large amounts of resonance (a res: near 1) can create a whistling sound around the cutoff frequency. Smaller values produce less resonance.
	1337	- default: 0.5
	1338	- constraints: must be zero or greater,must be a value less than 1
	1339	- May be changed whilst playing
	1340	- Has slide parameters for shaping changes
	1341
	1342
	1343	## Normalised Resonant Band Pass Filter
	1344
	1345	### Key:
	1346	:nrbpf
	1347
	1348	### Doc:
	1349	Like the Band Pass Filter but normalised, with a resonance (slight volume boost) around the target frequency. This can produce an interesting whistling effect, especially when used with larger values for the res opt.
	1350
	1351	The normaliser is useful here as some volume is lost when filtering the original signal.
	1352
	1353	### Opts:
	1354	* amp:
	1355	- doc: The amplitude of the sound. Typically a value between 0 and 1. Higher amplitudes may be used, but won't make the sound louder, they will just reduce the quality of all the sounds currently being played (due to compression.)
	1356	- default: 1
	1357	- constraints: must be zero or greater
	1358	- May be changed whilst playing
	1359	- Has slide parameters for shaping changes
	1360	* mix:
	1361	- doc: The amount (percentage) of FX present in the resulting sound represented as a value between 0 and 1. For example, a mix of 0 means that only the original sound is heard, a mix of 1 means that only the FX is heard (typically the default) and a mix of 0.5 means that half the original and half of the FX is heard.
	1362	- default: 1
	1363	- constraints: must be a value between 0 and 1 inclusively
	1364	- May be changed whilst playing
	1365	- Has slide parameters for shaping changes
	1366	* pre_amp:
	1367	- doc: Amplification applied to the input signal immediately before it is passed to the FX.
	1368	- default: 1
	1369	- constraints: must be zero or greater
	1370	- May be changed whilst playing
	1371	- Has slide parameters for shaping changes
	1372	* centre:
	1373	- doc: Centre frequency for the filter as a MIDI note.
	1374	- default: 100
	1375	- constraints: must be a value greater than or equal to 0
	1376	- May be changed whilst playing
	1377	- Has slide parameters for shaping changes
	1378	* res:
	1379	- doc: Filter resonance as a value between 0 and 1. Large amounts of resonance (a res: near 1) can create a whistling sound around the cutoff frequency. Smaller values produce less resonance.
	1380	- default: 0.5
	1381	- constraints: must be zero or greater,must be a value less than 1
	1382	- May be changed whilst playing
	1383	- Has slide parameters for shaping changes
	1384
	1385
	1386	## Band EQ Filter
	1387
	1388	### Key:
	1389	:band_eq
	1390
	1391	### Doc:
	1392	Attenuate or Boost a frequency band
	1393
	1394	### Opts:
	1395	* amp:
	1396	- doc: The amplitude of the sound. Typically a value between 0 and 1. Higher amplitudes may be used, but won't make the sound louder, they will just reduce the quality of all the sounds currently being played (due to compression.)
	1397	- default: 1
	1398	- constraints: must be zero or greater
	1399	- May be changed whilst playing
	1400	- Has slide parameters for shaping changes
	1401	* mix:
	1402	- doc: The amount (percentage) of FX present in the resulting sound represented as a value between 0 and 1. For example, a mix of 0 means that only the original sound is heard, a mix of 1 means that only the FX is heard (typically the default) and a mix of 0.5 means that half the original and half of the FX is heard.
	1403	- default: 1
	1404	- constraints: must be a value between 0 and 1 inclusively
	1405	- May be changed whilst playing
	1406	- Has slide parameters for shaping changes
	1407	* pre_amp:
	1408	- doc: Amplification applied to the input signal immediately before it is passed to the FX.
	1409	- default: 1
	1410	- constraints: must be zero or greater
	1411	- May be changed whilst playing
	1412	- Has slide parameters for shaping changes
	1413	* freq:
	1414	- doc: Centre frequency of the band in MIDI.
	1415	- default: 100
	1416	- constraints: must be greater than zero
	1417	- May be changed whilst playing
	1418	- Has slide parameters for shaping changes
	1419	* res:
	1420	- doc: Width of the band as a value between 0 and 1
	1421	- default: 0.6
	1422	- constraints: must be zero or greater,must be a value less than 1
	1423	- May be changed whilst playing
	1424	- Has slide parameters for shaping changes
	1425	* db:
	1426	- doc: Amount of boost or attenuation of the frequency band. A positive value boosts frequencies in the band, a negative value attenuates them.
58	1427	- default: 0.6
59	1428	- constraints: none
60		- Can not be changed once set
61
62		* room_slide:
63		- doc: write me
64		- default: 0
	1429	- May be changed whilst playing
	1430	- Has slide parameters for shaping changes
	1431
	1432
	1433	## Hyperbolic Tangent
	1434
	1435	### Key:
	1436	:tanh
	1437
	1438	### Doc:
	1439	Please write documentation!
	1440
	1441	### Opts:
	1442	* amp:
	1443	- doc: The amplitude of the sound. Typically a value between 0 and 1. Higher amplitudes may be used, but won't make the sound louder, they will just reduce the quality of all the sounds currently being played (due to compression.)
	1444	- default: 1
	1445	- constraints: must be zero or greater
	1446	- May be changed whilst playing
	1447	- Has slide parameters for shaping changes
	1448	* pre_amp:
	1449	- doc: Amplification applied to the input signal immediately before it is passed to the FX.
	1450	- default: 1
	1451	- constraints: must be zero or greater
	1452	- May be changed whilst playing
	1453	- Has slide parameters for shaping changes
	1454	* mix:
	1455	- doc: The amount (percentage) of FX present in the resulting sound represented as a value between 0 and 1. For example, a mix of 0 means that only the original sound is heard, a mix of 1 means that only the FX is heard (typically the default) and a mix of 0.5 means that half the original and half of the FX is heard.
	1456	- default: 1
	1457	- constraints: must be a value between 0 and 1 inclusively
	1458	- May be changed whilst playing
	1459	- Has slide parameters for shaping changes
	1460	* krunch:
	1461	- doc: Higher values progressively destroy the sound. Achieved through a balanced manipulation of pre_amp and amp such that the tanh is pushed harder with higher krunch values yet the overall amplitude stays similar.
	1462	- default: 5
65	1463	- constraints: none
66		- Can not be changed once set
67
68		* damp:
69		- doc: write me
70		- default: 0.5
71		- constraints: none
72		- Can not be changed once set
73
74		* damp_slide:
75		- doc: write me
76		- default: 0
77		- constraints: none
78		- Can not be changed once set
79
80
81
82		## FX Reverb
83
84		### Key:
85		:replace_reverb
86
87		### Doc:
88		Please write documentation!
89
90		### Arguments:
91		* mix:
92		- doc: write me
93		- default: 0.4
94		- constraints: none
95		- Can not be changed once set
96
97		* mix_slide:
98		- doc: write me
99		- default: 0
100		- constraints: none
101		- Can not be changed once set
102
103		* room:
104		- doc: write me
105		- default: 0.6
106		- constraints: none
107		- Can not be changed once set
108
109		* room_slide:
110		- doc: write me
111		- default: 0
112		- constraints: none
113		- Can not be changed once set
114
115		* damp:
116		- doc: write me
117		- default: 0.5
118		- constraints: none
119		- Can not be changed once set
120
121		* damp_slide:
122		- doc: write me
123		- default: 0
124		- constraints: none
125		- Can not be changed once set
126
127
128
129		## FX Level Amplifier
130
131		### Key:
132		:level
133
134		### Doc:
135		Please write documentation!
136
137		### Arguments:
138		* amp:
139		- doc: The amplitude of the sound. Typically a value between 0 and 1. Higher amplitudes may be used, but won't make the sound louder, it will just reduce the quality of all the sounds currently being played (due to compression.)
140		- default: 1
141		- constraints: must be zero or greater
142		- May be changed whilst playing
143
144		* amp_slide:
145		- doc: Amount of time (in seconds) for the amplitude (amp) to change. A long slide value means that the amp takes a long time to slide from the previous amplitude to the new amplitude. A slide of 0 means that the amplitude instantly changes to the new amplitude.
146		- default: 0
147		- constraints: must be zero or greater
148		- May be changed whilst playing
149
150
151
152		## FX Level Amplifier
153
154		### Key:
155		:replace_level
156
157		### Doc:
158		Please write documentation!
159
160		### Arguments:
161		* amp:
162		- doc: The amplitude of the sound. Typically a value between 0 and 1. Higher amplitudes may be used, but won't make the sound louder, it will just reduce the quality of all the sounds currently being played (due to compression.)
163		- default: 1
164		- constraints: must be zero or greater
165		- May be changed whilst playing
166
167		* amp_slide:
168		- doc: Amount of time (in seconds) for the amplitude (amp) to change. A long slide value means that the amp takes a long time to slide from the previous amplitude to the new amplitude. A slide of 0 means that the amplitude instantly changes to the new amplitude.
169		- default: 0
170		- constraints: must be zero or greater
171		- May be changed whilst playing
172
173
174
175		## FX Echo
176
177		### Key:
178		:echo
179
180		### Doc:
181		Please write documentation!
182
183		### Arguments:
184		* max_delay:
185		- doc: The maximum delay time in seconds.
186		- default: 1
	1464	- May be changed whilst playing
	1465	- Has slide parameters for shaping changes
	1466
	1467
	1468	## Pitch shift
	1469
	1470	### Key:
	1471	:pitch_shift
	1472
	1473	### Doc:
	1474	Changes the pitch of a signal without affecting tempo. Does this mainly through the pitch parameter which takes a midi number to transpose by. You can also play with the other params to produce some interesting textures and sounds.
	1475
	1476	### Opts:
	1477	* amp:
	1478	- doc: The amplitude of the sound. Typically a value between 0 and 1. Higher amplitudes may be used, but won't make the sound louder, they will just reduce the quality of all the sounds currently being played (due to compression.)
	1479	- default: 1
	1480	- constraints: must be zero or greater
	1481	- May be changed whilst playing
	1482	- Has slide parameters for shaping changes
	1483	* pre_amp:
	1484	- doc: Amplification applied to the input signal immediately before it is passed to the FX.
	1485	- default: 1
	1486	- constraints: must be zero or greater
	1487	- May be changed whilst playing
	1488	- Has slide parameters for shaping changes
	1489	* mix:
	1490	- doc: The amount (percentage) of FX present in the resulting sound represented as a value between 0 and 1. For example, a mix of 0 means that only the original sound is heard, a mix of 1 means that only the FX is heard (typically the default) and a mix of 0.5 means that half the original and half of the FX is heard.
	1491	- default: 1
	1492	- constraints: must be a value between 0 and 1 inclusively
	1493	- May be changed whilst playing
	1494	- Has slide parameters for shaping changes
	1495	* window_size:
	1496	- doc: Pitch shift works by chopping the input into tiny slices, then playing these slices at a higher or lower rate. If we make the slices small enough and overlap them, it sounds like the original sound with the pitch changed.
	1497
	1498	The window_size is the length of the slices and is measured in seconds. It needs to be around 0.2 (200ms) or greater for pitched sounds like guitar or bass, and needs to be around 0.02 (20ms) or lower for percussive sounds like drum loops. You can experiment with this to get the best sound for your input.
	1499	- default: 0.2
	1500	- constraints: must be a value greater than 5.0e-05
	1501	- May be changed whilst playing
	1502	- Has slide parameters for shaping changes
	1503	* pitch:
	1504	- doc: Pitch adjustment in semitones. 1 is up a semitone, 12 is up an octave, -12 is down an octave etc. Maximum upper limit of 24 (up 2 octaves). Lower limit of -72 (down 6 octaves). Decimal numbers can be used for fine tuning.
	1505	- default: 0
	1506	- constraints: must be a value greater than or equal to -72,must be a value less than or equal to 24
	1507	- May be changed whilst playing
	1508	- Has slide parameters for shaping changes
	1509	* pitch_dis:
	1510	- doc: Pitch dispersion - how much random variation in pitch to add. Using a low value like 0.001 can help to "soften up" the metallic sounds, especially on drum loops. To be really technical, pitch_dispersion is the maximum random deviation of the pitch from the pitch ratio (which is set by the pitch param)
	1511	- default: 0.0
	1512	- constraints: must be a value greater than or equal to 0
	1513	- May be changed whilst playing
	1514	- Has slide parameters for shaping changes
	1515	* time_dis:
	1516	- doc: Time dispersion - how much random delay before playing each grain (measured in seconds). Again, low values here like 0.001 can help to soften up metallic sounds introduced by the effect. Large values are also fun as they can make soundscapes and textures from the input, although you will most likely lose the rhythm of the original. NB - This won't have an effect if it's larger than window_size.
	1517	- default: 0.0
	1518	- constraints: must be a value greater than or equal to 0
	1519	- May be changed whilst playing
	1520	- Has slide parameters for shaping changes
	1521
	1522
	1523	## Ring Modulator
	1524
	1525	### Key:
	1526	:ring_mod
	1527
	1528	### Doc:
	1529	Attack of the Daleks! Ring mod is a classic effect often used on soundtracks to evoke robots or aliens as it sounds hollow or metallic. We take a 'carrier' signal (a sine wave controlled by the freq opt) and modulate its amplitude using the signal given inside the fx block. This produces a wide variety of sounds - the best way to learn is to experiment!
	1530
	1531	### Opts:
	1532	* freq:
	1533	- doc: Frequency of the carrier signal (as a midi note).
	1534	- default: 30
187	1535	- constraints: must be greater than zero
188		- Can not be changed once set
189
190		* delay:
191		- doc: The time between echoes in seconds.
192		- default: 0.4
193		- constraints: must be greater than zero
194		- May be changed whilst playing
195
196		* delay_slide:
197		- doc: Slide time in seconds between delay values
198		- default: 0
199		- constraints: must be zero or greater
200		- May be changed whilst playing
201
202		* decay:
203		- doc: The time it takes for the echoes to fade away in seconds.
204		- default: 8
205		- constraints: must be greater than zero
206		- May be changed whilst playing
207
208		* decay_slide:
209		- doc: Slide time in seconds between decay times
210		- default: 0
211		- constraints: must be zero or greater
212		- May be changed whilst playing
213
214		* amp:
215		- doc: The amplitude of the sound. Typically a value between 0 and 1. Higher amplitudes may be used, but won't make the sound louder, it will just reduce the quality of all the sounds currently being played (due to compression.)
216		- default: 1
217		- constraints: must be zero or greater
218		- May be changed whilst playing
219
220
221
222		## FX Echo
223
224		### Key:
225		:replace_echo
226
227		### Doc:
228		Please write documentation!
229
230		### Arguments:
231		* max_delay:
232		- doc: The maximum delay time in seconds.
233		- default: 1
234		- constraints: must be greater than zero
235		- Can not be changed once set
236
237		* delay:
238		- doc: The time between echoes in seconds.
239		- default: 0.4
240		- constraints: must be greater than zero
241		- May be changed whilst playing
242
243		* delay_slide:
244		- doc: Slide time in seconds between delay values
245		- default: 0
246		- constraints: must be zero or greater
247		- May be changed whilst playing
248
249		* decay:
250		- doc: The time it takes for the echoes to fade away in seconds.
251		- default: 8
252		- constraints: must be greater than zero
253		- May be changed whilst playing
254
255		* decay_slide:
256		- doc: Slide time in seconds between decay times
257		- default: 0
258		- constraints: must be zero or greater
259		- May be changed whilst playing
260
261		* amp:
262		- doc: The amplitude of the sound. Typically a value between 0 and 1. Higher amplitudes may be used, but won't make the sound louder, it will just reduce the quality of all the sounds currently being played (due to compression.)
263		- default: 1
264		- constraints: must be zero or greater
265		- May be changed whilst playing
266
267
268
269		## FX Slicer
270
271		### Key:
272		:slicer
273
274		### Doc:
275		Please write documentation!
276
277		### Arguments:
278		* rate:
279		- doc: The frequency of the slices
	1536	- May be changed whilst playing
	1537	- Has slide parameters for shaping changes
	1538	* amp:
	1539	- doc: The amplitude of the sound. Typically a value between 0 and 1. Higher amplitudes may be used, but won't make the sound louder, they will just reduce the quality of all the sounds currently being played (due to compression.)
	1540	- default: 1
	1541	- constraints: must be zero or greater
	1542	- May be changed whilst playing
	1543	- Has slide parameters for shaping changes
	1544	* mix:
	1545	- doc: The amount (percentage) of FX present in the resulting sound represented as a value between 0 and 1. For example, a mix of 0 means that only the original sound is heard, a mix of 1 means that only the FX is heard (typically the default) and a mix of 0.5 means that half the original and half of the FX is heard.
	1546	- default: 1
	1547	- constraints: must be a value between 0 and 1 inclusively
	1548	- May be changed whilst playing
	1549	- Has slide parameters for shaping changes
	1550	* pre_amp:
	1551	- doc: Amplification applied to the input signal immediately before it is passed to the FX.
	1552	- default: 1
	1553	- constraints: must be zero or greater
	1554	- May be changed whilst playing
	1555	- Has slide parameters for shaping changes
	1556	* mod_amp:
	1557	- doc: Amplitude of the modulation
	1558	- default: 1
	1559	- constraints: must be zero or greater
	1560	- May be changed whilst playing
	1561	- Has slide parameters for shaping changes
	1562
	1563
	1564	## Octaver
	1565
	1566	### Key:
	1567	:octaver
	1568
	1569	### Doc:
	1570	This effect adds three pitches based on the input sound. The first is the original sound transposed up an octave (super_amp), the second is the original sound transposed down an octave (sub_amp) and the third is the original sound transposed down two octaves (subsub_amp).
	1571
	1572	The way the transpositions are done adds some distortion/fuzz, particularly to the lower octaves, whilst the upper octave has a 'cheap' quality. This effect is often used in guitar effects pedals but it can work with other sounds too. There's a great description of the science behind this on Wikipedia here: https://en.wikipedia.org/wiki/Octave_effect
	1573
	1574	### Opts:
	1575	* amp:
	1576	- doc: The amplitude of the sound. Typically a value between 0 and 1. Higher amplitudes may be used, but won't make the sound louder, they will just reduce the quality of all the sounds currently being played (due to compression.)
	1577	- default: 1
	1578	- constraints: must be zero or greater
	1579	- May be changed whilst playing
	1580	- Has slide parameters for shaping changes
	1581	* mix:
	1582	- doc: The amount (percentage) of FX present in the resulting sound represented as a value between 0 and 1. For example, a mix of 0 means that only the original sound is heard, a mix of 1 means that only the FX is heard (typically the default) and a mix of 0.5 means that half the original and half of the FX is heard.
	1583	- default: 1
	1584	- constraints: must be a value between 0 and 1 inclusively
	1585	- May be changed whilst playing
	1586	- Has slide parameters for shaping changes
	1587	* pre_amp:
	1588	- doc: Amplification applied to the input signal immediately before it is passed to the FX.
	1589	- default: 1
	1590	- constraints: must be zero or greater
	1591	- May be changed whilst playing
	1592	- Has slide parameters for shaping changes
	1593	* super_amp:
	1594	- doc: Volume of the signal 1 octave above the input
	1595	- default: 1
	1596	- constraints: must be zero or greater
	1597	- May be changed whilst playing
	1598	- Has slide parameters for shaping changes
	1599	* sub_amp:
	1600	- doc: Volume of the signal 1 octave below the input
	1601	- default: 1
	1602	- constraints: must be zero or greater
	1603	- May be changed whilst playing
	1604	- Has slide parameters for shaping changes
	1605	* subsub_amp:
	1606	- doc: Volume of the signal 2 octaves below the input
	1607	- default: 1
	1608	- constraints: must be zero or greater
	1609	- May be changed whilst playing
	1610	- Has slide parameters for shaping changes
	1611
	1612
	1613	## Vowel
	1614
	1615	### Key:
	1616	:vowel
	1617
	1618	### Doc:
	1619	This effect filters the input to match a human voice singing a certain vowel sound. Human singing voice sounds are easily achieved with a source of a saw wave with a little vibrato.
	1620
	1621	### Opts:
	1622	* amp:
	1623	- doc: The amplitude of the sound. Typically a value between 0 and 1. Higher amplitudes may be used, but won't make the sound louder, they will just reduce the quality of all the sounds currently being played (due to compression.)
	1624	- default: 1
	1625	- constraints: must be zero or greater
	1626	- May be changed whilst playing
	1627	- Has slide parameters for shaping changes
	1628	* pre_amp:
	1629	- doc: Amplification applied to the input signal immediately before it is passed to the FX.
	1630	- default: 1
	1631	- constraints: must be zero or greater
	1632	- May be changed whilst playing
	1633	- Has slide parameters for shaping changes
	1634	* vowel_sound:
	1635	- doc: 1,2,3,4,5 => A,E,I,O,U
	1636	- default: 1
	1637	- constraints: must be one of the following values: [1, 2, 3, 4, 5]
	1638	- May be changed whilst playing
	1639	* voice:
	1640	- doc: 0,1,2,3,4 => Soprano,Alto,Counter Tenor, Tenor, Bass
	1641	- default: 0
	1642	- constraints: must be one of the following values: [0, 1, 2, 3, 4]
	1643	- May be changed whilst playing
	1644
	1645
	1646	## Flanger
	1647
	1648	### Key:
	1649	:flanger
	1650
	1651	### Doc:
	1652	Mix the incoming signal with a copy of itself which has a rate modulating faster and slower than the original. Creates a swirling/whooshing effect.
	1653
	1654	### Opts:
	1655	* amp:
	1656	- doc: The amplitude of the sound. Typically a value between 0 and 1. Higher amplitudes may be used, but won't make the sound louder, they will just reduce the quality of all the sounds currently being played (due to compression.)
	1657	- default: 1
	1658	- constraints: must be zero or greater
	1659	- May be changed whilst playing
	1660	- Has slide parameters for shaping changes
	1661	* mix:
	1662	- doc: The amount (percentage) of FX present in the resulting sound represented as a value between 0 and 1. For example, a mix of 0 means that only the original sound is heard, a mix of 1 means that only the FX is heard (typically the default) and a mix of 0.5 means that half the original and half of the FX is heard.
	1663	- default: 1
	1664	- constraints: must be a value between 0 and 1 inclusively
	1665	- May be changed whilst playing
	1666	- Has slide parameters for shaping changes
	1667	* pre_amp:
	1668	- doc: Amplification applied to the input signal immediately before it is passed to the FX.
	1669	- default: 1
	1670	- constraints: must be zero or greater
	1671	- May be changed whilst playing
	1672	- Has slide parameters for shaping changes
	1673	* phase:
	1674	- doc: Phase duration in beats of flanger modulation.
280	1675	- default: 4
281	1676	- constraints: must be greater than zero
282	1677	- May be changed whilst playing
283
284		* rate_slide:
285		- doc: Slide time in seconds between rate values
286		- default: 0
287		- constraints: must be zero or greater
288		- May be changed whilst playing
289
290		* width:
291		- doc: The width of the slices - 0 - 1.
292		- default: 0.5
293		- constraints: must be a value between 0 and 1 exclusively
294		- May be changed whilst playing
295
296		* width_slide:
297		- doc: Slide time in seconds between width values
298		- default: 0
299		- constraints: must be zero or greater
300		- May be changed whilst playing
301
302		* phase:
303		- doc: Initial phase.
	1678	- Scaled with current BPM value
	1679	- Has slide parameters for shaping changes
	1680	* phase_offset:
	1681	- doc: Initial modulation phase offset (a value between 0 and 1).
304	1682	- default: 0
305	1683	- constraints: must be a value between 0 and 1 inclusively
306	1684	- Can not be changed once set
307
308		* amp:
309		- doc: The amplitude of the resulting effect.
310		- default: 1
311		- constraints: must be zero or greater
312		- May be changed whilst playing
313
314		* amp_slide:
315		- doc: The slide lag time for amplitude changes.
316		- default: 0.05
317		- constraints: must be zero or greater
318		- May be changed whilst playing
319
320
321
322		## FX Slicer
323
324		### Key:
325		:replace_slicer
326
327		### Doc:
328		Please write documentation!
329
330		### Arguments:
331		* rate:
332		- doc: The frequency of the slices
	1685	* wave:
	1686	- doc: Wave type - 0 saw, 1 pulse, 2 triangle, 3 sine, 4 cubic. Different waves will produce different flanging modulation effects.
333	1687	- default: 4
334		- constraints: must be greater than zero
335		- May be changed whilst playing
336
337		* rate_slide:
338		- doc: Slide time in seconds between rate values
339		- default: 0
340		- constraints: must be zero or greater
341		- May be changed whilst playing
342
343		* width:
344		- doc: The width of the slices - 0 - 1.
345		- default: 0.5
346		- constraints: must be a value between 0 and 1 exclusively
347		- May be changed whilst playing
348
349		* width_slide:
350		- doc: Slide time in seconds between width values
351		- default: 0
352		- constraints: must be zero or greater
353		- May be changed whilst playing
354
355		* phase:
356		- doc: Initial phase.
357		- default: 0
358		- constraints: must be a value between 0 and 1 inclusively
	1688	- constraints: must be one of the following values: [0, 1, 2, 3, 4]
	1689	- May be changed whilst playing
	1690	* invert_wave:
	1691	- doc: Invert flanger control waveform (i.e. flip it on the y axis). 0=uninverted wave, 1=inverted wave.
	1692	- default: 0
	1693	- constraints: must be one of the following values: [0, 1]
	1694	- May be changed whilst playing
	1695	* stereo_invert_wave:
	1696	- doc: Make the flanger control waveform in the left ear an inversion of the control waveform in the right ear. 0=uninverted wave, 1=inverted wave. This happens after the standard wave inversion with param :invert_wave.
	1697	- default: 0
	1698	- constraints: must be one of the following values: [0, 1]
	1699	- May be changed whilst playing
	1700	* delay:
	1701	- doc: Amount of delay time between original and flanged version of audio.
	1702	- default: 5
	1703	- constraints: none
	1704	- May be changed whilst playing
	1705	- Has slide parameters for shaping changes
	1706	* max_delay:
	1707	- doc: Max delay time. Used to set internal buffer size.
	1708	- default: 20
	1709	- constraints: must be zero or greater
359	1710	- Can not be changed once set
360
361		* amp:
362		- doc: The amplitude of the resulting effect.
363		- default: 1
364		- constraints: must be zero or greater
365		- May be changed whilst playing
366
367		* amp_slide:
368		- doc: The slide lag time for amplitude changes.
369		- default: 0.05
370		- constraints: must be zero or greater
371		- May be changed whilst playing
372
373
374
375		## FX Techno
376
377		### Key:
378		:techno
379
380		### Doc:
381		Please write documentation!
382
383		### Arguments:
384		* rate:
385		- doc: The frequency of filter modulation
386		- default: 0.1
387		- constraints: must be greater than zero
388		- May be changed whilst playing
389
390		* rate_slide:
391		- doc: write me
392		- default: 0
	1711	* depth:
	1712	- doc: Flange depth - greater depths produce a more prominent effect.
	1713	- default: 5
393	1714	- constraints: none
394		- Can not be changed once set
395
396		* cutoff_min:
397		- doc: write me
398		- default: 880
399		- constraints: none
400		- Can not be changed once set
401
402		* cutoff_min_slide:
403		- doc: write me
404		- default: 0
405		- constraints: none
406		- Can not be changed once set
407
408		* cutoff_max:
409		- doc: write me
410		- default: 12000
411		- constraints: none
412		- Can not be changed once set
413
414		* cutoff_max_slide:
415		- doc: write me
416		- default: 0
417		- constraints: none
418		- Can not be changed once set
419
420		* res:
421		- doc: write me
422		- default: 0.2
423		- constraints: none
424		- Can not be changed once set
425
426		* res_slide:
427		- doc: write me
428		- default: 0
429		- constraints: none
430		- Can not be changed once set
431
432
433
434		## FX Techno
435
436		### Key:
437		:replace_techno
438
439		### Doc:
440		Please write documentation!
441
442		### Arguments:
443		* rate:
444		- doc: The frequency of filter modulation
445		- default: 0.1
446		- constraints: must be greater than zero
447		- May be changed whilst playing
448
449		* rate_slide:
450		- doc: write me
451		- default: 0
452		- constraints: none
453		- Can not be changed once set
454
455		* cutoff_min:
456		- doc: write me
457		- default: 880
458		- constraints: none
459		- Can not be changed once set
460
461		* cutoff_min_slide:
462		- doc: write me
463		- default: 0
464		- constraints: none
465		- Can not be changed once set
466
467		* cutoff_max:
468		- doc: write me
469		- default: 12000
470		- constraints: none
471		- Can not be changed once set
472
473		* cutoff_max_slide:
474		- doc: write me
475		- default: 0
476		- constraints: none
477		- Can not be changed once set
478
479		* res:
480		- doc: write me
481		- default: 0.2
482		- constraints: none
483		- Can not be changed once set
484
485		* res_slide:
486		- doc: write me
487		- default: 0
488		- constraints: none
489		- Can not be changed once set
490
491
492
493		## FX Compressor
494
495		### Key:
496		:compressor
497
498		### Doc:
499		Please write documentation!
500
501		### Arguments:
502		* amp:
503		- doc: The amplitude of the sound. Typically a value between 0 and 1. Higher amplitudes may be used, but won't make the sound louder, it will just reduce the quality of all the sounds currently being played (due to compression.)
504		- default: 1
505		- constraints: must be zero or greater
506		- May be changed whilst playing
507
508		* amp_slide:
509		- doc: Amount of time (in seconds) for the amplitude (amp) to change. A long slide value means that the amp takes a long time to slide from the previous amplitude to the new amplitude. A slide of 0 means that the amplitude instantly changes to the new amplitude.
510		- default: 0
511		- constraints: must be zero or greater
512		- May be changed whilst playing
513
514		* threshold:
515		- doc: write me
516		- default: 0.2
517		- constraints: none
518		- Can not be changed once set
519
520		* threshold_slide:
521		- doc: write me
522		- default: 0
523		- constraints: none
524		- Can not be changed once set
525
526		* clamp_time:
527		- doc: write me
528		- default: 0.01
529		- constraints: none
530		- Can not be changed once set
531
532		* clamp_time_slide:
533		- doc: write me
534		- default: 0
535		- constraints: none
536		- Can not be changed once set
537
538		* slope_above:
539		- doc: write me
540		- default: 0.5
541		- constraints: none
542		- Can not be changed once set
543
544		* slope_above_slide:
545		- doc: write me
546		- default: 0
547		- constraints: none
548		- Can not be changed once set
549
550		* slope_below:
551		- doc: write me
552		- default: 1
553		- constraints: none
554		- Can not be changed once set
555
556		* slope_below_slide:
557		- doc: write me
558		- default: 0
559		- constraints: none
560		- Can not be changed once set
561
562		* relax_time:
563		- doc: write me
564		- default: 0.01
565		- constraints: none
566		- Can not be changed once set
567
568		* relax_time_slide:
569		- doc: write me
570		- default: 0
571		- constraints: none
572		- Can not be changed once set
573
574
575
576		## FX Compressor
577
578		### Key:
579		:replace_compressor
580
581		### Doc:
582		Please write documentation!
583
584		### Arguments:
585		* amp:
586		- doc: The amplitude of the sound. Typically a value between 0 and 1. Higher amplitudes may be used, but won't make the sound louder, it will just reduce the quality of all the sounds currently being played (due to compression.)
587		- default: 1
588		- constraints: must be zero or greater
589		- May be changed whilst playing
590
591		* amp_slide:
592		- doc: Amount of time (in seconds) for the amplitude (amp) to change. A long slide value means that the amp takes a long time to slide from the previous amplitude to the new amplitude. A slide of 0 means that the amplitude instantly changes to the new amplitude.
593		- default: 0
594		- constraints: must be zero or greater
595		- May be changed whilst playing
596
597		* threshold:
598		- doc: write me
599		- default: 0.2
600		- constraints: none
601		- Can not be changed once set
602
603		* threshold_slide:
604		- doc: write me
605		- default: 0
606		- constraints: none
607		- Can not be changed once set
608
609		* clamp_time:
610		- doc: write me
611		- default: 0.01
612		- constraints: none
613		- Can not be changed once set
614
615		* clamp_time_slide:
616		- doc: write me
617		- default: 0
618		- constraints: none
619		- Can not be changed once set
620
621		* slope_above:
622		- doc: write me
623		- default: 0.5
624		- constraints: none
625		- Can not be changed once set
626
627		* slope_above_slide:
628		- doc: write me
629		- default: 0
630		- constraints: none
631		- Can not be changed once set
632
633		* slope_below:
634		- doc: write me
635		- default: 1
636		- constraints: none
637		- Can not be changed once set
638
639		* slope_below_slide:
640		- doc: write me
641		- default: 0
642		- constraints: none
643		- Can not be changed once set
644
645		* relax_time:
646		- doc: write me
647		- default: 0.01
648		- constraints: none
649		- Can not be changed once set
650
651		* relax_time_slide:
652		- doc: write me
653		- default: 0
654		- constraints: none
655		- Can not be changed once set
656
657
658
659		## FX Resonant Low Pass Filter
660
661		### Key:
662		:rlpf
663
664		### Doc:
665		Please write documentation!
666
667		### Arguments:
668		* cutoff:
669		- doc: MIDI note representing the highest frequences allowed to be present in the sound. A low value like 30 makes the sound round and dull, a high value like 100 makes the sound buzzy and crispy.
670		- default: 100
671		- constraints: must be zero or greater, must be a value less than 130
672		- May be changed whilst playing
673
674		* cutoff_slide:
675		- doc: Amount of time (in seconds) for the cutoff value to change. A long cutoff_slide value means that the cutoff takes a long time to slide from the previous value to the new value. A cutoff_slide of 0 means that the cutoff instantly changes to the new value.
676		- default: 0
677		- constraints: must be zero or greater
678		- May be changed whilst playing
679
680		* res:
681		- doc: write me
682		- default: 0.5
683		- constraints: none
684		- Can not be changed once set
685
686		* res_slide:
687		- doc: write me
688		- default: 0
689		- constraints: none
690		- Can not be changed once set
691
692
693
694		## FX Resonant Low Pass Filter
695
696		### Key:
697		:replace_rlpf
698
699		### Doc:
700		Please write documentation!
701
702		### Arguments:
703		* cutoff:
704		- doc: MIDI note representing the highest frequences allowed to be present in the sound. A low value like 30 makes the sound round and dull, a high value like 100 makes the sound buzzy and crispy.
705		- default: 100
706		- constraints: must be zero or greater, must be a value less than 130
707		- May be changed whilst playing
708
709		* cutoff_slide:
710		- doc: Amount of time (in seconds) for the cutoff value to change. A long cutoff_slide value means that the cutoff takes a long time to slide from the previous value to the new value. A cutoff_slide of 0 means that the cutoff instantly changes to the new value.
711		- default: 0
712		- constraints: must be zero or greater
713		- May be changed whilst playing
714
715		* res:
716		- doc: write me
717		- default: 0.5
718		- constraints: none
719		- Can not be changed once set
720
721		* res_slide:
722		- doc: write me
723		- default: 0
724		- constraints: none
725		- Can not be changed once set
726
727
728
729		## FX Normalised Resonant Low Pass Filter
730
731		### Key:
732		:norm_rlpf
733
734		### Doc:
735		Please write documentation!
736
737		### Arguments:
738		* cutoff:
739		- doc: MIDI note representing the highest frequences allowed to be present in the sound. A low value like 30 makes the sound round and dull, a high value like 100 makes the sound buzzy and crispy.
740		- default: 100
741		- constraints: must be zero or greater, must be a value less than 130
742		- May be changed whilst playing
743
744		* cutoff_slide:
745		- doc: Amount of time (in seconds) for the cutoff value to change. A long cutoff_slide value means that the cutoff takes a long time to slide from the previous value to the new value. A cutoff_slide of 0 means that the cutoff instantly changes to the new value.
746		- default: 0
747		- constraints: must be zero or greater
748		- May be changed whilst playing
749
750		* res:
751		- doc: write me
752		- default: 0.5
753		- constraints: none
754		- Can not be changed once set
755
756		* res_slide:
757		- doc: write me
758		- default: 0
759		- constraints: none
760		- Can not be changed once set
761
762
763
764		## FX Normalised Resonant Low Pass Filter
765
766		### Key:
767		:replace_norm_rlpf
768
769		### Doc:
770		Please write documentation!
771
772		### Arguments:
773		* cutoff:
774		- doc: MIDI note representing the highest frequences allowed to be present in the sound. A low value like 30 makes the sound round and dull, a high value like 100 makes the sound buzzy and crispy.
775		- default: 100
776		- constraints: must be zero or greater, must be a value less than 130
777		- May be changed whilst playing
778
779		* cutoff_slide:
780		- doc: Amount of time (in seconds) for the cutoff value to change. A long cutoff_slide value means that the cutoff takes a long time to slide from the previous value to the new value. A cutoff_slide of 0 means that the cutoff instantly changes to the new value.
781		- default: 0
782		- constraints: must be zero or greater
783		- May be changed whilst playing
784
785		* res:
786		- doc: write me
787		- default: 0.5
788		- constraints: none
789		- Can not be changed once set
790
791		* res_slide:
792		- doc: write me
793		- default: 0
794		- constraints: none
795		- Can not be changed once set
796
797
798
799		## FX Resonant High Pass Filter
800
801		### Key:
802		:rhpf
803
804		### Doc:
805		Please write documentation!
806
807		### Arguments:
808		* cutoff:
809		- doc: MIDI note representing the highest frequences allowed to be present in the sound. A low value like 30 makes the sound round and dull, a high value like 100 makes the sound buzzy and crispy.
810		- default: 100
811		- constraints: must be zero or greater, must be a value less than 130
812		- May be changed whilst playing
813
814		* cutoff_slide:
815		- doc: Amount of time (in seconds) for the cutoff value to change. A long cutoff_slide value means that the cutoff takes a long time to slide from the previous value to the new value. A cutoff_slide of 0 means that the cutoff instantly changes to the new value.
816		- default: 0
817		- constraints: must be zero or greater
818		- May be changed whilst playing
819
820		* res:
821		- doc: write me
822		- default: 0.5
823		- constraints: none
824		- Can not be changed once set
825
826		* res_slide:
827		- doc: write me
828		- default: 0
829		- constraints: none
830		- Can not be changed once set
831
832
833
834		## FX Resonant High Pass Filter
835
836		### Key:
837		:replace_rhpf
838
839		### Doc:
840		Please write documentation!
841
842		### Arguments:
843		* cutoff:
844		- doc: MIDI note representing the highest frequences allowed to be present in the sound. A low value like 30 makes the sound round and dull, a high value like 100 makes the sound buzzy and crispy.
845		- default: 100
846		- constraints: must be zero or greater, must be a value less than 130
847		- May be changed whilst playing
848
849		* cutoff_slide:
850		- doc: Amount of time (in seconds) for the cutoff value to change. A long cutoff_slide value means that the cutoff takes a long time to slide from the previous value to the new value. A cutoff_slide of 0 means that the cutoff instantly changes to the new value.
851		- default: 0
852		- constraints: must be zero or greater
853		- May be changed whilst playing
854
855		* res:
856		- doc: write me
857		- default: 0.5
858		- constraints: none
859		- Can not be changed once set
860
861		* res_slide:
862		- doc: write me
863		- default: 0
864		- constraints: none
865		- Can not be changed once set
866
867
868
869		## FX Normalised Resonant High Pass Filter
870
871		### Key:
872		:norm_rhpf
873
874		### Doc:
875		Please write documentation!
876
877		### Arguments:
878		* cutoff:
879		- doc: MIDI note representing the highest frequences allowed to be present in the sound. A low value like 30 makes the sound round and dull, a high value like 100 makes the sound buzzy and crispy.
880		- default: 100
881		- constraints: must be zero or greater, must be a value less than 130
882		- May be changed whilst playing
883
884		* cutoff_slide:
885		- doc: Amount of time (in seconds) for the cutoff value to change. A long cutoff_slide value means that the cutoff takes a long time to slide from the previous value to the new value. A cutoff_slide of 0 means that the cutoff instantly changes to the new value.
886		- default: 0
887		- constraints: must be zero or greater
888		- May be changed whilst playing
889
890		* res:
891		- doc: write me
892		- default: 0.5
893		- constraints: none
894		- Can not be changed once set
895
896		* res_slide:
897		- doc: write me
898		- default: 0
899		- constraints: none
900		- Can not be changed once set
901
902
903
904		## FX Normalised Resonant High Pass Filter
905
906		### Key:
907		:replace_norm_rhpf
908
909		### Doc:
910		Please write documentation!
911
912		### Arguments:
913		* cutoff:
914		- doc: MIDI note representing the highest frequences allowed to be present in the sound. A low value like 30 makes the sound round and dull, a high value like 100 makes the sound buzzy and crispy.
915		- default: 100
916		- constraints: must be zero or greater, must be a value less than 130
917		- May be changed whilst playing
918
919		* cutoff_slide:
920		- doc: Amount of time (in seconds) for the cutoff value to change. A long cutoff_slide value means that the cutoff takes a long time to slide from the previous value to the new value. A cutoff_slide of 0 means that the cutoff instantly changes to the new value.
921		- default: 0
922		- constraints: must be zero or greater
923		- May be changed whilst playing
924
925		* res:
926		- doc: write me
927		- default: 0.5
928		- constraints: none
929		- Can not be changed once set
930
931		* res_slide:
932		- doc: write me
933		- default: 0
934		- constraints: none
935		- Can not be changed once set
936
937
938
939		## FX High Pass Filter
940
941		### Key:
942		:hpf
943
944		### Doc:
945		Please write documentation!
946
947		### Arguments:
948		* cutoff:
949		- doc: MIDI note representing the highest frequences allowed to be present in the sound. A low value like 30 makes the sound round and dull, a high value like 100 makes the sound buzzy and crispy.
950		- default: 100
951		- constraints: must be zero or greater, must be a value less than 130
952		- May be changed whilst playing
953
954		* cutoff_slide:
955		- doc: Amount of time (in seconds) for the cutoff value to change. A long cutoff_slide value means that the cutoff takes a long time to slide from the previous value to the new value. A cutoff_slide of 0 means that the cutoff instantly changes to the new value.
956		- default: 0
957		- constraints: must be zero or greater
958		- May be changed whilst playing
959
960
961
962		## FX High Pass Filter
963
964		### Key:
965		:replace_hpf
966
967		### Doc:
968		Please write documentation!
969
970		### Arguments:
971		* cutoff:
972		- doc: MIDI note representing the highest frequences allowed to be present in the sound. A low value like 30 makes the sound round and dull, a high value like 100 makes the sound buzzy and crispy.
973		- default: 100
974		- constraints: must be zero or greater, must be a value less than 130
975		- May be changed whilst playing
976
977		* cutoff_slide:
978		- doc: Amount of time (in seconds) for the cutoff value to change. A long cutoff_slide value means that the cutoff takes a long time to slide from the previous value to the new value. A cutoff_slide of 0 means that the cutoff instantly changes to the new value.
979		- default: 0
980		- constraints: must be zero or greater
981		- May be changed whilst playing
982
983
984
985		## FX Normalised High Pass Filter
986
987		### Key:
988		:norm_hpf
989
990		### Doc:
991		Please write documentation!
992
993		### Arguments:
994		* cutoff:
995		- doc: MIDI note representing the highest frequences allowed to be present in the sound. A low value like 30 makes the sound round and dull, a high value like 100 makes the sound buzzy and crispy.
996		- default: 100
997		- constraints: must be zero or greater, must be a value less than 130
998		- May be changed whilst playing
999
1000		* cutoff_slide:
1001		- doc: Amount of time (in seconds) for the cutoff value to change. A long cutoff_slide value means that the cutoff takes a long time to slide from the previous value to the new value. A cutoff_slide of 0 means that the cutoff instantly changes to the new value.
1002		- default: 0
1003		- constraints: must be zero or greater
1004		- May be changed whilst playing
1005
1006		* res:
1007		- doc: write me
1008		- default: 0.5
1009		- constraints: none
1010		- Can not be changed once set
1011
1012		* res_slide:
1013		- doc: write me
1014		- default: 0
1015		- constraints: none
1016		- Can not be changed once set
1017
1018
1019
1020		## FX Normalised High Pass Filter
1021
1022		### Key:
1023		:replace_norm_hpf
1024
1025		### Doc:
1026		Please write documentation!
1027
1028		### Arguments:
1029		* cutoff:
1030		- doc: MIDI note representing the highest frequences allowed to be present in the sound. A low value like 30 makes the sound round and dull, a high value like 100 makes the sound buzzy and crispy.
1031		- default: 100
1032		- constraints: must be zero or greater, must be a value less than 130
1033		- May be changed whilst playing
1034
1035		* cutoff_slide:
1036		- doc: Amount of time (in seconds) for the cutoff value to change. A long cutoff_slide value means that the cutoff takes a long time to slide from the previous value to the new value. A cutoff_slide of 0 means that the cutoff instantly changes to the new value.
1037		- default: 0
1038		- constraints: must be zero or greater
1039		- May be changed whilst playing
1040
1041		* res:
1042		- doc: write me
1043		- default: 0.5
1044		- constraints: none
1045		- Can not be changed once set
1046
1047		* res_slide:
1048		- doc: write me
1049		- default: 0
1050		- constraints: none
1051		- Can not be changed once set
1052
1053
1054
1055		## FX Low Pass Filter
1056
1057		### Key:
1058		:lpf
1059
1060		### Doc:
1061		Please write documentation!
1062
1063		### Arguments:
1064		* cutoff:
1065		- doc: MIDI note representing the highest frequences allowed to be present in the sound. A low value like 30 makes the sound round and dull, a high value like 100 makes the sound buzzy and crispy.
1066		- default: 100
1067		- constraints: must be zero or greater, must be a value less than 130
1068		- May be changed whilst playing
1069
1070		* cutoff_slide:
1071		- doc: Amount of time (in seconds) for the cutoff value to change. A long cutoff_slide value means that the cutoff takes a long time to slide from the previous value to the new value. A cutoff_slide of 0 means that the cutoff instantly changes to the new value.
1072		- default: 0
1073		- constraints: must be zero or greater
1074		- May be changed whilst playing
1075
1076
1077
1078		## FX Low Pass Filter
1079
1080		### Key:
1081		:replace_lpf
1082
1083		### Doc:
1084		Please write documentation!
1085
1086		### Arguments:
1087		* cutoff:
1088		- doc: MIDI note representing the highest frequences allowed to be present in the sound. A low value like 30 makes the sound round and dull, a high value like 100 makes the sound buzzy and crispy.
1089		- default: 100
1090		- constraints: must be zero or greater, must be a value less than 130
1091		- May be changed whilst playing
1092
1093		* cutoff_slide:
1094		- doc: Amount of time (in seconds) for the cutoff value to change. A long cutoff_slide value means that the cutoff takes a long time to slide from the previous value to the new value. A cutoff_slide of 0 means that the cutoff instantly changes to the new value.
1095		- default: 0
1096		- constraints: must be zero or greater
1097		- May be changed whilst playing
1098
1099
1100
1101		## FX Normalised Low Pass Filter
1102
1103		### Key:
1104		:norm_lpf
1105
1106		### Doc:
1107		Please write documentation!
1108
1109		### Arguments:
1110		* cutoff:
1111		- doc: MIDI note representing the highest frequences allowed to be present in the sound. A low value like 30 makes the sound round and dull, a high value like 100 makes the sound buzzy and crispy.
1112		- default: 100
1113		- constraints: must be zero or greater, must be a value less than 130
1114		- May be changed whilst playing
1115
1116		* cutoff_slide:
1117		- doc: Amount of time (in seconds) for the cutoff value to change. A long cutoff_slide value means that the cutoff takes a long time to slide from the previous value to the new value. A cutoff_slide of 0 means that the cutoff instantly changes to the new value.
1118		- default: 0
1119		- constraints: must be zero or greater
1120		- May be changed whilst playing
1121
1122		* res:
1123		- doc: write me
1124		- default: 0.5
1125		- constraints: none
1126		- Can not be changed once set
1127
1128		* res_slide:
1129		- doc: write me
1130		- default: 0
1131		- constraints: none
1132		- Can not be changed once set
1133
1134
1135
1136		## FX Normalised Low Pass Filter
1137
1138		### Key:
1139		:replace_norm_lpf
1140
1141		### Doc:
1142		Please write documentation!
1143
1144		### Arguments:
1145		* cutoff:
1146		- doc: MIDI note representing the highest frequences allowed to be present in the sound. A low value like 30 makes the sound round and dull, a high value like 100 makes the sound buzzy and crispy.
1147		- default: 100
1148		- constraints: must be zero or greater, must be a value less than 130
1149		- May be changed whilst playing
1150
1151		* cutoff_slide:
1152		- doc: Amount of time (in seconds) for the cutoff value to change. A long cutoff_slide value means that the cutoff takes a long time to slide from the previous value to the new value. A cutoff_slide of 0 means that the cutoff instantly changes to the new value.
1153		- default: 0
1154		- constraints: must be zero or greater
1155		- May be changed whilst playing
1156
1157		* res:
1158		- doc: write me
1159		- default: 0.5
1160		- constraints: none
1161		- Can not be changed once set
1162
1163		* res_slide:
1164		- doc: write me
1165		- default: 0
1166		- constraints: none
1167		- Can not be changed once set
1168
1169
1170
1171		## FX Normaliser
1172
1173		### Key:
1174		:normaliser
1175
1176		### Doc:
1177		Please write documentation!
1178
1179		### Arguments:
1180		* amp:
1181		- doc: The amplitude of the sound. Typically a value between 0 and 1. Higher amplitudes may be used, but won't make the sound louder, it will just reduce the quality of all the sounds currently being played (due to compression.)
1182		- default: 1
1183		- constraints: must be zero or greater
1184		- May be changed whilst playing
1185
1186		* amp_slide:
1187		- doc: Amount of time (in seconds) for the amplitude (amp) to change. A long slide value means that the amp takes a long time to slide from the previous amplitude to the new amplitude. A slide of 0 means that the amplitude instantly changes to the new amplitude.
1188		- default: 0
1189		- constraints: must be zero or greater
1190		- May be changed whilst playing
1191
1192
1193
1194		## FX Normaliser
1195
1196		### Key:
1197		:replace_normaliser
1198
1199		### Doc:
1200		Please write documentation!
1201
1202		### Arguments:
1203		* amp:
1204		- doc: The amplitude of the sound. Typically a value between 0 and 1. Higher amplitudes may be used, but won't make the sound louder, it will just reduce the quality of all the sounds currently being played (due to compression.)
1205		- default: 1
1206		- constraints: must be zero or greater
1207		- May be changed whilst playing
1208
1209		* amp_slide:
1210		- doc: Amount of time (in seconds) for the amplitude (amp) to change. A long slide value means that the amp takes a long time to slide from the previous amplitude to the new amplitude. A slide of 0 means that the amplitude instantly changes to the new amplitude.
1211		- default: 0
1212		- constraints: must be zero or greater
1213		- May be changed whilst playing
1214
1215
1216
1217		## FX Distortion
1218
1219		### Key:
1220		:distortion
1221
1222		### Doc:
1223		Please write documentation!
1224
1225		### Arguments:
1226		* distort:
1227		- doc: write me
1228		- default: 0.5
1229		- constraints: none
1230		- Can not be changed once set
1231
1232		* distort_slide:
1233		- doc: write me
1234		- default: 0
1235		- constraints: none
1236		- Can not be changed once set
1237
1238
1239
1240		## FX Distortion
1241
1242		### Key:
1243		:replace_distortion
1244
1245		### Doc:
1246		Please write documentation!
1247
1248		### Arguments:
1249		* distort:
1250		- doc: write me
1251		- default: 0.5
1252		- constraints: none
1253		- Can not be changed once set
1254
1255		* distort_slide:
1256		- doc: write me
1257		- default: 0
1258		- constraints: none
1259		- Can not be changed once set
1260
1261
1262
	1715	- May be changed whilst playing
	1716	- Has slide parameters for shaping changes
	1717	* decay:
	1718	- doc: Flange decay time in ms
	1719	- default: 2
	1720	- constraints: must be zero or greater
	1721	- May be changed whilst playing
	1722	- Has slide parameters for shaping changes
	1723	* feedback:
	1724	- doc: Amount of feedback.
	1725	- default: 0
	1726	- constraints: must be zero or greater
	1727	- May be changed whilst playing
	1728	- Has slide parameters for shaping changes
	1729	* invert_flange:
	1730	- doc: Invert flanger signal. 0=no inversion, 1=inverted signal.
	1731	- default: 0
	1732	- constraints: must be one of the following values: [0, 1]
	1733	- May be changed whilst playing
	1734
	1735

+28

-1

etc/doc/cheatsheets/samples.md less more

52	52	* :guit_harmonics
53	53	* :guit_e_fifths
54	54	* :guit_e_slide
	55	* :guit_em9
55	56
56	57
57	58	## Miscellaneous Sounds
58	59	* :misc_burp
59	60
60	61
61		## Percurssive Sounds
	62	## Percussive Sounds
62	63	* :perc_bell
	64	* :perc_snap
	65	* :perc_snap2
63	66
64	67
65	68	## Ambient Sounds

86	89	* :bass_dnb_f
87	90
88	91
	92	## Snare Drums
	93	* :sn_dub
	94	* :sn_dolf
	95	* :sn_zome
	96
	97
	98	## Bass Drums
	99	* :bd_ada
	100	* :bd_pure
	101	* :bd_808
	102	* :bd_zum
	103	* :bd_gas
	104	* :bd_sone
	105	* :bd_haus
	106	* :bd_zome
	107	* :bd_boom
	108	* :bd_klub
	109	* :bd_fat
	110	* :bd_tek
	111
	112
89	113	## Sounds for Looping
90	114	* :loop_industrial
91	115	* :loop_compus
92	116	* :loop_amen
93	117	* :loop_amen_full
	118	* :loop_garzul
	119	* :loop_mika
	120	* :loop_breakbeat
94	121
95	122

+3589

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etc/doc/cheatsheets/synths.md less more

1	1
2	2	* [Dull Bell](#dull-bell)
3	3	* [Pretty Bell](#pretty-bell)
	4	* [Sine Wave](#sine-wave)
	5	* [Sine Wave](#sine-wave)
4	6	* [Saw Wave](#saw-wave)
5		* [Sine Wave](#sine-wave)
	7	* [Pulse Wave](#pulse-wave)
	8	* [Pulse Wave with sub](#pulse-wave-with-sub)
	9	* [Square Wave](#square-wave)
	10	* [Triangle Wave](#triangle-wave)
6	11	* [Detuned Saw wave](#detuned-saw-wave)
	12	* [Detuned Pulse Wave](#detuned-pulse-wave)
	13	* [Detuned Triangle Wave](#detuned-triangle-wave)
7	14	* [Basic FM synthesis](#basic-fm-synthesis)
	15	* [Basic FM synthesis with frequency modulation.](#basic-fm-synthesis-with-frequency-modulation.)
8	16	* [Modulated Saw Wave](#modulated-saw-wave)
9		* [Simple Modulated Saw Wave](#simple-modulated-saw-wave)
10	17	* [Modulated Detuned Saw Waves](#modulated-detuned-saw-waves)
11		* [Modulated Detuned Saw Waves Simple](#modulated-detuned-saw-waves-simple)
12	18	* [Modulated Sine Wave](#modulated-sine-wave)
13		* [Simple Modulated Sine Wave](#simple-modulated-sine-wave)
	19	* [Modulated Sine Wave](#modulated-sine-wave)
14	20	* [Modulated Triangle Wave](#modulated-triangle-wave)
15		* [Simple Modulated Triangle Wave](#simple-modulated-triangle-wave)
16	21	* [Modulated Pulse](#modulated-pulse)
17		* [Simple Modulated Pulse](#simple-modulated-pulse)
18	22	* [TB-303 Emulation](#tb-303-emulation)
19	23	* [Supersaw](#supersaw)
20		* [Supersaw Simple](#supersaw-simple)
	24	* [Hoover](#hoover)
21	25	* [The Prophet](#the-prophet)
22	26	* [Zawa](#zawa)
	27	* [Dark Ambience](#dark-ambience)
	28	* [Growl](#growl)
	29	* [Hollow](#hollow)
23	30	* [Mono Sample Player](#mono-sample-player)
24	31	* [Stereo Sample Player](#stereo-sample-player)
25		* [Basic Mono Sample Player - (no envelope)](#basic-mono-sample-player---(no-envelope))
26		* [Basic Stereo Sample Player - (no envelope)](#basic-stereo-sample-player---(no-envelope))
	32	* [Blade Runner style strings](#blade-runner-style-strings)
	33	* [SynthPiano](#synthpiano)
	34	* [SynthPluck](#synthpluck)
	35	* [Sound In](#sound-in)
	36	* [Noise](#noise)
	37	* [Pink Noise](#pink-noise)
	38	* [Brown Noise](#brown-noise)
	39	* [Grey Noise](#grey-noise)
	40	* [Clip Noise](#clip-noise)
	41	* [Basic Mono Sample Player (no env)](#basic-mono-sample-player-(no-env))
	42	* [Basic Stereo Sample Player (no env)](#basic-stereo-sample-player-(no-env))
	43	* [Basic Mixer](#basic-mixer)
	44	* [Main Mixer](#main-mixer)
27	45
28	46	## Dull Bell
29	47

33	51	### Doc:
34	52	A simple dull discordant bell sound.
35	53
36		### Arguments:
	54	### Opts:
37	55	* note:
38		- doc: Note to play. Either a MIDI number or a symbol representing a note. For example: 30, 52, :C, :C2, :Eb4, or :Ds3
	56	- doc: Note to play. Either a MIDI number or a symbol representing a note. For example: `30`, `52`, `:C`, `:C2`, `:Eb4`, or `:Ds3`
39	57	- default: 52
40	58	- constraints: must be zero or greater
41	59	- May be changed whilst playing
42
43		* note_slide:
44		- doc: Amount of time (in seconds) for the note to change. A long slide value means that the note takes a long time to slide from the previous note to the new note. A slide of 0 means that the note instantly changes to the new note.
45		- default: 0
46		- constraints: must be zero or greater
47		- May be changed whilst playing
48
49		* amp:
50		- doc: The amplitude of the sound. Typically a value between 0 and 1. Higher amplitudes may be used, but won't make the sound louder, it will just reduce the quality of all the sounds currently being played (due to compression.)
51		- default: 1
52		- constraints: must be zero or greater
53		- May be changed whilst playing
54
55		* amp_slide:
56		- doc: Amount of time (in seconds) for the amplitude (amp) to change. A long slide value means that the amp takes a long time to slide from the previous amplitude to the new amplitude. A slide of 0 means that the amplitude instantly changes to the new amplitude.
57		- default: 0
58		- constraints: must be zero or greater
59		- May be changed whilst playing
60
	60	- Has slide parameters for shaping changes
	61	* amp:
	62	- doc: The amplitude of the sound. Typically a value between 0 and 1. Higher amplitudes may be used, but won't make the sound louder, they will just reduce the quality of all the sounds currently being played (due to compression.)
	63	- default: 1
	64	- constraints: must be zero or greater
	65	- May be changed whilst playing
	66	- Has slide parameters for shaping changes
61	67	* pan:
62	68	- doc: Position of sound in stereo. With headphones on, this means how much of the sound is in the left ear, and how much is in the right ear. With a value of -1, the sound is completely in the left ear, a value of 0 puts the sound equally in both ears and a value of 1 puts the sound in the right ear. Values in between -1 and 1 move the sound accordingly.
63	69	- default: 0
64	70	- constraints: must be a value between -1 and 1 inclusively
65	71	- May be changed whilst playing
66
67		* pan_slide:
68		- doc: Amount of time (in seconds) for the pan to change. A long slide value means that the pan takes a long time to slide from the previous pan position to the new pan position. A slide of 0 means that the pan instantly changes to the new pan position.
69		- default: 0
70		- constraints: must be zero or greater
71		- May be changed whilst playing
72
	72	- Has slide parameters for shaping changes
73	73	* attack:
74		- doc: Amount of time (in seconds) for sound to reach full amplitude. A short attack (i.e. 0.01) makes the initial part of the sound very percussive like a sharp tap. A longer attack (i.e 1) fades the sound in gently. Full length of sound is attack + sustain + release.
75		- default: 0.01
76		- constraints: must be zero or greater
77		- Can not be changed once set
78
	74	- doc: Amount of time (in beats) for sound to reach full amplitude (attack_level). A short attack (i.e. 0.01) makes the initial part of the sound very percussive like a sharp tap. A longer attack (i.e 1) fades the sound in gently. Full length of sound is attack + decay + sustain + release.
	75	- default: 0
	76	- constraints: must be zero or greater
	77	- Can not be changed once set
	78	- Scaled with current BPM value
	79	* decay:
	80	- doc: Amount of time (in beats) for the sound to move from full amplitude (attack_level) to the sustain amplitude (sustain_level).
	81	- default: 0
	82	- constraints: must be zero or greater
	83	- Can not be changed once set
	84	- Scaled with current BPM value
79	85	* sustain:
80		- doc: Amount of time (in seconds) for sound to remain at full amplitude. Longer sustain values result in longer sounds. Full length of sound is attack + sustain + release.
81		- default: 0
82		- constraints: must be zero or greater
83		- Can not be changed once set
84
	86	- doc: Amount of time (in beats) for sound to remain at sustain level amplitude. Longer sustain values result in longer sounds. Full length of sound is attack + decay + sustain + release.
	87	- default: 0
	88	- constraints: must be zero or greater
	89	- Can not be changed once set
	90	- Scaled with current BPM value
85	91	* release:
86		- doc: Amount of time (in seconds) for sound to move from full amplitude to silent. A short release (i.e. 0.01) makes the final part of the sound very percussive (potentially resulting in a click). A longer release (i.e 1) fades the sound out gently. Full length of sound is attack + sustain + release.
87		- default: 1
88		- constraints: must be zero or greater
89		- Can not be changed once set
90
	92	- doc: Amount of time (in beats) for sound to move from sustain level amplitude to silent. A short release (i.e. 0.01) makes the final part of the sound very percussive (potentially resulting in a click). A longer release (i.e 1) fades the sound out gently. Full length of sound is attack + decay + sustain + release.
	93	- default: 1
	94	- constraints: must be zero or greater
	95	- Can not be changed once set
	96	- Scaled with current BPM value
	97	* attack_level:
	98	- doc: Amplitude level reached after attack phase and immediately before decay phase
	99	- default: 1
	100	- constraints: must be zero or greater
	101	- Can not be changed once set
	102	* decay_level:
	103	- doc: Amplitude level reached after decay phase and immediately before sustain phase. Defaults to sustain_level unless explicitly set
	104	- default: sustain_level
	105	- constraints: must be zero or greater
	106	- Can not be changed once set
	107	* sustain_level:
	108	- doc: Amplitude level reached after decay phase and immediately before release phase.
	109	- default: 1
	110	- constraints: must be zero or greater
	111	- Can not be changed once set
	112	* env_curve:
	113	- doc: Select the shape of the curve between levels in the envelope. 1=linear, 2=exponential, 3=sine, 4=welch, 6=squared, 7=cubed
	114	- default: 2
	115	- constraints: must be one of the following values: [1, 2, 3, 4, 6, 7]
	116	- Can not be changed once set
91	117
92	118
93	119	## Pretty Bell

96	122	:pretty_bell
97	123
98	124	### Doc:
99		A simple pretty bell sound.
100
101		### Arguments:
	125	A pretty bell sound. Works well with short attacks and long decays.
	126
	127	### Opts:
102	128	* note:
103		- doc: Note to play. Either a MIDI number or a symbol representing a note. For example: 30, 52, :C, :C2, :Eb4, or :Ds3
	129	- doc: Note to play. Either a MIDI number or a symbol representing a note. For example: `30`, `52`, `:C`, `:C2`, `:Eb4`, or `:Ds3`
104	130	- default: 52
105	131	- constraints: must be zero or greater
106	132	- May be changed whilst playing
107
108		* note_slide:
109		- doc: Amount of time (in seconds) for the note to change. A long slide value means that the note takes a long time to slide from the previous note to the new note. A slide of 0 means that the note instantly changes to the new note.
110		- default: 0
111		- constraints: must be zero or greater
112		- May be changed whilst playing
113
114		* amp:
115		- doc: The amplitude of the sound. Typically a value between 0 and 1. Higher amplitudes may be used, but won't make the sound louder, it will just reduce the quality of all the sounds currently being played (due to compression.)
116		- default: 1
117		- constraints: must be zero or greater
118		- May be changed whilst playing
119
120		* amp_slide:
121		- doc: Amount of time (in seconds) for the amplitude (amp) to change. A long slide value means that the amp takes a long time to slide from the previous amplitude to the new amplitude. A slide of 0 means that the amplitude instantly changes to the new amplitude.
122		- default: 0
123		- constraints: must be zero or greater
124		- May be changed whilst playing
125
	133	- Has slide parameters for shaping changes
	134	* amp:
	135	- doc: The amplitude of the sound. Typically a value between 0 and 1. Higher amplitudes may be used, but won't make the sound louder, they will just reduce the quality of all the sounds currently being played (due to compression.)
	136	- default: 1
	137	- constraints: must be zero or greater
	138	- May be changed whilst playing
	139	- Has slide parameters for shaping changes
126	140	* pan:
127	141	- doc: Position of sound in stereo. With headphones on, this means how much of the sound is in the left ear, and how much is in the right ear. With a value of -1, the sound is completely in the left ear, a value of 0 puts the sound equally in both ears and a value of 1 puts the sound in the right ear. Values in between -1 and 1 move the sound accordingly.
128	142	- default: 0
129	143	- constraints: must be a value between -1 and 1 inclusively
130	144	- May be changed whilst playing
131
132		* pan_slide:
133		- doc: Amount of time (in seconds) for the pan to change. A long slide value means that the pan takes a long time to slide from the previous pan position to the new pan position. A slide of 0 means that the pan instantly changes to the new pan position.
134		- default: 0
135		- constraints: must be zero or greater
136		- May be changed whilst playing
137
	145	- Has slide parameters for shaping changes
138	146	* attack:
139		- doc: Amount of time (in seconds) for sound to reach full amplitude. A short attack (i.e. 0.01) makes the initial part of the sound very percussive like a sharp tap. A longer attack (i.e 1) fades the sound in gently. Full length of sound is attack + sustain + release.
140		- default: 0.01
141		- constraints: must be zero or greater
142		- Can not be changed once set
143
	147	- doc: Amount of time (in beats) for sound to reach full amplitude (attack_level). A short attack (i.e. 0.01) makes the initial part of the sound very percussive like a sharp tap. A longer attack (i.e 1) fades the sound in gently. Full length of sound is attack + decay + sustain + release.
	148	- default: 0
	149	- constraints: must be zero or greater
	150	- Can not be changed once set
	151	- Scaled with current BPM value
	152	* decay:
	153	- doc: Amount of time (in beats) for the sound to move from full amplitude (attack_level) to the sustain amplitude (sustain_level).
	154	- default: 0
	155	- constraints: must be zero or greater
	156	- Can not be changed once set
	157	- Scaled with current BPM value
144	158	* sustain:
145		- doc: Amount of time (in seconds) for sound to remain at full amplitude. Longer sustain values result in longer sounds. Full length of sound is attack + sustain + release.
146		- default: 0
147		- constraints: must be zero or greater
148		- Can not be changed once set
149
	159	- doc: Amount of time (in beats) for sound to remain at sustain level amplitude. Longer sustain values result in longer sounds. Full length of sound is attack + decay + sustain + release.
	160	- default: 0
	161	- constraints: must be zero or greater
	162	- Can not be changed once set
	163	- Scaled with current BPM value
150	164	* release:
151		- doc: Amount of time (in seconds) for sound to move from full amplitude to silent. A short release (i.e. 0.01) makes the final part of the sound very percussive (potentially resulting in a click). A longer release (i.e 1) fades the sound out gently. Full length of sound is attack + sustain + release.
152		- default: 1
153		- constraints: must be zero or greater
154		- Can not be changed once set
155
156
157
158		## Saw Wave
159
160		### Key:
161		:saw_beep
162
163		### Doc:
164		A simple saw wave with a low pass filter.
165
166		### Arguments:
	165	- doc: Amount of time (in beats) for sound to move from sustain level amplitude to silent. A short release (i.e. 0.01) makes the final part of the sound very percussive (potentially resulting in a click). A longer release (i.e 1) fades the sound out gently. Full length of sound is attack + decay + sustain + release.
	166	- default: 1
	167	- constraints: must be zero or greater
	168	- Can not be changed once set
	169	- Scaled with current BPM value
	170	* attack_level:
	171	- doc: Amplitude level reached after attack phase and immediately before decay phase
	172	- default: 1
	173	- constraints: must be zero or greater
	174	- Can not be changed once set
	175	* decay_level:
	176	- doc: Amplitude level reached after decay phase and immediately before sustain phase. Defaults to sustain_level unless explicitly set
	177	- default: sustain_level
	178	- constraints: must be zero or greater
	179	- Can not be changed once set
	180	* sustain_level:
	181	- doc: Amplitude level reached after decay phase and immediately before release phase.
	182	- default: 1
	183	- constraints: must be zero or greater
	184	- Can not be changed once set
	185	* env_curve:
	186	- doc: Select the shape of the curve between levels in the envelope. 1=linear, 2=exponential, 3=sine, 4=welch, 6=squared, 7=cubed
	187	- default: 2
	188	- constraints: must be one of the following values: [1, 2, 3, 4, 6, 7]
	189	- Can not be changed once set
	190
	191
	192	## Sine Wave
	193
	194	### Key:
	195	:beep
	196
	197	### Doc:
	198	A simple pure sine wave. The sine wave is the simplest, purest sound there is and is the fundamental building block of all noise. The mathematician Fourier demonstrated that any sound could be built out of a number of sine waves (the more complex the sound, the more sine waves needed). Have a play combining a number of sine waves to design your own sounds!
	199
	200	### Opts:
167	201	* note:
168		- doc: Note to play. Either a MIDI number or a symbol representing a note. For example: 30, 52, :C, :C2, :Eb4, or :Ds3
	202	- doc: Note to play. Either a MIDI number or a symbol representing a note. For example: `30`, `52`, `:C`, `:C2`, `:Eb4`, or `:Ds3`
169	203	- default: 52
170	204	- constraints: must be zero or greater
171	205	- May be changed whilst playing
172
173		* note_slide:
174		- doc: Amount of time (in seconds) for the note to change. A long slide value means that the note takes a long time to slide from the previous note to the new note. A slide of 0 means that the note instantly changes to the new note.
175		- default: 0
176		- constraints: must be zero or greater
177		- May be changed whilst playing
178
179		* amp:
180		- doc: The amplitude of the sound. Typically a value between 0 and 1. Higher amplitudes may be used, but won't make the sound louder, it will just reduce the quality of all the sounds currently being played (due to compression.)
181		- default: 1
182		- constraints: must be zero or greater
183		- May be changed whilst playing
184
185		* amp_slide:
186		- doc: Amount of time (in seconds) for the amplitude (amp) to change. A long slide value means that the amp takes a long time to slide from the previous amplitude to the new amplitude. A slide of 0 means that the amplitude instantly changes to the new amplitude.
187		- default: 0
188		- constraints: must be zero or greater
189		- May be changed whilst playing
190
	206	- Has slide parameters for shaping changes
	207	* amp:
	208	- doc: The amplitude of the sound. Typically a value between 0 and 1. Higher amplitudes may be used, but won't make the sound louder, they will just reduce the quality of all the sounds currently being played (due to compression.)
	209	- default: 1
	210	- constraints: must be zero or greater
	211	- May be changed whilst playing
	212	- Has slide parameters for shaping changes
191	213	* pan:
192	214	- doc: Position of sound in stereo. With headphones on, this means how much of the sound is in the left ear, and how much is in the right ear. With a value of -1, the sound is completely in the left ear, a value of 0 puts the sound equally in both ears and a value of 1 puts the sound in the right ear. Values in between -1 and 1 move the sound accordingly.
193	215	- default: 0
194	216	- constraints: must be a value between -1 and 1 inclusively
195	217	- May be changed whilst playing
196
197		* pan_slide:
198		- doc: Amount of time (in seconds) for the pan to change. A long slide value means that the pan takes a long time to slide from the previous pan position to the new pan position. A slide of 0 means that the pan instantly changes to the new pan position.
199		- default: 0
200		- constraints: must be zero or greater
201		- May be changed whilst playing
202
	218	- Has slide parameters for shaping changes
203	219	* attack:
204		- doc: Amount of time (in seconds) for sound to reach full amplitude. A short attack (i.e. 0.01) makes the initial part of the sound very percussive like a sharp tap. A longer attack (i.e 1) fades the sound in gently. Full length of sound is attack + sustain + release.
205		- default: 0.1
206		- constraints: must be zero or greater
207		- Can not be changed once set
208
	220	- doc: Amount of time (in beats) for sound to reach full amplitude (attack_level). A short attack (i.e. 0.01) makes the initial part of the sound very percussive like a sharp tap. A longer attack (i.e 1) fades the sound in gently. Full length of sound is attack + decay + sustain + release.
	221	- default: 0
	222	- constraints: must be zero or greater
	223	- Can not be changed once set
	224	- Scaled with current BPM value
	225	* decay:
	226	- doc: Amount of time (in beats) for the sound to move from full amplitude (attack_level) to the sustain amplitude (sustain_level).
	227	- default: 0
	228	- constraints: must be zero or greater
	229	- Can not be changed once set
	230	- Scaled with current BPM value
209	231	* sustain:
210		- doc: Amount of time (in seconds) for sound to remain at full amplitude. Longer sustain values result in longer sounds. Full length of sound is attack + sustain + release.
211		- default: 0
212		- constraints: must be zero or greater
213		- Can not be changed once set
214
	232	- doc: Amount of time (in beats) for sound to remain at sustain level amplitude. Longer sustain values result in longer sounds. Full length of sound is attack + decay + sustain + release.
	233	- default: 0
	234	- constraints: must be zero or greater
	235	- Can not be changed once set
	236	- Scaled with current BPM value
215	237	* release:
216		- doc: Amount of time (in seconds) for sound to move from full amplitude to silent. A short release (i.e. 0.01) makes the final part of the sound very percussive (potentially resulting in a click). A longer release (i.e 1) fades the sound out gently. Full length of sound is attack + sustain + release.
217		- default: 0.3
218		- constraints: must be zero or greater
219		- Can not be changed once set
220
	238	- doc: Amount of time (in beats) for sound to move from sustain level amplitude to silent. A short release (i.e. 0.01) makes the final part of the sound very percussive (potentially resulting in a click). A longer release (i.e 1) fades the sound out gently. Full length of sound is attack + decay + sustain + release.
	239	- default: 1
	240	- constraints: must be zero or greater
	241	- Can not be changed once set
	242	- Scaled with current BPM value
	243	* attack_level:
	244	- doc: Amplitude level reached after attack phase and immediately before decay phase
	245	- default: 1
	246	- constraints: must be zero or greater
	247	- Can not be changed once set
	248	* decay_level:
	249	- doc: Amplitude level reached after decay phase and immediately before sustain phase. Defaults to sustain_level unless explicitly set
	250	- default: sustain_level
	251	- constraints: must be zero or greater
	252	- Can not be changed once set
	253	* sustain_level:
	254	- doc: Amplitude level reached after decay phase and immediately before release phase.
	255	- default: 1
	256	- constraints: must be zero or greater
	257	- Can not be changed once set
	258	* env_curve:
	259	- doc: Select the shape of the curve between levels in the envelope. 1=linear, 2=exponential, 3=sine, 4=welch, 6=squared, 7=cubed
	260	- default: 2
	261	- constraints: must be one of the following values: [1, 2, 3, 4, 6, 7]
	262	- Can not be changed once set
221	263
222	264
223	265	## Sine Wave
224	266
225	267	### Key:
226		:beep
227
228		### Doc:
229		A simple pure sine wave.
230
231		### Arguments:
	268	:sine
	269
	270	### Doc:
	271	A simple pure sine wave. The sine wave is the simplest, purest sound there is and is the fundamental building block of all noise. The mathematician Fourier demonstrated that any sound could be built out of a number of sine waves (the more complex the sound, the more sine waves needed). Have a play combining a number of sine waves to design your own sounds!
	272
	273	### Opts:
232	274	* note:
233		- doc: Note to play. Either a MIDI number or a symbol representing a note. For example: 30, 52, :C, :C2, :Eb4, or :Ds3
	275	- doc: Note to play. Either a MIDI number or a symbol representing a note. For example: `30`, `52`, `:C`, `:C2`, `:Eb4`, or `:Ds3`
234	276	- default: 52
235	277	- constraints: must be zero or greater
236	278	- May be changed whilst playing
237
238		* note_slide:
239		- doc: Amount of time (in seconds) for the note to change. A long slide value means that the note takes a long time to slide from the previous note to the new note. A slide of 0 means that the note instantly changes to the new note.
240		- default: 0
241		- constraints: must be zero or greater
242		- May be changed whilst playing
243
244		* amp:
245		- doc: The amplitude of the sound. Typically a value between 0 and 1. Higher amplitudes may be used, but won't make the sound louder, it will just reduce the quality of all the sounds currently being played (due to compression.)
246		- default: 1
247		- constraints: must be zero or greater
248		- May be changed whilst playing
249
250		* amp_slide:
251		- doc: Amount of time (in seconds) for the amplitude (amp) to change. A long slide value means that the amp takes a long time to slide from the previous amplitude to the new amplitude. A slide of 0 means that the amplitude instantly changes to the new amplitude.
252		- default: 0
253		- constraints: must be zero or greater
254		- May be changed whilst playing
255
	279	- Has slide parameters for shaping changes
	280	* amp:
	281	- doc: The amplitude of the sound. Typically a value between 0 and 1. Higher amplitudes may be used, but won't make the sound louder, they will just reduce the quality of all the sounds currently being played (due to compression.)
	282	- default: 1
	283	- constraints: must be zero or greater
	284	- May be changed whilst playing
	285	- Has slide parameters for shaping changes
256	286	* pan:
257	287	- doc: Position of sound in stereo. With headphones on, this means how much of the sound is in the left ear, and how much is in the right ear. With a value of -1, the sound is completely in the left ear, a value of 0 puts the sound equally in both ears and a value of 1 puts the sound in the right ear. Values in between -1 and 1 move the sound accordingly.
258	288	- default: 0
259	289	- constraints: must be a value between -1 and 1 inclusively
260	290	- May be changed whilst playing
261
262		* pan_slide:
263		- doc: Amount of time (in seconds) for the pan to change. A long slide value means that the pan takes a long time to slide from the previous pan position to the new pan position. A slide of 0 means that the pan instantly changes to the new pan position.
264		- default: 0
265		- constraints: must be zero or greater
266		- May be changed whilst playing
267
	291	- Has slide parameters for shaping changes
268	292	* attack:
269		- doc: Amount of time (in seconds) for sound to reach full amplitude. A short attack (i.e. 0.01) makes the initial part of the sound very percussive like a sharp tap. A longer attack (i.e 1) fades the sound in gently. Full length of sound is attack + sustain + release.
270		- default: 0.1
271		- constraints: must be zero or greater
272		- Can not be changed once set
273
	293	- doc: Amount of time (in beats) for sound to reach full amplitude (attack_level). A short attack (i.e. 0.01) makes the initial part of the sound very percussive like a sharp tap. A longer attack (i.e 1) fades the sound in gently. Full length of sound is attack + decay + sustain + release.
	294	- default: 0
	295	- constraints: must be zero or greater
	296	- Can not be changed once set
	297	- Scaled with current BPM value
	298	* decay:
	299	- doc: Amount of time (in beats) for the sound to move from full amplitude (attack_level) to the sustain amplitude (sustain_level).
	300	- default: 0
	301	- constraints: must be zero or greater
	302	- Can not be changed once set
	303	- Scaled with current BPM value
274	304	* sustain:
275		- doc: Amount of time (in seconds) for sound to remain at full amplitude. Longer sustain values result in longer sounds. Full length of sound is attack + sustain + release.
276		- default: 0
277		- constraints: must be zero or greater
278		- Can not be changed once set
279
	305	- doc: Amount of time (in beats) for sound to remain at sustain level amplitude. Longer sustain values result in longer sounds. Full length of sound is attack + decay + sustain + release.
	306	- default: 0
	307	- constraints: must be zero or greater
	308	- Can not be changed once set
	309	- Scaled with current BPM value
280	310	* release:
281		- doc: Amount of time (in seconds) for sound to move from full amplitude to silent. A short release (i.e. 0.01) makes the final part of the sound very percussive (potentially resulting in a click). A longer release (i.e 1) fades the sound out gently. Full length of sound is attack + sustain + release.
282		- default: 0.3
283		- constraints: must be zero or greater
284		- Can not be changed once set
285
286
287
288		## Detuned Saw wave
289
290		### Key:
291		:dsaw
292
293		### Doc:
294		A pair of detuned saw waves with a lop pass filter.
295
296		### Arguments:
	311	- doc: Amount of time (in beats) for sound to move from sustain level amplitude to silent. A short release (i.e. 0.01) makes the final part of the sound very percussive (potentially resulting in a click). A longer release (i.e 1) fades the sound out gently. Full length of sound is attack + decay + sustain + release.
	312	- default: 1
	313	- constraints: must be zero or greater
	314	- Can not be changed once set
	315	- Scaled with current BPM value
	316	* attack_level:
	317	- doc: Amplitude level reached after attack phase and immediately before decay phase
	318	- default: 1
	319	- constraints: must be zero or greater
	320	- Can not be changed once set
	321	* decay_level:
	322	- doc: Amplitude level reached after decay phase and immediately before sustain phase. Defaults to sustain_level unless explicitly set
	323	- default: sustain_level
	324	- constraints: must be zero or greater
	325	- Can not be changed once set
	326	* sustain_level:
	327	- doc: Amplitude level reached after decay phase and immediately before release phase.
	328	- default: 1
	329	- constraints: must be zero or greater
	330	- Can not be changed once set
	331	* env_curve:
	332	- doc: Select the shape of the curve between levels in the envelope. 1=linear, 2=exponential, 3=sine, 4=welch, 6=squared, 7=cubed
	333	- default: 2
	334	- constraints: must be one of the following values: [1, 2, 3, 4, 6, 7]
	335	- Can not be changed once set
	336
	337
	338	## Saw Wave
	339
	340	### Key:
	341	:saw
	342
	343	### Doc:
	344	A saw wave with a low pass filter. Great for using with FX such as the built in low pass filter (available via the cutoff arg) due to the complexity and thickness of the sound.
	345
	346	### Opts:
297	347	* note:
298		- doc: Note to play. Either a MIDI number or a symbol representing a note. For example: 30, 52, :C, :C2, :Eb4, or :Ds3
	348	- doc: Note to play. Either a MIDI number or a symbol representing a note. For example: `30`, `52`, `:C`, `:C2`, `:Eb4`, or `:Ds3`
299	349	- default: 52
300	350	- constraints: must be zero or greater
301	351	- May be changed whilst playing
302
303		* note_slide:
304		- doc: Amount of time (in seconds) for the note to change. A long slide value means that the note takes a long time to slide from the previous note to the new note. A slide of 0 means that the note instantly changes to the new note.
305		- default: 0
306		- constraints: must be zero or greater
307		- May be changed whilst playing
308
309		* amp:
310		- doc: The amplitude of the sound. Typically a value between 0 and 1. Higher amplitudes may be used, but won't make the sound louder, it will just reduce the quality of all the sounds currently being played (due to compression.)
311		- default: 1
312		- constraints: must be zero or greater
313		- May be changed whilst playing
314
315		* amp_slide:
316		- doc: Amount of time (in seconds) for the amplitude (amp) to change. A long slide value means that the amp takes a long time to slide from the previous amplitude to the new amplitude. A slide of 0 means that the amplitude instantly changes to the new amplitude.
317		- default: 0
318		- constraints: must be zero or greater
319		- May be changed whilst playing
320
	352	- Has slide parameters for shaping changes
	353	* amp:
	354	- doc: The amplitude of the sound. Typically a value between 0 and 1. Higher amplitudes may be used, but won't make the sound louder, they will just reduce the quality of all the sounds currently being played (due to compression.)
	355	- default: 1
	356	- constraints: must be zero or greater
	357	- May be changed whilst playing
	358	- Has slide parameters for shaping changes
321	359	* pan:
322	360	- doc: Position of sound in stereo. With headphones on, this means how much of the sound is in the left ear, and how much is in the right ear. With a value of -1, the sound is completely in the left ear, a value of 0 puts the sound equally in both ears and a value of 1 puts the sound in the right ear. Values in between -1 and 1 move the sound accordingly.
323	361	- default: 0
324	362	- constraints: must be a value between -1 and 1 inclusively
325	363	- May be changed whilst playing
326
327		* pan_slide:
328		- doc: Amount of time (in seconds) for the pan to change. A long slide value means that the pan takes a long time to slide from the previous pan position to the new pan position. A slide of 0 means that the pan instantly changes to the new pan position.
329		- default: 0
330		- constraints: must be zero or greater
331		- May be changed whilst playing
332
	364	- Has slide parameters for shaping changes
333	365	* attack:
334		- doc: Amount of time (in seconds) for sound to reach full amplitude. A short attack (i.e. 0.01) makes the initial part of the sound very percussive like a sharp tap. A longer attack (i.e 1) fades the sound in gently. Full length of sound is attack + sustain + release.
335		- default: 0
336		- constraints: must be zero or greater
337		- Can not be changed once set
338
	366	- doc: Amount of time (in beats) for sound to reach full amplitude (attack_level). A short attack (i.e. 0.01) makes the initial part of the sound very percussive like a sharp tap. A longer attack (i.e 1) fades the sound in gently. Full length of sound is attack + decay + sustain + release.
	367	- default: 0
	368	- constraints: must be zero or greater
	369	- Can not be changed once set
	370	- Scaled with current BPM value
	371	* decay:
	372	- doc: Amount of time (in beats) for the sound to move from full amplitude (attack_level) to the sustain amplitude (sustain_level).
	373	- default: 0
	374	- constraints: must be zero or greater
	375	- Can not be changed once set
	376	- Scaled with current BPM value
339	377	* sustain:
340		- doc: Amount of time (in seconds) for sound to remain at full amplitude. Longer sustain values result in longer sounds. Full length of sound is attack + sustain + release.
341		- default: 0
342		- constraints: must be zero or greater
343		- Can not be changed once set
344
	378	- doc: Amount of time (in beats) for sound to remain at sustain level amplitude. Longer sustain values result in longer sounds. Full length of sound is attack + decay + sustain + release.
	379	- default: 0
	380	- constraints: must be zero or greater
	381	- Can not be changed once set
	382	- Scaled with current BPM value
345	383	* release:
346		- doc: Amount of time (in seconds) for sound to move from full amplitude to silent. A short release (i.e. 0.01) makes the final part of the sound very percussive (potentially resulting in a click). A longer release (i.e 1) fades the sound out gently. Full length of sound is attack + sustain + release.
347		- default: 0.2
348		- constraints: must be zero or greater
349		- Can not be changed once set
350
	384	- doc: Amount of time (in beats) for sound to move from sustain level amplitude to silent. A short release (i.e. 0.01) makes the final part of the sound very percussive (potentially resulting in a click). A longer release (i.e 1) fades the sound out gently. Full length of sound is attack + decay + sustain + release.
	385	- default: 1
	386	- constraints: must be zero or greater
	387	- Can not be changed once set
	388	- Scaled with current BPM value
	389	* attack_level:
	390	- doc: Amplitude level reached after attack phase and immediately before decay phase
	391	- default: 1
	392	- constraints: must be zero or greater
	393	- Can not be changed once set
	394	* decay_level:
	395	- doc: Amplitude level reached after decay phase and immediately before sustain phase. Defaults to sustain_level unless explicitly set
	396	- default: sustain_level
	397	- constraints: must be zero or greater
	398	- Can not be changed once set
	399	* sustain_level:
	400	- doc: Amplitude level reached after decay phase and immediately before release phase.
	401	- default: 1
	402	- constraints: must be zero or greater
	403	- Can not be changed once set
	404	* env_curve:
	405	- doc: Select the shape of the curve between levels in the envelope. 1=linear, 2=exponential, 3=sine, 4=welch, 6=squared, 7=cubed
	406	- default: 2
	407	- constraints: must be one of the following values: [1, 2, 3, 4, 6, 7]
	408	- Can not be changed once set
	409
	410
	411	## Pulse Wave
	412
	413	### Key:
	414	:pulse
	415
	416	### Doc:
	417	A simple pulse wave with a low pass filter. This defaults to a square wave, but the timbre can be changed dramatically by adjusting the pulse_width arg between 0 and 1. The pulse wave is thick and heavy with lower notes and is a great ingredient for bass sounds.
	418
	419	### Opts:
	420	* note:
	421	- doc: Note to play. Either a MIDI number or a symbol representing a note. For example: `30`, `52`, `:C`, `:C2`, `:Eb4`, or `:Ds3`
	422	- default: 52
	423	- constraints: must be zero or greater
	424	- May be changed whilst playing
	425	- Has slide parameters for shaping changes
	426	* amp:
	427	- doc: The amplitude of the sound. Typically a value between 0 and 1. Higher amplitudes may be used, but won't make the sound louder, they will just reduce the quality of all the sounds currently being played (due to compression.)
	428	- default: 1
	429	- constraints: must be zero or greater
	430	- May be changed whilst playing
	431	- Has slide parameters for shaping changes
	432	* pan:
	433	- doc: Position of sound in stereo. With headphones on, this means how much of the sound is in the left ear, and how much is in the right ear. With a value of -1, the sound is completely in the left ear, a value of 0 puts the sound equally in both ears and a value of 1 puts the sound in the right ear. Values in between -1 and 1 move the sound accordingly.
	434	- default: 0
	435	- constraints: must be a value between -1 and 1 inclusively
	436	- May be changed whilst playing
	437	- Has slide parameters for shaping changes
	438	* attack:
	439	- doc: Amount of time (in beats) for sound to reach full amplitude (attack_level). A short attack (i.e. 0.01) makes the initial part of the sound very percussive like a sharp tap. A longer attack (i.e 1) fades the sound in gently. Full length of sound is attack + decay + sustain + release.
	440	- default: 0
	441	- constraints: must be zero or greater
	442	- Can not be changed once set
	443	- Scaled with current BPM value
	444	* decay:
	445	- doc: Amount of time (in beats) for the sound to move from full amplitude (attack_level) to the sustain amplitude (sustain_level).
	446	- default: 0
	447	- constraints: must be zero or greater
	448	- Can not be changed once set
	449	- Scaled with current BPM value
	450	* sustain:
	451	- doc: Amount of time (in beats) for sound to remain at sustain level amplitude. Longer sustain values result in longer sounds. Full length of sound is attack + decay + sustain + release.
	452	- default: 0
	453	- constraints: must be zero or greater
	454	- Can not be changed once set
	455	- Scaled with current BPM value
	456	* release:
	457	- doc: Amount of time (in beats) for sound to move from sustain level amplitude to silent. A short release (i.e. 0.01) makes the final part of the sound very percussive (potentially resulting in a click). A longer release (i.e 1) fades the sound out gently. Full length of sound is attack + decay + sustain + release.
	458	- default: 1
	459	- constraints: must be zero or greater
	460	- Can not be changed once set
	461	- Scaled with current BPM value
	462	* attack_level:
	463	- doc: Amplitude level reached after attack phase and immediately before decay phase
	464	- default: 1
	465	- constraints: must be zero or greater
	466	- Can not be changed once set
	467	* decay_level:
	468	- doc: Amplitude level reached after decay phase and immediately before sustain phase. Defaults to sustain_level unless explicitly set
	469	- default: sustain_level
	470	- constraints: must be zero or greater
	471	- Can not be changed once set
	472	* sustain_level:
	473	- doc: Amplitude level reached after decay phase and immediately before release phase.
	474	- default: 1
	475	- constraints: must be zero or greater
	476	- Can not be changed once set
	477	* env_curve:
	478	- doc: Select the shape of the curve between levels in the envelope. 1=linear, 2=exponential, 3=sine, 4=welch, 6=squared, 7=cubed
	479	- default: 2
	480	- constraints: must be one of the following values: [1, 2, 3, 4, 6, 7]
	481	- Can not be changed once set
351	482	* cutoff:
352		- doc: MIDI note representing the highest frequences allowed to be present in the sound. A low value like 30 makes the sound round and dull, a high value like 100 makes the sound buzzy and crispy.
	483	- doc: MIDI note representing the highest frequencies allowed to be present in the sound. A low value like 30 makes the sound round and dull, a high value like 100 makes the sound buzzy and crispy.
353	484	- default: 100
354		- constraints: must be zero or greater, must be a value less than 130
355		- May be changed whilst playing
356
357		* cutoff_slide:
358		- doc: Amount of time (in seconds) for the cutoff value to change. A long cutoff_slide value means that the cutoff takes a long time to slide from the previous value to the new value. A cutoff_slide of 0 means that the cutoff instantly changes to the new value.
359		- default: 0
360		- constraints: must be zero or greater
361		- May be changed whilst playing
362
	485	- constraints: must be zero or greater,must be a value less than 131
	486	- May be changed whilst playing
	487	- Has slide parameters for shaping changes
	488	* pulse_width:
	489	- doc: The width of the pulse wave as a value between 0 and 1. A width of 0.5 will produce a square wave. Different values will change the timbre of the sound. Only valid if wave is type pulse.
	490	- default: 0.5
	491	- constraints: must be a value between 0 and 1 exclusively
	492	- May be changed whilst playing
	493	- Has slide parameters for shaping changes
	494
	495
	496	## Pulse Wave with sub
	497
	498	### Key:
	499	:subpulse
	500
	501	### Doc:
	502	A pulse wave with a sub sine wave passed through a low pass filter. The pulse wave is thick and heavy with lower notes and is a great ingredient for bass sounds - especially with the sub wave.
	503
	504	### Opts:
	505	* note:
	506	- doc: Note to play. Either a MIDI number or a symbol representing a note. For example: `30`, `52`, `:C`, `:C2`, `:Eb4`, or `:Ds3`
	507	- default: 52
	508	- constraints: must be zero or greater
	509	- May be changed whilst playing
	510	- Has slide parameters for shaping changes
	511	* amp:
	512	- doc: The amplitude of the sound. Typically a value between 0 and 1. Higher amplitudes may be used, but won't make the sound louder, they will just reduce the quality of all the sounds currently being played (due to compression.)
	513	- default: 1
	514	- constraints: must be zero or greater
	515	- May be changed whilst playing
	516	- Has slide parameters for shaping changes
	517	* pan:
	518	- doc: Position of sound in stereo. With headphones on, this means how much of the sound is in the left ear, and how much is in the right ear. With a value of -1, the sound is completely in the left ear, a value of 0 puts the sound equally in both ears and a value of 1 puts the sound in the right ear. Values in between -1 and 1 move the sound accordingly.
	519	- default: 0
	520	- constraints: must be a value between -1 and 1 inclusively
	521	- May be changed whilst playing
	522	- Has slide parameters for shaping changes
	523	* attack:
	524	- doc: Amount of time (in beats) for sound to reach full amplitude (attack_level). A short attack (i.e. 0.01) makes the initial part of the sound very percussive like a sharp tap. A longer attack (i.e 1) fades the sound in gently. Full length of sound is attack + decay + sustain + release.
	525	- default: 0
	526	- constraints: must be zero or greater
	527	- Can not be changed once set
	528	- Scaled with current BPM value
	529	* decay:
	530	- doc: Amount of time (in beats) for the sound to move from full amplitude (attack_level) to the sustain amplitude (sustain_level).
	531	- default: 0
	532	- constraints: must be zero or greater
	533	- Can not be changed once set
	534	- Scaled with current BPM value
	535	* sustain:
	536	- doc: Amount of time (in beats) for sound to remain at sustain level amplitude. Longer sustain values result in longer sounds. Full length of sound is attack + decay + sustain + release.
	537	- default: 0
	538	- constraints: must be zero or greater
	539	- Can not be changed once set
	540	- Scaled with current BPM value
	541	* release:
	542	- doc: Amount of time (in beats) for sound to move from sustain level amplitude to silent. A short release (i.e. 0.01) makes the final part of the sound very percussive (potentially resulting in a click). A longer release (i.e 1) fades the sound out gently. Full length of sound is attack + decay + sustain + release.
	543	- default: 1
	544	- constraints: must be zero or greater
	545	- Can not be changed once set
	546	- Scaled with current BPM value
	547	* attack_level:
	548	- doc: Amplitude level reached after attack phase and immediately before decay phase
	549	- default: 1
	550	- constraints: must be zero or greater
	551	- Can not be changed once set
	552	* decay_level:
	553	- doc: Amplitude level reached after decay phase and immediately before sustain phase. Defaults to sustain_level unless explicitly set
	554	- default: sustain_level
	555	- constraints: must be zero or greater
	556	- Can not be changed once set
	557	* sustain_level:
	558	- doc: Amplitude level reached after decay phase and immediately before release phase.
	559	- default: 1
	560	- constraints: must be zero or greater
	561	- Can not be changed once set
	562	* env_curve:
	563	- doc: Select the shape of the curve between levels in the envelope. 1=linear, 2=exponential, 3=sine, 4=welch, 6=squared, 7=cubed
	564	- default: 2
	565	- constraints: must be one of the following values: [1, 2, 3, 4, 6, 7]
	566	- Can not be changed once set
	567	* cutoff:
	568	- doc: MIDI note representing the highest frequencies allowed to be present in the sound. A low value like 30 makes the sound round and dull, a high value like 100 makes the sound buzzy and crispy.
	569	- default: 100
	570	- constraints: must be zero or greater,must be a value less than 131
	571	- May be changed whilst playing
	572	- Has slide parameters for shaping changes
	573	* pulse_width:
	574	- doc: The width of the pulse wave as a value between 0 and 1. A width of 0.5 will produce a square wave. Different values will change the timbre of the sound. Only valid if wave is type pulse.
	575	- default: 0.5
	576	- constraints: must be a value between 0 and 1 exclusively
	577	- May be changed whilst playing
	578	- Has slide parameters for shaping changes
	579	* sub_amp:
	580	- doc: Amplitude for the additional sine wave.
	581	- default: 1
	582	- constraints: none
	583	- May be changed whilst playing
	584	- Has slide parameters for shaping changes
	585	* sub_detune:
	586	- doc: Amount of detune from the note for the additional sine wave. Default is -12
	587	- default: -12
	588	- constraints: none
	589	- May be changed whilst playing
	590	- Has slide parameters for shaping changes
	591
	592
	593	## Square Wave
	594
	595	### Key:
	596	:square
	597
	598	### Doc:
	599	A simple square wave with a low pass filter. The square wave is thick and heavy with lower notes and is a great ingredient for bass sounds. If you wish to modulate the width of the square wave see the synth pulse.
	600
	601	### Opts:
	602	* note:
	603	- doc: Note to play. Either a MIDI number or a symbol representing a note. For example: `30`, `52`, `:C`, `:C2`, `:Eb4`, or `:Ds3`
	604	- default: 52
	605	- constraints: must be zero or greater
	606	- May be changed whilst playing
	607	- Has slide parameters for shaping changes
	608	* amp:
	609	- doc: The amplitude of the sound. Typically a value between 0 and 1. Higher amplitudes may be used, but won't make the sound louder, they will just reduce the quality of all the sounds currently being played (due to compression.)
	610	- default: 1
	611	- constraints: must be zero or greater
	612	- May be changed whilst playing
	613	- Has slide parameters for shaping changes
	614	* pan:
	615	- doc: Position of sound in stereo. With headphones on, this means how much of the sound is in the left ear, and how much is in the right ear. With a value of -1, the sound is completely in the left ear, a value of 0 puts the sound equally in both ears and a value of 1 puts the sound in the right ear. Values in between -1 and 1 move the sound accordingly.
	616	- default: 0
	617	- constraints: must be a value between -1 and 1 inclusively
	618	- May be changed whilst playing
	619	- Has slide parameters for shaping changes
	620	* attack:
	621	- doc: Amount of time (in beats) for sound to reach full amplitude (attack_level). A short attack (i.e. 0.01) makes the initial part of the sound very percussive like a sharp tap. A longer attack (i.e 1) fades the sound in gently. Full length of sound is attack + decay + sustain + release.
	622	- default: 0
	623	- constraints: must be zero or greater
	624	- Can not be changed once set
	625	- Scaled with current BPM value
	626	* decay:
	627	- doc: Amount of time (in beats) for the sound to move from full amplitude (attack_level) to the sustain amplitude (sustain_level).
	628	- default: 0
	629	- constraints: must be zero or greater
	630	- Can not be changed once set
	631	- Scaled with current BPM value
	632	* sustain:
	633	- doc: Amount of time (in beats) for sound to remain at sustain level amplitude. Longer sustain values result in longer sounds. Full length of sound is attack + decay + sustain + release.
	634	- default: 0
	635	- constraints: must be zero or greater
	636	- Can not be changed once set
	637	- Scaled with current BPM value
	638	* release:
	639	- doc: Amount of time (in beats) for sound to move from sustain level amplitude to silent. A short release (i.e. 0.01) makes the final part of the sound very percussive (potentially resulting in a click). A longer release (i.e 1) fades the sound out gently. Full length of sound is attack + decay + sustain + release.
	640	- default: 1
	641	- constraints: must be zero or greater
	642	- Can not be changed once set
	643	- Scaled with current BPM value
	644	* attack_level:
	645	- doc: Amplitude level reached after attack phase and immediately before decay phase
	646	- default: 1
	647	- constraints: must be zero or greater
	648	- Can not be changed once set
	649	* decay_level:
	650	- doc: Amplitude level reached after decay phase and immediately before sustain phase. Defaults to sustain_level unless explicitly set
	651	- default: sustain_level
	652	- constraints: must be zero or greater
	653	- Can not be changed once set
	654	* sustain_level:
	655	- doc: Amplitude level reached after decay phase and immediately before release phase.
	656	- default: 1
	657	- constraints: must be zero or greater
	658	- Can not be changed once set
	659	* env_curve:
	660	- doc: Select the shape of the curve between levels in the envelope. 1=linear, 2=exponential, 3=sine, 4=welch, 6=squared, 7=cubed
	661	- default: 2
	662	- constraints: must be one of the following values: [1, 2, 3, 4, 6, 7]
	663	- Can not be changed once set
	664	* cutoff:
	665	- doc: MIDI note representing the highest frequencies allowed to be present in the sound. A low value like 30 makes the sound round and dull, a high value like 100 makes the sound buzzy and crispy.
	666	- default: 100
	667	- constraints: must be zero or greater,must be a value less than 131
	668	- May be changed whilst playing
	669	- Has slide parameters for shaping changes
	670
	671
	672	## Triangle Wave
	673
	674	### Key:
	675	:tri
	676
	677	### Doc:
	678	A simple triangle wave with a low pass filter.
	679
	680	### Opts:
	681	* note:
	682	- doc: Note to play. Either a MIDI number or a symbol representing a note. For example: `30`, `52`, `:C`, `:C2`, `:Eb4`, or `:Ds3`
	683	- default: 52
	684	- constraints: must be zero or greater
	685	- May be changed whilst playing
	686	- Has slide parameters for shaping changes
	687	* amp:
	688	- doc: The amplitude of the sound. Typically a value between 0 and 1. Higher amplitudes may be used, but won't make the sound louder, they will just reduce the quality of all the sounds currently being played (due to compression.)
	689	- default: 1
	690	- constraints: must be zero or greater
	691	- May be changed whilst playing
	692	- Has slide parameters for shaping changes
	693	* pan:
	694	- doc: Position of sound in stereo. With headphones on, this means how much of the sound is in the left ear, and how much is in the right ear. With a value of -1, the sound is completely in the left ear, a value of 0 puts the sound equally in both ears and a value of 1 puts the sound in the right ear. Values in between -1 and 1 move the sound accordingly.
	695	- default: 0
	696	- constraints: must be a value between -1 and 1 inclusively
	697	- May be changed whilst playing
	698	- Has slide parameters for shaping changes
	699	* attack:
	700	- doc: Amount of time (in beats) for sound to reach full amplitude (attack_level). A short attack (i.e. 0.01) makes the initial part of the sound very percussive like a sharp tap. A longer attack (i.e 1) fades the sound in gently. Full length of sound is attack + decay + sustain + release.
	701	- default: 0
	702	- constraints: must be zero or greater
	703	- Can not be changed once set
	704	- Scaled with current BPM value
	705	* decay:
	706	- doc: Amount of time (in beats) for the sound to move from full amplitude (attack_level) to the sustain amplitude (sustain_level).
	707	- default: 0
	708	- constraints: must be zero or greater
	709	- Can not be changed once set
	710	- Scaled with current BPM value
	711	* sustain:
	712	- doc: Amount of time (in beats) for sound to remain at sustain level amplitude. Longer sustain values result in longer sounds. Full length of sound is attack + decay + sustain + release.
	713	- default: 0
	714	- constraints: must be zero or greater
	715	- Can not be changed once set
	716	- Scaled with current BPM value
	717	* release:
	718	- doc: Amount of time (in beats) for sound to move from sustain level amplitude to silent. A short release (i.e. 0.01) makes the final part of the sound very percussive (potentially resulting in a click). A longer release (i.e 1) fades the sound out gently. Full length of sound is attack + decay + sustain + release.
	719	- default: 1
	720	- constraints: must be zero or greater
	721	- Can not be changed once set
	722	- Scaled with current BPM value
	723	* attack_level:
	724	- doc: Amplitude level reached after attack phase and immediately before decay phase
	725	- default: 1
	726	- constraints: must be zero or greater
	727	- Can not be changed once set
	728	* decay_level:
	729	- doc: Amplitude level reached after decay phase and immediately before sustain phase. Defaults to sustain_level unless explicitly set
	730	- default: sustain_level
	731	- constraints: must be zero or greater
	732	- Can not be changed once set
	733	* sustain_level:
	734	- doc: Amplitude level reached after decay phase and immediately before release phase.
	735	- default: 1
	736	- constraints: must be zero or greater
	737	- Can not be changed once set
	738	* env_curve:
	739	- doc: Select the shape of the curve between levels in the envelope. 1=linear, 2=exponential, 3=sine, 4=welch, 6=squared, 7=cubed
	740	- default: 2
	741	- constraints: must be one of the following values: [1, 2, 3, 4, 6, 7]
	742	- Can not be changed once set
	743	* cutoff:
	744	- doc: MIDI note representing the highest frequencies allowed to be present in the sound. A low value like 30 makes the sound round and dull, a high value like 100 makes the sound buzzy and crispy.
	745	- default: 100
	746	- constraints: must be zero or greater,must be a value less than 131
	747	- May be changed whilst playing
	748	- Has slide parameters for shaping changes
	749	* pulse_width:
	750	- doc: The width of the pulse wave as a value between 0 and 1. A width of 0.5 will produce a square wave. Different values will change the timbre of the sound. Only valid if wave is type pulse.
	751	- default: 0.5
	752	- constraints: must be a value between 0 and 1 exclusively
	753	- May be changed whilst playing
	754	- Has slide parameters for shaping changes
	755
	756
	757	## Detuned Saw wave
	758
	759	### Key:
	760	:dsaw
	761
	762	### Doc:
	763	A pair of detuned saw waves passed through a low pass filter. Two saw waves with slightly different frequencies generates a nice thick sound which is the basis for a lot of famous synth sounds. Thicken the sound by increasing the detune value, or create an octave-playing synth by choosing a detune of 12 (12 MIDI notes is an octave).
	764
	765	### Opts:
	766	* note:
	767	- doc: Note to play. Either a MIDI number or a symbol representing a note. For example: `30`, `52`, `:C`, `:C2`, `:Eb4`, or `:Ds3`
	768	- default: 52
	769	- constraints: must be zero or greater
	770	- May be changed whilst playing
	771	- Has slide parameters for shaping changes
	772	* amp:
	773	- doc: The amplitude of the sound. Typically a value between 0 and 1. Higher amplitudes may be used, but won't make the sound louder, they will just reduce the quality of all the sounds currently being played (due to compression.)
	774	- default: 1
	775	- constraints: must be zero or greater
	776	- May be changed whilst playing
	777	- Has slide parameters for shaping changes
	778	* pan:
	779	- doc: Position of sound in stereo. With headphones on, this means how much of the sound is in the left ear, and how much is in the right ear. With a value of -1, the sound is completely in the left ear, a value of 0 puts the sound equally in both ears and a value of 1 puts the sound in the right ear. Values in between -1 and 1 move the sound accordingly.
	780	- default: 0
	781	- constraints: must be a value between -1 and 1 inclusively
	782	- May be changed whilst playing
	783	- Has slide parameters for shaping changes
	784	* attack:
	785	- doc: Amount of time (in beats) for sound to reach full amplitude (attack_level). A short attack (i.e. 0.01) makes the initial part of the sound very percussive like a sharp tap. A longer attack (i.e 1) fades the sound in gently. Full length of sound is attack + decay + sustain + release.
	786	- default: 0
	787	- constraints: must be zero or greater
	788	- Can not be changed once set
	789	- Scaled with current BPM value
	790	* decay:
	791	- doc: Amount of time (in beats) for the sound to move from full amplitude (attack_level) to the sustain amplitude (sustain_level).
	792	- default: 0
	793	- constraints: must be zero or greater
	794	- Can not be changed once set
	795	- Scaled with current BPM value
	796	* sustain:
	797	- doc: Amount of time (in beats) for sound to remain at sustain level amplitude. Longer sustain values result in longer sounds. Full length of sound is attack + decay + sustain + release.
	798	- default: 0
	799	- constraints: must be zero or greater
	800	- Can not be changed once set
	801	- Scaled with current BPM value
	802	* release:
	803	- doc: Amount of time (in beats) for sound to move from sustain level amplitude to silent. A short release (i.e. 0.01) makes the final part of the sound very percussive (potentially resulting in a click). A longer release (i.e 1) fades the sound out gently. Full length of sound is attack + decay + sustain + release.
	804	- default: 1
	805	- constraints: must be zero or greater
	806	- Can not be changed once set
	807	- Scaled with current BPM value
	808	* attack_level:
	809	- doc: Amplitude level reached after attack phase and immediately before decay phase
	810	- default: 1
	811	- constraints: must be zero or greater
	812	- Can not be changed once set
	813	* decay_level:
	814	- doc: Amplitude level reached after decay phase and immediately before sustain phase. Defaults to sustain_level unless explicitly set
	815	- default: sustain_level
	816	- constraints: must be zero or greater
	817	- Can not be changed once set
	818	* sustain_level:
	819	- doc: Amplitude level reached after decay phase and immediately before release phase.
	820	- default: 1
	821	- constraints: must be zero or greater
	822	- Can not be changed once set
	823	* env_curve:
	824	- doc: Select the shape of the curve between levels in the envelope. 1=linear, 2=exponential, 3=sine, 4=welch, 6=squared, 7=cubed
	825	- default: 2
	826	- constraints: must be one of the following values: [1, 2, 3, 4, 6, 7]
	827	- Can not be changed once set
	828	* cutoff:
	829	- doc: MIDI note representing the highest frequencies allowed to be present in the sound. A low value like 30 makes the sound round and dull, a high value like 100 makes the sound buzzy and crispy.
	830	- default: 100
	831	- constraints: must be zero or greater,must be a value less than 131
	832	- May be changed whilst playing
	833	- Has slide parameters for shaping changes
363	834	* detune:
364	835	- doc: Distance (in MIDI notes) between components of sound. Affects thickness, sense of tuning and harmony. Tiny values such as 0.1 create a thick sound. Larger values such as 0.5 make the tuning sound strange. Even bigger values such as 5 create chord-like sounds.
365	836	- default: 0.1
366	837	- constraints: none
367	838	- May be changed whilst playing
368
369		* detune_slide:
370		- doc: Amount of time (in seconds) for the detune value to change. A long detune_slide value means that the detune takes a long time to slide from the previous value to the new value. A detune_slide of 0 means that the detune instantly changes to the new value.
371		- default: 0
372		- constraints: must be zero or greater
373		- May be changed whilst playing
374
375
376
377		## Basic FM synthesis
378
379		### Key:
380		:fm
381
382		### Doc:
383		A sine wave with a fundamental frequency which is modulated at audio rate by another sine wave with a specific modulation division and depth.
384
385		### Arguments:
	839	- Has slide parameters for shaping changes
	840
	841
	842	## Detuned Pulse Wave
	843
	844	### Key:
	845	:dpulse
	846
	847	### Doc:
	848	A pair of detuned pulse waves passed through a low pass filter. Two pulse waves with slightly different frequencies generates a nice thick sound which can be used as a basis for some nice bass sounds. Thicken the sound by increasing the detune value, or create an octave-playing synth by choosing a detune of 12 (12 MIDI notes is an octave). Each pulse wave can also have individual widths (although the default is for the detuned pulse to mirror the width of the main pulse).
	849
	850	### Opts:
386	851	* note:
387		- doc: Note to play. Either a MIDI number or a symbol representing a note. For example: 30, 52, :C, :C2, :Eb4, or :Ds3
	852	- doc: Note to play. Either a MIDI number or a symbol representing a note. For example: `30`, `52`, `:C`, `:C2`, `:Eb4`, or `:Ds3`
388	853	- default: 52
389	854	- constraints: must be zero or greater
390	855	- May be changed whilst playing
391
392		* note_slide:
393		- doc: Amount of time (in seconds) for the note to change. A long slide value means that the note takes a long time to slide from the previous note to the new note. A slide of 0 means that the note instantly changes to the new note.
394		- default: 0
395		- constraints: must be zero or greater
396		- May be changed whilst playing
397
398		* amp:
399		- doc: The amplitude of the sound. Typically a value between 0 and 1. Higher amplitudes may be used, but won't make the sound louder, it will just reduce the quality of all the sounds currently being played (due to compression.)
400		- default: 1
401		- constraints: must be zero or greater
402		- May be changed whilst playing
403
404		* amp_slide:
405		- doc: Amount of time (in seconds) for the amplitude (amp) to change. A long slide value means that the amp takes a long time to slide from the previous amplitude to the new amplitude. A slide of 0 means that the amplitude instantly changes to the new amplitude.
406		- default: 0
407		- constraints: must be zero or greater
408		- May be changed whilst playing
409
	856	- Has slide parameters for shaping changes
	857	* amp:
	858	- doc: The amplitude of the sound. Typically a value between 0 and 1. Higher amplitudes may be used, but won't make the sound louder, they will just reduce the quality of all the sounds currently being played (due to compression.)
	859	- default: 1
	860	- constraints: must be zero or greater
	861	- May be changed whilst playing
	862	- Has slide parameters for shaping changes
410	863	* pan:
411	864	- doc: Position of sound in stereo. With headphones on, this means how much of the sound is in the left ear, and how much is in the right ear. With a value of -1, the sound is completely in the left ear, a value of 0 puts the sound equally in both ears and a value of 1 puts the sound in the right ear. Values in between -1 and 1 move the sound accordingly.
412	865	- default: 0
413	866	- constraints: must be a value between -1 and 1 inclusively
414	867	- May be changed whilst playing
415
416		* pan_slide:
417		- doc: Amount of time (in seconds) for the pan to change. A long slide value means that the pan takes a long time to slide from the previous pan position to the new pan position. A slide of 0 means that the pan instantly changes to the new pan position.
418		- default: 0
419		- constraints: must be zero or greater
420		- May be changed whilst playing
421
	868	- Has slide parameters for shaping changes
422	869	* attack:
423		- doc: Amount of time (in seconds) for sound to reach full amplitude. A short attack (i.e. 0.01) makes the initial part of the sound very percussive like a sharp tap. A longer attack (i.e 1) fades the sound in gently. Full length of sound is attack + sustain + release.
424		- default: 1
425		- constraints: must be zero or greater
426		- Can not be changed once set
427
	870	- doc: Amount of time (in beats) for sound to reach full amplitude (attack_level). A short attack (i.e. 0.01) makes the initial part of the sound very percussive like a sharp tap. A longer attack (i.e 1) fades the sound in gently. Full length of sound is attack + decay + sustain + release.
	871	- default: 0
	872	- constraints: must be zero or greater
	873	- Can not be changed once set
	874	- Scaled with current BPM value
	875	* decay:
	876	- doc: Amount of time (in beats) for the sound to move from full amplitude (attack_level) to the sustain amplitude (sustain_level).
	877	- default: 0
	878	- constraints: must be zero or greater
	879	- Can not be changed once set
	880	- Scaled with current BPM value
428	881	* sustain:
429		- doc: Amount of time (in seconds) for sound to remain at full amplitude. Longer sustain values result in longer sounds. Full length of sound is attack + sustain + release.
430		- default: 0
431		- constraints: must be zero or greater
432		- Can not be changed once set
433
	882	- doc: Amount of time (in beats) for sound to remain at sustain level amplitude. Longer sustain values result in longer sounds. Full length of sound is attack + decay + sustain + release.
	883	- default: 0
	884	- constraints: must be zero or greater
	885	- Can not be changed once set
	886	- Scaled with current BPM value
434	887	* release:
435		- doc: Amount of time (in seconds) for sound to move from full amplitude to silent. A short release (i.e. 0.01) makes the final part of the sound very percussive (potentially resulting in a click). A longer release (i.e 1) fades the sound out gently. Full length of sound is attack + sustain + release.
436		- default: 1
437		- constraints: must be zero or greater
438		- Can not be changed once set
439
	888	- doc: Amount of time (in beats) for sound to move from sustain level amplitude to silent. A short release (i.e. 0.01) makes the final part of the sound very percussive (potentially resulting in a click). A longer release (i.e 1) fades the sound out gently. Full length of sound is attack + decay + sustain + release.
	889	- default: 1
	890	- constraints: must be zero or greater
	891	- Can not be changed once set
	892	- Scaled with current BPM value
	893	* attack_level:
	894	- doc: Amplitude level reached after attack phase and immediately before decay phase
	895	- default: 1
	896	- constraints: must be zero or greater
	897	- Can not be changed once set
	898	* decay_level:
	899	- doc: Amplitude level reached after decay phase and immediately before sustain phase. Defaults to sustain_level unless explicitly set
	900	- default: sustain_level
	901	- constraints: must be zero or greater
	902	- Can not be changed once set
	903	* sustain_level:
	904	- doc: Amplitude level reached after decay phase and immediately before release phase.
	905	- default: 1
	906	- constraints: must be zero or greater
	907	- Can not be changed once set
	908	* env_curve:
	909	- doc: Select the shape of the curve between levels in the envelope. 1=linear, 2=exponential, 3=sine, 4=welch, 6=squared, 7=cubed
	910	- default: 2
	911	- constraints: must be one of the following values: [1, 2, 3, 4, 6, 7]
	912	- Can not be changed once set
	913	* cutoff:
	914	- doc: MIDI note representing the highest frequencies allowed to be present in the sound. A low value like 30 makes the sound round and dull, a high value like 100 makes the sound buzzy and crispy.
	915	- default: 100
	916	- constraints: must be zero or greater,must be a value less than 131
	917	- May be changed whilst playing
	918	- Has slide parameters for shaping changes
	919	* detune:
	920	- doc: Distance (in MIDI notes) between components of sound. Affects thickness, sense of tuning and harmony. Tiny values such as 0.1 create a thick sound. Larger values such as 0.5 make the tuning sound strange. Even bigger values such as 5 create chord-like sounds.
	921	- default: 0.1
	922	- constraints: none
	923	- May be changed whilst playing
	924	- Has slide parameters for shaping changes
	925	* pulse_width:
	926	- doc: The width of the pulse wave as a value between 0 and 1. A width of 0.5 will produce a square wave. Different values will change the timbre of the sound. Only valid if wave is type pulse.
	927	- default: 0.5
	928	- constraints: must be a value between 0 and 1 exclusively
	929	- May be changed whilst playing
	930	- Has slide parameters for shaping changes
	931	* dpulse_width:
	932	- doc: The width of the second detuned pulse wave as a value between 0 and 1. A width of 0.5 will produce a square wave. Different values will change the timbre of the sound. Only valid if wave is type pulse.
	933	- default: pulse_width
	934	- constraints: must be a value between 0 and 1 exclusively
	935	- May be changed whilst playing
	936	- Has slide parameters for shaping changes
	937
	938
	939	## Detuned Triangle Wave
	940
	941	### Key:
	942	:dtri
	943
	944	### Doc:
	945	A pair of detuned triangle waves passed through a low pass filter. Two pulse waves with slightly different frequencies generates a nice thick sound which can be used as a basis for some nice bass sounds. Thicken the sound by increasing the detune value, or create an octave-playing synth by choosing a detune of 12 (12 MIDI notes is an octave).
	946
	947	### Opts:
	948	* note:
	949	- doc: Note to play. Either a MIDI number or a symbol representing a note. For example: `30`, `52`, `:C`, `:C2`, `:Eb4`, or `:Ds3`
	950	- default: 52
	951	- constraints: must be zero or greater
	952	- May be changed whilst playing
	953	- Has slide parameters for shaping changes
	954	* amp:
	955	- doc: The amplitude of the sound. Typically a value between 0 and 1. Higher amplitudes may be used, but won't make the sound louder, they will just reduce the quality of all the sounds currently being played (due to compression.)
	956	- default: 1
	957	- constraints: must be zero or greater
	958	- May be changed whilst playing
	959	- Has slide parameters for shaping changes
	960	* pan:
	961	- doc: Position of sound in stereo. With headphones on, this means how much of the sound is in the left ear, and how much is in the right ear. With a value of -1, the sound is completely in the left ear, a value of 0 puts the sound equally in both ears and a value of 1 puts the sound in the right ear. Values in between -1 and 1 move the sound accordingly.
	962	- default: 0
	963	- constraints: must be a value between -1 and 1 inclusively
	964	- May be changed whilst playing
	965	- Has slide parameters for shaping changes
	966	* attack:
	967	- doc: Amount of time (in beats) for sound to reach full amplitude (attack_level). A short attack (i.e. 0.01) makes the initial part of the sound very percussive like a sharp tap. A longer attack (i.e 1) fades the sound in gently. Full length of sound is attack + decay + sustain + release.
	968	- default: 0
	969	- constraints: must be zero or greater
	970	- Can not be changed once set
	971	- Scaled with current BPM value
	972	* decay:
	973	- doc: Amount of time (in beats) for the sound to move from full amplitude (attack_level) to the sustain amplitude (sustain_level).
	974	- default: 0
	975	- constraints: must be zero or greater
	976	- Can not be changed once set
	977	- Scaled with current BPM value
	978	* sustain:
	979	- doc: Amount of time (in beats) for sound to remain at sustain level amplitude. Longer sustain values result in longer sounds. Full length of sound is attack + decay + sustain + release.
	980	- default: 0
	981	- constraints: must be zero or greater
	982	- Can not be changed once set
	983	- Scaled with current BPM value
	984	* release:
	985	- doc: Amount of time (in beats) for sound to move from sustain level amplitude to silent. A short release (i.e. 0.01) makes the final part of the sound very percussive (potentially resulting in a click). A longer release (i.e 1) fades the sound out gently. Full length of sound is attack + decay + sustain + release.
	986	- default: 1
	987	- constraints: must be zero or greater
	988	- Can not be changed once set
	989	- Scaled with current BPM value
	990	* attack_level:
	991	- doc: Amplitude level reached after attack phase and immediately before decay phase
	992	- default: 1
	993	- constraints: must be zero or greater
	994	- Can not be changed once set
	995	* decay_level:
	996	- doc: Amplitude level reached after decay phase and immediately before sustain phase. Defaults to sustain_level unless explicitly set
	997	- default: sustain_level
	998	- constraints: must be zero or greater
	999	- Can not be changed once set
	1000	* sustain_level:
	1001	- doc: Amplitude level reached after decay phase and immediately before release phase.
	1002	- default: 1
	1003	- constraints: must be zero or greater
	1004	- Can not be changed once set
	1005	* env_curve:
	1006	- doc: Select the shape of the curve between levels in the envelope. 1=linear, 2=exponential, 3=sine, 4=welch, 6=squared, 7=cubed
	1007	- default: 2
	1008	- constraints: must be one of the following values: [1, 2, 3, 4, 6, 7]
	1009	- Can not be changed once set
	1010	* cutoff:
	1011	- doc: MIDI note representing the highest frequencies allowed to be present in the sound. A low value like 30 makes the sound round and dull, a high value like 100 makes the sound buzzy and crispy.
	1012	- default: 100
	1013	- constraints: must be zero or greater,must be a value less than 131
	1014	- May be changed whilst playing
	1015	- Has slide parameters for shaping changes
	1016	* detune:
	1017	- doc: Distance (in MIDI notes) between components of sound. Affects thickness, sense of tuning and harmony. Tiny values such as 0.1 create a thick sound. Larger values such as 0.5 make the tuning sound strange. Even bigger values such as 5 create chord-like sounds.
	1018	- default: 0.1
	1019	- constraints: none
	1020	- May be changed whilst playing
	1021	- Has slide parameters for shaping changes
	1022
	1023
	1024	## Basic FM synthesis
	1025
	1026	### Key:
	1027	:fm
	1028
	1029	### Doc:
	1030	A sine wave with a fundamental frequency which is modulated at audio rate by another sine wave with a specific modulation, division and depth. Useful for generating a wide range of sounds by playing with the divisor and depth params. Great for deep powerful bass and crazy 70s sci-fi sounds.
	1031
	1032	### Opts:
	1033	* note:
	1034	- doc: Note to play. Either a MIDI number or a symbol representing a note. For example: `30`, `52`, `:C`, `:C2`, `:Eb4`, or `:Ds3`
	1035	- default: 52
	1036	- constraints: must be zero or greater
	1037	- May be changed whilst playing
	1038	- Has slide parameters for shaping changes
	1039	* amp:
	1040	- doc: The amplitude of the sound. Typically a value between 0 and 1. Higher amplitudes may be used, but won't make the sound louder, they will just reduce the quality of all the sounds currently being played (due to compression.)
	1041	- default: 1
	1042	- constraints: must be zero or greater
	1043	- May be changed whilst playing
	1044	- Has slide parameters for shaping changes
	1045	* pan:
	1046	- doc: Position of sound in stereo. With headphones on, this means how much of the sound is in the left ear, and how much is in the right ear. With a value of -1, the sound is completely in the left ear, a value of 0 puts the sound equally in both ears and a value of 1 puts the sound in the right ear. Values in between -1 and 1 move the sound accordingly.
	1047	- default: 0
	1048	- constraints: must be a value between -1 and 1 inclusively
	1049	- May be changed whilst playing
	1050	- Has slide parameters for shaping changes
	1051	* attack:
	1052	- doc: Amount of time (in beats) for sound to reach full amplitude (attack_level). A short attack (i.e. 0.01) makes the initial part of the sound very percussive like a sharp tap. A longer attack (i.e 1) fades the sound in gently. Full length of sound is attack + decay + sustain + release.
	1053	- default: 0
	1054	- constraints: must be zero or greater
	1055	- Can not be changed once set
	1056	- Scaled with current BPM value
	1057	* decay:
	1058	- doc: Amount of time (in beats) for the sound to move from full amplitude (attack_level) to the sustain amplitude (sustain_level).
	1059	- default: 0
	1060	- constraints: must be zero or greater
	1061	- Can not be changed once set
	1062	- Scaled with current BPM value
	1063	* sustain:
	1064	- doc: Amount of time (in beats) for sound to remain at sustain level amplitude. Longer sustain values result in longer sounds. Full length of sound is attack + decay + sustain + release.
	1065	- default: 0
	1066	- constraints: must be zero or greater
	1067	- Can not be changed once set
	1068	- Scaled with current BPM value
	1069	* release:
	1070	- doc: Amount of time (in beats) for sound to move from sustain level amplitude to silent. A short release (i.e. 0.01) makes the final part of the sound very percussive (potentially resulting in a click). A longer release (i.e 1) fades the sound out gently. Full length of sound is attack + decay + sustain + release.
	1071	- default: 1
	1072	- constraints: must be zero or greater
	1073	- Can not be changed once set
	1074	- Scaled with current BPM value
	1075	* attack_level:
	1076	- doc: Amplitude level reached after attack phase and immediately before decay phase
	1077	- default: 1
	1078	- constraints: must be zero or greater
	1079	- Can not be changed once set
	1080	* decay_level:
	1081	- doc: Amplitude level reached after decay phase and immediately before sustain phase. Defaults to sustain_level unless explicitly set
	1082	- default: sustain_level
	1083	- constraints: must be zero or greater
	1084	- Can not be changed once set
	1085	* sustain_level:
	1086	- doc: Amplitude level reached after decay phase and immediately before release phase.
	1087	- default: 1
	1088	- constraints: must be zero or greater
	1089	- Can not be changed once set
	1090	* env_curve:
	1091	- doc: Select the shape of the curve between levels in the envelope. 1=linear, 2=exponential, 3=sine, 4=welch, 6=squared, 7=cubed
	1092	- default: 2
	1093	- constraints: must be one of the following values: [1, 2, 3, 4, 6, 7]
	1094	- Can not be changed once set
	1095	* cutoff:
	1096	- doc: MIDI note representing the highest frequencies allowed to be present in the sound. A low value like 30 makes the sound round and dull, a high value like 100 makes the sound buzzy and crispy.
	1097	- default: 100
	1098	- constraints: must be zero or greater,must be a value less than 131
	1099	- May be changed whilst playing
	1100	- Has slide parameters for shaping changes
440	1101	* divisor:
441	1102	- doc: Modifies the frequency of the modulator oscillator relative to the carrier. Don't worry too much about what this means - just try different numbers out!
442	1103	- default: 2
443	1104	- constraints: none
444	1105	- May be changed whilst playing
445
446		* divisor_slide:
447		- doc: Amount of time (in seconds) for the divisor value to change. A long divisor_slide value means that the divisor takes a long time to slide from the previous value to the new value. A divisor_slide of 0 means that the divisor instantly changes to the new value.
448		- default: 0
449		- constraints: must be zero or greater
450		- May be changed whilst playing
451
	1106	- Has slide parameters for shaping changes
452	1107	* depth:
453	1108	- doc: Modifies the depth of the carrier wave used to modify fundamental frequency. Don't worry too much about what this means - just try different numbers out!
454	1109	- default: 1
455	1110	- constraints: none
456	1111	- May be changed whilst playing
457
458		* depth_slide:
459		- doc: Amount of time (in seconds) for the depth value to change. A long depth_slide value means that the depth takes a long time to slide from the previous value to the new value. A depth_slide of 0 means that the depth instantly changes to the new value.
460		- default: 0
461		- constraints: must be zero or greater
462		- May be changed whilst playing
463
464
465
466		## Modulated Saw Wave
467
468		### Key:
469		:mod_saw
470
471		### Doc:
472		A saw wave which modulates between two separate notes.
473
474		### Arguments:
	1112	- Has slide parameters for shaping changes
	1113
	1114
	1115	## Basic FM synthesis with frequency modulation.
	1116
	1117	### Key:
	1118	:mod_fm
	1119
	1120	### Doc:
	1121	The FM synth modulating between two notes - the duration of the modulation can be modified using the mod_phase arg, the range (number of notes jumped between) by the mod_range arg and the width of the jumps by the mod_width param. The FM synth is a sine wave with a fundamental frequency which is modulated at audio rate by another sine wave with a specific modulation, division and depth. Useful for generating a wide range of sounds by playing with the `:divisor` and `:depth` params. Great for deep powerful bass and crazy 70s sci-fi sounds.
	1122
	1123	### Opts:
475	1124	* note:
476		- doc: Note to play. Either a MIDI number or a symbol representing a note. For example: 30, 52, :C, :C2, :Eb4, or :Ds3
	1125	- doc: Note to play. Either a MIDI number or a symbol representing a note. For example: `30`, `52`, `:C`, `:C2`, `:Eb4`, or `:Ds3`
477	1126	- default: 52
478	1127	- constraints: must be zero or greater
479	1128	- May be changed whilst playing
480
481		* note_slide:
482		- doc: Amount of time (in seconds) for the note to change. A long slide value means that the note takes a long time to slide from the previous note to the new note. A slide of 0 means that the note instantly changes to the new note.
483		- default: 0
484		- constraints: must be zero or greater
485		- May be changed whilst playing
486
487		* amp:
488		- doc: The amplitude of the sound. Typically a value between 0 and 1. Higher amplitudes may be used, but won't make the sound louder, it will just reduce the quality of all the sounds currently being played (due to compression.)
489		- default: 1
490		- constraints: must be zero or greater
491		- May be changed whilst playing
492
493		* amp_slide:
494		- doc: Amount of time (in seconds) for the amplitude (amp) to change. A long slide value means that the amp takes a long time to slide from the previous amplitude to the new amplitude. A slide of 0 means that the amplitude instantly changes to the new amplitude.
495		- default: 0
496		- constraints: must be zero or greater
497		- May be changed whilst playing
498
	1129	- Has slide parameters for shaping changes
	1130	* amp:
	1131	- doc: The amplitude of the sound. Typically a value between 0 and 1. Higher amplitudes may be used, but won't make the sound louder, they will just reduce the quality of all the sounds currently being played (due to compression.)
	1132	- default: 1
	1133	- constraints: must be zero or greater
	1134	- May be changed whilst playing
	1135	- Has slide parameters for shaping changes
499	1136	* pan:
500	1137	- doc: Position of sound in stereo. With headphones on, this means how much of the sound is in the left ear, and how much is in the right ear. With a value of -1, the sound is completely in the left ear, a value of 0 puts the sound equally in both ears and a value of 1 puts the sound in the right ear. Values in between -1 and 1 move the sound accordingly.
501	1138	- default: 0
502	1139	- constraints: must be a value between -1 and 1 inclusively
503	1140	- May be changed whilst playing
504
505		* pan_slide:
506		- doc: Amount of time (in seconds) for the pan to change. A long slide value means that the pan takes a long time to slide from the previous pan position to the new pan position. A slide of 0 means that the pan instantly changes to the new pan position.
507		- default: 0
508		- constraints: must be zero or greater
509		- May be changed whilst playing
510
	1141	- Has slide parameters for shaping changes
511	1142	* attack:
512		- doc: Amount of time (in seconds) for sound to reach full amplitude. A short attack (i.e. 0.01) makes the initial part of the sound very percussive like a sharp tap. A longer attack (i.e 1) fades the sound in gently. Full length of sound is attack + sustain + release.
513		- default: 0.01
514		- constraints: must be zero or greater
515		- Can not be changed once set
516
	1143	- doc: Amount of time (in beats) for sound to reach full amplitude (attack_level). A short attack (i.e. 0.01) makes the initial part of the sound very percussive like a sharp tap. A longer attack (i.e 1) fades the sound in gently. Full length of sound is attack + decay + sustain + release.
	1144	- default: 0
	1145	- constraints: must be zero or greater
	1146	- Can not be changed once set
	1147	- Scaled with current BPM value
	1148	* decay:
	1149	- doc: Amount of time (in beats) for the sound to move from full amplitude (attack_level) to the sustain amplitude (sustain_level).
	1150	- default: 0
	1151	- constraints: must be zero or greater
	1152	- Can not be changed once set
	1153	- Scaled with current BPM value
517	1154	* sustain:
518		- doc: Amount of time (in seconds) for sound to remain at full amplitude. Longer sustain values result in longer sounds. Full length of sound is attack + sustain + release.
519		- default: 0
520		- constraints: must be zero or greater
521		- Can not be changed once set
522
	1155	- doc: Amount of time (in beats) for sound to remain at sustain level amplitude. Longer sustain values result in longer sounds. Full length of sound is attack + decay + sustain + release.
	1156	- default: 0
	1157	- constraints: must be zero or greater
	1158	- Can not be changed once set
	1159	- Scaled with current BPM value
523	1160	* release:
524		- doc: Amount of time (in seconds) for sound to move from full amplitude to silent. A short release (i.e. 0.01) makes the final part of the sound very percussive (potentially resulting in a click). A longer release (i.e 1) fades the sound out gently. Full length of sound is attack + sustain + release.
	1161	- doc: Amount of time (in beats) for sound to move from sustain level amplitude to silent. A short release (i.e. 0.01) makes the final part of the sound very percussive (potentially resulting in a click). A longer release (i.e 1) fades the sound out gently. Full length of sound is attack + decay + sustain + release.
	1162	- default: 1
	1163	- constraints: must be zero or greater
	1164	- Can not be changed once set
	1165	- Scaled with current BPM value
	1166	* attack_level:
	1167	- doc: Amplitude level reached after attack phase and immediately before decay phase
	1168	- default: 1
	1169	- constraints: must be zero or greater
	1170	- Can not be changed once set
	1171	* decay_level:
	1172	- doc: Amplitude level reached after decay phase and immediately before sustain phase. Defaults to sustain_level unless explicitly set
	1173	- default: sustain_level
	1174	- constraints: must be zero or greater
	1175	- Can not be changed once set
	1176	* sustain_level:
	1177	- doc: Amplitude level reached after decay phase and immediately before release phase.
	1178	- default: 1
	1179	- constraints: must be zero or greater
	1180	- Can not be changed once set
	1181	* env_curve:
	1182	- doc: Select the shape of the curve between levels in the envelope. 1=linear, 2=exponential, 3=sine, 4=welch, 6=squared, 7=cubed
525	1183	- default: 2
526		- constraints: must be zero or greater
527		- Can not be changed once set
528
	1184	- constraints: must be one of the following values: [1, 2, 3, 4, 6, 7]
	1185	- Can not be changed once set
529	1186	* cutoff:
530		- doc: MIDI note representing the highest frequences allowed to be present in the sound. A low value like 30 makes the sound round and dull, a high value like 100 makes the sound buzzy and crispy.
	1187	- doc: MIDI note representing the highest frequencies allowed to be present in the sound. A low value like 30 makes the sound round and dull, a high value like 100 makes the sound buzzy and crispy.
531	1188	- default: 100
532		- constraints: must be zero or greater, must be a value less than 130
533		- May be changed whilst playing
534
535		* cutoff_slide:
536		- doc: Amount of time (in seconds) for the cutoff value to change. A long cutoff_slide value means that the cutoff takes a long time to slide from the previous value to the new value. A cutoff_slide of 0 means that the cutoff instantly changes to the new value.
537		- default: 0
538		- constraints: must be zero or greater
539		- May be changed whilst playing
540
541		* mod_rate:
542		- doc: Number of times per second that the note switches between the two notes.
543		- default: 1
544		- constraints: must be zero or greater
545		- May be changed whilst playing
546
547		* mod_rate_slide:
548		- doc: Amount of time (in seconds) for the mod_rate value to change. A long mod_rate_slide value means that the mod_rate takes a long time to slide from the previous value to the new value. A mod_rate_slide of 0 means that the mod_rate instantly changes to the new value.
549		- default: 0
550		- constraints: must be zero or greater
551		- May be changed whilst playing
552
	1189	- constraints: must be zero or greater,must be a value less than 131
	1190	- May be changed whilst playing
	1191	- Has slide parameters for shaping changes
	1192	* divisor:
	1193	- doc: Modifies the frequency of the modulator oscillator relative to the carrier. Don't worry too much about what this means - just try different numbers out!
	1194	- default: 2
	1195	- constraints: none
	1196	- May be changed whilst playing
	1197	- Has slide parameters for shaping changes
	1198	* depth:
	1199	- doc: Modifies the depth of the carrier wave used to modify fundamental frequency. Don't worry too much about what this means - just try different numbers out!
	1200	- default: 1
	1201	- constraints: none
	1202	- May be changed whilst playing
	1203	- Has slide parameters for shaping changes
	1204	* mod_phase:
	1205	- doc: Phase duration in beats of oscillations between the two notes. Time it takes to switch between the notes.
	1206	- default: 0.25
	1207	- constraints: must be greater than zero
	1208	- May be changed whilst playing
	1209	- Scaled with current BPM value
553	1210	* mod_range:
554	1211	- doc: The size of gap between modulation notes. A gap of 12 is one octave.
555	1212	- default: 5
556		- constraints: must be zero or greater
557		- May be changed whilst playing
558
559		* mod_range__slide:
560		- doc: write me
561		- default: 0
562	1213	- constraints: none
563		- Can not be changed once set
564
565		* mod_width:
566		- doc: The phase width of the modulation. Represents how even the gap between modulations is.
	1214	- May be changed whilst playing
	1215	* mod_pulse_width:
	1216	- doc: The width of the modulated pulse wave as a value between 0 and 1. A width of 0.5 will produce a square wave. Only valid if mod wave is type pulse.
567	1217	- default: 0.5
568	1218	- constraints: must be a value between 0 and 1 exclusively
569	1219	- May be changed whilst playing
570
571		* mod_width_slide:
572		- doc: Amount of time (in seconds) for the mod_width value to change. A long mod_width_slide value means that the mod_width takes a long time to slide from the previous value to the new value. A mod_width_slide of 0 means that the mod_width instantly changes to the new value.
573		- default: 0
574		- constraints: must be zero or greater
575		- May be changed whilst playing
576
577
578
579		## Simple Modulated Saw Wave
580
581		### Key:
582		:mod_saw_s
583
584		### Doc:
585
586
587		### Arguments:
	1220	* mod_phase_offset:
	1221	- doc: Initial modulation phase offset (a value between 0 and 1).
	1222	- default: 0
	1223	- constraints: must be a value between 0 and 1 inclusively
	1224	- Can not be changed once set
	1225	* mod_invert_wave:
	1226	- doc: Invert mod waveform (i.e. flip it on the y axis). 0=normal wave, 1=inverted wave.
	1227	- default: 0
	1228	- constraints: must be one of the following values: [0, 1]
	1229	- May be changed whilst playing
	1230	* mod_wave:
	1231	- doc: Wave shape of mod wave. 0=saw wave, 1=pulse, 2=triangle wave and 3=sine wave.
	1232	- default: 1
	1233	- constraints: must be one of the following values: [0, 1, 2, 3]
	1234	- May be changed whilst playing
	1235
	1236
	1237	## Modulated Saw Wave
	1238
	1239	### Key:
	1240	:mod_saw
	1241
	1242	### Doc:
	1243	A saw wave passed through a low pass filter which modulates between two separate notes via a variety of control waves.
	1244
	1245	### Opts:
588	1246	* note:
589		- doc: Note to play. Either a MIDI number or a symbol representing a note. For example: 30, 52, :C, :C2, :Eb4, or :Ds3
	1247	- doc: Note to play. Either a MIDI number or a symbol representing a note. For example: `30`, `52`, `:C`, `:C2`, `:Eb4`, or `:Ds3`
590	1248	- default: 52
591	1249	- constraints: must be zero or greater
592	1250	- May be changed whilst playing
593
594		* amp:
595		- doc: The amplitude of the sound. Typically a value between 0 and 1. Higher amplitudes may be used, but won't make the sound louder, it will just reduce the quality of all the sounds currently being played (due to compression.)
596		- default: 1
597		- constraints: must be zero or greater
598		- May be changed whilst playing
599
	1251	- Has slide parameters for shaping changes
	1252	* amp:
	1253	- doc: The amplitude of the sound. Typically a value between 0 and 1. Higher amplitudes may be used, but won't make the sound louder, they will just reduce the quality of all the sounds currently being played (due to compression.)
	1254	- default: 1
	1255	- constraints: must be zero or greater
	1256	- May be changed whilst playing
	1257	- Has slide parameters for shaping changes
600	1258	* pan:
601	1259	- doc: Position of sound in stereo. With headphones on, this means how much of the sound is in the left ear, and how much is in the right ear. With a value of -1, the sound is completely in the left ear, a value of 0 puts the sound equally in both ears and a value of 1 puts the sound in the right ear. Values in between -1 and 1 move the sound accordingly.
602	1260	- default: 0
603	1261	- constraints: must be a value between -1 and 1 inclusively
604	1262	- May be changed whilst playing
605
	1263	- Has slide parameters for shaping changes
606	1264	* attack:
607		- doc: Amount of time (in seconds) for sound to reach full amplitude. A short attack (i.e. 0.01) makes the initial part of the sound very percussive like a sharp tap. A longer attack (i.e 1) fades the sound in gently. Full length of sound is attack + sustain + release.
608		- default: 0.01
609		- constraints: must be zero or greater
610		- Can not be changed once set
611
	1265	- doc: Amount of time (in beats) for sound to reach full amplitude (attack_level). A short attack (i.e. 0.01) makes the initial part of the sound very percussive like a sharp tap. A longer attack (i.e 1) fades the sound in gently. Full length of sound is attack + decay + sustain + release.
	1266	- default: 0
	1267	- constraints: must be zero or greater
	1268	- Can not be changed once set
	1269	- Scaled with current BPM value
	1270	* decay:
	1271	- doc: Amount of time (in beats) for the sound to move from full amplitude (attack_level) to the sustain amplitude (sustain_level).
	1272	- default: 0
	1273	- constraints: must be zero or greater
	1274	- Can not be changed once set
	1275	- Scaled with current BPM value
612	1276	* sustain:
613		- doc: Amount of time (in seconds) for sound to remain at full amplitude. Longer sustain values result in longer sounds. Full length of sound is attack + sustain + release.
614		- default: 0
615		- constraints: must be zero or greater
616		- Can not be changed once set
617
	1277	- doc: Amount of time (in beats) for sound to remain at sustain level amplitude. Longer sustain values result in longer sounds. Full length of sound is attack + decay + sustain + release.
	1278	- default: 0
	1279	- constraints: must be zero or greater
	1280	- Can not be changed once set
	1281	- Scaled with current BPM value
618	1282	* release:
619		- doc: Amount of time (in seconds) for sound to move from full amplitude to silent. A short release (i.e. 0.01) makes the final part of the sound very percussive (potentially resulting in a click). A longer release (i.e 1) fades the sound out gently. Full length of sound is attack + sustain + release.
	1283	- doc: Amount of time (in beats) for sound to move from sustain level amplitude to silent. A short release (i.e. 0.01) makes the final part of the sound very percussive (potentially resulting in a click). A longer release (i.e 1) fades the sound out gently. Full length of sound is attack + decay + sustain + release.
	1284	- default: 1
	1285	- constraints: must be zero or greater
	1286	- Can not be changed once set
	1287	- Scaled with current BPM value
	1288	* attack_level:
	1289	- doc: Amplitude level reached after attack phase and immediately before decay phase
	1290	- default: 1
	1291	- constraints: must be zero or greater
	1292	- Can not be changed once set
	1293	* decay_level:
	1294	- doc: Amplitude level reached after decay phase and immediately before sustain phase. Defaults to sustain_level unless explicitly set
	1295	- default: sustain_level
	1296	- constraints: must be zero or greater
	1297	- Can not be changed once set
	1298	* sustain_level:
	1299	- doc: Amplitude level reached after decay phase and immediately before release phase.
	1300	- default: 1
	1301	- constraints: must be zero or greater
	1302	- Can not be changed once set
	1303	* env_curve:
	1304	- doc: Select the shape of the curve between levels in the envelope. 1=linear, 2=exponential, 3=sine, 4=welch, 6=squared, 7=cubed
620	1305	- default: 2
621		- constraints: must be zero or greater
622		- Can not be changed once set
623
624		* slide:
625		- doc: write me
626		- default: 0
627		- constraints: none
628		- Can not be changed once set
629
630		* mod_rate:
631		- doc: Number of times per second that the note switches between the two notes.
632		- default: 1
633		- constraints: must be zero or greater
634		- May be changed whilst playing
635
	1306	- constraints: must be one of the following values: [1, 2, 3, 4, 6, 7]
	1307	- Can not be changed once set
	1308	* cutoff:
	1309	- doc: MIDI note representing the highest frequencies allowed to be present in the sound. A low value like 30 makes the sound round and dull, a high value like 100 makes the sound buzzy and crispy.
	1310	- default: 100
	1311	- constraints: must be zero or greater,must be a value less than 131
	1312	- May be changed whilst playing
	1313	- Has slide parameters for shaping changes
	1314	* mod_phase:
	1315	- doc: Phase duration in beats of oscillations between the two notes. Time it takes to switch between the notes.
	1316	- default: 0.25
	1317	- constraints: must be greater than zero
	1318	- May be changed whilst playing
	1319	- Scaled with current BPM value
	1320	- Has slide parameters for shaping changes
636	1321	* mod_range:
637	1322	- doc: The size of gap between modulation notes. A gap of 12 is one octave.
638	1323	- default: 5
639		- constraints: must be zero or greater
640		- May be changed whilst playing
641
642		* mod_width:
643		- doc: The phase width of the modulation. Represents how even the gap between modulations is.
	1324	- constraints: none
	1325	- May be changed whilst playing
	1326	- Has slide parameters for shaping changes
	1327	* mod_pulse_width:
	1328	- doc: The width of the modulated pulse wave as a value between 0 and 1. A width of 0.5 will produce a square wave. Only valid if mod wave is type pulse.
644	1329	- default: 0.5
645	1330	- constraints: must be a value between 0 and 1 exclusively
646	1331	- May be changed whilst playing
647
	1332	- Has slide parameters for shaping changes
	1333	* mod_phase_offset:
	1334	- doc: Initial modulation phase offset (a value between 0 and 1).
	1335	- default: 0
	1336	- constraints: must be a value between 0 and 1 inclusively
	1337	- Can not be changed once set
	1338	* mod_invert_wave:
	1339	- doc: Invert mod waveform (i.e. flip it on the y axis). 0=normal wave, 1=inverted wave.
	1340	- default: 0
	1341	- constraints: must be one of the following values: [0, 1]
	1342	- May be changed whilst playing
	1343	* mod_wave:
	1344	- doc: Wave shape of mod wave. 0=saw wave, 1=pulse, 2=triangle wave and 3=sine wave.
	1345	- default: 1
	1346	- constraints: must be one of the following values: [0, 1, 2, 3]
	1347	- May be changed whilst playing
648	1348
649	1349
650	1350	## Modulated Detuned Saw Waves

653	1353	:mod_dsaw
654	1354
655	1355	### Doc:
656
657
658		### Arguments:
	1356	A pair of detuned saw waves (see the dsaw synth) which are modulated between two fixed notes at a given rate.
	1357
	1358	### Opts:
659	1359	* note:
660		- doc: Note to play. Either a MIDI number or a symbol representing a note. For example: 30, 52, :C, :C2, :Eb4, or :Ds3
	1360	- doc: Note to play. Either a MIDI number or a symbol representing a note. For example: `30`, `52`, `:C`, `:C2`, `:Eb4`, or `:Ds3`
661	1361	- default: 52
662	1362	- constraints: must be zero or greater
663	1363	- May be changed whilst playing
664
665		* amp:
666		- doc: The amplitude of the sound. Typically a value between 0 and 1. Higher amplitudes may be used, but won't make the sound louder, it will just reduce the quality of all the sounds currently being played (due to compression.)
667		- default: 1
668		- constraints: must be zero or greater
669		- May be changed whilst playing
670
	1364	- Has slide parameters for shaping changes
	1365	* amp:
	1366	- doc: The amplitude of the sound. Typically a value between 0 and 1. Higher amplitudes may be used, but won't make the sound louder, they will just reduce the quality of all the sounds currently being played (due to compression.)
	1367	- default: 1
	1368	- constraints: must be zero or greater
	1369	- May be changed whilst playing
	1370	- Has slide parameters for shaping changes
671	1371	* pan:
672	1372	- doc: Position of sound in stereo. With headphones on, this means how much of the sound is in the left ear, and how much is in the right ear. With a value of -1, the sound is completely in the left ear, a value of 0 puts the sound equally in both ears and a value of 1 puts the sound in the right ear. Values in between -1 and 1 move the sound accordingly.
673	1373	- default: 0
674	1374	- constraints: must be a value between -1 and 1 inclusively
675	1375	- May be changed whilst playing
676
	1376	- Has slide parameters for shaping changes
677	1377	* attack:
678		- doc: Amount of time (in seconds) for sound to reach full amplitude. A short attack (i.e. 0.01) makes the initial part of the sound very percussive like a sharp tap. A longer attack (i.e 1) fades the sound in gently. Full length of sound is attack + sustain + release.
679		- default: 0.01
680		- constraints: must be zero or greater
681		- Can not be changed once set
682
	1378	- doc: Amount of time (in beats) for sound to reach full amplitude (attack_level). A short attack (i.e. 0.01) makes the initial part of the sound very percussive like a sharp tap. A longer attack (i.e 1) fades the sound in gently. Full length of sound is attack + decay + sustain + release.
	1379	- default: 0
	1380	- constraints: must be zero or greater
	1381	- Can not be changed once set
	1382	- Scaled with current BPM value
	1383	* decay:
	1384	- doc: Amount of time (in beats) for the sound to move from full amplitude (attack_level) to the sustain amplitude (sustain_level).
	1385	- default: 0
	1386	- constraints: must be zero or greater
	1387	- Can not be changed once set
	1388	- Scaled with current BPM value
683	1389	* sustain:
684		- doc: Amount of time (in seconds) for sound to remain at full amplitude. Longer sustain values result in longer sounds. Full length of sound is attack + sustain + release.
685		- default: 0
686		- constraints: must be zero or greater
687		- Can not be changed once set
688
	1390	- doc: Amount of time (in beats) for sound to remain at sustain level amplitude. Longer sustain values result in longer sounds. Full length of sound is attack + decay + sustain + release.
	1391	- default: 0
	1392	- constraints: must be zero or greater
	1393	- Can not be changed once set
	1394	- Scaled with current BPM value
689	1395	* release:
690		- doc: Amount of time (in seconds) for sound to move from full amplitude to silent. A short release (i.e. 0.01) makes the final part of the sound very percussive (potentially resulting in a click). A longer release (i.e 1) fades the sound out gently. Full length of sound is attack + sustain + release.
	1396	- doc: Amount of time (in beats) for sound to move from sustain level amplitude to silent. A short release (i.e. 0.01) makes the final part of the sound very percussive (potentially resulting in a click). A longer release (i.e 1) fades the sound out gently. Full length of sound is attack + decay + sustain + release.
	1397	- default: 1
	1398	- constraints: must be zero or greater
	1399	- Can not be changed once set
	1400	- Scaled with current BPM value
	1401	* attack_level:
	1402	- doc: Amplitude level reached after attack phase and immediately before decay phase
	1403	- default: 1
	1404	- constraints: must be zero or greater
	1405	- Can not be changed once set
	1406	* decay_level:
	1407	- doc: Amplitude level reached after decay phase and immediately before sustain phase. Defaults to sustain_level unless explicitly set
	1408	- default: sustain_level
	1409	- constraints: must be zero or greater
	1410	- Can not be changed once set
	1411	* sustain_level:
	1412	- doc: Amplitude level reached after decay phase and immediately before release phase.
	1413	- default: 1
	1414	- constraints: must be zero or greater
	1415	- Can not be changed once set
	1416	* env_curve:
	1417	- doc: Select the shape of the curve between levels in the envelope. 1=linear, 2=exponential, 3=sine, 4=welch, 6=squared, 7=cubed
691	1418	- default: 2
692		- constraints: must be zero or greater
693		- Can not be changed once set
694
695		* slide:
696		- doc: write me
697		- default: 0
698		- constraints: none
699		- Can not be changed once set
700
	1419	- constraints: must be one of the following values: [1, 2, 3, 4, 6, 7]
	1420	- Can not be changed once set
701	1421	* cutoff:
702		- doc: MIDI note representing the highest frequences allowed to be present in the sound. A low value like 30 makes the sound round and dull, a high value like 100 makes the sound buzzy and crispy.
	1422	- doc: MIDI note representing the highest frequencies allowed to be present in the sound. A low value like 30 makes the sound round and dull, a high value like 100 makes the sound buzzy and crispy.
703	1423	- default: 100
704		- constraints: must be zero or greater, must be a value less than 130
705		- May be changed whilst playing
706
707		* cutoff_slide:
708		- doc: Amount of time (in seconds) for the cutoff value to change. A long cutoff_slide value means that the cutoff takes a long time to slide from the previous value to the new value. A cutoff_slide of 0 means that the cutoff instantly changes to the new value.
709		- default: 0
710		- constraints: must be zero or greater
711		- May be changed whilst playing
712
713		* mod_rate:
714		- doc: Number of times per second that the note switches between the two notes.
715		- default: 1
716		- constraints: must be zero or greater
717		- May be changed whilst playing
718
	1424	- constraints: must be zero or greater,must be a value less than 131
	1425	- May be changed whilst playing
	1426	- Has slide parameters for shaping changes
	1427	* mod_phase:
	1428	- doc: Phase duration in beats of oscillations between the two notes. Time it takes to switch between the notes.
	1429	- default: 0.25
	1430	- constraints: must be greater than zero
	1431	- May be changed whilst playing
	1432	- Scaled with current BPM value
	1433	- Has slide parameters for shaping changes
719	1434	* mod_range:
720	1435	- doc: The size of gap between modulation notes. A gap of 12 is one octave.
721	1436	- default: 5
722		- constraints: must be zero or greater
723		- May be changed whilst playing
724
725		* mod_width:
726		- doc: The phase width of the modulation. Represents how even the gap between modulations is.
	1437	- constraints: none
	1438	- May be changed whilst playing
	1439	- Has slide parameters for shaping changes
	1440	* mod_pulse_width:
	1441	- doc: The width of the modulated pulse wave as a value between 0 and 1. A width of 0.5 will produce a square wave. Only valid if mod wave is type pulse.
727	1442	- default: 0.5
728	1443	- constraints: must be a value between 0 and 1 exclusively
729	1444	- May be changed whilst playing
730
	1445	- Has slide parameters for shaping changes
	1446	* mod_phase_offset:
	1447	- doc: Initial modulation phase offset (a value between 0 and 1).
	1448	- default: 0
	1449	- constraints: must be a value between 0 and 1 inclusively
	1450	- Can not be changed once set
	1451	* mod_invert_wave:
	1452	- doc: Invert mod waveform (i.e. flip it on the y axis). 0=normal wave, 1=inverted wave.
	1453	- default: 0
	1454	- constraints: must be one of the following values: [0, 1]
	1455	- May be changed whilst playing
	1456	* mod_wave:
	1457	- doc: Wave shape of mod wave. 0=saw wave, 1=pulse, 2=triangle wave and 3=sine wave.
	1458	- default: 1
	1459	- constraints: must be one of the following values: [0, 1, 2, 3]
	1460	- May be changed whilst playing
731	1461	* detune:
732	1462	- doc: Distance (in MIDI notes) between components of sound. Affects thickness, sense of tuning and harmony. Tiny values such as 0.1 create a thick sound. Larger values such as 0.5 make the tuning sound strange. Even bigger values such as 5 create chord-like sounds.
733	1463	- default: 0.1
734	1464	- constraints: none
735	1465	- May be changed whilst playing
736
737
738
739		## Modulated Detuned Saw Waves Simple
740
741		### Key:
742		:mod_dsaw_s
743
744		### Doc:
745
746
747		### Arguments:
	1466	- Has slide parameters for shaping changes
	1467
	1468
	1469	## Modulated Sine Wave
	1470
	1471	### Key:
	1472	:mod_sine
	1473
	1474	### Doc:
	1475	A sine wave passed through a low pass filter which modulates between two separate notes via a variety of control waves.
	1476
	1477	### Opts:
748	1478	* note:
749		- doc: Note to play. Either a MIDI number or a symbol representing a note. For example: 30, 52, :C, :C2, :Eb4, or :Ds3
	1479	- doc: Note to play. Either a MIDI number or a symbol representing a note. For example: `30`, `52`, `:C`, `:C2`, `:Eb4`, or `:Ds3`
750	1480	- default: 52
751	1481	- constraints: must be zero or greater
752	1482	- May be changed whilst playing
753
754		* note_slide:
755		- doc: Amount of time (in seconds) for the note to change. A long slide value means that the note takes a long time to slide from the previous note to the new note. A slide of 0 means that the note instantly changes to the new note.
756		- default: 0
757		- constraints: must be zero or greater
758		- May be changed whilst playing
759
760		* amp:
761		- doc: The amplitude of the sound. Typically a value between 0 and 1. Higher amplitudes may be used, but won't make the sound louder, it will just reduce the quality of all the sounds currently being played (due to compression.)
762		- default: 1
763		- constraints: must be zero or greater
764		- May be changed whilst playing
765
766		* amp_slide:
767		- doc: Amount of time (in seconds) for the amplitude (amp) to change. A long slide value means that the amp takes a long time to slide from the previous amplitude to the new amplitude. A slide of 0 means that the amplitude instantly changes to the new amplitude.
768		- default: 0
769		- constraints: must be zero or greater
770		- May be changed whilst playing
771
	1483	- Has slide parameters for shaping changes
	1484	* amp:
	1485	- doc: The amplitude of the sound. Typically a value between 0 and 1. Higher amplitudes may be used, but won't make the sound louder, they will just reduce the quality of all the sounds currently being played (due to compression.)
	1486	- default: 1
	1487	- constraints: must be zero or greater
	1488	- May be changed whilst playing
	1489	- Has slide parameters for shaping changes
772	1490	* pan:
773	1491	- doc: Position of sound in stereo. With headphones on, this means how much of the sound is in the left ear, and how much is in the right ear. With a value of -1, the sound is completely in the left ear, a value of 0 puts the sound equally in both ears and a value of 1 puts the sound in the right ear. Values in between -1 and 1 move the sound accordingly.
774	1492	- default: 0
775	1493	- constraints: must be a value between -1 and 1 inclusively
776	1494	- May be changed whilst playing
777
778		* pan_slide:
779		- doc: Amount of time (in seconds) for the pan to change. A long slide value means that the pan takes a long time to slide from the previous pan position to the new pan position. A slide of 0 means that the pan instantly changes to the new pan position.
780		- default: 0
781		- constraints: must be zero or greater
782		- May be changed whilst playing
783
	1495	- Has slide parameters for shaping changes
784	1496	* attack:
785		- doc: Amount of time (in seconds) for sound to reach full amplitude. A short attack (i.e. 0.01) makes the initial part of the sound very percussive like a sharp tap. A longer attack (i.e 1) fades the sound in gently. Full length of sound is attack + sustain + release.
786		- default: 0.01
787		- constraints: must be zero or greater
788		- Can not be changed once set
789
	1497	- doc: Amount of time (in beats) for sound to reach full amplitude (attack_level). A short attack (i.e. 0.01) makes the initial part of the sound very percussive like a sharp tap. A longer attack (i.e 1) fades the sound in gently. Full length of sound is attack + decay + sustain + release.
	1498	- default: 0
	1499	- constraints: must be zero or greater
	1500	- Can not be changed once set
	1501	- Scaled with current BPM value
	1502	* decay:
	1503	- doc: Amount of time (in beats) for the sound to move from full amplitude (attack_level) to the sustain amplitude (sustain_level).
	1504	- default: 0
	1505	- constraints: must be zero or greater
	1506	- Can not be changed once set
	1507	- Scaled with current BPM value
790	1508	* sustain:
791		- doc: Amount of time (in seconds) for sound to remain at full amplitude. Longer sustain values result in longer sounds. Full length of sound is attack + sustain + release.
792		- default: 0
793		- constraints: must be zero or greater
794		- Can not be changed once set
795
	1509	- doc: Amount of time (in beats) for sound to remain at sustain level amplitude. Longer sustain values result in longer sounds. Full length of sound is attack + decay + sustain + release.
	1510	- default: 0
	1511	- constraints: must be zero or greater
	1512	- Can not be changed once set
	1513	- Scaled with current BPM value
796	1514	* release:
797		- doc: Amount of time (in seconds) for sound to move from full amplitude to silent. A short release (i.e. 0.01) makes the final part of the sound very percussive (potentially resulting in a click). A longer release (i.e 1) fades the sound out gently. Full length of sound is attack + sustain + release.
	1515	- doc: Amount of time (in beats) for sound to move from sustain level amplitude to silent. A short release (i.e. 0.01) makes the final part of the sound very percussive (potentially resulting in a click). A longer release (i.e 1) fades the sound out gently. Full length of sound is attack + decay + sustain + release.
	1516	- default: 1
	1517	- constraints: must be zero or greater
	1518	- Can not be changed once set
	1519	- Scaled with current BPM value
	1520	* attack_level:
	1521	- doc: Amplitude level reached after attack phase and immediately before decay phase
	1522	- default: 1
	1523	- constraints: must be zero or greater
	1524	- Can not be changed once set
	1525	* decay_level:
	1526	- doc: Amplitude level reached after decay phase and immediately before sustain phase. Defaults to sustain_level unless explicitly set
	1527	- default: sustain_level
	1528	- constraints: must be zero or greater
	1529	- Can not be changed once set
	1530	* sustain_level:
	1531	- doc: Amplitude level reached after decay phase and immediately before release phase.
	1532	- default: 1
	1533	- constraints: must be zero or greater
	1534	- Can not be changed once set
	1535	* env_curve:
	1536	- doc: Select the shape of the curve between levels in the envelope. 1=linear, 2=exponential, 3=sine, 4=welch, 6=squared, 7=cubed
798	1537	- default: 2
799		- constraints: must be zero or greater
800		- Can not be changed once set
801
802		* mod_rate:
803		- doc: Number of times per second that the note switches between the two notes.
804		- default: 1
805		- constraints: must be zero or greater
806		- May be changed whilst playing
807
808		* mod_rate_slide:
809		- doc: Amount of time (in seconds) for the mod_rate value to change. A long mod_rate_slide value means that the mod_rate takes a long time to slide from the previous value to the new value. A mod_rate_slide of 0 means that the mod_rate instantly changes to the new value.
810		- default: 0
811		- constraints: must be zero or greater
812		- May be changed whilst playing
813
	1538	- constraints: must be one of the following values: [1, 2, 3, 4, 6, 7]
	1539	- Can not be changed once set
	1540	* cutoff:
	1541	- doc: MIDI note representing the highest frequencies allowed to be present in the sound. A low value like 30 makes the sound round and dull, a high value like 100 makes the sound buzzy and crispy.
	1542	- default: 100
	1543	- constraints: must be zero or greater,must be a value less than 131
	1544	- May be changed whilst playing
	1545	- Has slide parameters for shaping changes
	1546	* mod_phase:
	1547	- doc: Phase duration in beats of oscillations between the two notes. Time it takes to switch between the notes.
	1548	- default: 0.25
	1549	- constraints: must be greater than zero
	1550	- May be changed whilst playing
	1551	- Scaled with current BPM value
	1552	- Has slide parameters for shaping changes
814	1553	* mod_range:
815	1554	- doc: The size of gap between modulation notes. A gap of 12 is one octave.
816	1555	- default: 5
817		- constraints: must be zero or greater
818		- May be changed whilst playing
819
820		* mod_range_slide:
821		- doc: Amount of time (in seconds) for the mod_range value to change. A long mod_range_slide value means that the mod_range takes a long time to slide from the previous value to the new value. A mod_range_slide of 0 means that the mod_range instantly changes to the new value.
822		- default: 0
823		- constraints: must be zero or greater
824		- May be changed whilst playing
825
826		* mod_width:
827		- doc: The phase width of the modulation. Represents how even the gap between modulations is.
	1556	- constraints: none
	1557	- May be changed whilst playing
	1558	- Has slide parameters for shaping changes
	1559	* mod_pulse_width:
	1560	- doc: The width of the modulated pulse wave as a value between 0 and 1. A width of 0.5 will produce a square wave. Only valid if mod wave is type pulse.
828	1561	- default: 0.5
829	1562	- constraints: must be a value between 0 and 1 exclusively
830	1563	- May be changed whilst playing
831
832		* mod_width_slide:
833		- doc: Amount of time (in seconds) for the mod_width value to change. A long mod_width_slide value means that the mod_width takes a long time to slide from the previous value to the new value. A mod_width_slide of 0 means that the mod_width instantly changes to the new value.
834		- default: 0
835		- constraints: must be zero or greater
836		- May be changed whilst playing
837
838		* detune:
839		- doc: Distance (in MIDI notes) between components of sound. Affects thickness, sense of tuning and harmony. Tiny values such as 0.1 create a thick sound. Larger values such as 0.5 make the tuning sound strange. Even bigger values such as 5 create chord-like sounds.
840		- default: 0.1
841		- constraints: none
842		- May be changed whilst playing
843
844		* detune_slide:
845		- doc: Amount of time (in seconds) for the detune value to change. A long detune_slide value means that the detune takes a long time to slide from the previous value to the new value. A detune_slide of 0 means that the detune instantly changes to the new value.
846		- default: 0
847		- constraints: must be zero or greater
848		- May be changed whilst playing
849
	1564	- Has slide parameters for shaping changes
	1565	* mod_phase_offset:
	1566	- doc: Initial modulation phase offset (a value between 0 and 1).
	1567	- default: 0
	1568	- constraints: must be a value between 0 and 1 inclusively
	1569	- Can not be changed once set
	1570	* mod_invert_wave:
	1571	- doc: Invert mod waveform (i.e. flip it on the y axis). 0=normal wave, 1=inverted wave.
	1572	- default: 0
	1573	- constraints: must be one of the following values: [0, 1]
	1574	- May be changed whilst playing
	1575	* mod_wave:
	1576	- doc: Wave shape of mod wave. 0=saw wave, 1=pulse, 2=triangle wave and 3=sine wave.
	1577	- default: 1
	1578	- constraints: must be one of the following values: [0, 1, 2, 3]
	1579	- May be changed whilst playing
850	1580
851	1581
852	1582	## Modulated Sine Wave
853	1583
854	1584	### Key:
855		:mod_sine
856
857		### Doc:
858
859
860		### Arguments:
	1585	:mod_beep
	1586
	1587	### Doc:
	1588	A sine wave passed through a low pass filter which modulates between two separate notes via a variety of control waves.
	1589
	1590	### Opts:
861	1591	* note:
862		- doc: Note to play. Either a MIDI number or a symbol representing a note. For example: 30, 52, :C, :C2, :Eb4, or :Ds3
	1592	- doc: Note to play. Either a MIDI number or a symbol representing a note. For example: `30`, `52`, `:C`, `:C2`, `:Eb4`, or `:Ds3`
863	1593	- default: 52
864	1594	- constraints: must be zero or greater
865	1595	- May be changed whilst playing
866
867		* note_slide:
868		- doc: Amount of time (in seconds) for the note to change. A long slide value means that the note takes a long time to slide from the previous note to the new note. A slide of 0 means that the note instantly changes to the new note.
869		- default: 0
870		- constraints: must be zero or greater
871		- May be changed whilst playing
872
873		* amp:
874		- doc: The amplitude of the sound. Typically a value between 0 and 1. Higher amplitudes may be used, but won't make the sound louder, it will just reduce the quality of all the sounds currently being played (due to compression.)
875		- default: 1
876		- constraints: must be zero or greater
877		- May be changed whilst playing
878
	1596	- Has slide parameters for shaping changes
	1597	* amp:
	1598	- doc: The amplitude of the sound. Typically a value between 0 and 1. Higher amplitudes may be used, but won't make the sound louder, they will just reduce the quality of all the sounds currently being played (due to compression.)
	1599	- default: 1
	1600	- constraints: must be zero or greater
	1601	- May be changed whilst playing
	1602	- Has slide parameters for shaping changes
879	1603	* pan:
880	1604	- doc: Position of sound in stereo. With headphones on, this means how much of the sound is in the left ear, and how much is in the right ear. With a value of -1, the sound is completely in the left ear, a value of 0 puts the sound equally in both ears and a value of 1 puts the sound in the right ear. Values in between -1 and 1 move the sound accordingly.
881	1605	- default: 0
882	1606	- constraints: must be a value between -1 and 1 inclusively
883	1607	- May be changed whilst playing
884
	1608	- Has slide parameters for shaping changes
885	1609	* attack:
886		- doc: Amount of time (in seconds) for sound to reach full amplitude. A short attack (i.e. 0.01) makes the initial part of the sound very percussive like a sharp tap. A longer attack (i.e 1) fades the sound in gently. Full length of sound is attack + sustain + release.
887		- default: 0.01
888		- constraints: must be zero or greater
889		- Can not be changed once set
890
	1610	- doc: Amount of time (in beats) for sound to reach full amplitude (attack_level). A short attack (i.e. 0.01) makes the initial part of the sound very percussive like a sharp tap. A longer attack (i.e 1) fades the sound in gently. Full length of sound is attack + decay + sustain + release.
	1611	- default: 0
	1612	- constraints: must be zero or greater
	1613	- Can not be changed once set
	1614	- Scaled with current BPM value
	1615	* decay:
	1616	- doc: Amount of time (in beats) for the sound to move from full amplitude (attack_level) to the sustain amplitude (sustain_level).
	1617	- default: 0
	1618	- constraints: must be zero or greater
	1619	- Can not be changed once set
	1620	- Scaled with current BPM value
891	1621	* sustain:
892		- doc: Amount of time (in seconds) for sound to remain at full amplitude. Longer sustain values result in longer sounds. Full length of sound is attack + sustain + release.
893		- default: 0
894		- constraints: must be zero or greater
895		- Can not be changed once set
896
	1622	- doc: Amount of time (in beats) for sound to remain at sustain level amplitude. Longer sustain values result in longer sounds. Full length of sound is attack + decay + sustain + release.
	1623	- default: 0
	1624	- constraints: must be zero or greater
	1625	- Can not be changed once set
	1626	- Scaled with current BPM value
897	1627	* release:
898		- doc: Amount of time (in seconds) for sound to move from full amplitude to silent. A short release (i.e. 0.01) makes the final part of the sound very percussive (potentially resulting in a click). A longer release (i.e 1) fades the sound out gently. Full length of sound is attack + sustain + release.
	1628	- doc: Amount of time (in beats) for sound to move from sustain level amplitude to silent. A short release (i.e. 0.01) makes the final part of the sound very percussive (potentially resulting in a click). A longer release (i.e 1) fades the sound out gently. Full length of sound is attack + decay + sustain + release.
	1629	- default: 1
	1630	- constraints: must be zero or greater
	1631	- Can not be changed once set
	1632	- Scaled with current BPM value
	1633	* attack_level:
	1634	- doc: Amplitude level reached after attack phase and immediately before decay phase
	1635	- default: 1
	1636	- constraints: must be zero or greater
	1637	- Can not be changed once set
	1638	* decay_level:
	1639	- doc: Amplitude level reached after decay phase and immediately before sustain phase. Defaults to sustain_level unless explicitly set
	1640	- default: sustain_level
	1641	- constraints: must be zero or greater
	1642	- Can not be changed once set
	1643	* sustain_level:
	1644	- doc: Amplitude level reached after decay phase and immediately before release phase.
	1645	- default: 1
	1646	- constraints: must be zero or greater
	1647	- Can not be changed once set
	1648	* env_curve:
	1649	- doc: Select the shape of the curve between levels in the envelope. 1=linear, 2=exponential, 3=sine, 4=welch, 6=squared, 7=cubed
899	1650	- default: 2
900		- constraints: must be zero or greater
901		- Can not be changed once set
902
	1651	- constraints: must be one of the following values: [1, 2, 3, 4, 6, 7]
	1652	- Can not be changed once set
903	1653	* cutoff:
904		- doc: MIDI note representing the highest frequences allowed to be present in the sound. A low value like 30 makes the sound round and dull, a high value like 100 makes the sound buzzy and crispy.
	1654	- doc: MIDI note representing the highest frequencies allowed to be present in the sound. A low value like 30 makes the sound round and dull, a high value like 100 makes the sound buzzy and crispy.
905	1655	- default: 100
906		- constraints: must be zero or greater, must be a value less than 130
907		- May be changed whilst playing
908
909		* cutoff_slide:
910		- doc: Amount of time (in seconds) for the cutoff value to change. A long cutoff_slide value means that the cutoff takes a long time to slide from the previous value to the new value. A cutoff_slide of 0 means that the cutoff instantly changes to the new value.
911		- default: 0
912		- constraints: must be zero or greater
913		- May be changed whilst playing
914
915		* mod_rate:
916		- doc: Number of times per second that the note switches between the two notes.
917		- default: 1
918		- constraints: must be zero or greater
919		- May be changed whilst playing
920
921		* mod_rate_slide:
922		- doc: Amount of time (in seconds) for the mod_rate value to change. A long mod_rate_slide value means that the mod_rate takes a long time to slide from the previous value to the new value. A mod_rate_slide of 0 means that the mod_rate instantly changes to the new value.
923		- default: 0
924		- constraints: must be zero or greater
925		- May be changed whilst playing
926
	1656	- constraints: must be zero or greater,must be a value less than 131
	1657	- May be changed whilst playing
	1658	- Has slide parameters for shaping changes
	1659	* mod_phase:
	1660	- doc: Phase duration in beats of oscillations between the two notes. Time it takes to switch between the notes.
	1661	- default: 0.25
	1662	- constraints: must be greater than zero
	1663	- May be changed whilst playing
	1664	- Scaled with current BPM value
	1665	- Has slide parameters for shaping changes
927	1666	* mod_range:
928	1667	- doc: The size of gap between modulation notes. A gap of 12 is one octave.
929	1668	- default: 5
930		- constraints: must be zero or greater
931		- May be changed whilst playing
932
933		* mod_range_slide:
934		- doc: Amount of time (in seconds) for the mod_range value to change. A long mod_range_slide value means that the mod_range takes a long time to slide from the previous value to the new value. A mod_range_slide of 0 means that the mod_range instantly changes to the new value.
935		- default: 0
936		- constraints: must be zero or greater
937		- May be changed whilst playing
938
939		* mod_width:
940		- doc: The phase width of the modulation. Represents how even the gap between modulations is.
	1669	- constraints: none
	1670	- May be changed whilst playing
	1671	- Has slide parameters for shaping changes
	1672	* mod_pulse_width:
	1673	- doc: The width of the modulated pulse wave as a value between 0 and 1. A width of 0.5 will produce a square wave. Only valid if mod wave is type pulse.
941	1674	- default: 0.5
942	1675	- constraints: must be a value between 0 and 1 exclusively
943	1676	- May be changed whilst playing
944
945		* mod_width_slide:
946		- doc: Amount of time (in seconds) for the mod_width value to change. A long mod_width_slide value means that the mod_width takes a long time to slide from the previous value to the new value. A mod_width_slide of 0 means that the mod_width instantly changes to the new value.
947		- default: 0
948		- constraints: must be zero or greater
949		- May be changed whilst playing
950
951
952
953		## Simple Modulated Sine Wave
954
955		### Key:
956		:mod_sine_s
957
958		### Doc:
959
960
961		### Arguments:
	1677	- Has slide parameters for shaping changes
	1678	* mod_phase_offset:
	1679	- doc: Initial modulation phase offset (a value between 0 and 1).
	1680	- default: 0
	1681	- constraints: must be a value between 0 and 1 inclusively
	1682	- Can not be changed once set
	1683	* mod_invert_wave:
	1684	- doc: Invert mod waveform (i.e. flip it on the y axis). 0=normal wave, 1=inverted wave.
	1685	- default: 0
	1686	- constraints: must be one of the following values: [0, 1]
	1687	- May be changed whilst playing
	1688	* mod_wave:
	1689	- doc: Wave shape of mod wave. 0=saw wave, 1=pulse, 2=triangle wave and 3=sine wave.
	1690	- default: 1
	1691	- constraints: must be one of the following values: [0, 1, 2, 3]
	1692	- May be changed whilst playing
	1693
	1694
	1695	## Modulated Triangle Wave
	1696
	1697	### Key:
	1698	:mod_tri
	1699
	1700	### Doc:
	1701	A triangle wave passed through a low pass filter which modulates between two separate notes via a variety of control waves.
	1702
	1703	### Opts:
962	1704	* note:
963		- doc: Note to play. Either a MIDI number or a symbol representing a note. For example: 30, 52, :C, :C2, :Eb4, or :Ds3
	1705	- doc: Note to play. Either a MIDI number or a symbol representing a note. For example: `30`, `52`, `:C`, `:C2`, `:Eb4`, or `:Ds3`
964	1706	- default: 52
965	1707	- constraints: must be zero or greater
966	1708	- May be changed whilst playing
967
968		* note_slide:
969		- doc: Amount of time (in seconds) for the note to change. A long slide value means that the note takes a long time to slide from the previous note to the new note. A slide of 0 means that the note instantly changes to the new note.
970		- default: 0
971		- constraints: must be zero or greater
972		- May be changed whilst playing
973
974		* amp:
975		- doc: The amplitude of the sound. Typically a value between 0 and 1. Higher amplitudes may be used, but won't make the sound louder, it will just reduce the quality of all the sounds currently being played (due to compression.)
976		- default: 1
977		- constraints: must be zero or greater
978		- May be changed whilst playing
979
980		* amp_slide:
981		- doc: Amount of time (in seconds) for the amplitude (amp) to change. A long slide value means that the amp takes a long time to slide from the previous amplitude to the new amplitude. A slide of 0 means that the amplitude instantly changes to the new amplitude.
982		- default: 0
983		- constraints: must be zero or greater
984		- May be changed whilst playing
985
	1709	- Has slide parameters for shaping changes
	1710	* amp:
	1711	- doc: The amplitude of the sound. Typically a value between 0 and 1. Higher amplitudes may be used, but won't make the sound louder, they will just reduce the quality of all the sounds currently being played (due to compression.)
	1712	- default: 1
	1713	- constraints: must be zero or greater
	1714	- May be changed whilst playing
	1715	- Has slide parameters for shaping changes
986	1716	* pan:
987	1717	- doc: Position of sound in stereo. With headphones on, this means how much of the sound is in the left ear, and how much is in the right ear. With a value of -1, the sound is completely in the left ear, a value of 0 puts the sound equally in both ears and a value of 1 puts the sound in the right ear. Values in between -1 and 1 move the sound accordingly.
988	1718	- default: 0
989	1719	- constraints: must be a value between -1 and 1 inclusively
990	1720	- May be changed whilst playing
991
992		* pan_slide:
993		- doc: Amount of time (in seconds) for the pan to change. A long slide value means that the pan takes a long time to slide from the previous pan position to the new pan position. A slide of 0 means that the pan instantly changes to the new pan position.
994		- default: 0
995		- constraints: must be zero or greater
996		- May be changed whilst playing
997
	1721	- Has slide parameters for shaping changes
998	1722	* attack:
999		- doc: Amount of time (in seconds) for sound to reach full amplitude. A short attack (i.e. 0.01) makes the initial part of the sound very percussive like a sharp tap. A longer attack (i.e 1) fades the sound in gently. Full length of sound is attack + sustain + release.
1000		- default: 0.01
1001		- constraints: must be zero or greater
1002		- Can not be changed once set
1003
	1723	- doc: Amount of time (in beats) for sound to reach full amplitude (attack_level). A short attack (i.e. 0.01) makes the initial part of the sound very percussive like a sharp tap. A longer attack (i.e 1) fades the sound in gently. Full length of sound is attack + decay + sustain + release.
	1724	- default: 0
	1725	- constraints: must be zero or greater
	1726	- Can not be changed once set
	1727	- Scaled with current BPM value
	1728	* decay:
	1729	- doc: Amount of time (in beats) for the sound to move from full amplitude (attack_level) to the sustain amplitude (sustain_level).
	1730	- default: 0
	1731	- constraints: must be zero or greater
	1732	- Can not be changed once set
	1733	- Scaled with current BPM value
1004	1734	* sustain:
1005		- doc: Amount of time (in seconds) for sound to remain at full amplitude. Longer sustain values result in longer sounds. Full length of sound is attack + sustain + release.
1006		- default: 0
1007		- constraints: must be zero or greater
1008		- Can not be changed once set
1009
	1735	- doc: Amount of time (in beats) for sound to remain at sustain level amplitude. Longer sustain values result in longer sounds. Full length of sound is attack + decay + sustain + release.
	1736	- default: 0
	1737	- constraints: must be zero or greater
	1738	- Can not be changed once set
	1739	- Scaled with current BPM value
1010	1740	* release:
1011		- doc: Amount of time (in seconds) for sound to move from full amplitude to silent. A short release (i.e. 0.01) makes the final part of the sound very percussive (potentially resulting in a click). A longer release (i.e 1) fades the sound out gently. Full length of sound is attack + sustain + release.
	1741	- doc: Amount of time (in beats) for sound to move from sustain level amplitude to silent. A short release (i.e. 0.01) makes the final part of the sound very percussive (potentially resulting in a click). A longer release (i.e 1) fades the sound out gently. Full length of sound is attack + decay + sustain + release.
	1742	- default: 1
	1743	- constraints: must be zero or greater
	1744	- Can not be changed once set
	1745	- Scaled with current BPM value
	1746	* attack_level:
	1747	- doc: Amplitude level reached after attack phase and immediately before decay phase
	1748	- default: 1
	1749	- constraints: must be zero or greater
	1750	- Can not be changed once set
	1751	* decay_level:
	1752	- doc: Amplitude level reached after decay phase and immediately before sustain phase. Defaults to sustain_level unless explicitly set
	1753	- default: sustain_level
	1754	- constraints: must be zero or greater
	1755	- Can not be changed once set
	1756	* sustain_level:
	1757	- doc: Amplitude level reached after decay phase and immediately before release phase.
	1758	- default: 1
	1759	- constraints: must be zero or greater
	1760	- Can not be changed once set
	1761	* env_curve:
	1762	- doc: Select the shape of the curve between levels in the envelope. 1=linear, 2=exponential, 3=sine, 4=welch, 6=squared, 7=cubed
1012	1763	- default: 2
1013		- constraints: must be zero or greater
1014		- Can not be changed once set
1015
1016		* slide:
1017		- doc: write me
1018		- default: 0
1019		- constraints: none
1020		- Can not be changed once set
1021
1022		* mod_rate:
1023		- doc: Number of times per second that the note switches between the two notes.
1024		- default: 1
1025		- constraints: must be zero or greater
1026		- May be changed whilst playing
1027
1028		* mod_rate_slide:
1029		- doc: Amount of time (in seconds) for the mod_rate value to change. A long mod_rate_slide value means that the mod_rate takes a long time to slide from the previous value to the new value. A mod_rate_slide of 0 means that the mod_rate instantly changes to the new value.
1030		- default: 0
1031		- constraints: must be zero or greater
1032		- May be changed whilst playing
1033
	1764	- constraints: must be one of the following values: [1, 2, 3, 4, 6, 7]
	1765	- Can not be changed once set
	1766	* cutoff:
	1767	- doc: MIDI note representing the highest frequencies allowed to be present in the sound. A low value like 30 makes the sound round and dull, a high value like 100 makes the sound buzzy and crispy.
	1768	- default: 100
	1769	- constraints: must be zero or greater,must be a value less than 131
	1770	- May be changed whilst playing
	1771	- Has slide parameters for shaping changes
	1772	* mod_phase:
	1773	- doc: Phase duration in beats of oscillations between the two notes. Time it takes to switch between the notes.
	1774	- default: 0.25
	1775	- constraints: must be greater than zero
	1776	- May be changed whilst playing
	1777	- Scaled with current BPM value
	1778	- Has slide parameters for shaping changes
1034	1779	* mod_range:
1035	1780	- doc: The size of gap between modulation notes. A gap of 12 is one octave.
1036	1781	- default: 5
1037		- constraints: must be zero or greater
1038		- May be changed whilst playing
1039
1040		* mod_range_slide:
1041		- doc: Amount of time (in seconds) for the mod_range value to change. A long mod_range_slide value means that the mod_range takes a long time to slide from the previous value to the new value. A mod_range_slide of 0 means that the mod_range instantly changes to the new value.
1042		- default: 0
1043		- constraints: must be zero or greater
1044		- May be changed whilst playing
1045
1046		* mod_width:
1047		- doc: The phase width of the modulation. Represents how even the gap between modulations is.
	1782	- constraints: none
	1783	- May be changed whilst playing
	1784	- Has slide parameters for shaping changes
	1785	* mod_pulse_width:
	1786	- doc: The width of the modulated pulse wave as a value between 0 and 1. A width of 0.5 will produce a square wave. Only valid if mod wave is type pulse.
1048	1787	- default: 0.5
1049	1788	- constraints: must be a value between 0 and 1 exclusively
1050	1789	- May be changed whilst playing
1051
1052		* mod_width_slide:
1053		- doc: Amount of time (in seconds) for the mod_width value to change. A long mod_width_slide value means that the mod_width takes a long time to slide from the previous value to the new value. A mod_width_slide of 0 means that the mod_width instantly changes to the new value.
1054		- default: 0
1055		- constraints: must be zero or greater
1056		- May be changed whilst playing
1057
1058
1059
1060		## Modulated Triangle Wave
1061
1062		### Key:
1063		:mod_tri
1064
1065		### Doc:
1066
1067
1068		### Arguments:
	1790	- Has slide parameters for shaping changes
	1791	* mod_phase_offset:
	1792	- doc: Initial modulation phase offset (a value between 0 and 1).
	1793	- default: 0
	1794	- constraints: must be a value between 0 and 1 inclusively
	1795	- Can not be changed once set
	1796	* mod_invert_wave:
	1797	- doc: Invert mod waveform (i.e. flip it on the y axis). 0=normal wave, 1=inverted wave.
	1798	- default: 0
	1799	- constraints: must be one of the following values: [0, 1]
	1800	- May be changed whilst playing
	1801	* mod_wave:
	1802	- doc: Wave shape of mod wave. 0=saw wave, 1=pulse, 2=triangle wave and 3=sine wave.
	1803	- default: 1
	1804	- constraints: must be one of the following values: [0, 1, 2, 3]
	1805	- May be changed whilst playing
	1806
	1807
	1808	## Modulated Pulse
	1809
	1810	### Key:
	1811	:mod_pulse
	1812
	1813	### Doc:
	1814	A pulse wave with a low pass filter modulating between two notes via a variety of control waves (see mod_wave: arg). The pulse wave defaults to a square wave, but the timbre can be changed dramatically by adjusting the pulse_width arg between 0 and 1.
	1815
	1816	### Opts:
1069	1817	* note:
1070		- doc: Note to play. Either a MIDI number or a symbol representing a note. For example: 30, 52, :C, :C2, :Eb4, or :Ds3
	1818	- doc: Note to play. Either a MIDI number or a symbol representing a note. For example: `30`, `52`, `:C`, `:C2`, `:Eb4`, or `:Ds3`
1071	1819	- default: 52
1072	1820	- constraints: must be zero or greater
1073	1821	- May be changed whilst playing
1074
1075		* note_slide:
1076		- doc: Amount of time (in seconds) for the note to change. A long slide value means that the note takes a long time to slide from the previous note to the new note. A slide of 0 means that the note instantly changes to the new note.
1077		- default: 0
1078		- constraints: must be zero or greater
1079		- May be changed whilst playing
1080
1081		* amp:
1082		- doc: The amplitude of the sound. Typically a value between 0 and 1. Higher amplitudes may be used, but won't make the sound louder, it will just reduce the quality of all the sounds currently being played (due to compression.)
1083		- default: 1
1084		- constraints: must be zero or greater
1085		- May be changed whilst playing
1086
1087		* amp_slide:
1088		- doc: Amount of time (in seconds) for the amplitude (amp) to change. A long slide value means that the amp takes a long time to slide from the previous amplitude to the new amplitude. A slide of 0 means that the amplitude instantly changes to the new amplitude.
1089		- default: 0
1090		- constraints: must be zero or greater
1091		- May be changed whilst playing
1092
	1822	- Has slide parameters for shaping changes
	1823	* amp:
	1824	- doc: The amplitude of the sound. Typically a value between 0 and 1. Higher amplitudes may be used, but won't make the sound louder, they will just reduce the quality of all the sounds currently being played (due to compression.)
	1825	- default: 1
	1826	- constraints: must be zero or greater
	1827	- May be changed whilst playing
	1828	- Has slide parameters for shaping changes
1093	1829	* pan:
1094	1830	- doc: Position of sound in stereo. With headphones on, this means how much of the sound is in the left ear, and how much is in the right ear. With a value of -1, the sound is completely in the left ear, a value of 0 puts the sound equally in both ears and a value of 1 puts the sound in the right ear. Values in between -1 and 1 move the sound accordingly.
1095	1831	- default: 0
1096	1832	- constraints: must be a value between -1 and 1 inclusively
1097	1833	- May be changed whilst playing
1098
	1834	- Has slide parameters for shaping changes
1099	1835	* attack:
1100		- doc: Amount of time (in seconds) for sound to reach full amplitude. A short attack (i.e. 0.01) makes the initial part of the sound very percussive like a sharp tap. A longer attack (i.e 1) fades the sound in gently. Full length of sound is attack + sustain + release.
1101		- default: 0.01
1102		- constraints: must be zero or greater
1103		- Can not be changed once set
1104
	1836	- doc: Amount of time (in beats) for sound to reach full amplitude (attack_level). A short attack (i.e. 0.01) makes the initial part of the sound very percussive like a sharp tap. A longer attack (i.e 1) fades the sound in gently. Full length of sound is attack + decay + sustain + release.
	1837	- default: 0
	1838	- constraints: must be zero or greater
	1839	- Can not be changed once set
	1840	- Scaled with current BPM value
	1841	* decay:
	1842	- doc: Amount of time (in beats) for the sound to move from full amplitude (attack_level) to the sustain amplitude (sustain_level).
	1843	- default: 0
	1844	- constraints: must be zero or greater
	1845	- Can not be changed once set
	1846	- Scaled with current BPM value
1105	1847	* sustain:
1106		- doc: Amount of time (in seconds) for sound to remain at full amplitude. Longer sustain values result in longer sounds. Full length of sound is attack + sustain + release.
1107		- default: 0
1108		- constraints: must be zero or greater
1109		- Can not be changed once set
1110
	1848	- doc: Amount of time (in beats) for sound to remain at sustain level amplitude. Longer sustain values result in longer sounds. Full length of sound is attack + decay + sustain + release.
	1849	- default: 0
	1850	- constraints: must be zero or greater
	1851	- Can not be changed once set
	1852	- Scaled with current BPM value
1111	1853	* release:
1112		- doc: Amount of time (in seconds) for sound to move from full amplitude to silent. A short release (i.e. 0.01) makes the final part of the sound very percussive (potentially resulting in a click). A longer release (i.e 1) fades the sound out gently. Full length of sound is attack + sustain + release.
	1854	- doc: Amount of time (in beats) for sound to move from sustain level amplitude to silent. A short release (i.e. 0.01) makes the final part of the sound very percussive (potentially resulting in a click). A longer release (i.e 1) fades the sound out gently. Full length of sound is attack + decay + sustain + release.
	1855	- default: 1
	1856	- constraints: must be zero or greater
	1857	- Can not be changed once set
	1858	- Scaled with current BPM value
	1859	* attack_level:
	1860	- doc: Amplitude level reached after attack phase and immediately before decay phase
	1861	- default: 1
	1862	- constraints: must be zero or greater
	1863	- Can not be changed once set
	1864	* decay_level:
	1865	- doc: Amplitude level reached after decay phase and immediately before sustain phase. Defaults to sustain_level unless explicitly set
	1866	- default: sustain_level
	1867	- constraints: must be zero or greater
	1868	- Can not be changed once set
	1869	* sustain_level:
	1870	- doc: Amplitude level reached after decay phase and immediately before release phase.
	1871	- default: 1
	1872	- constraints: must be zero or greater
	1873	- Can not be changed once set
	1874	* env_curve:
	1875	- doc: Select the shape of the curve between levels in the envelope. 1=linear, 2=exponential, 3=sine, 4=welch, 6=squared, 7=cubed
1113	1876	- default: 2
1114		- constraints: must be zero or greater
1115		- Can not be changed once set
1116
	1877	- constraints: must be one of the following values: [1, 2, 3, 4, 6, 7]
	1878	- Can not be changed once set
1117	1879	* cutoff:
1118		- doc: MIDI note representing the highest frequences allowed to be present in the sound. A low value like 30 makes the sound round and dull, a high value like 100 makes the sound buzzy and crispy.
	1880	- doc: MIDI note representing the highest frequencies allowed to be present in the sound. A low value like 30 makes the sound round and dull, a high value like 100 makes the sound buzzy and crispy.
1119	1881	- default: 100
1120		- constraints: must be zero or greater, must be a value less than 130
1121		- May be changed whilst playing
1122
1123		* cutoff_slide:
1124		- doc: Amount of time (in seconds) for the cutoff value to change. A long cutoff_slide value means that the cutoff takes a long time to slide from the previous value to the new value. A cutoff_slide of 0 means that the cutoff instantly changes to the new value.
1125		- default: 0
1126		- constraints: must be zero or greater
1127		- May be changed whilst playing
1128
1129		* mod_rate:
1130		- doc: Number of times per second that the note switches between the two notes.
1131		- default: 1
1132		- constraints: must be zero or greater
1133		- May be changed whilst playing
1134
1135		* mod_rate_slide:
1136		- doc: Amount of time (in seconds) for the mod_rate value to change. A long mod_rate_slide value means that the mod_rate takes a long time to slide from the previous value to the new value. A mod_rate_slide of 0 means that the mod_rate instantly changes to the new value.
1137		- default: 0
1138		- constraints: must be zero or greater
1139		- May be changed whilst playing
1140
	1882	- constraints: must be zero or greater,must be a value less than 131
	1883	- May be changed whilst playing
	1884	- Has slide parameters for shaping changes
	1885	* mod_phase:
	1886	- doc: Phase duration in beats of oscillations between the two notes. Time it takes to switch between the notes.
	1887	- default: 0.25
	1888	- constraints: must be greater than zero
	1889	- May be changed whilst playing
	1890	- Scaled with current BPM value
	1891	- Has slide parameters for shaping changes
1141	1892	* mod_range:
1142	1893	- doc: The size of gap between modulation notes. A gap of 12 is one octave.
1143	1894	- default: 5
1144		- constraints: must be zero or greater
1145		- May be changed whilst playing
1146
1147		* mod_range_slide:
1148		- doc: Amount of time (in seconds) for the mod_range value to change. A long mod_range_slide value means that the mod_range takes a long time to slide from the previous value to the new value. A mod_range_slide of 0 means that the mod_range instantly changes to the new value.
1149		- default: 0
1150		- constraints: must be zero or greater
1151		- May be changed whilst playing
1152
1153		* mod_width:
1154		- doc: The phase width of the modulation. Represents how even the gap between modulations is.
	1895	- constraints: none
	1896	- May be changed whilst playing
	1897	- Has slide parameters for shaping changes
	1898	* mod_pulse_width:
	1899	- doc: The width of the modulated pulse wave as a value between 0 and 1. A width of 0.5 will produce a square wave. Only valid if mod wave is type pulse.
1155	1900	- default: 0.5
1156	1901	- constraints: must be a value between 0 and 1 exclusively
1157	1902	- May be changed whilst playing
1158
1159		* mod_width_slide:
1160		- doc: Amount of time (in seconds) for the mod_width value to change. A long mod_width_slide value means that the mod_width takes a long time to slide from the previous value to the new value. A mod_width_slide of 0 means that the mod_width instantly changes to the new value.
1161		- default: 0
1162		- constraints: must be zero or greater
1163		- May be changed whilst playing
1164
1165
1166
1167		## Simple Modulated Triangle Wave
1168
1169		### Key:
1170		:mod_tri_s
1171
1172		### Doc:
1173
1174
1175		### Arguments:
	1903	- Has slide parameters for shaping changes
	1904	* mod_phase_offset:
	1905	- doc: Initial modulation phase offset (a value between 0 and 1).
	1906	- default: 0
	1907	- constraints: must be a value between 0 and 1 inclusively
	1908	- Can not be changed once set
	1909	* mod_invert_wave:
	1910	- doc: Invert mod waveform (i.e. flip it on the y axis). 0=normal wave, 1=inverted wave.
	1911	- default: 0
	1912	- constraints: must be one of the following values: [0, 1]
	1913	- May be changed whilst playing
	1914	* mod_wave:
	1915	- doc: Wave shape of mod wave. 0=saw wave, 1=pulse, 2=triangle wave and 3=sine wave.
	1916	- default: 1
	1917	- constraints: must be one of the following values: [0, 1, 2, 3]
	1918	- May be changed whilst playing
	1919	* pulse_width:
	1920	- doc: The width of the pulse wave as a value between 0 and 1. A width of 0.5 will produce a square wave. Different values will change the timbre of the sound. Only valid if wave is type pulse.
	1921	- default: 0.5
	1922	- constraints: must be a value between 0 and 1 exclusively
	1923	- May be changed whilst playing
	1924	- Has slide parameters for shaping changes
	1925
	1926
	1927	## TB-303 Emulation
	1928
	1929	### Key:
	1930	:tb303
	1931
	1932	### Doc:
	1933	Emulation of the classic Roland TB-303 Bass Line synthesiser. Overdrive the res (i.e. use very large values) for that classic late 80s acid sound.
	1934
	1935	### Opts:
1176	1936	* note:
1177		- doc: Note to play. Either a MIDI number or a symbol representing a note. For example: 30, 52, :C, :C2, :Eb4, or :Ds3
	1937	- doc: Note to play. Either a MIDI number or a symbol representing a note. For example: `30`, `52`, `:C`, `:C2`, `:Eb4`, or `:Ds3`
1178	1938	- default: 52
1179	1939	- constraints: must be zero or greater
1180	1940	- May be changed whilst playing
1181
1182		* note_slide:
1183		- doc: Amount of time (in seconds) for the note to change. A long slide value means that the note takes a long time to slide from the previous note to the new note. A slide of 0 means that the note instantly changes to the new note.
1184		- default: 0
1185		- constraints: must be zero or greater
1186		- May be changed whilst playing
1187
1188		* amp:
1189		- doc: The amplitude of the sound. Typically a value between 0 and 1. Higher amplitudes may be used, but won't make the sound louder, it will just reduce the quality of all the sounds currently being played (due to compression.)
1190		- default: 1
1191		- constraints: must be zero or greater
1192		- May be changed whilst playing
1193
	1941	- Has slide parameters for shaping changes
	1942	* amp:
	1943	- doc: The amplitude of the sound. Typically a value between 0 and 1. Higher amplitudes may be used, but won't make the sound louder, they will just reduce the quality of all the sounds currently being played (due to compression.)
	1944	- default: 1
	1945	- constraints: must be zero or greater
	1946	- May be changed whilst playing
	1947	- Has slide parameters for shaping changes
1194	1948	* pan:
1195	1949	- doc: Position of sound in stereo. With headphones on, this means how much of the sound is in the left ear, and how much is in the right ear. With a value of -1, the sound is completely in the left ear, a value of 0 puts the sound equally in both ears and a value of 1 puts the sound in the right ear. Values in between -1 and 1 move the sound accordingly.
1196	1950	- default: 0
1197	1951	- constraints: must be a value between -1 and 1 inclusively
1198	1952	- May be changed whilst playing
1199
	1953	- Has slide parameters for shaping changes
1200	1954	* attack:
1201		- doc: Amount of time (in seconds) for sound to reach full amplitude. A short attack (i.e. 0.01) makes the initial part of the sound very percussive like a sharp tap. A longer attack (i.e 1) fades the sound in gently. Full length of sound is attack + sustain + release.
1202		- default: 0.01
1203		- constraints: must be zero or greater
1204		- Can not be changed once set
1205
	1955	- doc: Amount of time (in beats) for sound to reach full amplitude (attack_level). A short attack (i.e. 0.01) makes the initial part of the sound very percussive like a sharp tap. A longer attack (i.e 1) fades the sound in gently. Full length of sound is attack + decay + sustain + release.
	1956	- default: 0
	1957	- constraints: must be zero or greater
	1958	- Can not be changed once set
	1959	- Scaled with current BPM value
	1960	* decay:
	1961	- doc: Amount of time (in beats) for the sound to move from full amplitude (attack_level) to the sustain amplitude (sustain_level).
	1962	- default: 0
	1963	- constraints: must be zero or greater
	1964	- Can not be changed once set
	1965	- Scaled with current BPM value
1206	1966	* sustain:
1207		- doc: Amount of time (in seconds) for sound to remain at full amplitude. Longer sustain values result in longer sounds. Full length of sound is attack + sustain + release.
1208		- default: 0
1209		- constraints: must be zero or greater
1210		- Can not be changed once set
1211
	1967	- doc: Amount of time (in beats) for sound to remain at sustain level amplitude. Longer sustain values result in longer sounds. Full length of sound is attack + decay + sustain + release.
	1968	- default: 0
	1969	- constraints: must be zero or greater
	1970	- Can not be changed once set
	1971	- Scaled with current BPM value
1212	1972	* release:
1213		- doc: Amount of time (in seconds) for sound to move from full amplitude to silent. A short release (i.e. 0.01) makes the final part of the sound very percussive (potentially resulting in a click). A longer release (i.e 1) fades the sound out gently. Full length of sound is attack + sustain + release.
	1973	- doc: Amount of time (in beats) for sound to move from sustain level amplitude to silent. A short release (i.e. 0.01) makes the final part of the sound very percussive (potentially resulting in a click). A longer release (i.e 1) fades the sound out gently. Full length of sound is attack + decay + sustain + release.
	1974	- default: 1
	1975	- constraints: must be zero or greater
	1976	- Can not be changed once set
	1977	- Scaled with current BPM value
	1978	* attack_level:
	1979	- doc: Amplitude level reached after attack phase and immediately before decay phase
	1980	- default: 1
	1981	- constraints: must be zero or greater
	1982	- Can not be changed once set
	1983	* decay_level:
	1984	- doc: Amplitude level reached after decay phase and immediately before sustain phase. Defaults to sustain_level unless explicitly set
	1985	- default: sustain_level
	1986	- constraints: must be zero or greater
	1987	- Can not be changed once set
	1988	* sustain_level:
	1989	- doc: Amplitude level reached after decay phase and immediately before release phase.
	1990	- default: 1
	1991	- constraints: must be zero or greater
	1992	- Can not be changed once set
	1993	* env_curve:
	1994	- doc: Select the shape of the curve between levels in the envelope. 1=linear, 2=exponential, 3=sine, 4=welch, 6=squared, 7=cubed
1214	1995	- default: 2
1215		- constraints: must be zero or greater
1216		- Can not be changed once set
1217
1218		* slide:
1219		- doc: write me
1220		- default: 0
1221		- constraints: none
1222		- Can not be changed once set
1223
1224		* mod_rate:
1225		- doc: Number of times per second that the note switches between the two notes.
1226		- default: 1
1227		- constraints: must be zero or greater
1228		- May be changed whilst playing
1229
1230		* mod_range:
1231		- doc: The size of gap between modulation notes. A gap of 12 is one octave.
1232		- default: 5
1233		- constraints: must be zero or greater
1234		- May be changed whilst playing
1235
1236		* mod_width:
1237		- doc: The phase width of the modulation. Represents how even the gap between modulations is.
	1996	- constraints: must be one of the following values: [1, 2, 3, 4, 6, 7]
	1997	- Can not be changed once set
	1998	* cutoff:
	1999	- doc: The maximum cutoff value as a MIDI note
	2000	- default: 120
	2001	- constraints: must be a value less than or equal to 130
	2002	- May be changed whilst playing
	2003	- Has slide parameters for shaping changes
	2004	* cutoff_min:
	2005	- doc: The minimum cutoff value.
	2006	- default: 30
	2007	- constraints: must be a value less than or equal to 130
	2008	- May be changed whilst playing
	2009	- Has slide parameters for shaping changes
	2010	* cutoff_attack:
	2011	- doc: Attack time for cutoff filter. Amount of time (in beats) for sound to reach full cutoff value. Default value is set to match amp envelope's attack value.
	2012	- default: attack
	2013	- constraints: must be zero or greater
	2014	- Can not be changed once set
	2015	- Scaled with current BPM value
	2016	* cutoff_decay:
	2017	- doc: Decay time for cutoff filter. Amount of time (in beats) for sound to move from full cutoff value (cutoff attack level) to the cutoff sustain level. Default value is set to match amp envelope's decay value.
	2018	- default: decay
	2019	- constraints: must be zero or greater
	2020	- Can not be changed once set
	2021	- Scaled with current BPM value
	2022	* cutoff_sustain:
	2023	- doc: Amount of time for cutoff value to remain at sustain level in beats. Default value is set to match amp envelope's sustain value.
	2024	- default: sustain
	2025	- constraints: must be zero or greater
	2026	- Can not be changed once set
	2027	- Scaled with current BPM value
	2028	* cutoff_release:
	2029	- doc: Amount of time (in beats) for sound to move from cutoff sustain value to cutoff min value. Default value is set to match amp envelope's release value.
	2030	- default: release
	2031	- constraints: must be zero or greater
	2032	- Can not be changed once set
	2033	- Scaled with current BPM value
	2034	* cutoff_attack_level:
	2035	- doc: The peak cutoff (value of cutoff at peak of attack) as a value between 0 and 1 where 0 is the :cutoff_min and 1 is the :cutoff value
	2036	- default: 1
	2037	- constraints: must be a value between 0 and 1 inclusively
	2038	- Can not be changed once set
	2039	* cutoff_decay_level:
	2040	- doc: The level of cutoff after the decay phase as a value between 0 and 1 where 0 is the :cutoff_min and 1 is the :cutoff value
	2041	- default: cutoff_sustain_level
	2042	- constraints: must be a value between 0 and 1 inclusively
	2043	- Can not be changed once set
	2044	* cutoff_sustain_level:
	2045	- doc: The sustain cutoff (value of cutoff at sustain time) as a value between 0 and 1 where 0 is the :cutoff_min and 1 is the :cutoff value.
	2046	- default: 1
	2047	- constraints: must be a value between 0 and 1 inclusively
	2048	- Can not be changed once set
	2049	* res:
	2050	- doc: Filter resonance as a value between 0 and 1. Large amounts of resonance (a res: near 1) can create a whistling sound around the cutoff frequency. Smaller values produce less resonance.
	2051	- default: 0.9
	2052	- constraints: must be zero or greater,must be a value less than 1
	2053	- May be changed whilst playing
	2054	- Has slide parameters for shaping changes
	2055	* wave:
	2056	- doc: Wave type - 0 saw, 1 pulse, 2 triangle. Different waves will produce different sounds.
	2057	- default: 0
	2058	- constraints: must be one of the following values: [0, 1, 2]
	2059	- May be changed whilst playing
	2060	* pulse_width:
	2061	- doc: The width of the pulse wave as a value between 0 and 1. A width of 0.5 will produce a square wave. Different values will change the timbre of the sound. Only valid if wave is type pulse.
1238	2062	- default: 0.5
1239	2063	- constraints: must be a value between 0 and 1 exclusively
1240	2064	- May be changed whilst playing
1241
1242
1243
1244		## Modulated Pulse
1245
1246		### Key:
1247		:mod_pulse
1248
1249		### Doc:
1250
1251
1252		### Arguments:
	2065	- Has slide parameters for shaping changes
	2066
	2067
	2068	## Supersaw
	2069
	2070	### Key:
	2071	:supersaw
	2072
	2073	### Doc:
	2074	Thick swirly saw waves sparkling and moving about to create a rich trancy sound.
	2075
	2076	### Opts:
1253	2077	* note:
1254		- doc: Note to play. Either a MIDI number or a symbol representing a note. For example: 30, 52, :C, :C2, :Eb4, or :Ds3
	2078	- doc: Note to play. Either a MIDI number or a symbol representing a note. For example: `30`, `52`, `:C`, `:C2`, `:Eb4`, or `:Ds3`
1255	2079	- default: 52
1256	2080	- constraints: must be zero or greater
1257	2081	- May be changed whilst playing
1258
1259		* note_slide:
1260		- doc: Amount of time (in seconds) for the note to change. A long slide value means that the note takes a long time to slide from the previous note to the new note. A slide of 0 means that the note instantly changes to the new note.
1261		- default: 0
1262		- constraints: must be zero or greater
1263		- May be changed whilst playing
1264
1265		* amp:
1266		- doc: The amplitude of the sound. Typically a value between 0 and 1. Higher amplitudes may be used, but won't make the sound louder, it will just reduce the quality of all the sounds currently being played (due to compression.)
1267		- default: 1
1268		- constraints: must be zero or greater
1269		- May be changed whilst playing
1270
1271		* amp_slide:
1272		- doc: Amount of time (in seconds) for the amplitude (amp) to change. A long slide value means that the amp takes a long time to slide from the previous amplitude to the new amplitude. A slide of 0 means that the amplitude instantly changes to the new amplitude.
1273		- default: 0
1274		- constraints: must be zero or greater
1275		- May be changed whilst playing
1276
	2082	- Has slide parameters for shaping changes
	2083	* amp:
	2084	- doc: The amplitude of the sound. Typically a value between 0 and 1. Higher amplitudes may be used, but won't make the sound louder, they will just reduce the quality of all the sounds currently being played (due to compression.)
	2085	- default: 1
	2086	- constraints: must be zero or greater
	2087	- May be changed whilst playing
	2088	- Has slide parameters for shaping changes
1277	2089	* pan:
1278	2090	- doc: Position of sound in stereo. With headphones on, this means how much of the sound is in the left ear, and how much is in the right ear. With a value of -1, the sound is completely in the left ear, a value of 0 puts the sound equally in both ears and a value of 1 puts the sound in the right ear. Values in between -1 and 1 move the sound accordingly.
1279	2091	- default: 0
1280	2092	- constraints: must be a value between -1 and 1 inclusively
1281	2093	- May be changed whilst playing
1282
1283		* pan_slide:
1284		- doc: Amount of time (in seconds) for the pan to change. A long slide value means that the pan takes a long time to slide from the previous pan position to the new pan position. A slide of 0 means that the pan instantly changes to the new pan position.
1285		- default: 0
1286		- constraints: must be zero or greater
1287		- May be changed whilst playing
1288
	2094	- Has slide parameters for shaping changes
1289	2095	* attack:
1290		- doc: Amount of time (in seconds) for sound to reach full amplitude. A short attack (i.e. 0.01) makes the initial part of the sound very percussive like a sharp tap. A longer attack (i.e 1) fades the sound in gently. Full length of sound is attack + sustain + release.
1291		- default: 0.01
1292		- constraints: must be zero or greater
1293		- Can not be changed once set
1294
	2096	- doc: Amount of time (in beats) for sound to reach full amplitude (attack_level). A short attack (i.e. 0.01) makes the initial part of the sound very percussive like a sharp tap. A longer attack (i.e 1) fades the sound in gently. Full length of sound is attack + decay + sustain + release.
	2097	- default: 0
	2098	- constraints: must be zero or greater
	2099	- Can not be changed once set
	2100	- Scaled with current BPM value
	2101	* decay:
	2102	- doc: Amount of time (in beats) for the sound to move from full amplitude (attack_level) to the sustain amplitude (sustain_level).
	2103	- default: 0
	2104	- constraints: must be zero or greater
	2105	- Can not be changed once set
	2106	- Scaled with current BPM value
1295	2107	* sustain:
1296		- doc: Amount of time (in seconds) for sound to remain at full amplitude. Longer sustain values result in longer sounds. Full length of sound is attack + sustain + release.
1297		- default: 0
1298		- constraints: must be zero or greater
1299		- Can not be changed once set
1300
	2108	- doc: Amount of time (in beats) for sound to remain at sustain level amplitude. Longer sustain values result in longer sounds. Full length of sound is attack + decay + sustain + release.
	2109	- default: 0
	2110	- constraints: must be zero or greater
	2111	- Can not be changed once set
	2112	- Scaled with current BPM value
1301	2113	* release:
1302		- doc: Amount of time (in seconds) for sound to move from full amplitude to silent. A short release (i.e. 0.01) makes the final part of the sound very percussive (potentially resulting in a click). A longer release (i.e 1) fades the sound out gently. Full length of sound is attack + sustain + release.
	2114	- doc: Amount of time (in beats) for sound to move from sustain level amplitude to silent. A short release (i.e. 0.01) makes the final part of the sound very percussive (potentially resulting in a click). A longer release (i.e 1) fades the sound out gently. Full length of sound is attack + decay + sustain + release.
	2115	- default: 1
	2116	- constraints: must be zero or greater
	2117	- Can not be changed once set
	2118	- Scaled with current BPM value
	2119	* attack_level:
	2120	- doc: Amplitude level reached after attack phase and immediately before decay phase
	2121	- default: 1
	2122	- constraints: must be zero or greater
	2123	- Can not be changed once set
	2124	* decay_level:
	2125	- doc: Amplitude level reached after decay phase and immediately before sustain phase. Defaults to sustain_level unless explicitly set
	2126	- default: sustain_level
	2127	- constraints: must be zero or greater
	2128	- Can not be changed once set
	2129	* sustain_level:
	2130	- doc: Amplitude level reached after decay phase and immediately before release phase.
	2131	- default: 1
	2132	- constraints: must be zero or greater
	2133	- Can not be changed once set
	2134	* env_curve:
	2135	- doc: Select the shape of the curve between levels in the envelope. 1=linear, 2=exponential, 3=sine, 4=welch, 6=squared, 7=cubed
1303	2136	- default: 2
1304		- constraints: must be zero or greater
1305		- Can not be changed once set
1306
	2137	- constraints: must be one of the following values: [1, 2, 3, 4, 6, 7]
	2138	- Can not be changed once set
1307	2139	* cutoff:
1308		- doc: MIDI note representing the highest frequences allowed to be present in the sound. A low value like 30 makes the sound round and dull, a high value like 100 makes the sound buzzy and crispy.
	2140	- doc: MIDI note representing the highest frequencies allowed to be present in the sound. A low value like 30 makes the sound round and dull, a high value like 100 makes the sound buzzy and crispy.
	2141	- default: 130
	2142	- constraints: must be zero or greater,must be a value less than 131
	2143	- May be changed whilst playing
	2144	- Has slide parameters for shaping changes
	2145	* res:
	2146	- doc: Filter resonance as a value between 0 and 1. Large amounts of resonance (a res: near 1) can create a whistling sound around the cutoff frequency. Smaller values produce less resonance.
	2147	- default: 0.7
	2148	- constraints: must be zero or greater,must be a value less than 1
	2149	- May be changed whilst playing
	2150	- Has slide parameters for shaping changes
	2151
	2152
	2153	## Hoover
	2154
	2155	### Key:
	2156	:hoover
	2157
	2158	### Doc:
	2159	Classic early 90's rave synth - 'a sort of slurry chorussy synth line like the classic Dominator by Human Resource'. Based on Dan Stowell's implementation in SuperCollider and Daniel Turczanski's port to Overtone. Works really well with portamento (see docs for the 'control' method).
	2160
	2161	### Opts:
	2162	* note:
	2163	- doc: Note to play. Either a MIDI number or a symbol representing a note. For example: `30`, `52`, `:C`, `:C2`, `:Eb4`, or `:Ds3`
	2164	- default: 52
	2165	- constraints: must be zero or greater
	2166	- May be changed whilst playing
	2167	- Has slide parameters for shaping changes
	2168	* amp:
	2169	- doc: The amplitude of the sound. Typically a value between 0 and 1. Higher amplitudes may be used, but won't make the sound louder, they will just reduce the quality of all the sounds currently being played (due to compression.)
	2170	- default: 1
	2171	- constraints: must be zero or greater
	2172	- May be changed whilst playing
	2173	- Has slide parameters for shaping changes
	2174	* pan:
	2175	- doc: Position of sound in stereo. With headphones on, this means how much of the sound is in the left ear, and how much is in the right ear. With a value of -1, the sound is completely in the left ear, a value of 0 puts the sound equally in both ears and a value of 1 puts the sound in the right ear. Values in between -1 and 1 move the sound accordingly.
	2176	- default: 0
	2177	- constraints: must be a value between -1 and 1 inclusively
	2178	- May be changed whilst playing
	2179	- Has slide parameters for shaping changes
	2180	* attack:
	2181	- doc: Amount of time (in beats) for sound to reach full amplitude (attack_level). A short attack (i.e. 0.01) makes the initial part of the sound very percussive like a sharp tap. A longer attack (i.e 1) fades the sound in gently. Full length of sound is attack + decay + sustain + release.
	2182	- default: 0.05
	2183	- constraints: must be zero or greater
	2184	- Can not be changed once set
	2185	- Scaled with current BPM value
	2186	* decay:
	2187	- doc: Amount of time (in beats) for the sound to move from full amplitude (attack_level) to the sustain amplitude (sustain_level).
	2188	- default: 0
	2189	- constraints: must be zero or greater
	2190	- Can not be changed once set
	2191	- Scaled with current BPM value
	2192	* sustain:
	2193	- doc: Amount of time (in beats) for sound to remain at sustain level amplitude. Longer sustain values result in longer sounds. Full length of sound is attack + decay + sustain + release.
	2194	- default: 0
	2195	- constraints: must be zero or greater
	2196	- Can not be changed once set
	2197	- Scaled with current BPM value
	2198	* release:
	2199	- doc: Amount of time (in beats) for sound to move from sustain level amplitude to silent. A short release (i.e. 0.01) makes the final part of the sound very percussive (potentially resulting in a click). A longer release (i.e 1) fades the sound out gently. Full length of sound is attack + decay + sustain + release.
	2200	- default: 1
	2201	- constraints: must be zero or greater
	2202	- Can not be changed once set
	2203	- Scaled with current BPM value
	2204	* attack_level:
	2205	- doc: Amplitude level reached after attack phase and immediately before decay phase
	2206	- default: 1
	2207	- constraints: must be zero or greater
	2208	- Can not be changed once set
	2209	* decay_level:
	2210	- doc: Amplitude level reached after decay phase and immediately before sustain phase. Defaults to sustain_level unless explicitly set
	2211	- default: sustain_level
	2212	- constraints: must be zero or greater
	2213	- Can not be changed once set
	2214	* sustain_level:
	2215	- doc: Amplitude level reached after decay phase and immediately before release phase.
	2216	- default: 1
	2217	- constraints: must be zero or greater
	2218	- Can not be changed once set
	2219	* env_curve:
	2220	- doc: Select the shape of the curve between levels in the envelope. 1=linear, 2=exponential, 3=sine, 4=welch, 6=squared, 7=cubed
	2221	- default: 2
	2222	- constraints: must be one of the following values: [1, 2, 3, 4, 6, 7]
	2223	- Can not be changed once set
	2224	* cutoff:
	2225	- doc: MIDI note representing the highest frequencies allowed to be present in the sound. A low value like 30 makes the sound round and dull, a high value like 100 makes the sound buzzy and crispy.
	2226	- default: 130
	2227	- constraints: must be zero or greater,must be a value less than 131
	2228	- May be changed whilst playing
	2229	- Has slide parameters for shaping changes
	2230	* res:
	2231	- doc: Filter resonance as a value between 0 and 1. Large amounts of resonance (a res: near 1) can create a whistling sound around the cutoff frequency. Smaller values produce less resonance.
	2232	- default: 0.1
	2233	- constraints: must be zero or greater,must be a value less than 1
	2234	- May be changed whilst playing
	2235	- Has slide parameters for shaping changes
	2236
	2237
	2238	## The Prophet
	2239
	2240	### Key:
	2241	:prophet
	2242
	2243	### Doc:
	2244	Dark and swirly, this synth uses Pulse Width Modulation (PWM) to create a timbre which continually moves around. This effect is created using the pulse ugen which produces a variable width square wave. We then control the width of the pulses using a variety of LFOs - sin-osc and lf-tri in this case. We use a number of these LFO modulated pulse ugens with varying LFO type and rate (and phase in some cases) to provide the LFO with a different starting point. We then mix all these pulses together to create a thick sound and then feed it through a resonant low pass filter (rlpf). For extra bass, one of the pulses is an octave lower (half the frequency) and its LFO has a little bit of randomisation thrown into its frequency component for that extra bit of variety.
	2245
	2246	### Opts:
	2247	* note:
	2248	- doc: Note to play. Either a MIDI number or a symbol representing a note. For example: `30`, `52`, `:C`, `:C2`, `:Eb4`, or `:Ds3`
	2249	- default: 52
	2250	- constraints: must be zero or greater
	2251	- May be changed whilst playing
	2252	- Has slide parameters for shaping changes
	2253	* amp:
	2254	- doc: The amplitude of the sound. Typically a value between 0 and 1. Higher amplitudes may be used, but won't make the sound louder, they will just reduce the quality of all the sounds currently being played (due to compression.)
	2255	- default: 1
	2256	- constraints: must be zero or greater
	2257	- May be changed whilst playing
	2258	- Has slide parameters for shaping changes
	2259	* pan:
	2260	- doc: Position of sound in stereo. With headphones on, this means how much of the sound is in the left ear, and how much is in the right ear. With a value of -1, the sound is completely in the left ear, a value of 0 puts the sound equally in both ears and a value of 1 puts the sound in the right ear. Values in between -1 and 1 move the sound accordingly.
	2261	- default: 0
	2262	- constraints: must be a value between -1 and 1 inclusively
	2263	- May be changed whilst playing
	2264	- Has slide parameters for shaping changes
	2265	* attack:
	2266	- doc: Amount of time (in beats) for sound to reach full amplitude (attack_level). A short attack (i.e. 0.01) makes the initial part of the sound very percussive like a sharp tap. A longer attack (i.e 1) fades the sound in gently. Full length of sound is attack + decay + sustain + release.
	2267	- default: 0
	2268	- constraints: must be zero or greater
	2269	- Can not be changed once set
	2270	- Scaled with current BPM value
	2271	* decay:
	2272	- doc: Amount of time (in beats) for the sound to move from full amplitude (attack_level) to the sustain amplitude (sustain_level).
	2273	- default: 0
	2274	- constraints: must be zero or greater
	2275	- Can not be changed once set
	2276	- Scaled with current BPM value
	2277	* sustain:
	2278	- doc: Amount of time (in beats) for sound to remain at sustain level amplitude. Longer sustain values result in longer sounds. Full length of sound is attack + decay + sustain + release.
	2279	- default: 0
	2280	- constraints: must be zero or greater
	2281	- Can not be changed once set
	2282	- Scaled with current BPM value
	2283	* release:
	2284	- doc: Amount of time (in beats) for sound to move from sustain level amplitude to silent. A short release (i.e. 0.01) makes the final part of the sound very percussive (potentially resulting in a click). A longer release (i.e 1) fades the sound out gently. Full length of sound is attack + decay + sustain + release.
	2285	- default: 1
	2286	- constraints: must be zero or greater
	2287	- Can not be changed once set
	2288	- Scaled with current BPM value
	2289	* attack_level:
	2290	- doc: Amplitude level reached after attack phase and immediately before decay phase
	2291	- default: 1
	2292	- constraints: must be zero or greater
	2293	- Can not be changed once set
	2294	* decay_level:
	2295	- doc: Amplitude level reached after decay phase and immediately before sustain phase. Defaults to sustain_level unless explicitly set
	2296	- default: sustain_level
	2297	- constraints: must be zero or greater
	2298	- Can not be changed once set
	2299	* sustain_level:
	2300	- doc: Amplitude level reached after decay phase and immediately before release phase.
	2301	- default: 1
	2302	- constraints: must be zero or greater
	2303	- Can not be changed once set
	2304	* env_curve:
	2305	- doc: Select the shape of the curve between levels in the envelope. 1=linear, 2=exponential, 3=sine, 4=welch, 6=squared, 7=cubed
	2306	- default: 2
	2307	- constraints: must be one of the following values: [1, 2, 3, 4, 6, 7]
	2308	- Can not be changed once set
	2309	* cutoff:
	2310	- doc: MIDI note representing the highest frequencies allowed to be present in the sound. A low value like 30 makes the sound round and dull, a high value like 100 makes the sound buzzy and crispy.
	2311	- default: 110
	2312	- constraints: must be zero or greater,must be a value less than 131
	2313	- May be changed whilst playing
	2314	- Has slide parameters for shaping changes
	2315	* res:
	2316	- doc: Filter resonance as a value between 0 and 1. Large amounts of resonance (a res: near 1) can create a whistling sound around the cutoff frequency. Smaller values produce less resonance.
	2317	- default: 0.7
	2318	- constraints: must be zero or greater,must be a value less than 1
	2319	- May be changed whilst playing
	2320	- Has slide parameters for shaping changes
	2321
	2322
	2323	## Zawa
	2324
	2325	### Key:
	2326	:zawa
	2327
	2328	### Doc:
	2329	Saw wave with oscillating timbre. Produces moving saw waves with a unique character controllable with the control oscillator (usage similar to mod synths).
	2330
	2331	### Opts:
	2332	* note:
	2333	- doc: Note to play. Either a MIDI number or a symbol representing a note. For example: `30`, `52`, `:C`, `:C2`, `:Eb4`, or `:Ds3`
	2334	- default: 52
	2335	- constraints: must be zero or greater
	2336	- May be changed whilst playing
	2337	- Has slide parameters for shaping changes
	2338	* amp:
	2339	- doc: The amplitude of the sound. Typically a value between 0 and 1. Higher amplitudes may be used, but won't make the sound louder, they will just reduce the quality of all the sounds currently being played (due to compression.)
	2340	- default: 1
	2341	- constraints: must be zero or greater
	2342	- May be changed whilst playing
	2343	- Has slide parameters for shaping changes
	2344	* pan:
	2345	- doc: Position of sound in stereo. With headphones on, this means how much of the sound is in the left ear, and how much is in the right ear. With a value of -1, the sound is completely in the left ear, a value of 0 puts the sound equally in both ears and a value of 1 puts the sound in the right ear. Values in between -1 and 1 move the sound accordingly.
	2346	- default: 0
	2347	- constraints: must be a value between -1 and 1 inclusively
	2348	- May be changed whilst playing
	2349	- Has slide parameters for shaping changes
	2350	* attack:
	2351	- doc: Amount of time (in beats) for sound to reach full amplitude (attack_level). A short attack (i.e. 0.01) makes the initial part of the sound very percussive like a sharp tap. A longer attack (i.e 1) fades the sound in gently. Full length of sound is attack + decay + sustain + release.
	2352	- default: 0
	2353	- constraints: must be zero or greater
	2354	- Can not be changed once set
	2355	- Scaled with current BPM value
	2356	* decay:
	2357	- doc: Amount of time (in beats) for the sound to move from full amplitude (attack_level) to the sustain amplitude (sustain_level).
	2358	- default: 0
	2359	- constraints: must be zero or greater
	2360	- Can not be changed once set
	2361	- Scaled with current BPM value
	2362	* sustain:
	2363	- doc: Amount of time (in beats) for sound to remain at sustain level amplitude. Longer sustain values result in longer sounds. Full length of sound is attack + decay + sustain + release.
	2364	- default: 0
	2365	- constraints: must be zero or greater
	2366	- Can not be changed once set
	2367	- Scaled with current BPM value
	2368	* release:
	2369	- doc: Amount of time (in beats) for sound to move from sustain level amplitude to silent. A short release (i.e. 0.01) makes the final part of the sound very percussive (potentially resulting in a click). A longer release (i.e 1) fades the sound out gently. Full length of sound is attack + decay + sustain + release.
	2370	- default: 1
	2371	- constraints: must be zero or greater
	2372	- Can not be changed once set
	2373	- Scaled with current BPM value
	2374	* attack_level:
	2375	- doc: Amplitude level reached after attack phase and immediately before decay phase
	2376	- default: 1
	2377	- constraints: must be zero or greater
	2378	- Can not be changed once set
	2379	* decay_level:
	2380	- doc: Amplitude level reached after decay phase and immediately before sustain phase. Defaults to sustain_level unless explicitly set
	2381	- default: sustain_level
	2382	- constraints: must be zero or greater
	2383	- Can not be changed once set
	2384	* sustain_level:
	2385	- doc: Amplitude level reached after decay phase and immediately before release phase.
	2386	- default: 1
	2387	- constraints: must be zero or greater
	2388	- Can not be changed once set
	2389	* cutoff:
	2390	- doc: MIDI note representing the highest frequencies allowed to be present in the sound. A low value like 30 makes the sound round and dull, a high value like 100 makes the sound buzzy and crispy.
1309	2391	- default: 100
1310		- constraints: must be zero or greater, must be a value less than 130
1311		- May be changed whilst playing
1312
1313		* cutoff_slide:
1314		- doc: Amount of time (in seconds) for the cutoff value to change. A long cutoff_slide value means that the cutoff takes a long time to slide from the previous value to the new value. A cutoff_slide of 0 means that the cutoff instantly changes to the new value.
1315		- default: 0
1316		- constraints: must be zero or greater
1317		- May be changed whilst playing
1318
1319		* mod_rate:
1320		- doc: Number of times per second that the note switches between the two notes.
1321		- default: 1
1322		- constraints: must be zero or greater
1323		- May be changed whilst playing
1324
1325		* mod_rate__slide:
1326		- doc: write me
1327		- default: 0
1328		- constraints: none
1329		- Can not be changed once set
1330
1331		* mod_range:
1332		- doc: The size of gap between modulation notes. A gap of 12 is one octave.
1333		- default: 5
1334		- constraints: must be zero or greater
1335		- May be changed whilst playing
1336
1337		* mod_range_slide:
1338		- doc: Amount of time (in seconds) for the mod_range value to change. A long mod_range_slide value means that the mod_range takes a long time to slide from the previous value to the new value. A mod_range_slide of 0 means that the mod_range instantly changes to the new value.
1339		- default: 0
1340		- constraints: must be zero or greater
1341		- May be changed whilst playing
1342
1343		* mod_width:
1344		- doc: The phase width of the modulation. Represents how even the gap between modulations is.
	2392	- constraints: must be zero or greater,must be a value less than 131
	2393	- May be changed whilst playing
	2394	- Has slide parameters for shaping changes
	2395	* res:
	2396	- doc: Filter resonance as a value between 0 and 1. Large amounts of resonance (a res: near 1) can create a whistling sound around the cutoff frequency. Smaller values produce less resonance.
	2397	- default: 0.9
	2398	- constraints: must be zero or greater,must be a value less than 1
	2399	- May be changed whilst playing
	2400	- Has slide parameters for shaping changes
	2401	* phase:
	2402	- doc: Phase duration in beats of timbre modulation.
	2403	- default: 1
	2404	- constraints: must be greater than zero
	2405	- May be changed whilst playing
	2406	- Scaled with current BPM value
	2407	- Has slide parameters for shaping changes
	2408	* phase_offset:
	2409	- doc: Initial phase offset of the sync wave (a value between 0 and 1).
	2410	- default: 0
	2411	- constraints: must be a value between 0 and 1 inclusively
	2412	- Can not be changed once set
	2413	* wave:
	2414	- doc: Wave shape controlling freq sync saw wave. 0=saw wave, 1=pulse, 2=triangle wave and 3=sine wave.
	2415	- default: 3
	2416	- constraints: must be one of the following values: [0, 1, 2, 3]
	2417	- May be changed whilst playing
	2418	* invert_wave:
	2419	- doc: Invert sync freq control waveform (i.e. flip it on the y axis). 0=uninverted wave, 1=inverted wave.
	2420	- default: 0
	2421	- constraints: must be one of the following values: [0, 1]
	2422	- May be changed whilst playing
	2423	* range:
	2424	- doc: Range of the associated sync saw in MIDI notes from the main note. Modifies timbre.
	2425	- default: 24
	2426	- constraints: must be a value between 0 and 90 inclusively
	2427	- May be changed whilst playing
	2428	- Has slide parameters for shaping changes
	2429	* disable_wave:
	2430	- doc: Enable and disable sync control wave (setting to 1 will stop timbre movement).
	2431	- default: 0
	2432	- constraints: must be one of the following values: [0, 1]
	2433	- May be changed whilst playing
	2434	* pulse_width:
	2435	- doc: The width of the pulse wave as a value between 0 and 1. A width of 0.5 will produce a square wave. Different values will change the timbre of the sound. Only valid if wave is type pulse.
1345	2436	- default: 0.5
1346	2437	- constraints: must be a value between 0 and 1 exclusively
1347	2438	- May be changed whilst playing
1348
1349		* mod_width_slide:
1350		- doc: Amount of time (in seconds) for the mod_width value to change. A long mod_width_slide value means that the mod_width takes a long time to slide from the previous value to the new value. A mod_width_slide of 0 means that the mod_width instantly changes to the new value.
1351		- default: 0
1352		- constraints: must be zero or greater
1353		- May be changed whilst playing
1354
1355		* pulse_width:
	2439	- Has slide parameters for shaping changes
	2440
	2441
	2442	## Dark Ambience
	2443
	2444	### Key:
	2445	:dark_ambience
	2446
	2447	### Doc:
	2448	A slow rolling bass with a sparkle of light trying to escape the darkness. Great for an ambient sound.
	2449
	2450	### Opts:
	2451	* note:
	2452	- doc: Note to play. Either a MIDI number or a symbol representing a note. For example: `30`, `52`, `:C`, `:C2`, `:Eb4`, or `:Ds3`
	2453	- default: 52
	2454	- constraints: must be zero or greater
	2455	- May be changed whilst playing
	2456	- Has slide parameters for shaping changes
	2457	* amp:
	2458	- doc: The amplitude of the sound. Typically a value between 0 and 1. Higher amplitudes may be used, but won't make the sound louder, they will just reduce the quality of all the sounds currently being played (due to compression.)
	2459	- default: 1
	2460	- constraints: must be zero or greater
	2461	- May be changed whilst playing
	2462	- Has slide parameters for shaping changes
	2463	* pan:
	2464	- doc: Position of sound in stereo. With headphones on, this means how much of the sound is in the left ear, and how much is in the right ear. With a value of -1, the sound is completely in the left ear, a value of 0 puts the sound equally in both ears and a value of 1 puts the sound in the right ear. Values in between -1 and 1 move the sound accordingly.
	2465	- default: 0
	2466	- constraints: must be a value between -1 and 1 inclusively
	2467	- May be changed whilst playing
	2468	- Has slide parameters for shaping changes
	2469	* attack:
	2470	- doc: Amount of time (in beats) for sound to reach full amplitude (attack_level). A short attack (i.e. 0.01) makes the initial part of the sound very percussive like a sharp tap. A longer attack (i.e 1) fades the sound in gently. Full length of sound is attack + decay + sustain + release.
	2471	- default: 0
	2472	- constraints: must be zero or greater
	2473	- Can not be changed once set
	2474	- Scaled with current BPM value
	2475	* decay:
	2476	- doc: Amount of time (in beats) for the sound to move from full amplitude (attack_level) to the sustain amplitude (sustain_level).
	2477	- default: 0
	2478	- constraints: must be zero or greater
	2479	- Can not be changed once set
	2480	- Scaled with current BPM value
	2481	* sustain:
	2482	- doc: Amount of time (in beats) for sound to remain at sustain level amplitude. Longer sustain values result in longer sounds. Full length of sound is attack + decay + sustain + release.
	2483	- default: 0
	2484	- constraints: must be zero or greater
	2485	- Can not be changed once set
	2486	- Scaled with current BPM value
	2487	* release:
	2488	- doc: Amount of time (in beats) for sound to move from sustain level amplitude to silent. A short release (i.e. 0.01) makes the final part of the sound very percussive (potentially resulting in a click). A longer release (i.e 1) fades the sound out gently. Full length of sound is attack + decay + sustain + release.
	2489	- default: 1
	2490	- constraints: must be zero or greater
	2491	- Can not be changed once set
	2492	- Scaled with current BPM value
	2493	* attack_level:
	2494	- doc: Amplitude level reached after attack phase and immediately before decay phase
	2495	- default: 1
	2496	- constraints: must be zero or greater
	2497	- Can not be changed once set
	2498	* decay_level:
	2499	- doc: Amplitude level reached after decay phase and immediately before sustain phase. Defaults to sustain_level unless explicitly set
	2500	- default: sustain_level
	2501	- constraints: must be zero or greater
	2502	- Can not be changed once set
	2503	* sustain_level:
	2504	- doc: Amplitude level reached after decay phase and immediately before release phase.
	2505	- default: 1
	2506	- constraints: must be zero or greater
	2507	- Can not be changed once set
	2508	* env_curve:
	2509	- doc: Select the shape of the curve between levels in the envelope. 1=linear, 2=exponential, 3=sine, 4=welch, 6=squared, 7=cubed
	2510	- default: 2
	2511	- constraints: must be one of the following values: [1, 2, 3, 4, 6, 7]
	2512	- Can not be changed once set
	2513	* cutoff:
	2514	- doc: MIDI note representing the highest frequencies allowed to be present in the sound. A low value like 30 makes the sound round and dull, a high value like 100 makes the sound buzzy and crispy.
	2515	- default: 110
	2516	- constraints: must be zero or greater,must be a value less than 131
	2517	- May be changed whilst playing
	2518	- Has slide parameters for shaping changes
	2519	* res:
	2520	- doc: Filter resonance as a value between 0 and 1. Large amounts of resonance (a res: near 1) can create a whistling sound around the cutoff frequency. Smaller values produce less resonance.
	2521	- default: 0.7
	2522	- constraints: must be zero or greater,must be a value less than 1
	2523	- May be changed whilst playing
	2524	- Has slide parameters for shaping changes
	2525	* detune1:
	2526	- doc: Distance (in MIDI notes) between the main note and the second component of sound. Affects thickness, sense of tuning and harmony.
	2527	- default: 12
	2528	- constraints: none
	2529	- Can not be changed once set
	2530	- Has slide parameters for shaping changes
	2531	* detune2:
	2532	- doc: Distance (in MIDI notes) between the main note and the third component of sound. Affects thickness, sense of tuning and harmony. Tiny values such as 0.1 create a thick sound.
	2533	- default: 24
	2534	- constraints: none
	2535	- Can not be changed once set
	2536	- Has slide parameters for shaping changes
	2537	* noise:
	2538	- doc: Noise source. Has a subtle effect on the timbre of the sound. 0=pink noise (the default), 1=brown noise, 2=white noise, 3=clip noise and 4=grey noise
	2539	- default: 0
	2540	- constraints: must be one of the following values: [0, 1, 2, 3, 4]
	2541	- May be changed whilst playing
	2542	* ring:
	2543	- doc: Amount of ring in the sound. Lower values create a more rough sound, higher values produce a sound with more focus.
	2544	- default: 0.2
	2545	- constraints: must be a value between 0.1 and 50 inclusively
	2546	- May be changed whilst playing
	2547	* room:
	2548	- doc: Room size in squared metres used to calculate the reverb.
	2549	- default: 70
	2550	- constraints: must be a value greater than or equal to 0.1,must be a value less than or equal to 300
	2551	- Can not be changed once set
	2552	* reverb_time:
	2553	- doc: How long in beats the reverb should go on for.
	2554	- default: 100
	2555	- constraints: must be zero or greater
	2556	- Can not be changed once set
	2557
	2558
	2559	## Growl
	2560
	2561	### Key:
	2562	:growl
	2563
	2564	### Doc:
	2565	A deep rumbling growl with a bright sine shining through at higher notes.
	2566
	2567	### Opts:
	2568	* note:
	2569	- doc: Note to play. Either a MIDI number or a symbol representing a note. For example: `30`, `52`, `:C`, `:C2`, `:Eb4`, or `:Ds3`
	2570	- default: 52
	2571	- constraints: must be zero or greater
	2572	- May be changed whilst playing
	2573	- Has slide parameters for shaping changes
	2574	* amp:
	2575	- doc: The amplitude of the sound. Typically a value between 0 and 1. Higher amplitudes may be used, but won't make the sound louder, they will just reduce the quality of all the sounds currently being played (due to compression.)
	2576	- default: 1
	2577	- constraints: must be zero or greater
	2578	- May be changed whilst playing
	2579	- Has slide parameters for shaping changes
	2580	* pan:
	2581	- doc: Position of sound in stereo. With headphones on, this means how much of the sound is in the left ear, and how much is in the right ear. With a value of -1, the sound is completely in the left ear, a value of 0 puts the sound equally in both ears and a value of 1 puts the sound in the right ear. Values in between -1 and 1 move the sound accordingly.
	2582	- default: 0
	2583	- constraints: must be a value between -1 and 1 inclusively
	2584	- May be changed whilst playing
	2585	- Has slide parameters for shaping changes
	2586	* attack:
	2587	- doc: Amount of time (in beats) for sound to reach full amplitude (attack_level). A short attack (i.e. 0.01) makes the initial part of the sound very percussive like a sharp tap. A longer attack (i.e 1) fades the sound in gently. Full length of sound is attack + decay + sustain + release.
	2588	- default: 0.1
	2589	- constraints: must be zero or greater
	2590	- Can not be changed once set
	2591	- Scaled with current BPM value
	2592	* decay:
	2593	- doc: Amount of time (in beats) for the sound to move from full amplitude (attack_level) to the sustain amplitude (sustain_level).
	2594	- default: 0
	2595	- constraints: must be zero or greater
	2596	- Can not be changed once set
	2597	- Scaled with current BPM value
	2598	* sustain:
	2599	- doc: Amount of time (in beats) for sound to remain at sustain level amplitude. Longer sustain values result in longer sounds. Full length of sound is attack + decay + sustain + release.
	2600	- default: 0
	2601	- constraints: must be zero or greater
	2602	- Can not be changed once set
	2603	- Scaled with current BPM value
	2604	* release:
	2605	- doc: Amount of time (in beats) for sound to move from sustain level amplitude to silent. A short release (i.e. 0.01) makes the final part of the sound very percussive (potentially resulting in a click). A longer release (i.e 1) fades the sound out gently. Full length of sound is attack + decay + sustain + release.
	2606	- default: 1
	2607	- constraints: must be zero or greater
	2608	- Can not be changed once set
	2609	- Scaled with current BPM value
	2610	* attack_level:
	2611	- doc: Amplitude level reached after attack phase and immediately before decay phase
	2612	- default: 1
	2613	- constraints: must be zero or greater
	2614	- Can not be changed once set
	2615	* decay_level:
	2616	- doc: Amplitude level reached after decay phase and immediately before sustain phase. Defaults to sustain_level unless explicitly set
	2617	- default: sustain_level
	2618	- constraints: must be zero or greater
	2619	- Can not be changed once set
	2620	* sustain_level:
	2621	- doc: Amplitude level reached after decay phase and immediately before release phase.
	2622	- default: 1
	2623	- constraints: must be zero or greater
	2624	- Can not be changed once set
	2625	* env_curve:
	2626	- doc: Select the shape of the curve between levels in the envelope. 1=linear, 2=exponential, 3=sine, 4=welch, 6=squared, 7=cubed
	2627	- default: 2
	2628	- constraints: must be one of the following values: [1, 2, 3, 4, 6, 7]
	2629	- Can not be changed once set
	2630	* cutoff:
	2631	- doc: MIDI note representing the highest frequencies allowed to be present in the sound. A low value like 30 makes the sound round and dull, a high value like 100 makes the sound buzzy and crispy.
	2632	- default: 130
	2633	- constraints: must be zero or greater,must be a value less than 131
	2634	- May be changed whilst playing
	2635	- Has slide parameters for shaping changes
	2636	* res:
	2637	- doc: Filter resonance as a value between 0 and 1. Large amounts of resonance (a res: near 1) can create a whistling sound around the cutoff frequency. Smaller values produce less resonance.
	2638	- default: 0.7
	2639	- constraints: must be zero or greater,must be a value less than 1
	2640	- May be changed whilst playing
	2641	- Has slide parameters for shaping changes
	2642
	2643
	2644	## Hollow
	2645
	2646	### Key:
	2647	:hollow
	2648
	2649	### Doc:
	2650	A hollow breathy sound constructed from random noise
	2651
	2652	### Opts:
	2653	* note:
	2654	- doc: Note to play. Either a MIDI number or a symbol representing a note. For example: `30`, `52`, `:C`, `:C2`, `:Eb4`, or `:Ds3`
	2655	- default: 52
	2656	- constraints: must be zero or greater
	2657	- May be changed whilst playing
	2658	- Has slide parameters for shaping changes
	2659	* amp:
	2660	- doc: The amplitude of the sound. Typically a value between 0 and 1. Higher amplitudes may be used, but won't make the sound louder, they will just reduce the quality of all the sounds currently being played (due to compression.)
	2661	- default: 1
	2662	- constraints: must be zero or greater
	2663	- May be changed whilst playing
	2664	- Has slide parameters for shaping changes
	2665	* pan:
	2666	- doc: Position of sound in stereo. With headphones on, this means how much of the sound is in the left ear, and how much is in the right ear. With a value of -1, the sound is completely in the left ear, a value of 0 puts the sound equally in both ears and a value of 1 puts the sound in the right ear. Values in between -1 and 1 move the sound accordingly.
	2667	- default: 0
	2668	- constraints: must be a value between -1 and 1 inclusively
	2669	- May be changed whilst playing
	2670	- Has slide parameters for shaping changes
	2671	* attack:
	2672	- doc: Amount of time (in beats) for sound to reach full amplitude (attack_level). A short attack (i.e. 0.01) makes the initial part of the sound very percussive like a sharp tap. A longer attack (i.e 1) fades the sound in gently. Full length of sound is attack + decay + sustain + release.
	2673	- default: 0
	2674	- constraints: must be zero or greater
	2675	- Can not be changed once set
	2676	- Scaled with current BPM value
	2677	* decay:
	2678	- doc: Amount of time (in beats) for the sound to move from full amplitude (attack_level) to the sustain amplitude (sustain_level).
	2679	- default: 0
	2680	- constraints: must be zero or greater
	2681	- Can not be changed once set
	2682	- Scaled with current BPM value
	2683	* sustain:
	2684	- doc: Amount of time (in beats) for sound to remain at sustain level amplitude. Longer sustain values result in longer sounds. Full length of sound is attack + decay + sustain + release.
	2685	- default: 0
	2686	- constraints: must be zero or greater
	2687	- Can not be changed once set
	2688	- Scaled with current BPM value
	2689	* release:
	2690	- doc: Amount of time (in beats) for sound to move from sustain level amplitude to silent. A short release (i.e. 0.01) makes the final part of the sound very percussive (potentially resulting in a click). A longer release (i.e 1) fades the sound out gently. Full length of sound is attack + decay + sustain + release.
	2691	- default: 1
	2692	- constraints: must be zero or greater
	2693	- Can not be changed once set
	2694	- Scaled with current BPM value
	2695	* attack_level:
	2696	- doc: Amplitude level reached after attack phase and immediately before decay phase
	2697	- default: 1
	2698	- constraints: must be zero or greater
	2699	- Can not be changed once set
	2700	* decay_level:
	2701	- doc: Amplitude level reached after decay phase and immediately before sustain phase. Defaults to sustain_level unless explicitly set
	2702	- default: sustain_level
	2703	- constraints: must be zero or greater
	2704	- Can not be changed once set
	2705	* sustain_level:
	2706	- doc: Amplitude level reached after decay phase and immediately before release phase.
	2707	- default: 1
	2708	- constraints: must be zero or greater
	2709	- Can not be changed once set
	2710	* env_curve:
	2711	- doc: Select the shape of the curve between levels in the envelope. 1=linear, 2=exponential, 3=sine, 4=welch, 6=squared, 7=cubed
	2712	- default: 2
	2713	- constraints: must be one of the following values: [1, 2, 3, 4, 6, 7]
	2714	- Can not be changed once set
	2715	* cutoff:
	2716	- doc: MIDI note representing the highest frequencies allowed to be present in the sound. A low value like 30 makes the sound round and dull, a high value like 100 makes the sound buzzy and crispy.
	2717	- default: 90
	2718	- constraints: must be zero or greater,must be a value less than 131
	2719	- May be changed whilst playing
	2720	- Has slide parameters for shaping changes
	2721	* res:
	2722	- doc: Filter resonance as a value between 0 and 1. Only functional if a cutoff value is specified. Large amounts of resonance (a res: near 1) can create a whistling sound around the cutoff frequency. Smaller values produce less resonance.
	2723	- default: 0.99
	2724	- constraints: must be zero or greater,must be a value less than 1
	2725	- May be changed whilst playing
	2726	- Has slide parameters for shaping changes
	2727	* noise:
	2728	- doc: Noise source. Has a subtle effect on the timbre of the sound. 0=pink noise, 1=brown noise (the default), 2=white noise, 3=clip noise and 4=grey noise
	2729	- default: 1
	2730	- constraints: must be one of the following values: [0, 1, 2, 3, 4]
	2731	- May be changed whilst playing
	2732	* norm:
	2733	- doc: Normalise the audio (make quieter parts of the sample louder and louder parts quieter) - this is similar to the normaliser FX. This may emphasise any clicks caused by clipping.
	2734	- default: 0
	2735	- constraints: must be one of the following values: [0, 1]
	2736	- May be changed whilst playing
	2737
	2738
	2739	## Mono Sample Player
	2740
	2741	### Key:
	2742	:mono_player
	2743
	2744	### Doc:
	2745
	2746
	2747	### Opts:
	2748	* amp:
	2749	- doc: The amplitude of the sound. Typically a value between 0 and 1. Higher amplitudes may be used, but won't make the sound louder, they will just reduce the quality of all the sounds currently being played (due to compression.)
	2750	- default: 1
	2751	- constraints: must be zero or greater
	2752	- May be changed whilst playing
	2753	- Has slide parameters for shaping changes
	2754	* pre_amp:
	2755	- doc: Amplitude multiplier which takes place immediately before any internal FX such as the low pass filter, compressor or pitch modification. Use this opt if you want to overload the compressor.
	2756	- default: 1
	2757	- constraints: must be zero or greater
	2758	- May be changed whilst playing
	2759	- Has slide parameters for shaping changes
	2760	* pan:
	2761	- doc: Position of sound in stereo. With headphones on, this means how much of the sound is in the left ear, and how much is in the right ear. With a value of -1, the sound is completely in the left ear, a value of 0 puts the sound equally in both ears and a value of 1 puts the sound in the right ear. Values in between -1 and 1 move the sound accordingly.
	2762	- default: 0
	2763	- constraints: must be a value between -1 and 1 inclusively
	2764	- May be changed whilst playing
	2765	- Has slide parameters for shaping changes
	2766	* attack:
	2767	- doc: Duration of the attack phase of the envelope.
	2768	- default: 0
	2769	- constraints: must be zero or greater
	2770	- Can not be changed once set
	2771	* decay:
	2772	- doc: Duration of the decay phase of the envelope.
	2773	- default: 0
	2774	- constraints: must be zero or greater
	2775	- Can not be changed once set
	2776	* sustain:
	2777	- doc: Duration of the sustain phase of the envelope. When -1 (the default) will auto-stretch.
	2778	- default: -1
	2779	- constraints: must either be a positive value or -1
	2780	- Can not be changed once set
	2781	* release:
	2782	- doc: Duration of the release phase of the envelope.
	2783	- default: 0
	2784	- constraints: must be zero or greater
	2785	- Can not be changed once set
	2786	* attack_level:
	2787	- doc: Amplitude level reached after attack phase and immediately before decay phase
	2788	- default: 1
	2789	- constraints: must be zero or greater
	2790	- Can not be changed once set
	2791	* decay_level:
	2792	- doc: Amplitude level reached after decay phase and immediately before sustain phase. Defaults to sustain_level unless explicitly set
	2793	- default: sustain_level
	2794	- constraints: must be zero or greater
	2795	- Can not be changed once set
	2796	* sustain_level:
	2797	- doc: Amplitude level reached after decay phase and immediately before release phase.
	2798	- default: 1
	2799	- constraints: must be zero or greater
	2800	- Can not be changed once set
	2801	* env_curve:
	2802	- doc: Select the shape of the curve between levels in the envelope. 1=linear, 2=exponential, 3=sine, 4=welch, 6=squared, 7=cubed
	2803	- default: 2
	2804	- constraints: must be one of the following values: [1, 2, 3, 4, 6, 7]
	2805	- Can not be changed once set
	2806	* cutoff_attack:
	2807	- doc: Attack time for cutoff filter. Amount of time (in beats) for sound to reach full cutoff value. Default value is set to match amp envelope's attack value.
	2808	- default: attack
	2809	- constraints: must be zero or greater
	2810	- Can not be changed once set
	2811	* cutoff_decay:
	2812	- doc: Decay time for cutoff filter. Amount of time (in beats) for sound to move from full cutoff value (cutoff attack level) to the cutoff sustain level. Default value is set to match amp envelope's decay value.
	2813	- default: decay
	2814	- constraints: must be zero or greater
	2815	- Can not be changed once set
	2816	* cutoff_sustain:
	2817	- doc: Amount of time for cutoff value to remain at sustain level in beats. When -1 (the default) will auto-stretch.
	2818	- default: sustain
	2819	- constraints: must either be a positive value or -1
	2820	- Can not be changed once set
	2821	* cutoff_release:
	2822	- doc: Amount of time (in beats) for sound to move from cutoff sustain value to cutoff min value. Default value is set to match amp envelope's release value.
	2823	- default: release
	2824	- constraints: must be zero or greater
	2825	- Can not be changed once set
	2826	* cutoff_attack_level:
	2827	- doc: The peak cutoff (value of cutoff at peak of attack) as a MIDI note.
	2828	- default: cutoff
	2829	- constraints: must be a value between 0 and 130 inclusively
	2830	- Can not be changed once set
	2831	* cutoff_decay_level:
	2832	- doc: The level of cutoff after the decay phase as a MIDI note.
	2833	- default: cutoff
	2834	- constraints: must be a value between 0 and 130 inclusively
	2835	- Can not be changed once set
	2836	* cutoff_sustain_level:
	2837	- doc: The sustain cutoff (value of cutoff at sustain time) as a MIDI note.
	2838	- default: cutoff
	2839	- constraints: must be a value between 0 and 130 inclusively
	2840	- Can not be changed once set
	2841	* cutoff_env_curve:
	2842	- doc: Select the shape of the curve between levels in the cutoff envelope. 1=linear, 2=exponential, 3=sine, 4=welch, 6=squared, 7=cubed
	2843	- default: 2
	2844	- constraints: must be one of the following values: [1, 2, 3, 4, 6, 7]
	2845	- Can not be changed once set
	2846	* cutoff_min:
	2847	- doc: The minimum cutoff value.
	2848	- default: 30
	2849	- constraints: must be a value less than or equal to 130
	2850	- May be changed whilst playing
	2851	- Has slide parameters for shaping changes
	2852	* rate:
	2853	- doc: Rate with which to play back - default is 1. Playing the sample at rate 2 will play it back at double the normal speed. This will have the effect of doubling the frequencies in the sample and halving the playback time. Use rates lower than 1 to slow the sample down. Negative rates will play the sample in reverse.
	2854	- default: 1
	2855	- constraints: must not be zero
	2856	- Can not be changed once set
	2857	* start:
	2858	- doc: A fraction (between 0 and 1) representing where in the sample to start playback. 1 represents the end of the sample, 0.5 half-way through etc.
	2859	- default: 0
	2860	- constraints: must be a value between 0 and 1 inclusively
	2861	- Can not be changed once set
	2862	* finish:
	2863	- doc: A fraction (between 0 and 1) representing where in the sample to finish playback. 1 represents the end of the sample, 0.5 half-way through etc.
	2864	- default: 1
	2865	- constraints: must be a value between 0 and 1 inclusively
	2866	- Can not be changed once set
	2867	* res:
	2868	- doc: Filter resonance as a value between 0 and 1. Only functional if a cutoff value is specified. Large amounts of resonance (a res: near 1) can create a whistling sound around the cutoff frequency. Smaller values produce less resonance.
	2869	- default: 0
	2870	- constraints: must be zero or greater,must be a value less than 1
	2871	- May be changed whilst playing
	2872	- Has slide parameters for shaping changes
	2873	* cutoff:
	2874	- doc: MIDI note representing the highest frequencies allowed to be present in the sound. A low value like 30 makes the sound round and dull, a high value like 100 makes the sound buzzy and crispy.
	2875	- default: 0
	2876	- constraints: must be zero or greater,must be a value less than 131
	2877	- May be changed whilst playing
	2878	- Has slide parameters for shaping changes
	2879	* norm:
	2880	- doc: Normalise the audio (make quieter parts of the sample louder and louder parts quieter) - this is similar to the normaliser FX. This may emphasise any clicks caused by clipping.
	2881	- default: 0
	2882	- constraints: must be one of the following values: [0, 1]
	2883	- May be changed whilst playing
	2884	* pitch:
1356	2885	- doc: write me
	2886	- default: 0
	2887	- constraints: none
	2888	- Can not be changed once set
	2889	- Has slide parameters for shaping changes
	2890	* window_size:
	2891	- doc: Pitch shift works by chopping the input into tiny slices, then playing these slices at a higher or lower rate. If we make the slices small enough and overlap them, it sounds like the original sound with the pitch changed.
	2892
	2893	The window_size is the length of the slices and is measured in seconds. It needs to be around 0.2 (200ms) or greater for pitched sounds like guitar or bass, and needs to be around 0.02 (20ms) or lower for percussive sounds like drum loops. You can experiment with this to get the best sound for your input.
	2894	- default: 0.2
	2895	- constraints: must be a value greater than 5.0e-05
	2896	- May be changed whilst playing
	2897	- Has slide parameters for shaping changes
	2898	* pitch_dis:
	2899	- doc: Pitch dispersion - how much random variation in pitch to add. Using a low value like 0.001 can help to "soften up" the metallic sounds, especially on drum loops. To be really technical, pitch_dispersion is the maximum random deviation of the pitch from the pitch ratio (which is set by the pitch param)
	2900	- default: 0.0
	2901	- constraints: must be a value greater than or equal to 0
	2902	- May be changed whilst playing
	2903	- Has slide parameters for shaping changes
	2904	* time_dis:
	2905	- doc: Time dispersion - how much random delay before playing each grain (measured in seconds). Again, low values here like 0.001 can help to soften up metallic sounds introduced by the effect. Large values are also fun as they can make soundscapes and textures from the input, although you will most likely lose the rhythm of the original. NB - This won't have an effect if it's larger than window_size.
	2906	- default: 0.0
	2907	- constraints: must be a value greater than or equal to 0
	2908	- May be changed whilst playing
	2909	- Has slide parameters for shaping changes
	2910	* compress:
	2911	- doc: Enable the compressor. This sits at the end of the internal FX chain immediately before the `amp:` opt. Therefore to drive the compressor use the `pre_amp:` opt which will amplify the signal before it hits any internal FX. The compressor compresses the dynamic range of the incoming signal. Equivalent to automatically turning the amp down when the signal gets too loud and then back up again when it's quiet. Useful for ensuring the containing signal doesn't overwhelm other aspects of the sound. Also a general purpose hard-knee dynamic range processor which can be tuned via the opts to both expand and compress the signal.
	2912	- default: 0
	2913	- constraints: must be one of the following values: [0, 1]
	2914	- May be changed whilst playing
	2915	* threshold:
	2916	- doc: Threshold value determining the break point between slope_below and slope_above. Only valid if the compressor is enabled by turning on the comp: opt.
	2917	- default: 0.2
	2918	- constraints: must be zero or greater
	2919	- May be changed whilst playing
	2920	- Has slide parameters for shaping changes
	2921	* clamp_time:
	2922	- doc: Time taken for the amplitude adjustments to kick in fully (in seconds). This is usually pretty small (not much more than 10 milliseconds). Also known as the time of the attack phase. Only valid if the compressor is enabled by turning on the comp: opt.
	2923	- default: 0.01
	2924	- constraints: must be zero or greater
	2925	- May be changed whilst playing
	2926	- Has slide parameters for shaping changes
	2927	* slope_above:
	2928	- doc: Slope of the amplitude curve above the threshold. A value of 1 means that the output of signals with amplitude above the threshold will be unaffected. Greater values will magnify and smaller values will attenuate the signal. Only valid if the compressor is enabled by turning on the comp: opt.
1357	2929	- default: 0.5
1358	2930	- constraints: none
1359		- Can not be changed once set
1360
1361		* pulse_width_slide:
1362		- doc: write me
1363		- default: 0
	2931	- May be changed whilst playing
	2932	- Has slide parameters for shaping changes
	2933	* slope_below:
	2934	- doc: Slope of the amplitude curve below the threshold. A value of 1 means that the output of signals with amplitude below the threshold will be unaffected. Greater values will magnify and smaller values will attenuate the signal. Only valid if the compressor is enabled by turning on the comp: opt.
	2935	- default: 1
1364	2936	- constraints: none
1365		- Can not be changed once set
1366
1367
1368
1369		## Simple Modulated Pulse
1370
1371		### Key:
1372		:mod_pulse_s
	2937	- May be changed whilst playing
	2938	- Has slide parameters for shaping changes
	2939	* relax_time:
	2940	- doc: Time taken for the amplitude adjustments to be released. Usually a little longer than clamp_time. If both times are too short, you can get some (possibly unwanted) artefacts. Also known as the time of the release phase. Only valid if the compressor is enabled by turning on the comp: opt.
	2941	- default: 0.01
	2942	- constraints: must be zero or greater
	2943	- May be changed whilst playing
	2944	- Has slide parameters for shaping changes
	2945
	2946
	2947	## Stereo Sample Player
	2948
	2949	### Key:
	2950	:stereo_player
1373	2951
1374	2952	### Doc:
1375	2953
1376	2954
1377		### Arguments:
1378		* note:
1379		- doc: Note to play. Either a MIDI number or a symbol representing a note. For example: 30, 52, :C, :C2, :Eb4, or :Ds3
1380		- default: 52
1381		- constraints: must be zero or greater
1382		- May be changed whilst playing
1383
1384		* note_slide:
1385		- doc: Amount of time (in seconds) for the note to change. A long slide value means that the note takes a long time to slide from the previous note to the new note. A slide of 0 means that the note instantly changes to the new note.
1386		- default: 0
1387		- constraints: must be zero or greater
1388		- May be changed whilst playing
1389
1390		* amp:
1391		- doc: The amplitude of the sound. Typically a value between 0 and 1. Higher amplitudes may be used, but won't make the sound louder, it will just reduce the quality of all the sounds currently being played (due to compression.)
1392		- default: 1
1393		- constraints: must be zero or greater
1394		- May be changed whilst playing
1395
	2955	### Opts:
	2956	* amp:
	2957	- doc: The amplitude of the sound. Typically a value between 0 and 1. Higher amplitudes may be used, but won't make the sound louder, they will just reduce the quality of all the sounds currently being played (due to compression.)
	2958	- default: 1
	2959	- constraints: must be zero or greater
	2960	- May be changed whilst playing
	2961	- Has slide parameters for shaping changes
	2962	* pre_amp:
	2963	- doc: Amplitude multiplier which takes place immediately before any internal FX such as the low pass filter, compressor or pitch modification. Use this opt if you want to overload the compressor.
	2964	- default: 1
	2965	- constraints: must be zero or greater
	2966	- May be changed whilst playing
	2967	- Has slide parameters for shaping changes
1396	2968	* pan:
1397	2969	- doc: Position of sound in stereo. With headphones on, this means how much of the sound is in the left ear, and how much is in the right ear. With a value of -1, the sound is completely in the left ear, a value of 0 puts the sound equally in both ears and a value of 1 puts the sound in the right ear. Values in between -1 and 1 move the sound accordingly.
1398	2970	- default: 0
1399	2971	- constraints: must be a value between -1 and 1 inclusively
1400	2972	- May be changed whilst playing
1401
	2973	- Has slide parameters for shaping changes
1402	2974	* attack:
1403		- doc: Amount of time (in seconds) for sound to reach full amplitude. A short attack (i.e. 0.01) makes the initial part of the sound very percussive like a sharp tap. A longer attack (i.e 1) fades the sound in gently. Full length of sound is attack + sustain + release.
	2975	- doc: Duration of the attack phase of the envelope.
	2976	- default: 0
	2977	- constraints: must be zero or greater
	2978	- Can not be changed once set
	2979	* decay:
	2980	- doc: Duration of the decay phase of the envelope.
	2981	- default: 0
	2982	- constraints: must be zero or greater
	2983	- Can not be changed once set
	2984	* sustain:
	2985	- doc: Duration of the sustain phase of the envelope. When -1 (the default) will auto-stretch.
	2986	- default: -1
	2987	- constraints: must either be a positive value or -1
	2988	- Can not be changed once set
	2989	* release:
	2990	- doc: Duration of the release phase of the envelope.
	2991	- default: 0
	2992	- constraints: must be zero or greater
	2993	- Can not be changed once set
	2994	* attack_level:
	2995	- doc: Amplitude level reached after attack phase and immediately before decay phase
	2996	- default: 1
	2997	- constraints: must be zero or greater
	2998	- Can not be changed once set
	2999	* decay_level:
	3000	- doc: Amplitude level reached after decay phase and immediately before sustain phase. Defaults to sustain_level unless explicitly set
	3001	- default: sustain_level
	3002	- constraints: must be zero or greater
	3003	- Can not be changed once set
	3004	* sustain_level:
	3005	- doc: Amplitude level reached after decay phase and immediately before release phase.
	3006	- default: 1
	3007	- constraints: must be zero or greater
	3008	- Can not be changed once set
	3009	* env_curve:
	3010	- doc: Select the shape of the curve between levels in the envelope. 1=linear, 2=exponential, 3=sine, 4=welch, 6=squared, 7=cubed
	3011	- default: 2
	3012	- constraints: must be one of the following values: [1, 2, 3, 4, 6, 7]
	3013	- Can not be changed once set
	3014	* cutoff_attack:
	3015	- doc: Attack time for cutoff filter. Amount of time (in beats) for sound to reach full cutoff value. Default value is set to match amp envelope's attack value.
	3016	- default: attack
	3017	- constraints: must be zero or greater
	3018	- Can not be changed once set
	3019	* cutoff_decay:
	3020	- doc: Decay time for cutoff filter. Amount of time (in beats) for sound to move from full cutoff value (cutoff attack level) to the cutoff sustain level. Default value is set to match amp envelope's decay value.
	3021	- default: decay
	3022	- constraints: must be zero or greater
	3023	- Can not be changed once set
	3024	* cutoff_sustain:
	3025	- doc: Amount of time for cutoff value to remain at sustain level in beats. When -1 (the default) will auto-stretch.
	3026	- default: sustain
	3027	- constraints: must either be a positive value or -1
	3028	- Can not be changed once set
	3029	* cutoff_release:
	3030	- doc: Amount of time (in beats) for sound to move from cutoff sustain value to cutoff min value. Default value is set to match amp envelope's release value.
	3031	- default: release
	3032	- constraints: must be zero or greater
	3033	- Can not be changed once set
	3034	* cutoff_attack_level:
	3035	- doc: The peak cutoff (value of cutoff at peak of attack) as a MIDI note.
	3036	- default: cutoff
	3037	- constraints: must be a value between 0 and 130 inclusively
	3038	- Can not be changed once set
	3039	* cutoff_decay_level:
	3040	- doc: The level of cutoff after the decay phase as a MIDI note.
	3041	- default: cutoff
	3042	- constraints: must be a value between 0 and 130 inclusively
	3043	- Can not be changed once set
	3044	* cutoff_sustain_level:
	3045	- doc: The sustain cutoff (value of cutoff at sustain time) as a MIDI note.
	3046	- default: cutoff
	3047	- constraints: must be a value between 0 and 130 inclusively
	3048	- Can not be changed once set
	3049	* cutoff_env_curve:
	3050	- doc: Select the shape of the curve between levels in the cutoff envelope. 1=linear, 2=exponential, 3=sine, 4=welch, 6=squared, 7=cubed
	3051	- default: 2
	3052	- constraints: must be one of the following values: [1, 2, 3, 4, 6, 7]
	3053	- Can not be changed once set
	3054	* cutoff_min:
	3055	- doc: The minimum cutoff value.
	3056	- default: 30
	3057	- constraints: must be a value less than or equal to 130
	3058	- May be changed whilst playing
	3059	- Has slide parameters for shaping changes
	3060	* rate:
	3061	- doc: Rate with which to play back - default is 1. Playing the sample at rate 2 will play it back at double the normal speed. This will have the effect of doubling the frequencies in the sample and halving the playback time. Use rates lower than 1 to slow the sample down. Negative rates will play the sample in reverse.
	3062	- default: 1
	3063	- constraints: must not be zero
	3064	- Can not be changed once set
	3065	* start:
	3066	- doc: A fraction (between 0 and 1) representing where in the sample to start playback. 1 represents the end of the sample, 0.5 half-way through etc.
	3067	- default: 0
	3068	- constraints: must be a value between 0 and 1 inclusively
	3069	- Can not be changed once set
	3070	* finish:
	3071	- doc: A fraction (between 0 and 1) representing where in the sample to finish playback. 1 represents the end of the sample, 0.5 half-way through etc.
	3072	- default: 1
	3073	- constraints: must be a value between 0 and 1 inclusively
	3074	- Can not be changed once set
	3075	* res:
	3076	- doc: Filter resonance as a value between 0 and 1. Only functional if a cutoff value is specified. Large amounts of resonance (a res: near 1) can create a whistling sound around the cutoff frequency. Smaller values produce less resonance.
	3077	- default: 0
	3078	- constraints: must be zero or greater,must be a value less than 1
	3079	- May be changed whilst playing
	3080	- Has slide parameters for shaping changes
	3081	* cutoff:
	3082	- doc: MIDI note representing the highest frequencies allowed to be present in the sound. A low value like 30 makes the sound round and dull, a high value like 100 makes the sound buzzy and crispy.
	3083	- default: 0
	3084	- constraints: must be zero or greater,must be a value less than 131
	3085	- May be changed whilst playing
	3086	- Has slide parameters for shaping changes
	3087	* norm:
	3088	- doc: Normalise the audio (make quieter parts of the sample louder and louder parts quieter) - this is similar to the normaliser FX. This may emphasise any clicks caused by clipping.
	3089	- default: 0
	3090	- constraints: must be one of the following values: [0, 1]
	3091	- May be changed whilst playing
	3092	* pitch:
	3093	- doc: write me
	3094	- default: 0
	3095	- constraints: none
	3096	- Can not be changed once set
	3097	- Has slide parameters for shaping changes
	3098	* window_size:
	3099	- doc: Pitch shift works by chopping the input into tiny slices, then playing these slices at a higher or lower rate. If we make the slices small enough and overlap them, it sounds like the original sound with the pitch changed.
	3100
	3101	The window_size is the length of the slices and is measured in seconds. It needs to be around 0.2 (200ms) or greater for pitched sounds like guitar or bass, and needs to be around 0.02 (20ms) or lower for percussive sounds like drum loops. You can experiment with this to get the best sound for your input.
	3102	- default: 0.2
	3103	- constraints: must be a value greater than 5.0e-05
	3104	- May be changed whilst playing
	3105	- Has slide parameters for shaping changes
	3106	* pitch_dis:
	3107	- doc: Pitch dispersion - how much random variation in pitch to add. Using a low value like 0.001 can help to "soften up" the metallic sounds, especially on drum loops. To be really technical, pitch_dispersion is the maximum random deviation of the pitch from the pitch ratio (which is set by the pitch param)
	3108	- default: 0.0
	3109	- constraints: must be a value greater than or equal to 0
	3110	- May be changed whilst playing
	3111	- Has slide parameters for shaping changes
	3112	* time_dis:
	3113	- doc: Time dispersion - how much random delay before playing each grain (measured in seconds). Again, low values here like 0.001 can help to soften up metallic sounds introduced by the effect. Large values are also fun as they can make soundscapes and textures from the input, although you will most likely lose the rhythm of the original. NB - This won't have an effect if it's larger than window_size.
	3114	- default: 0.0
	3115	- constraints: must be a value greater than or equal to 0
	3116	- May be changed whilst playing
	3117	- Has slide parameters for shaping changes
	3118	* compress:
	3119	- doc: Enable the compressor. This sits at the end of the internal FX chain immediately before the `amp:` opt. Therefore to drive the compressor use the `pre_amp:` opt which will amplify the signal before it hits any internal FX. The compressor compresses the dynamic range of the incoming signal. Equivalent to automatically turning the amp down when the signal gets too loud and then back up again when it's quiet. Useful for ensuring the containing signal doesn't overwhelm other aspects of the sound. Also a general purpose hard-knee dynamic range processor which can be tuned via the opts to both expand and compress the signal.
	3120	- default: 0
	3121	- constraints: must be one of the following values: [0, 1]
	3122	- May be changed whilst playing
	3123	* threshold:
	3124	- doc: Threshold value determining the break point between slope_below and slope_above. Only valid if the compressor is enabled by turning on the comp: opt.
	3125	- default: 0.2
	3126	- constraints: must be zero or greater
	3127	- May be changed whilst playing
	3128	- Has slide parameters for shaping changes
	3129	* clamp_time:
	3130	- doc: Time taken for the amplitude adjustments to kick in fully (in seconds). This is usually pretty small (not much more than 10 milliseconds). Also known as the time of the attack phase. Only valid if the compressor is enabled by turning on the comp: opt.
1404	3131	- default: 0.01
1405	3132	- constraints: must be zero or greater
1406		- Can not be changed once set
1407
1408		* sustain:
1409		- doc: Amount of time (in seconds) for sound to remain at full amplitude. Longer sustain values result in longer sounds. Full length of sound is attack + sustain + release.
1410		- default: 0
1411		- constraints: must be zero or greater
1412		- Can not be changed once set
1413
1414		* release:
1415		- doc: Amount of time (in seconds) for sound to move from full amplitude to silent. A short release (i.e. 0.01) makes the final part of the sound very percussive (potentially resulting in a click). A longer release (i.e 1) fades the sound out gently. Full length of sound is attack + sustain + release.
1416		- default: 2
1417		- constraints: must be zero or greater
1418		- Can not be changed once set
1419
1420		* mod_rate:
1421		- doc: Number of times per second that the note switches between the two notes.
1422		- default: 1
1423		- constraints: must be zero or greater
1424		- May be changed whilst playing
1425
1426		* mod_range:
1427		- doc: The size of gap between modulation notes. A gap of 12 is one octave.
1428		- default: 5
1429		- constraints: must be zero or greater
1430		- May be changed whilst playing
1431
1432		* mod_width:
1433		- doc: The phase width of the modulation. Represents how even the gap between modulations is.
1434		- default: 0.5
1435		- constraints: must be a value between 0 and 1 exclusively
1436		- May be changed whilst playing
1437
1438		* pulse_width:
1439		- doc: write me
	3133	- May be changed whilst playing
	3134	- Has slide parameters for shaping changes
	3135	* slope_above:
	3136	- doc: Slope of the amplitude curve above the threshold. A value of 1 means that the output of signals with amplitude above the threshold will be unaffected. Greater values will magnify and smaller values will attenuate the signal. Only valid if the compressor is enabled by turning on the comp: opt.
1440	3137	- default: 0.5
1441	3138	- constraints: none
1442		- Can not be changed once set
1443
1444
1445
1446		## TB-303 Emulation
1447
1448		### Key:
1449		:tb303
1450
1451		### Doc:
1452
1453
1454		### Arguments:
	3139	- May be changed whilst playing
	3140	- Has slide parameters for shaping changes
	3141	* slope_below:
	3142	- doc: Slope of the amplitude curve below the threshold. A value of 1 means that the output of signals with amplitude below the threshold will be unaffected. Greater values will magnify and smaller values will attenuate the signal. Only valid if the compressor is enabled by turning on the comp: opt.
	3143	- default: 1
	3144	- constraints: none
	3145	- May be changed whilst playing
	3146	- Has slide parameters for shaping changes
	3147	* relax_time:
	3148	- doc: Time taken for the amplitude adjustments to be released. Usually a little longer than clamp_time. If both times are too short, you can get some (possibly unwanted) artefacts. Also known as the time of the release phase. Only valid if the compressor is enabled by turning on the comp: opt.
	3149	- default: 0.01
	3150	- constraints: must be zero or greater
	3151	- May be changed whilst playing
	3152	- Has slide parameters for shaping changes
	3153
	3154
	3155	## Blade Runner style strings
	3156
	3157	### Key:
	3158	:blade
	3159
	3160	### Doc:
	3161	Straight from the 70s, evoking the mists of Blade Runner, this simple electro-style string synth is based on filtered saw waves and a variable vibrato.
	3162
	3163	### Opts:
1455	3164	* note:
1456		- doc: Note to play. Either a MIDI number or a symbol representing a note. For example: 30, 52, :C, :C2, :Eb4, or :Ds3
	3165	- doc: Note to play. Either a MIDI number or a symbol representing a note. For example: `30`, `52`, `:C`, `:C2`, `:Eb4`, or `:Ds3`
1457	3166	- default: 52
1458	3167	- constraints: must be zero or greater
1459	3168	- May be changed whilst playing
1460
1461		* note_slide:
1462		- doc: Amount of time (in seconds) for the note to change. A long slide value means that the note takes a long time to slide from the previous note to the new note. A slide of 0 means that the note instantly changes to the new note.
1463		- default: 0
1464		- constraints: must be zero or greater
1465		- May be changed whilst playing
1466
1467		* amp:
1468		- doc: The amplitude of the sound. Typically a value between 0 and 1. Higher amplitudes may be used, but won't make the sound louder, it will just reduce the quality of all the sounds currently being played (due to compression.)
1469		- default: 1
1470		- constraints: must be zero or greater
1471		- May be changed whilst playing
1472
1473		* amp_slide:
1474		- doc: Amount of time (in seconds) for the amplitude (amp) to change. A long slide value means that the amp takes a long time to slide from the previous amplitude to the new amplitude. A slide of 0 means that the amplitude instantly changes to the new amplitude.
1475		- default: 0
1476		- constraints: must be zero or greater
1477		- May be changed whilst playing
1478
	3169	- Has slide parameters for shaping changes
	3170	* amp:
	3171	- doc: The amplitude of the sound. Typically a value between 0 and 1. Higher amplitudes may be used, but won't make the sound louder, they will just reduce the quality of all the sounds currently being played (due to compression.)
	3172	- default: 1
	3173	- constraints: must be zero or greater
	3174	- May be changed whilst playing
	3175	- Has slide parameters for shaping changes
1479	3176	* pan:
1480	3177	- doc: Position of sound in stereo. With headphones on, this means how much of the sound is in the left ear, and how much is in the right ear. With a value of -1, the sound is completely in the left ear, a value of 0 puts the sound equally in both ears and a value of 1 puts the sound in the right ear. Values in between -1 and 1 move the sound accordingly.
1481	3178	- default: 0
1482	3179	- constraints: must be a value between -1 and 1 inclusively
1483	3180	- May be changed whilst playing
1484
1485		* pan_slide:
1486		- doc: Amount of time (in seconds) for the pan to change. A long slide value means that the pan takes a long time to slide from the previous pan position to the new pan position. A slide of 0 means that the pan instantly changes to the new pan position.
1487		- default: 0
1488		- constraints: must be zero or greater
1489		- May be changed whilst playing
1490
	3181	- Has slide parameters for shaping changes
1491	3182	* attack:
1492		- doc: Amount of time (in seconds) for sound to reach full amplitude. A short attack (i.e. 0.01) makes the initial part of the sound very percussive like a sharp tap. A longer attack (i.e 1) fades the sound in gently. Full length of sound is attack + sustain + release.
1493		- default: 0.01
1494		- constraints: must be zero or greater
1495		- Can not be changed once set
1496
	3183	- doc: Amount of time (in beats) for sound to reach full amplitude (attack_level). A short attack (i.e. 0.01) makes the initial part of the sound very percussive like a sharp tap. A longer attack (i.e 1) fades the sound in gently. Full length of sound is attack + decay + sustain + release.
	3184	- default: 0
	3185	- constraints: must be zero or greater
	3186	- Can not be changed once set
	3187	- Scaled with current BPM value
	3188	* decay:
	3189	- doc: Amount of time (in beats) for the sound to move from full amplitude (attack_level) to the sustain amplitude (sustain_level).
	3190	- default: 0
	3191	- constraints: must be zero or greater
	3192	- Can not be changed once set
	3193	- Scaled with current BPM value
1497	3194	* sustain:
1498		- doc: Amount of time (in seconds) for sound to remain at full amplitude. Longer sustain values result in longer sounds. Full length of sound is attack + sustain + release.
1499		- default: 0
1500		- constraints: must be zero or greater
1501		- Can not be changed once set
1502
	3195	- doc: Amount of time (in beats) for sound to remain at sustain level amplitude. Longer sustain values result in longer sounds. Full length of sound is attack + decay + sustain + release.
	3196	- default: 0
	3197	- constraints: must be zero or greater
	3198	- Can not be changed once set
	3199	- Scaled with current BPM value
1503	3200	* release:
1504		- doc: Amount of time (in seconds) for sound to move from full amplitude to silent. A short release (i.e. 0.01) makes the final part of the sound very percussive (potentially resulting in a click). A longer release (i.e 1) fades the sound out gently. Full length of sound is attack + sustain + release.
	3201	- doc: Amount of time (in beats) for sound to move from sustain level amplitude to silent. A short release (i.e. 0.01) makes the final part of the sound very percussive (potentially resulting in a click). A longer release (i.e 1) fades the sound out gently. Full length of sound is attack + decay + sustain + release.
	3202	- default: 1
	3203	- constraints: must be zero or greater
	3204	- Can not be changed once set
	3205	- Scaled with current BPM value
	3206	* attack_level:
	3207	- doc: Amplitude level reached after attack phase and immediately before decay phase
	3208	- default: 1
	3209	- constraints: must be zero or greater
	3210	- Can not be changed once set
	3211	* decay_level:
	3212	- doc: Amplitude level reached after decay phase and immediately before sustain phase. Defaults to sustain_level unless explicitly set
	3213	- default: sustain_level
	3214	- constraints: must be zero or greater
	3215	- Can not be changed once set
	3216	* sustain_level:
	3217	- doc: Amplitude level reached after decay phase and immediately before release phase.
	3218	- default: 1
	3219	- constraints: must be zero or greater
	3220	- Can not be changed once set
	3221	* env_curve:
	3222	- doc: Select the shape of the curve between levels in the envelope. 1=linear, 2=exponential, 3=sine, 4=welch, 6=squared, 7=cubed
1505	3223	- default: 2
1506		- constraints: must be zero or greater
1507		- Can not be changed once set
1508
	3224	- constraints: must be one of the following values: [1, 2, 3, 4, 6, 7]
	3225	- Can not be changed once set
1509	3226	* cutoff:
1510		- doc:
1511		- default: 80
1512		- constraints: must be zero or greater, must be a value less than 130
1513		- May be changed whilst playing
1514
1515		* cutoff_slide:
1516		- doc: Amount of time (in seconds) for the cutoff value to change. A long cutoff_slide value means that the cutoff takes a long time to slide from the previous value to the new value. A cutoff_slide of 0 means that the cutoff instantly changes to the new value.
1517		- default: 0
1518		- constraints: must be zero or greater
1519		- May be changed whilst playing
1520
1521		* cutoff_min:
1522		- doc:
1523		- default: 30
1524		- constraints: must be zero or greater, must be a value less than 130
1525		- May be changed whilst playing
1526
1527		* res:
1528		- doc: write me
	3227	- doc: MIDI note representing the highest frequencies allowed to be present in the sound. A low value like 30 makes the sound round and dull, a high value like 100 makes the sound buzzy and crispy.
	3228	- default: 100
	3229	- constraints: must be zero or greater,must be a value less than 131
	3230	- May be changed whilst playing
	3231	- Has slide parameters for shaping changes
	3232	* vibrato_rate:
	3233	- doc: Number of wobbles per second. For realism this should be between 6 and 8, maybe even faster for really high notes.
	3234	- default: 6
	3235	- constraints: must be a value greater than or equal to 0.0,must be a value less than or equal to 20.0
	3236	- May be changed whilst playing
	3237	- Has slide parameters for shaping changes
	3238	* vibrato_depth:
	3239	- doc: Amount of variation around the central note. 1 is the sensible maximum (but you can go up to 5 if you want a special effect), 0 would mean no vibrato. Works well around 0.15 but you can experiment.
	3240	- default: 0.15
	3241	- constraints: must be a value greater than or equal to 0.0,must be a value less than or equal to 5.0
	3242	- May be changed whilst playing
	3243	- Has slide parameters for shaping changes
	3244	* vibrato_delay:
	3245	- doc: How long in seconds before the vibrato kicks in.
	3246	- default: 0.5
	3247	- constraints: must be zero or greater
	3248	- Can not be changed once set
	3249	* vibrato_onset:
	3250	- doc: How long in seconds before the vibrato reaches full power.
1529	3251	- default: 0.1
1530		- constraints: none
1531		- Can not be changed once set
1532
1533		* res_slide:
1534		- doc: write me
1535		- default: 0
1536		- constraints: none
1537		- Can not be changed once set
1538
1539		* wave:
1540		- doc: Wave type - 0 saw, 1 pulse
1541		- default: 0
1542		- constraints: must be one of the following values: [0, 1]
1543		- May be changed whilst playing
1544
1545		* pulse_width:
1546		- doc: Only valid if wave is type pulse.
1547		- default: 0.5
1548		- constraints: must be zero or greater
1549		- May be changed whilst playing
1550
1551		* pulse_width_slide:
1552		- doc: Time in seconds for pulse width to change. Only valid if wave is type pulse.
1553		- default: 0
1554		- constraints: must be zero or greater
1555		- May be changed whilst playing
1556
1557
1558
1559		## Supersaw
1560
1561		### Key:
1562		:supersaw
1563
1564		### Doc:
1565
1566
1567		### Arguments:
	3252	- constraints: must be zero or greater
	3253	- Can not be changed once set
	3254
	3255
	3256	## SynthPiano
	3257
	3258	### Key:
	3259	:piano
	3260
	3261	### Doc:
	3262	A basic piano synthesiser. Note that due to the plucked nature of this synth the envelope opts such as `attack:`, `sustain:` and `release:` do not work as expected. They can only shorten the natural length of the note, not prolong it. Also, the `note:` opt will only honour whole tones.
	3263
	3264	### Opts:
1568	3265	* note:
1569		- doc: Note to play. Either a MIDI number or a symbol representing a note. For example: 30, 52, :C, :C2, :Eb4, or :Ds3
	3266	- doc: Note to play. Either a MIDI number or a symbol representing a note. For example: `30`, `52`, `:C`, `:C2`, `:Eb4`, or `:Ds3`. Note that the piano synth can only play whole tones such as 60 and does not handle floats such as 60.3
1570	3267	- default: 52
1571	3268	- constraints: must be zero or greater
1572	3269	- May be changed whilst playing
1573
1574		* note_slide:
1575		- doc: Amount of time (in seconds) for the note to change. A long slide value means that the note takes a long time to slide from the previous note to the new note. A slide of 0 means that the note instantly changes to the new note.
1576		- default: 0
1577		- constraints: must be zero or greater
1578		- May be changed whilst playing
1579
1580		* amp:
1581		- doc: The amplitude of the sound. Typically a value between 0 and 1. Higher amplitudes may be used, but won't make the sound louder, it will just reduce the quality of all the sounds currently being played (due to compression.)
1582		- default: 1
1583		- constraints: must be zero or greater
1584		- May be changed whilst playing
1585
1586		* amp_slide:
1587		- doc: Amount of time (in seconds) for the amplitude (amp) to change. A long slide value means that the amp takes a long time to slide from the previous amplitude to the new amplitude. A slide of 0 means that the amplitude instantly changes to the new amplitude.
1588		- default: 0
1589		- constraints: must be zero or greater
1590		- May be changed whilst playing
1591
	3270	- Has slide parameters for shaping changes
	3271	* amp:
	3272	- doc: The amplitude of the sound. Typically a value between 0 and 1. Higher amplitudes may be used, but won't make the sound louder, they will just reduce the quality of all the sounds currently being played (due to compression.)
	3273	- default: 1
	3274	- constraints: must be zero or greater
	3275	- May be changed whilst playing
	3276	- Has slide parameters for shaping changes
1592	3277	* pan:
1593	3278	- doc: Position of sound in stereo. With headphones on, this means how much of the sound is in the left ear, and how much is in the right ear. With a value of -1, the sound is completely in the left ear, a value of 0 puts the sound equally in both ears and a value of 1 puts the sound in the right ear. Values in between -1 and 1 move the sound accordingly.
1594	3279	- default: 0
1595	3280	- constraints: must be a value between -1 and 1 inclusively
1596	3281	- May be changed whilst playing
1597
1598		* pan_slide:
1599		- doc: Amount of time (in seconds) for the pan to change. A long slide value means that the pan takes a long time to slide from the previous pan position to the new pan position. A slide of 0 means that the pan instantly changes to the new pan position.
1600		- default: 0
1601		- constraints: must be zero or greater
1602		- May be changed whilst playing
1603
	3282	- Has slide parameters for shaping changes
	3283	* vel:
	3284	- doc: Velocity of keypress.
	3285	- default: 0.2
	3286	- constraints: must be a value between 0 and 1 inclusively
	3287	- Can not be changed once set
1604	3288	* attack:
1605		- doc: Amount of time (in seconds) for sound to reach full amplitude. A short attack (i.e. 0.01) makes the initial part of the sound very percussive like a sharp tap. A longer attack (i.e 1) fades the sound in gently. Full length of sound is attack + sustain + release.
1606		- default: 0.01
1607		- constraints: must be zero or greater
1608		- Can not be changed once set
1609
	3289	- doc: Amount of time (in beats) for sound to reach full amplitude (attack_level). A short attack (i.e. 0.01) makes the initial part of the sound very percussive like a sharp tap. A longer attack (i.e 1) fades the sound in gently. With the piano synth, this opt can only have the effect of shortening the attack phase, not prolonging it.
	3290	- default: 0
	3291	- constraints: must be zero or greater
	3292	- Can not be changed once set
	3293	- Scaled with current BPM value
	3294	* decay:
	3295	- doc: Amount of time (in beats) for the sound to move from full amplitude (attack_level) to the sustain amplitude (sustain_level). With the piano synth, this opt can only have the effect of controlling the amp within the natural duration of the note and can not prolong the sound.
	3296	- default: 0
	3297	- constraints: must be zero or greater
	3298	- Can not be changed once set
	3299	- Scaled with current BPM value
1610	3300	* sustain:
1611		- doc: Amount of time (in seconds) for sound to remain at full amplitude. Longer sustain values result in longer sounds. Full length of sound is attack + sustain + release.
1612		- default: 0
1613		- constraints: must be zero or greater
1614		- Can not be changed once set
1615
	3301	- doc: Amount of time (in beats) for sound to remain at sustain level amplitude. Longer sustain values result in longer sounds. With the piano synth, this opt can only have the effect of controlling the amp within the natural duration of the note and can not prolong the sound.
	3302	- default: 0
	3303	- constraints: must be zero or greater
	3304	- Can not be changed once set
	3305	- Scaled with current BPM value
1616	3306	* release:
1617		- doc: Amount of time (in seconds) for sound to move from full amplitude to silent. A short release (i.e. 0.01) makes the final part of the sound very percussive (potentially resulting in a click). A longer release (i.e 1) fades the sound out gently. Full length of sound is attack + sustain + release.
1618		- default: 2
1619		- constraints: must be zero or greater
1620		- Can not be changed once set
1621
1622		* cutoff:
1623		- doc: MIDI note representing the highest frequences allowed to be present in the sound. A low value like 30 makes the sound round and dull, a high value like 100 makes the sound buzzy and crispy.
1624		- default: 130
1625		- constraints: must be zero or greater, must be a value less than 130
1626		- May be changed whilst playing
1627
1628		* cutoff_slide:
1629		- doc: Amount of time (in seconds) for the cutoff value to change. A long cutoff_slide value means that the cutoff takes a long time to slide from the previous value to the new value. A cutoff_slide of 0 means that the cutoff instantly changes to the new value.
1630		- default: 0
1631		- constraints: must be zero or greater
1632		- May be changed whilst playing
1633
1634		* res:
1635		- doc: write me
1636		- default: 0.3
1637		- constraints: none
1638		- Can not be changed once set
1639
1640		* res_slide:
1641		- doc: write me
1642		- default: 0
1643		- constraints: none
1644		- Can not be changed once set
1645
1646
1647
1648		## Supersaw Simple
1649
1650		### Key:
1651		:supersaw_s
1652
1653		### Doc:
1654
1655
1656		### Arguments:
	3307	- doc: Amount of time (in beats) for sound to move from sustain level amplitude to silent. A short release (i.e. 0.01) makes the final part of the sound very percussive (potentially resulting in a click). A longer release (i.e 1) fades the sound out gently. With the piano synth, this opt can only have the effect of controlling the amp within the natural duration of the note and can not prolong the sound.
	3308	- default: 1
	3309	- constraints: must be zero or greater
	3310	- Can not be changed once set
	3311	- Scaled with current BPM value
	3312	* attack_level:
	3313	- doc: Amplitude level reached after attack phase and immediately before decay phase
	3314	- default: 1
	3315	- constraints: must be zero or greater
	3316	- Can not be changed once set
	3317	* decay_level:
	3318	- doc: Amplitude level reached after decay phase and immediately before sustain phase. Defaults to sustain_level unless explicitly set
	3319	- default: sustain_level
	3320	- constraints: must be zero or greater
	3321	- Can not be changed once set
	3322	* sustain_level:
	3323	- doc: Amplitude level reached after decay phase and immediately before release phase.
	3324	- default: 1
	3325	- constraints: must be zero or greater
	3326	- Can not be changed once set
	3327	* hard:
	3328	- doc: Hardness of keypress.
	3329	- default: 0.5
	3330	- constraints: must be a value between 0 and 1 inclusively
	3331	- Can not be changed once set
	3332	* stereo_width:
	3333	- doc: Width of the stereo effect (which makes low notes sound towards the left, high notes towards the right). 0 to 1.
	3334	- default: 0
	3335	- constraints: must be a value between 0 and 1 inclusively
	3336	- Can not be changed once set
	3337
	3338
	3339	## SynthPluck
	3340
	3341	### Key:
	3342	:pluck
	3343
	3344	### Doc:
	3345	A basic plucked string synthesiser that uses Karplus-Strong synthesis. Note that due to the plucked nature of this synth the envelope opts such as `attack:`, `sustain:` and `release:` do not work as expected. They can only shorten the natural length of the note, not prolong it. Also, the `note:` opt will only honour whole tones.
	3346
	3347	### Opts:
1657	3348	* note:
1658		- doc: Note to play. Either a MIDI number or a symbol representing a note. For example: 30, 52, :C, :C2, :Eb4, or :Ds3
	3349	- doc: Note to play. Either a MIDI number or a symbol representing a note. For example: `30`, `52`, `:C`, `:C2`, `:Eb4`, or `:Ds3`. Note that the piano synth can only play whole tones such as 60 and does not handle floats such as 60.3
1659	3350	- default: 52
1660	3351	- constraints: must be zero or greater
1661	3352	- May be changed whilst playing
1662
1663		* note_slide:
1664		- doc: Amount of time (in seconds) for the note to change. A long slide value means that the note takes a long time to slide from the previous note to the new note. A slide of 0 means that the note instantly changes to the new note.
1665		- default: 0
1666		- constraints: must be zero or greater
1667		- May be changed whilst playing
1668
1669		* amp:
1670		- doc: The amplitude of the sound. Typically a value between 0 and 1. Higher amplitudes may be used, but won't make the sound louder, it will just reduce the quality of all the sounds currently being played (due to compression.)
1671		- default: 1
1672		- constraints: must be zero or greater
1673		- May be changed whilst playing
1674
1675		* amp_slide:
1676		- doc: Amount of time (in seconds) for the amplitude (amp) to change. A long slide value means that the amp takes a long time to slide from the previous amplitude to the new amplitude. A slide of 0 means that the amplitude instantly changes to the new amplitude.
1677		- default: 0
1678		- constraints: must be zero or greater
1679		- May be changed whilst playing
1680
	3353	- Has slide parameters for shaping changes
	3354	* amp:
	3355	- doc: The amplitude of the sound. Typically a value between 0 and 1. Higher amplitudes may be used, but won't make the sound louder, they will just reduce the quality of all the sounds currently being played (due to compression.)
	3356	- default: 1
	3357	- constraints: must be zero or greater
	3358	- May be changed whilst playing
	3359	- Has slide parameters for shaping changes
1681	3360	* pan:
1682	3361	- doc: Position of sound in stereo. With headphones on, this means how much of the sound is in the left ear, and how much is in the right ear. With a value of -1, the sound is completely in the left ear, a value of 0 puts the sound equally in both ears and a value of 1 puts the sound in the right ear. Values in between -1 and 1 move the sound accordingly.
1683	3362	- default: 0
1684	3363	- constraints: must be a value between -1 and 1 inclusively
1685	3364	- May be changed whilst playing
1686
1687		* pan_slide:
1688		- doc: Amount of time (in seconds) for the pan to change. A long slide value means that the pan takes a long time to slide from the previous pan position to the new pan position. A slide of 0 means that the pan instantly changes to the new pan position.
1689		- default: 0
1690		- constraints: must be zero or greater
1691		- May be changed whilst playing
1692
	3365	- Has slide parameters for shaping changes
1693	3366	* attack:
1694		- doc: Amount of time (in seconds) for sound to reach full amplitude. A short attack (i.e. 0.01) makes the initial part of the sound very percussive like a sharp tap. A longer attack (i.e 1) fades the sound in gently. Full length of sound is attack + sustain + release.
1695		- default: 0.01
1696		- constraints: must be zero or greater
1697		- Can not be changed once set
1698
	3367	- doc: Amount of time (in beats) for sound to reach full amplitude (attack_level). A short attack (i.e. 0.01) makes the initial part of the sound very percussive like a sharp tap. A longer attack (i.e 1) fades the sound in gently. Full length of sound is attack + decay + sustain + release.
	3368	- default: 0
	3369	- constraints: must be zero or greater
	3370	- Can not be changed once set
	3371	- Scaled with current BPM value
1699	3372	* sustain:
1700		- doc: Amount of time (in seconds) for sound to remain at full amplitude. Longer sustain values result in longer sounds. Full length of sound is attack + sustain + release.
1701		- default: 0
1702		- constraints: must be zero or greater
1703		- Can not be changed once set
1704
1705
1706
1707		## The Prophet
1708
1709		### Key:
1710		:prophet
1711
1712		### Doc:
1713		Dark and swirly, this synth uses Pulse Width Modulation
1714		(PWM) to create a timbre which continually moves around. This
1715		effect is created using the pulse ugen which produces a variable
1716		width square wave. We then control the width of the pulses using a
1717		variety of LFOs - sin-osc and lf-tri in this case. We use a number
1718		of these LFO modulated pulse ugens with varying LFO type and rate
1719		(and phase in some cases) to provide the LFO with a different
1720		starting point. We then mix all these pulses together to create a
1721		thick sound and then feed it through a resonant low pass filter
1722		(rlpf).
1723
1724		For extra bass, one of the pulses is an octave lower (half the
1725		frequency) and its LFO has a little bit of randomisation thrown
1726		into its frequency component for that extra bit of variety.
1727
1728		### Arguments:
1729		* note:
1730		- doc: Note to play. Either a MIDI number or a symbol representing a note. For example: 30, 52, :C, :C2, :Eb4, or :Ds3
1731		- default: 52
1732		- constraints: must be zero or greater
1733		- May be changed whilst playing
1734
1735		* note_slide:
1736		- doc: Amount of time (in seconds) for the note to change. A long slide value means that the note takes a long time to slide from the previous note to the new note. A slide of 0 means that the note instantly changes to the new note.
1737		- default: 0
1738		- constraints: must be zero or greater
1739		- May be changed whilst playing
1740
1741		* amp:
1742		- doc: The amplitude of the sound. Typically a value between 0 and 1. Higher amplitudes may be used, but won't make the sound louder, it will just reduce the quality of all the sounds currently being played (due to compression.)
1743		- default: 1
1744		- constraints: must be zero or greater
1745		- May be changed whilst playing
1746
1747		* amp_slide:
1748		- doc: Amount of time (in seconds) for the amplitude (amp) to change. A long slide value means that the amp takes a long time to slide from the previous amplitude to the new amplitude. A slide of 0 means that the amplitude instantly changes to the new amplitude.
1749		- default: 0
1750		- constraints: must be zero or greater
1751		- May be changed whilst playing
1752
	3373	- doc: Amount of time (in beats) for sound to remain at sustain level amplitude. Longer sustain values result in longer sounds. With the piano synth, this opt can only have the effect of controlling the amp within the natural duration of the note and can not prolong the sound.
	3374	- default: 0
	3375	- constraints: must be zero or greater
	3376	- Can not be changed once set
	3377	- Scaled with current BPM value
	3378	* release:
	3379	- doc: Amount of time (in beats) for sound to move from sustain level amplitude to silent. A short release (i.e. 0.01) makes the final part of the sound very percussive (potentially resulting in a click). A longer release (i.e 1) fades the sound out gently. With the piano synth, this opt can only have the effect of controlling the amp within the natural duration of the note and can not prolong the sound.
	3380	- default: 1
	3381	- constraints: must be zero or greater
	3382	- Can not be changed once set
	3383	- Scaled with current BPM value
	3384	* attack_level:
	3385	- doc: Amplitude level reached after attack phase and immediately before decay phase
	3386	- default: 1
	3387	- constraints: must be zero or greater
	3388	- Can not be changed once set
	3389	* decay:
	3390	- doc: Amount of time (in beats) for the sound to move from full amplitude (attack_level) to the sustain amplitude (sustain_level). With the piano synth, this opt can only have the effect of controlling the amp within the natural duration of the note and can not prolong the sound.
	3391	- default: 0
	3392	- constraints: must be zero or greater
	3393	- Can not be changed once set
	3394	- Scaled with current BPM value
	3395	* decay_level:
	3396	- doc: Amplitude level reached after decay phase and immediately before sustain phase. Defaults to sustain_level unless explicitly set
	3397	- default: sustain_level
	3398	- constraints: must be zero or greater
	3399	- Can not be changed once set
	3400	* sustain_level:
	3401	- doc: Amplitude level reached after decay phase and immediately before release phase.
	3402	- default: 1
	3403	- constraints: must be zero or greater
	3404	- Can not be changed once set
	3405	* noise_amp:
	3406	- doc: Amplitude of source (pink) noise.
	3407	- default: 0.8
	3408	- constraints: must be a value between 0 and 1 inclusively
	3409	- Can not be changed once set
	3410	* max_delay_time:
	3411	- doc: Maximum length of the delay line buffer.
	3412	- default: 0.125
	3413	- constraints: must be a value between 0.125 and 1 inclusively
	3414	- Can not be changed once set
	3415	* pluck_decay:
	3416	- doc: How long the pluck takes to stabilise on a note. This doesn't have a dramatic effect on the sound.
	3417	- default: 30
	3418	- constraints: must be a value between 1 and 100 inclusively
	3419	- Can not be changed once set
	3420	* coef:
	3421	- doc: Coefficient of the internal OnePole filter. Values around zero are resonant and bright, values towards 1 sound more dampened and cutoff. It's a little bit like playing nearer the soundhole/fingerboard for values near zero and more toward the bridge for values approaching one, although this isn't an exact comparison.
	3422	- default: 0.3
	3423	- constraints: must be a value between -1 and 1 inclusively
	3424	- Can not be changed once set
	3425
	3426
	3427	## Sound In
	3428
	3429	### Key:
	3430	:sound_in
	3431
	3432	### Doc:
	3433	Please write documentation!
	3434
	3435	### Opts:
	3436	* amp:
	3437	- doc: The amplitude of the sound. Typically a value between 0 and 1. Higher amplitudes may be used, but won't make the sound louder, they will just reduce the quality of all the sounds currently being played (due to compression.)
	3438	- default: 1
	3439	- constraints: must be zero or greater
	3440	- May be changed whilst playing
	3441	- Has slide parameters for shaping changes
1753	3442	* pan:
1754	3443	- doc: Position of sound in stereo. With headphones on, this means how much of the sound is in the left ear, and how much is in the right ear. With a value of -1, the sound is completely in the left ear, a value of 0 puts the sound equally in both ears and a value of 1 puts the sound in the right ear. Values in between -1 and 1 move the sound accordingly.
1755	3444	- default: 0
1756	3445	- constraints: must be a value between -1 and 1 inclusively
1757	3446	- May be changed whilst playing
1758
1759		* pan_slide:
1760		- doc: Amount of time (in seconds) for the pan to change. A long slide value means that the pan takes a long time to slide from the previous pan position to the new pan position. A slide of 0 means that the pan instantly changes to the new pan position.
1761		- default: 0
1762		- constraints: must be zero or greater
1763		- May be changed whilst playing
1764
1765		* attack:
1766		- doc: Amount of time (in seconds) for sound to reach full amplitude. A short attack (i.e. 0.01) makes the initial part of the sound very percussive like a sharp tap. A longer attack (i.e 1) fades the sound in gently. Full length of sound is attack + sustain + release.
1767		- default: 0.01
1768		- constraints: must be zero or greater
1769		- Can not be changed once set
1770
1771		* sustain:
1772		- doc: Amount of time (in seconds) for sound to remain at full amplitude. Longer sustain values result in longer sounds. Full length of sound is attack + sustain + release.
1773		- default: 0
1774		- constraints: must be zero or greater
1775		- Can not be changed once set
1776
1777		* release:
1778		- doc: Amount of time (in seconds) for sound to move from full amplitude to silent. A short release (i.e. 0.01) makes the final part of the sound very percussive (potentially resulting in a click). A longer release (i.e 1) fades the sound out gently. Full length of sound is attack + sustain + release.
1779		- default: 2
1780		- constraints: must be zero or greater
1781		- Can not be changed once set
1782
1783		* cutoff:
1784		- doc: MIDI note representing the highest frequences allowed to be present in the sound. A low value like 30 makes the sound round and dull, a high value like 100 makes the sound buzzy and crispy.
1785		- default: 110
1786		- constraints: must be zero or greater, must be a value less than 130
1787		- May be changed whilst playing
1788
1789		* cutoff_slide:
1790		- doc: Amount of time (in seconds) for the cutoff value to change. A long cutoff_slide value means that the cutoff takes a long time to slide from the previous value to the new value. A cutoff_slide of 0 means that the cutoff instantly changes to the new value.
1791		- default: 0
1792		- constraints: must be zero or greater
1793		- May be changed whilst playing
1794
1795		* res:
	3447	- Has slide parameters for shaping changes
	3448	* input:
1796	3449	- doc: write me
1797		- default: 0.3
	3450	- default: 0
1798	3451	- constraints: none
1799	3452	- Can not be changed once set
1800	3453
1801		* res_slide:
1802		- doc: write me
1803		- default: 0
1804		- constraints: none
1805		- Can not be changed once set
1806
1807
1808
1809		## Zawa
1810
1811		### Key:
1812		:zawa
1813
1814		### Doc:
1815		Write me
1816
1817		### Arguments:
1818		* note:
1819		- doc: Note to play. Either a MIDI number or a symbol representing a note. For example: 30, 52, :C, :C2, :Eb4, or :Ds3
1820		- default: 52
1821		- constraints: must be zero or greater
1822		- May be changed whilst playing
1823
1824		* note_slide:
1825		- doc: Amount of time (in seconds) for the note to change. A long slide value means that the note takes a long time to slide from the previous note to the new note. A slide of 0 means that the note instantly changes to the new note.
1826		- default: 0
1827		- constraints: must be zero or greater
1828		- May be changed whilst playing
1829
1830		* amp:
1831		- doc: The amplitude of the sound. Typically a value between 0 and 1. Higher amplitudes may be used, but won't make the sound louder, it will just reduce the quality of all the sounds currently being played (due to compression.)
1832		- default: 1
1833		- constraints: must be zero or greater
1834		- May be changed whilst playing
1835
1836		* amp_slide:
1837		- doc: Amount of time (in seconds) for the amplitude (amp) to change. A long slide value means that the amp takes a long time to slide from the previous amplitude to the new amplitude. A slide of 0 means that the amplitude instantly changes to the new amplitude.
1838		- default: 0
1839		- constraints: must be zero or greater
1840		- May be changed whilst playing
1841
	3454
	3455	## Noise
	3456
	3457	### Key:
	3458	:noise
	3459
	3460	### Doc:
	3461	Noise that contains equal amounts of energy at every frequency - comparable to radio static. Useful for generating percussive sounds such as snares and hand claps. Also useful for simulating wind or sea effects.
	3462
	3463	### Opts:
	3464	* amp:
	3465	- doc: The amplitude of the sound. Typically a value between 0 and 1. Higher amplitudes may be used, but won't make the sound louder, they will just reduce the quality of all the sounds currently being played (due to compression.)
	3466	- default: 1
	3467	- constraints: must be zero or greater
	3468	- May be changed whilst playing
	3469	- Has slide parameters for shaping changes
1842	3470	* pan:
1843	3471	- doc: Position of sound in stereo. With headphones on, this means how much of the sound is in the left ear, and how much is in the right ear. With a value of -1, the sound is completely in the left ear, a value of 0 puts the sound equally in both ears and a value of 1 puts the sound in the right ear. Values in between -1 and 1 move the sound accordingly.
1844	3472	- default: 0
1845	3473	- constraints: must be a value between -1 and 1 inclusively
1846	3474	- May be changed whilst playing
1847
1848		* pan_slide:
1849		- doc: Amount of time (in seconds) for the pan to change. A long slide value means that the pan takes a long time to slide from the previous pan position to the new pan position. A slide of 0 means that the pan instantly changes to the new pan position.
1850		- default: 0
1851		- constraints: must be zero or greater
1852		- May be changed whilst playing
1853
	3475	- Has slide parameters for shaping changes
1854	3476	* attack:
1855		- doc: Amount of time (in seconds) for sound to reach full amplitude. A short attack (i.e. 0.01) makes the initial part of the sound very percussive like a sharp tap. A longer attack (i.e 1) fades the sound in gently. Full length of sound is attack + sustain + release.
1856		- default: 0.1
1857		- constraints: must be zero or greater
1858		- Can not be changed once set
1859
	3477	- doc: Amount of time (in beats) for sound to reach full amplitude (attack_level). A short attack (i.e. 0.01) makes the initial part of the sound very percussive like a sharp tap. A longer attack (i.e 1) fades the sound in gently. Full length of sound is attack + decay + sustain + release.
	3478	- default: 0
	3479	- constraints: must be zero or greater
	3480	- Can not be changed once set
	3481	- Scaled with current BPM value
	3482	* decay:
	3483	- doc: Amount of time (in beats) for the sound to move from full amplitude (attack_level) to the sustain amplitude (sustain_level).
	3484	- default: 0
	3485	- constraints: must be zero or greater
	3486	- Can not be changed once set
	3487	- Scaled with current BPM value
1860	3488	* sustain:
1861		- doc: Amount of time (in seconds) for sound to remain at full amplitude. Longer sustain values result in longer sounds. Full length of sound is attack + sustain + release.
1862		- default: 0
1863		- constraints: must be zero or greater
1864		- Can not be changed once set
1865
	3489	- doc: Amount of time (in beats) for sound to remain at sustain level amplitude. Longer sustain values result in longer sounds. Full length of sound is attack + decay + sustain + release.
	3490	- default: 0
	3491	- constraints: must be zero or greater
	3492	- Can not be changed once set
	3493	- Scaled with current BPM value
1866	3494	* release:
1867		- doc: Amount of time (in seconds) for sound to move from full amplitude to silent. A short release (i.e. 0.01) makes the final part of the sound very percussive (potentially resulting in a click). A longer release (i.e 1) fades the sound out gently. Full length of sound is attack + sustain + release.
1868		- default: 1
1869		- constraints: must be zero or greater
1870		- Can not be changed once set
1871
	3495	- doc: Amount of time (in beats) for sound to move from sustain level amplitude to silent. A short release (i.e. 0.01) makes the final part of the sound very percussive (potentially resulting in a click). A longer release (i.e 1) fades the sound out gently. Full length of sound is attack + decay + sustain + release.
	3496	- default: 1
	3497	- constraints: must be zero or greater
	3498	- Can not be changed once set
	3499	- Scaled with current BPM value
	3500	* attack_level:
	3501	- doc: Amplitude level reached after attack phase and immediately before decay phase
	3502	- default: 1
	3503	- constraints: must be zero or greater
	3504	- Can not be changed once set
	3505	* decay_level:
	3506	- doc: Amplitude level reached after decay phase and immediately before sustain phase. Defaults to sustain_level unless explicitly set
	3507	- default: sustain_level
	3508	- constraints: must be zero or greater
	3509	- Can not be changed once set
	3510	* sustain_level:
	3511	- doc: Amplitude level reached after decay phase and immediately before release phase.
	3512	- default: 1
	3513	- constraints: must be zero or greater
	3514	- Can not be changed once set
	3515	* env_curve:
	3516	- doc: Select the shape of the curve between levels in the envelope. 1=linear, 2=exponential, 3=sine, 4=welch, 6=squared, 7=cubed
	3517	- default: 2
	3518	- constraints: must be one of the following values: [1, 2, 3, 4, 6, 7]
	3519	- Can not be changed once set
1872	3520	* cutoff:
1873		- doc: MIDI note representing the highest frequences allowed to be present in the sound. A low value like 30 makes the sound round and dull, a high value like 100 makes the sound buzzy and crispy.
1874		- default: 100
1875		- constraints: must be zero or greater, must be a value less than 130
1876		- May be changed whilst playing
1877
1878		* cutoff_slide:
1879		- doc: Amount of time (in seconds) for the cutoff value to change. A long cutoff_slide value means that the cutoff takes a long time to slide from the previous value to the new value. A cutoff_slide of 0 means that the cutoff instantly changes to the new value.
1880		- default: 0
1881		- constraints: must be zero or greater
1882		- May be changed whilst playing
1883
	3521	- doc: MIDI note representing the highest frequencies allowed to be present in the sound. A low value like 30 makes the sound round and dull, a high value like 100 makes the sound buzzy and crispy.
	3522	- default: 110
	3523	- constraints: must be zero or greater,must be a value less than 131
	3524	- May be changed whilst playing
	3525	- Has slide parameters for shaping changes
	3526	* res:
	3527	- doc: Filter resonance as a value between 0 and 1. Large amounts of resonance (a res: near 1) can create a whistling sound around the cutoff frequency. Smaller values produce less resonance.
	3528	- default: 0
	3529	- constraints: must be zero or greater,must be a value less than 1
	3530	- May be changed whilst playing
	3531	- Has slide parameters for shaping changes
	3532
	3533
	3534	## Pink Noise
	3535
	3536	### Key:
	3537	:pnoise
	3538
	3539	### Doc:
	3540	Noise whose spectrum falls off in power by 3 dB per octave. Useful for generating percussive sounds such as snares and hand claps. Also useful for simulating wind or sea effects.
	3541
	3542	### Opts:
	3543	* amp:
	3544	- doc: The amplitude of the sound. Typically a value between 0 and 1. Higher amplitudes may be used, but won't make the sound louder, they will just reduce the quality of all the sounds currently being played (due to compression.)
	3545	- default: 1
	3546	- constraints: must be zero or greater
	3547	- May be changed whilst playing
	3548	- Has slide parameters for shaping changes
	3549	* pan:
	3550	- doc: Position of sound in stereo. With headphones on, this means how much of the sound is in the left ear, and how much is in the right ear. With a value of -1, the sound is completely in the left ear, a value of 0 puts the sound equally in both ears and a value of 1 puts the sound in the right ear. Values in between -1 and 1 move the sound accordingly.
	3551	- default: 0
	3552	- constraints: must be a value between -1 and 1 inclusively
	3553	- May be changed whilst playing
	3554	- Has slide parameters for shaping changes
	3555	* attack:
	3556	- doc: Amount of time (in beats) for sound to reach full amplitude (attack_level). A short attack (i.e. 0.01) makes the initial part of the sound very percussive like a sharp tap. A longer attack (i.e 1) fades the sound in gently. Full length of sound is attack + decay + sustain + release.
	3557	- default: 0
	3558	- constraints: must be zero or greater
	3559	- Can not be changed once set
	3560	- Scaled with current BPM value
	3561	* decay:
	3562	- doc: Amount of time (in beats) for the sound to move from full amplitude (attack_level) to the sustain amplitude (sustain_level).
	3563	- default: 0
	3564	- constraints: must be zero or greater
	3565	- Can not be changed once set
	3566	- Scaled with current BPM value
	3567	* sustain:
	3568	- doc: Amount of time (in beats) for sound to remain at sustain level amplitude. Longer sustain values result in longer sounds. Full length of sound is attack + decay + sustain + release.
	3569	- default: 0
	3570	- constraints: must be zero or greater
	3571	- Can not be changed once set
	3572	- Scaled with current BPM value
	3573	* release:
	3574	- doc: Amount of time (in beats) for sound to move from sustain level amplitude to silent. A short release (i.e. 0.01) makes the final part of the sound very percussive (potentially resulting in a click). A longer release (i.e 1) fades the sound out gently. Full length of sound is attack + decay + sustain + release.
	3575	- default: 1
	3576	- constraints: must be zero or greater
	3577	- Can not be changed once set
	3578	- Scaled with current BPM value
	3579	* attack_level:
	3580	- doc: Amplitude level reached after attack phase and immediately before decay phase
	3581	- default: 1
	3582	- constraints: must be zero or greater
	3583	- Can not be changed once set
	3584	* decay_level:
	3585	- doc: Amplitude level reached after decay phase and immediately before sustain phase. Defaults to sustain_level unless explicitly set
	3586	- default: sustain_level
	3587	- constraints: must be zero or greater
	3588	- Can not be changed once set
	3589	* sustain_level:
	3590	- doc: Amplitude level reached after decay phase and immediately before release phase.
	3591	- default: 1
	3592	- constraints: must be zero or greater
	3593	- Can not be changed once set
	3594	* env_curve:
	3595	- doc: Select the shape of the curve between levels in the envelope. 1=linear, 2=exponential, 3=sine, 4=welch, 6=squared, 7=cubed
	3596	- default: 2
	3597	- constraints: must be one of the following values: [1, 2, 3, 4, 6, 7]
	3598	- Can not be changed once set
	3599	* cutoff:
	3600	- doc: MIDI note representing the highest frequencies allowed to be present in the sound. A low value like 30 makes the sound round and dull, a high value like 100 makes the sound buzzy and crispy.
	3601	- default: 110
	3602	- constraints: must be zero or greater,must be a value less than 131
	3603	- May be changed whilst playing
	3604	- Has slide parameters for shaping changes
	3605	* res:
	3606	- doc: Filter resonance as a value between 0 and 1. Large amounts of resonance (a res: near 1) can create a whistling sound around the cutoff frequency. Smaller values produce less resonance.
	3607	- default: 0
	3608	- constraints: must be zero or greater,must be a value less than 1
	3609	- May be changed whilst playing
	3610	- Has slide parameters for shaping changes
	3611
	3612
	3613	## Brown Noise
	3614
	3615	### Key:
	3616	:bnoise
	3617
	3618	### Doc:
	3619	Noise whose spectrum falls off in power by 6 dB per octave. Useful for generating percussive sounds such as snares and hand claps. Also useful for simulating wind or sea effects.
	3620
	3621	### Opts:
	3622	* amp:
	3623	- doc: The amplitude of the sound. Typically a value between 0 and 1. Higher amplitudes may be used, but won't make the sound louder, they will just reduce the quality of all the sounds currently being played (due to compression.)
	3624	- default: 1
	3625	- constraints: must be zero or greater
	3626	- May be changed whilst playing
	3627	- Has slide parameters for shaping changes
	3628	* pan:
	3629	- doc: Position of sound in stereo. With headphones on, this means how much of the sound is in the left ear, and how much is in the right ear. With a value of -1, the sound is completely in the left ear, a value of 0 puts the sound equally in both ears and a value of 1 puts the sound in the right ear. Values in between -1 and 1 move the sound accordingly.
	3630	- default: 0
	3631	- constraints: must be a value between -1 and 1 inclusively
	3632	- May be changed whilst playing
	3633	- Has slide parameters for shaping changes
	3634	* attack:
	3635	- doc: Amount of time (in beats) for sound to reach full amplitude (attack_level). A short attack (i.e. 0.01) makes the initial part of the sound very percussive like a sharp tap. A longer attack (i.e 1) fades the sound in gently. Full length of sound is attack + decay + sustain + release.
	3636	- default: 0
	3637	- constraints: must be zero or greater
	3638	- Can not be changed once set
	3639	- Scaled with current BPM value
	3640	* decay:
	3641	- doc: Amount of time (in beats) for the sound to move from full amplitude (attack_level) to the sustain amplitude (sustain_level).
	3642	- default: 0
	3643	- constraints: must be zero or greater
	3644	- Can not be changed once set
	3645	- Scaled with current BPM value
	3646	* sustain:
	3647	- doc: Amount of time (in beats) for sound to remain at sustain level amplitude. Longer sustain values result in longer sounds. Full length of sound is attack + decay + sustain + release.
	3648	- default: 0
	3649	- constraints: must be zero or greater
	3650	- Can not be changed once set
	3651	- Scaled with current BPM value
	3652	* release:
	3653	- doc: Amount of time (in beats) for sound to move from sustain level amplitude to silent. A short release (i.e. 0.01) makes the final part of the sound very percussive (potentially resulting in a click). A longer release (i.e 1) fades the sound out gently. Full length of sound is attack + decay + sustain + release.
	3654	- default: 1
	3655	- constraints: must be zero or greater
	3656	- Can not be changed once set
	3657	- Scaled with current BPM value
	3658	* attack_level:
	3659	- doc: Amplitude level reached after attack phase and immediately before decay phase
	3660	- default: 1
	3661	- constraints: must be zero or greater
	3662	- Can not be changed once set
	3663	* decay_level:
	3664	- doc: Amplitude level reached after decay phase and immediately before sustain phase. Defaults to sustain_level unless explicitly set
	3665	- default: sustain_level
	3666	- constraints: must be zero or greater
	3667	- Can not be changed once set
	3668	* sustain_level:
	3669	- doc: Amplitude level reached after decay phase and immediately before release phase.
	3670	- default: 1
	3671	- constraints: must be zero or greater
	3672	- Can not be changed once set
	3673	* env_curve:
	3674	- doc: Select the shape of the curve between levels in the envelope. 1=linear, 2=exponential, 3=sine, 4=welch, 6=squared, 7=cubed
	3675	- default: 2
	3676	- constraints: must be one of the following values: [1, 2, 3, 4, 6, 7]
	3677	- Can not be changed once set
	3678	* cutoff:
	3679	- doc: MIDI note representing the highest frequencies allowed to be present in the sound. A low value like 30 makes the sound round and dull, a high value like 100 makes the sound buzzy and crispy.
	3680	- default: 110
	3681	- constraints: must be zero or greater,must be a value less than 131
	3682	- May be changed whilst playing
	3683	- Has slide parameters for shaping changes
	3684	* res:
	3685	- doc: Filter resonance as a value between 0 and 1. Large amounts of resonance (a res: near 1) can create a whistling sound around the cutoff frequency. Smaller values produce less resonance.
	3686	- default: 0
	3687	- constraints: must be zero or greater,must be a value less than 1
	3688	- May be changed whilst playing
	3689	- Has slide parameters for shaping changes
	3690
	3691
	3692	## Grey Noise
	3693
	3694	### Key:
	3695	:gnoise
	3696
	3697	### Doc:
	3698	Generates noise which results from flipping random bits in a word. The spectrum is emphasised towards lower frequencies. Useful for generating percussive sounds such as snares and hand claps. Also useful for simulating wind or sea effects.
	3699
	3700	### Opts:
	3701	* amp:
	3702	- doc: The amplitude of the sound. Typically a value between 0 and 1. Higher amplitudes may be used, but won't make the sound louder, they will just reduce the quality of all the sounds currently being played (due to compression.)
	3703	- default: 1
	3704	- constraints: must be zero or greater
	3705	- May be changed whilst playing
	3706	- Has slide parameters for shaping changes
	3707	* pan:
	3708	- doc: Position of sound in stereo. With headphones on, this means how much of the sound is in the left ear, and how much is in the right ear. With a value of -1, the sound is completely in the left ear, a value of 0 puts the sound equally in both ears and a value of 1 puts the sound in the right ear. Values in between -1 and 1 move the sound accordingly.
	3709	- default: 0
	3710	- constraints: must be a value between -1 and 1 inclusively
	3711	- May be changed whilst playing
	3712	- Has slide parameters for shaping changes
	3713	* attack:
	3714	- doc: Amount of time (in beats) for sound to reach full amplitude (attack_level). A short attack (i.e. 0.01) makes the initial part of the sound very percussive like a sharp tap. A longer attack (i.e 1) fades the sound in gently. Full length of sound is attack + decay + sustain + release.
	3715	- default: 0
	3716	- constraints: must be zero or greater
	3717	- Can not be changed once set
	3718	- Scaled with current BPM value
	3719	* decay:
	3720	- doc: Amount of time (in beats) for the sound to move from full amplitude (attack_level) to the sustain amplitude (sustain_level).
	3721	- default: 0
	3722	- constraints: must be zero or greater
	3723	- Can not be changed once set
	3724	- Scaled with current BPM value
	3725	* sustain:
	3726	- doc: Amount of time (in beats) for sound to remain at sustain level amplitude. Longer sustain values result in longer sounds. Full length of sound is attack + decay + sustain + release.
	3727	- default: 0
	3728	- constraints: must be zero or greater
	3729	- Can not be changed once set
	3730	- Scaled with current BPM value
	3731	* release:
	3732	- doc: Amount of time (in beats) for sound to move from sustain level amplitude to silent. A short release (i.e. 0.01) makes the final part of the sound very percussive (potentially resulting in a click). A longer release (i.e 1) fades the sound out gently. Full length of sound is attack + decay + sustain + release.
	3733	- default: 1
	3734	- constraints: must be zero or greater
	3735	- Can not be changed once set
	3736	- Scaled with current BPM value
	3737	* attack_level:
	3738	- doc: Amplitude level reached after attack phase and immediately before decay phase
	3739	- default: 1
	3740	- constraints: must be zero or greater
	3741	- Can not be changed once set
	3742	* decay_level:
	3743	- doc: Amplitude level reached after decay phase and immediately before sustain phase. Defaults to sustain_level unless explicitly set
	3744	- default: sustain_level
	3745	- constraints: must be zero or greater
	3746	- Can not be changed once set
	3747	* sustain_level:
	3748	- doc: Amplitude level reached after decay phase and immediately before release phase.
	3749	- default: 1
	3750	- constraints: must be zero or greater
	3751	- Can not be changed once set
	3752	* env_curve:
	3753	- doc: Select the shape of the curve between levels in the envelope. 1=linear, 2=exponential, 3=sine, 4=welch, 6=squared, 7=cubed
	3754	- default: 2
	3755	- constraints: must be one of the following values: [1, 2, 3, 4, 6, 7]
	3756	- Can not be changed once set
	3757	* cutoff:
	3758	- doc: MIDI note representing the highest frequencies allowed to be present in the sound. A low value like 30 makes the sound round and dull, a high value like 100 makes the sound buzzy and crispy.
	3759	- default: 110
	3760	- constraints: must be zero or greater,must be a value less than 131
	3761	- May be changed whilst playing
	3762	- Has slide parameters for shaping changes
	3763	* res:
	3764	- doc: Filter resonance as a value between 0 and 1. Large amounts of resonance (a res: near 1) can create a whistling sound around the cutoff frequency. Smaller values produce less resonance.
	3765	- default: 0
	3766	- constraints: must be zero or greater,must be a value less than 1
	3767	- May be changed whilst playing
	3768	- Has slide parameters for shaping changes
	3769
	3770
	3771	## Clip Noise
	3772
	3773	### Key:
	3774	:cnoise
	3775
	3776	### Doc:
	3777	Generates noise whose values are either -1 or 1. This produces the maximum energy for the least peak to peak amplitude. Useful for generating percussive sounds such as snares and hand claps. Also useful for simulating wind or sea effects.
	3778
	3779	### Opts:
	3780	* amp:
	3781	- doc: The amplitude of the sound. Typically a value between 0 and 1. Higher amplitudes may be used, but won't make the sound louder, they will just reduce the quality of all the sounds currently being played (due to compression.)
	3782	- default: 1
	3783	- constraints: must be zero or greater
	3784	- May be changed whilst playing
	3785	- Has slide parameters for shaping changes
	3786	* pan:
	3787	- doc: Position of sound in stereo. With headphones on, this means how much of the sound is in the left ear, and how much is in the right ear. With a value of -1, the sound is completely in the left ear, a value of 0 puts the sound equally in both ears and a value of 1 puts the sound in the right ear. Values in between -1 and 1 move the sound accordingly.
	3788	- default: 0
	3789	- constraints: must be a value between -1 and 1 inclusively
	3790	- May be changed whilst playing
	3791	- Has slide parameters for shaping changes
	3792	* attack:
	3793	- doc: Amount of time (in beats) for sound to reach full amplitude (attack_level). A short attack (i.e. 0.01) makes the initial part of the sound very percussive like a sharp tap. A longer attack (i.e 1) fades the sound in gently. Full length of sound is attack + decay + sustain + release.
	3794	- default: 0
	3795	- constraints: must be zero or greater
	3796	- Can not be changed once set
	3797	- Scaled with current BPM value
	3798	* decay:
	3799	- doc: Amount of time (in beats) for the sound to move from full amplitude (attack_level) to the sustain amplitude (sustain_level).
	3800	- default: 0
	3801	- constraints: must be zero or greater
	3802	- Can not be changed once set
	3803	- Scaled with current BPM value
	3804	* sustain:
	3805	- doc: Amount of time (in beats) for sound to remain at sustain level amplitude. Longer sustain values result in longer sounds. Full length of sound is attack + decay + sustain + release.
	3806	- default: 0
	3807	- constraints: must be zero or greater
	3808	- Can not be changed once set
	3809	- Scaled with current BPM value
	3810	* release:
	3811	- doc: Amount of time (in beats) for sound to move from sustain level amplitude to silent. A short release (i.e. 0.01) makes the final part of the sound very percussive (potentially resulting in a click). A longer release (i.e 1) fades the sound out gently. Full length of sound is attack + decay + sustain + release.
	3812	- default: 1
	3813	- constraints: must be zero or greater
	3814	- Can not be changed once set
	3815	- Scaled with current BPM value
	3816	* attack_level:
	3817	- doc: Amplitude level reached after attack phase and immediately before decay phase
	3818	- default: 1
	3819	- constraints: must be zero or greater
	3820	- Can not be changed once set
	3821	* decay_level:
	3822	- doc: Amplitude level reached after decay phase and immediately before sustain phase. Defaults to sustain_level unless explicitly set
	3823	- default: sustain_level
	3824	- constraints: must be zero or greater
	3825	- Can not be changed once set
	3826	* sustain_level:
	3827	- doc: Amplitude level reached after decay phase and immediately before release phase.
	3828	- default: 1
	3829	- constraints: must be zero or greater
	3830	- Can not be changed once set
	3831	* env_curve:
	3832	- doc: Select the shape of the curve between levels in the envelope. 1=linear, 2=exponential, 3=sine, 4=welch, 6=squared, 7=cubed
	3833	- default: 2
	3834	- constraints: must be one of the following values: [1, 2, 3, 4, 6, 7]
	3835	- Can not be changed once set
	3836	* cutoff:
	3837	- doc: MIDI note representing the highest frequencies allowed to be present in the sound. A low value like 30 makes the sound round and dull, a high value like 100 makes the sound buzzy and crispy.
	3838	- default: 110
	3839	- constraints: must be zero or greater,must be a value less than 131
	3840	- May be changed whilst playing
	3841	- Has slide parameters for shaping changes
	3842	* res:
	3843	- doc: Filter resonance as a value between 0 and 1. Large amounts of resonance (a res: near 1) can create a whistling sound around the cutoff frequency. Smaller values produce less resonance.
	3844	- default: 0
	3845	- constraints: must be zero or greater,must be a value less than 1
	3846	- May be changed whilst playing
	3847	- Has slide parameters for shaping changes
	3848
	3849
	3850	## Basic Mono Sample Player (no env)
	3851
	3852	### Key:
	3853	:basic_mono_player
	3854
	3855	### Doc:
	3856
	3857
	3858	### Opts:
	3859	* amp:
	3860	- doc: The amplitude of the sound. Typically a value between 0 and 1. Higher amplitudes may be used, but won't make the sound louder, they will just reduce the quality of all the sounds currently being played (due to compression.)
	3861	- default: 1
	3862	- constraints: must be zero or greater
	3863	- May be changed whilst playing
	3864	- Has slide parameters for shaping changes
	3865	* pan:
	3866	- doc: Position of sound in stereo. With headphones on, this means how much of the sound is in the left ear, and how much is in the right ear. With a value of -1, the sound is completely in the left ear, a value of 0 puts the sound equally in both ears and a value of 1 puts the sound in the right ear. Values in between -1 and 1 move the sound accordingly.
	3867	- default: 0
	3868	- constraints: must be a value between -1 and 1 inclusively
	3869	- May be changed whilst playing
	3870	- Has slide parameters for shaping changes
1884	3871	* rate:
1885	3872	- doc: write me
1886	3873	- default: 1
1887		- constraints: none
1888		- Can not be changed once set
1889
1890		* rate_slide:
1891		- doc: write me
1892		- default: 0
1893		- constraints: none
1894		- Can not be changed once set
1895
1896		* depth:
1897		- doc: write me
1898		- default: 1.5
1899		- constraints: none
1900		- Can not be changed once set
1901
1902		* depth_slide:
1903		- doc: write me
1904		- default: 0
1905		- constraints: none
1906		- Can not be changed once set
1907
1908
1909
1910		## Mono Sample Player
1911
1912		### Key:
1913		:mono_player
	3874	- constraints: must not be zero
	3875	- Can not be changed once set
	3876	* cutoff:
	3877	- doc: MIDI note representing the highest frequencies allowed to be present in the sound. A low value like 30 makes the sound round and dull, a high value like 100 makes the sound buzzy and crispy.
	3878	- default: 0
	3879	- constraints: must be zero or greater,must be a value less than 131
	3880	- May be changed whilst playing
	3881	- Has slide parameters for shaping changes
	3882	* res:
	3883	- doc: Filter resonance as a value between 0 and 1. Large amounts of resonance (a res: near 1) can create a whistling sound around the cutoff frequency. Smaller values produce less resonance.
	3884	- default: 0
	3885	- constraints: must be zero or greater,must be a value less than 1
	3886	- May be changed whilst playing
	3887	- Has slide parameters for shaping changes
	3888
	3889
	3890	## Basic Stereo Sample Player (no env)
	3891
	3892	### Key:
	3893	:basic_stereo_player
1914	3894
1915	3895	### Doc:
1916	3896
1917	3897
1918		### Arguments:
1919		* amp:
1920		- doc: The amplitude of the sound. Typically a value between 0 and 1. Higher amplitudes may be used, but won't make the sound louder, it will just reduce the quality of all the sounds currently being played (due to compression.)
1921		- default: 1
1922		- constraints: must be zero or greater
1923		- May be changed whilst playing
1924
1925		* amp_slide:
1926		- doc: Amount of time (in seconds) for the amplitude (amp) to change. A long slide value means that the amp takes a long time to slide from the previous amplitude to the new amplitude. A slide of 0 means that the amplitude instantly changes to the new amplitude.
1927		- default: 0
1928		- constraints: must be zero or greater
1929		- May be changed whilst playing
1930
	3898	### Opts:
	3899	* amp:
	3900	- doc: The amplitude of the sound. Typically a value between 0 and 1. Higher amplitudes may be used, but won't make the sound louder, they will just reduce the quality of all the sounds currently being played (due to compression.)
	3901	- default: 1
	3902	- constraints: must be zero or greater
	3903	- May be changed whilst playing
	3904	- Has slide parameters for shaping changes
1931	3905	* pan:
1932	3906	- doc: Position of sound in stereo. With headphones on, this means how much of the sound is in the left ear, and how much is in the right ear. With a value of -1, the sound is completely in the left ear, a value of 0 puts the sound equally in both ears and a value of 1 puts the sound in the right ear. Values in between -1 and 1 move the sound accordingly.
1933	3907	- default: 0
1934	3908	- constraints: must be a value between -1 and 1 inclusively
1935	3909	- May be changed whilst playing
1936
1937		* pan_slide:
1938		- doc: Amount of time (in seconds) for the pan to change. A long slide value means that the pan takes a long time to slide from the previous pan position to the new pan position. A slide of 0 means that the pan instantly changes to the new pan position.
1939		- default: 0
1940		- constraints: must be zero or greater
1941		- May be changed whilst playing
1942
1943		* attack:
1944		- doc:
1945		- default: 0
1946		- constraints: must be zero or greater
1947		- Can not be changed once set
1948
1949		* sustain:
1950		- doc:
1951		- default: -1
1952		- constraints: must be zero or greater
1953		- Can not be changed once set
1954
1955		* release:
1956		- doc:
1957		- default: 0
1958		- constraints: must either be a positive value or -1
1959		- Can not be changed once set
1960
1961		* rate:
1962		- doc:
1963		- default: 1
1964		- constraints: none
1965		- Can not be changed once set
1966
1967		* start:
1968		- doc:
1969		- default: 0
1970		- constraints: must be zero or greater, must be a value between 0 and 1 inclusively
1971		- Can not be changed once set
1972
1973		* finish:
1974		- doc:
1975		- default: 1
1976		- constraints: must be zero or greater, must be a value between 0 and 1 inclusively
1977		- Can not be changed once set
1978
1979
1980
1981		## Stereo Sample Player
1982
1983		### Key:
1984		:stereo_player
1985
1986		### Doc:
1987
1988
1989		### Arguments:
1990		* amp:
1991		- doc: The amplitude of the sound. Typically a value between 0 and 1. Higher amplitudes may be used, but won't make the sound louder, it will just reduce the quality of all the sounds currently being played (due to compression.)
1992		- default: 1
1993		- constraints: must be zero or greater
1994		- May be changed whilst playing
1995
1996		* amp_slide:
1997		- doc: Amount of time (in seconds) for the amplitude (amp) to change. A long slide value means that the amp takes a long time to slide from the previous amplitude to the new amplitude. A slide of 0 means that the amplitude instantly changes to the new amplitude.
1998		- default: 0
1999		- constraints: must be zero or greater
2000		- May be changed whilst playing
2001
2002		* pan:
2003		- doc: Position of sound in stereo. With headphones on, this means how much of the sound is in the left ear, and how much is in the right ear. With a value of -1, the sound is completely in the left ear, a value of 0 puts the sound equally in both ears and a value of 1 puts the sound in the right ear. Values in between -1 and 1 move the sound accordingly.
2004		- default: 0
2005		- constraints: must be a value between -1 and 1 inclusively
2006		- May be changed whilst playing
2007
2008		* pan_slide:
2009		- doc: Amount of time (in seconds) for the pan to change. A long slide value means that the pan takes a long time to slide from the previous pan position to the new pan position. A slide of 0 means that the pan instantly changes to the new pan position.
2010		- default: 0
2011		- constraints: must be zero or greater
2012		- May be changed whilst playing
2013
2014		* attack:
2015		- doc:
2016		- default: 0
2017		- constraints: must be zero or greater
2018		- Can not be changed once set
2019
2020		* sustain:
2021		- doc:
2022		- default: -1
2023		- constraints: must be zero or greater
2024		- Can not be changed once set
2025
2026		* release:
2027		- doc:
2028		- default: 0
2029		- constraints: must either be a positive value or -1
2030		- Can not be changed once set
2031
2032		* rate:
2033		- doc:
2034		- default: 1
2035		- constraints: none
2036		- Can not be changed once set
2037
2038		* start:
2039		- doc:
2040		- default: 0
2041		- constraints: must be zero or greater, must be a value between 0 and 1 inclusively
2042		- Can not be changed once set
2043
2044		* finish:
2045		- doc:
2046		- default: 1
2047		- constraints: must be zero or greater, must be a value between 0 and 1 inclusively
2048		- Can not be changed once set
2049
2050
2051
2052		## Basic Mono Sample Player - (no envelope)
2053
2054		### Key:
2055		:basic_mono_player
2056
2057		### Doc:
2058
2059
2060		### Arguments:
2061		* amp:
2062		- doc: The amplitude of the sound. Typically a value between 0 and 1. Higher amplitudes may be used, but won't make the sound louder, it will just reduce the quality of all the sounds currently being played (due to compression.)
2063		- default: 1
2064		- constraints: must be zero or greater
2065		- May be changed whilst playing
2066
2067		* amp_slide:
2068		- doc: Amount of time (in seconds) for the amplitude (amp) to change. A long slide value means that the amp takes a long time to slide from the previous amplitude to the new amplitude. A slide of 0 means that the amplitude instantly changes to the new amplitude.
2069		- default: 0
2070		- constraints: must be zero or greater
2071		- May be changed whilst playing
2072
2073		* pan:
2074		- doc: Position of sound in stereo. With headphones on, this means how much of the sound is in the left ear, and how much is in the right ear. With a value of -1, the sound is completely in the left ear, a value of 0 puts the sound equally in both ears and a value of 1 puts the sound in the right ear. Values in between -1 and 1 move the sound accordingly.
2075		- default: 0
2076		- constraints: must be a value between -1 and 1 inclusively
2077		- May be changed whilst playing
2078
2079		* pan_slide:
2080		- doc: Amount of time (in seconds) for the pan to change. A long slide value means that the pan takes a long time to slide from the previous pan position to the new pan position. A slide of 0 means that the pan instantly changes to the new pan position.
2081		- default: 0
2082		- constraints: must be zero or greater
2083		- May be changed whilst playing
2084
	3910	- Has slide parameters for shaping changes
2085	3911	* rate:
2086	3912	- doc: write me
2087	3913	- default: 1
	3914	- constraints: must not be zero
	3915	- Can not be changed once set
	3916	* cutoff:
	3917	- doc: MIDI note representing the highest frequencies allowed to be present in the sound. A low value like 30 makes the sound round and dull, a high value like 100 makes the sound buzzy and crispy.
	3918	- default: 0
	3919	- constraints: must be zero or greater,must be a value less than 131
	3920	- May be changed whilst playing
	3921	- Has slide parameters for shaping changes
	3922	* res:
	3923	- doc: Filter resonance as a value between 0 and 1. Large amounts of resonance (a res: near 1) can create a whistling sound around the cutoff frequency. Smaller values produce less resonance.
	3924	- default: 0
	3925	- constraints: must be zero or greater,must be a value less than 1
	3926	- May be changed whilst playing
	3927	- Has slide parameters for shaping changes
	3928
	3929
	3930	## Basic Mixer
	3931
	3932	### Key:
	3933	:basic_mixer
	3934
	3935	### Doc:
	3936	Please write documentation!
	3937
	3938	### Opts:
	3939	* amp:
	3940	- doc: The amplitude of the sound. Typically a value between 0 and 1. Higher amplitudes may be used, but won't make the sound louder, they will just reduce the quality of all the sounds currently being played (due to compression.)
	3941	- default: 1
	3942	- constraints: must be zero or greater
	3943	- May be changed whilst playing
	3944	- Has slide parameters for shaping changes
	3945
	3946
	3947	## Main Mixer
	3948
	3949	### Key:
	3950	:main_mixer
	3951
	3952	### Doc:
	3953	Please write documentation!
	3954
	3955	### Opts:
	3956	* amp:
	3957	- doc: write me
	3958	- default: 1
2088	3959	- constraints: none
2089	3960	- Can not be changed once set
2090
2091		* rate_slide:
	3961	- Has slide parameters for shaping changes
	3962	* pre_amp:
2092	3963	- doc: write me
2093		- default: 0
	3964	- default: 1
2094	3965	- constraints: none
2095	3966	- Can not be changed once set
2096
2097
2098
2099		## Basic Stereo Sample Player - (no envelope)
2100
2101		### Key:
2102		:basic_stereo_player
2103
2104		### Doc:
2105
2106
2107		### Arguments:
2108		* amp:
2109		- doc: The amplitude of the sound. Typically a value between 0 and 1. Higher amplitudes may be used, but won't make the sound louder, it will just reduce the quality of all the sounds currently being played (due to compression.)
2110		- default: 1
2111		- constraints: must be zero or greater
2112		- May be changed whilst playing
2113
2114		* amp_slide:
2115		- doc: Amount of time (in seconds) for the amplitude (amp) to change. A long slide value means that the amp takes a long time to slide from the previous amplitude to the new amplitude. A slide of 0 means that the amplitude instantly changes to the new amplitude.
2116		- default: 0
2117		- constraints: must be zero or greater
2118		- May be changed whilst playing
2119
2120		* pan:
2121		- doc: Position of sound in stereo. With headphones on, this means how much of the sound is in the left ear, and how much is in the right ear. With a value of -1, the sound is completely in the left ear, a value of 0 puts the sound equally in both ears and a value of 1 puts the sound in the right ear. Values in between -1 and 1 move the sound accordingly.
2122		- default: 0
2123		- constraints: must be a value between -1 and 1 inclusively
2124		- May be changed whilst playing
2125
2126		* pan_slide:
2127		- doc: Amount of time (in seconds) for the pan to change. A long slide value means that the pan takes a long time to slide from the previous pan position to the new pan position. A slide of 0 means that the pan instantly changes to the new pan position.
2128		- default: 0
2129		- constraints: must be zero or greater
2130		- May be changed whilst playing
2131
2132		* rate:
	3967	- Has slide parameters for shaping changes
	3968	* hpf:
2133	3969	- doc: write me
2134		- default: 1
	3970	- default: 0
2135	3971	- constraints: none
2136	3972	- Can not be changed once set
2137
2138		* rate_slide:
	3973	- Has slide parameters for shaping changes
	3974	* lpf:
2139	3975	- doc: write me
2140		- default: 0
	3976	- default: 135.5
2141	3977	- constraints: none
2142	3978	- Can not be changed once set
2143
2144
2145
	3979	- Has slide parameters for shaping changes
	3980	* hpf_bypass:
	3981	- doc: write me
	3982	- default: 0
	3983	- constraints: none
	3984	- Can not be changed once set
	3985	* lpf_bypass:
	3986	- doc: write me
	3987	- default: 0
	3988	- constraints: none
	3989	- Can not be changed once set
	3990	* force_mono:
	3991	- doc: write me
	3992	- default: 0
	3993	- constraints: none
	3994	- Can not be changed once set
	3995	* invert_stereo:
	3996	- doc: write me
	3997	- default: 0
	3998	- constraints: none
	3999	- Can not be changed once set
	4000	* limiter_bypass:
	4001	- doc: write me
	4002	- default: 0
	4003	- constraints: none
	4004	- Can not be changed once set
	4005	* leak_dc_bypass:
	4006	- doc: write me
	4007	- default: 0
	4008	- constraints: none
	4009	- Can not be changed once set
	4010
	4011

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etc/doc/tutorial/de/01.2-Exploring-the-Interface.md less more

24	24	## B. Editor-Steuerung
25	25
26	26	Die orangefarbenen Buttons steuern den Code-Editor. Die `Text vergrößern`
27		and `Text verkleinern`-Buttons verändern die Schriftgröße.
	27	und `Text verkleinern`-Buttons verändern die Schriftgröße.
28	28	`Auto-Align Text`-Button richtet den Code ordentlich aus, damit er
29	29	professioneller aussieht und besser lesbar ist.
30	30

42	42	In diesem Bereich schreibst Du Deinen Code, komponierst Du Deine Musik
43	43	und führst sie später auf. Es ist ein einfacher Texteditor, in dem
44	44	Du Code eingibst und bearbeitest; so eine Art sehr einfache
45		Textverabeitung wie Word oder Google Docs. Der Editor färbt
	45	Textverarbeitung wie Word oder Google Docs. Der Editor färbt
46	46	bestimmte Begriffe automatisch ein, je nachdem, welche Bedeutung sie
47	47	innerhalb des Codes haben. Am Anfang ist das vielleicht ein wenig
48	48	merkwürdig, aber Du wirst es bald nützlich finden. Zum Beispiel erkennst

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etc/doc/tutorial/en/03.6-External-Samples.md less more

22	22	course this shouldn't stop you from using your own samples, it's just
23	23	something to consider.
24	24
25		<!-- ## Freesound Support -->
26
27		<!-- One way to get the ability to experiment with new sounds whilst keeping -->
28		<!-- code portability is to use the [Freesound](http:freesound.org) -->
29		<!-- support. http://freesound.org is a website which allows people to upload -->
30		<!-- and share their samples. Each sample uploaded gets a special number -->
31		<!-- (kind of like a phone number) which you can use to dial up that sample -->
32		<!-- from Sonic Pi. The only drawback is that you need to have internet -->
33		<!-- access for it to work. -->
34
35		<!-- If you currently have internet access, try it for yourself: -->
36
37		<!-- ``` -->
38		<!-- freesound 24787 -->
39		<!-- ``` -->
40
41		<!-- The first time you do this you'll hear a standard `:elec_beep` as a -->
42		<!-- placeholder for the sound. Y -->
43
44
45	25	## Local Samples
46	26
47		So how do you play any arbitrary WAV or AIFF file on your computer?
	27	So how do you play any arbitrary WAV, AIFF or FLAC file on your computer?
48	28	All you need to do is pass the path of that file to `sample`:
49	29
50	30	```

63	43	# Windows
64	44	sample "C:/Users/sam/Desktop/my-sound.wav", rate: 0.5, amp: 0.3
65	45	```
	46

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etc/doc/tutorial/en/03.7-Sample-Packs.md less more

	0	3.7 Sample Packs
	1
	2	# Sample Packs
	3
	4	**Note: this section of the tutorial covers the advanced topic of
	5	working with large directories of your own samples. This will be the
	6	case if you've downloaded or bought your own sample packs and wish to
	7	use them within Sonic Pi.**
	8
	9	**Feel free to skip this if you're happy working with the built-in
	10	samples.**
	11
	12	When working with large folders of external samples it can be cumbersome
	13	to have to type the whole path every time to trigger an individual
	14	sample.
	15
	16	For example, say you have the following folder on your machine:
	17
	18	```
	19	/path/to/my/samples/
	20	```
	21
	22	When we look inside that folder we find the following samples:
	23
	24	* `100_A#_melody1.wav`
	25	* `100_A#_melody2.wav`
	26	* `100_A#_melody3.wav`
	27	* `120_A#_melody4.wav`
	28	* `120_Bb_guit1.wav`
	29	* `120_Bb_piano1.wav`
	30
	31	Typically in order to play the piano sample we can use the full path:
	32
	33	```
	34	sample "/path/to/my/samples/120_Bb_piano1.wav"
	35	```
	36
	37	If we want to then play the guitar sample we can use its full path too:
	38
	39	```
	40	sample "/path/to/my/samples/120_Bb_guit.wav"
	41	```
	42
	43	However, both of these calls to sample requires us to know the names
	44	of the samples within our directory. What if we just want to listen to
	45	each sample in turn quickly?
	46
	47	## Indexing Sample Packs
	48
	49	If we want to play the first sample in a directory we just need to pass
	50	the directory's name to `sample` and the index `0` as follows:
	51
	52	```
	53	sample "/path/to/my/samples/", 0
	54	```
	55
	56	We can even make a shortcut to our directory path using a variable:
	57
	58	```
	59	samps = "/path/to/my/samples/"
	60	sample samps, 0
	61	```
	62
	63	Now, if we want to play the second sample in our directory, we just need
	64	to add 1 to our index:
	65
	66	```
	67	samps = "/path/to/my/samples/"
	68	sample samps, 1
	69	```
	70
	71	Notice that we no longer need to know the names of the samples in the
	72	directory - we just need to know the directory itself (or have a
	73	shortcut to it). If we ask for an index which is larger than the number
	74	of samples, it simply wraps round just like Rings. Therefore, whatever
	75	number we use we're guaranteed to get one of the samples in that
	76	directory.
	77
	78	## Filtering Sample Packs
	79
	80	Usually indexing is enough, but sometimes we need more power to sort
	81	and organise our samples. Luckily many sample packs add useful
	82	information in the filenames. Let's take another look at the sample file
	83	names in our directory:
	84
	85	* `100_A#_melody1.wav`
	86	* `100_A#_melody2.wav`
	87	* `100_A#_melody3.wav`
	88	* `120_A#_melody4.wav`
	89	* `120_Bb_guit1.wav`
	90	* `120_Bb_piano1.wav`
	91
	92	Notice that in these filenames we have quite a bit of
	93	information. Firstly, we have the BPM of the sample (beats per minute)
	94	at the start. So, the piano sample is at 120 BPM and our first three
	95	melodies are at 100 BPM. Also, our sample names contain the key. So the
	96	guitar sample is in Bb and the melodies are in A#. This information is
	97	very useful for mixing in these samples with our other code. For
	98	example, we know we can only play the piano sample with code that's in
	99	120 BPM and in the key of Bb.
	100
	101	It turns out that we can use this particular naming convention of our
	102	sample sets in the code to help us filter out the ones we want. For
	103	example, if we're working at 120 BPM, we can filter down to all the
	104	samples that contain the string `"120"` with the following:
	105
	106	```
	107	samps = "/path/to/my/samples/"
	108	sample samps, "120"
	109	```
	110
	111	This will play us the first match. If we want the second match we just
	112	need to use the index:
	113
	114	```
	115	samps = "/path/to/my/samples/"
	116	sample samps, "120", 1
	117	```
	118
	119	We can even use multiple filters at the same time. For example, if we
	120	want a sample whose filename contains both the substrings "120" and "A#"
	121	we can find it easily with the following code:
	122
	123	```
	124	samps = "/path/to/my/samples/"
	125	sample samps, "120", "A#"
	126	```
	127
	128	Finally, we're still free to add our usual opts to the call to `sample`:
	129
	130	```
	131	samps = "/path/to/my/samples/"
	132	sample samps, "120", "Bb", 1, lpf: 70, amp: 2
	133	```
	134
	135	## Sources
	136
	137	The sample filter pre-arg system understands two types of information:
	138	sources and filters. Sources are information used to create the list of
	139	potential candidates. A source can take two forms:
	140
	141	1. "/path/to/samples" - a string representing a valid path to a directory
	142	2. "/path/to/samples/foo.wav" - a string representing a valid path to a sample
	143
	144	The `sample` fn will first gather all sources and use them to create a
	145	large list of candidates. This list is constructed by first adding all
	146	valid paths and then by adding all the valid `.flac`, `.aif`, `.aiff`,
	147	`.wav`, `.wave` files contained within the directories.
	148
	149	For example, take a look at the following code:
	150
	151	```
	152	samps = "/path/to/my/samples/"
	153	samps2 = "/path/to/my/samples2/"
	154	path = "/path/to/my/samples3/foo.wav"
	155
	156	sample samps, samps2, path, 0
	157	```
	158
	159	Here, we're combining the contents of the samples within two directories
	160	and adding a specific sample. If `"/path/to/my/samples/"` contained 3
	161	samples and `"/path/to/my/samples2/"` contained 12, we'd have 16
	162	potential samples to index and filter (3 + 12 + 1).
	163
	164	By default, only the sample files within a directory are gathered into
	165	the candidate list. Sometimes you might have a number of nested folders of
	166	samples you wish to search and filter within. You can therefore do a
	167	recursive search for all samples within all subfolders of a particular
	168	folder by adding `**` to the end of the path:
	169
	170	```
	171	samps = "/path/to/nested/samples/**"
	172	sample samps, 0
	173	```
	174
	175	Take care though as searching through a very large set of folders may
	176	take a long time. However, the contents of all folder sources are
	177	cached, so the delay will only happen the first time.
	178
	179	Finally, note that the sources must go first. If no source is given,
	180	then the set of built-in samples will be selected as the default list of
	181	candidates to work with:
	182
	183	## Filters
	184
	185	Once you have a list of candidates you may use the following filtering
	186	types to further reduce the selection:
	187
	188	* `"foo"` Strings will filter on substring occurrence within file name (minus directory path and extension).
	189	* `/fo[oO]/` Regular Expressions will filter on pattern matching of file name (minus directory path and extension).
	190	* `:foo` - Keywords will filter candidates on whether the keyword is a direct match of the filename (minus directory path and extension).
	191	* `lambda{\|a\| ... }` - Procs with one argument will be treated as a candidate filter or generator function. It will be passed the list of current candidates and must return a new list of candidates (a list of valid paths to sample files).
	192	* `1` - Numbers will select the candidate with that index (wrapping round like a ring if necessary).
	193
	194	For example, we can filter over all the samples in a directory
	195	containing the string \"foo\" and play the first matching sample at half
	196	speed:
	197
	198	```
	199	sample \"/path/to/samples\", \"foo\", rate: 0.5
	200	```
	201
	202	See the help for `sample` for many detailed usage examples. Note that
	203	the ordering of the filters is honoured.
	204
	205	## Composites
	206
	207	Finally, you may use lists wherever you may place a source or
	208	filter. The list will be automatically flattened and the contents will
	209	be treated as regular sources and filters. Therefore the following calls
	210	to `sample` are semantically equivalent:
	211
	212	```
	213	sample "/path/to/dir", "100", "C#"
	214	sample ["/path/to/dir", "100", "C#"]
	215	sample "/path/to/dir", ["100", "C#"]
	216	sample ["/path/to/dir", ["100", ["C#"]]]
	217	```
	218
	219	## Wrapping Up
	220
	221	This was an advanced section for people that need real power to
	222	manipulate and use sample packs. If most of this section didn't make too
	223	much sense, don't worry. It's likely you don't need any of this
	224	functionality just yet. However, you'll know when you do need it and you
	225	can come back and re-read this when you start working with large
	226	directories of samples.
	227
	228
	229

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49	49	creating an extremely rich and powerful way of generating new rings from
50	50	existing ones.
51	51
52		## Immutablility
	52	## Immutability
53	53
54	54	These rings have a powerful and important property. They are immutable
55	55	which means that they can not change. This means that the chaining

65	65	* `.reverse` - returns a reversed version of the ring
66	66	* `.sort` - creates a sorted version of the ring
67	67	* `.shuffle` - creates a shuffled version of the ring
	68	* `.pick(3)` - returns a ring with the results of calling `.choose` 3 times
	69	* `.pick` - similar to `.pick(3)` only the size defaults to the same as the original ring
68	70	* `.take(5)` - returns a new ring containing only the first 5 elements
69	71	* `.drop(3)` - returns a new ring with everything but the first 3 elements
70	72	* `.butlast` - returns a new ring with the last element missing
71		* `.drop_last(3)` - returns a new ring with the 3 elements missing
	73	* `.drop_last(3)` - returns a new ring with the last 3 elements missing
72	74	* `.take_last(6)`- returns a new ring with only the last 6 elements
73	75	* `.stretch(2)` - repeats each element in the ring twice
74	76	* `.repeat(3)` - repeats the entire ring 3 times

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8	8	## Ticking Rings
9	9
10	10	Sonic Pi provides a very handy tool for working with rings within
11		`live_loop`s. It's called the tick system. It provides you with the ability to tick through rings. Let's look at an example:
	11	`live_loop`s. It's called the tick system. In the section about the rings we were talking about the counter that is constantly increasing, like a current beat number. Tick just implements this idea. It provides you with the ability to tick through rings. Let's look at an example:
	12
	13	```
	14	counter = 0
	15	live_loop :arp do
	16	play (scale :e3, :minor_pentatonic)[counter], release: 0.1
	17	counter += 1
	18	sleep 0.125
	19	end
	20	```
	21
	22	This is equivalent to:
12	23
13	24	```
14	25	live_loop :arp do

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43	43	## Text Manipulation
44	44
45	45	* `M-m` - Align all text
46		* `Tab` - Align current line/selection (or complete list)
	46	* `Tab` - Align current line or selection (or select autocompletion)
47	47	* `C-l` - Centre editor
48		* `M-/` - Comment/Uncomment current line
	48	* `M-/` - Comment/Uncomment current line or selection
49	49	* `C-t` - Transpose/swap characters
50	50	* `M-u` - Convert next word (or selection) to upper case.
51	51	* `M-l` - Convert next word (or selection) to lower case.

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8	8	cover how to code up the three core components of a synth riff - the
9	9	timbre, melody and rhythm.
10	10
11		OK, so power up you Raspberry Pi, crack open Sonic Pi v2.6+ and let's
	11	OK, so power up your Raspberry Pi, crack open Sonic Pi v2.6+ and let's
12	12	make some noise!
13	13
14	14

92	92	end
93	93
94	94	There's a few things going on - let's look at them in turn. First, we
95		specify that we're using random seed 3. What does this mean? Well, The
	95	specify that we're using random seed 3. What does this mean? Well, the
96	96	useful thing is that when we set the seed, we can predict what the next
97	97	random value is going to be - it's the same as it was last time we set
98	98	the seed to 3! Another useful thing to know is that shuffling a ring of

147	147	`true`. Using higher values will make it return `false` more often
148	148	introducing more space into the riff.
149	149
150		Notices that we've added some iteration in here with `16.times`. This is
	150	Notice that we've added some iteration in here with `16.times`. This is
151	151	because we only want to reset our random seed value every 16 notes so
152	152	our rhythm repeats every 16 times. This doesn't affect the shuffling as
153	153	that is still done immediately after the seed is set. We can use the

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124	124	`:brick` and hit run. Hey presto, you're now making a brick trail. How
125	125	simple was that! Fancy some music to go with it? Easy. Try this:
126	126
127		live_loop :bass_trail
	127	live_loop :bass_trail do
128	128	tick
129	129	x, y, z = mc_location
130	130	b = (ring :melon, :brick, :glass).look

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etc/doc/tutorial/en/A.09-randomisation.md less more

	0	A.9 Randomisation
	1
	2	# Surfing Random Streams
	3
	4	Back in episode 4 of this tutorial series we took a brief look at
	5	randomisation whilst coding up some sizzling synth riffs. Given that
	6	randomisation is such an important part of my live coding DJ sets I
	7	thought it would be useful to cover the fundamentals in much greater
	8	detail. So, get your lucky hat on and let's surf some random streams!
	9
	10	# There is no random
	11
	12	The first thing to learn which might really surprise you when playing
	13	with Sonic Pi's randomisation functions is that they're not actually
	14	really random. What does this actually mean? Well, let's try a couple of
	15	tests. First, imagine a number in your head between 0 and 1. Keep it
	16	there and don't tell me. Now let me guess... was it `0.321567`? No? Bah,
	17	I'm clearly no good at this. Let me have another go, but let's ask Sonic
	18	Pi to choose a number this time. Fire up Sonic Pi v2.7+ and ask it for a
	19	random number but again don't tell me:
	20
	21	print rand
	22
	23	Now for the reveal... was it `0.75006103515625`? Yes! Ha, I can see
	24	you're a little sceptical. Perhaps it was just a lucky guess. Let's try
	25	again. Press the Run button again and see what we get... What?
	26	`0.75006103515625` again? This clearly can't be random! You're right,
	27	it's not.
	28
	29	What's going on here? The fancy computer science word here is
	30	determinism. This just means that nothing is by chance and everything is
	31	destined to be. Your version of Sonic Pi is destined to always return
	32	`0.75006103515625` in the program above. This might sound pretty
	33	useless, but let me assure you that it's one of the most powerful parts
	34	of Sonic Pi. If you stick at it you'll learn how to rely on the
	35	deterministic nature of Sonic Pi's randomisation as a fundamental
	36	building block for your compositions and live coded DJ sets.
	37
	38	# A Random Melody
	39
	40	When Sonic Pi boots it actually loads into memory a sequence of 441,000
	41	pre-generated random values. When you call a random function such as
	42	`rand` or `rrand`, this random stream is used to generate your
	43	result. Each call to a random function consumes a value from this
	44	stream. Therefore the 10th call to a random function will use the 10th
	45	value from the stream. Also, every time you press the Run button, the
	46	stream is reset for that run. This is why I could predict the result to
	47	`rand` and why the 'random' melody was the same every time. Everybody's
	48	version of Sonic Pi uses the exact same random stream which is very
	49	important when we start sharing our pieces with each other.
	50
	51	Let's use this knowledge to generate a repeatable random melody:
	52
	53	8.times do
	54	play rrand_i(50, 95)
	55	sleep 0.125
	56	end
	57
	58	Type this into a spare buffer and hit Run. You'll hear a melody
	59	consisting of 'random' notes between 50 and 95. When it's finished, hit
	60	Run again to hear exactly the same melody again.
	61
	62	start breakout box
	63	## Handy Randomisation Functions
	64	Sonic Pi comes with a number of useful functions for working with the
	65	random stream. Here's a list of some of the most useful:
	66
	67	* `rand` - Simply returns the next value in the random stream
	68	* `rrand` - Returns a random value within a range
	69	* `rrand_i` - Returns a random whole number within a range
	70	* `one_in` - Returns true or false with the given probability
	71	* `dice` - Imitates rolling a dice and returns a value between 1 and 6
	72	* `choose` - Chooses a random value from a list
	73
	74	Check out their documentation in the Help system for detailed
	75	information and examples.
	76
	77	end breakout box
	78
	79	# Resetting the Stream
	80
	81	Whilst the ability to repeat a sequence of chosen notes is essential to
	82	allow you to replay a riff on the dance floor, it might not be exactly
	83	the riff you want. Wouldn't it be great if we could try a number of
	84	different riffs and choose the one we liked best? This is where the real
	85	magic starts.
	86
	87	We can manually set the stream with the fn `use_random_seed`. In
	88	Computer Science, a random seed is the starting point from which a new
	89	stream of random values can sprout out and blossom. Let's try it:
	90
	91	use_random_seed 0
	92	3.times do
	93	play rrand_i(50, 95)
	94	sleep 0.125
	95	end
	96
	97	Great, we get the first three notes of our random melody above: `84`,
	98	`83` and `71`. However, we can now change the seed to something
	99	else. How about this:
	100
	101	use_random_seed 1
	102	3.times do
	103	play rrand_i(50, 95)
	104	sleep 0.125
	105	end
	106
	107
	108	Interesting, we get `83`, `71` and `61` . You might notice that the
	109	first two numbers here are the same as the last two numbers before -
	110	this isn't a coincidence.
	111
	112	Remember that the random stream is just a giant list of 'pre-rolled'
	113	values. Using a random seed simply jumps us to a point in that
	114	list. Another way of thinking about it is to imagine a huge deck of
	115	pre-shuffled cards. Using a random seed is cutting the deck at a
	116	particular point. The fabulous part of this is that it's precisely this
	117	ability to jump around the random stream which gives us huge power when making
	118	music.
	119
	120	Let's revisit our random melody of 8 notes with this new stream
	121	resetting power, but let's also throw in a live loop so we can
	122	experiment live whilst it's playing:
	123
	124	live_loop :random_riff do
	125	use_random_seed 0
	126	8.times do
	127	play rrand_i(50, 95), release: 0.1
	128	sleep 0.125
	129	end
	130	end
	131
	132	Now, whilst it's still playing, change the seed value from `0` to
	133	something else. Try `100`, what about `999`. Try your own values,
	134	experiment and play around - see which seed generates the riff you like
	135	best.
	136
	137	# Bringing it all together
	138
	139	This month's tutorial has been quite a technical dive into the workings
	140	of Sonic Pi's randomisation functionality. Hopefully it has given you
	141	some insight into how it works and how you can start using randomisation
	142	in a reliable way to create repeatable patterns within your music. It's
	143	important to stress that you can use repeatable randomisation anywhere
	144	you want. For example, you can randomise the amplitude of notes, the
	145	timing of the rhythm, the amount of reverb, the current synth, the mix
	146	of an FX, etc. etc. In the future we'll take a close look at some of
	147	these applications, but for now let me leave you with a short example.
	148
	149	Type the following into a spare buffer, hit Run, and then start changing
	150	the seeds around, hit Run again (whilst it's still playing) and explore
	151	the different sounds, rhythms and melodies you can make. When you find a
	152	nice one, remember the seed number so you can get back to it. Finally,
	153	when you've found a few seeds you like, put on a live coded performance
	154	for your friends by simply switching between your favourite seeds to
	155	create a full piece.
	156
	157	live_loop :random_riff do
	158	use_random_seed 10300
	159	use_synth :prophet
	160	s = [0.125, 0.25, 0.5].choose
	161	8.times do
	162	r = [0.125, 0.25, 1, 2].choose
	163	n = (scale :e3, :minor).choose
	164	co = rrand(30, 100)
	165	play n, release: r, cutoff: co
	166	sleep s
	167	end
	168	end
	169
	170	live_loop :drums do
	171	use_random_seed 2001
	172	16.times do
	173	r = rrand(0.5, 10)
	174	sample :drum_bass_hard, rate: r, amp: rand
	175	sleep 0.125
	176	end
	177	end
	178
	179

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	0	A.10 Control
	1
	2	# Controlling Your Sound
	3
	4	So far during this series we've focussed on triggering sounds. We've
	5	discovered that we can trigger the many synths built into Sonic Pi with
	6	`play` or `synth` and how to trigger pre-recorded samples with
	7	`sample`. We've also looked at how we can wrap these triggered sounds
	8	within studio FX such as reverb and distortion using the `with_fx`
	9	command. Combine this with Sonic Pi's incredibly accurate timing system
	10	and you can produce a vast array of sounds, beats and riffs. However,
	11	once you've carefully selected a particular sound's options and
	12	triggered it, there's no ability to mess with it whilst it's playing
	13	right? Wrong! Today you're going to learn something very powerful - how
	14	to control running synths.
	15
	16	## A Basic Sound
	17
	18	Let's create a nice simple sound. Fire up Sonic Pi and in a fresh buffer
	19	type the following:
	20
	21	```
	22	synth :prophet, note: :e1, release: 8, cutoff: 100
	23	```
	24
	25	Now press the Run button at the top left to hear a lovely rumbling synth
	26	sound. Go ahead, press it again a few times to get a feel for it. OK,
	27	done? Let's start controlling it!
	28
	29
	30	## Synth Nodes
	31
	32	A little known feature in Sonic Pi is that the fns `play`, `synth` and
	33	`sample`, return something called a `SynthNode` which represents a
	34	running sound. You can capture one of these `SynthNode`s using a
	35	standard variable and then control it at a later point in time. For
	36	example, let's change the value of the `cutoff:` opt after 1 beat:
	37
	38	```
	39	sn = synth :prophet, note: :e1, release: 8, cutoff: 100
	40	sleep 1
	41	control sn, cutoff: 130
	42	```
	43
	44	Let's look at each line in turn:
	45
	46	Firstly we trigger the `:prophet` synth using the `synth` fn as
	47	normal. However we also capture the result in a variable called `sn`. We
	48	could have called this variable something completely different such as
	49	`synth_node` or `jane` - the name doesn't matter. However, it's
	50	important to choose a name that's meaningful to you for your
	51	performances and for people reading your code. I chose `sn` as it's a nice
	52	short mnemonic for synth node.
	53
	54	On line 2 we have a standard `sleep` command. This does nothing special
	55	- it just asks the computer to wait for 1 beat before moving onto the
	56	next line.
	57
	58	Line 3 is where the control fun starts. Here, we use the `control` fn to
	59	tell our running `SynthNode` to change the cutoff value to `130`. If you
	60	hit the Run button, you'll hear the `:prophet` synth start playing
	61	as before, but after 1 beat it will shift to sound a lot brighter.
	62
	63
	64	Breakout Box Start
	65	Modulatable Options
	66
	67	Most of Sonic Pi's synths and FX opts may be changed after being
	68	triggered. However, this isn't the case for all of them. For example,
	69	the envelope opts `attack:`, `decay:`, `sustain:` and `release:` can
	70	only be set when triggering the synth. Figuring out which opts can and
	71	can't be changed is simple - just head to the documentation for a given
	72	synth or FX and then scroll down to the individual option documentation
	73	and look for the phrases "May be changed whilst playing" or "Can not be
	74	changed once set". For example, the documentation for the `:beep`
	75	synth's `attack:` opt makes it clear that it's not possible to change
	76	it:
	77
	78	* Default: 0
	79	* Must be zero or greater
	80	* Can not be changed once set
	81	* Scaled with current BPM value
	82	Breakout Box End
	83
	84	## Multiple Changes
	85
	86	Whilst a synth is running you're not limited to changing it only once -
	87	you're free to change it as many times as you like. For example, we can
	88	turn our `:prophet` into a mini arpeggiator with the following:
	89
	90	```
	91	notes = (scale :e3, :minor_pentatonic)
	92	sn = synth :prophet, note: :e1, release: 8, cutoff: 100
	93	sleep 1
	94	16.times do
	95	control sn, note: notes.tick
	96	sleep 0.125
	97	end
	98	```
	99
	100	In this snippet of code we just added a couple of extra things. First we
	101	defined a new variable called `notes` which contains the notes we'd like
	102	to cycle through (an arpeggiator is just a fancy name for something that
	103	cycles through a list of notes in order). Secondly we replaced our
	104	single call to `control` with an iteration calling it 16 times. In each
	105	call to `control` we `.tick` through our ring of `notes` which will
	106	automatically repeat once we get to the end (thanks to the fabulous power
	107	of Sonic Pi's rings). For a bit of variety try replacing `.tick` with
	108	`.choose` and see if you can hear the difference.
	109
	110	Note that we can change multiple opts simultaneously. Try changing the
	111	control line to the following and listen for the difference:
	112
	113	```
	114	control sn, note: notes.tick, cutoff: rrand(70, 130)
	115	```
	116
	117	## Sliding
	118
	119	When we control a `SynthNode`, it responds exactly on time and instantly
	120	changes the value of the opt to the new one as if you'd pressed a button
	121	or flicked a switch requesting the change. This can sound rhythmical and percussive -
	122	especially if the opt controls an aspect of the timbre such as
	123	`cutoff:`. However, sometimes you don't want the change to happen
	124	instantaneously. Instead, you might want to smoothly move from the
	125	current value to the new one as if you'd moved a slider or dial. Of
	126	course, Sonic Pi can also do this too using the `_slide:` opts.
	127
	128	Each opt that can be modified also has a special corresponding `_slide:`
	129	opt that allows you to specify a slide time. For example, `amp:` has
	130	`amp_slide:` and `cutoff:` has `cutoff_slide:`. These slide opts work
	131	slightly differently than all the other opts in that they tell the synth
	132	note how to behave next time they are controlled. Let's take a look:
	133
	134	```
	135	sn = synth :prophet, note: :e1, release: 8, cutoff: 70, cutoff_slide: 2
	136	sleep 1
	137	control sn, cutoff: 130
	138	```
	139
	140	Notice how this example is exactly the same as before except with the
	141	addition of `cutoff_slide:`. This is saying that next time this synth
	142	has its `cutoff:` opt controlled, it will take 2 beats to slide from the
	143	current value to the new one. Therefore, when we use `control` you can
	144	hear the cutoff slide from 70 to 130. It creates an interesting dynamic
	145	feel to the sound. Now, try changing the `cutoff_slide:` time to a
	146	shorter value such as 0.5 or a longer value such as 4 to see how it
	147	changes the sound. Remember, you can slide any of the modifiable opts in
	148	exactly this way and each `_slide:` value can be totally different so
	149	you can have the cutoff sliding slowly, the amp sliding fast and the pan
	150	sliding somewhere in between if that's what you're looking to create...
	151
	152
	153	## Bringing it all together
	154
	155	Let's look at a short example which demonstrates the power of
	156	controlling synths after they've been triggered. Notice that you can
	157	also slide FX just like synths although with a slightly different
	158	syntax. Check out section 7.2 of the built-in tutorial for more
	159	information on controlling FX.
	160
	161	Copy the code into a spare buffer and take a listen. Don't stop there
	162	though - play around with the code. Change the slide times, change the
	163	notes, the synth, the FX and the sleep times and see if you can turn it
	164	into something completely different!
	165
	166
	167	```
	168	live_loop :moon_rise do
	169	with_fx :echo, mix: 0, mix_slide: 8 do \|fx\|
	170	control fx, mix: 1
	171	notes = (scale :e3, :minor_pentatonic, num_octaves: 2).shuffle
	172	sn = synth :prophet , sustain: 8, note: :e1, cutoff: 70, cutoff_slide: 8
	173	control sn, cutoff: 130
	174	sleep 2
	175	32.times do
	176	control sn, note: notes.tick, pan: rrand(-1, 1)
	177	sleep 0.125
	178	end
	179	end
	180	end
	181	```

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	0	A.11 Tick Tock
	1
	2	# Tracking the Beat
	3
	4	Last month in this series we took a deep technical dive into the
	5	randomisation system underpinning Sonic Pi. We explored how we can use
	6	it to deterministically add new levels of dynamic control over our
	7	code. This month we're going to continue our technical dive and turn our
	8	attention to Sonic Pi's unique tick system. By the end of this article
	9	you'll be ticking your way through rhythms and riffs on your way to
	10	being a live coding DJ.
	11
	12
	13	# Beat Counting
	14
	15	When making music we often want to do a different thing depending on
	16	which beat it is. Sonic Pi has a special beat counting system called
	17	`tick` to give you precise control over when a beat actually occurs and
	18	even supports multiple beats with their own tempos.
	19
	20	Let's have a play - to advance the beat we just need to call
	21	`tick`. Open up a fresh buffer, type in the following and hit Run:
	22
	23	```
	24	puts tick #=> 0
	25	```
	26
	27	This will return the current beat: `0`. Notice that even if you press
	28	the Run button a few times it will always return `0`. This is because
	29	each run starts a fresh beat counting from 0. However, whilst the run
	30	is still active, we can advance the beat as many times as we want:
	31
	32	```
	33	puts tick #=> 0
	34	puts tick #=> 1
	35	puts tick #=> 2
	36	```
	37
	38	<breakout> Whenever you see the symbol `#=>` at the end of a line of
	39	code it means that that line will log the text on the
	40	right-hand-side. For example, `puts foo #=> 0` means the code `puts foo`
	41	prints `0` to the log at that point in the program. </breakout>
	42
	43	# Checking the Beat
	44
	45	We've seen that `tick` does two things. It increments (adds one)
	46	and returns the current beat. Sometimes we just want to look at the
	47	current beat without having to increment it which we can do via `look`:
	48
	49	```
	50	puts tick #=> 0
	51	puts tick #=> 1
	52	puts look #=> 1
	53	puts look #=> 1
	54	```
	55
	56	In this code we tick the beat up twice and then call `look` twice. We'll
	57	see the following values in the log: `0`, `1`, `1`, `1`. The first two
	58	`tick`s returned `0`, then `1` as expected, then the two `look`s just
	59	returned the last beat value twice which was `1`.
	60
	61
	62	# Rings
	63
	64	So now we can advance the beat with `tick` and check the beat with
	65	`look`. What next? We need something to tick over. Sonic Pi uses rings
	66	for representing riffs, melodies and rhythms and the tick system has
	67	been specifically designed to work very closely with them. In fact,
	68	rings have their own dot version of `tick` which does two things. Firstly,
	69	it acts like a regular tick and increments the beat. Secondly it looks
	70	up the ring value using the beat as the index. Let's take a look:
	71
	72	```
	73	puts (ring :a, :b, :c).tick #=> :a
	74	```
	75
	76	`.tick` is a special dot version of `tick` which will return the first
	77	value of the ring `:a`. We can grab each of the values in the ring by
	78	calling `.tick` multiple times:
	79
	80	```
	81	puts (ring :a, :b, :c).tick #=> :a
	82	puts (ring :a, :b, :c).tick #=> :b
	83	puts (ring :a, :b, :c).tick #=> :c
	84	puts (ring :a, :b, :c).tick #=> :a
	85	puts look #=> 3
	86	```
	87
	88	Take a look at the log and you'll see `:a`, `:b`, `:c` and then `:a`
	89	again. Notice that `look` returns `3`. Calls to `.tick` act just like
	90	they are regular calls to `tick` - they increment the local beat.
	91
	92
	93	# A Live Loop Arpeggiator
	94
	95	The real power comes when you mix `tick` with rings and
	96	`live_loop`s. When combined we have all the tools we need to both build
	97	and understand a simple arpegiator. We need just four things:
	98
	99	1. A ring containing the notes we want to loop over.
	100	2. A means of incrementing and obtaining the beat.
	101	3. The ability to play a note based on the current beat.
	102	4. A loop structure to keep the arpegiator repeating.
	103
	104	These concepts can all be found in the following code:
	105
	106	```
	107	notes = (ring 57, 62, 55, 59, 64)
	108
	109	live_loop :arp do
	110	use_synth :dpulse
	111	play notes.tick, release: 0.2
	112	sleep 0.125
	113	end
	114	```
	115
	116	Let's look at each of these lines. First we define our ring of notes
	117	which we'll continually play. We then create a `live_loop` called `:arp`
	118	which loops round for us. Each time round the `live_loop` we set our
	119	synth to `:dpulse` and then play the next note in our ring using
	120	`.tick`. Remember that this will increment our beat counter and use the
	121	latest beat value as an index into our notes ring. Finally, we wait for
	122	an eighth of a beat before looping round again.
	123
	124	# Multiple Simultaneous Beats
	125
	126	A really important thing to know is that `tick`s are local to the
	127	`live_loop`. This means that each `live_loop` has its own independent
	128	beat counter. This is much more powerful than having a global metronome
	129	and beat. Let's take a look at this in action:
	130
	131	notes = (ring 57, 62, 55, 59, 64)
	132
	133	with_fx :reverb do
	134	live_loop :arp do
	135	use_synth :dpulse
	136	play notes.tick + 12, release: 0.1
	137	sleep 0.125
	138	end
	139	end
	140
	141	live_loop :arp2 do
	142	use_synth :dsaw
	143	play notes.tick - 12, release: 0.2
	144	sleep 0.75
	145	end
	146
	147	# Clashing Beats
	148
	149	A big cause of confusion with Sonic Pi's tick system is when people want
	150	to tick over multiple rings in the same `live_loop`:
	151
	152	use_bpm 300
	153	use_synth :blade
	154	live_loop :foo do
	155	play (ring :e1, :e2, :e3).tick
	156	play (scale :e3, :minor_pentatonic).tick
	157	sleep 1
	158	end
	159
	160	Even though each `live_loop` has its own independent beat counter, we're
	161	calling `.tick` twice within the same `live_loop`. This means that the
	162	beat will be incremented twice every time round. This can produce some
	163	interesting polyrhythms but is often not what you want. There are two
	164	solutions to this problem. One option is to manually call `tick` at the
	165	start of the `live_loop` and then use `.look` to look up the current
	166	beat in each `live_loop`. The second solution is to pass a unique name
	167	to each call to `.tick` such as `.tick(:foo)`. Sonic Pi will then create
	168	and track a separate beat counter for each named tick you use. That way
	169	you can work with as many beats as you need! See the section on named
	170	ticks in 9.4 of the built-in tutorial for more information.
	171
	172	# Bringing it all together
	173
	174	Let's bring all this knowledge of `tick`s, `ring`s and `live_loop`s
	175	together for a final fun example. As usual, don't treat this as a
	176	finished piece. Start changing things and play around with it and see
	177	what you can turn it into. See you next time...
	178
	179
	180	use_bpm 240
	181	notes = (scale :e3, :minor_pentatonic).shuffle
	182
	183	live_loop :foo do
	184	use_synth :blade
	185	with_fx :reverb, reps: 8, room: 1 do
	186	tick
	187	co = (line 70, 130, steps: 32).tick(:cutoff)
	188	play (octs :e3, 3).look, cutoff: co, amp: 2
	189	play notes.look, amp: 4
	190	sleep 1
	191	end
	192	end
	193
	194	live_loop :bar do
	195	tick
	196	sample :bd_ada if (spread 1, 4).look
	197	use_synth :tb303
	198	co = (line 70, 130, steps: 16).look
	199	r = (line 0.1, 0.5, steps: 64).mirror.look
	200	play notes.look, release: r, cutoff: co
	201	sleep 0.5
	202	end

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32	32	sample :loop_amen, rate: 2, attack: 0.01, sustain: 0, release: 0.35
33	33	```
34	34
35		Sin embargo, ¿no sería mejor si no tuviésemos que comenzar por el principio
	35	Sin embargo, ¿No sería mejor si no tuviésemos que comenzar por el principio
36	36	ó terminar por el fin..siempre?
37	37
38	38

47	47	sample :loop_amen, start: 0.5
48	48	```
49	49
50		How about the last quarter of the sample:
	50	¿Qué tal escuchar el último cuarto del sample?:
51	51
52	52	```
53	53	sample :loop_amen, start: 0.75
54	54	```
55	55
56		## Choosing a finish point
	56	## Escogiendo punto de termino
57	57
58		Similarly, it is possible to choose an arbitrary finish point in the
59		sample as a value between 0 and 1. Let's finish the amen break half way
60		through:
	58	Igualmente, es posible escoger un punto de termino arbitrario en el sample,
	59	con un valor entre 0 y 1. Vamos a terminar el amen break a la mitad:
61	60
62	61	```
63	62	sample :loop_amen, finish: 0.5

66	65	## Especificando el comienzo y el fin
67	66
68	67	Por supuesto que podemos combinar dos para tocar segmentos del archivo de
69		audio arbitrariamente. ¿qué tal una pequeña sección en el medio?
	68	audio arbitrariamente. ¿Qué tal una pequeña sección en el medio?
70	69
71	70	```
72	71	sample :loop_amen, start: 0.4, finish: 0.6
73	72	```
74	73
75		¿qué pasa si elegimos comenzar en una posición después del final?
	74	¿Qué pasa si elegimos comenzar en una posición después del final?
76	75
77	76
78	77	```

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3	3
4	4	Ahora que has aprendido lo básico de crear sonidos con `play` y `sample`
5	5	y crear ritmos y melodías simples con `sleep` en medio de los sonidos,
6		podrías preguntarte ¿qué es lo que codificar puede ofrecerte?
7		you...
	6	podrías preguntarte ¿Qué es lo que codificar puede ofrecerte?
8	7
9	8	Bueno, estás a punto de ser sorprendido, porque resulta que herramientas
10	9	básicas de estructuras de programación como bules, condicionales,

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36	36	préférences. Le bouton Info ouvre la fenêtre d'information qui contient
37	37	de l'information sur Sonic Pi lui-même - le noyau de l'équipe, l'historique,
38	38	les contributeurs, et la communauté. Le bouton Help active le système
39		d'aide (F) et le bouton Prefs active la fenêtre des préférences
	39	d'aide (G) et le bouton Prefs active la fenêtre des préférences
40	40	qui vous permet de contrôler quelques paramètres systèmes basiques.
41	41
42	42	## D. Éditeur de code

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26	26	pas vous faire arrêter d'utiliser vos propres échantillons, c'est
27	27	juste quelque chose à prendre en compte.
28	28
29		<!-- ## Support Freesound -->
30
31		<!-- Un moyen d'obtenir la faculté d'expérimenter de nouveaux sons tout en gardant-->
32		<!-- la portabilité du code est d'utiliser le site [Freesound](http:freesound.org) -->
33		<!-- http://freesound.org est un site web qui permet de mettre en ligne et partager -->
34		<!-- des échantillons. Chaque échantillon téléchargé obtient un numéro spécial -->
35		<!-- (comme un numéro de téléphone) que vous pouvez utiliser pour récupérer cet -->
36		<!-- échantillon depuis Sonic Pi. Le seul inconvénient est que vous devez avoir -->
37		<!-- une connexion internet pour que ça fonctionne. -->
38
39		<!-- Si vous avez actuellement internet, essayez-le pour vous-même : -->
40
41		<!-- ``` -->
42		<!-- freesound 24787 -->
43		<!-- ``` -->
44
45		<!-- La première fois que vous ferez cela, vous entendrez un `:elec_beep` -->
46		<!-- standard comme gardien de la place numéro 24787. Y -->
47
48
49	29	## Échantillons locaux
50	30
51	31
52		Alors comment jouez-vous n'importe quel fichier WAV ou AIFF sur votre
	32	Alors comment jouez-vous n'importe quel fichier WAV, AIFF ou FLAC sur votre
53	33	ordinateur ? Tout ce dont vous avez besoin est de passer le chemin de ce
54	34	fichier à `sample` :
55	35

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	0	3.7 Paquets de samples
	1
	2	# Paquets de samples
	3
	4	**Note: cette section du tutoriel couvre le sujet avancé de
	5	travailler avec des grands dossiers de vos propres samples. Ce sera le
	6	cas si vous avez téléchargé ou acheté vos propre paquets de samples et
	7	souhaitez les utiliser dans Sonic Pi.**
	8
	9	**N'hésitez pas à sauter cette section si vous vous contentez des
	10	samples fournis dans Sonic Pi.**
	11
	12	Quand on travaille avec de grands dossiers de samples externes il
	13	peut être ennuyeux de taper le chemin entier chaque fois qu'on veut
	14	déclencher un sample particulier.
	15
	16	Par exemple, imaginons que vous avez le dossier suivant sur votre
	17	machine :
	18
	19	```
	20	/path/to/my/samples/
	21	```
	22
	23	Quand on regarde dans ce dossier on voit les samples suivants :
	24
	25	* `100_A#_melody1.wav`
	26	* `100_A#_melody2.wav`
	27	* `100_A#_melody3.wav`
	28	* `120_A#_melody4.wav`
	29	* `120_Bb_guit1.wav`
	30	* `120_Bb_piano1.wav`
	31
	32	Typiquement pour jouer le sample de piano on peut utiliser le chemin
	33	complet :
	34
	35	```
	36	sample "/path/to/my/samples/120_Bb_piano1.wav"
	37	```
	38
	39	Si on veut jouer le sample de guitare on peut aussi utiliser son
	40	chemin complet :
	41
	42	```
	43	sample "/path/to/my/samples/120_Bb_guit.wav"
	44	```
	45
	46	Cependant ces deux appels de samples nous forcent à connaître le nom
	47	de chacun des samples de notre dossier. Et si on voulait juste écouter
	48	chaque sample à son tour rapidement ?
	49
	50	## Indexer les paquets de samples
	51
	52	Si on veut jouer le premier sample d'un dossier on peut juste passer
	53	le nom du dossier à `sample` et l'index `0` comme suit :
	54
	55	```
	56	sample "/path/to/my/samples/", 0
	57	```
	58
	59	On peut même construire un raccourci vers notre chemin de dossier en
	60	utilisant une variable :
	61
	62	```
	63	samps = "/path/to/my/samples/"
	64	sample samps, 0
	65	```
	66
	67	Maintenant, si on veut jouer le deuxième sample de notre dossier, on
	68	peut juste incrémenter notre index :
	69
	70	```
	71	samps = "/path/to/my/samples/"
	72	sample samps, 1
	73	```
	74
	75	Remarquez qu'on n'a plus besoin de connaître le nom des samples du
	76	dossier : on doit juste connaître le dossier lui-même (ou avoir un
	77	raccourci vers lui). Si on demande un index qui est plus grand que le
	78	nombre de samples, il va juste boucler comme pour les anneaux. Ainsi,
	79	quel que soit le nombre qu'on utilise on a la garantie de récupérer un
	80	des samples de ce dossier.
	81
	82	## Filtrer des paquets de samples
	83
	84	D'habitude indexer suffit, mais parfois on a besoin de plus de
	85	puissance pour trier et organiser nos samples. Heureusement de nombreux
	86	paquets de samples ajoutent des informations utiles dans les noms de
	87	fichiers. Jetons un autre oeil aux noms de fichier des samples de
	88	notre dossier :
	89
	90	* `100_A#_melody1.wav`
	91	* `100_A#_melody2.wav`
	92	* `100_A#_melody3.wav`
	93	* `120_A#_melody4.wav`
	94	* `120_Bb_guit1.wav`
	95	* `120_Bb_piano1.wav`
	96
	97	Remarquez que dans ces noms de fichier nous avons pas mal
	98	d'informations. On a le BPM du sample (nombre de battements par
	99	minute) au début. Donc le sample de piano est à 120 BPM et nos trois
	100	premières mélodies sont à 100 BPM. Nos noms de samples contiennent
	101	aussi la clef. Donc le sample de guitare est en Bb (si bémol) et les
	102	mélodies sont en A# (la dièse). Cette information est très utile pour
	103	mélanger ces samples avec le reste de notre code. Par exemple, on sait
	104	qu'on ne peut jouer le sample de piano que dans du code qui est à 120
	105	BPM et dans la clef de Bb.
	106
	107	Il se trouve qu'on peut utiliser cette convention de nommage
	108	particulière de nos ensembles de samples dans le code pour nous aider
	109	à ne garder que ceux qu'on veut. Par exemple, si nous travaillons à
	110	120 BPM, on peut ne garder que les samples qui contiennent la chaîne
	111	`"120"` avec le code suivant :
	112
	113	```
	114	samps = "/path/to/my/samples/"
	115	sample samps, "120"
	116	```
	117
	118	Cela jouera le premier sample qui correspond. Si on veut le deuxième,
	119	on n'a qu'à utiliser l'index :
	120
	121	```
	122	samps = "/path/to/my/samples/"
	123	sample samps, "120", 1
	124	```
	125
	126	On peut même utiliser de multiples filtres en même temps. Par exemple,
	127	si on veut un sample dont le nom de fichier contient à la fois les
	128	sous-chaînes "120" et "A#", on peut le trouver facilement avec le code
	129	suivant :
	130
	131	```
	132	samps = "/path/to/my/samples/"
	133	sample samps, "120", "A#"
	134	```
	135
	136	Enfin, on a toujours la possibilité d'ajouter nos options habituelles
	137	lors de l'appel à `sample`:
	138
	139	```
	140	samps = "/path/to/my/samples/"
	141	sample samps, "120", "Bb", 1, lpf: 70, amp: 2
	142	```
	143
	144	## Sources
	145
	146	Le système de pré-argument de filtre de samples comprend deux types
	147	d'information : les sources et les filtres. Les sources sont des
	148	informations utilisées pour créer la liste des candidats potentiels.
	149	Une source peut prendre deux formes :
	150
	151	1. "/path/to/samples" : une chaîne représentant un chemin valide vers un dossier
	152	2. "/path/to/samples/foo.wav" : une chaîne représentant un chemin valide vers un sample
	153
	154	La fonction `sample` va d'abord rassembler toutes les sources et les
	155	utiliser pour créer une grande liste de candidats. Cette liste est
	156	construite en ajoutant d'abord tous les chemins valides et puis en
	157	ajoutant tous les fichiers valides `.flac`, `.aif`, `.aiff`, `.wav`,
	158	et `.wave` contenus dans les dossiers.
	159
	160	Par exemple, regardez le code suivant :
	161
	162	```
	163	samps = "/path/to/my/samples/"
	164	samps2 = "/path/to/my/samples2/"
	165	path = "/path/to/my/samples3/foo.wav"
	166
	167	sample samps, samps2, path, 0
	168	```
	169
	170	Ici nous combinons les contenus des samples de deux dossiers en y
	171	ajoutant un sample en particulier. Si `"/path/to/my/samples/"` contient
	172	trois samples et `"/path/to/my/samples2/"` en contient douze, on
	173	aurait seize samples potentiels à indexer et filtrer (3 + 12 + 1).
	174
	175	Par défaut, seuls les fichiers de samples d'un dossier sont rassemblés
	176	dans la liste de candidats. Parfois vous pourriez avoir un certain
	177	nombre de dossiers imbriqués dans lesquels vous aimeriez chercher et
	178	filtrer. Vous pouvez faire une recherche récursive dans tous les
	179	samples de tous les sous-dossiers d'un dossier en particulier en
	180	ajoutant `**` à la fin du chemin :
	181
	182	```
	183	samps = "/path/to/nested/samples/**"
	184	sample samps, 0
	185	```
	186
	187	Attention parce que chercher dans un très grand ensemble de dossiers
	188	peut prendre beaucoup de temps. Cela dit, le contenu des dossiers
	189	sources est mis en cache, donc le retard n'arrivera que la première
	190	fois.
	191
	192
	193	## Filtres
	194
	195	Une fois qu'on a une liste de candidats on peut utiliser les types de
	196	filtres suivants pour réduire la sélection :
	197
	198	* `"foo"` : les chaînes vont filtrer sur les occurrences de sous-chaîne dans le nom du fichier (moins le chemin du dossier et l'extension)
	199	* `/fo[oO]/` : les expressions régulières filtrent sur des motifs du nom du fichier (moins le chemin du dossier et l'extension)
	200	* `:foo` : les mots-clefs filtrent les candidats si le mot-clef correspond exactement au nom du fichier (moins le chemin du dossier et l'extension)
	201	* `lambda{ "foo" }` : les procédures sans argument seront appelées automatiquement et leur résultat sera traité comme une source ou un filtre
	202	* `lambda{\|a\| ... }` : les procédures avec un argument seront traitées comme un filtre de candidat ou une fonction génératrice. On lui passera la liste des candidats actuels et elle doit retourner une nouvelle liste de candidats (une liste de chemins valides vers des fichiers de samples)
	203	* `1` : Les nombres sélectionnent le candidat avec cet index (en bouclant comme un anneau si nécessaire)
	204
	205	## Composites
	206
	207	Enfin vous pouvez utiliser des listes partout où on peut placer une
	208	source ou un filtre. La liste sera automatiquement aplatie et son
	209	contenu sera traité comme des sources et filtres. Ainsi les appels
	210	suivants à `sample` sont sémantiquement équivalents :
	211
	212	```
	213	sample "/path/to/dir", "100", "C#"
	214	sample ["/path/to/dir", "100", "C#"]
	215	sample "/path/to/dir", ["100", "C#"]
	216	sample ["/path/to/dir", ["100", ["C#"]]]
	217	```
	218
	219	## Résumé
	220
	221	C'était une section avancée pour les gens qui ont besoin de vraie
	222	puissance pour manipuler et utiliser des paquets de samples. Si la
	223	plupart de cette section n'avait pas trop de sens pour vous, ne vous
	224	inquiétez pas. Vous n'avez probablement pas encore besoin de cette
	225	fonctionnalité. Mais vous vous rendrez compte quand vous en aurez
	226	besoin et vous pourrez revenir et relire ceci quand vous commencerez à
	227	travailler avec de grands dossiers de samples.
	228
	229
	230

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75	75	la plus intérieure de la boucle, et nous créons maintenant une
76	76	nouvelle réverbération toutes les 16 notes.
77	77
	78	C'est quelque chose que l'on fait si souvent que `with_fx` supporte
	79	une option pour faire exactement cela sans devoir écrire le bloc
	80	`16.times` :
	81
	82	```
	83	loop do
	84	with_fx :reverb, reps: 16 do
	85	play 60, release: 0.1
	86	sleep 0.125
	87	end
	88	end
	89	```
	90
	91	Les deux exemples `reps: 16` et `16.times do` se comporteront de la
	92	même manière. L'exemple avec `reps: 16` répète en fait le code dans le
	93	bloc `do/end` seize fois donc vous pouvez choisir l'un ou l'autre en
	94	fonction de vos préférences.
	95
78	96	Rappelez-vous, il n'y a pas de fautes, juste des possibilités.
79		Toutefois, chacune de ces approches donnera un son différent et aura
80		des caractéristiques de performance différentes. Donc, jouez et
	97	Toutefois, certaines de ces approches donneront un son différent et
	98	auront des caractéristiques de performance différentes. Donc, jouez et
81	99	utilisez l'approche qui sonne le mieux pour vous tout en restant dans
82	100	les contraintes de performance de votre plateforme.

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	0	8.5 Chaînes d'anneaux
	1
	2	En plus des constructeurs comme `range` et `spread`, une autre façon
	3	de créer de nouveaux anneaux est de manipuler des anneaux existants.
	4
	5	## Commandes de chaîne
	6
	7	Pour explorer ceci, prenons un anneau simple :
	8
	9	```
	10	(ring 10, 20, 30, 40, 50)
	11	```
	12
	13	Et si on voulait son inverse ? Eh bien on utiliserait la commande
	14	de chaîne `.reverse` pour prendre l'anneau et l'inverser :
	15
	16	```
	17	(ring 10, 20, 30, 40, 50).reverse #=> (ring 50, 40, 30, 20, 10)
	18	```
	19
	20	Et si on voulait les trois premières valeurs de l'anneau ?
	21
	22	```
	23	(ring 10, 20, 30, 40, 50).take(3) #=> (ring 10, 20, 30)
	24	```
	25
	26	Enfin, et si on voulait mélanger l'anneau ?
	27
	28	```
	29	(ring 10, 20, 30, 40, 50).shuffle #=> (ring 40, 30, 10, 50, 20)
	30	```
	31
	32	## Chaînes multiples
	33
	34	C'est déjà une manière puissante de créer de nouveaux anneaux. Ceci
	35	dit la vraie puissance vient quand on enchaîne quelques unes de ces
	36	commandes à la suite.
	37
	38	Et si on mélangeait l'anneau, on lâchait un élément puis on en prenait
	39	les trois suivants ?
	40
	41	Regardons ceci par étapes :
	42
	43	1. `(ring 10, 20, 30, 40, 50)` - notre anneau initial
	44	2. `(ring 10, 20, 30, 40, 50).shuffle` - mélange - `(ring 40, 30, 10, 50, 20)`
	45	3. `(ring 10, 20, 30, 40, 50).shuffle.drop(1)` - en lâche un - `(ring 30, 10, 50, 20)`
	46	4. `(ring 10, 20, 30, 40, 50).shuffle.drop(1).take(3)` - en prend trois - `(ring 30, 10, 50)`
	47
	48	Vous voyez comme on peut créer une longue chaîne de ces méthodes juste
	49	en les collant à la suite. On peut les combiner dans l'ordre qu'on
	50	veut, ce qui crée une manière extrêmement riche et puissante de
	51	générer de nouveaux anneaux à partir d'anneaux existants.
	52
	53	## Immutabilité
	54
	55	Ces anneaux ont une propriété puissante et importante. Ils sont
	56	immutables, ce qui veut dire qu'ils ne peuvent pas changer. Cela veut
	57	dire que les méthodes de chaîne décrites dans cette section *ne
	58	changent pas les anneaux, elles créent plutôt de nouveaux anneaux*.
	59	Cela veut dire que vous êtes libres de partager des anneaux entre
	60	fils et de les chaîner dans un fil en sachant que vous n'affecterez
	61	aucun autre fil qui utilise le même anneau.
	62
	63	## Méthodes de chaîne disponibles
	64
	65	Voici une liste des méthodes de chaîne disponibles :
	66
	67	* `.reverse` - retourne une version inversée de l'anneau
	68	* `.sort` - crée une version triée de l'anneau
	69	* `.shuffle` - crée une version mélangée de l'anneau
	70	* `.pick(3)` - retourne un anneau avec le résultat de trois appels à `.choose`
	71	* `.pick` - similaire à `.pick(3)` mais la taille correspond à la taille de l'anneau initial
	72	* `.take(5)` - retourne un nouvel anneau contenant uniquement les cinq premiers éléments
	73	* `.drop(3)` - retourne un nouvel anneau avec tout sauf les trois premiers éléments
	74	* `.butlast` - retourne un nouvel anneau sans le dernier élément
	75	* `.drop_last(3)` - retourne un nouvel anneau sans les trois derniers éléments
	76	* `.take_last(6)`- retourne un nouvel anneau avec les six derniers éléments seulement
	77	* `.stretch(2)` - répète chaque élément dans l'anneau deux fois
	78	* `.repeat(3)` - répète l'anneau entier trois fois
	79	* `.mirror` - ajoute l'anneau à une version inversée de lui-même
	80	* `.reflect` - comme mirror mais sans dupliquer la valeur du milieu
	81
	82	Evidemment, les méthodes de chaîne qui prennent des nombres peuvent
	83	prendre d'autres nombres aussi ! N'hésitez donc pas à appeler
	84	`.drop(5)` au lieu de `.drop(3)` si vous voulez lâcher les cinq
	85	premiers éléments.

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11	11
12	12	Sonic Pi fournit un outil très pratique pour travailler avec des anneaux
13	13	("rings") à l'intérieur des `live_loop`s. Il s'agit du système d'avance
14		automatique ("tick"). Il vous fournit la capacité de parcourir des anneaux.
	14	automatique ("tick"). Dans la section sur les anneaux on parlait d'un
	15	compteur qui augmente constamment, comme un nombre courant de
	16	battement. "Tick" implémente justement cette idée. Il vous fournit
	17	la capacité de parcourir des anneaux.
15	18	Regardons un exemple :
	19
	20	```
	21	counter = 0
	22	live_loop :arp do
	23	play (scale :e3, :minor_pentatonic)[counter], release: 0.1
	24	counter += 1
	25	sleep 0.125
	26	end
	27	```
	28
	29	C'est l'équivalent de :
16	30
17	31	```
18	32	live_loop :arp do

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43	43	## Manipulation du texte
44	44
45	45	* `M-m` - aligne et indente tout le texte
46		* `Tab` - aligne et indente la ligne courante ou la sélection (ou la liste complète)
	46	* `Tab` - aligne et indente la ligne courante ou la sélection (ou sélectionne l'auto-complétion)
	47	* `C-l` - Centre l'éditeur
	48	* `M-/` - Commente / décommente la ligne courante ou la sélection
47	49	* `C-t` - Intervertit les caractères sélectionnés
48	50	* `M-u` - Convertit le mot suivant (ou la sélection) en majuscule.
49	51	* `M-l` - Convertit le mot suivant (ou la sélection) en minuscule.

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	0	A Appendice A - Articles MagPi
	1
	2	# Articles MagPi
	3
	4	L'appendice A rassemble tous les articles Sonic Pi écrits pour le
	5	magazine MagPi.
	6
	7	## Plongez vous dans les sujets
	8
	9	Ces articles ne sont pas destinés à être lus dans un ordre particulier
	10	et contiennent beaucoup de choses qui sont aussi dans le tutoriel.
	11	Plutôt que d'essayer de vous apprendre tout Sonic Pi, chacun se
	12	focalise plutôt sur un aspect particulier de Sonic Pi et le couvre
	13	d'une manière amusante et accessible.
	14
	15	## Lisez MagPi
	16
	17	Vous les trouverez avec leur présentation très professionnelle dans
	18	les PDFs gratuits en téléchargement ici :
	19	https://www.raspberrypi.org/magpi/
	20
	21	## Suggérez un sujet
	22
	23	Si vous ne trouvez pas de sujet qui vous intéresse parmi ceux couverts
	24	dans ces articles, pourquoi ne pas en suggérer un ? La manière la plus
	25	simple de faire cela est de tweeter votre suggestion à
	26	[@Sonic_Pi](http://twitter.com/sonic_pi). On ne sait jamais, votre
	27	suggestion sera peut-être le sujet du prochain article !

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	0	A.1 Conseils pour Sonic Pi
	1
	2	# Les cinq meilleurs conseils
	3
	4	## 1. Il n'y a pas d'erreur
	5
	6	La plus importante leçon à apprendre avec Sonic Pi c'est qu'il n'y a
	7	vraiment pas d'erreur. La meilleure façon d'apprendre c'est juste
	8	d'essayer, essayer, et essayer. Essayez beaucoup de choses
	9	différentes, ne vous inquiétez pas de savoir si votre code sonne bien
	10	ou pas et commencez par expérimenter avec le plus de synthés, notes,
	11	effets et options possibles. Vous découvrirez beaucoup de choses qui
	12	vous feront rire parce qu'elles ne sonnent pas bien du tout et aussi
	13	quelques joyaux qui sonnent magnifiquement bien. Débarrassez-vous
	14	ensuite de ce que vous n'aimez pas et gardez les choses qui vous
	15	plaisent. Plus vous vous permettrez de faire des erreurs et plus vous
	16	apprendrez et découvrirez votre son de code personnel.
	17
	18	## 2. Utilisez les effets
	19
	20	Disons que vous maîtrisez déjà les bases de Sonic Pi pour créer des
	21	sons avec `sample` et `play`. Qu'est-ce qui vient ensuite ? Savez-vous
	22	que Sonic Pi supporte plus de 27 effets studio pour changer le son de
	23	votre code ? Les effets sont comme des filtres pour images dans les
	24	programmes de dessin, mais à la place de rendre l'image floue ou noir
	25	et blanc, on peut ajouter de la reverb, de la distorsion ou de l'écho
	26	au son. On peut voir ça comme brancher le câble d'une guitare dans une
	27	pédale d'effet puis dans un ampli. Heureusement Sonic Pi rend
	28	l'utilisation d'effets très simple et n'a pas besoin de câble. Tout
	29	ce dont vous avez besoin c'est de choisir à quelle section de votre
	30	code ajouter l'effet puis de l'entourer avec le code de l'effet.
	31	Prenons un exemple. Disons que vous avez le code suivant :
	32
	33
	34	sample :loop_garzul
	35
	36	16.times do
	37	sample :bd_haus
	38	sleep 0.5
	39	end
	40
	41
	42	Si vous voulez ajouter un effet au sample `:loop_garzul`, il suffit de
	43	le mettre dans un bloc `with_fx` comme ceci :
	44
	45
	46	with_fx :flanger do
	47	sample :loop_garzul
	48	end
	49
	50	16.times do
	51	sample :bd_haus
	52	sleep 0.5
	53	end
	54
	55
	56	Maintenant si voulez ajouter un effet au tambour basse, enveloppez-le
	57	aussi dans un `with_fx` :
	58
	59
	60	with_fx :flanger do
	61	sample :loop_garzul
	62	end
	63
	64	with_fx :echo do
	65	16.times do
	66	sample :bd_haus
	67	sleep 0.5
	68	end
	69	end
	70
	71
	72	Rappelez-vous, vous pouvez entourer n'importe quel code dans
	73	`with_fx` et tous les sons créés passeront dans cet effet.
	74
	75
	76	## 3. Paramétrez vos synthés
	77
	78	Pour découvrir vraiment votre son de code vous voudrez savoir comment
	79	modifier et contrôler les synthés et effets. Par exemple, vous voudrez
	80	peut-être changer la durée d'une note, ajouter plus de reverb, ou
	81	changer la durée entre échos. Heureusement, Sonic Pi vous donne un
	82	niveau de contrôle incroyable pour faire cela avec des paramètres
	83	optionnels ou opts pour faire court. Regardons ça rapidement. Copiez
	84	ce code dans un buffer et exécutez-le :
	85
	86	sample :guit_em9
	87
	88
	89	Oh, un joli son de guitare ! Commençons à jouer un peu avec. Et si on
	90	changeait sa fréquence ?
	91
	92	sample :guit_em9, rate: 0.5
	93
	94
	95	Hé, qu'est-ce que ce `rate: 0.5` que j'ai ajouté à la fin ? C'est ce
	96	qu'on appelle une opt. Tous les synthés et samples de Sonic Pi les
	97	supportent et il y en a beaucoup avec lesquels on peut jouer. Ils
	98	sont disponibles pour les effets aussi. Essayez ceci :
	99
	100
	101	with_fx :flanger, feedback: 0.6 do
	102	sample :guit_em9
	103	end
	104
	105
	106	Maintenant essayez d'augmenter ce feedback à 1 pour entendre des sons
	107	fous ! Lisez la documentation pour des détails complets sur les
	108	nombreuses opts disponibles.
	109
	110
	111	## 5. Coder de manière interactive
	112
	113	La meilleure manière d'expérimenter rapidement et d'explorer Sonic Pi
	114	est de coder de manière interactive. Cela vous permet de partir d'un
	115	peu de code et de le changer de manière continue pendant qu'il est en
	116	train de s'exécuter. Par exemple, si vous ne savez pas ce que le
	117	paramètre cutoff fait à un sample, jouez avec. Essayons ! Copiez ce
	118	code dans un de vos buffers Sonic Pi :
	119
	120
	121	live_loop :experiment do
	122	sample :loop_amen, cutoff: 70
	123	sleep 1.75
	124	end
	125
	126
	127	Maintenant cliquez sur 'Run' et vous entendrez un rhythme de batterie
	128	un peu étouffé. Maintenant changez la valeur de `cutoff:` en `80` et
	129	cliquez à nouveau sur 'Run'. Entendez-vous la différence ? Essayez
	130	`90`, `100`, `110`...
	131
	132	Quand vous aurez pris la main à utiliser des `live_loop`, vous ne
	133	pourrez plus vous en passer. Quand je donne un concert de live coding
	134	je m'appuie autant sur `live_loop` qu'un batteur sur ses baguettes.
	135	Pour plus d'informations à propos du live coding regardez la section
	136	9 du tutoriel inclus dans Sonic Pi.
	137
	138	## 5. Surfez sur les suites aléatoires
	139
	140	Enfin, une chose que j'adore faire est de tricher en faisant que Sonic
	141	Pi compose des choses pour moi. Une manière géniale de faire ça est
	142	d'utiliser l'aléatoire. Cela peut paraître compliqué mais ça ne l'est
	143	pas du tout. Regardons. Copiez ceci dans un buffer :
	144
	145
	146	live_loop :rand_surfer do
	147	use_synth :dsaw
	148	notes = (scale :e2, :minor_pentatonic, num_octaves: 2)
	149	16.times do
	150	play notes.choose, release: 0.1, cutoff: rrand(70, 120)
	151	sleep 0.125
	152	end
	153	end
	154
	155
	156	Maintenant, quand vous jouez cela, vous entendrez une suite continue
	157	de notes aléatoires de la gamme `:e2 :minor_pentatonic` jouée avec le
	158	synthé `:dsaw`. "Attendez, attendez ! Ce n'est pas une mélodie", vous
	159	entends-je crier ! Eh bien, voici la première partie du tour de magie.
	160	Chaque fois que l'on recommence le `live_loop` on peut dire à Sonic Pi
	161	de fixer la suite aléatoire à un point connu. C'est un peu comme
	162	voyager dans le temps. Essayons ceci : ajoutez la ligne
	163	`use_random_seed 1` au `live_loop` :
	164
	165	live_loop :rand_surfer do
	166	use_random_seed 1
	167	use_synth :dsaw
	168	notes = (scale :e2, :minor_pentatonic, num_octaves: 2)
	169	16.times do
	170	play notes.choose, release: 0.1, cutoff: rrand(70, 120)
	171	sleep 0.125
	172	end
	173	end
	174
	175	Maintenant, chaque fois que la `live_loop` boucle, la suite aléatoire
	176	est réinitialisée. Cela veut dire qu'elle contient exactement les même
	177	16 notes à chaque fois. Et voilà ! Une mélodie de composée. Et
	178	maintenant voici la partie excitante. Changez la valeur de `1` en un
	179	autre nombre. Par exemple `4923`. Ouaou, une autre mélodie ! Donc, en
	180	changeant juste un nombre (la graine aléatoire), on peut explorer
	181	autant de combinaisons mélodiques qu'on peut imaginer ! C'est ça la
	182	magie du code.

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	0	A.2 Live Coding
	1
	2	# Live Coding
	3
	4	Les rayons lasers perçaient à travers les bouffées de fumée et les
	5	baffles transmettaient des basses profondes dans les corps de la foule.
	6	L'atmosphère était remplie d'un mélange de synthés et de danse. Il y
	7	avait pourtant quelque chose d'étrange dans cette boîte de nuit.
	8	Du texte futuriste était projeté au dessus de la cabine du DJ,
	9	bougeant, dansant, clignotant. Ce n'étaient pas de belles
	10	visualisations, c'était juste une projection de Sonic Pi tournant sur
	11	un Raspberry Pi. La personne dans la cabine de DJ n'était pas en train
	12	de tourner des disques, elle écrivait, éditait et évaluait du code. En
	13	direct. C'est ça le Live Coding.
	14
	15	![Sam Aaron Live Coding](../images/tutorial/articles/A.02-live-coding/sam-aaron-live-coding.png)
	16
	17	Cela peut sonner comme une histoire tirée par les cheveux dans une
	18	boîte de nuit futuriste mais coder de la musique comme cela est une
	19	tendance qui se développe et qu'on appelle souvent Live Coding
	20	(programmation interactive) (http://toplap.org). Une des directions
	21	récentes que cette approche de la musique a prise est l'Algorave
	22	(http://algorave.com) : des événements où des artistes comme moi
	23	codent de la musique pour que les gens dansent. Cependant vous n'avez
	24	pas besoin d'une boîte de nuit pour coder en live : avec Sonic Pi
	25	version 2.6 et plus vous pouvez le faire dans n'importe quel endroit
	26	où vous pouvez prendre votre Raspberry Pi et un casque ou des
	27	haut-parleurs. Quand vous aurez atteint la fin de cet article, vous
	28	saurez programmez vos rythmes et les modifier en direct. Où vous irez
	29	ensuite ne sera limité que par votre imagination.
	30
	31	## Boucle interactive
	32
	33	La clef de la programmation interactive est la maîtrise de la
	34	`live_loop`. En voici une :
	35
	36	live_loop :beats do
	37	sample :bd_haus
	38	sleep 0.5
	39	end
	40
	41	Il y a quatre ingrédients principaux dans une `live_loop`. La première
	42	est son nom. Notre `live_loop` s'appelle ici `:beats`. Vous pouvez
	43	donner le nom que vous voulez à votre `live_loop`. Défoulez-vous.
	44	Soyez créatifs. J'utilise souvent des noms qui communiquent à
	45	l'audience qu'est-ce que la musique va faire. Le deuxième ingrédient
	46	est le mot `do` qui marque où la `live_loop` commence. Le troisième
	47	est le mot `end` qui marque où la `live_loop` finit, et enfin il y a
	48	le corps de la `live_loop` qui décrit ce que la boucle va répéter :
	49	c'est la partie entre `do` et `end`. Dans ce cas on joue en boucle un
	50	sample de tambour basse et on attend un demi temps. Cela produit un
	51	beau rythme régulier de basse. Allez, copiez-le dans un buffer vide de
	52	Sonic Pi et cliquez sur 'Run'. Boum, boum, boum !
	53
	54	## Redéfinir à la volée
	55
	56	OK, qu'est-ce qu'elle a de si spécial, cette `live_loop` ? Jusqu'ici
	57	on dirait que c'est juste une boucle ! Eh bien, la beauté des
	58	`live_loop`s c'est qu'on peut les redéfinir à la volée. Cela veut
	59	dire que pendant qu'elles sont en train de tourner, on peut changer ce
	60	qu'elles font. C'est le secret de la programmation interactive avec
	61	Sonic Pi. Essayons :
	62
	63	live_loop :choral_drone do
	64	sample :ambi_choir, rate: 0.4
	65	sleep 1
	66	end
	67
	68	Maintenant cliquez le bouton 'Run' ou tapez 'alt-r'. Vous entendez
	69	maintenant de beaux sons de chorale. Ensuite, alors qu'il est encore
	70	en train de jouer, changer la fréquence de `0.4` en `0.38`. Cliquez à
	71	nouveau sur 'Run'. Ouaou ! Vous avez entendu le choeur changer de
	72	note ? Ecrivez à nouveau `0.4` pour revenir comme avant. Puis `0.2`,
	73	puis `0.19`, puis à nouveau `0.4`. Voyez-vous comment juste changer un
	74	paramètre à la volée vous donne un réel contrôle sur la musique ?
	75	Maintenant jouez vous-même avec la fréquence, choisissez vos propres
	76	valeurs. Essayez des nombres négatifs, de très petits nombres et de
	77	grands nombres. Amusez-vous !
	78
	79	## Il est important de dormir
	80
	81	Une des leçons les plus importantes avec les `live_loop` c'est
	82	qu'elles ont besoin de se reposer. Prenons par exemple cette
	83	`live_loop` :
	84
	85	live_loop :infinite_impossibilities do
	86	sample :ambi_choir
	87	end
	88
	89	Si vous essayez d'exécuter ce code, vous verrez immédiatement que
	90	Sonic Pi se plaint que la `live_loop` n'a pas dormi. C'est un
	91	mécanisme de sécurité qui se met en place. Prenons un moment pour
	92	penser à ce que ce code demande à l'ordinateur de faire. C'est cela,
	93	on demande à l'ordinateur de jouer un nombre infini de samples de
	94	chorale dans un temps nul. Sans le mécanisme de sécurité le pauvre
	95	ordinateur essaierait de faire ça et exploserait. Souvenez-vous en
	96	bien : vos `live_loop`s doivent contenir un appel à `sleep`.
	97
	98
	99	## Combiner des sons
	100
	101	La musique est pleine de choses qui arrivent en même temps. La
	102	batterie en même temps que la basse, en même temps que du chant, en
	103	même temps que des guitares... En informatique on appelle ça la
	104	concurrence et Sonic Pi nous donne une manière étonnamment simple de
	105	jouer des choses en même temps. Il suffit d'utiliser plus qu'une
	106	`live_loop` !
	107
	108	live_loop :beats do
	109	sample :bd_tek
	110	with_fx :echo, phase: 0.125, mix: 0.4 do
	111	sample :drum_cymbal_soft, sustain: 0, release: 0.1
	112	sleep 0.5
	113	end
	114	end
	115
	116	live_loop :bass do
	117	use_synth :tb303
	118	synth :tb303, note: :e1, release: 4, cutoff: 120, cutoff_attack: 1
	119	sleep 4
	120	end
	121
	122	Ici nous avons deux `live_loop`s, une qui tourne rapidement pour faire
	123	un rythme et une qui boucle lentement pour faire un son fou de basse.
	124
	125	Une des choses intéressantes quand on utilise plusieurs `live_loop`s
	126	c'est que chacune gère son propre temps. Cela veut dire qu'il est très
	127	facile de créer des structures polyrythmiques intéressantes et même de
	128	jouer avec la phase dans le style de Steve Reich. Par exemple :
	129
	130	# La phase piano de Steve Reich
	131
	132	notes = (ring :E4, :Fs4, :B4, :Cs5, :D5, :Fs4, :E4, :Cs5, :B4, :Fs4, :D5, :Cs5)
	133
	134	live_loop :slow do
	135	play notes.tick, release: 0.1
	136	sleep 0.3
	137	end
	138
	139	live_loop :faster do
	140	play notes.tick, release: 0.1
	141	sleep 0.295
	142	end
	143
	144
	145	## Rassemblons tout
	146
	147	Dans chacun de ces tutoriels, nous finirons avec un exemple qui montre
	148	un nouveau morceau de musique qui utilise toutes les idées
	149	introduites. Lisez ce code et essayez d'imaginer ce qu'il fait.
	150	Ensuite, copiez-le dans un buffer frais de Sonic Pi et cliquez 'Run'
	151	pour entendre comment il sonne. Enfin changez un des nombres ou
	152	commentez / décommentez des parties. Voyez si vous pouvez prendre ça
	153	comme point de départ d'une nouvelle performance, et surtout
	154	amusez-vous ! A la prochaine...
	155
	156	with_fx :reverb, room: 1 do
	157	live_loop :time do
	158	synth :prophet, release: 8, note: :e1, cutoff: 90, amp: 3
	159	sleep 8
	160	end
	161	end
	162
	163	live_loop :machine do
	164	sample :loop_garzul, rate: 0.5, finish: 0.25
	165	sample :loop_industrial, beat_stretch: 4, amp: 1
	166	sleep 4
	167	end
	168
	169	live_loop :kik do
	170	sample :bd_haus, amp: 2
	171	sleep 0.5
	172	end
	173
	174	with_fx :echo do
	175	live_loop :vortex do
	176	# use_random_seed 800
	177	notes = (scale :e3, :minor_pentatonic, num_octaves: 3)
	178	16.times do
	179	play notes.choose, release: 0.1, amp: 1.5
	180	sleep 0.125
	181	end
	182	end
	183	end

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	0	A.3 Rythmes codés
	1
	2	# Rythmes codés
	3
	4	Une des évolutions techniques les plus excitantes et disruptives dans
	5	la musique moderne a été l'invention des samplers. C'étaient des
	6	boîtes qui permettaient d'enregistrer n'importe quels sons dedans et
	7	de les manipuler et jouer de nombreuses manières intéressantes. Par
	8	exemple, on pouvait prendre un vieux disque, trouver un solo de
	9	batterie (ou un break), l'enregistrer dans le sampler et ensuite le
	10	jouer deux fois moins vite pour créer la fondation de vos derniers
	11	rythmes. C'est ainsi que la musique hip-hop est née et aujourd'hui il
	12	est presque impossible de trouver de la musique électronique qui
	13	n'incorpore pas de samples. Utiliser des samples est une très bonne
	14	manière d'introduire facilement des éléments nouveaux et intéressants
	15	dans vos performances de live coding.
	16
	17	Comment pouvez-vous vous procurer un sampler ? Eh bien, vous en avez
	18	déjà un : c'est votre Raspberry Pi ! L'application de live coding
	19	Sonic Pi comprend un sampler très puissant. Jouons avec !
	20
	21	## Le break Amen
	22
	23	Un des samples de break de batterie les plus classiques et
	24	reconnaissables s'appelle le break Amen. Il a été joué pour la
	25	première fois en 1969 dans la chanson "Amen Brother" des Winstons dans
	26	un break de batterie. Cependant c'est quand il a été découvert par
	27	les premiers musiciens de hip-hop dans les années 80 et utilisé dans
	28	des samplers qu'il a commencé à être très utilisé dans des styles
	29	aussi variés que le drum and bass, le breakbeat, la techno hardcore et
	30	le breakcore.
	31
	32
	33	Je suis sûr que vous êtes ravis d'entendre qu'il est aussi inclus dans
	34	Sonic Pi. Choisissez un buffer vide et copiez-y ce code :
	35
	36	sample :loop_amen
	37
	38	Cliquez sur Run et boum ! Vous ententez l'un des breaks de batterie
	39	les plus influents de l'histoire de la musique dance. Ceci dit, ce
	40	sample n'est pas célèbre pour être joué juste une fois, il est fait
	41	pour être joué en boucle.
	42
	43
	44	## Etirer des rythmes
	45
	46	Jouons le break Amen en boucle en utilisant notre vieille amie la
	47	`live_loop`, introduite dans le tutoriel du mois dernier :
	48
	49	live_loop :amen_break do
	50	sample :loop_amen
	51	sleep 2
	52	end
	53
	54	OK, ça boucle, mais il y a une pause ennuyeuse à chaque fois. C'est
	55	parce qu'on a demandé d'attendre `2` temps et avec le nombre par défaut
	56	de 60 BPM (battements par minute), le sample `:loop_amen` ne dure que
	57	`1.753` temps. Nous avons donc un silence de `2 - 1.753 = 0.247`
	58	temps. Même s'il est court, c'est notable.
	59
	60	Pour corriger ce problème on peut utiliser l'option `beat_stretch`
	61	pour demander à Sonic Pi d'étirer (ou rétrécir) le sample pour
	62	correspondre au temps spécifié.
	63
	64	[Breakout box start] Les fonctions `sample` et `synth` de Sonic Pi
	65	vous donnent beaucoup de contrôle via des paramètres optionnels comme
	66	`amp:`, `cutoff:` et `release:`. Cela dit le terme `paramètre
	67	optionnel` est très long à dire donc on les appelle juste opts pour
	68	rester simple.
	69	[Breakout box end]
	70
	71	live_loop :amen_break do
	72	sample :loop_amen, beat_stretch: 2
	73	sleep 2
	74	end
	75
	76	Maintenant on peut danser ! Quoique, peut-être qu'on veut l'accélérer
	77	ou le ralentir en fonction de l'ambiance.
	78
	79	## Jouer avec le temps
	80
	81	OK, et si on voulait changer de style pour faire du hip hop old school
	82	ou du breakcore ? Une manière simple de faire ça est de jouer avec le
	83	temps : ou en d'autres mots jouer avec le tempo. C'est très facile
	84	avec Sonic Pi : il suffit d'appeler `use_bpm` dans votre boucle
	85	interactive :
	86
	87	live_loop :amen_break do
	88	use_bpm 30
	89	sample :loop_amen, beat_stretch: 2
	90	sleep 2
	91	end
	92
	93	Pendant que vous rappez sur ces rythmes lents, remarquez que nous
	94	avons toujours un repos de 2 et que notre BPM vaut 30, mais tout est
	95	bien synchronisé. L'option `beat_stretch` marche avec le BPM courant
	96	pour s'assurer que tout fonctionne bien.
	97
	98	Maintenant voici la partie amusante. Alors que la boucle est en train
	99	de tourner, changez le `30` dans la ligne `use_bpm 30` en `50`. Oh,
	100	tout est devenu plus rapide, mais toujours synchro ! Essayez d'aller
	101	plus vite : jusque 80, jusque 120, ou même, soyons fous, 200 !
	102
	103
	104	## Filtrer
	105
	106	Maintenant qu'on peut jouer des samples en boucle de manière
	107	interactive, regardons les options les plus amusantes proposées par le
	108	synthé `sample`. La première est le `cutoff:` qui contrôle le filtre
	109	de coupure du sampler. Par défaut il est désactivé mais on peut
	110	facilement l'activer :
	111
	112
	113	live_loop :amen_break do
	114	use_bpm 50
	115	sample :loop_amen, beat_stretch: 2, cutoff: 70
	116	sleep 2
	117	end
	118
	119
	120	Allez-y, changez la valeur de l'option `cutoff:`. Par exemple
	121	montez-la à 100, cliquez sur Run et attendez la prochaine boucle
	122	pour entendre la différence dans le son. Remarquez que des valeurs
	123	basses comme 50 sonnent plus doux et bas et que des hautes valeurs
	124	comme 100 ou 120 sonnent plus plein et râpeux. C'est parce que
	125	l'option `cutoff:` va couper les parties haute-fréquence du son tout
	126	comme une tondeuse coupe le haut de la pelouse. L'option `cutoff:`
	127	est comme le réglage de la longueur : cela détermine combien il reste
	128	d'herbe.
	129
	130
	131	## Couper
	132
	133	Un autre super outil avec lequel on peut jouer est l'effet slicer.
	134	Il va couper le son en tranches. Entourez la ligne de `sample` avec le
	135	code de l'effet ainsi :
	136
	137	live_loop :amen_break do
	138	use_bpm 50
	139	with_fx :slicer, phase: 0.25, wave: 0, mix: 1 do
	140	sample :loop_amen, beat_stretch: 2, cutoff: 100
	141	end
	142	sleep 2
	143	end
	144
	145	Remarquez comme le son bondit un peu plus de haut en bas. (Vous pouvez
	146	entendre le son original sans l'effet en changeant l'option `mix:` en
	147	`0`.) Maintenant essayez de modifier la valeur de l'option `phase:`.
	148	C'est la fréquence (en battements) de l'effet de coupe. Une plus
	149	petite valeur comme `0.5` va couper plus rapidement et une plus grande
	150	valeur comme `0.5` va couper plus lentement. Remarquez que si on
	151	divise ou multiplie successivement par deux l'option `phase:` cela
	152	sonne généralement bien. Enfin, choisissez une valeur pour l'option
	153	`wave:` entre 0, 1 et 2 et écoutez comment le son change. Ce sont
	154	différentes formes d'onde. 0 est une onde scie (elle commence fort et
	155	finit en fondu), 1 est une onde carrée (commence et finit fort) et 2
	156	est une onde en triangle (commence en fondu, finit en fondu).
	157
	158	## Rassemblons tout
	159
	160	Enfin, revenons dans le temps et revisitons la jeune scène de drum and
	161	bass de Bristol avec l'exemple de ce mois. Ne vous inquiétez pas trop
	162	de tout ce que cela signifie, tapez le, cliquez sur Run, puis
	163	commencez à coder interactivement en changement les valeurs des
	164	options et voyez où cela vous amène. Partagez ce que vous créez ! A la
	165	prochaine...
	166
	167	use_bpm 100
	168
	169	live_loop :amen_break do
	170	p = [0.125, 0.25, 0.5].choose
	171	with_fx :slicer, phase: p, wave: 0, mix: rrand(0.7, 1) do
	172	r = [1, 1, 1, -1].choose
	173	sample :loop_amen, beat_stretch: 2, rate: r, amp: 2
	174	end
	175	sleep 2
	176	end
	177
	178	live_loop :bass_drum do
	179	sample :bd_haus, cutoff: 70, amp: 1.5
	180	sleep 0.5
	181	end
	182
	183	live_loop :landing do
	184	bass_line = (knit :e1, 3, [:c1, :c2].choose, 1)
	185	with_fx :slicer, phase: [0.25, 0.5].choose, invert_wave: 1, wave: 0 do
	186	s = synth :square, note: bass_line.tick, sustain: 4, cutoff: 60
	187	control s, cutoff_slide: 4, cutoff: 120
	188	end
	189	sleep 4
	190	end

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etc/doc/tutorial/fr/A.04-synth-riffs.md less more

	0	A.4 Riffs de synthés
	1
	2	# Riffs de synthés
	3
	4	Que ce soit la dérive hantée d'oscillateurs grondants ou le coup de
	5	poing désaccordé des ondes scies perçant à travers le mix, le synthé
	6	principal joue un rôle essentiel dans chaque piste électronique. Dans
	7	l'édition du mois dernier de cette série de tutoriels nous avons
	8	couvert comment coder nos rythmes. Dans ce tutoriel nous verrons
	9	comment coder les trois composants principaux d'un riff de synthé : le
	10	timbre, la mélodie et le rythme.
	11
	12	OK, allumez votre Raspberry Pi, ouvrez Sonic Pi (version 2.6 ou plus)
	13	et faisons du bruit !
	14
	15
	16	## Les possibilités du timbre
	17
	18	Une partie essentielle de n'importe quel riff de synthé est de jouer
	19	avec le timbre des sons. On peut contrôler le timbre dans Sonic Pi de
	20	deux manières : en choisissant différents synthés pour un changement
	21	dramatique et en définissant les diverses options des synthés pour des
	22	modifications plus subtiles. On peut aussi utiliser des effets, mais
	23	ce sera pour un autre tutoriel...
	24
	25	Créons une boucle interactive simple où l'on modifiera en continu le
	26	synthé courant :
	27
	28	live_loop :timbre do
	29	use_synth (ring :tb303, :blade, :prophet, :saw, :beep, :tri).tick
	30	play :e2, attack: 0, release: 0.5, cutoff: 100
	31	sleep 0.5
	32	end
	33
	34	Regardez ce code. On parcourt (avec `tick`) juste un anneau de noms de
	35	synthés (on boucle sur chacun d'eux à leur tour puis on répéte la
	36	liste encore et encore). On passe ce nom de synthé à la fonction (fn)
	37	`use_synth`, ce qui changera le synthé courant de la `live_loop`. On
	38	joue aussi la note `:e2` (E (ou Mi) à la deuxième octave), avec un
	39	temps de relâche de 0.5 battement (une demi seconde au BPM par défaut
	40	de 60) et avec l'option `:cutoff` fixée à 100.
	41
	42	Vous entendez que les différents synthés ont des sons très différents
	43	même s'ils jouent tous la même note. Maintenant expérimentez et jouez.
	44	Changez le temps de relâche en lui donnant des valeurs plus grandes et
	45	plus petites. Par exemple, changez les options `attack:` et `release:`
	46	pour voir comme des temps différents de fondu d'entrée et de sortie
	47	ont un grand effet sur le son. Enfin changez l'option `cutoff:` pour
	48	voir comment différentes valeurs de coupure ont une influence massive
	49	sur le timbre (des valeurs entre 60 et 130 sont bonnes). Voyez combien
	50	de sons vous pouvez créer juste en changeant quelques valeurs. Une
	51	fois que vous maîtrisez cela, allez dans l'onglet Synthés dans le
	52	système d'aide pour voir la liste entière des synthés et des options
	53	que chacun d'eux supporte pour voir l'étendue du pouvoir que vous avez
	54	au bouts de vos doigts de codeur.
	55
	56	## Timbre
	57
	58	Le timbre est juste un mot savant pour décrire comment sonne un son.
	59	Si vous jouez la même note avec différents instruments comme un
	60	violon, une guitare, ou un piano, la fréquence (si elle sonne haut ou
	61	bas) sera la même, mais la qualité du son sera différente. La qualité
	62	du son, ce qui fait qu'on peut différencier un piano et une guitare,
	63	c'est le timbre.
	64
	65	## Composition mélodique
	66
	67	Un autre aspect important de notre synthé principal est le choix de
	68	notes que l'on veut jouer. Si vous avez déjà une bonne idée, alors
	69	vous pouvez juste créer un anneau avec vos notes et les parcourir :
	70
	71	live_loop :riff do
	72	use_synth :prophet
	73	riff = (ring :e3, :e3, :r, :g3, :r, :r, :r, :a3)
	74	play riff.tick, release: 0.5, cutoff: 80
	75	sleep 0.25
	76	end
	77
	78	Ici nous avons défini une mélodie avec un anneau qui inclut des notes
	79	comme `:e3` et des silences représentés par `:r`. On utilise ensuite
	80	`.tick` pour jouer chaque note à son tour, ce qui nous donne un riff
	81	qui se répète.
	82
	83	## Mélodie automatique
	84
	85	Ce n'est pas toujours facile d'inventer un riff sympa. C'est souvent
	86	plus simple de demander à Sonic Pi une sélection de riffs aléatoires
	87	et de choisir celui que l'on préfère. Pour faire cela on doit combiner
	88	trois choses : des anneaux, de l'aléatoire et des graines aléatoires.
	89	Regardons un exemple :
	90
	91	live_loop :random_riff do
	92	use_synth :dsaw
	93	use_random_seed 3
	94	notes = (scale :e3, :minor_pentatonic).shuffle
	95	play notes.tick, release: 0.25, cutoff: 80
	96	sleep 0.25
	97	end
	98
	99	Plusieurs choses se passent : regardons les une par une. On commence
	100	par spécifier la graine aléatoire 3. Qu'est-ce que cela signifie ? Eh
	101	bien, c'est utile parce que quand on définit la graine, on sait
	102	prédire quelle sera la prochaine valeur aléatoire : ce sera la même
	103	que la dernière fois qu'on a choisi la graine 3 ! Une autre chose
	104	utile à savoir est que mélanger un anneau de notes fonctionne de la
	105	même façon. Dans l'exemple ci-dessus c'est comme si on demandait le
	106	'troisième mélange' dans la liste standard de mélanges : il sera le
	107	même chaque fois comme on définit toujours la graine aléatoire à la
	108	même valeur avant le mélange. Enfin on parcourt juste nos notes
	109	mélangées pour jouer le riff.
	110
	111	Maintenant, c'est ici qu'on commence à s'amuser. Si on change la
	112	valeur de la graine aléatoire, par exemple en 3000, on a un mélange
	113	entièrement différent des notes. Ainsi il est très facile d'explorer
	114	de nouvelles mélodies. Il suffit de choisir la liste de notes que l'on
	115	veut mélanger (les gammes sont un très bon endroit pour commencer) et
	116	ensuite de choisir la graine avec laquelle on veut les mélanger. Si on
	117	n'aime pas la mélodie, on peut juste changer une de ces deux choses et
	118	essayer à nouveau. Répétez jusqu'à ce que vous aimiez ce que vous
	119	entendez !
	120
	121
	122	## Pseudo aléatoire
	123
	124	L'aléatoire de Sonic Pi n'est pas vraiment aléatoire, on appelle ça du
	125	pseudo aléatoire. Imaginez que vous jetez un dé 100 fois et que vous
	126	écrivez le résultat de chaque jet sur une feuille de papier. Sonic Pi
	127	a l'équivalent de cette liste de résultats qu'il utilise quand on
	128	demande une valeur aléatoire. Au lieu de jeter un vrai dé, il prend
	129	juste la valeur suivante dans la liste. Définir la graine aléatoire
	130	revient à sauter à un endroit particulier de cette liste.
	131
	132	## Trouver votre rythme
	133
	134	Un autre aspect important de notre riff est le rythme : quand jouer
	135	une note et quand ne pas le faire. Comme on a vu, on peut utiliser
	136	`:r` dans nos anneaux pour insérer des silences. Une autre manière
	137	puissante consiste à utiliser des 'spreads' que l'on couvrira dans un
	138	futur tutoriel. Aujourd'hui nous allons utiliser l'aléatoire pour nous
	139	aider à trouver notre rythme. Au lieu de jouer toutes les notes on
	140	peut utiliser une condition pour jouer une note avec une probabilité
	141	donnée. Voyons cela :
	142
	143	live_loop :random_riff do
	144	use_synth :dsaw
	145	use_random_seed 30
	146	notes = (scale :e3, :minor_pentatonic).shuffle
	147	16.times do
	148	play notes.tick, release: 0.2, cutoff: 90 if one_in(2)
	149	sleep 0.125
	150	end
	151	end
	152
	153	Une fonction très utile à connaître est `one_in` qui nous donne une
	154	valeur `true` ou `false` (vrai ou faux) avec la probabilité spécifiée.
	155	Ici nous utilisons une valeur de 2 donc en moyenne un appel sur deux à
	156	`one_in` retournera `true`. En d'autres termes, elle retournera `true`
	157	50% du temps. Si on choisit des valeurs plus grandes elle retournera
	158	`false` plus souvent ce qui mettra plus d'espace dans notre riff.
	159
	160	Remarquez qu'on a introduit un peu d'itération ici avec `16.times`.
	161	C'est parce qu'on ne veut redéfinir notre valeur de graine aléatoire
	162	que toutes les 16 notes pour que notre rythme se répète toutes les 16
	163	fois. Cela n'affecte pas le mélange comme il est toujours fait juste
	164	après avoir défini la graine. On peut utiliser la longueur d'itération
	165	pour modifier la longueur de notre riff. Essayez de changer le 16 en 8
	166	ou même en 4 ou 3 et voyez comment cela affecte le rythme du riff.
	167
	168	## Rassemblons tout
	169
	170	OK, combinons tout ce que nous avons appris dans un dernier exemple.
	171	A la prochaine !
	172
	173	live_loop :random_riff do
	174	# uncomment to bring in:
	175	# synth :blade, note: :e4, release: 4, cutoff: 100, amp: 1.5
	176	use_synth :dsaw
	177	use_random_seed 43
	178	notes = (scale :e3, :minor_pentatonic, num_octaves: 2).shuffle.take(8)
	179	8.times do
	180	play notes.tick, release: rand(0.5), cutoff: rrand(60, 130) if one_in(2)
	181	sleep 0.125
	182	end
	183	end
	184
	185	live_loop :drums do
	186	use_random_seed 500
	187	16.times do
	188	sample :bd_haus, rate: 2, cutoff: 110 if rand < 0.35
	189	sleep 0.125
	190	end
	191	end
	192
	193	live_loop :bd do
	194	sample :bd_haus, cutoff: 100, amp: 3
	195	sleep 0.5
	196	end
	197
	198
	199
	200

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	0	A.5 Basse acide
	1
	2	# Basse acide
	3
	4	Il est impossible de regarder l'histoire de la musique de danse
	5	électronique sans voir l'énorme impact du petit synthétiseur Roland
	6	TB-303. C'est la sauce secrète derrière le son original de basse
	7	acide. On entend ces riffs de basse classiques crissants et
	8	pataugeants depuis la jeune scène de house de Chicago jusqu'à des
	9	artistes plus récents comme Plastikman, Squarepusher et Aphex Twin.
	10
	11	Il est intéressant de savoir que Roland n'avait pas l'intention que le
	12	TB-303 soit utilisé dans de la musique pour danser. Il a été créé à
	13	l'origine comme une aide de travail pour les guitaristes. Ils ont
	14	imaginé que les gens les programmeraient pour jouer des lignes de
	15	basse d'accompagnement. Malheureusement il y avait un certain nombre
	16	de problèmes : ils étaient un peu compliqués à programmer, ne
	17	sonnaient pas particulièrement bien comme remplacement de guitare
	18	basse et ils étaient assez chers. Décidant d'arrêter les frais, Roland
	19	a cessé d'en fabriquer après en avoir vendu 10'000 unités et après un
	20	certain nombres d'années à rester sur les étagères des guitaristes,
	21	ils se retrouvés dans les vitrines des magasins d'occasion. C'est
	22	pauvres TB-303 rejetés attendaient d'être découverts par une nouvelle
	23	génération d'expérimentateurs qui ont commencé à les utiliser dans des
	24	manières que Roland n'avait pas imaginées pour créer des sons fous.
	25	La house acide était née.
	26
	27
	28	Même si se procurer un TB-303 original n'est pas si facile vous serez
	29	heureux d'apprendre que vous pouvez transformer votre Raspberry Pi en
	30	TB-303 en utilisant la puissance de Sonic Pi. Lancez Sonic Pi, copiez
	31	ce code dans un buffer vide et cliquez sur 'Run' :
	32
	33	use_synth :tb303
	34	play :e1
	35
	36	Instant acid bass! Let's play around...
	37
	38	# Presse cette basse
	39
	40	Commençons par construire un arpège interactif pour rendre les choses
	41	amusantes. Dans le dernier tutoriel nous avons vu comment des mélodies
	42	peuvent être juste un anneau de notes qu'on joue les unes après les
	43	autres, en répétant quand on arrive à la fin. Créons une boucle
	44	interactive qui fait cela :
	45
	46	use_synth :tb303
	47	live_loop :squelch do
	48	n = (ring :e1, :e2, :e3).tick
	49	play n, release: 0.125, cutoff: 100, res: 0.8, wave: 0
	50	sleep 0.125
	51	end
	52
	53	Regardons chaque ligne.
	54
	55	1. A la première ligne choisit `tb303` comme synthé par défaut avec la
	56	fonction `use_synth`.
	57
	58	2. A la deuxième ligne on crée une boucle interactive du nom de
	59	`:squelch` qui va juste boucler encore et encore.
	60
	61	3. A la troisième ligne on crée notre mélodie : un anneau de notes (E
	62	ou Mi aux octaves 1, 2 et 3) et on le parcourt simplement avec
	63	`.tick`. On définit `n` pour représenter la note courante de la
	64	mélodie. Le signe égal veut juste dire qu'on affecte la valeur à
	65	droite au nom à gauche. Cette valeur sera différente à chaque
	66	boucle. La première fois `n` aura la valeur `:e1`. La deuxième fois
	67	ce sera `:e2`, puis `:e3`, puis de nouveau `:e1`, en bouclant à
	68	l'infini.
	69
	70	4. A la ligne quatre on joue notre synthé `:tb303`. On lui passe
	71	quelques options intéressantes : `release:`, `cutoff:`, `res:` et
	72	`wave:` que l'on décrira plus bas.
	73
	74	5. La ligne cinq est notre `sleep` : on demande à la boucle
	75	interactive de boucler toutes les `0.125`secondes ou 8 fois par
	76	seconde au BPM par défaut de 60
	77
	78	6. La ligne six est la fin de la boucle interactive. Le mot `end`
	79	indique juste à Sonic Pi où se termine la boucle interactive.
	80
	81
	82	Alors que vous êtes encore en train de vous familiariser avec ce qui
	83	se passe, tapez le code ci-dessous et cliquez sur le bouton 'Run'.
	84	Vous devriez entendre le `:tb303` entrer en action. C'est ici le coeur
	85	de l'action : commençons à programmer de manière interactive.
	86
	87	Pendant que la boucle tourne, changez l'option `cutoff:` en `110`.
	88	Puis cliquez à nouveau sur le bouton 'Run'. Vous devriez entendre le
	89	son devenir un peu plus dur et sec. Montez à `120` et cliquez sur
	90	'Run'. Puis `130`. Ecoutez comme les valeurs hautes de coupure rendent
	91	le son plus perçant et intense. Enfin, descendez à `80` quand vous
	92	sentirez que vous voulez un peu de repos. Puis répétez ça autant que
	93	vous voulez. Pas d'inquiétude, je serai toujours là...
	94
	95	Une autre option qui vaut le coup d'être utilisée est `res:`. Elle
	96	contrôle le niveau de résonance du filtre. Une haute résonance est
	97	caractéristique des sons de basse acide. Nous avons pour le moment une
	98	`res:` de `0.8`. Essayez de la monter à `0.85`, puis `0.9`, et enfin
	99	`0.95`. Un cutoff de `110` ou plus peut permettre d'entendre plus
	100	facilement les différences. Enfin défoulez-vous et montez jusque
	101	`0.999` pour avoir des sons déments. Avec une `res` aussi haute vous
	102	entendez le filtre de coupure résonner tant qu'il commence à faire ses
	103	propres sons.
	104
	105	Enfin pour avoir un grand impact sur le timbre essayez de mettre
	106	l'option `wave:` à `1`. C'est le choix de l'oscillateur source. La
	107	valeur par défaut est `0` qui est une onde en dents de scie.
	108
	109	Bien sûr, essayez différentes mélodies en changeant les notes dans
	110	l'anneau ou même en choisissant des notes de gammes ou d'accords.
	111	Amusez-vous bien avec votre premier synthé de basse acide.
	112
	113	# Déconstruisons le TB-303
	114
	115	Le design du TB-303 original était en fait assez simple. Comme vous
	116	pouvez le voir sur le diagramme suivant il n'y a que quatre parties
	117	principales.
	118
	119	![TB-303 Design](../images/tutorial/articles/A.05-acid-bass/tb303-design.png)
	120
	121	En premier on a l'onde oscillatoire : les ingrédients de base du son.
	122	Dans ce cas nous avons une onde carrée. Ensuite on a l'enveloppe
	123	d'amplitude de l'oscillateur qui contrôle l'amplitude de l'onde carrée
	124	au cours du temps. On peut y accéder dans Sonic Pi avec les options
	125	`attack:`, `decay:`, `sustain:` et `release:` ainsi que leur niveau
	126	correspondant. Pour plus d'informations lisez la Section 2.4 'Durée
	127	avec enveloppes' dans le tutoriel inclus dans Sonic Pi. On passe
	128	ensuite notre onde carrée enveloppée dans un filtre passe bas
	129	résonant. Cela coupe les hautes fréquences et a un bel effet de
	130	résonance. Et c'est ici que ça devient amusant. La valeur de coupure
	131	de ce filtre est aussi contrôlée par sa propre enveloppe ! Cela veut
	132	dire que nous avons un contrôle incroyable sur le timbre du son en
	133	jouant avec ces deux enveloppes. Jetons-y un oeil :
	134
	135
	136	use_synth :tb303
	137	with_fx :reverb, room: 1 do
	138	live_loop :space_scanner do
	139	play :e1, cutoff: 100, release: 7, attack: 1, cutoff_attack: 4, cutoff_release: 4
	140	sleep 8
	141	end
	142	end
	143
	144	Pour chaque option standard d'enveloppe, il y a une option `cutoff_`
	145	équivalente dans le synthé `:tb303`. Donc, pour changer le temps
	146	d'attaque de la coupure on peut utiliser l'option `:cutoff_attack`.
	147	Copiez le code ci-dessus dans un buffer vide et cliquez sur 'Run'.
	148	Vous entendrez un son fou entrer et sortir. Maintenant essayez de
	149	jouer avec. Essayez de changer la durée de `cutoff_attack:` en `1`
	150	puis en `0.5`. Puis essayez `8`.
	151
	152	Remarquez que j'ai passé tout cela à travers un effet `:reverb` pour
	153	plus d'atmosphère : essayez d'autres effets pour voir ce qui marche !
	154
	155	## Rassemblons tout
	156
	157	Enfin voici un morceau que j'ai composé en utilisant les idées de ce
	158	tutoriel. Copiez le dans un buffer vide, écoutez un peu, puis
	159	commencez à programmer interactivement vos changements. Voyez quels
	160	sons fous vous pouvez faire avec ! A la prochaine...
	161
	162	use_synth :tb303
	163	use_debug false
	164
	165	with_fx :reverb, room: 0.8 do
	166	live_loop :space_scanner do
	167	with_fx :slicer, phase: 0.25, amp: 1.5 do
	168	co = (line 70, 130, steps: 8).tick
	169	play :e1, cutoff: co, release: 7, attack: 1, cutoff_attack: 4, cutoff_release: 4
	170	sleep 8
	171	end
	172	end
	173
	174	live_loop :squelch do
	175	use_random_seed 3000
	176	16.times do
	177	n = (ring :e1, :e2, :e3).tick
	178	play n, release: 0.125, cutoff: rrand(70, 130), res: 0.9, wave: 1, amp: 0.8
	179	sleep 0.125
	180	end
	181	end
	182	end

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	0	A.6 Minecraft musical
	1
	2	# Minecraft musical
	3
	4
	5
	6	Bonjour et bienvenue à nouveau ! Dans les tutoriels précédents nous
	7	nous somes concentrés exclusivement sur les possibilités mnusicales de
	8	Sonic Pi, en transformant votre Raspberry Pi en instrument de musique
	9	prêt à l'emploi. Jusqu'ici nous avons appris comment :
	10
	11	* Programmer de manière interactive, en changeant les sons à la volée,
	12	* Coder des rythmes imposants,
	13	* Générer des mélodies de synthé puissantes
	14	* recréer le fameux son TB-303 de basse acide
	15
	16	Il y a tellement plus à vous montrer, et nous l'explorerons dans de
	17	futures éditions. Cependant, ce mois-ci, nous allons regarder une
	18	chose que Sonic Pi sait faire et que vous n'avez probablement pas
	19	remarquée : contrôler Minecraft.
	20
	21
	22	# Bonjour, monde de Minecraft
	23
	24	OK, commençons. Démarrez votre Raspberry Pi, lancez Minecraft Pi et
	25	créez un nouveau monde. Maintenant démarrez Sonic Pi et déplacez vos
	26	fenêtres de manière à pouvoir voir Sonic Pi et Minecraft Pi en même
	27	temps.
	28
	29	Dans un buffer disponible tapez ce qui suit :
	30
	31	mc_message "Hello Minecraft from Sonic Pi!"
	32
	33	Maintenant cliquez sur 'Run'. Boum ! Votre message est apparu dans
	34	Minecraft ! C'était facile, non ? Maintenant arrêtez un moment de lire
	35	ceci et jouez un peu avec vos propres messages. Amusez-vous !
	36
	37	![Screen 0](../images/tutorial/articles/A.06-minecraft/Musical-Minecraft-0-small.png)
	38
	39	# Téléportation sonique
	40
	41	Explorons un peu. L'option standard est de saisir la souris et le
	42	clavier et de commencer à se promener. Ca marche, mais c'est assez
	43	lent et ennuyeux. Ce serait beaucoup mieux si on avait une sorte de
	44	machine de téléportation. Eh bien, grâce à Sonic Pi, on en a une.
	45	Essayez ceci :
	46
	47	mc_teleport 80, 40, 100
	48
	49	Oh ! On est monté bien haut. Si vous n'étiez pas en mode volant vous
	50	avez du retomber jusqu'au sol. Si vous double-tapez Espace pour entrer
	51	en mode volant et vous téléportez à nouveau, vous resterez en l'air
	52	à l'endroit où vous vous êtes déplacés.
	53
	54	Maintenant, qu'est-ce que ces nombres signifient ? Nous avons trois
	55	nombres qui décrivent les coordonnées de l'endroit du monde où vous
	56	voulez vous déplacer. On donne à chacun de ces nombres un nom : x, y
	57	et z.
	58
	59	* x - à quelle distance vers la gauche ou la droite (80 dans notre exemple)
	60	* y - à quelle hauteur on veut être (40 dans notre exemple)
	61	* z - à quelle distance vers l'avant ou l'arrière (100 dans notre exemple)
	62
	63	En choisissant différentes valeurs pour x, y, et z, on peut se
	64	téléporter n'importe où dans notre monde. Essayez ! Choisissez
	65	différents nombres et regardez où vous vous retrouvez. Si l'écran
	66	devient noir c'est que vous vous êtes téléportés sous terre ou dans
	67	une montagne. Choisissez juste une valeur de y plus grande pour vous
	68	retrouver au-dessus de la terre. Continuez à explorer jusqu'à ce que
	69	vous trouviez un endroit qui vous plaise...
	70
	71	En utilisant les idées vues jusqu'ici, construisons un téléporteur
	72	sonique qui fera un son amusant de téléportation quand il nous fera
	73	voyager à travers le monde de Minecraft :
	74
	75	mc_message "Preparing to teleport...."
	76	sample :ambi_lunar_land, rate: -1
	77	sleep 1
	78	mc_message "3"
	79	sleep 1
	80	mc_message "2"
	81	sleep 1
	82	mc_message "1"
	83	sleep 1
	84	mc_teleport 90, 20, 10
	85	mc_message "Whoooosh!"
	86
	87	![Screen 1](../images/tutorial/articles/A.06-minecraft/Musical-Minecraft-1-small.png)
	88
	89	# Blocs magiques
	90
	91	Maintenant que vous avez trouvé un endroit sympathique, commençons à
	92	construire. Vous pourriez faire comme vous en avez l'habitude et
	93	commencer à cliquer furieusement la souris pour placer des blocs sous
	94	le curseur. Ou vous pourriez utiliser la magie de Sonic Pi. Essayez
	95	ceci :
	96
	97
	98	x, y, z = mc_location
	99	mc_set_block :melon, x, y + 5, z
	100
	101	Maintenant regardez vers le haut ! Il y a un melon dans le ciel !
	102	Prenez un moment pour regarder le code. Qu'est-ce qu'on a fait ? Sur
	103	la première ligne on a attrapé l'emplacement actuel de Steve dans les
	104	variables x, y et z. Elles correspondent aux coordonnées décrites
	105	ci-dessus. Nous utilisons ces coordonnées dans la fonction
	106	`mc_set_block` qui va placer le bloc de votre choix aux coordonnées
	107	spécifiées. Pour placer quelque chose plus haut dans le ciel on doit
	108	juste augmenter la valeur de y, c'est pour ça qu'on lui ajoute 5.
	109	Faisons un chemin de melons :
	110
	111	live_loop :melon_trail do
	112	x, y, z = mc_location
	113	mc_set_block :melon, x, y-1, z
	114	sleep 0.125
	115	end
	116
	117	Maintenant sautez dans Minecraft, assurez-vous d'être en mode volant
	118	(tapez deux fois sur Espace sinon) et volez autour du monde. Regardez
	119	derrière vous pour voir un beau chemin de blocs de melon ! Voyez quels
	120	dessins tordus vous pouvez faire dans le ciel.
	121
	122	# Programmer Minecraft de manière interactive
	123
	124	Ceux d'entre vous qui ont suivi ce tutoriel pendant les derniers mois
	125	doivent être bien étonnés. Le chemin de melons est assez cool, mais la
	126	partie la plus excitante de l'exemple précédent est qu'on peut
	127	utiliser la `live_loop` avec Minecraft ! Pour ceux qui ne savent pas,
	128	la `live_loop` est la faculté magique et spéciale de Sonic Pi qu'aucun
	129	autre langage de programmation ne possède. Elle vous permet d'exécuter
	130	des boucles multiples en même temps et vous permet de les modifier
	131	pendant qu'elles tournent. Elles sont incroyablement puissantes et
	132	amusantes. J'utilise les `live_loop`s pour jouer de la musique dans
	133	des boîtes de nuit avec Sonic Pi : les DJs utilisent des disques et
	134	moi j'utilise des `live_loop`s :-) Cependant aujourd'hui nous allons
	135	programmer de manière interactive de la musique et Minecraft.
	136
	137
	138
	139	Commençons. Exécutez le code ci-dessus et commencez à faire votre
	140	chemin de melons de nouveau. Maintenant, sans arrêter le code, changez
	141	simplement `:melon` en `:brick` et cliquez sur `Run`. Eh voilà, vous
	142	construisez maintenant un chemin de briques. C'était simple, non ?
	143	Un peu de musique pour accompagner ça ? Facile. Essayez ceci :
	144
	145	live_loop :bass_trail do
	146	tick
	147	x, y, z = mc_location
	148	b = (ring :melon, :brick, :glass).look
	149	mc_set_block b, x, y -1, z
	150	note = (ring :e1, :e2, :e3).look
	151	use_synth :tb303
	152	play note, release: 0.1, cutoff: 70
	153	sleep 0.125
	154	end
	155
	156	Maintenant pendant que ça joue commencez à modifier le code. Changez
	157	les types de bloc : essayez `:water`, `:grass` ou votre type de bloc
	158	préféré. Aussi, essayez de changer la valeur de coupure de `70` à `80`
	159	puis jusque `100`. N'est-ce pas amusant ?
	160
	161	## Rassemblons tout
	162
	163	![Screen 2](../images/tutorial/articles/A.06-minecraft/Musical-Minecraft-2-small.png)
	164
	165	Rassemblons tout ce que nous avons vu jusqu'ici avec un peu de magie
	166	en plus. Combinons notre faculté de téléportation avec placement de
	167	blocs et la musique pour faire une vidéo de musique Minecraft. Ne vous
	168	inquiétez pas si vous ne comprenez pas tout, tapez juste le code et
	169	jouez ensuite à modifier quelques-unes des valeurs pendant qu'il
	170	s'exécute. Amusez-vous bien et à la prochaine...
	171
	172
	173	live_loop :note_blocks do
	174	mc_message "This is Sonic Minecraft"
	175	with_fx :reverb do
	176	with_fx :echo, phase: 0.125, reps: 32 do
	177	tick
	178	x = (range 30, 90, step: 0.1).look
	179	y = 20
	180	z = -10
	181	mc_teleport x, y, z
	182	ns = (scale :e3, :minor_pentatonic)
	183	n = ns.shuffle.choose
	184	bs = (knit :glass, 3, :sand, 1)
	185	b = bs.look
	186	synth :beep, note: n, release: 0.1
	187	mc_set_block b, x+20, n-60+y, z+10
	188	mc_set_block b, x+20, n-60+y, z-10
	189	sleep 0.25
	190	end
	191	end
	192	end
	193
	194	live_loop :beats do
	195	sample :bd_haus, cutoff: 100
	196	sleep 0.5
	197	end
	198
	199
	200
	201
	202

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etc/doc/tutorial/fr/A.07-bizet.md less more

	0	A.7 Battements de Bizet
	1
	2	# Battements de Bizet
	3
	4	Après notre briève excursion dans le monde fantastique de la
	5	programmation Minecraft avec Sonic Pi le mois dernier, penchons nous
	6	sur la musique à nouveau. Aujourd'hui nous allons amener un morceau
	7	classique de danse d'opéra droit dans le 21e siècle en utilisant
	8	la puissance fantastique du code.
	9
	10	# Scandaleux et perturbateur
	11
	12	Sautons dans une machine à remonter le temps jusqu'en 1875. Un
	13	compositeur nommé Bizet avait juste terminé son dernier opéra :
	14	Carmen. Malheureusement comme beaucoup de nouveaux morceaux excitants
	15	et perturbateurs les gens ne l'aimaient pas du tout au début parce
	16	qu'il était trop scandaleux et différent. Malheureusement Bizet est
	17	mort dix ans avant que l'opéra ne connaisse un grand succès
	18	international et ne devienne un des opéras les plus connus et les plus
	19	fréquemment interprétés de tous les temps. Par sympathie pour cette
	20	tragédie nous allons prendre un des thèmes principaux de Carmen et
	21	nous allons le convertir dans un format moderne de musique qui est
	22	aussi trop scandaleux et différent pour la plupart des gens de notre
	23	époque : la musique codée interactive !
	24
	25	# La Habanera décryptée
	26
	27	Essayez de programmer un opéra entier de manière interactive serait un
	28	peu ambitieux pour ce tutoriel, concentrons nous sur une des ses plus
	29	célèbres parties : la ligne de basse de la Habanera :
	30
	31	![Habanera Riff](../images/tutorial/articles/A.07-bizet/habanera.png)
	32
	33	Cela peut vous sembler complètement illisible si vous n'avez pas
	34	étudié la notation musicale. Cependant, en tant que programmeurs nous
	35	voyons la notation musicale comme juste une autre forme de code, elle
	36	représente juste des instructions pour un musicien au lieu d'un
	37	ordinateur.
	38
	39	# Notes
	40
	41	Les notes sont arrangées de gauche à droite comme les mots dans ce
	42	magasine mais elles ont aussi différentes hauteurs. *La hauteur sur la
	43	partition représente la hauteur d'une note.* Plus une note est haut
	44	sur la partition, plus sa hauteur est grande.
	45
	46	Dans Sonic Pi nous savons déjà comment changer la hauteur d'une note :
	47	on peut utiliser des grands ou petits nombres comme `play 75` et
	48	`play 80` ou on peut utiliser les noms des notes : `play :E` et
	49	`play :F`. Heureusement chacune des positions verticales sur la
	50	partition représente un nom de note en particulier. Jetez un oeil à
	51	cette table de correspondance bien pratique :
	52
	53	![Notes](../images/tutorial/articles/A.07-bizet/notes.png)
	54
	55	# Silences
	56
	57	Les partitions sont une sorte de code extrêmement riche et expressif
	58	capable de communiquer de nombreuses choses. Cela ne devrait donc pas
	59	nous surprendre que les partitions peuvent non seulement nous dire
	60	quelles notes jouer mais aussi quand ne pas jouer de note. En
	61	programmation c'est à peu près l'équivalent de l'idée de `nil` ou
	62	`null` : l'absence de valeur. En d'autres mots ne pas jouer une note
	63	c'est comme une absence de note.
	64
	65	Si vous regardez de près la partition vous verrez que c'est en fait
	66	une combinaison de ronds noirs avec des barres qui représentent les
	67	notes à jouer et des choses ondulées qui représentent les silences.
	68	Heureusement, Sonic Pi a une notation très pratique pour un silence :
	69	`:r`, donc si on exécute `play :r` il jouera en fait un silence ! On
	70	pourrait aussi écrire `play :rest`, `play nil` ou `play false` qui
	71	sont autant de manières équivalentes de représenter un silence.
	72
	73	# Rythme
	74
	75	Enfin il y a une dernière chose à apprendre à décoder dans la
	76	notation : la notion du temps. Dans la notation originale vous verrez
	77	que les notes sont liées par des traits épais. La deuxième note a
	78	deux de ces traits ce qui veut dire qu'elle dure un 16e de temps. Les
	79	autres notes ont un seul trait ce qui veut dire qu'elles durent un 8e
	80	de temps. Le silence a aussi deux traits ondulés ce qui veut dire
	81	qu'il représente aussi un 16e de temps.
	82
	83	Quand on essaie de décoder et d'explorer de nouvelles choses un truc
	84	très pratique est de rendre tout le plus semblable possible pour
	85	essayer de voir des relations ou modèles. Par exemple quand on réécrit
	86	notre notation uniquement en double-croches on peut voir que notre
	87	notation devient une séquence agréable de notes et de silences.
	88
	89
	90	![Habanera Riff 2](../images/tutorial/articles/A.07-bizet/habanera2.png)
	91
	92	# Re-programmer la Habanera
	93
	94	Nous sommes maintenant prêts a traduire cette ligne de basse dans
	95	Sonic Pi. Encodons ces notes et silences dans un anneau :
	96
	97	(ring :d, :r, :r, :a, :f5, :r, :a, :r)
	98
	99	Voyons ce que ça donne. Jetons ça dans une boucle interactive et
	100	parcourons-là :
	101
	102	live_loop :habanera do
	103	play (ring :d, :r, :r, :a, :f5, :r, :a, :r).tick
	104	sleep 0.25
	105	end
	106
	107	Fabuleux, cette mélodie qu'on reconnait immédiatement prend vie dans
	108	vos haut-parleurs. On a fait des efforts pour en arriver là, mais ça
	109	valait la peine, bravo !
	110
	111	# Synthés de mauvaise humeur
	112
	113	Maintenant qu'on a la ligne de basse, essayons de re-créer une partie
	114	de l'ambiance de la scène d'opéra. Un synthé à essayer est `:blade`
	115	qui est un synthé style années 80. Essayons le avec la note de départ
	116	`:d` passée dans un slicer et de la reverb :
	117
	118	live_loop :habanera do
	119	use_synth :fm
	120	use_transpose -12
	121	play (ring :d, :r, :r, :a, :f5, :r, :a, :r).tick
	122	sleep 0.25
	123	end
	124
	125	with_fx :reverb do
	126	live_loop :space_light do
	127	with_fx :slicer, phase: 0.25 do
	128	synth :blade, note: :d, release: 8, cutoff: 100, amp: 2
	129	end
	130	sleep 8
	131	end
	132	end
	133
	134	Maintenant essayez les autres notes de la ligne de basse : `:a` et
	135	`:f5`. Souvenez-vous que vous n'avez pas besoin de cliquer sur 'Stop',
	136	vous pouvez juste modifier le code pendant que la musique tourne et
	137	ensuite cliquer sur 'Run' à nouveau. Aussi essayez différentes valeurs
	138	pour l'option `phase:` du slicer comme `0.5`, `0.75` et `1`.
	139
	140
	141	## Rassemblons tout
	142
	143	Enfin, combinons toutes les idées vues jusqu'ici dans un nouveau remix
	144	de la Habanera. Vous remarquerez peut-être que j'ai inclus une autre
	145	partie de la ligne de basse en commentaire. Quand vous aurez tout tapé
	146	dans un buffer de libre cliquez sur 'Run' pour entendre la
	147	composition. Maintenant, sans cliquer sur 'Stop', décommentez la
	148	seconde ligne en enlevant le `#` et cliquez sur 'Run' à nouveau :
	149	c'est merveilleux, non ? Maintenant amusez-vous à le modifier vous-même.
	150
	151	use_debug false
	152	bizet_bass = (ring :d, :r, :r, :a, :f5, :r, :a, :r)
	153	#bizet_bass = (ring :d, :r, :r, :Bb, :g5, :r, :Bb, :r)
	154
	155	with_fx :reverb, room: 1, mix: 0.3 do
	156	live_loop :bizet do
	157	with_fx :slicer, phase: 0.125 do
	158	synth :blade, note: :d4, release: 8,
	159	cutoff: 100, amp: 1.5
	160	end
	161	16.times do
	162	tick
	163	play bizet_bass.look, release: 0.1
	164	play bizet_bass.look - 12, release: 0.3
	165	sleep 0.125
	166	end
	167	end
	168	end
	169
	170	live_loop :ind do
	171	sample :loop_industrial, beat_stretch: 1,
	172	cutoff: 100, rate: 1
	173	sleep 1
	174	end
	175
	176	live_loop :drums do
	177	sample :bd_haus, cutoff: 110
	178	synth :beep, note: 49, attack: 0,
	179	release: 0.1
	180	sleep 0.5
	181	end
	182

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etc/doc/tutorial/fr/A.08-minecraft-vj.md less more

	0	A.8 Devenez un VJ Minecraft
	1
	2	# Devenez un VJ Minecraft
	3
	4	![Screen 0](../images/tutorial/articles/A.08-minecraft-vj/minecraft-vj-0-small.png)
	5
	6	Tout le monde a joué à Minecraft. Vous aurez tous construit des
	7	structures incroyables, conçu des pièges rusés et même créé des lignes
	8	de chariots raffinées contrôlées par des interrupteurs de pierre
	9	rouge. Mais qui parmi vous s'est produit avec Minecraft ? On parie que
	10	vous ne saviez pas que vous pouvez utiliser Minecraft pour créer des
	11	animations visuelles incroyables tout comme un VJ professionnel.
	12
	13	Si votre seule possibilité de modifier Minecraft était d'utiliser la
	14	souris, vous auriez du mal à changer les choses suffisamment vite.
	15	Heureusement pour vous votre Raspberry Pi a une version de Minecraft
	16	qui peut être contrôlée avec du code. Il contient aussi une application
	17	nommée Sonic Pi qui rend la programmation Minecraft non seulement facile
	18	mais aussi incroyablement amusante.
	19
	20	Dans l'article d'aujourd'hui nous allons vous montrer quelques trucs
	21	et astuces que nous avons utilisés pour créer des spectacles dans des
	22	boîtes de nuit et salles de concert autour du monde.
	23
	24	Commençons...
	25
	26	# Commencer
	27
	28	Commençons avec un simple exercice d'échauffement pour nous rappeler
	29	les bases. Commencez par allumer votre Raspberry Pi et lancer
	30	Minecraft et Sonic Pi. Dans Minecraft, créez un nouveau monde, et dans
	31	Sonic Pi choisissez un buffer de libre et écrivez-y ce code :
	32
	33	mc_message "Let's get started..."
	34
	35	Cliquez sur le bouton 'Run' et vous verrez le message dans la fenêtre
	36	Minecraft. OK, on est prêt à démarrer, on va s'amuser...
	37
	38	# Tempêtes de sable
	39
	40	Quand on utilise Minecraft pour créer des visuels on essaie de penser
	41	à des choses qui auront l'air intéressantes et qui seront aussi
	42	faciles à générer avec du code. Un truc sympa est de créer une tempête
	43	de sable en laissant tomber des bloc de sable du ciel. Pour cela on a
	44	juste besoin de quelques fonctions simples :
	45
	46	* `sleep` : pour insérer un délai entre des actions
	47	* `mc_location` : pour trouver notre emplacement courant
	48	* `mc_set_block` : pour positionner des blocs de sable à un endroit particulier
	49	* `rrand` : pour nous permetre de générer des valeurs aléatoires dans un intervalle
	50	* `live_loop` : pour nous permettre de faire pleuvoir du sable en continu
	51
	52	<!-- Breakout box start -->
	53
	54	Si vous ne connaissez pas une des ces fonctions comme `rrand`, vous
	55	pouvez juste taper le mot dans votre buffer, cliquer dessus, puis
	56	taper `Control-i` sur le clavier pour ouvrir la documentation. Vous
	57	pouvez aussi aller dans l'onglet lang du système d'aide puis
	58	y chercher directement les fonctions et toutes sortes d'autres choses
	59	excitantes que vous pouvez faire.
	60
	61
	62	<!-- Breakout box end -->
	63
	64	Commençons par faire tomber un peu de pluie avant de laisser la
	65	tempête complète éclater. Récupérez votre emplacement courant et
	66	utilisez-la pour créer quelques blocs de sable dans le ciel pas loin :
	67
	68	x, y, z = mc_location
	69	mc_set_block :sand, x, y + 20, z + 5
	70	sleep 2
	71	mc_set_block :sand, x, y + 20, z + 6
	72	sleep 2
	73	mc_set_block :sand, x, y + 20, z + 7
	74	sleep 2
	75	mc_set_block :sand, x, y + 20, z + 8
	76
	77	Après avoir cliqué sur 'Run', vous devrez peut-être un peu regarder
	78	autour de vous car les blocs peuvent commencer par tomber derrière
	79	vous, suivant dans quelle direction vous êtes pour le moment. N'ayez
	80	pas peur, si vous les avez raté, cliquez à nouveau sur 'Run' pour
	81	créer encore un peu de pluie de sable, assurez-vous juste de regarder
	82	dans la bonne direction.
	83
	84	Parcourons rapidement ce qui se passe ici. Sur la première ligne nous
	85	avons récupéré l'emplacement Steve en coordonnées avec la fonction
	86	`mc_location` et les avons placées dans les variables `x`, `y` et `z`.
	87	Puis sur les lignes suivantes nous avons utilisé la fonction
	88	`mc_set_block` pour placer un peu de sable aux mêmes coordonnées que
	89	Steve mais avec quelques modifications. On a utilisé la même
	90	coordonnée x, une coordonnée y 20 blocs plus haut et des coordonnées z
	91	successivement plus larges pour que le sable tombe dans une ligne en
	92	s'éloignant de Steve.
	93
	94	Et si vous preniez ce code et commenciez à jouer avec ? Essayez
	95	d'ajouter plus de lignes, de changer la durée d'attente, essayez de
	96	mélanger du `:sand` avec du `:gravel` et choisissez différentes
	97	coordonnées. Expérimentez et amusez-vous !
	98
	99	# Boucles interactives déchaînées
	100
	101	OK, il est l'heure de lancer la tempête en déchaînant la puissance
	102	complète de la `live_loop` : la capacité magique de Sonic Pi qui
	103	montre la puissance entière de la programmation interactive : changer
	104	le code à la volée pendant qu'il est en train de s'exécuter !
	105
	106	live_loop :sand_storm do
	107	x, y, z = mc_location
	108	xd = rrand(-10, 10)
	109	zd = rrand(-10, 10)
	110	co = rrand(70, 130)
	111	synth :cnoise, attack: 0, release: 0.125, cutoff: co
	112	mc_set_block :sand, x + xd, y+20, z+zd
	113	sleep 0.125
	114	end
	115
	116	Qu'est-ce que c'est amusant ! On boucle assez vite (8 fois par
	117	seconde) et pendant chaque boucle on trouve l'emplacement de Steve
	118	comme avant mais on génère ensuite trois valeurs aléatoires :
	119
	120	* `xd` : la différence pour x qui sera entre -10 et 10
	121	* `zd` : la différence pour z, aussi entre -10 et 10
	122	* `co` : une valeur de coupure pour le filtre passe-bas, entre 70 et 130
	123
	124	On utilise ensuite ces valeurs aléatoires dans les fonctions `synth`
	125	et `mc_set_block` ce qui nous donne du sable qui tombe dans des
	126	endroits aléatoires autour de Steve ainsi qu'un son percussif
	127	semblable à de la pluie, joué le synthé `:cnoise`.
	128
	129	Pour ceux d'entre vous qui ne connaissaient pas les boucles
	130	interactives : c'est là qu'on commence vraiment à s'amuser avec Sonic
	131	Pi. Pendant que le code tourne et que le sable pleut, essayez de
	132	changer une des valeurs, peut-être la valeur d'attente à `0.25` ou
	133	le type de bloc `:sand` en `:gravel`. Ensuite cliquez sur 'Run' à
	134	nouveau. Et voilà ! Les choses changent sans que le code ne s'arrête.
	135	C'est votre passerelle pour vous produire comme un vrai VJ. Continuez
	136	à vous exercer à changer des choses. Jusqu'où arrivez-vous à modifier
	137	les visuels sans arrêter le code ?
	138
	139
	140	# Des formes de blocs épiques
	141
	142	![Screen 1](../images/tutorial/articles/A.08-minecraft-vj/minecraft-vj-1-small.png)
	143
	144	Enfin une autre super façon de générer des visuels intéressants est de
	145	générer des énormes murs de motifs vers lesquels voler. Pour cet effet
	146	nous allons devoir passer d'un placement aléatoire de blocs à un
	147	placement de manière ordonnée. On peut faire cela en imbriquant deux
	148	itérations (cliquez sur le bouton 'Aide' et allez dans la section 5.2
	149	du tutoriel "Itération et boucles" pour plus d'informations sur
	150	l'itération). L'étrange `\|xd\|` après le `do` veut dire que `xd`
	151	prendra une valeur à chaque boucle de l'itération. La première fois il
	152	vaudra `0`, puis `1`, puis `2`, etc. En imbriquant deux itérations
	153	comme cela on peut générer toutes les coordonnées d'un carré. On peut
	154	ensuite choisir aléatoirement des types de blocs d'un anneau de blocs
	155	pour obtenir un effet intéressant :
	156
	157	x, y, z = mc_location
	158	bs = (ring :gold, :diamond, :glass)
	159	10.times do \|xd\|
	160	10.times do \|yd\|
	161	mc_set_block bs.choose, x + xd, y + yd, z
	162	end
	163	end
	164
	165	Pas mal. Pendant qu'on s'amuse ici, essayez de changer `bs.choose` en
	166	`bs.tick` pour passer d'un motif aléatoire à un motif plus régulier.
	167	Essayez de changer les types de blocs et les plus aventureux parmi
	168	vous voudrons peut-être mettre ce code dans une `live_loop` pour que
	169	les modifs continuent à changer automatiquement.
	170
	171	Enfin, pour la fin du set du VJ, changez les deux `10.times` en
	172	`100.times` et cliquez sur 'Run'. Boum ! Un énorme mur géant de
	173	briques aléatoires. Imaginez combien de temps ça vous aurait pris de
	174	construire ça avec votre souris ! Double-tapez la touche Espace pour
	175	entrer en mode volant et commencez à planer pour obtenir de super
	176	effets visuels. Ne vous arrêtez pas là, utilisez votre imagination
	177	pour trouver des idées sympa et utilisez ensuite la puissance de
	178	programmation de Sonic Pi pour le réaliser. Quand vous vous serez
	179	suffisamment exercés, baissez la lumière et donnez un spectacle de VJ
	180	pour vos amis !

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etc/doc/tutorial/fr/A.09-randomisation.md less more

	0	A.9 L'aléatoire
	1
	2	# Surfer sur des flux aléatoires
	3
	4	Dans le quatrième épisode de cette série de tutoriels nous avons jeté
	5	un oeil brièvement à l'aléatoire en codant des riffs grésillants de
	6	synthé. Vu comme l'aléatoire est une partie très importante de mes
	7	performances de live coding j'ai pensé qu'il serait utile d'en couvrir
	8	les bases plus en détail. Mettez votre casquette et surfons sur des
	9	flux aléatoires !
	10
	11	# Il n'y a pas d'aléatoire
	12
	13	La première chose à apprendre qui pourrait vraiment vous surprendre en
	14	jouant avec les fonctions aléatoires de Sonic Pi c'est qu'elles ne
	15	sont en fait pas vraiment aléatoires. Qu'est-ce que cela signifie ?
	16	Eh bien, faisons quelques essais. Commencez par imaginer un nombre
	17	dans votre tête entre 0 et 1. Gardez-le en tête et ne me le dites pas.
	18	Maintenant, laissez-moi deviner... est-ce que c'était `0.321567` ?
	19	Non ? Bah, je ne suis clairement pas bon à ce jeu. Essayons encore une
	20	fois, mais demandons à Sonic Pi de choisir un nombre cette fois.
	21	Lancez Sonic Pi version 2.7 ou plus et demandez lui un nombre
	22	aléatoire mais de nouveau ne me dites pas le résultat.
	23
	24
	25	print rand
	26
	27	Et maintenant pour le truc... est-ce que c'était `0.75006103515625` ?
	28	Oui ! Ha, je vois que vous êtes un peu sceptique. C'était peut-être
	29	juste de la chance. Essayons encore. Cliquez sur 'Run' à nouveau et
	30	regardons ce qu'on obtient... Quoi ? Encore `0.75006103515625` ? Ca ne
	31	peut clairement pas être aléatoire ! Vous avez raison, ça ne l'est pas.
	32
	33	Qu'est-ce qui se passe ici ? Le mot savant d'informatique pour ceci
	34	est le déterminisme. Cela veut juste dire que rien n'a lieu par hasard
	35	et que tout a sa destinée. Votre version de Sonic Pi a le destin de
	36	toujours retourner `0.75006103515625` dans le programme ci-dessus.
	37	Cela peut sembler assez inutile, mais laissez moi vous assurer que
	38	c'est une des parties les plus puissantes de Sonic Pi. Si vous
	39	persévérez vous apprendrez comment compter sur la nature
	40	déterministique de l'aléatoire dans Sonic Pi comme un bloc de
	41	construction fondamental pour vos compositions et performances de live
	42	coding.
	43
	44	# Une mélodie aléatoire
	45
	46	Quand Sonic Pi démarre il charge en fait en mémoire une séquence de
	47	441 000 valeurs aléatoires pré-générées. Quand vous appelez une
	48	fonction aléatoire comme `rand` ou `rrand`, ce flux aléatoire est
	49	utilisé pour générer votre résultat. Chaque appel à une fonction
	50	aléatoire consomme une valeur de ce flux. Ainsi le dixième appel à une
	51	fonction aléatoire utilisera la dixième valeur du flux. Aussi, chaque
	52	fois que vous cliquez sur le bouton 'Run', le flux est réinitialisé
	53	pour cette exécution. C'est pour cela que j'ai pu prédire le résultat
	54	de `rand` et pourquoi la mélodie 'aléatoire' était la même à chaque
	55	fois. La version de Sonic Pi de chacun utilise exactement le même flux
	56	aléatoire ce qui est très important quand on commence à partager nos
	57	morceaux.
	58
	59	Utilisons cette connaissance pour générer une mélodie aléatoire
	60	répétable :
	61
	62	8.times do
	63	play rrand_i(50, 95)
	64	sleep 0.125
	65	end
	66
	67	Tapez ceci dans un buffer de libre et cliquez sur 'Run'. Vous
	68	entendrez une mélodie de notes aléatoires entre 50 et 95. Quand elle
	69	aura fini, cliquez sur 'Run' à nouveau pour entendre exactement la
	70	même mélodie à nouveau.
	71
	72	start breakout box
	73	## Des fonctions aléatoires pratiques
	74
	75	Sonic Pi contient un certain nombre de fonctions utiles pour
	76	travailler avec le flux aléatoire. Voici une liste des plus utiles :
	77
	78	* `rand` : retourne simplement la prochaine valeur dans le flux aléatoire
	79	* `rrand` : retourne une valeur aléatoire dans un intervalle
	80	* `rrand_i` : retourne une valeur entière aléatoire dans un intervalle
	81	* `one_in` : retourne vrai ou faux pour une probabilité donnée
	82	* `dice` : imite un jet de dé et retourne une valeur entre 1 et 6
	83	* `choose` : choisit une valeur aléatoire dans une liste
	84
	85	Regardez leur documentation dans le système d'aide pour des
	86	informations détaillées et des exemples.
	87
	88	end breakout box
	89
	90	# Réinitialiser le flux
	91
	92	Même si la capacité de répéter une séquence de notes choisies est
	93	essentielle pour vous permettre de rejouer une mélodie sur la piste de
	94	danse, ça pourrait ne pas être exactement la mélodie que vous
	95	souhaitez. Ne serait-ce pas génial si on pouvait essayez différentes
	96	mélodies et choisir celle qu'on préfère ? C'est ici que la vraie
	97	magie commence.
	98
	99	On peut régler le flux manuellement avec la fonction
	100	`use_random_seed`. En informatique, une graine aléatoire est le point
	101	de départ à partir duquel un nouveau flux de valeurs aléatoires peut
	102	fleurir. Essayons-le :
	103
	104
	105	use_random_seed 0
	106	3.times do
	107	play rrand_i(50, 95)
	108	sleep 0.125
	109	end
	110
	111	Super, on récupère les trois premières notes de notre mélodie
	112	aléatoire ci-dessus : `84`, `83` et `71`. Cependant on peut
	113	maintenant changer la graine. Par exemple :
	114
	115	use_random_seed 1
	116	3.times do
	117	play rrand_i(50, 95)
	118	sleep 0.125
	119	end
	120
	121
	122	Intéressant, on obtient `83`, `71` et `61`. Vous avez peut-être
	123	remarqué que les deux premiers nombres ici sont les mêmes que les deux
	124	derniers nombres d'avant : ce n'est pas une coïncidence.
	125
	126	Rappelez-vous que le flux aléatoire est juste une liste géante de
	127	valeurs pré-choisies. Choisir une graine aléatoire nous déplace juste
	128	en un point de la liste. Une autre manière de voir ça est d'imaginer
	129	un énorme jeu de cartes pré-mélangées. Utiliser une graine aléatoire,
	130	c'est couper le jeu en un point particulier. Ce qui est fabuleux avec
	131	ça c'est qu'on peut se déplacer dans le flux aléatoire, ce qui nous
	132	donne un énorme pouvoir quand on fait de la musique.
	133
	134	Revisitons notre mélodie aléatoire de huit notes avec cette nouvelle
	135	capacité de réinitialiser le flux, et mettons là dans une boucle
	136	interactive pour pouvoir expérimenter pendant qu'elle joue :
	137
	138	live_loop :random_riff do
	139	use_random_seed 0
	140	8.times do
	141	play rrand_i(50, 95), release: 0.1
	142	sleep 0.125
	143	end
	144	end
	145
	146	Maintenant, pendant qu'elle est en train de jouer, changez la valeur
	147	de la graine de `0` en quelque chose d'autre. Essayez `100`, ou
	148	pourquoi pas `999`. Essayez vos propres valeurs, expérimentez et
	149	amusez-vous : voyez quelle graine génère la mélodie que vous préférez.
	150
	151	# Rassemblons tout
	152
	153	Le tutoriel de ce mois a été un plongeon bien technique dans les
	154	entrailles de la fonctionnalité aléatoire de Sonic Pi. J'espère que
	155	cela vous a montré un peu comment elle marche et comment vous pouvez
	156	commencer à utiliser de l'aléatoire de manière fiable pour créer des
	157	motifs reproductibles dans votre musique. Il est important de souligner
	158	qu'on peut utiliser de l'aléatoire reproductible où on veut. Par
	159	exemple, on peut rendre aléatoire l'amplitude des notes, le mix d'un
	160	effet, etc. Dans l'avenir nous regarderons de plus près certaines de
	161	ces applications, mais pour le moment je vais vous laisser avec un
	162	exemple court.
	163
	164	Tapez le code suivant dans un buffer disponible, cliquez sur 'Run' et
	165	commencez à modifier les graines, cliquez sur 'Run' de nouveau
	166	(pendant que le code tourne) et explorez les différents sons, rythmes
	167	et mélodies que vous pouvez créer. Quand vous en trouvez une qui sonne
	168	bien, notez la graine pour pouvoir y revenir plus tard. Enfin, quand
	169	vous aurez trouvé quelques graines qui vous plaisent, donnez un
	170	concert de live coding à vos amis en changeant simplement entre vos
	171	graines préférées pour créer un morceau entier.
	172
	173	live_loop :random_riff do
	174	use_random_seed 10300
	175	use_synth :prophet
	176	s = [0.125, 0.25, 0.5].choose
	177	8.times do
	178	r = [0.125, 0.25, 1, 2].choose
	179	n = (scale :e3, :minor).choose
	180	co = rrand(30, 100)
	181	play n, release: r, cutoff: co
	182	sleep s
	183	end
	184	end
	185
	186	live_loop :drums do
	187	use_random_seed 2001
	188	16.times do
	189	r = rrand(0.5, 10)
	190	sample :drum_bass_hard, rate: r, amp: rand
	191	sleep 0.125
	192	end
	193	end
	194
	195

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	0	A.10 Contrôle
	1
	2	# Contrôler votre son
	3
	4	Jusqu'ici dans cette série nous nous sommes concentrés sur le
	5	déclenchement de sons. Nous avons découvert qu'on pouvait déclencher
	6	les nombreux synthés présents dans Sonic Pi avec `play` ou `synth` et
	7	comment déclencher des samples pré-enregistrés avec `sample`. Nous
	8	avons aussi vu comment on pouvait entourer ces sons dans des effets
	9	studio tels que la reverb et la distorsion en utilisant la commande
	10	`with_fx`. En combinant cela avec le système de chronométrage
	11	incroyablement précis de Sonic Pi on peut produire un vaste ensemble
	12	de sons, rythmes et mélodies. Cependant, une fois qu'on a
	13	soigneusement sélectionné les options d'un son en particulier et qu'on
	14	l'a déclenché, on ne peut plus le modifier pendant qu'il est joué,
	15	c'est ça ? Non ! Aujourd'hui vous allez apprendre quelque chose de
	16	très puissant : comment contrôler des synthés qui sont en train d'être
	17	joués.
	18
	19	## Un son de base
	20
	21	Créons un simple son agréable. Lancez Sonic Pi et tapez le code
	22	suivant dans un buffer disponible :
	23
	24	```
	25	synth :prophet, note: :e1, release: 8, cutoff: 100
	26	```
	27
	28	Maintenant cliquez sur le bouton 'Run' en haut à gauche pour entendre
	29	un beau son de synthé grondant. Allez-y, cliquez à nouveau dessus
	30	quelques fois pour vous habituer. OK, fini? Commençons à le contrôler !
	31
	32	## Noeuds de synthé
	33
	34	Une fonctionnalité peu connue de Sonic Pi est que les fonctions
	35	`play`, `synth` et `sample` retournent ce qu'on appelle un `SynthNode`
	36	qui représente un son en train d'être joué. Vous pouvez capturer un de
	37	ces `SynthNode`s en utilisant une variable standard et le contrôler
	38	ensuite dans le futur. Par exemple, changeons la valeur de l'option
	39	`cutoff:` après un battement :
	40
	41	```
	42	sn = synth :prophet, note: :e1, release: 8, cutoff: 100
	43	sleep 1
	44	control sn, cutoff: 130
	45	```
	46
	47	Regardons chaque ligne une par une :
	48
	49	On commence par déclencher le synthé `:prophet` en utilisant la
	50	fonction `synth` habituelle. Cependant on capture aussi le résultat
	51	dans une variable nommée `sn`. On aurait pu appeler cette variable
	52	complètement différemment comme par exemple `synth_node` ou `jane` :
	53	le nom n'a pas d'importance. Enfin il est important de choisir un nom
	54	qui a du sens pour vous pour vos performances et pour les gens qui
	55	lisent votre code. J'ai choisi `sn` parce que c'est un bon petit moyen
	56	mnémotechnique pour 'synth node'.
	57
	58	A la ligne 2 on a une commande `sleep` standard. Ca ne fait rien de
	59	spécial : ça demande juste à l'ordinateur d'attendre un battement
	60	avant d'avancer à la ligne suivante.
	61
	62	C'est à la ligne 3 qu'on commence à s'amuser. Ici on utilise la
	63	fonction `control` pour dire à notre `SynthNode` courant de changer la
	64	valeur de coupure en `130`. Si vous cliquez sur le bouton 'Run', vous
	65	entendrez le synthé `:prophet` commencer à jouer comme avant, mais
	66	après un battement il changera et sonnera beaucoup plus clair.
	67
	68
	69	Breakout Box Start
	70	Options modulables
	71
	72	La plupart des options des synthés et effets de Sonic Pi peuvent être
	73	modifiées après avoir été déclenchées. Cependant, ce n'est pas le cas
	74	pour toutes. Par exemple, les options d'enveloppe `attack:`, `decay:`,
	75	`sustain:` et `release:` ne peuvent être définies que quand on
	76	déclenche le synthé. Pour savoir quelles options peuvent être
	77	modifiées ou non, c'est simple : allez voir la documentation d'un
	78	synthé ou effet et regardez la documentation des options individuelles
	79	et cherchez les phrases "May be changed whilst playing" (Peut être
	80	modifiée en jouant) ou "Can not be changed once set" (ne peut pas être
	81	modifiée une fois définie). Par exemple, la documentation de l'option
	82	`attack:` du synthé `:beep` indique clairement qu'on ne peut pas la
	83	modifier ultérieurement :
	84
	85	* Valeur par défaut: 0
	86	* Doit être supérieure ou égal à 0
	87	* Ne peut pas être modifiée après sa définition
	88	* Mise à l'échelle avec la valeur courante de BPM
	89	Breakout Box End
	90
	91	## Modifications multiples
	92
	93	Pendant qu'un synthé est joué vous n'êtes pas limités à ne le changer
	94	qu'une fois : vous êtes libres de le modifier autant que vous le
	95	souhaitez. Par exemple, on peut transformer notre `:prophet` en petit
	96	arpégiateur avec le code suivant :
	97
	98	```
	99	notes = (scale :e3, :minor_pentatonic)
	100	sn = synth :prophet, note: :e1, release: 8, cutoff: 100
	101	sleep 1
	102	16.times do
	103	control sn, note: notes.tick
	104	sleep 0.125
	105	end
	106	```
	107
	108	Dans cet extrait de code nous avons juste introduit quelques choses en
	109	plus. On commence par définir une nouvelle variable appelée `notes`
	110	qui contient les notes qu'on aimerait parcourir en boucle (un
	111	arpégiateur est juste un mot savant pour quelque chose qui parcourt en
	112	boucle une liste de notes dans un ordre donné). Ensuite on déplace
	113	notre appel à `control` dans une itération en l'appelant 16 fois. A
	114	chaque appel à `control` on parcourt notre anneau de `notes` qui va se
	115	répéter automatiquement quand on arrivera à sa fin (grâce à la
	116	puissance fabuleuse des anneaux de Sonic Pi). Pour un peu de variété
	117	essayez de remplacer `.tick` par `.choose` et tentez d'entendre la
	118	différence.
	119
	120
	121	Notez qu'on peut modifier plusieurs options en même temps. Essayez de
	122	changer la ligne de contrôle en la suivante et écoutez la différence :
	123
	124	```
	125	control sn, note: notes.tick, cutoff: rrand(70, 130)
	126	```
	127
	128	## Transitions
	129
	130	Quand on contrôle un `SynthNode`, il répond exactement à ce moment-là
	131	et change immédiatement la valeur de l'option comme si vous aviez
	132	pressé un bouton ou actionné un interrupteur pour demander la
	133	modification. Cela peut sonner rythmique et percussif, notamment si
	134	l'option contrôle un aspect du timbre comme `cutoff:`. Cependant, on
	135	n'a pas toujours envie que la modification arrive immédiatement. On a
	136	parfois envie de se déplacer en douceur de la valeur courante à la
	137	nouvelle, comme si on avait déplacé un curseur. Bien sûr, Sonic Pi
	138	sait aussi faire cela en utilisant les options `_slide:`
	139
	140	Chaque option qui peut être modifiée a aussi une option spéciale
	141	correspondante `_slide:` qui vous permet de définir un temps de
	142	transition. Par exemple, `amp:` a `amp_slide:` et `cutoff:` a
	143	`cutoff_slide:`. Ces options de transition marchent un peu
	144	différemment de toutes les autres options parce qu'elles disent à la
	145	note de synthé comment se comporter *la prochaine fois qu'elle seront
	146	contrôlées*. Voyons ça :
	147
	148	```
	149	sn = synth :prophet, note: :e1, release: 8, cutoff: 70, cutoff_slide: 2
	150	sleep 1
	151	control sn, cutoff: 130
	152	```
	153
	154	Remarquez que cet exemple est exactement le même qu'avant sauf qu'on a
	155	ajouté `cutoff_slide:`. Ceci indique que la prochaine fois que
	156	l'option `cutoff:` de ce synthé sera contrôlée, il mettra deux
	157	battements pour passer de sa valeur courante à la nouvelle valeur.
	158	Par conséquent, quand on utilise `control` vous pouvez entendre la
	159	coupure changer graduellement de 70 à 130. Cela crée une sensation
	160	dynamique intéressante pour le son. Maintenant essayez de changer la
	161	durée de `cutoff_slide:` en une valeur plus courte comme 0.5 ou une
	162	valeur plus longue comme 4 pour voir comment ça change le son.
	163	Souvenez-vous que vous pouvez transitionner chacune des options
	164	modifiables de cette même manière, et chaque valeur de `_slide:` peut
	165	être complètement différente donc vous pouvez avoir une transition
	166	lente de la coupure, une transition rapide de l'amplitude, et une
	167	transition de la stéréo un peu entre les deux si c'est ce que vous
	168	avez envie de créer.
	169
	170
	171	## Rassemblons tout
	172
	173	Regardons un court exemple qui montre la puissance du contrôle des
	174	synthés après leur déclenchement. Remarquez que vous pouvez aussi
	175	transitionner les effets comme les synthés, mais avec une syntaxe
	176	légèrement différente. Regardez la section 7.2 du tutoriel inclus dans
	177	Sonic Pi pour plus d'information sur le contrôle des effets.
	178
	179	Copiez le code dans un buffer de libre et écoutez. Ne vous arrêtez pas
	180	là : jouez à modifier le code. Changez les durées de transition,
	181	changez les notes, le synthé, l'effet et les durées d'attente et voyez
	182	si vous pouvez le transformer en quelque chose de complètement
	183	différent !
	184
	185
	186	```
	187	live_loop :moon_rise do
	188	with_fx :echo, mix: 0, mix_slide: 8 do \|fx\|
	189	control fx, mix: 1
	190	notes = (scale :e3, :minor_pentatonic, num_octaves: 2).shuffle
	191	sn = synth :prophet , sustain: 8, note: :e1, cutoff: 70, cutoff_slide: 8
	192	control sn, cutoff: 130
	193	sleep 2
	194	32.times do
	195	control sn, note: notes.tick, pan: rrand(-1, 1)
	196	sleep 0.125
	197	end
	198	end
	199	end
	200	```

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	0	A.11 Tic tac
	1
	2	# Suivre le rythme
	3
	4	Le mois dernier dans cette série nous avons regardé en détail comment
	5	fonctionne le système de gestion de l'aléatoire de Sonic Pi. On a
	6	exploré comment on peut l'utiliser de manière déterministe pour avoir
	7	de nouveaux niveaux de contrôle dynamique sur notre code. Ce mois-ci
	8	nous allons continuer notre exploration technique et regarder le
	9	système unique de 'tick' de Sonic Pi. D'ici la fin de cet article vous
	10	parcourrez des rythmes et mélodies sur votre chemin pour devenir un DJ
	11	de programmation interactive.
	12
	13
	14	# Compter les temps
	15
	16	Quand on fait de la musique on a souvent envie de faire quelque chose
	17	de différent en fonction du temps sur lequel on est. Sonic Pi a un
	18	système spécial pour compter les temps appelé `tick` pour vous donner
	19	un contrôle précis sur quand est-ce qu'un battement arrive réellement
	20	et il supporte même des battements multiples avec leur propre tempo.
	21
	22	Amusons-nous : pour avancer le temps on a juste besoin d'appeler
	23	`tick`. Ouvrez un buffer libre, tapez le code suivant et cliquez sur
	24	le bouton 'Run' :
	25
	26	```
	27	puts tick #=> 0
	28	```
	29
	30	Cela retournera le battement courant : `0`. Remarquez que même si
	31	vous cliquez plusieurs fois sur le bouton 'Run', il retournera
	32	toujours `0`. Cela parce que chaque exécution commence avec un
	33	compteur qui part de 0. Cependant, pendant que le programme tourne, on
	34	peut avancer le compteur autant qu'on veut :
	35
	36	```
	37	puts tick #=> 0
	38	puts tick #=> 1
	39	puts tick #=> 2
	40	```
	41
	42	<breakout> Quand vous voyez le symbole `#=>` à la fin d'une ligne de
	43	code cela veut dire que cette ligne va noter ce texte dans la partie
	44	de droite de Sonic Pi. Par exemple, `puts foo #=> 0` veut dire que le
	45	code `puts foo` affiche `0` dans le log à cet endroit du programme.
	46	</breakout>
	47
	48	# Vérifier le compteur
	49
	50	On a vu que `tick` fait deux choses. Il incrémente (ajoute un) et
	51	retourne le compteur courant. Parfois on veut juste regarder le
	52	battement courant sans devoir l'incrémenter et on peut faire cela via
	53	`look`.
	54
	55	```
	56	puts tick #=> 0
	57	puts tick #=> 1
	58	puts look #=> 1
	59	puts look #=> 1
	60	```
	61
	62	Dans ce code on incrémente le compteur deux fois puis on appelle
	63	`look` deux fois. On verra les valeurs suivantes dans le log : `0`,
	64	`1`, `1`, `1`. Les deux premiers `tick`s ont retourné `0` et `1`,
	65	comme attendu, puis les deux `look`s ont juste retourné la dernière
	66	valeur du compteur deux fois, donc `1`.
	67
	68
	69	# Anneaux
	70
	71	On peut donc avancer le compteur avec `tick` et en connaître la valeur
	72	avec `look`. Qu'est-ce qui vient suite ? On a besoin de quelque chose
	73	à parcourir. Sonic Pi utilise les anneaux pour représenter les
	74	mélodies et rythmes et le système de tick a été conçu spécialement
	75	pour fonctionner avec eux. En fait, les anneaux ont leur propre
	76	version de `tick` qui fait deux choses. D'un côté elle agit comme un
	77	tick normal et incrémente le compteur. D'un autre, elle donne une
	78	valeur de l'anneau en utilisant le compteur comme index. Voyons cela :
	79
	80	```
	81	puts (ring :a, :b, :c).tick #=> :a
	82	```
	83
	84	`.tick` est une version spéciale avec un point de `tick` qui nous
	85	retourne la première valeur de l'anneau: : `:a`. On peut attraper
	86	chacune des notes de l'anneau en appelant `:tick` plusieurs fois :
	87
	88	```
	89	puts (ring :a, :b, :c).tick #=> :a
	90	puts (ring :a, :b, :c).tick #=> :b
	91	puts (ring :a, :b, :c).tick #=> :c
	92	puts (ring :a, :b, :c).tick #=> :a
	93	puts look #=> 3
	94	```
	95
	96	Regardez le log et vous verrez `:a`, `:b`, `:c` et puis de nouveau
	97	`:a`. Remarquez que `look` retourne `3`. Les appels à `.tick` se
	98	comportent comme les appels à `tick` : ils incrémentent le compteur
	99	local.
	100
	101
	102	# Un arpégiateur dans une boucle interactive
	103
	104	La véritable puissance vient quand on mélange `tick` avec des anneaux
	105	et des `live_loop`s. En les combinant on a tous les outils dont on a
	106	besoin pour construire et comprendre un arpégiateur simple. On a juste
	107	besoin de quatre choses :
	108
	109	1. Un anneau qui contient les notes sur lesquelles on va boucler
	110	2. Une manière d'incrémenter et de lire le compteur
	111	3. La capacité de jouer une note en se basant sur le compteur courant
	112	4. Une structure de boucle qui répète l'arpégiateur en continu
	113
	114	Ces concepts se retrouvent tous dans le code suivant :
	115
	116	```
	117	notes = (ring 57, 62, 55, 59, 64)
	118
	119	live_loop :arp do
	120	use_synth :dpulse
	121	play notes.tick, release: 0.2
	122	sleep 0.125
	123	end
	124	```
	125
	126	Regardons chacune de ces lignes. On commence par définir notre anneau
	127	de notes que nous allons jouer en continu. On crée ensuite une
	128	`live_loop` nommée `:arp` qui va boucler pour nous. A chaque itération
	129	de la `live_loop` on choisit un synthé `:dpulse` et on joue ensuite la
	130	note suivante de notre anneau en utilisant `.tick`. Souvenez-vous que
	131	cela va incrémenter notre compteur de temps et en utiliser la valeur
	132	comme index dans notre anneau de notes. Enfin on attend un huitième de
	133	temps avant de recommencer la boucle.
	134
	135	# Battements multiples simultanés
	136
	137	Une chose très importante à savoir est que les `tick`s sont liés à la
	138	`live_loop`. Cela veut dire que chaque `live_loop` a son propre
	139	compteur indépendant. C'est beaucoup plus puissant que d'avoir un
	140	métronome et battement global. Regardons ce que cela donne :
	141
	142	notes = (ring 57, 62, 55, 59, 64)
	143
	144	with_fx :reverb do
	145	live_loop :arp do
	146	use_synth :dpulse
	147	play notes.tick + 12, release: 0.1
	148	sleep 0.125
	149	end
	150	end
	151
	152	live_loop :arp2 do
	153	use_synth :dsaw
	154	play notes.tick - 12, release: 0.2
	155	sleep 0.75
	156	end
	157
	158	# Collisions de battements
	159
	160	Une grande source de confusion dans le système de tick de Sonic Pi est
	161	quand on veut parcourir plusieurs anneaux dans le même `live_loop`.
	162
	163	use_bpm 300
	164	use_synth :blade
	165	live_loop :foo do
	166	play (ring :e1, :e2, :e3).tick
	167	play (scale :e3, :minor_pentatonic).tick
	168	sleep 1
	169	end
	170
	171	Même si chaque `live_loop` a son compteur indépendant, ici on appelle
	172	`.tick` deux fois dans la même `live_loop`. Cela veut dire que le
	173	compteur sera incrémenté deux fois à chaque boucle. Cela peut produire
	174	des polyrythmes intéressants mais ce n'est souvent pas ce que l'on
	175	souhaite. Il y a deux solutions à ce problème. Une option est
	176	d'appeler `tick` manuellement au début de la `live_loop` puis
	177	d'utiliser `look` pour chercher la valeur courante du compteur dans
	178	chaque `live_loop`. La seconde solution est de passer un nom unique
	179	à chaque appel à `.tick`, comme par exemple `.tick(:foo)`. Sonic Pi
	180	créera alors un compteur séparé pour chaque tick nommé que vous
	181	utiliserez. Ainsi on peut travailler avec autant de compteurs que
	182	nécessaire ! Lisez le section 9.4 sur les ticks nommés dans le
	183	tutoriel inclus dans Sonic Pi pour plus d'informations.
	184
	185	# Rassemblons tout
	186
	187	Combinons nos connaissances sur les `tick`s, `ring`s (anneaux) et
	188	`live_loop`s pour un dernier exemple amusant. Comme d'habitude, ne
	189	traitez pas ceci comme un morceau terminé. Commencez à changer des
	190	choses et amusez-vous avec et voyez en quoi vous pouvez le
	191	transformer. A la prochaine...
	192
	193
	194	use_bpm 240
	195	notes = (scale :e3, :minor_pentatonic).shuffle
	196
	197	live_loop :foo do
	198	use_synth :blade
	199	with_fx :reverb, reps: 8, room: 1 do
	200	tick
	201	co = (line 70, 130, steps: 32).tick(:cutoff)
	202	play (octs :e3, 3).look, cutoff: co, amp: 2
	203	play notes.look, amp: 4
	204	sleep 1
	205	end
	206	end
	207
	208	live_loop :bar do
	209	tick
	210	sample :bd_ada if (spread 1, 4).look
	211	use_synth :tb303
	212	co = (line 70, 130, steps: 16).look
	213	r = (line 0.1, 0.5, steps: 64).mirror.look
	214	play notes.look, release: r, cutoff: co
	215	sleep 0.5
	216	end

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106	106	play :E4
107	107	```
108	108
109		半音♭(シャープ)にしたい場合は、’play :Fs3'のように音名の後に's'を追加します。
110		半音♯(フラット)にしたい場合は、'play :Eb3'のように'b'を追加します。
	109	半音♯(シャープ)にしたい場合は、’play :Fs3'のように音名の後に's'を追加します。
	110	半音♭(フラット)にしたい場合は、'play :Eb3'のように'b'を追加します。
111	111
112	112	夢中になって、自分の曲を作って楽しみましょう。

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0		2.2 シンセのパラメータ
	0	2.2 シンセのオプション
1	1
2		# シンセのパラメータ：Amp と Pan
	2	# シンセのオプション：Amp と Pan
3	3
4		Sonic Piはあらゆる音を作りだし、コントロールするためのパラメータの全てを提供します。
	4	Sonic Piはあらゆる音を作りだし、コントロールするためのオプションの全てを提供します。
5	5	どんな音符を演奏するのか、そしてどんなサンプルをトリガー（きっかけ）にするのかはあなた次第です。
6	6	このチュートリアルでは、これらの多くをカバーするそれぞれについての詳細なドキュメントが
7	7	ヘルプシステムにあります。しかし、これから最も有用なのうちの2つ、Amplitude(振幅)とPan(パン)を紹介します。
8		まずはパラメータを見てみましょう。
	8	まずはオプションを見てみましょう。
9	9
10		## パラメータ
	10	## オプション
11	11
12		Sonic Piはシンセのためにパラメータ(変数)という概念を備えています。
13		パラメータは、あなたが耳にするサウンドの特徴をコントロールしたり、
	12	Sonic Piはシンセのためにオプションという概念を備えています。
	13	オプションは、あなたが耳にするサウンドの特徴をコントロールしたり、
14	14	変更するための手段で、演奏に反映されます。シンセはそれぞれ細かく音を
15		チューニングするためのパラメータを持っています。
16		Sonic Piには、`amp:`（音量）やエンベロープ・パラメータ(ほかのセクションで紹介します)のような、
17		多くのサウンドに共通するパラメータを持っています。
	15	チューニングするためのオプションを持っています。
	16	Sonic Piには、`amp:`（音量）やエンベロープ・オプション(ほかのセクションで紹介します)のような、
	17	多くのサウンドに共通するオプションを持っています。
18	18
19		パラメータには2つの主要な役割があり、ひとつはその名前(制御の名前)、もうひとつは
20		数値（あなたが制御したい値）です。例えば、`cheese:`いうパラメータがあったとして、
	19	オプションには2つの主要な役割があり、ひとつはその名前(制御の名前)、もうひとつは
	20	数値（あなたが制御したい値）です。例えば、`cheese:`いうオプションがあったとして、
21	21	`1`の値にセットしたいとします。
22	22
23		パラメータは、play`の後にカンマ`,`を入れて、その後、`amp:`(コロン : を忘れずに)のような
24		パラメータの名前、スペース、そしてパラメータの値、というように渡していきます。例えば、
	23	オプションは、play`の後にカンマ`,`を入れて、その後、`amp:`(コロン : を忘れずに)のような
	24	オプションの名前、スペース、そしてオプションの値、というように渡していきます。例えば、
25	25
26	26	```
27	27	play 50, cheese: 1
28	28	```
29	29
30		(cheese: は無効なパラメータです。例として使っています。)
	30	(cheese: は無効なオプションです。例として使っています。)
31	31
32		カンマを使って区切り、複数のパラメータを使用することができます。
	32	カンマを使って区切り、複数のオプションを使用することができます。
33	33
34	34	```
35	35	play 50, cheese: 1, beans: 0.5
36	36	```
37	37
38		パラメータの順番は問題ではないので、以下は同じものです。
	38	オプションの順番は問題ではないので、以下は同じものです。
39	39
40	40
41	41	```
42	42	play 50, beans: 0.5, cheese: 1
43	43	```
44	44
45		シンセで認識されないパラメータは無視されます(`cheese` (チーズ)と`beans`(豆)などは明らかに馬鹿げた名前でしょう！)
	45	シンセで認識されないオプションは無視されます(`cheese` (チーズ)と`beans`(豆)などは明らかに馬鹿げた名前でしょう！)
46	46
47		もし偶然同じパラメータを2回、違う値で使った場合は、最後のものが有効になります。
	47	もし偶然同じオプションを2回、違う値で使った場合は、最後のものが有効になります。
48	48	例えば、ここでの`beans:`は、0.5 ではなく 2 の値が採用されます。
49	49
50	50	```
51	51	play 50, beans: 0.5, cheese: 3, eggs: 0.1, beans: 2
52	52	```
53	53
54		Sonic Piの中の命令には多くのパラメータが用意されているので、その使い方に
	54	Sonic Piの中の命令には多くのオプションが用意されているので、その使い方に
55	55	ちょっとだけ時間を使って、習得しましょう！
56	56
57		それでは最初のパラメータ`amp:`で演奏してみましょう。
	57	それでは最初のオプション`amp:`で演奏してみましょう。
58	58
59	59	## アンプ（増幅）
60	60

69	69
70	70	## 音量を上げる
71	71
72		音の大きさを変えるために、 amp: パラメータを使います。
	72	音の大きさを変えるために、 amp: オプションを使います。
73	73	例として、半分の音量で演奏するために、0.5 にしてみます。
74	74
75	75	```

82	82	play 60, amp: 2
83	83	```
84	84
85		`amp:`パラメータは、関連付けられている`play`への命令だけを変更します。
	85	`amp:`オプションは、関連付けられている`play`への命令だけを変更します。
86	86	ですから、この例では、最初の命令は半分の音量になり、次にはデフォルト（1の値）に戻ります。
87	87
88	88	```

104	104
105	105	## パンニング
106	106
107		もうひとつの面白いパラメータは`pan:`です。ステレオで音の位置を制御します。
	107	もうひとつの面白いオプションは`pan:`です。ステレオで音の位置を制御します。
108	108	左に音をパンすることは左のスピーカーから音が聞こえることを意味し、
109	109	右にパンすれば右のスピーカーから聞こえます。値としては、-1 は最も左、
110	110	0 は中心、1 は最も右、というようにステレオの領域で表現することができます。

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31	31
32	32	前のセクションで見てきたように、アンプの`0`は無音、`1`は通常の音量です。
33	33
	34	では、エンベロープのそれぞれの部分を順番に見ていきましょう。
34	35
35		## リリース・タイム（終わるまでの時間）
	36	## リリース・フェーズ（終わるまでの時間）
36	37
37		通常、全てのシンセのリリース・タイム（終わるまでの時間）は1です。
38		これは、終了するまでに１秒間のデュレーションを持っているということです。
39		`play`に対して`release:`という命令を渡すことで、デュレーションを
40		変更することができます。例えば、2 秒間シンセを再生するには、`release:`を`2`に設定します。
	38	エンベロープのうちデフォルトで使われている唯一の部分はリリース・フェーズです。
	39	通常、全てのシンセのリリース・フェーズ（終わるまでの時間）は1で、
	40	これは終了するまでに1ビート（デフォルトBPMの60の場合には1秒）のデュレーションを持っているということです。
	41
	42	```
	43	play 70
	44	```
	45
	46	この音は1秒間だけ聞こえます。続いて時間を指定しよう。
	47	上の記述は、次の明示的で長い記述を簡略化したものです。
	48
	49	```
	50	play 70, release: 1
	51	```
	52
	53	これも全く同じように（1秒間持続する）音が出たと思います。
	54	しかし、`release:`のオプションを変更することでとても簡単に
	55	持続時間を変更することができるようになりました。
41	56
42	57	```
43	58	play 60, release: 2
44	59	```
45	60
46		非常に小さなリリース・タイムの値を使って、シンセのサウンドをとても短くすることができます。
	61	また、非常に小さなリリース・フェーズの値を使って、シンセのサウンドをとても短くすることができます。
47	62
48	63	```
49	64	play 60, release: 0.2
50	65	```
51	66
52		だから、リリース・タイムって一体なんなのでしょうか？それはサウンドが、フル・アンプ（だいたい1の値）から
53		ゼロ・アンプ（無音）になるまでにかかる時間のことです。これはリリース・フェーズと呼ばれていて、
54		リニア・トランジション（直線的な移行、つまり真っ直ぐ）です。以下の図は、この移行を表したものです。
	67	音がリリースされるまでの持続時間はリリース・フェーズと呼ばれていて、
	68	デフォルトではリニア・トランジション（直線的な移行、つまり真っ直ぐ）です。以下の図は、この移行を表したものです。
55	69
56	70	![release envelope](:/images/tutorial/env-release.png)
57	71

60	74	いったんフル・アンプになり、それから`release:`で指定した値を取りながら、直線的にゼロに下がります。
61	75	長いリリース・タイムは長いシンセ・フェード・アウト（徐々に消えること）を生成します。
62	76
63		これにより、リリース・タイムを変更して、あなたのサウンドのデュレーションを
	77	これにより、リリース・フェーズを変更して、あなたのサウンドのデュレーションを
64	78	変えることができます。自分の音楽にリリース・タイムを追加して演奏してみましょう。
65	79
66		## アタック・タイム
	80	## アタック・フェーズ
67	81
68	82	通常、アタック・フェーズは全てのシンセにおいて`0`です。つまり、`0`アンプから
69	83	`1`にただちに移動することを意味します。シンセは最初から音が打たれます。
70		けれども、あなたは音をフェード・イン（徐々に大きく）したいかも知れません。これは、`attack:`の命令で実現することができます。いくつかの音をフェード・インしてみましょう。
	84	けれども、あなたは音をフェード・イン（徐々に大きく）したいかも知れません。これは、`attack:`のオプションで実現することができます。いくつかの音をフェード・インしてみましょう。
71	85
72	86	```
73	87	play 60, attack: 2

75	89	play 65, attack: 0.5
76	90	```
77	91
78		複数の命令を使うこともできます。例えば、短いアタック、長いリリースに、変更してみましょう。
	92	複数のオプションを使うこともできます。例えば、短いアタック、長いリリースに、変更してみましょう。
79	93
80	94	```
81	95	play 60, attack: 0.7, release: 4

103	117
104	118	![short attack short release envelope](:/images/tutorial/env-short-attack-short-release.png)
105	119
106		## サステイン・タイム（持続時間）
	120	## サステイン・フェーズ（持続時間）
107	121
108		アタック・タイムとリリース・タイムの設定に付け加えて、サステイン・タイム（持続時間）を
109		指定することができます。サステイン・タイムとは、アタックとリリースの間でフル・アンプの
	122	アタック・フェーズとリリース・フェーズの設定に付け加えて、サステイン・フェーズ（持続時間）を
	123	指定することができます。サステイン・フェーズとは、アタックとリリースの間でフル・アンプの
110	124	音が鳴り続ける時間のことです。
111
112	125
113	126	```
114	127	play 60, attack: 0.3, sustain: 1, release: 1

116	129
117	130	![ASR envelope](:/images/tutorial/env-attack-sustain-release.png)
118	131
119		サステイン・タイムは、オプションのリリース・フェーズに入る前に、ミックスの中で主となる
120		存在感を与えたい重要なサウンドにとって有効です。もちろん、アタックとリリース両方の命令を
	132	サステイン・フェーズは、オプションのリリース・フェーズに入る前に、ミックスの中で主となる
	133	存在感を与えたい重要なサウンドにとって有効です。もちろん、`attack:`と`release:`両方のオプションを
121	134	0に設定することもとても有効ですし、サウンドに対して、完全にフェード・インなし、
122	135	フェード・アウトなしにするためにサステインを使えば良いのです。けれど、注意してください、
123	136	0 のリリースはオーディオの中にクリック音を生成します。たいていの場合、0.2のような
124	137	ごく小さい値を使う方が良いです。
125	138
126		## ディケイ・タイム（減衰時間）
	139	## ディケイ・フェーズ（減衰時間）
127	140
128	141	そして、今あなたがさらなる制御のレベルを必要としているならば、ディケイ・タイムというものを
129	142	設定することもできます。これは、アタックとサステインの間にくるエンベロープのフェーズで、
130		音量が`attack_level`から`sustain_level`に落ちる時間を指定します。
131		通常では、ディケイの指令は 0 で、アタックとサステインのレベルは両方とも 1 です。ですから、ディケイ・タイムで効果を得るには、アタック、サステインのレベルも指定しなくてはなりません。
132
	143	音量が`attack_level:`から`decay_level:`(もしこれを明示的に指定しなければ、この値は `sustain_level:`と同じ値に設定されます)に落ちる時間を指定します。
	144	通常では、`decay:`のオプションは 0 で、アタックとサステインのレベルは両方とも 1 です。ですから、ディケイ・フェーズで効果を得るには、アタック、サステインのレベルも指定しなくてはなりません。
133	145
134	146	```
135	147	play 60, attack: 0.1, attack_level: 1, decay: 0.2, sustain_level: 0.4, sustain: 1, release: 0.5

137	149
138	150	![ADSR envelope](:/images/tutorial/env-attack-decay-sustain-release.png)
139	151
140		## AADSR エンベロープ
	152	## ディケイレベル
	153
	154	最後の仕掛けは、`decay_level:`オプションがデフォルトでは`sustain_level:`と同じ値に設定されていて、エンベロープを完全に制御したい場合に明示的に別な値に設定できることです。
	155	これにより次のようなエンベロープを作ることができるでしょう。
	156
	157	```
	158	play 60, attack: 0.1, attack_level: 1, decay: 0.2, decay_level: 0.3, sustain: 1, sustain_level: 0.4, release: 0.5
	159	```
	160
	161	![ASR envelope](../images/tutorial/env-decay-level.png)
	162
	163	また`decay_level:`を`sustain_level:`より大きく設定することもできます。
	164
	165	```
	166	play 60, attack: 0.1, attack_level: 0.1, decay: 0.2, decay_level: 1, sustain: 0.5, sustain_level: 0.8, release: 1.5
	167	```
	168
	169	![ASR envelope](../images/tutorial/env-decay-level-2.png)
	170
	171	## ADSR エンベロープ
141	172
142	173	つまり要約すると、Sonic PiのADSRエンベロープには、以下のフェーズがあります。
143	174
144	175	1. attack（アタック）- 0 アンプから`attack_level`までの時間
145		2. decay（ディケイ）- 音量を`attack_level`から`sustain_level`まで移行させる時間
146		3. sustain（サステイン）- 音量を`sustain_level`で保持する時間
	176	2. decay（ディケイ）- 音量を`attack_level`から`decay_level`まで移行させる時間
	177	3. sustain（サステイン）- 音量を`decay_level`から`sustain_level`まで移行させる時間
147	178	4. release（リリース） - 音量を`sustain_level`から 0 に移行させる時間
148	179
149	180	サウンドのデュレーションは、これらのフェーズの合計であることに注意することが大切です。
150	181	したがって、以下のサウンドは 0.5 + 1 + 2 + 0.5 = 4 で、4秒のデュレーションになります。
151	182
152	183	```
153		play 60, attack: 0.5, decay: 1, sustain_level: 0.4, sustain: 2, release: 0.5
	184	play 60, attack: 0.5, attack_level: 1, decay: 1, sustain_level: 0.4, sustain: 2, release: 0.5
154	185	```
155	186
156		ではあなたのサウンドにエンベロープを追加して演奏してみましょう。⏎
	187	ではあなたのサウンドにエンベロープを追加して演奏してみましょう。

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9	9
10	10	## レートを変える
11	11
12		アンビエント・サウンドのひとつ、`:ambi_choir`で演奏してみましょう。デフォルト（既定値）で演奏するには、`sample`に`rate:` の命令を渡します。
	12	アンビエント・サウンドのひとつ、`:ambi_choir`で演奏してみましょう。デフォルト（既定値）で演奏するには、`sample`に`rate:` のオプションを渡します。
13	13
14	14	sample :ambi_choir, rate: 1
15	15

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10	10	sample :loop_amen
11	11	```
12	12
13		パラメータが設定されていない場合、全サンプルがフル・アンプ（最大音量）で聞こえます。
	13	オプションが設定されていない場合、全サンプルがフル・アンプ（最大音量）で聞こえます。
14	14	もし1秒間のフェード・インを使いたい場合、`attack:`パラメータを使います。
15	15	（フェード・インとは徐々に音が大きくなることです。）
16	16

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3	3
4	4	Sonic Piには、あなたの作ったサウンドに簡単にスタジオ·エフェクトを追加できるという最もやりがいのある楽しい側面があります。たとえば、部分的にリバーブを追加したり、エコーやディストーション(歪み)、ワブルベース（ベース音にフィルターLFOを掛け、断続的な音にすること）を加えることができます。
5	5
6		Sonic Piには、エフェクト（効果）を追加する非常にシンプルで強力な方法があります。それも、あなたが作った音にディストーション(歪み)を通し、その後エコー、さらにリバーブと、それらをチェーン（連結）させ、また、シンセやサンプルにパラメータを与えるのと同様の方法でエフェクトユニットのパラメータを個別に制御することができ、実行されている間でも、パラメータを変更することも可能です。だから、例えば、トラックのいたるところでベースのリバーブを強くするということができるのです。
	6	Sonic Piには、エフェクト（効果）を追加する非常にシンプルで強力な方法があります。それも、あなたが作った音にディストーション(歪み)を通し、その後エコー、さらにリバーブと、それらをチェーン（連結）させ、また、シンセやサンプルにオプションを与えるのと同様の方法でエフェクトユニットのオプションを個別に制御することができ、実行されている間でも、オプションを変更することも可能です。だから、例えば、トラックのいたるところでベースのリバーブを強くするということができるのです。
7	7
8	8	## ギターエフェクター
9	9

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74	74	```
75	75
76	76	Sonic Piのエフェクトブロックの強力な側面の一つは、既に`play`と`sample`で見てきたように、
77		パラメータと同様の数値が渡されることです。たとえば、エコーの楽しいパラメータは、
	77	オプションと同様の数値が渡されることです。たとえば、エコーの楽しいオプションは、
78	78	秒単位で遅れを示す`phase`で表され、エコーの長さを指定します。
79	79
80	80	下記のコードで、音の響きをゆっくりにしてみましょう。

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etc/doc/tutorial/ja/07-Control.md less more

1	1
2	2	# 演奏中のサウンド制御
3	3
4		これまでの章では、どのようにシンセやサンプルを扱い、アンプ（増幅）、パン、エンベロープなどのパラメーターを変更するのかを見てきました。呼び出された個々の音には、元来、音の継続時間を設定するデュレーションパラメータが備わっています。
	4	これまでの章では、どのようにシンセやサンプルを扱い、アンプ（増幅）、パン、エンベロープなどのオプションを変更するのかを見てきました。呼び出された個々の音には、元来、音の継続時間を設定するデュレーションオプションが備わっています。
5	5
6		もしも演奏中にギターの弦を歪めビブラートさせるように、パラメータを変更できたなら、それってクールではないでしょうか？
	6	もしも演奏中にギターの弦を歪めビブラートさせるように、オプションを変更できたなら、それってクールではないでしょうか？
7	7
8	8	あなたは幸運です-このセクションでは、まさしくそれをどのように行うのかを紹介します。

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etc/doc/tutorial/ja/07.1-Controlling-Running-Synths.md less more

23	23
24	24	演奏している間に、1つのシンセのみを呼び出し、3回ピッチを変更します。ここで注目すべき点は、4つの異なるシンセを呼び出していないということです。
25	25
26		標準的なパラメータ（関数）は`control`へ渡すことができます。そして`amp:`, `cutoff:`あるいは`pan:`のようなパラメータを制御することができます。
	26	標準的なオプション（関数）は`control`へ渡すことができます。そして`amp:`, `cutoff:`あるいは`pan:`のようなオプションを制御することができます。
27	27
28		## 制御不可能なパラメータ
	28	## 制御不可能なオプション
29	29
30		一度シンセが開始されると、一部のパラメータは制御することができなくなります。ADSRエンベロープ·パラメータがこれに該当します。そのパラメータが制御可能かは、ヘルプシステムのドキュメントを参照してください。ドキュメントに「設定を変更することは出来ません」というコメントがある場合、シンセが開始した後にパラメータを制御することはできません。
	30	一度シンセが開始されると、一部のオプションは制御することができなくなります。ADSRエンベロープ·パラメータがこれに該当します。そのオプションが制御可能かは、ヘルプシステムのドキュメントを参照してください。ドキュメントに「設定を変更することは出来ません」というコメントがある場合、シンセが開始した後にオプションを制御することはできません。

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etc/doc/tutorial/ja/07.3-Sliding-Parameters.md less more

0		7.3 パラメータのスライド
	0	7.3 オプションのスライド
1	1
2		# パラメータのスライド
	2	# オプションのスライド
3	3
4		シンセやエフェクトの引数を探索しながら、`_slide`で終わるパラメータがあることに気づいたかもしれません。それらを呼び出しても、何の効果を示さなかった可能性があります。これは正常のパラメータではなく、前回のセクションで紹介したように、シンセを制御するときのみ動作をする特別なパラメータです。
	4	シンセやエフェクトの引数を探索しながら、`_slide`で終わるオプションがあることに気づいたかもしれません。それらを呼び出しても、何の効果を示さなかった可能性があります。これは正常のオプションではなく、前回のセクションで紹介したように、シンセを制御するときのみ動作をする特別なオプションです。
5	5
6	6	次の例を考えてみましょう。
7	7

15	15	control s, note: 72
16	16	```
17	17
18		ここでは、各`control`の呼び出し後、すぐにシンセのピッチの変更を聞くことができますが、ピッチが変化する間にスライドさせたくなるかもしれません。その場合、スライドを追加するために、`note:`パラメータを制御するように、シンセの`note_slide`パラメータを追加する必要があります。
	18	ここでは、各`control`の呼び出し後、すぐにシンセのピッチの変更を聞くことができますが、ピッチが変化する間にスライドさせたくなるかもしれません。その場合、スライドを追加するために、`note:`オプションを制御するように、シンセの`note_slide`オプションを追加する必要があります。
19	19
20	20	```
21	21	s = play 60, release: 5, note_slide: 1

31	31
32	32	## ネバネバするスライド
33	33
34		一度、実行しているシンセの `_slidee`パラメータを設定したら、それは記憶され、
35		対応するパラメータがスライドする度に使用されます。
	34	一度、実行しているシンセの `_slide`オプションを設定したら、それは記憶され、
	35	対応するオプションがスライドする度に使用されます。
36	36	スライドを停止するためには、次の`control`を呼び出す前に`0`に`_slide`値を設定する必要があります。
37	37
38		## エフェクト・パラメータのスライド
	38	## エフェクト・オプションのスライド
39	39
40		また、エフェクトパラメータをスライドさせることも可能です。
	40	また、エフェクトオプションをスライドさせることも可能です。
41	41
42	42	```
43	43	with_fx :wobble, phase: 1, phase_slide: 5 do \|e\|

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76	76	* `range`は始点、終点とステップサイズを指定します。
77	77	* `bools`は簡単に1と0を使用するためのブール値を扱うことができます。
78	78	* `knit`は一連の繰り返される値のために構成することを可能にします。
	79	* `spread`はユークリッド分布に従ったブール値のリングを作成します。
79	80
80	81	詳細については、それら個々のドキュメンテーションを見てください。

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etc/doc/tutorial/ja/08.5-Ring-Chains.md less more

	0	8.5 リングのチェーン
	1
	2	`range`や`spread`のようなコンストラクタに加えて、別なリングの作成方法としては、作成済みのリングを操作する方法があります。
	3
	4	## チェーンコマンド
	5
	6	次のような単純なリングを作成します:
	7
	8	```
	9	(ring 10, 20, 30, 40, 50)
	10	```
	11
	12	リングを逆にしたいときにはどうしたらよいでしょう？リングを反転させるには、チェーンコマンドの`.reverse`を使います:
	13
	14	```
	15	(ring 10, 20, 30, 40, 50).reverse #=> (ring 50, 40, 30, 20, 10)
	16	```
	17
	18	では次に、リングから最初の3つの値を取得するにはどうしたらよいでしょう？
	19
	20	```
	21	(ring 10, 20, 30, 40, 50).take(3) #=> (ring 10, 20, 30)
	22	```
	23
	24	最後に、リングをシャッフルするにはどうしたらよいでしょう？
	25
	26	```
	27	(ring 10, 20, 30, 40, 50).shuffle #=> (ring 40, 30, 10, 50, 20)
	28	```
	29
	30	## 多重チェーン
	31
	32	ここまでで既に強力なリングの作成方法を見てきましたが、
	33	これらのコマンドを一緒に用いることで本当の力を発揮します。
	34
	35	リングをシャッフルし、最初の要素を削除し、次の3つの要素を得る場合にはどうでしょう？
	36
	37	段階的に見ていきましょう:
	38
	39	1. `(ring 10, 20, 30, 40, 50)` - リングの最初の状態
	40	2. `(ring 10, 20, 30, 40, 50).shuffle` - シャッフルし - `(ring 40, 30, 10, 50, 20)`
	41	3. `(ring 10, 20, 30, 40, 50).shuffle.drop(1)` - 最初の要素を削除し - `(ring 30, 10, 50, 20)`
	42	4. `(ring 10, 20, 30, 40, 50).shuffle.drop(1).take(3)` - 3つの要素を得る - `(ring 30, 10, 50)`
	43
	44	コマンドを一緒にくっつけるだけでこれらのコマンドの長いチェーンを作ることが分かったと思います。
	45	チェーンコマンドを好きな順序で組み合わせることができ、それにより既に存在するリングから新しいリングを
	46	生成するとても豊かで強力な方法を作り出しています。
	47
	48	## 不変性
	49
	50	リングは強力で重要な特徴を持っています。それは不変性と言って、リングを変更できないということを
	51	意味しています。このセクションで紹介しているチェインコマンドがリングを変更するのではなく、
	52	新しいリングを作成していることを意味しています。これにより、スレッドを跨いでリングを共有して、
	53	同じリングを使っている他のスレッドに影響を与えないで、チェインを開始できることを意味しています。
	54
	55	## 利用可能なチェーンコマンド
	56
	57	ここに利用可能なチェーンコマンドを記載しておきます。
	58
	59	* `.reverse` - 逆順のリングを返却します
	60	* `.sort` - ソートされたリングを作成します
	61	* `.shuffle` - シャッフルされたリングを作成します
	62	* `.take(5)` - 最初の5つの要素をのみからなる新しいリングを返却します
	63	* `.drop(3)` - 最初の3つの要素以外の要素からなる新しいリングを返却します
	64	* `.butlast` - 最後の要素が欠けた状態の新しいリングをを返却します
	65	* `.drop_last(3)` - 最後の3つの要素が欠けた状態の新しいリングをを返却します
	66	* `.take_last(6)`- 最後の6つの要素をのみからなる新しいリングを返却します
	67	* `.stretch(2)` - リングの個々の要素を2回ずつ繰り返します
	68	* `.repeat(3)` - リング全体を3回繰り返します
	69	* `.mirror` - 逆順のリングを自分自身に追加します
	70	* `.reflect` - mirrorと同様ですが、真ん中の要素を重複させないようにします
	71
	72	数字を引数に取っているチェーンコマンドは、他の数字を取ることももちろん可能です。
	73	最初の5個の要素を削除したい場合には、`.drop(3)`の代わりに遠慮無く`.drop(5)`を呼んでください。

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etc/doc/tutorial/ja/09.4-Ticking.md less more

	0	9.4 チック
	1
	2	# チック
	3
	4	ライブコーディングでリングをループしていて、気が付くとたくさんのことをしていたことはないでしょうか。
	5	例えば、リングにメロディーの音符を入れたり、リズムのスリープ、
	6	コード進行や音色のバリエーションを入れたり等々。
	7
	8	## リングのチック
	9
	10	Sonic Piは`live_loop`内でリングと共に使えるとても手軽なツールを提供しています。
	11	それはチックシステムと呼ばれ、tick through rings（リングをチックタックと進める）
	12	機能を提供しています。次の例を見てください。
	13
	14	```
	15	live_loop :arp do
	16	play (scale :e3, :minor_pentatonic).tick, release: 0.1
	17	sleep 0.125
	18	end
	19	```
	20
	21	ここでは、E3マイナーペンタトニックのスケールを作成し、各要素をチックしています。これは`.tick`を
	22	スケール宣言の末尾に追加することによって実現されています。このチックはライブループ内で局所的であるため、
	23	個々のライブループは独立したチックを持つことができます。
	24
	25	```
	26	live_loop :arp do
	27	play (scale :e3, :minor_pentatonic).tick, release: 0.1
	28	sleep 0.125
	29	end
	30
	31	live_loop :arp2 do
	32	use_synth :dsaw
	33	play (scale :e2, :minor_pentatonic, num_octaves: 3).tick, release: 0.25
	34	sleep 0.25
	35	end
	36	```
	37
	38	## 標準関数としてのチック
	39
	40	`tick`はまた標準関数としても呼ぶことができ、その値はインデックスとして使うことができます。
	41
	42	```
	43	live_loop :arp do
	44	idx = tick
	45	play (scale :e3, :minor_pentatonic)[idx], release: 0.1
	46	sleep 0.125
	47	end
	48	```
	49
	50	しかし、この場合は`.tick`を呼ぶほうが良いでしょう。`tick`関数の用途は、
	51	チックの値で手の込んだことをしたかったり、リングのインデックス以外のことにチックの値を使いたかったりする場合です。
	52
	53	## ルック
	54
	55	チックの魅力的なところはそれが新しいインデックス（もしくはそのインデックスにあるリングの値）
	56	を返すだけでなく、次にチックを呼んだときに必ず次の値を返すことを保証していることでしょう。
	57	`tick`が色んな形でこのような動作をしていることをこのドキュメントの例で見てみてください。
	58	しかし、ここでチックの現在の値を見たいだけで値を増加させたくないの場合もあることを指摘することは重要でしょう。
	59	これは`look`関数により実現可能です。`look`を標準関数として呼んだり、リングの後ろに`.look`を付けたりできます。
	60
	61	## チックの名前付け
	62
	63	最後に、1つのライブループに複数のチックが必要になることがあるかも
	64	しれません。これはチックに名前を付けることで実現できます。
	65
	66	```
	67	live_loop :arp do
	68	play (scale :e3, :minor_pentatonic).tick(:foo), release: 0.1
	69	sleep (ring 0.125, 0.25).tick(:bar)
	70	end
	71	```
	72
	73	ここでは2つのチックを使っていて、1つは音符用に、1つはスリープ時間用にしています。
	74	これらのチックは同じライブループにあるので、別々にしておくためにユニークな名前を与えています。
	75	これはちょうど`live_loop`に名前を付ける（`:`から始まるシンボル名を渡すだけ）のと同じことです。
	76	上の例では1つは`:foo`でチックを呼び出し、もう1つは`:bar`で呼び出しています。
	77	また、これらの値を`look`したい場合には、チックの名前を`look`に渡す必要があります。
	78
	79	## 複雑にしすぎないように
	80
	81	チックシステムの能力のほどんどは、最初のうちは役に立たないでしょう。
	82	このセクションの全ての内容を学習しようとしないでください。
	83	一つのリングでチックすることだけに集中するとよいでしょう。
	84	そうすることで、`live_loop`でリングをチックする簡単さや楽しみを得ることができるでしょう。
	85
	86	`tick`のドキュメントには役に立つ例がたくさんあるので、それを見て楽しくチックしてみましょう！

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etc/doc/tutorial/pl/03.7-Sample-Filters.md less more

	0	3.7 Sample Packs
	1
	2	# Sample Packs
	3
	4	**Note: this section of the tutorial covers the advanced topic of
	5	working with large directories of your own samples. This will be the
	6	case if you've downloaded or bought your own sample packs and wish to
	7	use them within Sonic Pi.**
	8
	9	**Feel free to skip this if you're happy working with the built-in
	10	samples.**
	11
	12	When working with large folders of external samples it can be cumbersome
	13	to have to type the whole path every time to trigger an individual
	14	sample.
	15
	16	For example, say you have the following folder on your machine:
	17
	18	```
	19	/path/to/my/samples/
	20	```
	21
	22	When we look inside that folder we find the following samples:
	23
	24	* `100_A#_melody1.wav`
	25	* `100_A#_melody2.wav`
	26	* `100_A#_melody3.wav`
	27	* `120_A#_melody4.wav`
	28	* `120_Bb_guit1.wav`
	29	* `120_Bb_piano1.wav`
	30
	31	Typically in order to play the piano sample we can use the full path:
	32
	33	```
	34	sample "/path/to/my/samples/120_Bb_piano1.wav"
	35	```
	36
	37	If we want to then play the guitar sample we can use its full path too:
	38
	39	```
	40	sample "/path/to/my/samples/120_Bb_guit.wav"
	41	```
	42
	43	However, both of these calls to sample requires us to know the names
	44	of the samples within our directory. What if we just want to listen to
	45	each sample in turn quickly?
	46
	47	## Indexing Sample Packs
	48
	49	If we want to play the first sample in a directory we just need to pass
	50	the directory's name to `sample` and the index `0` as follows:
	51
	52	```
	53	sample "/path/to/my/samples/", 0
	54	```
	55
	56	We can even make a shortcut to our directory path using a variable:
	57
	58	```
	59	samps = "/path/to/my/samples/"
	60	sample samps, 0
	61	```
	62
	63	Now, if we want to play the second sample in our directory, we just need
	64	to add 1 to our index:
	65
	66	```
	67	samps = "/path/to/my/samples/"
	68	sample samps, 1
	69	```
	70
	71	Notice that we no longer need to know the names of the samples in the
	72	directory - we just need to know the directory itself (or have a
	73	shortcut to it). If we ask for an index which is larger than the number
	74	of samples, it simply wraps round just like Rings. Therefore, whatever
	75	number we use we're guaranteed to get one of the samples in that
	76	directory.
	77
	78	## Filtering Sample Packs
	79
	80	Ususally indexing is enough, but sometimes we need more power to sort
	81	and organise our samples. Luckily many sample packs add useful
	82	information in the filenames. Let's take another look at the sample file
	83	names in our directory:
	84
	85	* `100_A#_melody1.wav`
	86	* `100_A#_melody2.wav`
	87	* `100_A#_melody3.wav`
	88	* `120_A#_melody4.wav`
	89	* `120_Bb_guit1.wav`
	90	* `120_Bb_piano1.wav`
	91
	92	Notice that in these filenames we have quite a bit of
	93	information. Firstly, we have the BPM of the sample (beats per minute)
	94	at the start. So, the piano sample is at 120 BPM and our first three
	95	melodies are at 100 BPM. Also, our sample names containtain the key. So
	96	the guitar sample is in Bb and the melodies are in A#. This information
	97	is very useful for mixing in these samples with our other code. For
	98	example, we know we can only play the piano sample with code that's in
	99	120 BPM and in the key of Bb.
	100
	101	It turns out that we can use this particular naming convention of our
	102	sample sets in the code to help us filter out the ones we want. For
	103	example, if we're working at 120 BPM, we can filter down to all the
	104	samples that contain the string `"120"` with the following:
	105
	106	```
	107	samps = "/path/to/my/samples/"
	108	sample samps, "120"
	109	```
	110
	111	This will play us the first match. If we want the second match we just
	112	need to use the index:
	113
	114	```
	115	samps = "/path/to/my/samples/"
	116	sample samps, "120", 1
	117	```
	118
	119	We can even use multiple filters at the same time. For example, if we
	120	want a sample that's filename contains both the substring "120" and "A#"
	121	we can find it easily with the following code:
	122
	123	```
	124	samps = "/path/to/my/samples/"
	125	sample samps, "120", "A#"
	126	```
	127
	128	Finally, we're still free to add our usual opts to the call to `sample`:
	129
	130	```
	131	samps = "/path/to/my/samples/"
	132	sample samps, "120", "Bb", 1, lpf: 70, amp: 2
	133	```
	134
	135	## Sources
	136
	137	The sample filter pre-arg system understands two types of information:
	138	sources and filters. Sources are information used to create the list of
	139	potential candidates. A source can take two forms:
	140
	141	1. "/path/to/samples" - a string representing a valid path to a directory
	142	2. "/path/to/samples/foo.wav" - a string representing a valid path to a sample
	143
	144	The `sample` fn will first gather all sources and use them to create a
	145	large list of candidates. This list is constructed by first adding all
	146	valid paths and then by adding all the valid `.flac`, `.aif`, `.aiff`,
	147	`.wav`, `.wave` files contained within the directories.
	148
	149	For example, take a look at the following code:
	150
	151	```
	152	samps = "/path/to/my/samples/"
	153	samps2 = "/path/to/my/samples2/"
	154	path = "/path/to/my/samples3/foo.wav"
	155
	156	sample samps, samps2, path, 0
	157	```
	158
	159	Here, we're combining the contents of the samples within two directories
	160	and adding a specific sample. If `"/path/to/my/samples/"` contained 3
	161	samples and `"/path/to/my/samples2/"` contained 12, we'd have 16
	162	potential samples to index and filter (3 + 12 + 1).
	163
	164	By default, only the sample files within a directory are gathered into
	165	the candidate list. Sometimes you might have number of nested folders of
	166	samples you wish to search and filter within. You can therefore do a
	167	recursive search for all samples within all subfolders of a particular
	168	folder by adding `**` to the end of the path:
	169
	170	```
	171	samps = "/path/to/nested/samples/**"
	172	sample samps, 0
	173	```
	174
	175	Take care though as searching through a very large set of folders may
	176	take a long time. However, the contents of all folder sources are
	177	cached, so the delay will only happen the first time.
	178
	179
	180	## Filters
	181
	182	Once you have a list of candidates you may use the following filtering
	183	types to further reduce the selection:
	184
	185	* `"foo"` Strings will filter on substring occurrance within file name (minus directory path and extension).
	186	* `/fo[oO]/` Regular Expressions will filter on pattern matching of file name (minus directory path and extension).
	187	* `:foo` - Keywords will filter candidates on whether the keyword is a direct match of the filename (minus directory path and extension).
	188	* `lambda{ "foo" }` - Procs with no arguments will be automatically called and their result be treated as a source or filter.
	189	* `lambda{\|a\| ... }` - Procs with one argument will be treated as a candidate filter or genrator function. It will be passed the list of current candidates and must return a new list of candidates (a list of valid paths to sample files).
	190	* `1` - Numbers will select the candidate with that index (wrapping round like a ring if necessary).
	191
	192	## Composites
	193
	194	Finally, you may use lists wherever you may place a source or
	195	filter. The list will be automatically flattened and the contents be
	196	treated as regular sources and filters. Therefore the following calls to
	197	`sample` are semantically equivalent:
	198
	199	```
	200	sample "/path/to/dir", "100", "C#"
	201	sample ["/path/to/dir", "100", "C#"]
	202	sample "/path/to/dir", ["100", "C#"]
	203	sample ["/path/to/dir", ["100", ["C#"]]]
	204	```
	205
	206	## Wrapping Up
	207
	208	This was an advanced section for people that need real power to
	209	manipulate and use sample packs. If most of this section didn't make too
	210	much sense, don't worry. It's likely you don't need any of this
	211	functionality just yet. However, you'll know when you do need it and you
	212	can come back and re-read this when you start working with large
	213	directories of samples.
	214
	215
	216

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	0	8.5 Łańcuchy Pierścieni (Ring Chains)
	1
	2	Oprócz konstruktorów takich jak `range` i `spread` innym sposobem
	3	tworzenia nowych pierścieni jest manipulowanie i modyfikacja istniejących
	4	pierścieni (rings).
	5
	6	## Łańcuchy poleceń (Chain Commands)
	7
	8	Aby zbadać ten temat stwórzmy prosty pierścień:
	9
	10	```
	11	(ring 10, 20, 30, 40, 50)
	12	```
	13
	14	Co jeśli chcielibyśmy otrzymać wszystkie elementy tego pierścienia
	15	w odwrotnej kolejności? Wystarczy, że użyjemy w łańuchu poleceń
	16	`.reverse` aby wziąć nasz pierścień i odwrócić go:
	17
	18	```
	19	(ring 10, 20, 30, 40, 50).reverse #=> (ring 50, 40, 30, 20, 10)
	20	```
	21
	22	A co, jeśli teraz potrzebujemy tylko pierwsze trzy elementy
	23	z naszego pierścienia?
	24
	25	```
	26	(ring 10, 20, 30, 40, 50).take(3) #=> (ring 10, 20, 30)
	27	```
	28
	29	I na koniec jeszcze jedno, co jeśli chcielibyśmy przetasować
	30	elementy naszego pierścienia tak jak tasujemy karty przed grą?
	31
	32	```
	33	(ring 10, 20, 30, 40, 50).shuffle #=> (ring 40, 30, 10, 50, 20)
	34	```
	35
	36	## Wiele Łańcuchów
	37
	38	Powyższe polecenia dają bardzo duże możliwości tworzenia nowych pierścieni (rings).
	39	Jednakże, prawdziwa moc pojawia się dopiero w momencie, gdy połączysz kilka
	40	poleceni w jeden łańcuch.
	41
	42	Co powiesz na to aby najpierw przetasować pierścień, potem usunać z niego
	43	1 element i z elementów, które pozostały wybrać tylko pierwsze 3?
	44
	45	Zróbmy to krok po kroku:
	46
	47	1. `(ring 10, 20, 30, 40, 50)` - nasz początkowy pierścień
	48	2. `(ring 10, 20, 30, 40, 50).shuffle` - tasujemy - `(ring 40, 30, 10, 50, 20)`
	49	3. `(ring 10, 20, 30, 40, 50).shuffle.drop(1)` - usuwamy 1-wszy element - `(ring 30, 10, 50, 20)`
	50	4. `(ring 10, 20, 30, 40, 50).shuffle.drop(1).take(3)` - pozostawiamy tylko pierwsze 3 - `(ring 30, 10, 50)`
	51
	52	Widzisz jak łatwo możemy stworzyć długi łańcuch tych metod *sklejając
	53	je po prostu razem*? Możemy użyć tych metod w dowolnej kolejności
	54	na jaką nas tylko najdzie ochota. Dzięki temu mamy bardzo bogatą
	55	i potężną paletę sposobów, dzięki którym możemy tworzyć nowe pierścienie
	56	z już istniejących.
	57
	58	## Niezmienność
	59
	60	Pierścienie posiadają pewną potężną i ważną cechę. Są niezmienne co
	61	oznacza, że gdy raz zostaną już utworzone to nie mogą zostać zmienione.
	62	Z tego wynika, że łańcuchy wywołań metod opisane w tym rozdziale
	63	nie zmieniają pierścieni lecz tworzą nowe pierścienie. Dzięki takiemu
	64	podejśćiu nic nie stoi na przeszkodzie abyś mógł współdzielić dany
	65	pierścień pomiędzy różnymi wątkami i wywyływać na nim łańcuchy metod
	66	w ramach jednego wątku, gdyż wiesz że nie wpłynie to w żaden sposób
	67	na jakikolwiek inny wątek, który korzysta z tego samego pierścienia.
	68
	69	## Dostępne Łańcuchy Metod
	70
	71	Oto lista metod, które możesz łączyć w łańcuchy wywołań:
	72
	73	* `.reverse` - zwraca odwróconą wersję pierścienia
	74	* `.sort` - tworzy posortowaną wersję pierścienia
	75	* `.shuffle` - tworzy pierścień z wartościami, które są przetasowane
	76	* `.pick(3)` - zwraca pierścień, który zawiera 3 losowo wybrane elementy z oryginalnego pierścienia (działanie analogiczne do funkcji `choose`)
	77	* `.pick` - działanie analogiczne do funkcji `.pick(3)`, z tym że w tym przypadku liczba wylosowanych elementów jest równa ilości elementów znajdujących się w oryginalnym pierścieniu
	78	* `.take(5)` - zwraca nowy pierścień, który zawiera tylko 5 pierwszych elementów
	79	* `.drop(3)` - zwraca nowy pierścień, który zawiera wszystkie elementy oprócz pierwszych 3
	80	* `.butlast` - zwraca nowy pierścień, który nie zawiera ostatniego elementu
	81	* `.drop_last(3)` - zwraca nowy pierścień, kóry nie zawiera 3 ostatnich elementów
	82	* `.take_last(6)`- zwraca nowy pierścień, który posiada tylko 6 ostatnich elementów
	83	* `.stretch(2)` - powtarza każdy z elementów w pierścieniu dwukrotnie
	84	* `.repeat(3)` - powtarza cały pierścień trzykrotnie
	85	* `.mirror` - dodaje pierścień do odwróconej wersji samego siebie
	86	* `.reflect` - działa tak samo jak mirror, ale nie powtarza środkowej wartości z pierścienia
	87
	88	Oczywiście, metody które przyjmują jako parametr liczbę, mogą przyjmować
	89	też inne liczby! Nie krępuj się więc i spróbuj wywołać metodę `.drop(5)`
	90	zamiast widocznej parę linijek wyżej metody `.drop(3)`. Pozwoli Ci to stworzyć
	91	nową listę, która nie będzie zawierała 5 pierwszych elementów.

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23	23	Naciśnij przycisk Run. Słyszysz podstawowy bip przy każdym uderzeniu.
24	24	Nic szczególnego. Powstrzymaj się jednak i nie naciskaj jeszcze przycisku
25	25	Stop. Zmień wartość `60` na `65` i naciśnij przycisk Run jeszcze raz.
26
27		Now press the Run button. You hear a basic beep every beat. Nothing
28		fun there. However, don't press Stop just yet. Change the `60` to `65`
29		and press Run again.
30	26
31	27	Łał! Brzmienie zmieniło się automatycznie bez utraty żadnego uderzenia.
32	28

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19	19	* `C-M-f` oznacza naciśnij i przytrzymaj klawisz Control, potem naciśnij i przytrzymaj klawisz Meta, po czym
20	20	na końcu naciśnij do tego jeszcze klawisz f i puść wszystkie klawisze.
21	21
22		## Postawowe Manipulowanie Aplikacją
	22	## Podstawowe Manipulowanie Aplikacją
23	23
24	24	* `M-r` - Uruchom kod (przycisk Run)
25		* `M-s` - Zatrzymaj przycisk (przycisk Stop)
	25	* `M-s` - Zatrzymaj kod (przycisk Stop)
26	26	* `M-i` - Otwórz/Zamknij System Pomocy
27	27	* `M-p` - Otwórz/Zamknij Ustawienia
28	28	* `M-{` - Przejdź do buforu po lewej stronie

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	0	A Appendix A - MagPi Articles
	1
	2	# MagPi Articles
	3
	4	Appendix A collects all the Sonic Pi articles written for the MagPi
	5	magazine.
	6
	7	## Dive into Topics
	8
	9	These articles aren't meant to be read in any strict order and contain a
	10	lot of cross-over material from the tutorial itself. Rather than try and
	11	teach you all of Sonic Pi, they instead each focus on a specific aspect
	12	of Sonic Pi and cover it in a fun and accessible way.
	13
	14	## Read the MagPi
	15
	16	You can see them in their glorious professionally typeset form in the
	17	free PDF downloads of The MagPi here: https://www.raspberrypi.org/magpi/
	18
	19	## Suggest a Topic
	20
	21	If you don't see a topic that interests you covered in these articles -
	22	why not suggest one? The easiest way to do that is to tweet your
	23	suggestion to [@Sonic_Pi](http://twitter.com/sonic_pi). You never know -
	24	your suggestion might be the subject of the next article!

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	0	A.1 Tips for Sonic Pi
	1
	2	# Five Top Tips
	3
	4	## 1. There are no mistakes
	5
	6	The most important lesson to learn with Sonic Pi is that there really
	7	are no mistakes. The best way to learn is to just try and try and
	8	try. Try lots of different things out, stop worrying whether your code
	9	sounds good or not and start experimenting with as many different
	10	synths, notes, FX and opts as possible. You'll discover a lot of things
	11	that make you laugh because they sound just awful and some real gems
	12	that sound truly amazing. Simply drop the things you don't like and keep
	13	the things you do. The more 'mistakes' you allow yourself to make the
	14	quicker you'll learn and discover your personal coding sound.
	15
	16
	17	## 2. Use the FX
	18
	19	Say you've already mastered the Sonic Pi basics of making sounds with
	20	`sample`, `play`? What's next? Did you know that Sonic Pi supports over
	21	27 studio FX to change the sound of your code? FX are like fancy image
	22	filters in drawing programs except that instead of blurring or making
	23	something black and white, you can add things like reverb, distortion
	24	and echo to your sound. Think of it like sticking the cable from your
	25	guitar to an effects pedal of your choice and then into the
	26	amplifier. Luckily, Sonic Pi makes using FX really easy and requires no
	27	cables! All you need to do is to choose which section of your code you'd
	28	like the FX added to and wrap it with the FX code. Let's look at an
	29	example. Say you had the following code:
	30
	31
	32	sample :loop_garzul
	33
	34	16.times do
	35	sample :bd_haus
	36	sleep 0.5
	37	end
	38
	39
	40	If you wanted to add FX to the `:loop_garzul` sample, you'd just tuck it
	41	inside a `with_fx` block like this:
	42
	43
	44	with_fx :flanger do
	45	sample :loop_garzul
	46	end
	47
	48	16.times do
	49	sample :bd_haus
	50	sleep 0.5
	51	end
	52
	53
	54	Now, if you wanted to add FX to the bass drum, go and wrap that with
	55	`with_fx` too:
	56
	57
	58	with_fx :flanger do
	59	sample :loop_garzul
	60	end
	61
	62	with_fx :echo do
	63	16.times do
	64	sample :bd_haus
	65	sleep 0.5
	66	end
	67	end
	68
	69
	70	Remember, you can wrap any code within `with_fx` and any sounds
	71	created will pass through that FX.
	72
	73
	74	## 3. Parameterise your synths
	75
	76	In order to really discover your coding sound you'll soon want to know
	77	how to modify and control synths and FX. For example, you might want to
	78	change the duration of a note, add more reverb, or change the time
	79	between echoes. Luckily, Sonic Pi gives you an amazing level of control
	80	to do exactly this with special things called optional parameters or
	81	opts for short. Let's take a quick look. Copy this code into a workspace
	82	and hit run:
	83
	84	sample :guit_em9
	85
	86
	87	Ooh, a lovely guitar sound! Now, let's start playing with it. How about
	88	changing its rate?
	89
	90	sample :guit_em9, rate: 0.5
	91
	92
	93	Hey, what's that `rate: 0.5` bit I just added at the end? That's called
	94	an opt. All of Sonic Pi's synths and FX support them and there's loads
	95	to play around with. They're also available for FX too. Try this:
	96
	97
	98	with_fx :flanger, feedback: 0.6 do
	99	sample :guit_em9
	100	end
	101
	102
	103	Now, try increasing that feedback to 1 to hear some crazy sounds! Read the
	104	docs for full details on all the many opts available to you.
	105
	106
	107	## 5. Live Code
	108
	109	The best way to quickly experiment and explore Sonic Pi is to live
	110	code. This allows you to start off some code and continually change and
	111	tweak it whilst it's still playing. For example, if you don't know what
	112	the cutoff parameter does to a sample, just play around. Let's have a try!
	113	Copy this code into one of your Sonic Pi workspaces:
	114
	115
	116	live_loop :experiment do
	117	sample :loop_amen, cutoff: 70
	118	sleep 1.75
	119	end
	120
	121
	122	Now, hit run and you'll hear a slightly muffled drum break. Now, change
	123	the `cutoff:` value to `80` and hit run again. Can you hear the
	124	difference? Try `90`, `100`, `110`...
	125
	126	Once you get the hang of using `live_loop`s you'll not turn
	127	back. Whenever I do a live coding gig I rely on `live_loop` as much as a
	128	drummer relies on their sticks. For more information about live coding
	129	check out Section 9 of the built-in tutorial.
	130
	131	## 5. Surf the random streams
	132
	133	Finally, one thing I love doing is cheating by getting Sonic Pi to
	134	compose things for me. A really great way to do this is using
	135	randomisation. It might sound complicated but it really isn't. Let's
	136	take a look. Copy this into a spare workspace:
	137
	138
	139	live_loop :rand_surfer do
	140	use_synth :dsaw
	141	notes = (scale :e2, :minor_pentatonic, num_octaves: 2)
	142	16.times do
	143	play notes.choose, release: 0.1, cutoff: rrand(70, 120)
	144	sleep 0.125
	145	end
	146	end
	147
	148	Now, when you play this, you'll hear a constant stream of random notes
	149	from the scale `:e2 :minor_pentatonic` played with the `:dsaw`
	150	synth. "Wait, wait! That's not a melody", I hear you shout! Well, here's
	151	the first part of the magic trick. Every time we go round the
	152	`live_loop` we can tell Sonic Pi to reset the random stream to a known
	153	point. This is a bit like going back in time in the TARDIS with the
	154	Doctor to a particular point in time and space. Let's try it - add the
	155	line `use_random_seed 1` to the `live_loop`:
	156
	157	live_loop :rand_surfer do
	158	use_random_seed 1
	159	use_synth :dsaw
	160	notes = (scale :e2, :minor_pentatonic, num_octaves: 2)
	161	16.times do
	162	play notes.choose, release: 0.1, cutoff: rrand(70, 120)
	163	sleep 0.125
	164	end
	165	end
	166
	167	Now, every time the `live_loop` loops around, the random stream is
	168	reset. This means it chooses the same 16 notes every time. Hey presto!
	169	An instant melody. Now, here's the really exciting bit. Change the seed
	170	value from `1` to another number. Say `4923`. Wow! Another melody! So,
	171	just by changing one number (the random seed), you can explore as many
	172	melodic combinations as you can imagine! Now, that's the magic of code.

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	0	A.2 Live Coding
	1
	2	# Live Coding
	3
	4	The laser beams sliced through the wafts of smoke as the subwoofer
	5	pumped bass deep into the bodies of the crowd. The atmosphere was ripe
	6	with a heady mix of synths and dancing. However something wasn't quite
	7	right in this nightclub. Projected in bright colours above the DJ booth
	8	was futuristic text, moving, dancing, flashing. This wasn't fancy
	9	visuals, it was merely a projection of Sonic Pi running on a Raspberry
	10	Pi. The occupant of the DJ booth wasn't spinning disks, he was writing,
	11	editing and evaluating code. Live. This is Live Coding.
	12
	13	![Sam Aaron Live Coding](../images/tutorial/articles/A.02-live-coding/sam-aaron-live-coding.png)
	14
	15	This may sound like a far fetched story from a futuristic night club but
	16	coding music like this is a growing trend and is often described as Live
	17	Coding (http://toplap.org). One of the recent directions this approach
	18	to music making has taken is the Algorave (http://algorave.com) - events
	19	where artists like myself code music for people to dance to. However,
	20	you don't need to be in a nightclub to Live Code - with Sonic Pi v2.6+
	21	you can do it anywhere you can take your Raspberry Pi and a pair of
	22	headphones or some speakers. Once you reach the end of this article,
	23	you'll be programming your own beats and modifying them live. Where you
	24	go afterwards will only be constrained by your imagination.
	25
	26	## Live Loop
	27
	28	The key to live coding with Sonic Pi is mastering the `live_loop`. Let's
	29	look at one:
	30
	31	live_loop :beats do
	32	sample :bd_haus
	33	sleep 0.5
	34	end
	35
	36	There are 4 core ingredients to a `live_loop`. The first is its
	37	name. Our `live_loop` above is called `:beats`. You're free to call your
	38	`live_loop` anything you want. Go crazy. Be creative. I often use names
	39	that communicate something about the music they're making to the
	40	audience. The second ingredient is the `do` word which marks where the
	41	`live_loop` starts. The third is the `end` word which marks where the
	42	`live_loop` finishes, and finally there is the body of the `live_loop`
	43	which describes what the loop is going to repeat - that's the bit
	44	between the `do` and `end`. In this case we're repeatedly playing a bass
	45	drum sample and waiting for half a beat. This produces a nice regular
	46	bass beat. Go ahead, copy it into an empty Sonic Pi buffer and hit
	47	run. Boom, Boom, Boom!.
	48
	49	## Redefining On-the-fly
	50
	51	Ok, so what's so special about the `live_loop`? So far it just seems
	52	like a glorified `loop`! Well, the beauty of `live_loop`s is that you
	53	can redefine them on-the-fly. This means that whilst they're still
	54	running, you can change what they do. This is the secret to live coding
	55	with Sonic Pi. Let's have a play:
	56
	57	live_loop :choral_drone do
	58	sample :ambi_choir, rate: 0.4
	59	sleep 1
	60	end
	61
	62	Now press the Run button or hit `alt-r`. You're now listening to
	63	some gorgeous choir sounds. Now, whilst it's still playing, change the
	64	rate from `0.4` to `0.38`. Hit run again. Woah! Did you hear the choir
	65	change note? Change it back up to `0.4` to return back to how it
	66	was. Now, drop it to `0.2`, down to `0.19` and then back up to
	67	`0.4`. See how changing just one parameter on the fly can give you real
	68	control of the music? Now play around with the rate yourself - choose
	69	your own values. Try negative numbers, really small numbers and large
	70	numbers. Have fun!
	71
	72	## Sleeping is important
	73
	74	One of the most important lessons about `live_loop`s is that they need
	75	rest. Consider the following `live_loop`:
	76
	77	live_loop :infinite_impossibilities do
	78	sample :ambi_choir
	79	end
	80
	81	If you try running this code, you'll immediately see Sonic Pi
	82	complaining that the `live_loop` did not sleep. This is a safety system
	83	kicking in! Take a moment to think about what this code is asking the
	84	computer to do. That's right, it's asking the computer to play an
	85	infinite amount of choir samples in zero time. Without the safety system
	86	the poor computer will try and do this and crash and burn in the
	87	process. So remember, your `live_loop`s must contain a `sleep`.
	88
	89
	90	## Combining Sounds
	91
	92	Music is full of things happening at the same time. Drums at the same
	93	time as bass at the same time as vocals at the same time as
	94	guitars... In computing we call this concurrency and Sonic Pi provides
	95	us with an amazingly simple way of playing things at the same
	96	time. Simply use more than one `live_loop`!
	97
	98	live_loop :beats do
	99	sample :bd_tek
	100	with_fx :echo, phase: 0.125, mix: 0.4 do
	101	sample :drum_cymbal_soft, sustain: 0, release: 0.1
	102	sleep 0.5
	103	end
	104	end
	105
	106	live_loop :bass do
	107	use_synth :tb303
	108	synth :tb303, note: :e1, release: 4, cutoff: 120, cutoff_attack: 1
	109	sleep 4
	110	end
	111
	112	Here, we have two `live_loop`s, one looping quickly making beats and
	113	another looping slowly making a crazy bass sound.
	114
	115	One of the interesting things about using multiple `live_loop`s is that
	116	they each manage their own time. This means it's really easy to create
	117	interesting polyrhythmical structures and even play with phasing Steve
	118	Reich style. Check this out:
	119
	120	# Steve Reich's Piano Phase
	121
	122	notes = (ring :E4, :Fs4, :B4, :Cs5, :D5, :Fs4, :E4, :Cs5, :B4, :Fs4, :D5, :Cs5)
	123
	124	live_loop :slow do
	125	play notes.tick, release: 0.1
	126	sleep 0.3
	127	end
	128
	129	live_loop :faster do
	130	play notes.tick, release: 0.1
	131	sleep 0.295
	132	end
	133
	134
	135	## Bringing it all together
	136
	137	In each of these tutorials, we'll end with a final example in the form
	138	of a new piece of music which draws from all of the ideas
	139	introduced. Read this code and see if you can imagine what it's
	140	doing. Then, copy it into a fresh Sonic Pi buffer and hit Run and
	141	actually hear what it sounds like. Finally, change one of the numbers or
	142	comment and uncomment things out. See if you can use this as a starting
	143	point for a new performance, and most of all have fun! See you next
	144	time...
	145
	146	with_fx :reverb, room: 1 do
	147	live_loop :time do
	148	synth :prophet, release: 8, note: :e1, cutoff: 90, amp: 3
	149	sleep 8
	150	end
	151	end
	152
	153	live_loop :machine do
	154	sample :loop_garzul, rate: 0.5, finish: 0.25
	155	sample :loop_industrial, beat_stretch: 4, amp: 1
	156	sleep 4
	157	end
	158
	159	live_loop :kik do
	160	sample :bd_haus, amp: 2
	161	sleep 0.5
	162	end
	163
	164	with_fx :echo do
	165	live_loop :vortex do
	166	# use_random_seed 800
	167	notes = (scale :e3, :minor_pentatonic, num_octaves: 3)
	168	16.times do
	169	play notes.choose, release: 0.1, amp: 1.5
	170	sleep 0.125
	171	end
	172	end
	173	end

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etc/doc/tutorial/pl/A.03-coded-beats.md less more

	0	A.3 Coded Beats
	1
	2	# Coded Beats
	3
	4	One of the most exciting and disrupting technical developments in modern
	5	music was the invention of samplers. These were boxes that allowed you
	6	to record any sound into them and then manipulate and play back those
	7	sounds in many interesting ways. For example, you could take an old
	8	record, find a drum solo (or break), record it into your sampler and
	9	then play it back on repeat at half-speed to provide the foundation for
	10	your latest beats. This is how early hip-hop music was born and today
	11	it's almost impossible to find electronic music that doesn't incorporate
	12	samples of some kind. Using samples is a really great way of easily
	13	introducing new and interesting elements into your live coded
	14	performances.
	15
	16	So where can you get a sampler? Well you already have one - it's your
	17	Raspberry Pi! The built-in live coding app Sonic Pi has an extremely
	18	powerful sampler built into its core. Let's play with it!
	19
	20	## The Amen Break
	21
	22	One of the most classic and recognisable drum break samples is called
	23	the Amen Break. It was first performed in 1969 in the song "Amen
	24	Brother" by the Winstons as part of a drum break. However, it was when
	25	it was discovered by early hip-hop musicians in the 80s and used in
	26	samplers that it started being heavily used in a wide variety of other
	27	styles such as drum and bass, breakbeat, hardcore techno and breakcore.
	28
	29	I'm sure you're excited to hear that it's also built right into Sonic
	30	Pi. Clear up a buffer and throw in the following code:
	31
	32	sample :loop_amen
	33
	34	Hit Run and boom! You're listening to one of the most influential
	35	drum breaks in the history of dance music. However, this sample wasn't famous
	36	for being played as a one-shot, it was built for being looped.
	37
	38
	39	## Beat Stretching
	40
	41	Let's loop the Amen Break by using our old friend the `live_loop`
	42	introduced in this tutorial last month:
	43
	44	live_loop :amen_break do
	45	sample :loop_amen
	46	sleep 2
	47	end
	48
	49	OK, so it is looping, but there's an annoying pause every time
	50	round. That is because we asked it to sleep for `2` beats and with
	51	the default BPM of 60 the `:loop_amen` sample only lasts for `1.753`
	52	beats. We therefore have a silence of `2 - 1.753 = 0.247` beats. Even
	53	though it's short, it's still noticeable.
	54
	55	To fix this issue we can use the `beat_stretch:` opt to ask Sonic Pi to
	56	stretch (or shrink) the sample to match the specified number of beats.
	57
	58	[Breakout box start] Sonic Pi's `sample` and `synth` fns give you a lot
	59	of control via optional parameters such as `amp:`, `cutoff:` and
	60	`release:`. However, the term optional parameter is a real mouthful so
	61	we just call them opts to keep things nice and simple.
	62	[Breakout box end]
	63
	64	live_loop :amen_break do
	65	sample :loop_amen, beat_stretch: 2
	66	sleep 2
	67	end
	68
	69	Now we're dancing! Although, perhaps we want to speed it up or slow it down
	70	to suit the mood.
	71
	72	## Playing with Time
	73
	74	OK, so what if we want to change styles to old school hip hop or
	75	breakcore? One simple way of doing this is to play with time - or in
	76	other words mess with the tempo. This is super easy in Sonic Pi - just
	77	throw in a `use_bpm` into your live loop:
	78
	79	live_loop :amen_break do
	80	use_bpm 30
	81	sample :loop_amen, beat_stretch: 2
	82	sleep 2
	83	end
	84
	85	Whilst you're rapping over those slow beats, notice that we're still
	86	sleeping for 2 and our BPM is 30, yet everything is in time. The
	87	`beat_stretch` opt works with the current BPM to make sure everything just works.
	88
	89	Now, here's the fun part. Whilst the loop is still live, change the `30`
	90	in the `use_bpm 30` line to `50`. Woah, everything just got faster yet *kept
	91	in time*! Try going faster - up to 80, to 120, now go crazy and punch in
	92	200!
	93
	94
	95	## Filtering
	96
	97	Now we can live loop samples, let's look at some of the most fun opts
	98	provided by the `sample` synth. First up is `cutoff:` which controls the
	99	cutoff filter of the sampler. By default this is disabled but you can
	100	easily turn it on:
	101
	102
	103	live_loop :amen_break do
	104	use_bpm 50
	105	sample :loop_amen, beat_stretch: 2, cutoff: 70
	106	sleep 2
	107	end
	108
	109	Go ahead and change the `cutoff:` opt. For example, increase it to 100,
	110	hit Run and wait for the loop to cycle round to hear the change in the
	111	sound. Notice that low values like 50 sound mellow and bassy and high
	112	values like 100 and 120 are more full-sounding and raspy. This is
	113	because the `cutoff:` opt will chop out the high frequency parts of the
	114	sound just like a lawn-mower chops off the top of the grass. The
	115	`cutoff:` opt is like the length setting - determining how much grass is
	116	left over.
	117
	118
	119	## Slicing
	120
	121	Another great tool to play with is the slicer FX. This will chop (slice)
	122	the sound up. Wrap the `sample` line with the FX code like this:
	123
	124	live_loop :amen_break do
	125	use_bpm 50
	126	with_fx :slicer, phase: 0.25, wave: 0, mix: 1 do
	127	sample :loop_amen, beat_stretch: 2, cutoff: 100
	128	end
	129	sleep 2
	130	end
	131
	132	Notice how the sound bounces up and down a little more. (You can hear
	133	the original sound without the FX by changing the `mix:` opt to `0`.)
	134	Now, try playing around with the `phase:` opt. This is the rate (in
	135	beats) of the slicing effect. A smaller value like `0.125` will slice
	136	faster and larger values like `0.5` will slice more slowly. Notice that
	137	successively halving or doubling the `phase:` opts val tends to always
	138	sound good. Finally, change the `wave:` opt to one of 0, 1, or 2 and
	139	hear how it changes the sound. These are the various wave shapes. 0 is a
	140	saw wave, (hard in, fade out) 1 is a square wave (hard in, hard out) and
	141	2 is a triangle wave (fade in, fade out).
	142
	143
	144	## Bringing it all together
	145
	146	Finally, let's go back in time and revisit the early Bristol drum and
	147	bass scene with this month's example. Don't worry too much about what
	148	all this means, just type it in, hit Run, then start live coding it by
	149	changing opt numbers and see where you can take it. Please do share what
	150	you create! See you next time...
	151
	152	use_bpm 100
	153
	154	live_loop :amen_break do
	155	p = [0.125, 0.25, 0.5].choose
	156	with_fx :slicer, phase: p, wave: 0, mix: rrand(0.7, 1) do
	157	r = [1, 1, 1, -1].choose
	158	sample :loop_amen, beat_stretch: 2, rate: r, amp: 2
	159	end
	160	sleep 2
	161	end
	162
	163	live_loop :bass_drum do
	164	sample :bd_haus, cutoff: 70, amp: 1.5
	165	sleep 0.5
	166	end
	167
	168	live_loop :landing do
	169	bass_line = (knit :e1, 3, [:c1, :c2].choose, 1)
	170	with_fx :slicer, phase: [0.25, 0.5].choose, invert_wave: 1, wave: 0 do
	171	s = synth :square, note: bass_line.tick, sustain: 4, cutoff: 60
	172	control s, cutoff_slide: 4, cutoff: 120
	173	end
	174	sleep 4
	175	end

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etc/doc/tutorial/pl/A.04-synth-riffs.md less more

	0	A.4 Synth Riffs
	1
	2	# Synth Riffs
	3
	4	Whether it's the haunting drift of rumbling oscillators or the detuned
	5	punch of saw waves piercing through the mix, the lead synth plays an
	6	essential role on any electronic track. In last month's edition of this
	7	tutorial series we covered how to code our beats. In this tutorial we'll
	8	cover how to code up the three core components of a synth riff - the
	9	timbre, melody and rhythm.
	10
	11	OK, so power up you Raspberry Pi, crack open Sonic Pi v2.6+ and let's
	12	make some noise!
	13
	14
	15	## Timbral Possibilities
	16
	17	An essential part of any synth riff is changing and playing with the
	18	timbre of the sounds. We can control the timbre in Sonic Pi in two ways
	19	- choosing different synths for a dramatic change and setting the
	20	various synth opts for more subtle modifications. We can also use FX,
	21	but that's for another tutorial...
	22
	23	Let's create a simple live loop where we continually change the current
	24	synth:
	25
	26	live_loop :timbre do
	27	use_synth (ring :tb303, :blade, :prophet, :saw, :beep, :tri).tick
	28	play :e2, attack: 0, release: 0.5, cutoff: 100
	29	sleep 0.5
	30	end
	31
	32	Take a look at the code. We're simply ticking through a ring of synth
	33	names (this will cycle through each of these in turn repeating the list
	34	over and over). We pass this synth name to the `use_synth` fn (function)
	35	which will change the `live_loop`'s current synth. We also play note
	36	`:e2` (E at the second octave), with a release time of 0.5 beats (half a
	37	second at the default BPM of 60) and with the `cutoff:` opt set to 100.
	38
	39	Hear how the different synths have very different sounds even though
	40	they're all playing the same note. Now experiment and have a
	41	play. Change the release time to bigger and smaller values. For example,
	42	change the `attack:` and `release:` opts to see how different fade
	43	in/out times have a huge impact on the sound. Finally change the
	44	`cutoff:` opt to see how different cutoff values also massively
	45	influence the timbre (values between 60 and 130 are good). See how many
	46	different sounds you can create by just changing a few values. Once
	47	you've mastered that, just head to the Synths tab in the Help system for
	48	a full list of all the synths and all the available opts each individual
	49	synth supports to see just how much power you have under your coding
	50	fingertips.
	51
	52	## Timbre
	53
	54	Timbre is just a fancy word describing the sound of a sound. If you play
	55	the same note with different instruments such as a violin, guitar, or
	56	piano, the pitch (how high or low it sounds) would be the same, but the
	57	sound quality would be different. That sound quality - the thing which
	58	allows you to tell the difference between a piano and a guitar is the
	59	timbre.
	60
	61
	62	## Melodic Composition
	63
	64	Another important aspect to our lead synth is the choice of notes we
	65	want to play. If you already have a good idea, then you can simply
	66	create a ring with your notes in and tick through them:
	67
	68	live_loop :riff do
	69	use_synth :prophet
	70	riff = (ring :e3, :e3, :r, :g3, :r, :r, :r, :a3)
	71	play riff.tick, release: 0.5, cutoff: 80
	72	sleep 0.25
	73	end
	74
	75	Here, we've defined our melody with a ring which includes both notes
	76	such as `:e3` and rests represented by `:r`. We're then using `.tick` to
	77	cycle through each note to give us a repeating riff.
	78
	79	## Auto Melody
	80
	81	It's not always easy to come up with a nice riff from scratch. Instead
	82	it's often easier to ask Sonic Pi for a selection of random riffs and to
	83	choose the one you like the best. To do that we need to combine three
	84	things: rings, randomisation and random seeds. Let's look at an example:
	85
	86	live_loop :random_riff do
	87	use_synth :dsaw
	88	use_random_seed 3
	89	notes = (scale :e3, :minor_pentatonic).shuffle
	90	play notes.tick, release: 0.25, cutoff: 80
	91	sleep 0.25
	92	end
	93
	94	There's a few things going on - let's look at them in turn. First, we
	95	specify that we're using random seed 3. What does this mean? Well, The
	96	useful thing is that when we set the seed, we can predict what the next
	97	random value is going to be - it's the same as it was last time we set
	98	the seed to 3! Another useful thing to know is that shuffling a ring of
	99	notes works in the same way. In the example above we're essentially
	100	asking for the 'third shuffle' in the standard list of shuffles - which
	101	is also the same every time as we're always setting the random seed to
	102	the same value right before the shuffle. Finally we're just ticking
	103	through our shuffled notes to play the riff.
	104
	105	Now, here's where the fun starts. If we change the random seed value to
	106	another number, say 3000, we get an entirely different shuffling of the
	107	notes. So now it's extremely easy to explore new melodies. Simply choose
	108	the list of notes we want to shuffle (scales are a great starting point)
	109	and then choose the seed we want to shuffle with. If we don't like the
	110	melody, just change one of those two things and try again. Repeat until
	111	you like what you hear!
	112
	113
	114	## Pseudo Randomisation
	115
	116	Sonic Pi's randomisation is not actually random it's what's called
	117	pseudo random. Imagine if you were to roll a dice 100 times and write
	118	down the result of each roll onto a piece of paper. Sonic Pi has the
	119	equivalent of this list of results which it uses when you ask for a
	120	random value. Instead of rolling an actual dice, it just picks the next
	121	value from the list. Setting the random seed is just jumping to a
	122	specific point in that list.
	123
	124	## Finding your Rhythm
	125
	126	Another important aspect to our riff is the rhythm - when to play a note
	127	and when not to. As we saw above we can use `:r` in our rings to insert
	128	rests. Another very powerful way is to use spreads which we'll cover in
	129	a future tutorial. Today we'll use randomisation to help us find our
	130	rhythm. Instead of playing every note we can use a conditional to play a
	131	note with a given probability. Let's take a look:
	132
	133	live_loop :random_riff do
	134	use_synth :dsaw
	135	use_random_seed 30
	136	notes = (scale :e3, :minor_pentatonic).shuffle
	137	16.times do
	138	play notes.tick, release: 0.2, cutoff: 90 if one_in(2)
	139	sleep 0.125
	140	end
	141	end
	142
	143	A really useful fn to know is `one_in` which will give us a
	144	`true` or `false` value with the specified probability. Here, we're
	145	using a value of 2 so on average one time every two calls to `one_in` it
	146	will return `true`. In other words, 50% of the time it will return
	147	`true`. Using higher values will make it return `false` more often
	148	introducing more space into the riff.
	149
	150	Notices that we've added some iteration in here with `16.times`. This is
	151	because we only want to reset our random seed value every 16 notes so
	152	our rhythm repeats every 16 times. This doesn't affect the shuffling as
	153	that is still done immediately after the seed is set. We can use the
	154	iteration size to alter the length of the riff. Try changing the 16 to 8
	155	or even 4 or 3 and see how it affects the rhythm of the riff.
	156
	157	## Bringing it all together
	158
	159	OK, so let's combine everything we've learned together into one final
	160	example. See you next time!
	161
	162	live_loop :random_riff do
	163	# uncomment to bring in:
	164	# synth :blade, note: :e4, release: 4, cutoff: 100, amp: 1.5
	165	use_synth :dsaw
	166	use_random_seed 43
	167	notes = (scale :e3, :minor_pentatonic, num_octaves: 2).shuffle.take(8)
	168	8.times do
	169	play notes.tick, release: rand(0.5), cutoff: rrand(60, 130) if one_in(2)
	170	sleep 0.125
	171	end
	172	end
	173
	174	live_loop :drums do
	175	use_random_seed 500
	176	16.times do
	177	sample :bd_haus, rate: 2, cutoff: 110 if rand < 0.35
	178	sleep 0.125
	179	end
	180	end
	181
	182	live_loop :bd do
	183	sample :bd_haus, cutoff: 100, amp: 3
	184	sleep 0.5
	185	end
	186
	187
	188
	189

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etc/doc/tutorial/pl/A.05-acid-bass.md less more

	0	A.5 Acid Bass
	1
	2	# Acid Bass
	3
	4	It's impossible to look through the history of electronic dance music
	5	without seeing the enormous impact of the tiny Roland TB-303
	6	synthesiser. It's the secret sauce behind the original acid bass
	7	sound. Those classic squealing and squelching TB-303 bass riffs can be
	8	heard from the early Chicago House scene through to more recent
	9	electronic artists such as Plastikman, Squarepusher and Aphex Twin.
	10
	11	Interestingly, Roland never intended for the TB-303 to be used in dance
	12	music. It was originally created as a practice aid for guitarists. They
	13	imagined that people would program them to play bass lines to jam along
	14	to. Unfortunately there were a number of problems: they were a little
	15	fiddly to program, didn't sound particularly good as a bass-guitar
	16	replacement and were pretty expensive to buy. Deciding to cut their
	17	losses, Roland stopped making them after 10,000 units were sold and
	18	after a number of years sitting on guitarist's shelves, they soon could
	19	be found in the windows of second hand shops. These lonely discarded
	20	TB-303s were waiting to be discovered by a new generation of
	21	experimenters who started using them in ways that Roland didn't imagine
	22	to create new crazy sounds. Acid House was born.
	23
	24	Although getting your hands on an original TB-303 is not so easy you
	25	will be pleased to know that you can turn your Raspberry Pi into one
	26	using the power of Sonic Pi. Behold, fire up Sonic Pi and throw this
	27	code into an empty buffer and hit Run:
	28
	29	use_synth :tb303
	30	play :e1
	31
	32	Instant acid bass! Let's play around...
	33
	34	# Squelch that Bass
	35
	36	First, let's build a live arpeggiator to make things fun. In the last
	37	tutorial we looked at how riffs can just be a ring of notes that we tick
	38	through one after another, repeating when we get to the end. Let's
	39	create a live loop that does exactly that:
	40
	41	use_synth :tb303
	42	live_loop :squelch do
	43	n = (ring :e1, :e2, :e3).tick
	44	play n, release: 0.125, cutoff: 100, res: 0.8, wave: 0
	45	sleep 0.125
	46	end
	47
	48	Take a look at each line.
	49
	50	1. On the first line we set the default synth to be `tb303` with the
	51	`use_synth` fn.
	52
	53	2. On line two we create a live loop called `:squelch` which will just
	54	loop round and round.
	55
	56	3. Line three is where we create our riff - a ring of notes (E in
	57	octaves 1, 2, and 3) which we simply tick through with `.tick`. We
	58	define `n` to represent the current note in the riff. The equals sign
	59	just means to assign the value on the right to the name on the
	60	left. This will be different every time round the loop. The first
	61	time round, `n` will be set to `:e1`. The second time round it will
	62	be `:e2`, followed by `:e3`, and then back to `:e1`, cycling round
	63	forever.
	64
	65	4. Line four is where we actually trigger our `:tb303` synth. We're
	66	passing a few interesting opts here: `release:`, `cutoff:`, `res:`
	67	and `wave:` which we'll discuss below.
	68
	69	5. Line five is our `sleep` - we're asking the live loop to loop round
	70	every `0.125`s or 8 times a second at the default BPM of 60.
	71
	72	6. Line six is the `end` to the live loop. This just tells Sonic Pi
	73	where the end of the live loop is.
	74
	75	Whilst you're still figuring out what's going on, type in the code above
	76	and hit the Run button. You should hear the `:tb303` kick into
	77	action. Now, this is where the action is: let's start live coding.
	78
	79	Whilst the loop is still live, change the `cutoff:` opt to `110`. Now
	80	hit the Run button again. You should hear the sound become a little
	81	harsher and more squelchy. Dial in `120` and hit run. Now `130`. Listen
	82	how higher cutoff values make it sound more piercing and
	83	intense. Finally, drop it down to `80` when you feel like a rest. Then
	84	repeat as many times as you want. Don't worry, I'll still be here...
	85
	86	Another opt worth playing with is `res:`. This controls the level of
	87	resonance of the filter. A high resonance is characteristic of acid bass
	88	sounds. We currently have our `res:` set to `0.8`. Try cranking it up to
	89	`0.85`, then `0.9`, and finally `0.95`. You might find that a cutoff
	90	such as `110` or higher will make the differences easier to
	91	hear. Finally go crazy and dial in `0.999` for some insane sounds. At a
	92	`res` this high, you're hearing the cutoff filter resonate so much it
	93	starts to make sounds of its own!
	94
	95	Finally, for a big impact on the timbre try changing the `wave:` opt to
	96	`1`. This is the choice of source oscillator. The default is `0` which
	97	is a sawtooth wave. `1` is a pulse wave and `2` is a triangle wave.
	98
	99	Of course, try different riffs by changing the notes in the ring or even
	100	picking notes from scales or chords. Have fun with your first acid bass
	101	synth.
	102
	103	# Deconstructing the TB-303
	104
	105	The design of the original TB-303 is actually pretty simple. As you can
	106	see from the following diagram there's only 4 core parts.
	107
	108	![TB-303 Design](../images/tutorial/articles/A.05-acid-bass/tb303-design.png)
	109
	110	First is the oscillator wave - the raw ingredients of the sound. In this
	111	case we have a square wave. Next there's the oscillator's amplitude
	112	envelope which controls the amp of the square wave through time. These
	113	are accessed in Sonic Pi by the `attack:`, `decay:`, `sustain:` and
	114	`release:` opts along with their level counterparts. For more
	115	information read Section 2.4 'Duration with Envelopes' in the built-in
	116	tutorial. We then pass our enveloped square wave through a resonant low
	117	pass filter. This chops off the higher frequencies as well as having
	118	that nice resonance effect. Now this is where the fun starts. The cutoff
	119	value of this filter is also controlled by its own envelope! This means
	120	we have amazing control over the timbre of the sound by playing with
	121	both of these envelopes. Let's take a look:
	122
	123
	124	use_synth :tb303
	125	with_fx :reverb, room: 1 do
	126	live_loop :space_scanner do
	127	play :e1, cutoff: 100, release: 7, attack: 1, cutoff_attack: 4, cutoff_release: 4
	128	sleep 8
	129	end
	130	end
	131
	132	For each standard envelope opt, there's a `cutoff_` equivalent opt in
	133	the `:tb303` synth. So, to change the cutoff attack time we can use the
	134	`cutoff_attack:` opt. Copy the code above into an empty buffer and hit
	135	Run. You'll hear a crazy sound warble in and out. Now start to play. Try
	136	changing the `cutoff_attack:` time to `1` and then `0.5`. Now try `8`.
	137
	138	Notice that I've passed everything through a `:reverb` FX for extra
	139	atmosphere - try other FX to see what works!
	140
	141	# Bringing it all together
	142
	143	Finally, here's a piece I composed using the ideas in this
	144	tutorial. Copy it into an empty buffer, listen for a while and then
	145	start live coding your own changes. See what crazy sounds you can make
	146	with it! See you next time...
	147
	148	use_synth :tb303
	149	use_debug false
	150
	151	with_fx :reverb, room: 0.8 do
	152	live_loop :space_scanner do
	153	with_fx :slicer, phase: 0.25, amp: 1.5 do
	154	co = (line 70, 130, steps: 8).tick
	155	play :e1, cutoff: co, release: 7, attack: 1, cutoff_attack: 4, cutoff_release: 4
	156	sleep 8
	157	end
	158	end
	159
	160	live_loop :squelch do
	161	use_random_seed 3000
	162	16.times do
	163	n = (ring :e1, :e2, :e3).tick
	164	play n, release: 0.125, cutoff: rrand(70, 130), res: 0.9, wave: 1, amp: 0.8
	165	sleep 0.125
	166	end
	167	end
	168	end

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etc/doc/tutorial/pl/A.06-minecraft.md less more

	0	A.6 Musical Minecraft
	1
	2	# Musical Minecraft
	3
	4
	5
	6	Hello and welcome back! In the previous tutorials we've focussed purely
	7	on the music possibilities of Sonic Pi - (turning your Raspberry Pi into
	8	a performance ready musical instrument). So far we've learned how to:
	9
	10	* Live Code - changing the sounds on-the-fly,
	11	* Code some huge beats,
	12	* Generate powerful synth leads,
	13	* Re-create the famous TB-303 acid-bass sound.
	14
	15	There's so much more to show you (which we will explore in future
	16	editions). However, this month, let's look at something Sonic Pi can do
	17	that you probably didn't realise: control Minecraft.
	18
	19	# Hello Minecraft World
	20
	21	OK, let's get started. Boot up your Raspberry Pi, fire up Minecraft Pi
	22	and create a new world. Now start up Sonic Pi and re-size and move your
	23	windows so you can see both Sonic Pi and Minecraft Pi at the same time.
	24
	25	In a fresh buffer type the following:
	26
	27	mc_message "Hello Minecraft from Sonic Pi!"
	28
	29	Now, hit Run. Boom! Your message appeared in Minecraft! How easy was
	30	that? Now, stop reading this for a moment and play about with your own
	31	messages. Have fun!
	32
	33	![Screen 0](../images/tutorial/articles/A.06-minecraft/Musical-Minecraft-0-small.png)
	34
	35	# Sonic Teleporter
	36
	37	Now let's do some exploring. The standard option is to reach for the
	38	mouse and keyboard and start walking around. That works, but it's pretty
	39	slow and boring. It would be far better if we had some sort of teleport
	40	machine. Well, thanks to Sonic Pi, we have one. Try this:
	41
	42	mc_teleport 80, 40, 100
	43
	44	Crikey! That was a long way up. If you weren't in flying-mode then you
	45	would have fallen back down all the way to the ground. If you double-tap
	46	space to enter flying-mode and teleport again, you'll stay hovering at
	47	the location you zap to.
	48
	49	Now, what do those numbers mean? We have three numbers which describe
	50	the coordinates of where in the world we want to go. We give each number
	51	a name - x, y and z:
	52
	53	* x - how far left and right (80 in our example)
	54	* y - how high we want to be (40 in our example)
	55	* z - how far forward and back (100 in our example)
	56
	57	By choosing different values for x, y and z we can teleport anywhere
	58	in our world. Try it! Choose different numbers and see where you can end
	59	up. If the screen goes black it's because you've teleported yourself
	60	under the ground or into a mountain. Just choose a higher y value to get
	61	back out above land. Keep on exploring until you find somewhere you
	62	like...
	63
	64	Using the ideas so far, let's build a Sonic Teleporter which makes a fun
	65	teleport sound whilst it whizzes us across the Minecraft world:
	66
	67	mc_message "Preparing to teleport...."
	68	sample :ambi_lunar_land, rate: -1
	69	sleep 1
	70	mc_message "3"
	71	sleep 1
	72	mc_message "2"
	73	sleep 1
	74	mc_message "1"
	75	sleep 1
	76	mc_teleport 90, 20, 10
	77	mc_message "Whoooosh!"
	78
	79	![Screen 1](../images/tutorial/articles/A.06-minecraft/Musical-Minecraft-1-small.png)
	80
	81	# Magic Blocks
	82
	83	Now you've found a nice spot, let's start building. You could do what
	84	you're used to and start clicking the mouse furiously to place blocks
	85	under the cursor. Or you could use the magic of Sonic Pi. Try this:
	86
	87	x, y, z = mc_location
	88	mc_set_block :melon, x, y + 5, z
	89
	90	Now look up! There's a melon in the sky! Take a moment to look at the
	91	code. What did we do? On line one we grabbed the current location of
	92	Steve as the variables x, y and z. These correspond to our coordinates
	93	described above. We use these coordinates in the fn `mc_set_block` which
	94	will place the block of your choosing at the specified coordinates. In
	95	order to make something higher up in the sky we just need to increase
	96	the y value which is why we add 5 to it. Let's make a long trail of them:
	97
	98	live_loop :melon_trail do
	99	x, y, z = mc_location
	100	mc_set_block :melon, x, y-1, z
	101	sleep 0.125
	102	end
	103
	104	Now, jump over to Minecraft, make sure you're in flying-mode (double tap
	105	space if not) and fly all around the world. Look behind you to see a
	106	pretty trail of melon blocks! See what kind of twisty patterns you can
	107	make in the sky.
	108
	109	# Live Coding Minecraft
	110
	111	Those of you that have been following this tutorial over the last few
	112	months will probably have your minds blown at this point. The trail of
	113	melons is pretty cool, but the most exciting part of the previous
	114	example is that you can use `live_loop` with Minecraft! For those that
	115	don't know, `live_loop` is Sonic Pi's special magic ability that no
	116	other programming language has. It lets you run multiple loops at the
	117	same time and allows you to change them whilst they run. They are
	118	incredibly powerful and amazing fun. I use `live_loop`s to perform music
	119	in nightclubs with Sonic Pi - DJs use discs and I use `live_loop`s :-)
	120	However, today we're going to live code both music and Minecraft.
	121
	122	Let's get started. Run the code above and start making your melon
	123	trail again. Now, without stopping the code, just simply change `:melon` to
	124	`:brick` and hit run. Hey presto, you're now making a brick trail. How
	125	simple was that! Fancy some music to go with it? Easy. Try this:
	126
	127	live_loop :bass_trail do
	128	tick
	129	x, y, z = mc_location
	130	b = (ring :melon, :brick, :glass).look
	131	mc_set_block b, x, y -1, z
	132	note = (ring :e1, :e2, :e3).look
	133	use_synth :tb303
	134	play note, release: 0.1, cutoff: 70
	135	sleep 0.125
	136	end
	137
	138	Now, whilst that's playing start changing the code. Change the block
	139	types - try `:water`, `:grass` or your favourite block type. Also, try
	140	changing the cutoff value from `70` to `80` and then up to `100`. Isn't
	141	this fun?
	142
	143	# Bringing it all together
	144
	145	![Screen 2](../images/tutorial/articles/A.06-minecraft/Musical-Minecraft-2-small.png)
	146
	147	Let's combine everything we've seen so far with a little extra
	148	magic. Let's combine our teleportation ability with block placing and
	149	music to make a Minecraft Music Video. Don't worry if you don't
	150	understand it all, just type it in and have a play by changing some of
	151	the values whilst it's running live. Have fun and see you next time...
	152
	153
	154	live_loop :note_blocks do
	155	mc_message "This is Sonic Minecraft"
	156	with_fx :reverb do
	157	with_fx :echo, phase: 0.125, reps: 32 do
	158	tick
	159	x = (range 30, 90, step: 0.1).look
	160	y = 20
	161	z = -10
	162	mc_teleport x, y, z
	163	ns = (scale :e3, :minor_pentatonic)
	164	n = ns.shuffle.choose
	165	bs = (knit :glass, 3, :sand, 1)
	166	b = bs.look
	167	synth :beep, note: n, release: 0.1
	168	mc_set_block b, x+20, n-60+y, z+10
	169	mc_set_block b, x+20, n-60+y, z-10
	170	sleep 0.25
	171	end
	172	end
	173	end
	174
	175	live_loop :beats do
	176	sample :bd_haus, cutoff: 100
	177	sleep 0.5
	178	end
	179
	180
	181
	182
	183

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etc/doc/tutorial/pl/A.07-bizet.md less more

	0	A.7 Bizet Beats
	1
	2	# Bizet Beats
	3
	4	After our brief excursion to the fantastic world of coding Minecraft
	5	with Sonic Pi last month, let's get musical again. Today we're going to
	6	bring a classical operatic dance piece straight into the 21st century
	7	using the awesome power of code.
	8
	9	# Outrageous and Disruptive
	10
	11	Let's jump into a time machine back to the year 1875. A composer called
	12	Bizet had just finished his latest opera Carmen. Unfortunately like
	13	many exciting and disruptive new pieces of music people initially
	14	didn't like it at all because it was too outrageous and different. Sadly
	15	Bizet died ten years before the opera gained huge international success
	16	and became one of the most famous and frequently performed operas
	17	of all time. In sympathy with this tragedy let's take one of the main
	18	themes from Carmen and convert it to a modern format of music that is
	19	also too outrageous and different for most people in our time - live
	20	coded music!
	21
	22	# Decoding the Habanera
	23
	24	Trying to live code the whole opera would be a bit of a challenge for
	25	this tutorial, so let's focus on one of the most famous parts - the bass
	26	line to the Habanera:
	27
	28	![Habanera Riff](../images/tutorial/articles/A.07-bizet/habanera.png)
	29
	30	This may look extremely unreadable to you if you haven't yet studied
	31	music notation. However, as programmers we see music notation as just
	32	another form of code - only it represents instructions to a musician instead
	33	of a computer. We therefore need to figure out a way of decoding it.
	34
	35	# Notes
	36
	37	The notes are arranged from left to right like the words in this
	38	magazine but also have different heights. *The height on the score
	39	represents the pitch of the note.* The higher the note on the score, the
	40	higher the pitch of the note.
	41
	42	In Sonic Pi we already know how to change the pitch of a note - we
	43	either use high or low numbers such as `play 75` and `play 80` or we use
	44	the note names: `play :E` and `play :F`. Luckily each of the vertical
	45	positions of the musical score represents a specific note name. Take a
	46	look at this handy look up table:
	47
	48	![Notes](../images/tutorial/articles/A.07-bizet/notes.png)
	49
	50	# Rests
	51
	52	Music scores are an extremely rich and expressive kind of code capable
	53	of communicating many things. It therefore shouldn't come as much of a
	54	surprise that musical scores can not only tell you what notes to play but
	55	also when not to play notes. In programming this is pretty much
	56	equivalent to the idea of `nil` or `null` - the absence of a value. In
	57	other words not playing a note is like the absence of a note.
	58
	59	If you look closely at the score you'll see that it's actually a
	60	combination of black dots with lines which represent notes to play and
	61	squiggly things which represent the rests. Luckily Sonic Pi has a very
	62	handy representation for a rest: `:r`, so if we run: `play :r` it
	63	actually plays silence! We could also write `play :rest`, `play nil` or
	64	`play false` which are all equivalent ways of representing rests.
	65
	66	# Rhythm
	67
	68	Finally, there's one last thing to learn how to decode in the notation -
	69	the timings of the notes. In the original notation you'll see that the
	70	notes are connected with thick lines called beams. The second note has
	71	two of these beams which means it lasts for a 16th of a beat. The other
	72	notes have a single beam which means they last for an 8th of a beat. The
	73	rest has two squiggly beams which means it also represents a 16th of the
	74	beat.
	75
	76	When we attempt to decode and explore new things a very handy trick is
	77	to make everything as similar as possible to try and see any
	78	relationships or patterns. For example, when we re-write our notation
	79	purely in 16ths you can see that our notation just turns into a nice
	80	sequence of notes and rests.
	81
	82
	83	![Habanera Riff 2](../images/tutorial/articles/A.07-bizet/habanera2.png)
	84
	85	# Re-coding the Habanera
	86
	87	We're now in a position to start translating this bass line to Sonic
	88	Pi. Let's encode these notes and rests in a ring:
	89
	90	(ring :d, :r, :r, :a, :f5, :r, :a, :r)
	91
	92	Let's see what this sounds like. Throw it in a live loop and tick
	93	through it:
	94
	95	live_loop :habanera do
	96	play (ring :d, :r, :r, :a, :f5, :r, :a, :r).tick
	97	sleep 0.25
	98	end
	99
	100	Fabulous, that instantly recognisable riff springs to life through your
	101	speakers. It took a lot of effort to get here, but it was worth it -
	102	high five!
	103
	104	# Moody Synths
	105
	106	Now we have the bass line, let's re-create some of the ambience of the
	107	operatic scene. One synth to try out is `:blade` which is a moody 80s
	108	style synth lead. Let's try it with the starting note `:d` passed
	109	through a slicer and reverb:
	110
	111	live_loop :habanera do
	112	use_synth :fm
	113	use_transpose -12
	114	play (ring :d, :r, :r, :a, :f5, :r, :a, :r).tick
	115	sleep 0.25
	116	end
	117
	118	with_fx :reverb do
	119	live_loop :space_light do
	120	with_fx :slicer, phase: 0.25 do
	121	synth :blade, note: :d, release: 8, cutoff: 100, amp: 2
	122	end
	123	sleep 8
	124	end
	125	end
	126
	127	Now, try the other notes in the bass line: `:a` and `:f5`. Remember, you
	128	don't need to hit stop, just modify the code whilst the music is playing
	129	and hit run again. Also, try different values for the slicer's `phase:`
	130	opt such as `0.5`, `0.75` and `1`.
	131
	132	# Bringing it all together
	133
	134	Finally, let's combine all the ideas so far into a new remix of the
	135	Habanera. You might notice that I've included another part of the bass
	136	line as a comment. Once you've typed it all into a fresh buffer hit Run
	137	to hear the composition. Now, without hitting stop, uncomment the
	138	second line by removing the `#` and hit run again - how marvellous is
	139	that! Now, start mashing it around yourself and have fun.
	140
	141	use_debug false
	142	bizet_bass = (ring :d, :r, :r, :a, :f5, :r, :a, :r)
	143	#bizet_bass = (ring :d, :r, :r, :Bb, :g5, :r, :Bb, :r)
	144
	145	with_fx :reverb, room: 1, mix: 0.3 do
	146	live_loop :bizet do
	147	with_fx :slicer, phase: 0.125 do
	148	synth :blade, note: :d4, release: 8,
	149	cutoff: 100, amp: 1.5
	150	end
	151	16.times do
	152	tick
	153	play bizet_bass.look, release: 0.1
	154	play bizet_bass.look - 12, release: 0.3
	155	sleep 0.125
	156	end
	157	end
	158	end
	159
	160	live_loop :ind do
	161	sample :loop_industrial, beat_stretch: 1,
	162	cutoff: 100, rate: 1
	163	sleep 1
	164	end
	165
	166	live_loop :drums do
	167	sample :bd_haus, cutoff: 110
	168	synth :beep, note: 49, attack: 0,
	169	release: 0.1
	170	sleep 0.5
	171	end
	172

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etc/doc/tutorial/pl/A.08-minecraft-vj.md less more

	0	A.8 Become a Minecraft VJ
	1
	2	# Become a Minecraft VJ
	3
	4	![Screen 0](../images/tutorial/articles/A.08-minecraft-vj/minecraft-vj-0-small.png)
	5
	6	Everyone has played Minecraft. You will all have built amazing
	7	structures, designed cunning traps and even created elaborate cart lines
	8	controlled by redstone switches. How many of you have performed with
	9	Minecraft? We bet you didn't know that you could use Minecraft to create
	10	amazing visuals just like a professional VJ.
	11
	12	If your only way of modifying Minecraft was with the mouse, you'd have a
	13	tough time changing things fast enough. Luckily for you your Raspberry
	14	Pi comes with a version of Minecraft that can be controlled with
	15	code. It also comes with an app called Sonic Pi which makes coding
	16	Minecraft not only easy but also incredibly fun.
	17
	18	In today's article we'll be showing you some of the tips and tricks that
	19	we've used to create performances in night clubs and music venues around
	20	the world.
	21
	22	Let's get started...
	23
	24	# Getting Started
	25
	26	Let's start with a simple warm up exercise to refresh ourselves with the
	27	basics. First up, crack open your Raspberry Pi and then fire up both
	28	Minecraft and Sonic Pi. In Minecraft, create a new world, and in Sonic
	29	Pi choose a fresh buffer and write in this code:
	30
	31	mc_message "Let's get started..."
	32
	33	Hit the Run button and you'll see the message over in the Minecraft
	34	window. OK, we're ready to start, let's have some fun......
	35
	36	# Sand Storms
	37
	38	When we're using Minecraft to create visuals we try and think about what
	39	will both look interesting and also be easy to generate from code. One
	40	nice trick is to create a sand storm by dropping sand blocks from the
	41	sky. For that all we need are a few basic fns:
	42
	43	* `sleep` - for inserting a delay between actions
	44	* `mc_location` - to find our current location
	45	* `mc_set_block`- to place sand blocks at a specific location
	46	* `rrand` - to allow us to generate random values within a range
	47	* `live_loop` - to allow us to continually make it rain sand
	48
	49	<!-- Breakout box start -->
	50
	51	If you're unfamiliar with any of the built-in fns such as `rrand`, just
	52	type the word into your buffer, click on it and then hit the keyboard
	53	combo `Control-i` to bring up the built-in documentation. Alternatively
	54	you can navigate to the lang tab in the Help system and then look up
	55	the fns directly along with all the other exciting things you can do.
	56
	57	<!-- Breakout box end -->
	58
	59	Let's make it rain a little first before unleashing the full power of
	60	the storm. Grab your current location and use it to create a few sand
	61	blocks up in the sky nearby:
	62
	63	x, y, z = mc_location
	64	mc_set_block :sand, x, y + 20, z + 5
	65	sleep 2
	66	mc_set_block :sand, x, y + 20, z + 6
	67	sleep 2
	68	mc_set_block :sand, x, y + 20, z + 7
	69	sleep 2
	70	mc_set_block :sand, x, y + 20, z + 8
	71
	72	When you hit Run, you might have to look around a little as the blocks
	73	may start falling down behind you depending on which direction you're
	74	currently facing. Don't worry, if you missed them just hit Run again for
	75	another batch of sand rain - just make sure you're looking the right
	76	way!
	77
	78	Let's quickly review what's going on here. On the first line we grabbed
	79	Steve's location as coordinates with the fn `mc_location` and placed
	80	them into the vars `x`, `y`, and `z`. Then on the next lines we used the
	81	`mc_set_block` fn to place some sand at the same coordinates as Steve
	82	but with some modifications. We chose the same x coordinate, a y
	83	coordinate 20 blocks higher and then successively larger z coordinates
	84	so the sand dropped in a line away from Steve.
	85
	86	Why don't you take that code and start playing around with it yourself?
	87	Try adding more lines, changing the sleep times, try mixing `:sand` with
	88	`:gravel` and choose different coordinates. Just experiment and have fun!
	89
	90	# Live Loops Unleashed
	91
	92	OK, it's time to get the storm raging by unleashing the full power of
	93	the `live_loop` - Sonic Pi's magical ability which unleashes the full
	94	power of live coding - changing code on-the-fly whilst it's running!
	95
	96	live_loop :sand_storm do
	97	x, y, z = mc_location
	98	xd = rrand(-10, 10)
	99	zd = rrand(-10, 10)
	100	co = rrand(70, 130)
	101	synth :cnoise, attack: 0, release: 0.125, cutoff: co
	102	mc_set_block :sand, x + xd, y+20, z+zd
	103	sleep 0.125
	104	end
	105
	106	What fun! We're looping round pretty quickly (8 times a second) and
	107	during each loop we're finding Steve's location like before but then
	108	generating 3 random values:
	109
	110	* `xd` - the difference for x which will be between -10 and 10
	111	* `zd` - the difference for z also between -10 and 10
	112	* `co` - a cutoff value for the low pass filter between 70 and 130
	113
	114	We then use those random values in the fns `synth` and `mc_set_block`
	115	giving us sand falling in random locations around Steve along with a
	116	percussive rain-like sound from the `:cnoise` synth.
	117
	118	For those of you new to live loops - this is where the fun really starts
	119	with Sonic Pi. Whilst the code is running and the sand is pouring down,
	120	try changing one of the values, perhaps the sleep time to `0.25` or the
	121	`:sand` block type to `:gravel`. Now hit run again. Hey Presto! Things
	122	changed without the code stopping. This is your gateway to performing
	123	like a real VJ. Keep practising and changing things around. How
	124	different can you make the visuals without stopping the code?
	125
	126	# Epic Block Patterns
	127
	128	![Screen 1](../images/tutorial/articles/A.08-minecraft-vj/minecraft-vj-1-small.png)
	129
	130	Finally, another great way of generating interesting visuals is to
	131	generate huge patterned walls to fly towards and close by. For this
	132	effect we'll need to move from placing the blocks randomly to placing
	133	them in an ordered manner. We can do this by nesting two sets of
	134	iteration (hit the Help button and navigate to section 5.2 of the
	135	tutorial "Iteration and Loops" for more background on iteration). The
	136	funny `\|xd\|` after the do means that `xd` will be set for each value of
	137	the iteration. So the first time it will be 0, then 1, then 2... etc. By
	138	nesting two lots of iteration together like this we can generate all the
	139	coordinates for a square. We can then randomly choose block types from a
	140	ring of blocks for an interesting effect:
	141
	142	x, y, z = mc_location
	143	bs = (ring :gold, :diamond, :glass)
	144	10.times do \|xd\|
	145	10.times do \|yd\|
	146	mc_set_block bs.choose, x + xd, y + yd, z
	147	end
	148	end
	149
	150	Pretty neat. Whilst we're having fun here, try changing `bs.choose` to
	151	`bs.tick` to move from a random pattern to a more regular one. Try
	152	changing the block types and the more adventurous of you might want to
	153	try sticking this within a `live_loop` so that the patterns keep changing
	154	automatically.
	155
	156	Now, for the VJ finale - change the two `10.times` to `100.times` and
	157	hit Run. Kaboom! A Huge gigantic wall of randomly placed bricks. Imagine
	158	how long it would take you to build that manually with your mouse!
	159	Double-tap space to enter fly-mode and start swooping by for some great
	160	visual effects. Don't stop here though - use your imagination to conjure
	161	up some cool ideas and then use the coding power of Sonic Pi to make it
	162	real. When you've practised enough dim the lights and put on a VJ show
	163	for your friends!

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etc/doc/tutorial/pl/A.09-randomisation.md less more

	0	A.9 Randomisation
	1
	2	# Surfing Random Streams
	3
	4	Back in episode 4 of this tutorial series we took a brief look at
	5	randomisation whilst coding up some sizzling synth riffs. Given that
	6	randomisation is such an important part of my live coding DJ sets I
	7	thought it would be useful to cover the fundamentals in much greater
	8	detail. So, get your lucky hat on and let's surf some random streams!
	9
	10	# There is no random
	11
	12	The first thing to learn which might really surprise you when playing
	13	with Sonic Pi's randomisation functions is that they're not actually
	14	really random. What does this actually mean? Well, let's try a couple of
	15	tests. First, imagine a number in your head between 0 and 1. Keep it
	16	there and don't tell me. Now let me guess... was it `0.321567`? No? Bah,
	17	I'm clearly no good at this. Let me have another go, but let's ask Sonic
	18	Pi to choose a number this time. Fire up Sonic Pi v2.7+ and ask it for a
	19	random number but again don't tell me:
	20
	21	print rand
	22
	23	Now for the reveal... was it `0.75006103515625`? Yes! Ha, I can see
	24	you're a little sceptical. Perhaps it was just a lucky guess. Let's try
	25	again. Press the Run button again and see what we get... What?
	26	`0.75006103515625` again? This clearly can't be random! You're right,
	27	it's not.
	28
	29	What's going on here? The fancy computer science word here is
	30	determinism. This just means that nothing is by chance and everything is
	31	destined to be. Your version of Sonic Pi is destined to always return
	32	`0.75006103515625` in the program above. This might sound pretty
	33	useless, but let me assure you that it's one of the most powerful parts
	34	of Sonic Pi. If you stick at it you'll learn how to rely on the
	35	deterministic nature of Sonic Pi's randomisation as a fundamental
	36	building block to your compositions and live coded DJ sets.
	37
	38	# A Random Melody
	39
	40	When Sonic Pi boots it actually loads into memory a sequence of 441,000
	41	pre-generated random values. When you call a random function such as
	42	`rand` or `rrand`, this random stream is used to generate your
	43	result. Each call to a random function consumes a value from this
	44	stream. Therefore the 10th call to a random function will use the 10th
	45	value from the stream. Also, every time you press the Run button, the
	46	stream is reset for that run. This is why I could predict the result to
	47	`rand` and why the 'random' melody was the same every time. Everybody's
	48	version of Sonic Pi uses the exact same random stream which is very
	49	important when we start sharing our pieces with each other.
	50
	51	Let's use this knowledge to generate a repeatable random melody:
	52
	53	8.times do
	54	play rrand_i(50, 95)
	55	sleep 0.125
	56	end
	57
	58	Type this into a spare buffer and hit Run. You'll hear a melody
	59	consisting of 'random' notes between 50 and 95. When it's finished, hit
	60	Run again to hear exactly the same melody again.
	61
	62	start breakout box
	63	## Handy Randomisation Functions
	64	Sonic Pi comes with a number of useful functions for working with the
	65	random stream. Here's a list of some of the most useful:
	66
	67	* `rand` - Simply returns the next value in the random stream
	68	* `rrand` - Returns a random value within a range
	69	* `rrand_i` - Returns a random whole number within a range
	70	* `one_in` - Returns true or false with the given probability
	71	* `dice` - Imitates rolling a dice and returns a value between 1 and 6
	72	* `choose` - Chooses a random value from a list
	73
	74	Check out their documentation in the Help system for detailed
	75	information and examples.
	76
	77	end breakout box
	78
	79	# Resetting the Stream
	80
	81	Whilst the ability to repeat a sequence of chosen notes is essential to
	82	allow you to replay a riff on the dance floor, it might not be the
	83	exactly riff you want. Wouldn't it be great if we could try a number of
	84	different riffs and choose the one we liked best? This is where the real
	85	magic starts.
	86
	87	We can manually set the stream with the fn `use_random_seed`. In
	88	Computer Science, a random seed is the starting point from which a new
	89	stream of random values can sprout out and blossom. Let's try it:
	90
	91	use_random_seed 0
	92	3.times do
	93	play rrand_i(50, 95)
	94	sleep 0.125
	95	end
	96
	97	Great, we get the first three notes of our random melody above: `84`,
	98	`83` and `71`. However, we can now change the seed to something
	99	else. How about this:
	100
	101	use_random_seed 1
	102	3.times do
	103	play rrand_i(50, 95)
	104	sleep 0.125
	105	end
	106
	107
	108	Interesting, we get `83`, `71` and `61` . You might notice that the
	109	first two numbers here are the same as the last two numbers before -
	110	this isn't a coincidence.
	111
	112	Remember that the random stream is just a giant list of 'pre-rolled'
	113	values. Using a random seed simply jumps us to a point in that
	114	list. Another way of thinking about it is to imagine a huge deck of
	115	pre-shuffled cards. Using a random seed is cutting the deck at a
	116	particular point. The fabulous part of this is that it's precisely this
	117	ability to jump around the random which gives us huge power when making
	118	music.
	119
	120	Let's revisit our random melody of 8 notes with this new stream
	121	resetting power, but let's also throw in a live loop so we can
	122	experiment live whilst it's playing:
	123
	124	live_loop :random_riff do
	125	use_random_seed 0
	126	8.times do
	127	play rrand_i(50, 95), release: 0.1
	128	sleep 0.125
	129	end
	130	end
	131
	132	Now, whilst it's still playing, change the seed value from `0` to
	133	something else. Try `100`, what about `999`. Try your own values,
	134	experiment and play around - see which seed generates the riff you like
	135	best.
	136
	137	# Bringing it all together
	138
	139	This month's tutorial has been quite a technical dive into the workings
	140	of Sonic Pi's randomisation functionality. Hopefully it has given you
	141	some insight into how it works and how you can start using randomisation
	142	in a reliable way to create repeatable patterns within your music. It's
	143	important to stress that you can use repeatable randomisation anywhere
	144	you want. For example, you can randomise the amplitude of notes, the
	145	timing of the rhythm, the amount of reverb, the current synth, the mix
	146	of an FX, etc. etc. In the future we'll take a close look at some of
	147	these applications, but for now let me leave you with a short example.
	148
	149	Type the following into a spare buffer, hit Run, and then start changing
	150	the seeds around, hit Run again (whilst it's still playing) and explore
	151	the different sounds, rhythms and melodies you can make. When you find a
	152	nice one, remember the seed number so you can get back to it. Finally,
	153	when you've found a few seeds you like, put on a live coded performance
	154	for your friends by simply switching between your favourite seeds to
	155	create a full piece.
	156
	157	live_loop :random_riff do
	158	use_random_seed 10300
	159	use_synth :prophet
	160	s = [0.125, 0.25, 0.5].choose
	161	8.times do
	162	r = [0.125, 0.25, 1, 2].choose
	163	n = (scale :e3, :minor).choose
	164	co = rrand(30, 100)
	165	play n, release: r, cutoff: co
	166	sleep s
	167	end
	168	end
	169
	170	live_loop :drums do
	171	use_random_seed 2001
	172	16.times do
	173	r = rrand(0.5, 10)
	174	sample :drum_bass_hard, rate: r, amp: rand
	175	sleep 0.125
	176	end
	177	end
	178
	179

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	0	A.10 Control
	1
	2	# Controlling Your Sound
	3
	4	So far during this series we've focussed on triggering sounds. We've
	5	discovered that we can trigger the many synths built into Sonic Pi with
	6	`play` or `synth` and how to trigger pre-recorded samples with
	7	`sample`. We've also looked at how we can wrap these triggered sounds
	8	within studio FX such as reverb and distortion using the `with_fx`
	9	command. Combine this with Sonic Pi's incredibly accurate timing system
	10	and you can produce a vast array of sounds, beats and riffs. However,
	11	once you've carefully selected a particular sound's options and
	12	triggered it, there's no ability to mess with it whilst it's playing
	13	right? Wrong! Today you're going to learn something very powerful - how
	14	to control running synths.
	15
	16	## A Basic Sound
	17
	18	Let's create a nice simple sound. Fire up Sonic Pi and in a fresh buffer
	19	type the following:
	20
	21	```
	22	synth :prophet, note: :e1, release: 8, cutoff: 100
	23	```
	24
	25	Now press the Run button at the top left to hear a lovely rumbling synth
	26	sound. Go ahead, press it again a few times to get a feel for it. OK,
	27	done? Let's start controlling it!
	28
	29
	30	## Synth Nodes
	31
	32	A little known feature in Sonic Pi is that the fns `play`, `synth` and
	33	`sample`, return something called a `SynthNode` which represents a
	34	running sound. You can capture one of these `SynthNode`s using a
	35	standard variable and then control it at a later point in time. For
	36	example, let's change the value of the `cutoff:` opt after 1 beat:
	37
	38	```
	39	sn = synth :prophet, note: :e1, release: 8, cutoff: 100
	40	sleep 1
	41	control sn, cutoff: 130
	42	```
	43
	44	Let's look at each line in turn:
	45
	46	Firstly we trigger the `:prophet` synth using the `synth` fn as
	47	norml. However we also capture the result in a variable called `sn`. We
	48	could have called this variable something completely different such as
	49	`synth_node` or `jane` - the name doesn't matter. However, it's
	50	important to choose a name that's meaningful to you for your
	51	performances and for people reading your code. I chose `sn` as it's a nice
	52	short mnemonic for synth node.
	53
	54	On line 2 we have a standard `sleep` command. This does nothing special
	55	- it just asks the computer to wait for 1 beat before moving onto the
	56	next line.
	57
	58	Line 3 is where the control fun starts. Here, we use the `control` fn to
	59	tell our running `SynthNode` to change the cutoff value to `130`. If you
	60	hit the Run button, you'll hear the `:prophet` synth start playing
	61	as before, but after 1 beat it will shift to sound a lot brighter.
	62
	63
	64	Breakout Box Start
	65	Modulatable Options
	66
	67	Most of Sonic Pi's synths and FX opts may be changed after being
	68	triggered. However, this isn't the case for all of them. For example,
	69	the envelope opts `attack:`, `decay:`, `sustain:` and `release:` can
	70	only be set when triggering the synth. Figuring out which opts can and
	71	can't be changed is simple - just head to the documentation for a given
	72	synth or FX and then scroll down to the individual option documentation
	73	and look for the phrases "May be changed whilst playing " or "Can not be
	74	changed once set". For example, the documentation for the `:beep`
	75	synth's `attack:` opt makes it clear that it's not possible to change
	76	it:
	77
	78	* Default: 0
	79	* Must be zero or greater
	80	* Can not be changed once set
	81	* Scaled with current BPM value
	82	Breakout Box End
	83
	84	## Multiple Changes
	85
	86	Whilst a synth is running you're not limited to changing it only once -
	87	you're free to change it as many times as you like. For example, we can
	88	turn our `:prophet` into a mini arpegiator with the following:
	89
	90	```
	91	notes = (scale :e3, :minor_pentatonic)
	92	sn = synth :prophet, note: :e1, release: 8, cutoff: 100
	93	sleep 1
	94	16.times do
	95	control sn, note: notes.tick
	96	sleep 0.125
	97	end
	98	```
	99
	100	In this snippet of code we just added a couple of extra things. First we
	101	defined a new variable called `notes` which contains the notes we'd like
	102	to cycle through (an arpeggiator is just a fancy name for something that
	103	cycles through a list of notes in order). Secondly we replaced our
	104	single call to `control` with an iteration calling it 16 times. In each
	105	call to `control` we `.tick` through our ring of `notes` which will
	106	automaticall repeat once we get to the end (thanks to the fabulous power
	107	of Sonic Pi's rings). For a bit of variety try replacing `.tick` with
	108	`.choose` and see if you can hear the difference.
	109
	110	Note that we can change multiple opts simultaneously. Try changing the
	111	control line to the following and listen for the difference:
	112
	113	```
	114	control sn, note: notes.tick, cutoff: rrand(70, 130)
	115	```
	116
	117	## Sliding
	118
	119	When we control a `SynthNode`, it responds exactly on time and instantly
	120	changes the value of the opt to the new one as if you'd pressed a button
	121	or flicked a switch requesting the change. This can sound rhythmical and percussive -
	122	especially if the opt controls an aspect of the timbre such as
	123	`cutoff:`. However, sometimes you don't want the change to happen
	124	instantaneously. Instead, you might want to smoothly move from the
	125	current value to the new one as if you'd moved a slider or dial. Of
	126	course, Sonic Pi can also do this too using the `_slide:` opts.
	127
	128	Each opt that can be modified also has a special corresonding `_slide:`
	129	opt that allows you to specify a slide time. For example, `amp:` has
	130	`amp_slide:` and `cutoff:` has `cutoff_slide:`. These slide opts work
	131	slightly differently than all the other opts in that they tell the synth
	132	note how to behave next time they are controlled. Let's take a look:
	133
	134	```
	135	sn = synth :prophet, note: :e1, release: 8, cutoff: 70, cutoff_slide: 2
	136	sleep 1
	137	control sn, cutoff: 130
	138	```
	139
	140	Notice how this example is exactly the same as before except with the
	141	addition of `cutoff_slide:`. This is saying that next time this synth
	142	has its `cutoff:` opt controlled, it will take 2 beats to slide from the
	143	current value to the new one. Therefore, when we use `control` you can
	144	hear the cutoff slide from 70 to 130. It creates an interesting dynamic
	145	feel to the sound. Now, try changing the `cutoff_slide:` time to a
	146	shorter value such as 0.5 or a longer value such as 4 to see how it
	147	changes the sound. Remember, you can slide any of the modifiable opts in
	148	exactly this way and each `_slide:` value can be totally different so
	149	you can have the cutoff sliding slowly, the amp sliding fast and the pan
	150	sliding somewhere in between if that's what you're looking to create...
	151
	152
	153	## Bringing it all together
	154
	155	Let's look at a short example which demonstrates the power of
	156	controlling synths after they've been triggered. Notice that you can
	157	also slide FX just like synths although with a slightly different
	158	syntax. Check out section 7.2 of the built-in tutorial for more
	159	information on controlling FX.
	160
	161	Copy the code into a spare buffer and take a listen. Don't stop there
	162	though - play around with the code. Change the slide times, change the
	163	notes, the synth, the FX and the sleep times and see if you can turn it
	164	into something completely different!
	165
	166
	167	```
	168	live_loop :moon_rise do
	169	with_fx :echo, mix: 0, mix_slide: 8 do \|fx\|
	170	control fx, mix: 1
	171	notes = (scale :e3, :minor_pentatonic, num_octaves: 2).shuffle
	172	sn = synth :prophet , sustain: 8, note: :e1, cutoff: 70, cutoff_slide: 8
	173	control sn, cutoff: 130
	174	sleep 2
	175	32.times do
	176	control sn, note: notes.tick, pan: rrand(-1, 1)
	177	sleep 0.125
	178	end
	179	end
	180	end
	181	```

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etc/samples/README.md less more

11	11
12	12	## Drums
13	13
14		* :drum_heavy_kick - http://freesound.org/people/Zajo/sounds/4832/
15		* :drum_tom_mid_soft - http://www.freesound.org/people/menegass/sounds/100067/
16		* :drum_tom_mid_hard - http://www.freesound.org/people/menegass/sounds/100066/
17		* :drum_tom_lo_soft - http://www.freesound.org/people/menegass/sounds/100065/
18		* :drum_tom_lo_hard - http://www.freesound.org/people/menegass/sounds/100064/
19		* :drum_tom_hi_soft - http://www.freesound.org/people/menegass/sounds/100063/
20		* :drum_tom_hi_hard - http://www.freesound.org/people/menegass/sounds/100062/
21		* :drum_splash_soft - http://www.freesound.org/people/menegass/sounds/100061/
22		* :drum_splash_hard - http://www.freesound.org/people/menegass/sounds/100060/
23		* :drum_snare_soft - http://www.freesound.org/people/menegass/sounds/100059/
24		* :drum_snare_hard - http://www.freesound.org/people/menegass/sounds/100058/
25		* :drum_cymbal_soft - http://www.freesound.org/people/menegass/sounds/100057/
26		* :drum_cymbal_hard - http://www.freesound.org/people/menegass/sounds/100056/
27		* :drum_cymbal_open - http://www.freesound.org/people/menegass/sounds/100055/
28		* :drum_cymbal_closed - http://www.freesound.org/people/menegass/sounds/100053/
29		* :drum_cymbal_pedal - http://www.freesound.org/people/menegass/sounds/100054/
30		* :drum_bass_soft - http://www.freesound.org/people/menegass/sounds/100052/
31		* :drum_bass_hard - http://www.freesound.org/people/menegass/sounds/100051/
	14	* `:drum_heavy_kick` - http://freesound.org/people/Zajo/sounds/4832/
	15	* `:drum_tom_mid_soft` - http://www.freesound.org/people/menegass/sounds/100067/
	16	* `:drum_tom_mid_hard` - http://www.freesound.org/people/menegass/sounds/100066/
	17	* `:drum_tom_lo_soft` - http://www.freesound.org/people/menegass/sounds/100065/
	18	* `:drum_tom_lo_hard` - http://www.freesound.org/people/menegass/sounds/100064/
	19	* `:drum_tom_hi_soft` - http://www.freesound.org/people/menegass/sounds/100063/
	20	* `:drum_tom_hi_hard` - http://www.freesound.org/people/menegass/sounds/100062/
	21	* `:drum_splash_soft` - http://www.freesound.org/people/menegass/sounds/100061/
	22	* `:drum_splash_hard` - http://www.freesound.org/people/menegass/sounds/100060/
	23	* `:drum_snare_soft` - http://www.freesound.org/people/menegass/sounds/100059/
	24	* `:drum_snare_hard` - http://www.freesound.org/people/menegass/sounds/100058/
	25	* `:drum_cymbal_soft` - http://www.freesound.org/people/menegass/sounds/100057/
	26	* `:drum_cymbal_hard` - http://www.freesound.org/people/menegass/sounds/100056/
	27	* `:drum_cymbal_open` - http://www.freesound.org/people/menegass/sounds/100055/
	28	* `:drum_cymbal_closed` - http://www.freesound.org/people/menegass/sounds/100053/
	29	* `:drum_cymbal_pedal` - http://www.freesound.org/people/menegass/sounds/100054/
	30	* `:drum_bass_soft` - http://www.freesound.org/people/menegass/sounds/100052/
	31	* `:drum_bass_hard` - http://www.freesound.org/people/menegass/sounds/100051/
	32	* `:drum_cowbell` - http://freesound.org/people/Neotone/sounds/75338/
	33	* `:drum_roll` - http://freesound.org/people/Heigh-hoo/sounds/19433/
	34
32	35
33	36	## Electric sounds
34	37
35		* :elec_triangle - http://www.freesound.org/people/looppool/sounds/13147/
36		* :elec_snare - http://www.freesound.org/people/looppool/sounds/13146/
37		* :elec_lo_snare - http://www.freesound.org/people/looppool/sounds/13145/
38		* :elec_hi_snare - http://www.freesound.org/people/looppool/sounds/13125/
39		* :elec_mid_snare - http://www.freesound.org/people/looppool/sounds/13132/
40		* :elec_cymbal - http://www.freesound.org/people/looppool/sounds/13143/
41		* :elec_soft_kick - http://www.freesound.org/people/looppool/sounds/13142/
42		* :elec_filt_snare - http://www.freesound.org/people/looppool/sounds/13141/
43		* :elec_fuzz_tom - http://www.freesound.org/people/looppool/sounds/13140/
44		* :elec_chime - http://www.freesound.org/people/looppool/sounds/13138/
45		* :elec_bong - http://www.freesound.org/people/looppool/sounds/13137/
46		* :elec_twang - http://www.freesound.org/people/looppool/sounds/13136/
47		* :elec_wood - http://www.freesound.org/people/looppool/sounds/13135/
48		* :elec_pop - http://www.freesound.org/people/looppool/sounds/13134/
49		* :elec_beep - http://www.freesound.org/people/looppool/sounds/13126/
50		* :elec_blip - http://www.freesound.org/people/looppool/sounds/13121/
51		* :elec_blip2 - http://www.freesound.org/people/looppool/sounds/13120/
52		* :elec_ping - http://www.freesound.org/people/looppool/sounds/13119/
53		* :elec_bell - http://www.freesound.org/people/looppool/sounds/13116/
54		* :elec_flip - http://www.freesound.org/people/looppool/sounds/13114/
55		* :elec_tick - http://www.freesound.org/people/looppool/sounds/13113/
56		* :elec_hollow_kick - http://www.freesound.org/people/looppool/sounds/13099/
57		* :elec_twip - http://www.freesound.org/people/looppool/sounds/13094/
58		* :elec_plip - http://www.freesound.org/people/looppool/sounds/13093/
59		* :elec_blup - http://www.freesound.org/people/looppool/sounds/13092/
	38	* `:elec_triangle` - http://www.freesound.org/people/looppool/sounds/13147/
	39	* `:elec_snare` - http://www.freesound.org/people/looppool/sounds/13146/
	40	* `:elec_lo_snare` - http://www.freesound.org/people/looppool/sounds/13145/
	41	* `:elec_hi_snare` - http://www.freesound.org/people/looppool/sounds/13125/
	42	* `:elec_mid_snare` - http://www.freesound.org/people/looppool/sounds/13132/
	43	* `:elec_cymbal` - http://www.freesound.org/people/looppool/sounds/13143/
	44	* `:elec_soft_kick` - http://www.freesound.org/people/looppool/sounds/13142/
	45	* `:elec_filt_snare` - http://www.freesound.org/people/looppool/sounds/13141/
	46	* `:elec_fuzz_tom` - http://www.freesound.org/people/looppool/sounds/13140/
	47	* `:elec_chime` - http://www.freesound.org/people/looppool/sounds/13138/
	48	* `:elec_bong` - http://www.freesound.org/people/looppool/sounds/13137/
	49	* `:elec_twang` - http://www.freesound.org/people/looppool/sounds/13136/
	50	* `:elec_wood` - http://www.freesound.org/people/looppool/sounds/13135/
	51	* `:elec_pop` - http://www.freesound.org/people/looppool/sounds/13134/
	52	* `:elec_beep` - http://www.freesound.org/people/looppool/sounds/13126/
	53	* `:elec_blip` - http://www.freesound.org/people/looppool/sounds/13121/
	54	* `:elec_blip2` - http://www.freesound.org/people/looppool/sounds/13120/
	55	* `:elec_ping` - http://www.freesound.org/people/looppool/sounds/13119/
	56	* `:elec_bell` - http://www.freesound.org/people/looppool/sounds/13116/
	57	* `:elec_flip` - http://www.freesound.org/people/looppool/sounds/13114/
	58	* `:elec_tick` - http://www.freesound.org/people/looppool/sounds/13113/
	59	* `:elec_hollow_kick` - http://www.freesound.org/people/looppool/sounds/13099/
	60	* `:elec_twip` - http://www.freesound.org/people/looppool/sounds/13094/
	61	* `:elec_plip` - http://www.freesound.org/people/looppool/sounds/13093/
	62	* `:elec_blup` - http://www.freesound.org/people/looppool/sounds/13092/
	63
60	64
61	65	## Guitar
62	66
63		* :guit_harmonics - http://freesound.org/people/BStateham/sounds/141524/<
64		* :guit_e_fifths - http://freesound.org/people/Sub-d/sounds/46990/
65		* :guit_e_slide - http://freesound.org/people/Suva/sounds/2410/
66		* :guit_em9 - http://www.freesound.org/people/Sub-d/sounds/46992/
	67	* `:guit_harmonics` - http://freesound.org/people/BStateham/sounds/141524/<
	68	* `:guit_e_fifths` - http://freesound.org/people/Sub-d/sounds/46990/
	69	* `:guit_e_slide` - http://freesound.org/people/Suva/sounds/2410/
	70	* `:guit_em9` - http://www.freesound.org/people/Sub-d/sounds/46992/
	71
67	72
68	73	## Misc
69	74
70		* :misc_burp - http://freesound.org/people/anas76/sounds/222022/
	75	* `:misc_burp` - http://freesound.org/people/anas76/sounds/222022/
	76	* `:misc_crow` - http://freesound.org/people/davidworksonline/sounds/54973/
	77	* `:misc_cineboom` - http://freesound.org/people/Northern_Monkey/sounds/177242/
	78
71	79
72	80	## Percussion
73	81
74		* :perc_bell - http://freesound.org/people/AlaskaRobotics/sounds/221515/
75		* :perc_snap - http://www.freesound.org/people/SoundCollectah/sounds/109400/
76		* :perc_snap2 - http://www.freesound.org/people/Peram/sounds/158615/
	82	* `:perc_bell` - http://freesound.org/people/AlaskaRobotics/sounds/221515/
	83	* `:perc_snap` - http://www.freesound.org/people/SoundCollectah/sounds/109400/
	84	* `:perc_snap2` - http://www.freesound.org/people/Peram/sounds/158615/
	85	* `:perc_swash` - http://freesound.org/people/qubodup/sounds/60009/
	86	* `:perc_till` - http://freesound.org/people/Zott820/sounds/209578/
	87
77	88
78	89	## Ambient
79	90
80		* :ambi_soft_buzz - http://freesound.org/people/ludvique/sounds/71852/
81		* :ambi_swoosh - http://freesound.org/people/Halgrimm/sounds/169867/
82		* :ambi_drone - http://freesound.org/people/Autistic%20Lucario/sounds/195341/
83		* :ambi_glass_hum - http://freesound.org/people/kaligari/sounds/35391/
84		* :ambi_glass_rub - http://freesound.org/people/ani_music/sounds/198403/
85		* :ambi_haunted_hum - http://freesound.org/people/kaligari/sounds/35392/
86		* :ambi_piano - http://freesound.org/people/RutgerMuller/sounds/51245/
87		* :ambi_lunar_land - http://freesound.org/people/maqsim/sounds/172157/
88		* :ambi_dark_woosh - http://freesound.org/people/EcoDTR/sounds/27281/
89		* :ambi_choir - http://freesound.org/people/Exsomniel/sounds/207809/
	91	* `:ambi_soft_buzz` - http://freesound.org/people/ludvique/sounds/71852/
	92	* `:ambi_swoosh` - http://freesound.org/people/Halgrimm/sounds/169867/
	93	* `:ambi_drone` - http://freesound.org/people/Autistic%20Lucario/sounds/195341/
	94	* `:ambi_glass_hum` - http://freesound.org/people/kaligari/sounds/35391/
	95	* `:ambi_glass_rub` - http://freesound.org/people/ani_music/sounds/198403/
	96	* `:ambi_haunted_hum` - http://freesound.org/people/kaligari/sounds/35392/
	97	* `:ambi_piano` - http://freesound.org/people/RutgerMuller/sounds/51245/
	98	* `:ambi_lunar_land` - http://freesound.org/people/maqsim/sounds/172157/
	99	* `:ambi_dark_woosh` - http://freesound.org/people/EcoDTR/sounds/27281/
	100	* `:ambi_choir` - http://freesound.org/people/Exsomniel/sounds/207809/
	101
90	102
91	103	## Bass
92	104
93		* :bass_hit_c - http://freesound.org/people/oceanictrancer/sounds/211614/
94		* :bass_hard_c - http://freesound.org/people/ani_music/sounds/165309/
95		* :bass_thick_c - http://freesound.org/people/ani_music/sounds/165314/
96		* :bass_drop_c - http://freesound.org/people/ani_music/sounds/165320/
97		* :bass_woodsy_c - http://freesound.org/people/ani_music/sounds/165322/
98		* :bass_voxy_c - http://freesound.org/people/ani_music/sounds/165325/
99		* :bass_voxy_hit_c - http://freesound.org/people/ani_music/sounds/165327/
100		* :bass_dnb_f - http://freesound.org/people/Exsomniel/sounds/206134/
	105	* `:bass_hit_c` - http://freesound.org/people/oceanictrancer/sounds/211614/
	106	* `:bass_hard_c` - http://freesound.org/people/ani_music/sounds/165309/
	107	* `:bass_thick_c` - http://freesound.org/people/ani_music/sounds/165314/
	108	* `:bass_trance_c` - http://freesound.org/people/ani_music/sounds/165329/
	109	* `:bass_drop_c` - http://freesound.org/people/ani_music/sounds/165320/
	110	* `:bass_woodsy_c` - http://freesound.org/people/ani_music/sounds/165322/
	111	* `:bass_voxy_c` - http://freesound.org/people/ani_music/sounds/165325/
	112	* `:bass_voxy_hit_c` - http://freesound.org/people/ani_music/sounds/165327/
	113	* `:bass_dnb_f` - http://freesound.org/people/Exsomniel/sounds/206134/
101	114
102	115
103	116	## Bass Drums
104	117
105		* :bd_pure - http://freesound.org/people/EKVelika/sounds/209571/
106		* :bd_808 - http://freesound.org/people/EKVelika/sounds/208447/
107		* :bd_zum - http://freesound.org/people/n1ghthawk/sounds/172124/
108		* :bd_gas - http://freesound.org/people/menegass/sounds/89460/
109		* :bd_sone - http://freesound.org/people/soneproject/sounds/223090/
110		* :bd_haus - http://freesound.org/people/Rodrigo%20The%20Mad/sounds/137722/
111		* :bd_zome - http://freesound.org/people/Dolfeus/sounds/55231/
112		* :bd_boom - http://freesound.org/people/Snapper4298/sounds/157245/
113		* :bd_klub - http://freesound.org/people/zgump/sounds/83262/
114		* :bd_fat - http://freesound.org/people/cubix/sounds/124386/
115		* :bd_tek - http://freesound.org/people/DWSD/sounds/171104/
116		* :bd_ada - http://www.freesound.org/people/adammusic18/sounds/208871/
	118	* `:bd_pure` - http://freesound.org/people/EKVelika/sounds/209571/
	119	* `:bd_808` - http://freesound.org/people/EKVelika/sounds/208447/
	120	* `:bd_zum` - http://freesound.org/people/n1ghthawk/sounds/172124/
	121	* `:bd_gas` - http://freesound.org/people/menegass/sounds/89460/
	122	* `:bd_sone` - http://freesound.org/people/soneproject/sounds/223090/
	123	* `:bd_haus` - http://freesound.org/people/Rodrigo%20The%20Mad/sounds/137722/
	124	* `:bd_zome` - http://freesound.org/people/Dolfeus/sounds/55231/
	125	* `:bd_boom` - http://freesound.org/people/Snapper4298/sounds/157245/
	126	* `:bd_klub` - http://freesound.org/people/zgump/sounds/83262/
	127	* `:bd_fat` - http://freesound.org/people/cubix/sounds/124386/
	128	* `:bd_tek` - http://freesound.org/people/DWSD/sounds/171104/
	129	* `:bd_ada` - http://www.freesound.org/people/adammusic18/sounds/208871/
	130
117	131
118	132	## Snares
119	133
120		* :sn_dub - http://freesound.org/people/Adriak909/sounds/173142/
121		* :sn_dolf - http://freesound.org/people/Dolfeus/sounds/57534/
122		* :sn_zome - http://freesound.org/people/Dolfeus/sounds/55232/
	134	* `:sn_dub` - http://freesound.org/people/Adriak909/sounds/173142/
	135	* `:sn_dolf` - http://freesound.org/people/Dolfeus/sounds/57534/
	136	* `:sn_zome` - http://freesound.org/people/Dolfeus/sounds/55232/
	137
123	138
124	139	## Loops
125	140
126		* :loop_industrial - http://freesound.org/people/godspine/sounds/222072/
127		* :loop_compus - http://freesound.org/people/godspine/sounds/212288/
128		* :loop_amen - http://freesound.org/people/Dolfeus/sounds/43389/
129		* :loop_amen_full - http://freesound.org/people/gowers/sounds/202537/
130		* :loop_garzul - http://freesound.org/people/Garzul/sounds/213524/
131		* :loop_mika - http://freesound.org/people/mika55/sounds/188551/
	141	* `:loop_industrial` - http://freesound.org/people/godspine/sounds/222072/
	142	* `:loop_compus` - http://freesound.org/people/godspine/sounds/212288/
	143	* `:loop_amen` - http://freesound.org/people/Dolfeus/sounds/43389/
	144	* `:loop_amen_full` - http://freesound.org/people/gowers/sounds/202537/
	145	* `:loop_garzul` - http://freesound.org/people/Garzul/sounds/213524/
	146	* `:loop_mika` - http://freesound.org/people/mika55/sounds/188551/
	147	* `:loop_breakbeat` - http://freesound.org/people/Snapper4298/sounds/160354/
	148	* `:loop_safari` - http://freesound.org/people/nemaavla/sounds/318759/
	149	* `:loop_tabla` - http://freesound.org/people/lezaarth/sounds/242591/
	150
	151
	152	## Tabla
	153
	154	* `:tabla_tas1` - http://freesound.org/people/dio_333/sounds/130427/
	155	* `:tabla_tas2` - http://freesound.org/people/dio_333/sounds/130425/
	156	* `:tabla_tas3` - http://freesound.org/people/dio_333/sounds/130430/
	157	* `:tabla_ke1` - http://freesound.org/people/dio_333/sounds/130413/
	158	* `:tabla_ke2` - http://freesound.org/people/dio_333/sounds/130424/
	159	* `:tabla_ke3` - http://freesound.org/people/dio_333/sounds/130423/
	160	* `:tabla_na` - http://freesound.org/people/dio_333/sounds/130421/
	161	* `:tabla_na_o` - http://freesound.org/people/dio_333/sounds/130422/
	162	* `:tabla_tun1` - http://freesound.org/people/dio_333/sounds/130416/
	163	* `:tabla_tun2` - http://freesound.org/people/dio_333/sounds/130419/
	164	* `:tabla_tun3` - http://freesound.org/people/dio_333/sounds/130420/
	165	* `:tabla_te1` - http://freesound.org/people/dio_333/sounds/130429/
	166	* `:tabla_te2` - http://freesound.org/people/dio_333/sounds/130418/
	167	* `:tabla_te_ne` - http://freesound.org/people/dio_333/sounds/130417/
	168	* `:tabla_te_m` - http://freesound.org/people/dio_333/sounds/130415/
	169	* `:tabla_ghe1` - http://freesound.org/people/dio_333/sounds/130406/
	170	* `:tabla_ghe2` - http://freesound.org/people/dio_333/sounds/130405/
	171	* `:tabla_ghe3` - http://freesound.org/people/dio_333/sounds/130404/
	172	* `:tabla_ghe4` - http://freesound.org/people/dio_333/sounds/130411/
	173	* `:tabla_ghe5` - http://freesound.org/people/dio_333/sounds/130410/
	174	* `:tabla_ghe6` - http://freesound.org/people/dio_333/sounds/130409/
	175	* `:tabla_ghe7` - http://freesound.org/people/dio_333/sounds/130408/
	176	* `:tabla_ghe8` - http://freesound.org/people/dio_333/sounds/130414/
	177	* `:tabla_dhec` - http://freesound.org/people/dio_333/sounds/130407/
	178	* `:tabla_na_s` - http://freesound.org/people/dio_333/sounds/130428/
	179	* `:tabla_re` - http://freesound.org/people/dio_333/sounds/130427/
	180
	181
	182	# Vinyl
	183
	184	* `:vinyl_backspin` - http://freesound.org/people/il112/sounds/182316/
	185	* `:vinyl_rewind` - http://freesound.org/people/TasmanianPower/sounds/162493/
	186	* `:vinyl_scratch` - http://freesound.org/people/hello_flowers/sounds/28681/
	187	* `:vinyl_hiss` - http://freesound.org/people/veezay/sounds/130393/

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	0	# key: fx c
	1	# point_line: 1
	2	# point_index: 2
	3	# --
	4	with_fx :compressor do
	5
	6	end

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	1	# point_line: 0
	2	# point_index: 7
	3	# --
	4	with_fx do
	5
	6	end

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308	308	cutoff-freq (midicps cutoff)
309	309	detune-freq (midicps (+ note detune))
310	310	snd (normalizer (lpf (mix (saw [freq detune-freq])) cutoff-freq))
	311	env (env-gen:kr (core/shaped-adsr attack decay sustain release attack_level decay_level sustain_level env_curve) :action FREE)]
	312	(out out_bus (pan2 (* amp-fudge snd env) pan amp))))
	313
	314
	315	(defsynth sonic-pi-dtri [note 52
	316	note_slide 0
	317	note_slide_shape 1
	318	note_slide_curve 0
	319	amp 1
	320	amp_slide 0
	321	amp_slide_shape 1
	322	amp_slide_curve 0
	323	pan 0
	324	pan_slide 0
	325	pan_slide_shape 1
	326	pan_slide_curve 0
	327	attack 0
	328	decay 0
	329	sustain 0
	330	release 1
	331	attack_level 1
	332	decay_level -1
	333	sustain_level 1
	334	env_curve 1
	335	cutoff 100
	336	cutoff_slide 0
	337	cutoff_slide_shape 1
	338	cutoff_slide_curve 0
	339	detune 0.1
	340	detune_slide 0
	341	detune_slide_shape 1
	342	detune_slide_curve 0
	343	out_bus 0]
	344	(let [decay_level (select:kr (= -1 decay_level) [decay_level sustain_level])
	345	note (varlag note note_slide note_slide_curve note_slide_shape)
	346	amp (varlag amp amp_slide amp_slide_curve amp_slide_shape)
	347	amp-fudge 1.1
	348	pan (varlag pan pan_slide pan_slide_curve pan_slide_shape)
	349	detune (varlag detune detune_slide detune_slide_curve detune_slide_shape)
	350	cutoff (varlag cutoff cutoff_slide cutoff_slide_curve cutoff_slide_shape)
	351	freq (midicps note)
	352	cutoff-freq (midicps cutoff)
	353	detune-freq (midicps (+ note detune))
	354	snd (normalizer (lpf (mix (lf-tri [freq detune-freq])) cutoff-freq))
311	355	env (env-gen:kr (core/shaped-adsr attack decay sustain release attack_level decay_level sustain_level env_curve) :action FREE)]
312	356	(out out_bus (pan2 (* amp-fudge snd env) pan amp))))
313	357

905	949	(core/save-synthdef sonic-pi-subpulse)
906	950	(core/save-synthdef sonic-pi-square)
907	951	(core/save-synthdef sonic-pi-dsaw)
	952	(core/save-synthdef sonic-pi-dtri)
908	953	(core/save-synthdef sonic-pi-dpulse)
909	954	(core/save-synthdef sonic-pi-fm)
910	955

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	0	;;--
	1	;; This file is part of Sonic Pi: http://sonic-pi.net
	2	;; Full project source: https://github.com/samaaron/sonic-pi
	3	;; License: https://github.com/samaaron/sonic-pi/blob/master/LICENSE.md
	4	;;
	5	;; Copyright 2013, 2014, 2015, 2016 by Sam Aaron (http://sam.aaron.name).
	6	;; All rights reserved.
	7	;;
	8	;; Permission is granted for use, copying, modification, and
	9	;; distribution of modified versions of this work as long as this
	10	;; notice is included.
	11	;;++
	12
	13	(ns sonic-pi.synths.chiptune
	14	(:use [overtone.live])
	15	(:require [sonic-pi.synths.core :as core]))
	16
	17	(without-namespace-in-synthdef
	18
	19	(defsynth sonic-pi-chiplead
	20	[note 60
	21	note_slide 0
	22	note_slide_shape 1
	23	note_slide_curve 0
	24	note_resolution 0.1
	25	amp 1
	26	amp_slide 0
	27	amp_slide_shape 1
	28	amp_slide_curve 0
	29	pan 0
	30	pan_slide 0
	31	pan_slide_shape 1
	32	pan_slide_curve 0
	33	attack 0
	34	sustain 0
	35	decay 0
	36	release 1
	37	attack_level 1
	38	decay_level -1
	39	sustain_level 1
	40	env_curve 1
	41	width 0
	42	out_bus 0]
	43	(let [decay_level (select:kr (= -1 decay_level) [decay_level sustain_level])
	44	note (round-down (varlag note note_slide note_slide_curve note_slide_shape) note_resolution)
	45	freq (midicps note)
	46	amp (varlag amp amp_slide amp_slide_curve amp_slide_shape)
	47	amp-fudge 0.8
	48	pan (varlag pan pan_slide pan_slide_curve pan_slide_shape)
	49	width (select:kr width [0.125
	50	0.25
	51	0.5])
	52	snd (softclip (pulse freq width))
	53	env (env-gen (core/shaped-adsr attack decay sustain release attack_level decay_level sustain_level env_curve) :action FREE)
	54	snd (* amp-fudge snd env)]
	55
	56	(out out_bus (pan2 snd pan amp))))
	57
	58	(defsynth sonic-pi-chipbass
	59	[note 60
	60	note_slide 0
	61	note_slide_shape 1
	62	note_slide_curve 0
	63	note_resolution 0
	64	amp 1
	65	amp_slide 0
	66	amp_slide_shape 1
	67	amp_slide_curve 0
	68	pan 0
	69	pan_slide 0
	70	pan_slide_shape 1
	71	pan_slide_curve 0
	72	attack 0
	73	sustain 0
	74	decay 0
	75	release 1
	76	attack_level 1
	77	decay_level -1
	78	sustain_level 1
	79	env_curve 1
	80	out_bus 0]
	81	(let [decay_level (select:kr (= -1 decay_level) [decay_level sustain_level])
	82	note (round-down (varlag note note_slide note_slide_curve note_slide_shape) note_resolution)
	83	freq (midicps note)
	84	amp (varlag amp amp_slide amp_slide_curve amp_slide_shape)
	85	amp-fudge 1
	86	pan (varlag pan pan_slide pan_slide_curve pan_slide_shape)
	87	snd (lin-lin (demand:ar (impulse:ar (* 32 freq)) 0 (dseq [0,1,2,3,4,5,6,7,8,9,10,11,12,13,14,15,15,14,13,12,11,10,9,8,7,6,5,4,3,2,1,0] INF)) 0 15 -1 1)
	88	env (env-gen (core/shaped-adsr attack decay sustain release attack_level decay_level sustain_level env_curve) :action FREE)
	89	snd (* amp-fudge snd env)]
	90
	91	(out out_bus (pan2 snd pan amp))))
	92
	93	(defsynth sonic-pi-chipnoise
	94	[amp 1
	95	amp_slide 0
	96	amp_slide_shape 0
	97	amp_slide_curve 0
	98	pan 0
	99	pan_slide 0
	100	pan_slide_shape 1
	101	pan_slide_curve 0
	102	attack 0
	103	sustain 0
	104	decay 0
	105	release 1
	106	attack_level 1
	107	decay_level -1
	108	sustain_level 1
	109	env_curve 1
	110	freq_band 0
	111	freq_band_slide 0
	112	freq_band_slide_shape 1
	113	freq_band_slide_curve 0
	114	out_bus 0]
	115	(let [decay_level (select:kr (= -1 decay_level) [decay_level sustain_level])
	116	amp (varlag amp amp_slide amp_slide_curve amp_slide_shape)
	117	amp-fudge 0.8
	118	pan (varlag pan pan_slide pan_slide_curve pan_slide_shape)
	119	;; Frequency bands taken from information on http://nesdev.com/NESSOUND.txt
	120	freq_band (floor (varlag freq_band freq_band_slide freq_band_slide_curve freq_band_slide_shape))
	121	noise_freq (select:kr freq_band [1.0
	122	2.0
	123	4.0
	124	5.34
	125	8.0
	126	10.68
	127	16.0
	128	19.03
	129	25.4
	130	32.0
	131	42.71
	132	64.0
	133	128.0
	134	256.0
	135	512.0
	136	1024.0])
	137	snd (softclip (lfd-clip-noise (* 220 noise_freq)))
	138	env (env-gen (core/shaped-adsr attack decay sustain release attack_level decay_level sustain_level env_curve) :action FREE)
	139	snd (* amp-fudge snd env)]
	140
	141	(out out_bus (pan2 snd pan amp))))
	142
	143	(comment
	144	(core/save-synthdef sonic-pi-chipnoise)
	145	(core/save-synthdef sonic-pi-chiplead)
	146	(core/save-synthdef sonic-pi-chipbass)
	147	)
	148	)

+17

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70	70	attack_level attack env_curve 0
71	71	decay_level decay env_curve 0
72	72	sustain_level sustain env_curve 0
73		min release env_curve 0] ))
	73	min release env_curve 0] )
	74
	75	([attack
	76	decay
	77	sustain
	78	release
	79	init_level
	80	attack_level
	81	decay_level
	82	sustain_level
	83	release_level
	84	env_curve]
	85	[init_level 4 -99 -99
	86	attack_level attack env_curve 0
	87	decay_level decay env_curve 0
	88	sustain_level sustain env_curve 0
	89	release_level release env_curve 0] ))

+254

-44

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17	17
18	18	(without-namespace-in-synthdef
19	19
	20	(defsynth sonic-pi-fx_mono
	21	[amp 1
	22	amp_slide 0
	23	amp_slide_shape 1
	24	amp_slide_curve 0
	25	mix 1
	26	mix_slide 0
	27	mix_slide_shape 1
	28	mix_slide_curve 0
	29	pan 0
	30	pan_slide 0
	31	pan_slide_shape 1
	32	pan_slide_curve 0
	33	in_bus 0
	34	out_bus 0]
	35	(let [amp (varlag amp amp_slide amp_slide_curve amp_slide_shape)
	36	mix (varlag mix mix_slide mix_slide_curve mix_slide_shape)
	37	pan (varlag pan pan_slide pan_slide_curve pan_slide_shape)
	38
	39	[in-l in-r] (in in_bus 2)
	40	mono (sum [in-l in-r])
	41	[new-l new-r] (pan2 mono pan amp)
	42
	43	fin-l (x-fade2 in-l new-l (- (* mix 2) 1) amp)
	44	fin-r (x-fade2 in-r new-r (- (* mix 2) 1) amp)]
	45	(out out_bus [fin-l fin-r])))
	46
	47	(defsynth sonic-pi-fx_vowel
	48	[amp 1
	49	amp_slide 0
	50	amp_slide_shape 1
	51	amp_slide_curve 0
	52	mix 1
	53	mix_slide 0
	54	mix_slide_shape 1
	55	mix_slide_curve 0
	56	voice 0
	57	vowel_sound 1
	58	pre_amp 1
	59	pre_amp_slide 0
	60	pre_amp_slide_shape 1
	61	pre_amp_slide_curve 0
	62	in_bus 0
	63	out_bus 0]
	64	(let [amp (varlag amp amp_slide amp_slide_curve amp_slide_shape)
	65	pre_amp (varlag pre_amp pre_amp_slide pre_amp_slide_curve pre_amp_slide_shape)
	66	mix (varlag mix mix_slide mix_slide_curve mix_slide_shape)
	67	freqs [800, 1150, 2900, 3900, 4950
	68	350, 2000, 2800, 3600, 4950
	69	270, 2140, 2950, 3900, 4950
	70	450, 800, 2830, 3800, 4950
	71	325, 700, 2700, 3800, 4950
	72	800, 1150, 2800, 3500, 4950
	73	400, 1600, 2700, 3300, 4950
	74	350, 1700, 2700, 3700, 4950
	75	450, 800, 2830, 3500, 4950
	76	325, 700, 2530, 3500, 4950
	77	660, 1120, 2750, 3000, 3350
	78	440, 1800, 2700, 3000, 3300
	79	270, 1850, 2900, 3350, 3590
	80	430, 820, 2700, 3000, 3300
	81	370, 630, 2750, 3000, 3400
	82	650, 1080, 2650, 2900, 3250
	83	400, 1700, 2600, 3200, 3580
	84	290, 1870, 2800, 3250, 3540
	85	400, 800, 2600, 2800, 3000
	86	350, 600, 2700, 2900, 3300
	87	600, 1040, 2250, 2450, 2750
	88	400, 1620, 2400, 2800, 3100
	89	250, 1750, 2600, 3050, 3340
	90	400, 750, 2400, 2600, 2900
	91	350, 600, 2400, 2675, 2950]
	92	amps [1.0 0.5011872336272722 0.025118864315095784 0.09999999999999998 0.0031622776601683764
	93	1.0 0.09999999999999998 0.17782794100389226 0.009999999999999995 0.0015848931924611136
	94	1.0 0.251188643150958 0.050118723362727206 0.050118723362727206 0.006309573444801925
	95	1.0 0.2818382931264453 0.0794328234724281 0.0794328234724281 0.0031622776601683764
	96	1.0 0.1584893192461113 0.017782794100389226 0.009999999999999995 9.999999999999994E-4
	97	1.0 0.6309573444801931 0.09999999999999998 0.015848931924611127 9.999999999999994E-4
	98	1.0 0.06309573444801932 0.031622776601683784 0.017782794100389226 9.999999999999994E-4
	99	1.0 0.09999999999999998 0.031622776601683784 0.015848931924611127 9.999999999999994E-4
	100	1.0 0.3548133892335754 0.1584893192461113 0.03981071705534973 0.001778279410038922
	101	1.0 0.251188643150958 0.031622776601683784 0.009999999999999995 6.309573444801923E-4
	102	1.0 0.5011872336272722 0.07079457843841379 0.06309573444801932 0.012589254117941666
	103	1.0 0.19952623149688797 0.12589254117941667 0.09999999999999998 0.09999999999999998
	104	1.0 0.06309573444801932 0.06309573444801932 0.015848931924611127 0.015848931924611127
	105	1.0 0.3162277660168379 0.050118723362727206 0.0794328234724281 0.019952623149688792
	106	1.0 0.09999999999999998 0.07079457843841379 0.031622776601683784 0.019952623149688792
	107	1.0 0.5011872336272722 0.44668359215096315 0.3981071705534972 0.0794328234724281
	108	1.0 0.19952623149688797 0.251188643150958 0.19952623149688797 0.09999999999999998
	109	1.0 0.17782794100389226 0.12589254117941667 0.09999999999999998 0.031622776601683784
	110	1.0 0.3162277660168379 0.251188643150958 0.251188643150958 0.050118723362727206
	111	1.0 0.09999999999999998 0.14125375446227542 0.19952623149688797 0.050118723362727206
	112	1.0 0.44668359215096315 0.3548133892335754 0.3548133892335754 0.09999999999999998
	113	1.0 0.251188643150958 0.3548133892335754 0.251188643150958 0.12589254117941667
	114	1.0 0.031622776601683784 0.1584893192461113 0.0794328234724281 0.03981071705534973
	115	1.0 0.2818382931264453 0.08912509381337454 0.09999999999999998 0.009999999999999995
	116	1.0 0.09999999999999998 0.025118864315095784 0.03981071705534973 0.015848931924611127]
	117	bws [1/80 1/90 1/120 1/130 1/140
	118	1/60 1/100 1/120 1/150 1/200
	119	1/60 1/90 1/100 1/120 1/120
	120	1/70 1/80 1/100 1/130 1/135
	121	1/50 1/60 1/170 1/180 1/200
	122	1/80 1/90 1/120 1/130 1/140
	123	1/60 1/80 1/120 1/150 1/200
	124	1/50 1/100 1/120 1/150 1/200
	125	1/70 1/80 1/100 1/130 1/135
	126	1/50 1/60 1/170 1/180 1/200
	127	1/80 1/90 1/120 1/130 1/140
	128	1/70 1/80 1/100 1/120 1/120
	129	1/40 1/90 1/100 1/120 1/120
	130	1/40 1/80 1/100 1/120 1/120
	131	1/40 1/60 1/100 1/120 1/120
	132	1/80 1/90 1/120 1/130 1/140
	133	1/70 1/80 1/100 1/120 1/120
	134	1/40 1/90 1/100 1/120 1/120
	135	1/40 1/80 1/100 1/120 1/120
	136	1/40 1/60 1/100 1/120 1/120
	137	1/60 1/70 1/110 1/120 1/130
	138	1/40 1/80 1/100 1/120 1/120
	139	1/60 1/90 1/100 1/120 1/120
	140	1/40 1/80 1/100 1/120 1/120
	141	1/40 1/80 1/100 1/120 1/120]
	142	;; voice is 0 indexed, vowel_sound is 1 indexed
	143	vowel_freq_one (select:kr (+ (* 5 voice) (- (* 5 vowel_sound) 5)) freqs)
	144	vowel_freq_two (select:kr (+ (* 5 voice) (- (* 5 vowel_sound) 4)) freqs)
	145	vowel_freq_three (select:kr (+ (* 5 voice) (- (* 5 vowel_sound) 3)) freqs)
	146	vowel_freq_four (select:kr (+ (* 5 voice) (- (* 5 vowel_sound) 2)) freqs)
	147	vowel_freq_five (select:kr (+ (* 5 voice) (- (* 5 vowel_sound) 1)) freqs)
	148	vowel_amp_one (select:kr (+ (* 5 voice) (- (* 5 vowel_sound) 5)) amps)
	149	vowel_amp_two (select:kr (+ (* 5 voice) (- (* 5 vowel_sound) 4)) amps)
	150	vowel_amp_three (select:kr (+ (* 5 voice) (- (* 5 vowel_sound) 3)) amps)
	151	vowel_amp_four (select:kr (+ (* 5 voice) (- (* 5 vowel_sound) 2)) amps)
	152	vowel_amp_five (select:kr (+ (* 5 voice) (- (* 5 vowel_sound) 1)) amps)
	153	vowel_bw_one (select:kr (+ (* 5 voice) (- (* 5 vowel_sound) 5)) bws)
	154	vowel_bw_two (select:kr (+ (* 5 voice) (- (* 5 vowel_sound) 4)) bws)
	155	vowel_bw_three (select:kr (+ (* 5 voice) (- (* 5 vowel_sound) 3)) bws)
	156	vowel_bw_four (select:kr (+ (* 5 voice) (- (* 5 vowel_sound) 2)) bws)
	157	vowel_bw_five (select:kr (+ (* 5 voice) (- (* 5 vowel_sound) 1)) bws)
	158	amp-fudge 5
	159	[in-l in-r] (* (* amp-fudge pre_amp) (in in_bus 2))
	160	new-l (+ (b-band-pass in-l vowel_freq_one (* vowel_bw_one vowel_amp_one))
	161	(b-band-pass in-l vowel_freq_two (* vowel_bw_two vowel_amp_two))
	162	(b-band-pass in-l vowel_freq_three (* vowel_bw_three vowel_amp_three))
	163	(b-band-pass in-l vowel_freq_four (* vowel_bw_four vowel_amp_four))
	164	(b-band-pass in-l vowel_freq_five (* vowel_bw_five vowel_amp_five)))
	165	new-r (+ (b-band-pass in-r vowel_freq_one (* vowel_bw_one vowel_amp_one))
	166	(b-band-pass in-r vowel_freq_two (* vowel_bw_two vowel_amp_two))
	167	(b-band-pass in-r vowel_freq_three (* vowel_bw_three vowel_amp_three))
	168	(b-band-pass in-r vowel_freq_four (* vowel_bw_four vowel_amp_four))
	169	(b-band-pass in-r vowel_freq_five (* vowel_bw_five vowel_amp_five)))
	170	fin-l (x-fade2 in-l new-l (- (* mix 2) 1) (* amp-fudge amp))
	171	fin-r (x-fade2 in-r new-r (- (* mix 2) 1) (* amp-fudge amp))]
	172	(out out_bus [fin-l fin-r])))
	173
20	174	(defsynth sonic-pi-fx_krush
21	175	[amp 1
22	176	amp_slide 0

52	206	res (lin-lin res 1 0 0 1)
53	207	res (varlag res res_slide res_slide_curve res_slide_shape)
54	208	cutoff-freq (midicps cutoff)
55
56		[in-l in-r] (abs (* pre_amp (in in_bus 2)))
57		new-l-sqr (squared in-l)
58		new-l (/ (+ new-l-sqr (* gain in-l)) (+ new-l-sqr (* in-l (- gain 1)) 1))
59		new-r-sqr (squared in-r)
60		new-r (/ (+ new-r-sqr (* gain in-r)) (+ new-r-sqr (* in-r (- gain 1)) 1))
	209	[in-l in-r] (* pre_amp (in in_bus 2))
	210
	211	new-l-abs (abs in-l)
	212	new-l-sqr (squared new-l-abs)
	213	new-l (/ (+ new-l-sqr (* gain new-l-abs)) (+ new-l-sqr (* new-l-abs (- gain 1)) 1))
	214
	215	new-r-abs (abs in-r)
	216	new-r-sqr (squared new-r-abs)
	217	new-r (/ (+ new-r-sqr (* gain new-r-abs)) (+ new-r-sqr (* new-r-abs (- gain 1)) 1))
	218
61	219	new-l (rlpf new-l cutoff-freq res)
62	220	new-r (rlpf new-r cutoff-freq res)
63	221	fin-l (x-fade2 in-l new-l (- (* mix 2) 1) amp)

67	225
68	226
69	227
	228	(defsynth sonic-pi-fx_whammy
	229	[amp 1
	230	amp_slide 0
	231	amp_slide_shape 1
	232	amp_slide_curve 0
	233	mix 1
	234	mix_slide 0
	235	mix_slide_shape 1
	236	mix_slide_curve 0
	237	transpose 12
	238	transpose_slide 0
	239	transpose_slide_shape 1
	240	transpose_slide_curve 0
	241	deltime 0.05
	242	max_delay_time 1
	243	grainsize 0.075
	244	pre_amp 1
	245	pre_amp_slide 0
	246	pre_amp_slide_shape 1
	247	pre_amp_slide_curve 0
	248	in_bus 0
	249	out_bus 0]
	250	(let [amp (varlag amp amp_slide amp_slide_curve amp_slide_shape)
	251	mix (varlag mix mix_slide mix_slide_curve mix_slide_shape)
	252	pre_amp (varlag pre_amp pre_amp_slide pre_amp_slide_curve pre_amp_slide_shape)
	253	transpose (varlag (midiratio transpose) transpose_slide transpose_slide_curve transpose_slide_shape)
	254	grainfreq (/ transpose grainsize)
	255	[in-l in-r] (in in_bus 2)
	256	new-l (leak-dc (* (delay-c :in (* pre_amp in-l)
	257	:max-delay-time max_delay_time
	258	:delay-time (+ (* (lf-saw grainfreq 1.0)
	259	(/ grainsize -2))
	260	deltime))
	261	(lin-lin (sin-osc grainfreq
	262	(/ (* -1 Math/PI) 2))
	263	-1 1 0 1 )))
	264	new-r (leak-dc (* (delay-c :in (* pre_amp in-r)
	265	:max-delay-time max_delay_time
	266	:delay-time (+ (* (lf-saw grainfreq 0.0)
	267	(/ grainsize -2))
	268	deltime))
	269	(lin-lin (sin-osc grainfreq
	270	(/ Math/PI 2))
	271	-1 1 0 1 )))
	272	fin-l (x-fade2 in-l new-l (- (* mix 2) 1) amp)
	273	fin-r (x-fade2 in-r new-r (- (* mix 2) 1) amp)]
	274	(out out_bus [fin-l fin-r])))
70	275
71	276	(defsynth sonic-pi-fx_tanh
72	277	[amp 1

77	282	mix_slide 0
78	283	mix_slide_shape 1
79	284	mix_slide_curve 0
80		krunch 1
	285	krunch 5
81	286	krunch_slide 0
82	287	krunch_slide_shape 1
83	288	krunch_slide_curve 0

92	297	pre_amp (varlag pre_amp pre_amp_slide pre_amp_slide_curve pre_amp_slide_shape)
93	298	krunch (varlag krunch krunch_slide krunch_slide_curve krunch_slide_shape)
94	299	krunch (select:kr (= 0 krunch) [krunch 0.0001])
	300	krunch (* 5 krunch)
95	301	[in-l in-r] (* pre_amp (in in_bus 2))
96	302	[new-l new-r] (* (/ (tanh (* krunch [in-l in-r])) krunch) (+ 1 (/ krunch 8)))
	303
97	304
98	305	fin-l (x-fade2 in-l new-l (- (* mix 2) 1) amp)
99	306	fin-r (x-fade2 in-r new-r (- (* mix 2) 1) amp)]

763	970	relax_time_slide_curve 0
764	971	in_bus 0
765	972	out_bus 0]
766		(let [amp (varlag amp amp_slide amp_slide_curve amp_slide_shape)
767		mix (varlag mix mix_slide mix_slide_curve mix_slide_shape)
768		pre_amp (varlag pre_amp pre_amp_slide pre_amp_slide_curve pre_amp_slide_shape)
769		threshold (varlag threshold threshold_slide threshold_slide_curve threshold_slide_shape)
770		clamp_time (varlag clamp_time clamp_time_slide clamp_time_slide_curve clamp_time_slide_shape)
771		slope_above (varlag slope_above slope_above_slide slope_above_slide_curve slope_above_slide_shape)
772		slope_below (varlag slope_below slope_below_slide slope_below_slide_curve slope_below_slide_shape)
773		relax_time (varlag relax_time relax_time_slide relax_time_slide_curve relax_time_slide_shape)
774
775		src (* pre_amp (in in_bus 2))
776		[in-l in-r] src
777
778		control-sig (/ (+ in-l in-r) 2)
779
780		[new-l new-r] (compander src control-sig threshold
781		slope_below slope_above
782		clamp_time relax_time)
783		fin-l (x-fade2 in-l new-l (- (* mix 2) 1) amp)
784		fin-r (x-fade2 in-r new-r (- (* mix 2) 1) amp)]
	973	(let [amp (varlag amp amp_slide amp_slide_curve amp_slide_shape)
	974	mix (varlag mix mix_slide mix_slide_curve mix_slide_shape)
	975	pre_amp (varlag pre_amp pre_amp_slide pre_amp_slide_curve pre_amp_slide_shape)
	976	threshold (varlag threshold threshold_slide threshold_slide_curve threshold_slide_shape)
	977	clamp_time (varlag clamp_time clamp_time_slide clamp_time_slide_curve clamp_time_slide_shape)
	978	slope_above (varlag slope_above slope_above_slide slope_above_slide_curve slope_above_slide_shape)
	979	slope_below (varlag slope_below slope_below_slide slope_below_slide_curve slope_below_slide_shape)
	980	relax_time (varlag relax_time relax_time_slide relax_time_slide_curve relax_time_slide_shape)
	981
	982	src (in in_bus 2)
	983	[orig-in-l orig-in-r] src
	984	pre-amped-src (* pre_amp src)
	985	[pre-amped-l pre-amped-r] pre-amped-src
	986	control-sig (/ (+ pre-amped-l pre-amped-r) 2)
	987
	988	[new-l new-r] (compander pre-amped-src control-sig threshold
	989	slope_below slope_above
	990	clamp_time relax_time)
	991	fin-l (x-fade2 orig-in-l new-l (- (* mix 2) 1) amp)
	992	fin-r (x-fade2 orig-in-r new-r (- (* mix 2) 1) amp)]
785	993	(out out_bus [fin-l fin-r])))
786	994
787	995	(defsynth sonic-pi-fx_band_eq

1333	1541	amp_slide 0
1334	1542	amp_slide_shape 1
1335	1543	amp_slide_curve 0
1336		oct1_amp 1
1337		oct1_amp_slide 0
1338		oct1_amp_slide_shape 1
1339		oct1_amp_slide_curve 0
1340		oct2_amp 1
1341		oct2_amp_slide 0
1342		oct2_amp_slide_shape 1
1343		oct2_amp_slide_curve 0
1344		oct3_amp 1
1345		oct3_amp_slide 0
1346		oct3_amp_slide_shape 1
1347		oct3_amp_slide_curve 0
	1544	super_amp 1
	1545	super_amp_slide 0
	1546	super_amp_slide_shape 1
	1547	super_amp_slide_curve 0
	1548	sub_amp 1
	1549	sub_amp_slide 0
	1550	sub_amp_slide_shape 1
	1551	sub_amp_slide_curve 0
	1552	subsub_amp 1
	1553	subsub_amp_slide 0
	1554	subsub_amp_slide_shape 1
	1555	subsub_amp_slide_curve 0
1348	1556	in_bus 0
1349	1557	out_bus 0]
1350	1558	(let [amp (varlag amp amp_slide amp_slide_curve amp_slide_shape)
1351		oct1_amp (varlag oct1_amp oct1_amp_slide oct1_amp_slide_curve oct1_amp_slide_shape)
1352		oct2_amp (varlag oct2_amp oct2_amp_slide oct2_amp_slide_curve oct2_amp_slide_shape)
1353		oct3_amp (varlag oct3_amp oct3_amp_slide oct3_amp_slide_curve oct3_amp_slide_shape)
	1559	super_amp (varlag super_amp super_amp_slide super_amp_slide_curve super_amp_slide_shape)
	1560	sub_amp (varlag sub_amp sub_amp_slide sub_amp_slide_curve sub_amp_slide_shape)
	1561	subsub_amp (varlag subsub_amp subsub_amp_slide subsub_amp_slide_curve subsub_amp_slide_shape)
1354	1562	mix (varlag mix mix_slide mix_slide_curve mix_slide_shape)
1355	1563	pre_amp (varlag pre_amp pre_amp_slide pre_amp_slide_curve pre_amp_slide_shape)
1356	1564	direct-lpf (lpf (* pre_amp (in in_bus 2)) 440)
1357		super-oct (abs direct-lpf)
	1565	super-oct (* 2 (leak-dc (abs direct-lpf))) ;; Compensate for resulting wave being half amplitude
1358	1566	sub-oct (toggle-ff:ar direct-lpf)
1359	1567	sub-sub-oct (toggle-ff:ar sub-oct)
1360	1568
1361	1569	[in-l in-r] (* pre_amp (in in_bus 2))
1362		[new-l new-r] (+ (* super-oct oct1_amp) (* direct-lpf sub-oct oct2_amp) (* direct-lpf sub-sub-oct oct3_amp))
	1570	[new-l new-r] (+ (* super-oct super_amp) (* direct-lpf sub-oct sub_amp) (* direct-lpf sub-sub-oct subsub_amp))
1363	1571	fin-l (x-fade2 in-l new-l (- (* mix 2) 1) amp)
1364	1572	fin-r (x-fade2 in-r new-r (- (* mix 2) 1) amp)]
1365	1573	(out out_bus [fin-l fin-r])))

1516	1724	)
1517	1725
1518	1726	(comment
	1727	(core/save-synthdef sonic-pi-fx_mono)
1519	1728	(core/save-synthdef sonic-pi-fx_krush)
1520	1729	(core/save-synthdef sonic-pi-fx_bitcrusher)
1521	1730	(core/save-synthdef sonic-pi-fx_reverb)

1543	1752	(core/save-synthdef sonic-pi-fx_rbpf)
1544	1753	(core/save-synthdef sonic-pi-fx_nrbpf)
1545	1754	(core/save-synthdef sonic-pi-fx_tanh)
	1755	(core/save-synthdef sonic-pi-fx_whammy)
1546	1756	(core/save-synthdef sonic-pi-fx_pitch_shift)
1547	1757	(core/save-synthdef sonic-pi-fx_ring_mod)
1548	1758	(core/save-synthdef sonic-pi-fx_octaver)
1549	1759	(core/save-synthdef sonic-pi-fx_flanger)
1550		)
	1760	(core/save-synthdef sonic-pi-fx_vowel))

+563

-244

etc/synthdefs/designs/sonic_pi/synths/samplers.clj less more

23	23	amp_slide 0
24	24	amp_slide_shape 1
25	25	amp_slide_curve 0
	26	attack [0.0 :ir]
	27	decay [0 :ir]
	28	sustain [-1 :ir]
	29	release [0.0 :ir]
	30	attack_level [1 :ir]
	31	decay_level [-1 :ir]
	32	sustain_level [1 :ir]
	33	env_curve [1 :ir]
26	34	pan 0
27	35	pan_slide 0
28	36	pan_slide_shape 1
29	37	pan_slide_curve 0
30		cutoff 0
31		cutoff_slide 0
32		cutoff_slide_shape 1
33		cutoff_slide_curve 0
34		res 0
35		res_slide 0
36		res_slide_shape 1
37		res_slide_curve 0
	38	lpf -1
	39	lpf_slide 0
	40	lpf_slide_shape 1
	41	lpf_slide_curve 0
	42	hpf -1
	43	hpf_slide 0
	44	hpf_slide_shape 1
	45	hpf_slide_curve 0
38	46	rate [1 :ir]
39	47	out_bus [0 :ir]]
40	48
41		(let [amp (varlag amp amp_slide amp_slide_curve amp_slide_shape)
42		pan (varlag pan pan_slide pan_slide_curve pan_slide_shape)
43		cutoff (varlag cutoff cutoff_slide cutoff_slide_curve cutoff_slide_shape)
44		res (varlag res res_slide res_slide_curve res_slide_shape)
45		res (lin-lin:kr res 1 0 0 1)
46		scaled-rate (* rate (buf-rate-scale:ir buf))
47		cutoff-freq (midicps cutoff)
48		use-filter (> cutoff 0)
49		dur (* (/ 1 (abs rate)) (buf-dur:ir buf))
50		start (select:kr (< rate 0) [0
51		(- (buf-frames:ir buf) 1)])
52		snd (play-buf 1 buf scaled-rate 0 start)
53		snd (select use-filter [snd (rlpf snd cutoff-freq res)])
54		killer (line:kr 1 1 (+ 0.03 dur) FREE)]
55
	49	(let [amp (varlag amp amp_slide amp_slide_curve amp_slide_shape)
	50	pan (varlag pan pan_slide pan_slide_curve pan_slide_shape)
	51	lpf (varlag lpf lpf_slide lpf_slide_curve lpf_slide_shape)
	52	hpf (varlag hpf hpf_slide hpf_slide_curve hpf_slide_shape)
	53	scaled-rate (* rate (buf-rate-scale:ir buf))
	54	lpf-freq (midicps lpf)
	55	hpf-freq (midicps hpf)
	56	use-lpf-filter (> lpf -1)
	57	use-hpf-filter (> hpf -1)
	58	dur (* (/ 1 (abs rate)) (buf-dur:ir buf))
	59	start (select:kr (< rate 0) [0
	60	(- (buf-frames:ir buf) 1)])
	61	sustain (select:kr (= -1 sustain) [sustain (- dur attack release decay)])
	62	decay_level (select:kr (= -1 decay_level) [decay_level sustain_level])
	63	env-dur (+ attack sustain decay release)
	64	env (env-gen (core/shaped-adsr attack decay sustain release attack_level decay_level sustain_level env_curve))
	65	snd (play-buf 1 buf scaled-rate 0 start)
	66
	67	snd (select use-lpf-filter [snd (overtone.live/lpf snd lpf-freq)])
	68	snd (select use-hpf-filter [snd (overtone.live/hpf snd hpf-freq)])
	69
	70
	71	snd (* env snd)]
	72	(line:kr 1 1 (+ 0.03 (min dur env-dur)) FREE)
56	73	(out out_bus (pan2 snd pan amp))))
57	74
58	75	(defsynth sonic-pi-basic_stereo_player

61	78	amp_slide 0
62	79	amp_slide_shape 1
63	80	amp_slide_curve 0
	81	attack [0.0 :ir]
	82	decay [0 :ir]
	83	sustain [-1 :ir]
	84	release [0.0 :ir]
	85	attack_level [1 :ir]
	86	decay_level [-1 :ir]
	87	sustain_level [1 :ir]
	88	env_curve [1 :ir]
64	89	pan 0
65	90	pan_slide 0
66	91	pan_slide_shape 1
67	92	pan_slide_curve 0
68		cutoff 0
69		cutoff_slide 0
70		cutoff_slide_shape 1
71		cutoff_slide_curve 0
72		res 0
73		res_slide 0
74		res_slide_shape 1
75		res_slide_curve 0
	93	lpf -1
	94	lpf_slide 0
	95	lpf_slide_shape 1
	96	lpf_slide_curve 0
	97	hpf -1
	98	hpf_slide 0
	99	hpf_slide_shape 1
	100	hpf_slide_curve 0
76	101	rate [1 :ir]
77	102	out_bus [0 :ir]]
78	103
79		(let [amp (varlag amp amp_slide amp_slide_curve amp_slide_shape)
80		pan (varlag pan pan_slide pan_slide_curve pan_slide_shape)
81		cutoff (varlag cutoff cutoff_slide cutoff_slide_curve cutoff_slide_shape)
82		res (varlag res res_slide res_slide_curve res_slide_shape)
83		res (lin-lin:kr res 1 0 0 1)
84		scaled-rate (* rate (buf-rate-scale:ir buf))
85		cutoff-freq (midicps cutoff)
86		use-filter (> cutoff 0)
87		dur (* (/ 1 (abs rate)) (buf-dur:ir buf))
88		start (select:kr (< rate 0) [0
89		(- (buf-frames:ir buf) 1)])
90		[snd-l snd-r] (play-buf 2 buf scaled-rate 0 start)
91		snd-l (select use-filter [snd-l (rlpf snd-l cutoff-freq res)])
92		snd-r (select use-filter [snd-r (rlpf snd-r cutoff-freq res)])
93		killer (line:kr 1 1 (+ 0.03 dur) FREE)
94
95		snd (balance2 snd-l snd-r pan amp)]
96
	104	(let [amp (varlag amp amp_slide amp_slide_curve amp_slide_shape)
	105	pan (varlag pan pan_slide pan_slide_curve pan_slide_shape)
	106	lpf (varlag lpf lpf_slide lpf_slide_curve lpf_slide_shape)
	107	hpf (varlag hpf hpf_slide hpf_slide_curve hpf_slide_shape)
	108	scaled-rate (* rate (buf-rate-scale:ir buf))
	109	lpf-freq (midicps lpf)
	110	hpf-freq (midicps hpf)
	111	use-lpf-filter (> lpf -1)
	112	use-hpf-filter (> hpf -1)
	113	dur (* (/ 1 (abs rate)) (buf-dur:ir buf))
	114	sustain (select:kr (= -1 sustain) [sustain (- dur attack release decay)])
	115	decay_level (select:kr (= -1 decay_level) [decay_level sustain_level])
	116	env-dur (+ attack sustain decay release)
	117	env (env-gen (core/shaped-adsr attack decay sustain release attack_level decay_level sustain_level env_curve))
	118	start (select:kr (< rate 0) [0
	119	(- (buf-frames:ir buf) 1)])
	120	[snd-l snd-r] (play-buf 2 buf scaled-rate 0 start)
	121	snd-l (select use-lpf-filter [snd-l (overtone.live/lpf snd-l lpf-freq)])
	122	snd-r (select use-lpf-filter [snd-r (overtone.live/lpf snd-r lpf-freq)])
	123
	124	snd-l (select use-hpf-filter [snd-l (overtone.live/hpf snd-l hpf-freq)])
	125	snd-r (select use-hpf-filter [snd-r (overtone.live/hpf snd-r hpf-freq)])
	126
	127	snd-l (* env snd-l)
	128	snd-r (* env snd-r)
	129	snd (balance2 snd-l snd-r pan amp)]
	130	(line:kr 1 1 (+ 0.03 (min dur env-dur)) FREE)
97	131	(out out_bus snd)))
98	132
99	133

109	143	pan_slide 0
110	144	pan_slide_shape 1
111	145	pan_slide_curve 0
112		cutoff -1
113		cutoff_slide 0
114		cutoff_slide_shape 1
115		cutoff_slide_curve 0
116		cutoff_attack 0
117		cutoff_sustain -1
118		cutoff_decay 0
119		cutoff_release 0
120		cutoff_min -1
121		cutoff_min_slide 0
122		cutoff_min_slide_shape 1
123		cutoff_min_slide_curve 0
124		cutoff_attack_level [-1 :ir]
125		cutoff_decay_level [-1 :ir]
126		cutoff_sustain_level [-1 :ir]
127		cutoff_env_curve 1
128		res 0
129		res_slide 0
130		res_slide_shape 1
131		res_slide_curve 0
	146
132	147	attack [0.0 :ir]
133	148	decay [0 :ir]
134	149	sustain [-1 :ir]

140	155	rate 1
141	156	start 0
142	157	finish 1
	158
	159	lpf -1
	160	lpf_slide 0
	161	lpf_slide_shape 1
	162	lpf_slide_curve 0
	163
	164	lpf_attack 0
	165	lpf_sustain -1
	166	lpf_decay 0
	167	lpf_release 0
	168
	169	lpf_min -1
	170	lpf_min_slide 0
	171	lpf_min_slide_shape 1
	172	lpf_min_slide_curve 0
	173
	174	lpf_init_level [-1 :ir]
	175	lpf_attack_level [-1 :ir]
	176	lpf_decay_level [-1 :ir]
	177	lpf_sustain_level [-1 :ir]
	178	lpf_release_level [-1 :ir]
	179	lpf_env_curve 1
	180
	181	hpf -1
	182	hpf_slide 0
	183	hpf_slide_shape 1
	184	hpf_slide_curve 0
	185
	186	hpf_max -1
	187	hpf_max_slide 0
	188	hpf_max_slide_shape 1
	189	hpf_max_slide_curve 0
	190
	191	hpf_attack 0
	192	hpf_sustain -1
	193	hpf_decay 0
	194	hpf_release 0
	195	hpf_init_level [-1 :ir]
	196	hpf_attack_level [-1 :ir]
	197	hpf_decay_level [-1 :ir]
	198	hpf_sustain_level [-1 :ir]
	199	hpf_release_level [-1 :ir]
	200	hpf_env_curve 1
	201
143	202	norm 0
144	203	pitch 0
145	204	pitch_slide 0

157	216	time_dis_slide 0
158	217	time_dis_slide_shape 1
159	218	time_dis_slide_curve 0
	219	compress 0
	220	pre_amp 1
	221	pre_amp_slide 0
	222	pre_amp_slide_shape 1
	223	pre_amp_slide_curve 0
	224	threshold 0.2
	225	threshold_slide 0
	226	threshold_slide_shape 1
	227	threshold_slide_curve 0
	228	clamp_time 0.01
	229	clamp_time_slide 0
	230	clamp_time_slide_shape 1
	231	clamp_time_slide_curve 0
	232	slope_above 0.5
	233	slope_above_slide 0
	234	slope_above_slide_shape 1
	235	slope_above_slide_curve 0
	236	slope_below 1
	237	slope_below_slide 0
	238	slope_below_slide_shape 1
	239	slope_below_slide_curve 0
	240	relax_time 0.01
	241	relax_time_slide 0
	242	relax_time_slide_shape 1
	243	relax_time_slide_curve 0
160	244	out_bus 0]
161		(let [decay_level (select:kr (= -1 decay_level) [decay_level sustain_level])
162		amp (varlag amp amp_slide amp_slide_curve amp_slide_shape)
163		pan (varlag pan pan_slide pan_slide_curve pan_slide_shape)
164		used_cutoff (not= -1 cutoff)
165		used_cutoff_attack_level (not= -1 cutoff_attack_level)
166		used_cutoff_decay_level (not= -1 cutoff_decay_level)
167		used_cutoff_sustain_level (not= -1 cutoff_sustain_level)
168		used_cutoff_attack (not= 0 cutoff_attack)
169		used_cutoff_decay (not= 0 cutoff_decay)
170		used_cutoff_release (not= 0 cutoff_release)
171		used_cutoff_sustain (not= -1 cutoff_sustain)
172		used_cutoff_min (not= -1 cutoff_min)
173		use-filter-env (or used_cutoff_attack_level
174		used_cutoff_decay_level
175		used_cutoff_sustain_level
176		used_cutoff_attack
177		used_cutoff_decay
178		used_cutoff_release
179		used_cutoff_sustain
180		used_cutoff_min)
181
182		use-filter (or used_cutoff
183		use-filter-env)
184
185
186		cutoff (select:kr (= -1 cutoff) [cutoff 130])
187		cutoff_min (select:kr (= -1 cutoff_min) [cutoff_min 50])
188		cutoff_attack_level (select:kr (= -1 cutoff_attack_level) [cutoff_attack_level cutoff])
189
190		cutoff_sustain_level (select:kr (= -1 cutoff_sustain_level) [cutoff_sustain_level cutoff_attack_level])
191		cutoff_decay_level (select:kr (= -1 cutoff_decay_level) [cutoff_decay_level cutoff_sustain_level])
192
193		cutoff (varlag cutoff cutoff_slide cutoff_slide_curve cutoff_slide_shape)
194		pitch (varlag pitch pitch_slide pitch_slide_curve pitch_slide_shape)
195		window_size (varlag window_size window_size_slide window_size_slide_curve window_size_slide_shape)
196		pitch_dis (varlag pitch_dis pitch_dis_slide pitch_dis_slide_curve pitch_dis_slide_shape)
197		time_dis (varlag time_dis time_dis_slide time_dis_slide_curve time_dis_slide_shape)
198		cutoff_min (varlag cutoff_min cutoff_min_slide cutoff_min_slide_curve cutoff_min_slide_shape)
199		pitch_ratio (midiratio pitch)
200		res (lin-lin res 1 0 0 1)
201		res (varlag res res_slide res_slide_curve res_slide_shape)
202		cutoff-freq (midicps cutoff)
203		cutoff-min-freq (midicps cutoff_min)
204
205		n-frames (- (buf-frames buf) 1)
206		start-pos (* start n-frames)
207		end-pos (* finish n-frames)
208		n-start-pos (select:kr (not-pos? rate) [start-pos end-pos])
209		n-end-pos (select:kr (not-pos? rate) [end-pos start-pos])
210		rate (abs rate)
211		play-time (/ (* (buf-dur buf) (absdif finish start))
212		rate)
213		phase (line:ar :start n-start-pos :end n-end-pos :dur play-time)
214		sustain (select:kr (= -1 sustain) [sustain (- play-time attack release decay)])
215		cutoff_sustain (select:kr (= -1 cutoff_sustain) [cutoff_sustain (- play-time cutoff_attack cutoff_release cutoff_decay)])
216		env (env-gen (core/shaped-adsr attack decay sustain release attack_level decay_level sustain_level env_curve))
217		filt-env (midicps (env-gen (core/shaped-adsr cutoff_attack, cutoff_decay cutoff_sustain cutoff_release cutoff_attack_level cutoff_decay_level cutoff_sustain_level cutoff_env_curve cutoff_min)))
218
219		snd (buf-rd 1 buf phase)
220		killer (line:kr 1 1 (+ 0.03 play-time) FREE)
221
222		snd (select:ar (not= 0 pitch)
223		[snd
224		(pitch-shift snd window_size pitch_ratio pitch_dis time_dis)])
225
226		filt-env (select use-filter-env [cutoff-freq (min filt-env cutoff-freq)])
227		snd (select use-filter
228		[snd
229		(rlpf snd filt-env res)])
230
231		snd (select norm [snd (normalizer snd)])
232		snd (* env snd)
233
234
235		snd (pan2 snd pan amp)]
	245	(let [decay_level (select:kr (= -1 decay_level) [decay_level sustain_level])
	246
	247	amp (varlag amp amp_slide amp_slide_curve amp_slide_shape)
	248	pan (varlag pan pan_slide pan_slide_curve pan_slide_shape)
	249	lpf (varlag lpf lpf_slide lpf_slide_curve lpf_slide_shape)
	250	lpf_min (varlag lpf_min lpf_min_slide lpf_min_slide_curve lpf_min_slide_shape)
	251	hpf (varlag hpf hpf_slide hpf_slide_curve hpf_slide_shape)
	252	hpf_max (varlag hpf_max hpf_max_slide hpf_max_slide_curve hpf_max_slide_shape)
	253	pitch (varlag pitch pitch_slide pitch_slide_curve pitch_slide_shape)
	254	window_size (varlag window_size window_size_slide window_size_slide_curve window_size_slide_shape)
	255	pitch_dis (varlag pitch_dis pitch_dis_slide pitch_dis_slide_curve pitch_dis_slide_shape)
	256	time_dis (varlag time_dis time_dis_slide time_dis_slide_curve time_dis_slide_shape)
	257
	258	pre_amp (varlag pre_amp pre_amp_slide pre_amp_slide_curve pre_amp_slide_shape)
	259	threshold (varlag threshold threshold_slide threshold_slide_curve threshold_slide_shape)
	260	clamp_time (varlag clamp_time clamp_time_slide clamp_time_slide_curve clamp_time_slide_shape)
	261
	262	slope_above (varlag slope_above slope_above_slide slope_above_slide_curve slope_above_slide_shape)
	263	slope_below (varlag slope_below slope_below_slide slope_below_slide_curve slope_below_slide_shape)
	264	relax_time (varlag relax_time relax_time_slide relax_time_slide_curve relax_time_slide_shape)
	265
	266	used_lpf (not= -1 lpf)
	267
	268	used_lpf_init_level (not= -1 lpf_init_level)
	269	used_lpf_attack_level (not= -1 lpf_attack_level)
	270	used_lpf_decay_level (not= -1 lpf_decay_level)
	271	used_lpf_sustain_level (not= -1 lpf_sustain_level)
	272	used_lpf_release_level (not= -1 lpf_release_level)
	273
	274	used_lpf_attack (not= 0 lpf_attack)
	275	used_lpf_decay (not= 0 lpf_decay)
	276	used_lpf_release (not= 0 lpf_release)
	277	used_lpf_sustain (not= -1 lpf_sustain)
	278	used_lpf_min (not= -1 lpf_min)
	279
	280	used_hpf (not= -1 hpf)
	281	used_hpf_init_level (not= -1 hpf_init_level)
	282	used_hpf_attack_level (not= -1 hpf_attack_level)
	283	used_hpf_decay_level (not= -1 hpf_decay_level)
	284	used_hpf_sustain_level (not= -1 hpf_sustain_level)
	285	used_hpf_release_level (not= -1 hpf_release_level)
	286
	287	used_hpf_attack (not= 0 hpf_attack)
	288	used_hpf_decay (not= 0 hpf_decay)
	289	used_hpf_release (not= 0 hpf_release)
	290	used_hpf_sustain (not= -1 hpf_sustain)
	291	used_hpf_max (not= -1 hpf_max)
	292
	293	use-lpf-env (or used_lpf_attack_level
	294	used_lpf_decay_level
	295	used_lpf_sustain_level
	296	used_lpf_attack
	297	used_lpf_decay
	298	used_lpf_release
	299	used_lpf_sustain
	300	used_lpf_min)
	301
	302	use-hpf-env (or used_hpf_init_level
	303	used_hpf_attack_level
	304	used_hpf_decay_level
	305	used_hpf_sustain_level
	306	used_hpf_release_level
	307	used_hpf_attack
	308	used_hpf_decay
	309	used_hpf_release
	310	used_hpf_sustain
	311	used_hpf_max)
	312
	313	use-lpf (or used_lpf
	314	use-lpf-env)
	315
	316
	317	use-hpf (or used_hpf
	318	use-hpf-env)
	319
	320	lpf (select:kr used_lpf [130 lpf])
	321	hpf (select:kr used_hpf [50 hpf])
	322	hpf_max (select:kr used_hpf_max [200 hpf_max])
	323	lpf_min (select:kr used_lpf_min [30 lpf_min])
	324
	325	lpf_release_level (select:kr used_lpf_release_level [lpf lpf_release_level])
	326	lpf_sustain_level (select:kr used_lpf_sustain_level [lpf_release_level lpf_sustain_level])
	327	lpf_decay_level (select:kr used_lpf_decay_level [lpf_sustain_level lpf_decay_level])
	328	lpf_attack_level (select:kr used_lpf_attack_level [lpf_decay_level lpf_attack_level])
	329	lpf_init_level (select:kr used_lpf_init_level [lpf_min lpf_init_level])
	330
	331	hpf_release_level (select:kr used_hpf_release_level [hpf hpf_release_level])
	332	hpf_sustain_level (select:kr used_hpf_sustain_level [hpf_release_level hpf_sustain_level])
	333	hpf_decay_level (select:kr used_hpf_decay_level [hpf_sustain_level hpf_decay_level])
	334	hpf_attack_level (select:kr used_hpf_attack_level [hpf_decay_level hpf_attack_level])
	335	hpf_init_level (select:kr used_hpf_init_level [130 hpf_init_level])
	336
	337	lpf_attack (select:kr used_lpf_attack [attack lpf_attack])
	338	lpf_decay (select:kr used_lpf_decay [decay lpf_decay])
	339	lpf_sustain (select:kr used_lpf_sustain [sustain lpf_sustain])
	340	lpf_release (select:kr used_lpf_release [release lpf_release])
	341
	342	hpf_attack (select:kr used_hpf_attack [attack hpf_attack])
	343	hpf_decay (select:kr used_hpf_decay [decay hpf_decay])
	344	hpf_sustain (select:kr used_hpf_sustain [sustain hpf_sustain])
	345	hpf_release (select:kr used_hpf_release [release hpf_release])
	346
	347	pitch_ratio (midiratio pitch)
	348	lpf-freq (midicps lpf)
	349	hpf-freq (midicps hpf)
	350	hpf_max (midicps hpf_max)
	351	lpf_min (midicps lpf_min)
	352
	353	n-frames (- (buf-frames buf) 1)
	354	start-pos (* start n-frames)
	355	end-pos (* finish n-frames)
	356	n-start-pos (select:kr (not-pos? rate) [start-pos end-pos])
	357	n-end-pos (select:kr (not-pos? rate) [end-pos start-pos])
	358	rate (abs rate)
	359	play-time (/ (* (buf-dur buf) (absdif finish start))
	360	rate)
	361	phase (line:ar :start n-start-pos :end n-end-pos :dur play-time)
	362	sustain (select:kr (= -1 sustain) [sustain (- play-time attack release decay)])
	363	lpf_sustain (select:kr (= -1 lpf_sustain) [lpf_sustain (- play-time lpf_attack lpf_release lpf_decay)])
	364	hpf_sustain (select:kr (= -1 hpf_sustain) [hpf_sustain (- play-time hpf_attack hpf_release hpf_decay)])
	365	env-dur (+ attack sustain decay release)
	366	env (env-gen (core/shaped-adsr attack decay sustain release attack_level decay_level sustain_level env_curve))
	367	lpf-env (midicps (env-gen (core/shaped-adsr lpf_attack, lpf_decay lpf_sustain (+ 0.1 lpf_release) lpf_init_level lpf_attack_level lpf_decay_level lpf_sustain_level lpf_release_level lpf_env_curve)))
	368	hpf-env (midicps (env-gen (core/shaped-adsr hpf_attack, hpf_decay hpf_sustain (+ 0.1 hpf_release) hpf_init_level hpf_attack_level hpf_decay_level hpf_sustain_level hpf_release_level hpf_env_curve)))
	369
	370	lpf-env (select use-lpf-env [lpf-freq (min lpf-freq
	371	(max lpf-env lpf_min))])
	372	hpf-env (select use-hpf-env [hpf-freq (max hpf-freq
	373	(min hpf-env hpf_max))])
	374
	375
	376	snd (* pre_amp (buf-rd 1 buf phase))
	377
	378	snd (select:ar (not= 0 pitch)
	379	[snd
	380	(pitch-shift snd window_size pitch_ratio pitch_dis time_dis)])
	381
	382	lpf-env (select use-lpf-env [lpf-freq (min lpf-env lpf-freq)])
	383	hpf-env (select use-hpf-env [hpf-freq (max hpf-freq
	384
	385
	386
	387	(min hpf-env hpf_max))])
	388
	389
	390
	391
	392	snd (select use-lpf
	393	[snd
	394	(overtone.live/lpf snd lpf-env)])
	395
	396	snd (select use-hpf
	397	[snd
	398	(overtone.live/hpf snd hpf-env)])
	399
	400	snd (select norm [snd (normalizer snd)])
	401	snd (* env snd)
	402
	403	compressed (compander snd snd threshold
	404	slope_below slope_above
	405	clamp_time relax_time)
	406
	407	snd (select:ar compress [snd compressed])
	408
	409
	410	snd (pan2 snd pan amp)]
	411	(line:kr 1 1 (+ 0.03 (min play-time env-dur)) FREE)
236	412	(out out_bus snd)))
237	413
238	414	(defsynth sonic-pi-stereo_player

247	423	pan_slide 0
248	424	pan_slide_shape 1
249	425	pan_slide_curve 0
250		cutoff -1
251		cutoff_slide 0
252		cutoff_slide_shape 1
253		cutoff_slide_curve 0
254		cutoff_attack 0
255		cutoff_sustain -1
256		cutoff_decay 0
257		cutoff_release 0
258		cutoff_min -1
259		cutoff_min_slide 0
260		cutoff_min_slide_shape 1
261		cutoff_min_slide_curve 0
262		cutoff_attack_level [-1 :ir]
263		cutoff_decay_level [-1 :ir]
264		cutoff_sustain_level [-1 :ir]
265		cutoff_env_curve 1
266		res 0
267		res_slide 0
268		res_slide_shape 1
269		res_slide_curve 0
	426
270	427	attack [0.0 :ir]
271	428	decay [0 :ir]
272	429	sustain [-1 :ir]

278	435	rate 1
279	436	start 0
280	437	finish 1
	438
	439	lpf -1
	440	lpf_slide 0
	441	lpf_slide_shape 1
	442	lpf_slide_curve 0
	443
	444	lpf_attack 0
	445	lpf_sustain -1
	446	lpf_decay 0
	447	lpf_release 0
	448
	449	lpf_min -1
	450	lpf_min_slide 0
	451	lpf_min_slide_shape 1
	452	lpf_min_slide_curve 0
	453
	454	lpf_init_level [-1 :ir]
	455	lpf_attack_level [-1 :ir]
	456	lpf_decay_level [-1 :ir]
	457	lpf_sustain_level [-1 :ir]
	458	lpf_release_level [-1 :ir]
	459	lpf_env_curve 1
	460
	461	hpf -1
	462	hpf_slide 0
	463	hpf_slide_shape 1
	464	hpf_slide_curve 0
	465
	466	hpf_max -1
	467	hpf_max_slide 0
	468	hpf_max_slide_shape 1
	469	hpf_max_slide_curve 0
	470
	471	hpf_attack 0
	472	hpf_sustain -1
	473	hpf_decay 0
	474	hpf_release 0
	475	hpf_init_level [-1 :ir]
	476	hpf_attack_level [-1 :ir]
	477	hpf_decay_level [-1 :ir]
	478	hpf_sustain_level [-1 :ir]
	479	hpf_release_level [-1 :ir]
	480	hpf_env_curve 1
	481
281	482	norm 0
282	483	pitch 0
283	484	pitch_slide 0

295	496	time_dis_slide 0
296	497	time_dis_slide_shape 1
297	498	time_dis_slide_curve 0
	499	compress 0
	500	pre_amp 1
	501	pre_amp_slide 0
	502	pre_amp_slide_shape 1
	503	pre_amp_slide_curve 0
	504	threshold 0.2
	505	threshold_slide 0
	506	threshold_slide_shape 1
	507	threshold_slide_curve 0
	508	clamp_time 0.01
	509	clamp_time_slide 0
	510	clamp_time_slide_shape 1
	511	clamp_time_slide_curve 0
	512	slope_above 0.5
	513	slope_above_slide 0
	514	slope_above_slide_shape 1
	515	slope_above_slide_curve 0
	516	slope_below 1
	517	slope_below_slide 0
	518	slope_below_slide_shape 1
	519	slope_below_slide_curve 0
	520	relax_time 0.01
	521	relax_time_slide 0
	522	relax_time_slide_shape 1
	523	relax_time_slide_curve 0
298	524	out_bus 0]
299		(let [decay_level (select:kr (= -1 decay_level) [decay_level sustain_level])
300		amp (varlag amp amp_slide amp_slide_curve amp_slide_shape)
301		pan (varlag pan pan_slide pan_slide_curve pan_slide_shape)
302		used_cutoff (not= -1 cutoff)
303		used_cutoff_attack_level (not= -1 cutoff_attack_level)
304		used_cutoff_decay_level (not= -1 cutoff_decay_level)
305		used_cutoff_sustain_level (not= -1 cutoff_sustain_level)
306		used_cutoff_attack (not= 0 cutoff_attack)
307		used_cutoff_decay (not= 0 cutoff_decay)
308		used_cutoff_release (not= 0 cutoff_release)
309		used_cutoff_sustain (not= -1 cutoff_sustain)
310		used_cutoff_min (not= -1 cutoff_min)
311		use-filter-env (or used_cutoff_attack_level
312		used_cutoff_decay_level
313		used_cutoff_sustain_level
314		used_cutoff_attack
315		used_cutoff_decay
316		used_cutoff_release
317		used_cutoff_sustain
318		used_cutoff_min)
319
320		use-filter (or used_cutoff
321		use-filter-env)
322
323		cutoff (select:kr (= -1 cutoff) [cutoff 130])
324		cutoff_min (select:kr (= -1 cutoff_min) [cutoff_min 50])
325		cutoff_attack_level (select:kr (= -1 cutoff_attack_level) [cutoff_attack_level cutoff])
326
327		cutoff_sustain_level (select:kr (= -1 cutoff_sustain_level) [cutoff_sustain_level cutoff_attack_level])
328		cutoff_decay_level (select:kr (= -1 cutoff_decay_level) [cutoff_decay_level cutoff_sustain_level])
329
330		cutoff (varlag cutoff cutoff_slide cutoff_slide_curve cutoff_slide_shape)
331		pitch (varlag pitch pitch_slide pitch_slide_curve pitch_slide_shape)
332		window_size (varlag window_size window_size_slide window_size_slide_curve window_size_slide_shape)
333		pitch_dis (varlag pitch_dis pitch_dis_slide pitch_dis_slide_curve pitch_dis_slide_shape)
334		time_dis (varlag time_dis time_dis_slide time_dis_slide_curve time_dis_slide_shape)
335		cutoff_min (varlag cutoff_min cutoff_min_slide cutoff_min_slide_curve cutoff_min_slide_shape)
336		pitch_ratio (midiratio pitch)
337		res (lin-lin res 1 0 0 1)
338		res (varlag res res_slide res_slide_curve res_slide_shape)
339		cutoff-freq (midicps cutoff)
340
341		n-frames (- (buf-frames:ir buf) 1)
342		start-pos (* start n-frames)
343		end-pos (* finish n-frames)
344		n-start-pos (select:kr (not-pos? rate) [start-pos end-pos])
345		n-end-pos (select:kr (not-pos? rate) [end-pos start-pos])
346		rate (abs rate)
347		play-time (/ (* (buf-dur buf) (absdif finish start))
348		rate)
349		phase (line:ar :start n-start-pos :end n-end-pos :dur play-time)
350		sustain (select:kr (= -1 sustain) [sustain (- play-time attack release decay)])
351		cutoff_sustain (select:kr (= -1 cutoff_sustain) [cutoff_sustain (- play-time cutoff_attack cutoff_release cutoff_decay)])
352		env (env-gen (core/shaped-adsr attack decay sustain release attack_level decay_level sustain_level env_curve))
353		filt-env (midicps (env-gen (core/shaped-adsr cutoff_attack, cutoff_decay cutoff_sustain cutoff_release cutoff_attack_level cutoff_decay_level cutoff_sustain_level cutoff_env_curve cutoff_min)))
354
355		[snd-l snd-r] (buf-rd 2 buf phase)
356		killer (line:kr 1 1 (+ 0.03 play-time) FREE)
357
358		snd-l (select:ar (not= 0 pitch)
359		[snd-l
360		(pitch-shift snd-l window_size pitch_ratio pitch_dis time_dis)])
361
362		snd-r (select:ar (not= 0 pitch)
363		[snd-r
364		(pitch-shift snd-r window_size pitch_ratio pitch_dis time_dis)])
365
366		filt-env (select use-filter-env [cutoff-freq (min filt-env cutoff-freq)])
367		snd-l (select use-filter [snd-l (rlpf snd-l filt-env res)])
368		snd-r (select use-filter [snd-r (rlpf snd-r filt-env res)])
369
370		snd-l (select norm [snd-l (normalizer snd-l)])
371		snd-r (select norm [snd-r (normalizer snd-r)])
372		snd-l (* env snd-l)
373		snd-r (* env snd-r)
374		snd (balance2 snd-l snd-r pan amp)]
375
376		(out out_bus snd)))
377
378
	525	(let [decay_level (select:kr (= -1 decay_level) [decay_level sustain_level])
	526
	527	amp (varlag amp amp_slide amp_slide_curve amp_slide_shape)
	528	pan (varlag pan pan_slide pan_slide_curve pan_slide_shape)
	529	lpf (varlag lpf lpf_slide lpf_slide_curve lpf_slide_shape)
	530	lpf_min (varlag lpf_min lpf_min_slide lpf_min_slide_curve lpf_min_slide_shape)
	531	hpf (varlag hpf hpf_slide hpf_slide_curve hpf_slide_shape)
	532	hpf_max (varlag hpf_max hpf_max_slide hpf_max_slide_curve hpf_max_slide_shape)
	533	pitch (varlag pitch pitch_slide pitch_slide_curve pitch_slide_shape)
	534	window_size (varlag window_size window_size_slide window_size_slide_curve window_size_slide_shape)
	535	pitch_dis (varlag pitch_dis pitch_dis_slide pitch_dis_slide_curve pitch_dis_slide_shape)
	536	time_dis (varlag time_dis time_dis_slide time_dis_slide_curve time_dis_slide_shape)
	537
	538	pre_amp (varlag pre_amp pre_amp_slide pre_amp_slide_curve pre_amp_slide_shape)
	539	threshold (varlag threshold threshold_slide threshold_slide_curve threshold_slide_shape)
	540	clamp_time (varlag clamp_time clamp_time_slide clamp_time_slide_curve clamp_time_slide_shape)
	541
	542	slope_above (varlag slope_above slope_above_slide slope_above_slide_curve slope_above_slide_shape)
	543	slope_below (varlag slope_below slope_below_slide slope_below_slide_curve slope_below_slide_shape)
	544	relax_time (varlag relax_time relax_time_slide relax_time_slide_curve relax_time_slide_shape)
	545
	546	used_lpf (not= -1 lpf)
	547
	548	used_lpf_init_level (not= -1 lpf_init_level)
	549	used_lpf_attack_level (not= -1 lpf_attack_level)
	550	used_lpf_decay_level (not= -1 lpf_decay_level)
	551	used_lpf_sustain_level (not= -1 lpf_sustain_level)
	552	used_lpf_release_level (not= -1 lpf_release_level)
	553
	554	used_lpf_attack (not= 0 lpf_attack)
	555	used_lpf_decay (not= 0 lpf_decay)
	556	used_lpf_release (not= 0 lpf_release)
	557	used_lpf_sustain (not= -1 lpf_sustain)
	558	used_lpf_min (not= -1 lpf_min)
	559
	560	used_hpf (not= -1 hpf)
	561	used_hpf_init_level (not= -1 hpf_init_level)
	562	used_hpf_attack_level (not= -1 hpf_attack_level)
	563	used_hpf_decay_level (not= -1 hpf_decay_level)
	564	used_hpf_sustain_level (not= -1 hpf_sustain_level)
	565	used_hpf_release_level (not= -1 hpf_release_level)
	566
	567	used_hpf_attack (not= 0 hpf_attack)
	568	used_hpf_decay (not= 0 hpf_decay)
	569	used_hpf_release (not= 0 hpf_release)
	570	used_hpf_sustain (not= -1 hpf_sustain)
	571	used_hpf_max (not= -1 hpf_max)
	572
	573	use-lpf-env (or used_lpf_attack_level
	574	used_lpf_decay_level
	575	used_lpf_sustain_level
	576	used_lpf_attack
	577	used_lpf_decay
	578	used_lpf_release
	579	used_lpf_sustain
	580	used_lpf_min)
	581
	582	use-hpf-env (or used_hpf_init_level
	583	used_hpf_attack_level
	584	used_hpf_decay_level
	585	used_hpf_sustain_level
	586	used_hpf_release_level
	587	used_hpf_attack
	588	used_hpf_decay
	589	used_hpf_release
	590	used_hpf_sustain
	591	used_hpf_max)
	592
	593	use-lpf (or used_lpf
	594	use-lpf-env)
	595
	596
	597	use-hpf (or used_hpf
	598	use-hpf-env)
	599
	600	lpf (select:kr used_lpf [130 lpf])
	601	hpf (select:kr used_hpf [50 hpf])
	602	hpf_max (select:kr used_hpf_max [200 hpf_max])
	603	lpf_min (select:kr used_lpf_min [30 lpf_min])
	604
	605	lpf_release_level (select:kr used_lpf_release_level [lpf lpf_release_level])
	606	lpf_sustain_level (select:kr used_lpf_sustain_level [lpf_release_level lpf_sustain_level])
	607	lpf_decay_level (select:kr used_lpf_decay_level [lpf_sustain_level lpf_decay_level])
	608	lpf_attack_level (select:kr used_lpf_attack_level [lpf_decay_level lpf_attack_level])
	609	lpf_init_level (select:kr used_lpf_init_level [lpf_min lpf_init_level])
	610
	611	hpf_release_level (select:kr used_hpf_release_level [hpf hpf_release_level])
	612	hpf_sustain_level (select:kr used_hpf_sustain_level [hpf_release_level hpf_sustain_level])
	613	hpf_decay_level (select:kr used_hpf_decay_level [hpf_sustain_level hpf_decay_level])
	614	hpf_attack_level (select:kr used_hpf_attack_level [hpf_decay_level hpf_attack_level])
	615	hpf_init_level (select:kr used_hpf_init_level [130 hpf_init_level])
	616
	617	lpf_attack (select:kr used_lpf_attack [attack lpf_attack])
	618	lpf_decay (select:kr used_lpf_decay [decay lpf_decay])
	619	lpf_sustain (select:kr used_lpf_sustain [sustain lpf_sustain])
	620	lpf_release (select:kr used_lpf_release [release lpf_release])
	621
	622	hpf_attack (select:kr used_hpf_attack [attack hpf_attack])
	623	hpf_decay (select:kr used_hpf_decay [decay hpf_decay])
	624	hpf_sustain (select:kr used_hpf_sustain [sustain hpf_sustain])
	625	hpf_release (select:kr used_hpf_release [release hpf_release])
	626
	627
	628	pitch_ratio (midiratio pitch)
	629	lpf-freq (midicps lpf)
	630	hpf-freq (midicps hpf)
	631	hpf_max (midicps hpf_max)
	632	lpf_min (midicps lpf_min)
	633
	634	n-frames (- (buf-frames buf) 1)
	635	start-pos (* start n-frames)
	636	end-pos (* finish n-frames)
	637	n-start-pos (select:kr (not-pos? rate) [start-pos end-pos])
	638	n-end-pos (select:kr (not-pos? rate) [end-pos start-pos])
	639	rate (abs rate)
	640	play-time (/ (* (buf-dur buf) (absdif finish start))
	641	rate)
	642	phase (line:ar :start n-start-pos :end n-end-pos :dur play-time)
	643	sustain (select:kr (= -1 sustain) [sustain (- play-time attack release decay)])
	644	lpf_sustain (select:kr (= -1 lpf_sustain) [lpf_sustain (- play-time lpf_attack lpf_release lpf_decay)])
	645	hpf_sustain (select:kr (= -1 hpf_sustain) [hpf_sustain (- play-time hpf_attack hpf_release hpf_decay)])
	646	env-dur (+ attack sustain decay release)
	647	env (env-gen (core/shaped-adsr attack decay sustain release attack_level decay_level sustain_level env_curve))
	648	lpf-env (midicps (env-gen (core/shaped-adsr lpf_attack, lpf_decay lpf_sustain (+ 0.1 lpf_release) lpf_init_level lpf_attack_level lpf_decay_level lpf_sustain_level lpf_release_level lpf_env_curve)))
	649	hpf-env (midicps (env-gen (core/shaped-adsr hpf_attack, hpf_decay hpf_sustain (+ 0.1 hpf_release) hpf_init_level hpf_attack_level hpf_decay_level hpf_sustain_level hpf_release_level hpf_env_curve)))
	650
	651	lpf-env (select use-lpf-env [lpf-freq (min lpf-freq
	652	(max lpf-env lpf_min))])
	653	hpf-env (select use-hpf-env [hpf-freq (max hpf-freq
	654	(min hpf-env hpf_max))])
	655
	656	[snd-l snd-r] (* pre_amp (buf-rd 2 buf phase))
	657
	658	snd-l (select:ar (not= 0 pitch)
	659	[snd-l
	660	(pitch-shift snd-l window_size pitch_ratio pitch_dis time_dis)])
	661
	662	snd-r (select:ar (not= 0 pitch)
	663	[snd-r
	664	(pitch-shift snd-r window_size pitch_ratio pitch_dis time_dis)])
	665
	666
	667	snd-l (select use-lpf [snd-l (overtone.live/lpf snd-l lpf-env)])
	668	snd-r (select use-lpf [snd-r (overtone.live/lpf snd-r lpf-env)])
	669
	670	snd-l (select use-hpf [snd-l (overtone.live/hpf snd-l hpf-env)])
	671	snd-r (select use-hpf [snd-r (overtone.live/hpf snd-r hpf-env)])
	672
	673	snd-l (select norm [snd-l (normalizer snd-l)])
	674	snd-r (select norm [snd-r (normalizer snd-r)])
	675	snd-l (* env snd-l)
	676	snd-r (* env snd-r)
	677
	678	control-sig (/ (+ snd-l snd-r) 2)
	679
	680	compressed-l (compander snd-l control-sig threshold
	681	slope_below slope_above
	682	clamp_time relax_time)
	683
	684	compressed-r (compander snd-r control-sig threshold
	685	slope_below slope_above
	686	clamp_time relax_time)
	687
	688
	689	snd-l (select:ar compress [snd-l compressed-l])
	690	snd-r (select:ar compress [snd-r compressed-r])
	691
	692	snd (balance2 snd-l snd-r pan amp)]
	693
	694	(line:kr 1 1 (+ 0.03 (min play-time env-dur)) FREE)
	695	(out out_bus snd)))
	696
	697	;(show-graphviz-synth sonic-pi-stereo_player)
379	698	(comment
380	699	(core/save-synthdef sonic-pi-mono_player)
381	700	(core/save-synthdef sonic-pi-stereo_player)

+37

-12

etc/synthdefs/designs/sonic_pi/synths/studio.clj less more

122	122	[out-buf 0 in_bus 0]
123	123	(disk-out out-buf (in in_bus 2)))
124	124
125
126	125	(defsynth sonic-pi-sound_in [amp 1
127	126	amp_slide 0
128	127	amp_slide_shape 1

131	130	pan_slide 0
132	131	pan_slide_shape 1
133	132	pan_slide_curve 0
134		attack 0.01
	133	attack 0
135	134	decay 0
136		sustain 0
137		release 2
	135	sustain 1
	136	release 0
138	137	attack_level 1
139	138	decay_level -1
140	139	sustain_level 1
141	140	env_curve 1
142		cutoff 100
143		cutoff_slide 0
144		cutoff_slide_shape 1
145		cutoff_slide_curve 0
146	141
147	142	input 0
148	143	out_bus 0]
149	144	(let [decay_level (select:kr (= -1 decay_level) [decay_level sustain_level])
150	145	amp (varlag amp amp_slide amp_slide_curve amp_slide_shape)
151	146	pan (varlag pan pan_slide pan_slide_curve pan_slide_shape)
152		cutoff (varlag cutoff cutoff_slide cutoff_slide_curve cutoff_slide_shape)
153		cutoff-freq (midicps cutoff)
154	147	snd (sound-in input)
155		snd (lpf snd cutoff-freq)
156	148	env (env-gen:kr (core/shaped-adsr attack decay sustain release attack_level decay_level sustain_level env_curve) :action FREE)]
157		(out out_bus (pan2 (* env snd) pan amp)))))
	149	(out out_bus (pan2 (* env snd) pan amp))))
	150
	151	(defsynth sonic-pi-sound_in_stereo [amp 1
	152	amp_slide 0
	153	amp_slide_shape 1
	154	amp_slide_curve 0
	155	pan 0
	156	pan_slide 0
	157	pan_slide_shape 1
	158	pan_slide_curve 0
	159	attack 0
	160	decay 0
	161	sustain 1
	162	release 0
	163	attack_level 1
	164	decay_level -1
	165	sustain_level 1
	166	env_curve 1
	167
	168	input 0
	169	out_bus 0]
	170	(let [decay_level (select:kr (= -1 decay_level) [decay_level sustain_level])
	171	amp (varlag amp amp_slide amp_slide_curve amp_slide_shape)
	172	pan (varlag pan pan_slide pan_slide_curve pan_slide_shape)
	173	snd-l (sound-in input)
	174	snd-r (sound-in (+ input 1))
	175	env (env-gen:kr (core/shaped-adsr attack decay sustain release attack_level decay_level sustain_level env_curve) :action FREE)
	176	snd-l (* env snd-l)
	177	snd-r (* env snd-r)
	178	snd (balance2 snd-l snd-r pan amp)]
	179
	180	(out out_bus (pan2 (* env snd) pan amp))))
	181	)
158	182
159	183
160	184	(comment
161	185	(core/save-synthdef sonic-pi-sound_in)
	186	(core/save-synthdef sonic-pi-sound_in_stereo)
162	187	(core/save-synthdef sonic-pi-mixer)
163	188	(core/save-synthdef sonic-pi-basic_mixer)
164	189	(core/save-synthdef sonic-pi-recorder)))

+41

-0

etc/synthdefs/designs/sonic_pi/synths/traditional.clj less more

16	16	(:require [sonic-pi.synths.core :as core]))
17	17
18	18	(without-namespace-in-synthdef
	19	(defsynth sonic-pi-pluck [note 52
	20	amp 1
	21	amp_slide 0
	22	amp_slide_shape 1
	23	amp_slide_curve 0
	24	pan 0
	25	pan_slide 0
	26	pan_slide_shape 1
	27	pan_slide_curve 0
	28	attack 0
	29	decay 0
	30	sustain 0
	31	release 1
	32	attack_level 1
	33	decay_level -1
	34	sustain_level 1
	35	env_curve 1
	36	noise_amp 0.8
	37	max_delay_time 0.125
	38	pluck_decay 30
	39	coef 0.3
	40
	41	out_bus 0]
	42	(let [amp (varlag amp amp_slide amp_slide_curve amp_slide_shape)
	43	amp-fudge 2.5 ;; Given the filtering involved this synth is naturally quiet
	44	pan (varlag pan pan_slide pan_slide_curve pan_slide_shape)
	45	freq (midicps note)
	46
	47	snd (pluck {:in (* noise_amp (pink-noise))
	48	:trig 1
	49	:maxdelaytime max_delay_time
	50	:delaytime (/ 1.0 freq)
	51	:decaytime pluck_decay
	52	:coef coef})
	53
	54	env (env-gen:kr (core/shaped-adsr attack decay sustain release attack_level decay_level sustain_level env_curve) :action FREE)
	55	[new-l new-r] (pan2 (* amp-fudge snd env) pan amp)]
	56	(out out_bus [new-l new-r]))
	57	)
	58
19	59	(defsynth sonic-pi-piano [note 52
20	60	amp 1
21	61	amp_slide 0

156	196
157	197	(comment
158	198	(core/save-synthdef sonic-pi-piano)
	199	(core/save-synthdef sonic-pi-pluck)
159	200	(core/save-synthdef sonic-pi-synth_violin))

+36

-0

etc/synthdefs/graphviz/dot/sonic-pi-amp_stereo_monitor.dot less more

	0	digraph synthdef {
	1	2 [label = "{{ <b> 1.0\|<a> } \|<__UG_NAME__>+ }" style="bold, rounded" shape=record rankdir=LR];
	2	6 [label = "{{ <in> in} \|<__UG_NAME__>a2k }" style="bold, rounded" shape=record rankdir=LR];
	3	10 [label = "{{ <in> in} \|<__UG_NAME__>a2k }" style="bold, rounded" shape=record rankdir=LR];
	4	4 [label = "{{ <b> \|<a> } \|<__UG_NAME__>abs }" style="filled, bold, rounded" shape=record rankdir=LR];
	5	8 [label = "{{ <b> \|<a> } \|<__UG_NAME__>abs }" style="filled, bold, rounded" shape=record rankdir=LR];
	6	0 [label = "control
	7	:bus
	8	default: 0.0" shape=invhouse style="rounded, filled, bold" fillcolor=black fontcolor=white ];
	9	1 [label = "control
	10	:smoothness
	11	default: 0.1" shape=invhouse style="rounded, filled, bold" fillcolor=black fontcolor=white ];
	12	11 [label = "{{ <phase> phase 0.0\|<freq> freq 5.0} \|<__UG_NAME__>impulse }" style="bold, rounded" shape=record rankdir=LR];
	13	3 [label = "{{ <num____channels> num-channels 1\|<bus> bus} \|<__UG_NAME__>in }" style="filled, bold, rounded" shape=record rankdir=LR];
	14	7 [label = "{{ <num____channels> num-channels 1\|<bus> bus} \|<__UG_NAME__>in }" style="filled, bold, rounded" shape=record rankdir=LR];
	15	5 [label = "{{ <lag____time> lag-time\|<in> in} \|<__UG_NAME__>lag }" style="filled, bold, rounded" shape=record rankdir=LR];
	16	9 [label = "{{ <lag____time> lag-time\|<in> in} \|<__UG_NAME__>lag }" style="filled, bold, rounded" shape=record rankdir=LR];
	17	12 [label = "{{ <reply____id> reply-id\|{{13}\|values}\|{{47\|115\|111\|110\|105\|99\|45\|112\|105\|47\|97\|109\|112\|<cmd____name___a2k___13>\|<cmd____name___a2k___14>}\|cmd-name}\|<trig> trig} \|<__UG_NAME__>send-reply }" style="bold, rounded" shape=record rankdir=LR];
	18
	19	0:__UG_NAME__ -> 2:a ;
	20	5:__UG_NAME__ -> 6:in ;
	21	9:__UG_NAME__ -> 10:in ;
	22	3:__UG_NAME__ -> 4:a ;
	23	7:__UG_NAME__ -> 8:a ;
	24	2:__UG_NAME__ -> 3:bus ;
	25	0:__UG_NAME__ -> 7:bus ;
	26	4:__UG_NAME__ -> 5:in ;
	27	1:__UG_NAME__ -> 5:lag____time ;
	28	8:__UG_NAME__ -> 9:in ;
	29	1:__UG_NAME__ -> 9:lag____time ;
	30	11:__UG_NAME__ -> 12:trig ;
	31	10:__UG_NAME__ -> 12:cmd____name___a2k___13 ;
	32	6:__UG_NAME__ -> 12:cmd____name___a2k___14 ;
	33	0:__UG_NAME__ -> 12:reply____id ;
	34
	35	}⏎

+60

-0

etc/synthdefs/graphviz/dot/sonic-pi-basic_mixer.dot less more

	0	digraph synthdef {
	1	17 [label = "{{ <b> \|<a> } \|<__UG_NAME__>* }" style="filled, bold, rounded" shape=record rankdir=LR];
	2	18 [label = "{{ <b> \|<a> } \|<__UG_NAME__>* }" style="filled, bold, rounded" shape=record rankdir=LR];
	3	12 [label = "{{ <b> \|<a> } \|<__UG_NAME__>+ }" style="bold, rounded" shape=record rankdir=LR];
	4	14 [label = "{{ <b> \|<a> } \|<__UG_NAME__>+ }" style="bold, rounded" shape=record rankdir=LR];
	5	8 [label = "{{ <b> 0.0\|<a> } \|<__UG_NAME__>\> }" style="bold, rounded" shape=record rankdir=LR];
	6	13 [label = "{{ <b> 0.0\|<a> } \|<__UG_NAME__>\> }" style="bold, rounded" shape=record rankdir=LR];
	7	7 [label = "{{ <b> \|<a> } \|<__UG_NAME__>abs }" style="bold, rounded" shape=record rankdir=LR];
	8	10 [label = "{{ <b> \|<a> } \|<__UG_NAME__>abs }" style="bold, rounded" shape=record rankdir=LR];
	9	0 [label = "control
	10	:in_bus
	11	default: 0.0" shape=invhouse style="rounded, filled, bold" fillcolor=black fontcolor=white ];
	12	1 [label = "control
	13	:out_bus
	14	default: 0.0" shape=invhouse style="rounded, filled, bold" fillcolor=black fontcolor=white ];
	15	2 [label = "control
	16	:amp
	17	default: 1.0" shape=invhouse style="rounded, filled, bold" fillcolor=black fontcolor=white ];
	18	3 [label = "control
	19	:amp_slide
	20	default: 0.2" shape=invhouse style="rounded, filled, bold" fillcolor=black fontcolor=white ];
	21	4 [label = "control
	22	:amp_slide_shape
	23	default: 1.0" shape=invhouse style="rounded, filled, bold" fillcolor=black fontcolor=white ];
	24	5 [label = "control
	25	:amp_slide_curve
	26	default: 0.0" shape=invhouse style="rounded, filled, bold" fillcolor=black fontcolor=white ];
	27	15 [label = "{{ <action> action 0.0\|<time____scale> time-scale 1.0\|<level____bias> level-bias 0.0\|<level____scale> level-scale 1.0\|<gate> gate\|{{<envelope___control___0>\|1.0\|-99\|-99\|<envelope___control___4>\|<envelope___control___5>\|<envelope___control___6>\|<envelope___control___7>}\|envelope}} \|<__UG_NAME__>env-gen }" style="bold, rounded" shape=record rankdir=LR];
	28	6 [label = "{{ <in> in} \|<__UG_NAME__>hpz1 }" style="bold, rounded" shape=record rankdir=LR];
	29	9 [label = "{{ <in> in} \|<__UG_NAME__>hpz1 }" style="bold, rounded" shape=record rankdir=LR];
	30	11 [label = "{{ <phase> phase 0.0\|<freq> freq 0.0} \|<__UG_NAME__>impulse }" style="bold, rounded" shape=record rankdir=LR];
	31	16 [label = "{{ <num____channels> num-channels 2\|<bus> bus} \|<__UG_NAME__>in }" style="filled, bold, rounded" shape=record rankdir=LR];
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	58
	59	}⏎

+298

-0

etc/synthdefs/graphviz/dot/sonic-pi-basic_mono_player.dot less more

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	295	82:__UG_NAME__ -> 83:array___hpf___1 ;
	296
	297	}⏎

+316

-0

etc/synthdefs/graphviz/dot/sonic-pi-basic_stereo_player.dot less more

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etc/synthdefs/graphviz/dot/sonic-pi-beep.dot less more

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	222	}⏎

+194

-0

etc/synthdefs/graphviz/dot/sonic-pi-chipbass.dot less more

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etc/synthdefs/graphviz/dot/sonic-pi-chiplead.dot less more

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etc/synthdefs/graphviz/dot/sonic-pi-chipnoise.dot less more

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+223

-0

etc/synthdefs/graphviz/dot/sonic-pi-cnoise.dot less more

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+430

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+377

-0

etc/synthdefs/graphviz/dot/sonic-pi-dpulse.dot less more

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	207
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	375
	376	}⏎

+275

-0

etc/synthdefs/graphviz/dot/sonic-pi-dsaw.dot less more

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+275

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etc/synthdefs/graphviz/dot/sonic-pi-dtri.dot less more

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	315	}⏎

+282

-0

etc/synthdefs/graphviz/dot/sonic-pi-fx_band_eq.dot less more

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	292
	293	}⏎

+242

-0

etc/synthdefs/graphviz/dot/sonic-pi-fx_bpf.dot less more

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	240
	241	}⏎

+365

-0

etc/synthdefs/graphviz/dot/sonic-pi-fx_compressor.dot less more

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	364	}⏎

+227

-0

etc/synthdefs/graphviz/dot/sonic-pi-fx_distortion.dot less more

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+249

-0

etc/synthdefs/graphviz/dot/sonic-pi-fx_echo.dot less more

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	546	}⏎

+371

-0

etc/synthdefs/graphviz/dot/sonic-pi-fx_gverb.dot less more

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	370	}⏎

+200

-0

etc/synthdefs/graphviz/dot/sonic-pi-fx_hpf.dot less more

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	335	}⏎

+326

-0

etc/synthdefs/graphviz/dot/sonic-pi-fx_krush.dot less more

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	198
	199	}⏎

+155

-0

etc/synthdefs/graphviz/dot/sonic-pi-fx_mono.dot less more

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+204

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	202
	203	}⏎

+198

-0

etc/synthdefs/graphviz/dot/sonic-pi-fx_normaliser.dot less more

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	197	}⏎

+246

-0

etc/synthdefs/graphviz/dot/sonic-pi-fx_nrbpf.dot less more

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	245	}⏎

+244

-0

etc/synthdefs/graphviz/dot/sonic-pi-fx_nrhpf.dot less more

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+246

-0

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-0

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	352
	353	}⏎

+197

-0

etc/synthdefs/graphviz/dot/sonic-pi-fx_pan.dot less more

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+618

-0

etc/synthdefs/graphviz/dot/sonic-pi-fx_panslicer.dot less more

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	617	}⏎

+320

-0

etc/synthdefs/graphviz/dot/sonic-pi-fx_pitch_shift.dot less more

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	318
	319	}⏎

+242

-0

etc/synthdefs/graphviz/dot/sonic-pi-fx_rbpf.dot less more

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	241	}⏎

+224

-0

etc/synthdefs/graphviz/dot/sonic-pi-fx_reverb.dot less more

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+242

-0

etc/synthdefs/graphviz/dot/sonic-pi-fx_rhpf.dot less more

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	240
	241	}⏎

+247

-0

etc/synthdefs/graphviz/dot/sonic-pi-fx_ring_mod.dot less more

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	246	}⏎

+242

-0

etc/synthdefs/graphviz/dot/sonic-pi-fx_rlpf.dot less more

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+225

-0

etc/synthdefs/graphviz/dot/sonic-pi-fx_tanh.dot less more

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	62	92 [label = "{{ <b> \|<a> } \|<__UG_NAME__>+ }" style="bold, rounded" shape=record rankdir=LR];
	63	97 [label = "{{ <b> \|<a> } \|<__UG_NAME__>+ }" style="bold, rounded" shape=record rankdir=LR];
	64	101 [label = "{{ <b> \|<a> } \|<__UG_NAME__>+ }" style="filled, bold, rounded" shape=record rankdir=LR];
	65	105 [label = "{{ <b> \|<a> } \|<__UG_NAME__>+ }" style="bold, rounded" shape=record rankdir=LR];
	66	110 [label = "{{ <b> \|<a> } \|<__UG_NAME__>+ }" style="bold, rounded" shape=record rankdir=LR];
	67	115 [label = "{{ <b> \|<a> } \|<__UG_NAME__>+ }" style="bold, rounded" shape=record rankdir=LR];
	68	119 [label = "{{ <b> \|<a> } \|<__UG_NAME__>+ }" style="filled, bold, rounded" shape=record rankdir=LR];
	69	124 [label = "{{ <b> \|<a> } \|<__UG_NAME__>+ }" style="bold, rounded" shape=record rankdir=LR];
	70	128 [label = "{{ <b> \|<a> } \|<__UG_NAME__>+ }" style="bold, rounded" shape=record rankdir=LR];
	71	136 [label = "{{ <b> \|<a> } \|<__UG_NAME__>+ }" style="bold, rounded" shape=record rankdir=LR];
	72	138 [label = "{{ <b> \|<a> } \|<__UG_NAME__>+ }" style="bold, rounded" shape=record rankdir=LR];
	73	147 [label = "{{ <b> \|<a> } \|<__UG_NAME__>+ }" style="filled, bold, rounded" shape=record rankdir=LR];
	74	150 [label = "{{ <b> \|<a> } \|<__UG_NAME__>+ }" style="filled, bold, rounded" shape=record rankdir=LR];
	75	153 [label = "{{ <b> \|<a> } \|<__UG_NAME__>+ }" style="filled, bold, rounded" shape=record rankdir=LR];
	76	156 [label = "{{ <b> \|<a> } \|<__UG_NAME__>+ }" style="filled, bold, rounded" shape=record rankdir=LR];
	77	17 [label = "{{ <b> 4.0\|<a> } \|<__UG_NAME__>- }" style="bold, rounded" shape=record rankdir=LR];
	78	22 [label = "{{ <b> 2.0\|<a> } \|<__UG_NAME__>- }" style="bold, rounded" shape=record rankdir=LR];
	79	42 [label = "{{ <b> 5.0\|<a> } \|<__UG_NAME__>- }" style="bold, rounded" shape=record rankdir=LR];
	80	47 [label = "{{ <b> 5.0\|<a> } \|<__UG_NAME__>- }" style="bold, rounded" shape=record rankdir=LR];
	81	51 [label = "{{ <b> 5.0\|<a> } \|<__UG_NAME__>- }" style="bold, rounded" shape=record rankdir=LR];
	82	58 [label = "{{ <b> 4.0\|<a> } \|<__UG_NAME__>- }" style="bold, rounded" shape=record rankdir=LR];
	83	63 [label = "{{ <b> 4.0\|<a> } \|<__UG_NAME__>- }" style="bold, rounded" shape=record rankdir=LR];
	84	74 [label = "{{ <b> 3.0\|<a> } \|<__UG_NAME__>- }" style="bold, rounded" shape=record rankdir=LR];
	85	79 [label = "{{ <b> 3.0\|<a> } \|<__UG_NAME__>- }" style="bold, rounded" shape=record rankdir=LR];
	86	84 [label = "{{ <b> 3.0\|<a> } \|<__UG_NAME__>- }" style="bold, rounded" shape=record rankdir=LR];
	87	91 [label = "{{ <b> 2.0\|<a> } \|<__UG_NAME__>- }" style="bold, rounded" shape=record rankdir=LR];
	88	96 [label = "{{ <b> 2.0\|<a> } \|<__UG_NAME__>- }" style="bold, rounded" shape=record rankdir=LR];
	89	104 [label = "{{ <b> 1.0\|<a> } \|<__UG_NAME__>- }" style="bold, rounded" shape=record rankdir=LR];
	90	109 [label = "{{ <b> 1.0\|<a> } \|<__UG_NAME__>- }" style="bold, rounded" shape=record rankdir=LR];
	91	114 [label = "{{ <b> 1.0\|<a> } \|<__UG_NAME__>- }" style="bold, rounded" shape=record rankdir=LR];
	92	131 [label = "{{ <b> 1.0\|<a> } \|<__UG_NAME__>- }" style="bold, rounded" shape=record rankdir=LR];
	93	158 [label = "{{ <b> 1.0\|<a> } \|<__UG_NAME__>- }" style="bold, rounded" shape=record rankdir=LR];
	94	30 [label = "{{ <b> 0.0\|<a> } \|<__UG_NAME__>\> }" style="bold, rounded" shape=record rankdir=LR];
	95	34 [label = "{{ <b> 0.0\|<a> } \|<__UG_NAME__>\> }" style="bold, rounded" shape=record rankdir=LR];
	96	123 [label = "{{ <b> 0.0\|<a> } \|<__UG_NAME__>\> }" style="bold, rounded" shape=record rankdir=LR];
	97	127 [label = "{{ <b> 0.0\|<a> } \|<__UG_NAME__>\> }" style="bold, rounded" shape=record rankdir=LR];
	98	135 [label = "{{ <b> 0.0\|<a> } \|<__UG_NAME__>\> }" style="bold, rounded" shape=record rankdir=LR];
	99	137 [label = "{{ <b> 0.0\|<a> } \|<__UG_NAME__>\> }" style="bold, rounded" shape=record rankdir=LR];
	100	26 [label = "{{ <b> \|<a> } \|<__UG_NAME__>abs }" style="bold, rounded" shape=record rankdir=LR];
	101	29 [label = "{{ <b> \|<a> } \|<__UG_NAME__>abs }" style="bold, rounded" shape=record rankdir=LR];
	102	33 [label = "{{ <b> \|<a> } \|<__UG_NAME__>abs }" style="bold, rounded" shape=record rankdir=LR];
	103	122 [label = "{{ <b> \|<a> } \|<__UG_NAME__>abs }" style="bold, rounded" shape=record rankdir=LR];
	104	126 [label = "{{ <b> \|<a> } \|<__UG_NAME__>abs }" style="bold, rounded" shape=record rankdir=LR];
	105	134 [label = "{{ <b> \|<a> } \|<__UG_NAME__>abs }" style="bold, rounded" shape=record rankdir=LR];
	106	55 [label = "{{ <bw> bw\|<freq> freq\|<in> in} \|<__UG_NAME__>b-band-pass }" style="filled, bold, rounded" shape=record rankdir=LR];
	107	70 [label = "{{ <bw> bw\|<freq> freq\|<in> in} \|<__UG_NAME__>b-band-pass }" style="filled, bold, rounded" shape=record rankdir=LR];
	108	88 [label = "{{ <bw> bw\|<freq> freq\|<in> in} \|<__UG_NAME__>b-band-pass }" style="filled, bold, rounded" shape=record rankdir=LR];
	109	100 [label = "{{ <bw> bw\|<freq> freq\|<in> in} \|<__UG_NAME__>b-band-pass }" style="filled, bold, rounded" shape=record rankdir=LR];
	110	118 [label = "{{ <bw> bw\|<freq> freq\|<in> in} \|<__UG_NAME__>b-band-pass }" style="filled, bold, rounded" shape=record rankdir=LR];
	111	144 [label = "{{ <bw> bw\|<freq> freq\|<in> in} \|<__UG_NAME__>b-band-pass }" style="filled, bold, rounded" shape=record rankdir=LR];
	112	146 [label = "{{ <bw> bw\|<freq> freq\|<in> in} \|<__UG_NAME__>b-band-pass }" style="filled, bold, rounded" shape=record rankdir=LR];
	113	149 [label = "{{ <bw> bw\|<freq> freq\|<in> in} \|<__UG_NAME__>b-band-pass }" style="filled, bold, rounded" shape=record rankdir=LR];
	114	152 [label = "{{ <bw> bw\|<freq> freq\|<in> in} \|<__UG_NAME__>b-band-pass }" style="filled, bold, rounded" shape=record rankdir=LR];
	115	155 [label = "{{ <bw> bw\|<freq> freq\|<in> in} \|<__UG_NAME__>b-band-pass }" style="filled, bold, rounded" shape=record rankdir=LR];
	116	0 [label = "control
	117	:amp
	118	default: 1.0" shape=invhouse style="rounded, filled, bold" fillcolor=black fontcolor=white ];
	119	1 [label = "control
	120	:amp_slide
	121	default: 0.0" shape=invhouse style="rounded, filled, bold" fillcolor=black fontcolor=white ];
	122	2 [label = "control
	123	:amp_slide_shape
	124	default: 1.0" shape=invhouse style="rounded, filled, bold" fillcolor=black fontcolor=white ];
	125	3 [label = "control
	126	:amp_slide_curve
	127	default: 0.0" shape=invhouse style="rounded, filled, bold" fillcolor=black fontcolor=white ];
	128	4 [label = "control
	129	:mix
	130	default: 1.0" shape=invhouse style="rounded, filled, bold" fillcolor=black fontcolor=white ];
	131	5 [label = "control
	132	:mix_slide
	133	default: 0.0" shape=invhouse style="rounded, filled, bold" fillcolor=black fontcolor=white ];
	134	6 [label = "control
	135	:mix_slide_shape
	136	default: 1.0" shape=invhouse style="rounded, filled, bold" fillcolor=black fontcolor=white ];
	137	7 [label = "control
	138	:mix_slide_curve
	139	default: 0.0" shape=invhouse style="rounded, filled, bold" fillcolor=black fontcolor=white ];
	140	8 [label = "control
	141	:voice
	142	default: 0.0" shape=invhouse style="rounded, filled, bold" fillcolor=black fontcolor=white ];
	143	9 [label = "control
	144	:vowel_sound
	145	default: 1.0" shape=invhouse style="rounded, filled, bold" fillcolor=black fontcolor=white ];
	146	10 [label = "control
	147	:pre_amp
	148	default: 1.0" shape=invhouse style="rounded, filled, bold" fillcolor=black fontcolor=white ];
	149	11 [label = "control
	150	:pre_amp_slide
	151	default: 0.0" shape=invhouse style="rounded, filled, bold" fillcolor=black fontcolor=white ];
	152	12 [label = "control
	153	:pre_amp_slide_shape
	154	default: 1.0" shape=invhouse style="rounded, filled, bold" fillcolor=black fontcolor=white ];
	155	13 [label = "control
	156	:pre_amp_slide_curve
	157	default: 0.0" shape=invhouse style="rounded, filled, bold" fillcolor=black fontcolor=white ];
	158	14 [label = "control
	159	:in_bus
	160	default: 0.0" shape=invhouse style="rounded, filled, bold" fillcolor=black fontcolor=white ];
	161	15 [label = "control
	162	:out_bus
	163	default: 0.0" shape=invhouse style="rounded, filled, bold" fillcolor=black fontcolor=white ];
	164	36 [label = "{{ <action> action 0.0\|<time____scale> time-scale 1.0\|<level____bias> level-bias 0.0\|<level____scale> level-scale 1.0\|<gate> gate\|{{<envelope___control___0>\|1.0\|-99\|-99\|<envelope___control___4>\|<envelope___control___5>\|<envelope___control___6>\|<envelope___control___7>}\|envelope}} \|<__UG_NAME__>env-gen }" style="bold, rounded" shape=record rankdir=LR];
	165	129 [label = "{{ <action> action 0.0\|<time____scale> time-scale 1.0\|<level____bias> level-bias 0.0\|<level____scale> level-scale 1.0\|<gate> gate\|{{<envelope___control___0>\|1.0\|-99\|-99\|<envelope___control___4>\|<envelope___control___5>\|<envelope___control___6>\|<envelope___control___7>}\|envelope}} \|<__UG_NAME__>env-gen }" style="bold, rounded" shape=record rankdir=LR];
	166	139 [label = "{{ <action> action 0.0\|<time____scale> time-scale 1.0\|<level____bias> level-bias 0.0\|<level____scale> level-scale 1.0\|<gate> gate\|{{<envelope___control___0>\|1.0\|-99\|-99\|<envelope___control___4>\|<envelope___control___5>\|<envelope___control___6>\|<envelope___control___7>}\|envelope}} \|<__UG_NAME__>env-gen }" style="bold, rounded" shape=record rankdir=LR];
	167	25 [label = "{{ <in> in} \|<__UG_NAME__>hpz1 }" style="bold, rounded" shape=record rankdir=LR];
	168	28 [label = "{{ <in> in} \|<__UG_NAME__>hpz1 }" style="bold, rounded" shape=record rankdir=LR];
	169	32 [label = "{{ <in> in} \|<__UG_NAME__>hpz1 }" style="bold, rounded" shape=record rankdir=LR];
	170	121 [label = "{{ <in> in} \|<__UG_NAME__>hpz1 }" style="bold, rounded" shape=record rankdir=LR];
	171	125 [label = "{{ <in> in} \|<__UG_NAME__>hpz1 }" style="bold, rounded" shape=record rankdir=LR];
	172	133 [label = "{{ <in> in} \|<__UG_NAME__>hpz1 }" style="bold, rounded" shape=record rankdir=LR];
	173	27 [label = "{{ <phase> phase 0.0\|<freq> freq 0.0} \|<__UG_NAME__>impulse }" style="bold, rounded" shape=record rankdir=LR];
	174	120 [label = "{{ <phase> phase 0.0\|<freq> freq 0.0} \|<__UG_NAME__>impulse }" style="bold, rounded" shape=record rankdir=LR];
	175	132 [label = "{{ <phase> phase 0.0\|<freq> freq 0.0} \|<__UG_NAME__>impulse }" style="bold, rounded" shape=record rankdir=LR];
	176	38 [label = "{{ <num____channels> num-channels 2\|<bus> bus} \|<__UG_NAME__>in }" style="filled, bold, rounded" shape=record rankdir=LR];
	177	161 [label = "{{ {{<signals___x____fade2___0>\|<signals___x____fade2___1>}\|signals}\|<bus> bus} \|<__UG_NAME__>out }" style="filled, bold, rounded" shape=record rankdir=LR];
	178	24 [label = "{{ {{1/80\|1/90\|1/120\|1/130\|1/140\|1/60\|1/100\|1/120\|1/150\|1/200\|1/60\|1/90\|1/100\|1/120\|1/120\|1/70\|1/80\|1/100\|1/130\|1/135\|1/50\|1/60\|1/170\|1/180\|1/200\|1/80\|1/90\|1/120\|1/130\|1/140\|1/60\|1/80\|1/120\|1/150\|1/200\|1/50\|1/100\|1/120\|1/150\|1/200\|1/70\|1/80\|1/100\|1/130\|1/135\|1/50\|1/60\|1/170\|1/180\|1/200\|1/80\|1/90\|1/120\|1/130\|1/140\|1/70\|1/80\|1/100\|1/120\|1/120\|1/40\|1/90\|1/100\|1/120\|1/120\|1/40\|1/80\|1/100\|1/120\|1/120\|1/40\|1/60\|1/100\|1/120\|1/120\|1/80\|1/90\|1/120\|1/130\|1/140\|1/70\|1/80\|1/100\|1/120\|1/120\|1/40\|1/90\|1/100\|1/120\|1/120\|1/40\|1/80\|1/100\|1/120\|1/120\|1/40\|1/60\|1/100\|1/120\|1/120\|1/60\|1/70\|1/110\|1/120\|1/130\|1/40\|1/80\|1/100\|1/120\|1/120\|1/60\|1/90\|1/100\|1/120\|1/120\|1/40\|1/80\|1/100\|1/120\|1/120\|1/40\|1/80\|1/100\|1/120\|1/120}\|array}\|<which> which} \|<__UG_NAME__>select }" style="bold, rounded" shape=record rankdir=LR];
	179	44 [label = "{{ {{800\|1150\|2900\|3900\|4950\|350\|2000\|2800\|3600\|4950\|270\|2140\|2950\|3900\|4950\|450\|800\|2830\|3800\|4950\|325\|700\|2700\|3800\|4950\|800\|1150\|2800\|3500\|4950\|400\|1600\|2700\|3300\|4950\|350\|1700\|2700\|3700\|4950\|450\|800\|2830\|3500\|4950\|325\|700\|2530\|3500\|4950\|660\|1120\|2750\|3000\|3350\|440\|1800\|2700\|3000\|3300\|270\|1850\|2900\|3350\|3590\|430\|820\|2700\|3000\|3300\|370\|630\|2750\|3000\|3400\|650\|1080\|2650\|2900\|3250\|400\|1700\|2600\|3200\|3580\|290\|1870\|2800\|3250\|3540\|400\|800\|2600\|2800\|3000\|350\|600\|2700\|2900\|3300\|600\|1040\|2250\|2450\|2750\|400\|1620\|2400\|2800\|3100\|250\|1750\|2600\|3050\|3340\|400\|750\|2400\|2600\|2900\|350\|600\|2400\|2675\|2950}\|array}\|<which> which} \|<__UG_NAME__>select }" style="bold, rounded" shape=record rankdir=LR];
	180	49 [label = "{{ {{1/80\|1/90\|1/120\|1/130\|1/140\|1/60\|1/100\|1/120\|1/150\|1/200\|1/60\|1/90\|1/100\|1/120\|1/120\|1/70\|1/80\|1/100\|1/130\|1/135\|1/50\|1/60\|1/170\|1/180\|1/200\|1/80\|1/90\|1/120\|1/130\|1/140\|1/60\|1/80\|1/120\|1/150\|1/200\|1/50\|1/100\|1/120\|1/150\|1/200\|1/70\|1/80\|1/100\|1/130\|1/135\|1/50\|1/60\|1/170\|1/180\|1/200\|1/80\|1/90\|1/120\|1/130\|1/140\|1/70\|1/80\|1/100\|1/120\|1/120\|1/40\|1/90\|1/100\|1/120\|1/120\|1/40\|1/80\|1/100\|1/120\|1/120\|1/40\|1/60\|1/100\|1/120\|1/120\|1/80\|1/90\|1/120\|1/130\|1/140\|1/70\|1/80\|1/100\|1/120\|1/120\|1/40\|1/90\|1/100\|1/120\|1/120\|1/40\|1/80\|1/100\|1/120\|1/120\|1/40\|1/60\|1/100\|1/120\|1/120\|1/60\|1/70\|1/110\|1/120\|1/130\|1/40\|1/80\|1/100\|1/120\|1/120\|1/60\|1/90\|1/100\|1/120\|1/120\|1/40\|1/80\|1/100\|1/120\|1/120\|1/40\|1/80\|1/100\|1/120\|1/120}\|array}\|<which> which} \|<__UG_NAME__>select }" style="bold, rounded" shape=record rankdir=LR];
	181	53 [label = "{{ {{1.0\|0.5011872336272722\|0.025118864315095784\|0.09999999999999998\|0.0031622776601683764\|1.0\|0.09999999999999998\|0.17782794100389226\|1/100\|0.0015848931924611136\|1.0\|0.251188643150958\|0.050118723362727206\|0.050118723362727206\|0.006309573444801925\|1.0\|0.2818382931264453\|0.0794328234724281\|0.0794328234724281\|0.0031622776601683764\|1.0\|0.1584893192461113\|0.017782794100389226\|1/100\|9.999999999999994E-4\|1.0\|0.6309573444801931\|0.09999999999999998\|0.015848931924611127\|9.999999999999994E-4\|1.0\|0.06309573444801932\|0.031622776601683784\|0.017782794100389226\|9.999999999999994E-4\|1.0\|0.09999999999999998\|0.031622776601683784\|0.015848931924611127\|9.999999999999994E-4\|1.0\|0.3548133892335754\|0.1584893192461113\|0.03981071705534973\|0.001778279410038922\|1.0\|0.251188643150958\|0.031622776601683784\|1/100\|6.309573444801923E-4\|1.0\|0.5011872336272722\|0.07079457843841379\|0.06309573444801932\|0.012589254117941666\|1.0\|0.19952623149688797\|0.12589254117941667\|0.09999999999999998\|0.09999999999999998\|1.0\|0.06309573444801932\|0.06309573444801932\|0.015848931924611127\|0.015848931924611127\|1.0\|0.3162277660168379\|0.050118723362727206\|0.0794328234724281\|0.019952623149688792\|1.0\|0.09999999999999998\|0.07079457843841379\|0.031622776601683784\|0.019952623149688792\|1.0\|0.5011872336272722\|0.44668359215096315\|0.3981071705534972\|0.0794328234724281\|1.0\|0.19952623149688797\|0.251188643150958\|0.19952623149688797\|0.09999999999999998\|1.0\|0.17782794100389226\|0.12589254117941667\|0.09999999999999998\|0.031622776601683784\|1.0\|0.3162277660168379\|0.251188643150958\|0.251188643150958\|0.050118723362727206\|1.0\|0.09999999999999998\|0.14125375446227542\|0.19952623149688797\|0.050118723362727206\|1.0\|0.44668359215096315\|0.3548133892335754\|0.3548133892335754\|0.09999999999999998\|1.0\|0.251188643150958\|0.3548133892335754\|0.251188643150958\|0.12589254117941667\|1.0\|0.031622776601683784\|0.1584893192461113\|0.0794328234724281\|0.03981071705534973\|1.0\|0.2818382931264453\|0.08912509381337454\|0.09999999999999998\|1/100\|1.0\|0.09999999999999998\|0.025118864315095784\|0.03981071705534973\|0.015848931924611127}\|array}\|<which> which} \|<__UG_NAME__>select }" style="bold, rounded" shape=record rankdir=LR];
	182	60 [label = "{{ {{800\|1150\|2900\|3900\|4950\|350\|2000\|2800\|3600\|4950\|270\|2140\|2950\|3900\|4950\|450\|800\|2830\|3800\|4950\|325\|700\|2700\|3800\|4950\|800\|1150\|2800\|3500\|4950\|400\|1600\|2700\|3300\|4950\|350\|1700\|2700\|3700\|4950\|450\|800\|2830\|3500\|4950\|325\|700\|2530\|3500\|4950\|660\|1120\|2750\|3000\|3350\|440\|1800\|2700\|3000\|3300\|270\|1850\|2900\|3350\|3590\|430\|820\|2700\|3000\|3300\|370\|630\|2750\|3000\|3400\|650\|1080\|2650\|2900\|3250\|400\|1700\|2600\|3200\|3580\|290\|1870\|2800\|3250\|3540\|400\|800\|2600\|2800\|3000\|350\|600\|2700\|2900\|3300\|600\|1040\|2250\|2450\|2750\|400\|1620\|2400\|2800\|3100\|250\|1750\|2600\|3050\|3340\|400\|750\|2400\|2600\|2900\|350\|600\|2400\|2675\|2950}\|array}\|<which> which} \|<__UG_NAME__>select }" style="bold, rounded" shape=record rankdir=LR];
	183	65 [label = "{{ {{1/80\|1/90\|1/120\|1/130\|1/140\|1/60\|1/100\|1/120\|1/150\|1/200\|1/60\|1/90\|1/100\|1/120\|1/120\|1/70\|1/80\|1/100\|1/130\|1/135\|1/50\|1/60\|1/170\|1/180\|1/200\|1/80\|1/90\|1/120\|1/130\|1/140\|1/60\|1/80\|1/120\|1/150\|1/200\|1/50\|1/100\|1/120\|1/150\|1/200\|1/70\|1/80\|1/100\|1/130\|1/135\|1/50\|1/60\|1/170\|1/180\|1/200\|1/80\|1/90\|1/120\|1/130\|1/140\|1/70\|1/80\|1/100\|1/120\|1/120\|1/40\|1/90\|1/100\|1/120\|1/120\|1/40\|1/80\|1/100\|1/120\|1/120\|1/40\|1/60\|1/100\|1/120\|1/120\|1/80\|1/90\|1/120\|1/130\|1/140\|1/70\|1/80\|1/100\|1/120\|1/120\|1/40\|1/90\|1/100\|1/120\|1/120\|1/40\|1/80\|1/100\|1/120\|1/120\|1/40\|1/60\|1/100\|1/120\|1/120\|1/60\|1/70\|1/110\|1/120\|1/130\|1/40\|1/80\|1/100\|1/120\|1/120\|1/60\|1/90\|1/100\|1/120\|1/120\|1/40\|1/80\|1/100\|1/120\|1/120\|1/40\|1/80\|1/100\|1/120\|1/120}\|array}\|<which> which} \|<__UG_NAME__>select }" style="bold, rounded" shape=record rankdir=LR];
	184	68 [label = "{{ {{1.0\|0.5011872336272722\|0.025118864315095784\|0.09999999999999998\|0.0031622776601683764\|1.0\|0.09999999999999998\|0.17782794100389226\|1/100\|0.0015848931924611136\|1.0\|0.251188643150958\|0.050118723362727206\|0.050118723362727206\|0.006309573444801925\|1.0\|0.2818382931264453\|0.0794328234724281\|0.0794328234724281\|0.0031622776601683764\|1.0\|0.1584893192461113\|0.017782794100389226\|1/100\|9.999999999999994E-4\|1.0\|0.6309573444801931\|0.09999999999999998\|0.015848931924611127\|9.999999999999994E-4\|1.0\|0.06309573444801932\|0.031622776601683784\|0.017782794100389226\|9.999999999999994E-4\|1.0\|0.09999999999999998\|0.031622776601683784\|0.015848931924611127\|9.999999999999994E-4\|1.0\|0.3548133892335754\|0.1584893192461113\|0.03981071705534973\|0.001778279410038922\|1.0\|0.251188643150958\|0.031622776601683784\|1/100\|6.309573444801923E-4\|1.0\|0.5011872336272722\|0.07079457843841379\|0.06309573444801932\|0.012589254117941666\|1.0\|0.19952623149688797\|0.12589254117941667\|0.09999999999999998\|0.09999999999999998\|1.0\|0.06309573444801932\|0.06309573444801932\|0.015848931924611127\|0.015848931924611127\|1.0\|0.3162277660168379\|0.050118723362727206\|0.0794328234724281\|0.019952623149688792\|1.0\|0.09999999999999998\|0.07079457843841379\|0.031622776601683784\|0.019952623149688792\|1.0\|0.5011872336272722\|0.44668359215096315\|0.3981071705534972\|0.0794328234724281\|1.0\|0.19952623149688797\|0.251188643150958\|0.19952623149688797\|0.09999999999999998\|1.0\|0.17782794100389226\|0.12589254117941667\|0.09999999999999998\|0.031622776601683784\|1.0\|0.3162277660168379\|0.251188643150958\|0.251188643150958\|0.050118723362727206\|1.0\|0.09999999999999998\|0.14125375446227542\|0.19952623149688797\|0.050118723362727206\|1.0\|0.44668359215096315\|0.3548133892335754\|0.3548133892335754\|0.09999999999999998\|1.0\|0.251188643150958\|0.3548133892335754\|0.251188643150958\|0.12589254117941667\|1.0\|0.031622776601683784\|0.1584893192461113\|0.0794328234724281\|0.03981071705534973\|1.0\|0.2818382931264453\|0.08912509381337454\|0.09999999999999998\|1/100\|1.0\|0.09999999999999998\|0.025118864315095784\|0.03981071705534973\|0.015848931924611127}\|array}\|<which> which} \|<__UG_NAME__>select }" style="bold, rounded" shape=record rankdir=LR];
	185	76 [label = "{{ {{800\|1150\|2900\|3900\|4950\|350\|2000\|2800\|3600\|4950\|270\|2140\|2950\|3900\|4950\|450\|800\|2830\|3800\|4950\|325\|700\|2700\|3800\|4950\|800\|1150\|2800\|3500\|4950\|400\|1600\|2700\|3300\|4950\|350\|1700\|2700\|3700\|4950\|450\|800\|2830\|3500\|4950\|325\|700\|2530\|3500\|4950\|660\|1120\|2750\|3000\|3350\|440\|1800\|2700\|3000\|3300\|270\|1850\|2900\|3350\|3590\|430\|820\|2700\|3000\|3300\|370\|630\|2750\|3000\|3400\|650\|1080\|2650\|2900\|3250\|400\|1700\|2600\|3200\|3580\|290\|1870\|2800\|3250\|3540\|400\|800\|2600\|2800\|3000\|350\|600\|2700\|2900\|3300\|600\|1040\|2250\|2450\|2750\|400\|1620\|2400\|2800\|3100\|250\|1750\|2600\|3050\|3340\|400\|750\|2400\|2600\|2900\|350\|600\|2400\|2675\|2950}\|array}\|<which> which} \|<__UG_NAME__>select }" style="bold, rounded" shape=record rankdir=LR];
	186	81 [label = "{{ {{1/80\|1/90\|1/120\|1/130\|1/140\|1/60\|1/100\|1/120\|1/150\|1/200\|1/60\|1/90\|1/100\|1/120\|1/120\|1/70\|1/80\|1/100\|1/130\|1/135\|1/50\|1/60\|1/170\|1/180\|1/200\|1/80\|1/90\|1/120\|1/130\|1/140\|1/60\|1/80\|1/120\|1/150\|1/200\|1/50\|1/100\|1/120\|1/150\|1/200\|1/70\|1/80\|1/100\|1/130\|1/135\|1/50\|1/60\|1/170\|1/180\|1/200\|1/80\|1/90\|1/120\|1/130\|1/140\|1/70\|1/80\|1/100\|1/120\|1/120\|1/40\|1/90\|1/100\|1/120\|1/120\|1/40\|1/80\|1/100\|1/120\|1/120\|1/40\|1/60\|1/100\|1/120\|1/120\|1/80\|1/90\|1/120\|1/130\|1/140\|1/70\|1/80\|1/100\|1/120\|1/120\|1/40\|1/90\|1/100\|1/120\|1/120\|1/40\|1/80\|1/100\|1/120\|1/120\|1/40\|1/60\|1/100\|1/120\|1/120\|1/60\|1/70\|1/110\|1/120\|1/130\|1/40\|1/80\|1/100\|1/120\|1/120\|1/60\|1/90\|1/100\|1/120\|1/120\|1/40\|1/80\|1/100\|1/120\|1/120\|1/40\|1/80\|1/100\|1/120\|1/120}\|array}\|<which> which} \|<__UG_NAME__>select }" style="bold, rounded" shape=record rankdir=LR];
	187	86 [label = "{{ {{1.0\|0.5011872336272722\|0.025118864315095784\|0.09999999999999998\|0.0031622776601683764\|1.0\|0.09999999999999998\|0.17782794100389226\|1/100\|0.0015848931924611136\|1.0\|0.251188643150958\|0.050118723362727206\|0.050118723362727206\|0.006309573444801925\|1.0\|0.2818382931264453\|0.0794328234724281\|0.0794328234724281\|0.0031622776601683764\|1.0\|0.1584893192461113\|0.017782794100389226\|1/100\|9.999999999999994E-4\|1.0\|0.6309573444801931\|0.09999999999999998\|0.015848931924611127\|9.999999999999994E-4\|1.0\|0.06309573444801932\|0.031622776601683784\|0.017782794100389226\|9.999999999999994E-4\|1.0\|0.09999999999999998\|0.031622776601683784\|0.015848931924611127\|9.999999999999994E-4\|1.0\|0.3548133892335754\|0.1584893192461113\|0.03981071705534973\|0.001778279410038922\|1.0\|0.251188643150958\|0.031622776601683784\|1/100\|6.309573444801923E-4\|1.0\|0.5011872336272722\|0.07079457843841379\|0.06309573444801932\|0.012589254117941666\|1.0\|0.19952623149688797\|0.12589254117941667\|0.09999999999999998\|0.09999999999999998\|1.0\|0.06309573444801932\|0.06309573444801932\|0.015848931924611127\|0.015848931924611127\|1.0\|0.3162277660168379\|0.050118723362727206\|0.0794328234724281\|0.019952623149688792\|1.0\|0.09999999999999998\|0.07079457843841379\|0.031622776601683784\|0.019952623149688792\|1.0\|0.5011872336272722\|0.44668359215096315\|0.3981071705534972\|0.0794328234724281\|1.0\|0.19952623149688797\|0.251188643150958\|0.19952623149688797\|0.09999999999999998\|1.0\|0.17782794100389226\|0.12589254117941667\|0.09999999999999998\|0.031622776601683784\|1.0\|0.3162277660168379\|0.251188643150958\|0.251188643150958\|0.050118723362727206\|1.0\|0.09999999999999998\|0.14125375446227542\|0.19952623149688797\|0.050118723362727206\|1.0\|0.44668359215096315\|0.3548133892335754\|0.3548133892335754\|0.09999999999999998\|1.0\|0.251188643150958\|0.3548133892335754\|0.251188643150958\|0.12589254117941667\|1.0\|0.031622776601683784\|0.1584893192461113\|0.0794328234724281\|0.03981071705534973\|1.0\|0.2818382931264453\|0.08912509381337454\|0.09999999999999998\|1/100\|1.0\|0.09999999999999998\|0.025118864315095784\|0.03981071705534973\|0.015848931924611127}\|array}\|<which> which} \|<__UG_NAME__>select }" style="bold, rounded" shape=record rankdir=LR];
	188	93 [label = "{{ {{800\|1150\|2900\|3900\|4950\|350\|2000\|2800\|3600\|4950\|270\|2140\|2950\|3900\|4950\|450\|800\|2830\|3800\|4950\|325\|700\|2700\|3800\|4950\|800\|1150\|2800\|3500\|4950\|400\|1600\|2700\|3300\|4950\|350\|1700\|2700\|3700\|4950\|450\|800\|2830\|3500\|4950\|325\|700\|2530\|3500\|4950\|660\|1120\|2750\|3000\|3350\|440\|1800\|2700\|3000\|3300\|270\|1850\|2900\|3350\|3590\|430\|820\|2700\|3000\|3300\|370\|630\|2750\|3000\|3400\|650\|1080\|2650\|2900\|3250\|400\|1700\|2600\|3200\|3580\|290\|1870\|2800\|3250\|3540\|400\|800\|2600\|2800\|3000\|350\|600\|2700\|2900\|3300\|600\|1040\|2250\|2450\|2750\|400\|1620\|2400\|2800\|3100\|250\|1750\|2600\|3050\|3340\|400\|750\|2400\|2600\|2900\|350\|600\|2400\|2675\|2950}\|array}\|<which> which} \|<__UG_NAME__>select }" style="bold, rounded" shape=record rankdir=LR];
	189	98 [label = "{{ {{1.0\|0.5011872336272722\|0.025118864315095784\|0.09999999999999998\|0.0031622776601683764\|1.0\|0.09999999999999998\|0.17782794100389226\|1/100\|0.0015848931924611136\|1.0\|0.251188643150958\|0.050118723362727206\|0.050118723362727206\|0.006309573444801925\|1.0\|0.2818382931264453\|0.0794328234724281\|0.0794328234724281\|0.0031622776601683764\|1.0\|0.1584893192461113\|0.017782794100389226\|1/100\|9.999999999999994E-4\|1.0\|0.6309573444801931\|0.09999999999999998\|0.015848931924611127\|9.999999999999994E-4\|1.0\|0.06309573444801932\|0.031622776601683784\|0.017782794100389226\|9.999999999999994E-4\|1.0\|0.09999999999999998\|0.031622776601683784\|0.015848931924611127\|9.999999999999994E-4\|1.0\|0.3548133892335754\|0.1584893192461113\|0.03981071705534973\|0.001778279410038922\|1.0\|0.251188643150958\|0.031622776601683784\|1/100\|6.309573444801923E-4\|1.0\|0.5011872336272722\|0.07079457843841379\|0.06309573444801932\|0.012589254117941666\|1.0\|0.19952623149688797\|0.12589254117941667\|0.09999999999999998\|0.09999999999999998\|1.0\|0.06309573444801932\|0.06309573444801932\|0.015848931924611127\|0.015848931924611127\|1.0\|0.3162277660168379\|0.050118723362727206\|0.0794328234724281\|0.019952623149688792\|1.0\|0.09999999999999998\|0.07079457843841379\|0.031622776601683784\|0.019952623149688792\|1.0\|0.5011872336272722\|0.44668359215096315\|0.3981071705534972\|0.0794328234724281\|1.0\|0.19952623149688797\|0.251188643150958\|0.19952623149688797\|0.09999999999999998\|1.0\|0.17782794100389226\|0.12589254117941667\|0.09999999999999998\|0.031622776601683784\|1.0\|0.3162277660168379\|0.251188643150958\|0.251188643150958\|0.050118723362727206\|1.0\|0.09999999999999998\|0.14125375446227542\|0.19952623149688797\|0.050118723362727206\|1.0\|0.44668359215096315\|0.3548133892335754\|0.3548133892335754\|0.09999999999999998\|1.0\|0.251188643150958\|0.3548133892335754\|0.251188643150958\|0.12589254117941667\|1.0\|0.031622776601683784\|0.1584893192461113\|0.0794328234724281\|0.03981071705534973\|1.0\|0.2818382931264453\|0.08912509381337454\|0.09999999999999998\|1/100\|1.0\|0.09999999999999998\|0.025118864315095784\|0.03981071705534973\|0.015848931924611127}\|array}\|<which> which} \|<__UG_NAME__>select }" style="bold, rounded" shape=record rankdir=LR];
	190	106 [label = "{{ {{800\|1150\|2900\|3900\|4950\|350\|2000\|2800\|3600\|4950\|270\|2140\|2950\|3900\|4950\|450\|800\|2830\|3800\|4950\|325\|700\|2700\|3800\|4950\|800\|1150\|2800\|3500\|4950\|400\|1600\|2700\|3300\|4950\|350\|1700\|2700\|3700\|4950\|450\|800\|2830\|3500\|4950\|325\|700\|2530\|3500\|4950\|660\|1120\|2750\|3000\|3350\|440\|1800\|2700\|3000\|3300\|270\|1850\|2900\|3350\|3590\|430\|820\|2700\|3000\|3300\|370\|630\|2750\|3000\|3400\|650\|1080\|2650\|2900\|3250\|400\|1700\|2600\|3200\|3580\|290\|1870\|2800\|3250\|3540\|400\|800\|2600\|2800\|3000\|350\|600\|2700\|2900\|3300\|600\|1040\|2250\|2450\|2750\|400\|1620\|2400\|2800\|3100\|250\|1750\|2600\|3050\|3340\|400\|750\|2400\|2600\|2900\|350\|600\|2400\|2675\|2950}\|array}\|<which> which} \|<__UG_NAME__>select }" style="bold, rounded" shape=record rankdir=LR];
	191	111 [label = "{{ {{1/80\|1/90\|1/120\|1/130\|1/140\|1/60\|1/100\|1/120\|1/150\|1/200\|1/60\|1/90\|1/100\|1/120\|1/120\|1/70\|1/80\|1/100\|1/130\|1/135\|1/50\|1/60\|1/170\|1/180\|1/200\|1/80\|1/90\|1/120\|1/130\|1/140\|1/60\|1/80\|1/120\|1/150\|1/200\|1/50\|1/100\|1/120\|1/150\|1/200\|1/70\|1/80\|1/100\|1/130\|1/135\|1/50\|1/60\|1/170\|1/180\|1/200\|1/80\|1/90\|1/120\|1/130\|1/140\|1/70\|1/80\|1/100\|1/120\|1/120\|1/40\|1/90\|1/100\|1/120\|1/120\|1/40\|1/80\|1/100\|1/120\|1/120\|1/40\|1/60\|1/100\|1/120\|1/120\|1/80\|1/90\|1/120\|1/130\|1/140\|1/70\|1/80\|1/100\|1/120\|1/120\|1/40\|1/90\|1/100\|1/120\|1/120\|1/40\|1/80\|1/100\|1/120\|1/120\|1/40\|1/60\|1/100\|1/120\|1/120\|1/60\|1/70\|1/110\|1/120\|1/130\|1/40\|1/80\|1/100\|1/120\|1/120\|1/60\|1/90\|1/100\|1/120\|1/120\|1/40\|1/80\|1/100\|1/120\|1/120\|1/40\|1/80\|1/100\|1/120\|1/120}\|array}\|<which> which} \|<__UG_NAME__>select }" style="bold, rounded" shape=record rankdir=LR];
	192	116 [label = "{{ {{1.0\|0.5011872336272722\|0.025118864315095784\|0.09999999999999998\|0.0031622776601683764\|1.0\|0.09999999999999998\|0.17782794100389226\|1/100\|0.0015848931924611136\|1.0\|0.251188643150958\|0.050118723362727206\|0.050118723362727206\|0.006309573444801925\|1.0\|0.2818382931264453\|0.0794328234724281\|0.0794328234724281\|0.0031622776601683764\|1.0\|0.1584893192461113\|0.017782794100389226\|1/100\|9.999999999999994E-4\|1.0\|0.6309573444801931\|0.09999999999999998\|0.015848931924611127\|9.999999999999994E-4\|1.0\|0.06309573444801932\|0.031622776601683784\|0.017782794100389226\|9.999999999999994E-4\|1.0\|0.09999999999999998\|0.031622776601683784\|0.015848931924611127\|9.999999999999994E-4\|1.0\|0.3548133892335754\|0.1584893192461113\|0.03981071705534973\|0.001778279410038922\|1.0\|0.251188643150958\|0.031622776601683784\|1/100\|6.309573444801923E-4\|1.0\|0.5011872336272722\|0.07079457843841379\|0.06309573444801932\|0.012589254117941666\|1.0\|0.19952623149688797\|0.12589254117941667\|0.09999999999999998\|0.09999999999999998\|1.0\|0.06309573444801932\|0.06309573444801932\|0.015848931924611127\|0.015848931924611127\|1.0\|0.3162277660168379\|0.050118723362727206\|0.0794328234724281\|0.019952623149688792\|1.0\|0.09999999999999998\|0.07079457843841379\|0.031622776601683784\|0.019952623149688792\|1.0\|0.5011872336272722\|0.44668359215096315\|0.3981071705534972\|0.0794328234724281\|1.0\|0.19952623149688797\|0.251188643150958\|0.19952623149688797\|0.09999999999999998\|1.0\|0.17782794100389226\|0.12589254117941667\|0.09999999999999998\|0.031622776601683784\|1.0\|0.3162277660168379\|0.251188643150958\|0.251188643150958\|0.050118723362727206\|1.0\|0.09999999999999998\|0.14125375446227542\|0.19952623149688797\|0.050118723362727206\|1.0\|0.44668359215096315\|0.3548133892335754\|0.3548133892335754\|0.09999999999999998\|1.0\|0.251188643150958\|0.3548133892335754\|0.251188643150958\|0.12589254117941667\|1.0\|0.031622776601683784\|0.1584893192461113\|0.0794328234724281\|0.03981071705534973\|1.0\|0.2818382931264453\|0.08912509381337454\|0.09999999999999998\|1/100\|1.0\|0.09999999999999998\|0.025118864315095784\|0.03981071705534973\|0.015848931924611127}\|array}\|<which> which} \|<__UG_NAME__>select }" style="bold, rounded" shape=record rankdir=LR];
	193	141 [label = "{{ <level> level\|<pan> pan\|<inb> inB\|<ina> inA} \|<__UG_NAME__>x-fade2 }" style="filled, bold, rounded" shape=record rankdir=LR];
	194	160 [label = "{{ <level> level\|<pan> pan\|<inb> inB\|<ina> inA} \|<__UG_NAME__>x-fade2 }" style="filled, bold, rounded" shape=record rankdir=LR];
	195
	196	9:__UG_NAME__ -> 16:b ;
	197	9:__UG_NAME__ -> 18:b ;
	198	9:__UG_NAME__ -> 19:b ;
	199	8:__UG_NAME__ -> 20:b ;
	200	9:__UG_NAME__ -> 21:b ;
	201	36:__UG_NAME__ -> 37:b ;
	202	37:__UG_NAME__ -> 39:a ;
	203	38:__UG_NAME__ -> 39:b ;
	204	8:__UG_NAME__ -> 40:b ;
	205	9:__UG_NAME__ -> 41:b ;
	206	8:__UG_NAME__ -> 45:b ;
	207	9:__UG_NAME__ -> 46:b ;
	208	8:__UG_NAME__ -> 50:b ;
	209	49:__UG_NAME__ -> 54:a ;
	210	53:__UG_NAME__ -> 54:b ;
	211	8:__UG_NAME__ -> 56:b ;
	212	9:__UG_NAME__ -> 57:b ;
	213	8:__UG_NAME__ -> 61:b ;
	214	9:__UG_NAME__ -> 62:b ;
	215	8:__UG_NAME__ -> 66:b ;
	216	65:__UG_NAME__ -> 69:a ;
	217	68:__UG_NAME__ -> 69:b ;
	218	8:__UG_NAME__ -> 72:b ;
	219	9:__UG_NAME__ -> 73:b ;
	220	8:__UG_NAME__ -> 77:b ;
	221	9:__UG_NAME__ -> 78:b ;
	222	8:__UG_NAME__ -> 82:b ;
	223	9:__UG_NAME__ -> 83:b ;
	224	81:__UG_NAME__ -> 87:a ;
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	424	}⏎

+252

-0

etc/synthdefs/graphviz/dot/sonic-pi-fx_whammy.dot less more

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	668
	669	}⏎

+223

-0

etc/synthdefs/graphviz/dot/sonic-pi-gnoise.dot less more

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+282

-0

etc/synthdefs/graphviz/dot/sonic-pi-growl.dot less more

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	280
	281	}⏎

+330

-0

etc/synthdefs/graphviz/dot/sonic-pi-hollow.dot less more

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	329	}⏎

+456

-0

etc/synthdefs/graphviz/dot/sonic-pi-hoover.dot less more

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	455	}⏎

+289

-0

etc/synthdefs/graphviz/dot/sonic-pi-mixer.dot less more

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	288	}⏎

+461

-0

etc/synthdefs/graphviz/dot/sonic-pi-mod_dsaw.dot less more

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etc/synthdefs/graphviz/dot/sonic-pi-mod_fm.dot less more

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+452

-0

etc/synthdefs/graphviz/dot/sonic-pi-mod_pulse.dot less more

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	137	22 [label = "control
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	140	23 [label = "control
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	143	24 [label = "control
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	146	25 [label = "control
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	149	26 [label = "control
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	152	27 [label = "control
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	154	default: 0.0" shape=invhouse style="rounded, filled, bold" fillcolor=black fontcolor=white ];
	155	28 [label = "control
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	157	default: 5.0" shape=invhouse style="rounded, filled, bold" fillcolor=black fontcolor=white ];
	158	29 [label = "control
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	160	default: 0.0" shape=invhouse style="rounded, filled, bold" fillcolor=black fontcolor=white ];
	161	30 [label = "control
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	163	default: 1.0" shape=invhouse style="rounded, filled, bold" fillcolor=black fontcolor=white ];
	164	31 [label = "control
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	166	default: 0.0" shape=invhouse style="rounded, filled, bold" fillcolor=black fontcolor=white ];
	167	32 [label = "control
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	169	default: 0.5" shape=invhouse style="rounded, filled, bold" fillcolor=black fontcolor=white ];
	170	33 [label = "control
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	172	default: 0.0" shape=invhouse style="rounded, filled, bold" fillcolor=black fontcolor=white ];
	173	34 [label = "control
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	175	default: 1.0" shape=invhouse style="rounded, filled, bold" fillcolor=black fontcolor=white ];
	176	35 [label = "control
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	178	default: 0.0" shape=invhouse style="rounded, filled, bold" fillcolor=black fontcolor=white ];
	179	36 [label = "control
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	181	default: 0.0" shape=invhouse style="rounded, filled, bold" fillcolor=black fontcolor=white ];
	182	37 [label = "control
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	184	default: 1.0" shape=invhouse style="rounded, filled, bold" fillcolor=black fontcolor=white ];
	185	38 [label = "control
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	187	default: 0.0" shape=invhouse style="rounded, filled, bold" fillcolor=black fontcolor=white ];
	188	39 [label = "control
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	190	default: 0.5" shape=invhouse style="rounded, filled, bold" fillcolor=black fontcolor=white ];
	191	40 [label = "control
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	193	default: 0.0" shape=invhouse style="rounded, filled, bold" fillcolor=black fontcolor=white ];
	194	41 [label = "control
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	196	default: 1.0" shape=invhouse style="rounded, filled, bold" fillcolor=black fontcolor=white ];
	197	42 [label = "control
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	199	default: 0.0" shape=invhouse style="rounded, filled, bold" fillcolor=black fontcolor=white ];
	200	43 [label = "control
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	202	default: 0.0" shape=invhouse style="rounded, filled, bold" fillcolor=black fontcolor=white ];
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	205	101 [label = "{{ <action> action 0.0\|<time____scale> time-scale 1.0\|<level____bias> level-bias 0.0\|<level____scale> level-scale 1.0\|<gate> gate\|{{<envelope___control___0>\|1.0\|-99\|-99\|<envelope___control___4>\|<envelope___control___5>\|<envelope___control___6>\|<envelope___control___7>}\|envelope}} \|<__UG_NAME__>env-gen }" style="bold, rounded" shape=record rankdir=LR];
	206	109 [label = "{{ <action> action 0.0\|<time____scale> time-scale 1.0\|<level____bias> level-bias 0.0\|<level____scale> level-scale 1.0\|<gate> gate\|{{<envelope___control___0>\|1.0\|-99\|-99\|<envelope___control___4>\|<envelope___control___5>\|<envelope___control___6>\|<envelope___control___7>}\|envelope}} \|<__UG_NAME__>env-gen }" style="bold, rounded" shape=record rankdir=LR];
	207	124 [label = "{{ <action> action 0.0\|<time____scale> time-scale 1.0\|<level____bias> level-bias 0.0\|<level____scale> level-scale 1.0\|<gate> gate\|{{<envelope___control___0>\|1.0\|-99\|-99\|<envelope___control___4>\|<envelope___control___5>\|<envelope___control___6>\|<envelope___control___7>}\|envelope}} \|<__UG_NAME__>env-gen }" style="bold, rounded" shape=record rankdir=LR];
	208	135 [label = "{{ <action> action 0.0\|<time____scale> time-scale 1.0\|<level____bias> level-bias 0.0\|<level____scale> level-scale 1.0\|<gate> gate\|{{<envelope___control___0>\|1.0\|-99\|-99\|<envelope___control___4>\|<envelope___control___5>\|<envelope___control___6>\|<envelope___control___7>}\|envelope}} \|<__UG_NAME__>env-gen }" style="bold, rounded" shape=record rankdir=LR];
	209	140 [label = "{{ <action> action 2.0\|<time____scale> time-scale 1.0\|<level____bias> level-bias 0.0\|<level____scale> level-scale 1.0\|<gate> gate 1.0\|{{0.0\|4\|-99\|-99\|<envelope___control___4>\|<envelope___control___5>\|<envelope___control___6>\|0.0\|<envelope___select___8>\|<envelope___control___9>\|<envelope___control___10>\|0.0\|<envelope___control___12>\|<envelope___control___13>\|<envelope___control___14>\|0.0\|0.0\|<envelope___control___17>\|<envelope___control___18>\|0.0}\|envelope}} \|<__UG_NAME__>env-gen }" style="bold, rounded" shape=record rankdir=LR];
	210	156 [label = "{{ <action> action 0.0\|<time____scale> time-scale 1.0\|<level____bias> level-bias 0.0\|<level____scale> level-scale 1.0\|<gate> gate\|{{<envelope___control___0>\|1.0\|-99\|-99\|<envelope___control___4>\|<envelope___control___5>\|<envelope___control___6>\|<envelope___control___7>}\|envelope}} \|<__UG_NAME__>env-gen }" style="bold, rounded" shape=record rankdir=LR];
	211	158 [label = "{{ <action> action 0.0\|<time____scale> time-scale 1.0\|<level____bias> level-bias 0.0\|<level____scale> level-scale 1.0\|<gate> gate\|{{<envelope___control___0>\|1.0\|-99\|-99\|<envelope___control___4>\|<envelope___control___5>\|<envelope___control___6>\|<envelope___control___7>}\|envelope}} \|<__UG_NAME__>env-gen }" style="bold, rounded" shape=record rankdir=LR];
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	224	131 [label = "{{ <in> in} \|<__UG_NAME__>hpz1 }" style="bold, rounded" shape=record rankdir=LR];
	225	144 [label = "{{ <in> in} \|<__UG_NAME__>hpz1 }" style="bold, rounded" shape=record rankdir=LR];
	226	147 [label = "{{ <in> in} \|<__UG_NAME__>hpz1 }" style="bold, rounded" shape=record rankdir=LR];
	227	149 [label = "{{ <in> in} \|<__UG_NAME__>hpz1 }" style="bold, rounded" shape=record rankdir=LR];
	228	44 [label = "{{ <phase> phase 0.0\|<freq> freq 0.0} \|<__UG_NAME__>impulse }" style="bold, rounded" shape=record rankdir=LR];
	229	59 [label = "{{ <phase> phase 0.0\|<freq> freq 0.0} \|<__UG_NAME__>impulse }" style="bold, rounded" shape=record rankdir=LR];
	230	76 [label = "{{ <phase> phase 0.0\|<freq> freq 0.0} \|<__UG_NAME__>impulse }" style="bold, rounded" shape=record rankdir=LR];
	231	93 [label = "{{ <phase> phase 0.0\|<freq> freq 0.0} \|<__UG_NAME__>impulse }" style="bold, rounded" shape=record rankdir=LR];
	232	102 [label = "{{ <phase> phase 0.0\|<freq> freq 0.0} \|<__UG_NAME__>impulse }" style="bold, rounded" shape=record rankdir=LR];
	233	117 [label = "{{ <phase> phase 0.0\|<freq> freq 0.0} \|<__UG_NAME__>impulse }" style="bold, rounded" shape=record rankdir=LR];
	234	126 [label = "{{ <phase> phase 0.0\|<freq> freq 0.0} \|<__UG_NAME__>impulse }" style="bold, rounded" shape=record rankdir=LR];
	235	152 [label = "{{ <phase> phase 0.0\|<freq> freq 0.0} \|<__UG_NAME__>impulse }" style="bold, rounded" shape=record rankdir=LR];
	236	69 [label = "{{ <width> width\|<iphase> iphase\|<freq> freq} \|<__UG_NAME__>lf-pulse }" style="bold, rounded" shape=record rankdir=LR];
	237	85 [label = "{{ <iphase> iphase\|<freq> freq} \|<__UG_NAME__>lf-saw }" style="bold, rounded" shape=record rankdir=LR];
	238	75 [label = "{{ <iphase> iphase\|<freq> freq} \|<__UG_NAME__>lf-tri }" style="bold, rounded" shape=record rankdir=LR];
	239	137 [label = "{{ <freq> freq\|<in> in} \|<__UG_NAME__>lpf }" style="filled, bold, rounded" shape=record rankdir=LR];
	240	116 [label = "{{ <b> \|<a> } \|<__UG_NAME__>midicps }" style="bold, rounded" shape=record rankdir=LR];
	241	136 [label = "{{ <b> \|<a> } \|<__UG_NAME__>midicps }" style="bold, rounded" shape=record rankdir=LR];
	242	115 [label = "{{ <add> add\|<mul> mul\|<in> in} \|<__UG_NAME__>mul-add }" style="bold, rounded" shape=record rankdir=LR];
	243	142 [label = "{{ <dur> dur 0.01\|<level> level 1.0\|<in> in} \|<__UG_NAME__>normalizer }" style="filled, bold, rounded" shape=record rankdir=LR];
	244	160 [label = "{{ {{<signals___pan2___0>\|<signals___pan2___1>}\|signals}\|<bus> bus} \|<__UG_NAME__>out }" style="filled, bold, rounded" shape=record rankdir=LR];
	245	159 [label = "{{ <level> level\|<pos> pos\|<in> in} \|<__UG_NAME__>pan2 }" style="filled, bold, rounded" shape=record rankdir=LR];
	246	125 [label = "{{ <width> width\|<freq> freq} \|<__UG_NAME__>pulse }" style="filled, bold, rounded" shape=record rankdir=LR];
	247	90 [label = "{{ {{<array___binary____op____u____gen___0>\|<array___binary____op____u____gen___1>\|<array___lf____tri___2>\|<array___sin____osc___3>}\|array}\|<which> which} \|<__UG_NAME__>select }" style="bold, rounded" shape=record rankdir=LR];
	248	139 [label = "{{ {{<array___control___0>\|<array___control___1>}\|array}\|<which> which} \|<__UG_NAME__>select }" style="bold, rounded" shape=record rankdir=LR];
	249	89 [label = "{{ <add> add 0.0\|<mul> mul 1.0\|<phase> phase\|<freq> freq} \|<__UG_NAME__>sin-osc }" style="bold, rounded" shape=record rankdir=LR];
	250
	251	69:__UG_NAME__ -> 70:b ;
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	429	112:__UG_NAME__ -> 115:mul ;
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	442	71:__UG_NAME__ -> 90:array___binary____op____u____gen___1 ;
	443	75:__UG_NAME__ -> 90:array___lf____tri___2 ;
	444	89:__UG_NAME__ -> 90:array___sin____osc___3 ;
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	449	88:__UG_NAME__ -> 89:phase ;
	450
	451	}⏎

+413

-0

etc/synthdefs/graphviz/dot/sonic-pi-mod_saw.dot less more

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	412	}⏎

+413

-0

etc/synthdefs/graphviz/dot/sonic-pi-mod_sine.dot less more

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	411
	412	}⏎

+413

-0

etc/synthdefs/graphviz/dot/sonic-pi-mod_tri.dot less more

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	591	331 [label = "{{ {{<array___select___0>\|<array___lpf___1>}\|array}\|<which> which} \|<__UG_NAME__>select }" style="filled, bold, rounded" shape=record rankdir=LR];
	592	332 [label = "{{ {{<array___unary____op____u____gen___0>\|<array___binary____op____u____gen___1>}\|array}\|<which> which} \|<__UG_NAME__>select }" style="filled, bold, rounded" shape=record rankdir=LR];
	593	334 [label = "{{ {{<array___select___0>\|<array___hpf___1>}\|array}\|<which> which} \|<__UG_NAME__>select }" style="filled, bold, rounded" shape=record rankdir=LR];
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	595	370 [label = "{{ {{<array___binary____op____u____gen___0>\|<array___compander___1>}\|array}\|<which> which} \|<__UG_NAME__>select }" style="filled, bold, rounded" shape=record rankdir=LR];
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	1159	}⏎

+223

-0

etc/synthdefs/graphviz/dot/sonic-pi-noise.dot less more

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	221
	222	}⏎

+178

-0

etc/synthdefs/graphviz/dot/sonic-pi-piano.dot less more

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	176
	177	}⏎

+161

-0

etc/synthdefs/graphviz/dot/sonic-pi-pluck.dot less more

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	97
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	159
	160	}⏎

+223

-0

etc/synthdefs/graphviz/dot/sonic-pi-pnoise.dot less more

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	222	}⏎

+234

-0

etc/synthdefs/graphviz/dot/sonic-pi-pretty_bell.dot less more

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+346

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etc/synthdefs/graphviz/dot/sonic-pi-prophet.dot less more

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	343	18:__UG_NAME__ -> 30:array___control___1 ;
	344
	345	}⏎

+264

-0

etc/synthdefs/graphviz/dot/sonic-pi-pulse.dot less more

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	263	}⏎

+16

-0

etc/synthdefs/graphviz/dot/sonic-pi-recorder.dot less more

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+225

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etc/synthdefs/graphviz/dot/sonic-pi-saw.dot less more

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+145

-0

etc/synthdefs/graphviz/dot/sonic-pi-sound_in.dot less more

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+173

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etc/synthdefs/graphviz/dot/sonic-pi-sound_in_stereo.dot less more

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+225

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	224	}⏎

+1199

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etc/synthdefs/graphviz/dot/sonic-pi-stereo_player.dot less more

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+327

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	326	}⏎

+310

-0

etc/synthdefs/graphviz/dot/sonic-pi-supersaw.dot less more

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+333

-0

etc/synthdefs/graphviz/dot/sonic-pi-synth_violin.dot less more

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	328	17:__UG_NAME__ -> 111:array___control___0 ;
	329	18:__UG_NAME__ -> 111:array___control___1 ;
	330	71:__UG_NAME__ -> 72:freq ;
	331
	332	}⏎

+459

-0

etc/synthdefs/graphviz/dot/sonic-pi-tb303.dot less more

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	457
	458	}⏎

+225

-0

etc/synthdefs/graphviz/dot/sonic-pi-tri.dot less more

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	224	}⏎

+469

-0

etc/synthdefs/graphviz/dot/sonic-pi-zawa.dot less more

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	165	default: 1.0" shape=invhouse style="rounded, filled, bold" fillcolor=black fontcolor=white ];
	166	31 [label = "control
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	168	default: 0.0" shape=invhouse style="rounded, filled, bold" fillcolor=black fontcolor=white ];
	169	32 [label = "control
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	171	default: 0.0" shape=invhouse style="rounded, filled, bold" fillcolor=black fontcolor=white ];
	172	33 [label = "control
	173	:wave
	174	default: 3.0" shape=invhouse style="rounded, filled, bold" fillcolor=black fontcolor=white ];
	175	34 [label = "control
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	177	default: 0.0" shape=invhouse style="rounded, filled, bold" fillcolor=black fontcolor=white ];
	178	35 [label = "control
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	180	default: 0.0" shape=invhouse style="rounded, filled, bold" fillcolor=black fontcolor=white ];
	181	36 [label = "control
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	183	default: 0.5" shape=invhouse style="rounded, filled, bold" fillcolor=black fontcolor=white ];
	184	37 [label = "control
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	186	default: 0.0" shape=invhouse style="rounded, filled, bold" fillcolor=black fontcolor=white ];
	187	38 [label = "control
	188	:pulse_width_slide_shape
	189	default: 1.0" shape=invhouse style="rounded, filled, bold" fillcolor=black fontcolor=white ];
	190	39 [label = "control
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	192	default: 0.0" shape=invhouse style="rounded, filled, bold" fillcolor=black fontcolor=white ];
	193	40 [label = "control
	194	:range
	195	default: 24.0" shape=invhouse style="rounded, filled, bold" fillcolor=black fontcolor=white ];
	196	41 [label = "control
	197	:range_slide
	198	default: 0.0" shape=invhouse style="rounded, filled, bold" fillcolor=black fontcolor=white ];
	199	42 [label = "control
	200	:range_slide_shape
	201	default: 1.0" shape=invhouse style="rounded, filled, bold" fillcolor=black fontcolor=white ];
	202	43 [label = "control
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	204	default: 0.0" shape=invhouse style="rounded, filled, bold" fillcolor=black fontcolor=white ];
	205	44 [label = "control
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	207	default: 0.0" shape=invhouse style="rounded, filled, bold" fillcolor=black fontcolor=white ];
	208	61 [label = "{{ <action> action 0.0\|<time____scale> time-scale 1.0\|<level____bias> level-bias 0.0\|<level____scale> level-scale 1.0\|<gate> gate\|{{<envelope___control___0>\|1.0\|-99\|-99\|<envelope___control___4>\|<envelope___control___5>\|<envelope___control___6>\|<envelope___control___7>}\|envelope}} \|<__UG_NAME__>env-gen }" style="bold, rounded" shape=record rankdir=LR];
	209	71 [label = "{{ <action> action 0.0\|<time____scale> time-scale 1.0\|<level____bias> level-bias 0.0\|<level____scale> level-scale 1.0\|<gate> gate\|{{<envelope___control___0>\|1.0\|-99\|-99\|<envelope___control___4>\|<envelope___control___5>\|<envelope___control___6>\|<envelope___control___7>}\|envelope}} \|<__UG_NAME__>env-gen }" style="bold, rounded" shape=record rankdir=LR];
	210	82 [label = "{{ <action> action 0.0\|<time____scale> time-scale 1.0\|<level____bias> level-bias 0.0\|<level____scale> level-scale 1.0\|<gate> gate\|{{<envelope___control___0>\|1.0\|-99\|-99\|<envelope___control___4>\|<envelope___control___5>\|<envelope___control___6>\|<envelope___control___7>}\|envelope}} \|<__UG_NAME__>env-gen }" style="bold, rounded" shape=record rankdir=LR];
	211	95 [label = "{{ <action> action 0.0\|<time____scale> time-scale 1.0\|<level____bias> level-bias 0.0\|<level____scale> level-scale 1.0\|<gate> gate\|{{<envelope___control___0>\|1.0\|-99\|-99\|<envelope___control___4>\|<envelope___control___5>\|<envelope___control___6>\|<envelope___control___7>}\|envelope}} \|<__UG_NAME__>env-gen }" style="bold, rounded" shape=record rankdir=LR];
	212	98 [label = "{{ <action> action 2.0\|<time____scale> time-scale 1.0\|<level____bias> level-bias 0.0\|<level____scale> level-scale 1.0\|<gate> gate 1.0\|{{0.0\|4\|-99\|-99\|<envelope___control___4>\|<envelope___control___5>\|<envelope___control___6>\|0.0\|<envelope___select___8>\|<envelope___control___9>\|<envelope___control___10>\|0.0\|<envelope___control___12>\|<envelope___control___13>\|<envelope___control___14>\|0.0\|0.0\|<envelope___control___17>\|<envelope___control___18>\|0.0}\|envelope}} \|<__UG_NAME__>env-gen }" style="bold, rounded" shape=record rankdir=LR];
	213	107 [label = "{{ <action> action 0.0\|<time____scale> time-scale 1.0\|<level____bias> level-bias 0.0\|<level____scale> level-scale 1.0\|<gate> gate\|{{<envelope___control___0>\|1.0\|-99\|-99\|<envelope___control___4>\|<envelope___control___5>\|<envelope___control___6>\|<envelope___control___7>}\|envelope}} \|<__UG_NAME__>env-gen }" style="bold, rounded" shape=record rankdir=LR];
	214	142 [label = "{{ <action> action 0.0\|<time____scale> time-scale 1.0\|<level____bias> level-bias 0.0\|<level____scale> level-scale 1.0\|<gate> gate\|{{<envelope___mul____add___0>\|1.0\|-99\|-99\|<envelope___mul____add___4>\|<envelope___control___5>\|<envelope___control___6>\|<envelope___control___7>}\|envelope}} \|<__UG_NAME__>env-gen }" style="bold, rounded" shape=record rankdir=LR];
	215	154 [label = "{{ <action> action 0.0\|<time____scale> time-scale 1.0\|<level____bias> level-bias 0.0\|<level____scale> level-scale 1.0\|<gate> gate\|{{<envelope___control___0>\|1.0\|-99\|-99\|<envelope___control___4>\|<envelope___control___5>\|<envelope___control___6>\|<envelope___control___7>}\|envelope}} \|<__UG_NAME__>env-gen }" style="bold, rounded" shape=record rankdir=LR];
	216	163 [label = "{{ <action> action 0.0\|<time____scale> time-scale 1.0\|<level____bias> level-bias 0.0\|<level____scale> level-scale 1.0\|<gate> gate\|{{<envelope___control___0>\|1.0\|-99\|-99\|<envelope___control___4>\|<envelope___control___5>\|<envelope___control___6>\|<envelope___control___7>}\|envelope}} \|<__UG_NAME__>env-gen }" style="bold, rounded" shape=record rankdir=LR];
	217	45 [label = "{{ <in> in} \|<__UG_NAME__>hpz1 }" style="bold, rounded" shape=record rankdir=LR];
	218	49 [label = "{{ <in> in} \|<__UG_NAME__>hpz1 }" style="bold, rounded" shape=record rankdir=LR];
	219	51 [label = "{{ <in> in} \|<__UG_NAME__>hpz1 }" style="bold, rounded" shape=record rankdir=LR];
	220	53 [label = "{{ <in> in} \|<__UG_NAME__>hpz1 }" style="bold, rounded" shape=record rankdir=LR];
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	222	63 [label = "{{ <in> in} \|<__UG_NAME__>hpz1 }" style="bold, rounded" shape=record rankdir=LR];
	223	67 [label = "{{ <in> in} \|<__UG_NAME__>hpz1 }" style="bold, rounded" shape=record rankdir=LR];
	224	73 [label = "{{ <in> in} \|<__UG_NAME__>hpz1 }" style="bold, rounded" shape=record rankdir=LR];
	225	75 [label = "{{ <in> in} \|<__UG_NAME__>hpz1 }" style="bold, rounded" shape=record rankdir=LR];
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	227	91 [label = "{{ <in> in} \|<__UG_NAME__>hpz1 }" style="bold, rounded" shape=record rankdir=LR];
	228	102 [label = "{{ <in> in} \|<__UG_NAME__>hpz1 }" style="bold, rounded" shape=record rankdir=LR];
	229	138 [label = "{{ <in> in} \|<__UG_NAME__>hpz1 }" style="bold, rounded" shape=record rankdir=LR];
	230	146 [label = "{{ <in> in} \|<__UG_NAME__>hpz1 }" style="bold, rounded" shape=record rankdir=LR];
	231	150 [label = "{{ <in> in} \|<__UG_NAME__>hpz1 }" style="bold, rounded" shape=record rankdir=LR];
	232	159 [label = "{{ <in> in} \|<__UG_NAME__>hpz1 }" style="bold, rounded" shape=record rankdir=LR];
	233	52 [label = "{{ <phase> phase 0.0\|<freq> freq 0.0} \|<__UG_NAME__>impulse }" style="bold, rounded" shape=record rankdir=LR];
	234	62 [label = "{{ <phase> phase 0.0\|<freq> freq 0.0} \|<__UG_NAME__>impulse }" style="bold, rounded" shape=record rankdir=LR];
	235	74 [label = "{{ <phase> phase 0.0\|<freq> freq 0.0} \|<__UG_NAME__>impulse }" style="bold, rounded" shape=record rankdir=LR];
	236	86 [label = "{{ <phase> phase 0.0\|<freq> freq 0.0} \|<__UG_NAME__>impulse }" style="bold, rounded" shape=record rankdir=LR];
	237	101 [label = "{{ <phase> phase 0.0\|<freq> freq 0.0} \|<__UG_NAME__>impulse }" style="bold, rounded" shape=record rankdir=LR];
	238	136 [label = "{{ <phase> phase 0.0\|<freq> freq 0.0} \|<__UG_NAME__>impulse }" style="bold, rounded" shape=record rankdir=LR];
	239	145 [label = "{{ <phase> phase 0.0\|<freq> freq 0.0} \|<__UG_NAME__>impulse }" style="bold, rounded" shape=record rankdir=LR];
	240	155 [label = "{{ <phase> phase 0.0\|<freq> freq 0.0} \|<__UG_NAME__>impulse }" style="bold, rounded" shape=record rankdir=LR];
	241	113 [label = "{{ <width> width\|<iphase> iphase\|<freq> freq} \|<__UG_NAME__>lf-pulse }" style="bold, rounded" shape=record rankdir=LR];
	242	111 [label = "{{ <iphase> iphase\|<freq> freq} \|<__UG_NAME__>lf-saw }" style="bold, rounded" shape=record rankdir=LR];
	243	117 [label = "{{ <iphase> iphase\|<freq> freq} \|<__UG_NAME__>lf-tri }" style="bold, rounded" shape=record rankdir=LR];
	244	83 [label = "{{ <b> \|<a> } \|<__UG_NAME__>midicps }" style="bold, rounded" shape=record rankdir=LR];
	245	100 [label = "{{ <b> \|<a> } \|<__UG_NAME__>midicps }" style="bold, rounded" shape=record rankdir=LR];
	246	132 [label = "{{ <b> \|<a> } \|<__UG_NAME__>midicps }" style="bold, rounded" shape=record rankdir=LR];
	247	133 [label = "{{ <b> \|<a> } \|<__UG_NAME__>midicps }" style="bold, rounded" shape=record rankdir=LR];
	248	48 [label = "{{ <add> add 1.0\|<mul> mul -1.0\|<in> in} \|<__UG_NAME__>mul-add }" style="bold, rounded" shape=record rankdir=LR];
	249	131 [label = "{{ <add> add\|<mul> mul\|<in> in} \|<__UG_NAME__>mul-add }" style="bold, rounded" shape=record rankdir=LR];
	250	165 [label = "{{ {{<signals___pan2___0>\|<signals___pan2___1>}\|signals}\|<bus> bus} \|<__UG_NAME__>out }" style="filled, bold, rounded" shape=record rankdir=LR];
	251	164 [label = "{{ <level> level\|<pos> pos\|<in> in} \|<__UG_NAME__>pan2 }" style="filled, bold, rounded" shape=record rankdir=LR];
	252	143 [label = "{{ <rq> rq\|<freq> freq\|<in> in} \|<__UG_NAME__>rlpf }" style="filled, bold, rounded" shape=record rankdir=LR];
	253	97 [label = "{{ {{<array___control___0>\|<array___control___1>}\|array}\|<which> which} \|<__UG_NAME__>select }" style="bold, rounded" shape=record rankdir=LR];
	254	121 [label = "{{ {{<array___binary____op____u____gen___0>\|<array___binary____op____u____gen___1>\|<array___lf____tri___2>\|<array___sin____osc___3>}\|array}\|<which> which} \|<__UG_NAME__>select }" style="bold, rounded" shape=record rankdir=LR];
	255	134 [label = "{{ {{<array___unary____op____u____gen___0>\|<array___unary____op____u____gen___1>}\|array}\|<which> which} \|<__UG_NAME__>select }" style="bold, rounded" shape=record rankdir=LR];
	256	120 [label = "{{ <add> add 0.0\|<mul> mul 1.0\|<phase> phase\|<freq> freq} \|<__UG_NAME__>sin-osc }" style="bold, rounded" shape=record rankdir=LR];
	257	135 [label = "{{ <saw____freq> saw-freq\|<sync____freq> sync-freq} \|<__UG_NAME__>sync-saw }" style="filled, bold, rounded" shape=record rankdir=LR];
	258
	259	98:__UG_NAME__ -> 99:b ;
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	429	32:__UG_NAME__ -> 113:iphase ;
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	431	108:__UG_NAME__ -> 111:freq ;
	432	110:__UG_NAME__ -> 111:iphase ;
	433	108:__UG_NAME__ -> 117:freq ;
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	441	128:__UG_NAME__ -> 131:mul ;
	442	130:__UG_NAME__ -> 131:add ;
	443	44:__UG_NAME__ -> 165:bus ;
	444	164:__UG_NAME__ -> 165:signals___pan2___0 ;
	445	164:__UG_NAME__ -> 165:signals___pan2___1 ;
	446	144:__UG_NAME__ -> 164:in ;
	447	154:__UG_NAME__ -> 164:pos ;
	448	163:__UG_NAME__ -> 164:level ;
	449	135:__UG_NAME__ -> 143:in ;
	450	83:__UG_NAME__ -> 143:freq ;
	451	142:__UG_NAME__ -> 143:rq ;
	452	96:__UG_NAME__ -> 97:which ;
	453	17:__UG_NAME__ -> 97:array___control___0 ;
	454	18:__UG_NAME__ -> 97:array___control___1 ;
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	457	115:__UG_NAME__ -> 121:array___binary____op____u____gen___1 ;
	458	117:__UG_NAME__ -> 121:array___lf____tri___2 ;
	459	120:__UG_NAME__ -> 121:array___sin____osc___3 ;
	460	34:__UG_NAME__ -> 134:which ;
	461	132:__UG_NAME__ -> 134:array___unary____op____u____gen___0 ;
	462	133:__UG_NAME__ -> 134:array___unary____op____u____gen___1 ;
	463	108:__UG_NAME__ -> 120:freq ;
	464	119:__UG_NAME__ -> 120:phase ;
	465	100:__UG_NAME__ -> 135:sync____freq ;
	466	134:__UG_NAME__ -> 135:saw____freq ;
	467
	468	}⏎

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4	4	# Full project source: https://github.com/samaaron/sonic-pi
5	5	# License: https://github.com/samaaron/sonic-pi/blob/master/LICENSE.md
6	6	#
7		# Copyright 2013, 2014, 2015 by Sam Aaron (http://sam.aaron.name).
	7	# Copyright 2013, 2014, 2015, 2016 by Sam Aaron (http://sam.aaron.name).
8	8	# All rights reserved.
9	9	#
10	10	# Permission is granted for use, copying, modification, and

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+0

-227

~~etc/synthdefs/graphviz/sonic-pi-basic_stereo_player.dot~~ less more

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226		}⏎

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~~etc/synthdefs/graphviz/sonic-pi-beep.dot~~ less more

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179		}⏎

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-223

~~etc/synthdefs/graphviz/sonic-pi-bnoise.dot~~ less more

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221
222		}⏎

+0

-223

~~etc/synthdefs/graphviz/sonic-pi-cnoise.dot~~ less more

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222		}⏎

+0

-430

~~etc/synthdefs/graphviz/sonic-pi-dark_ambience.dot~~ less more

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429		}⏎

+0

-377

~~etc/synthdefs/graphviz/sonic-pi-dpulse.dot~~ less more

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52		123 [label = "{{ <a> \|<b> } \|<__UG_NAME__>abs }" style="bold, rounded" shape=record rankdir=LR];
53		0 [label = "control
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56		1 [label = "control
57		:note_slide
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59		2 [label = "control
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62		3 [label = "control
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64		default: 0.0" shape=invhouse style="rounded, filled, bold" fillcolor=black fontcolor=white ];
65		4 [label = "control
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68		5 [label = "control
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71		6 [label = "control
72		:amp_slide_shape
73		default: 1.0" shape=invhouse style="rounded, filled, bold" fillcolor=black fontcolor=white ];
74		7 [label = "control
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77		8 [label = "control
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80		9 [label = "control
81		:pan_slide
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83		10 [label = "control
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86		11 [label = "control
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89		12 [label = "control
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92		13 [label = "control
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95		14 [label = "control
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98		15 [label = "control
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101		16 [label = "control
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103		default: 1.0" shape=invhouse style="rounded, filled, bold" fillcolor=black fontcolor=white ];
104		17 [label = "control
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107		18 [label = "control
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110		19 [label = "control
111		:env_curve
112		default: 1.0" shape=invhouse style="rounded, filled, bold" fillcolor=black fontcolor=white ];
113		20 [label = "control
114		:cutoff
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116		21 [label = "control
117		:cutoff_slide
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119		22 [label = "control
120		:cutoff_slide_shape
121		default: 1.0" shape=invhouse style="rounded, filled, bold" fillcolor=black fontcolor=white ];
122		23 [label = "control
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125		24 [label = "control
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128		25 [label = "control
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130		default: 0.0" shape=invhouse style="rounded, filled, bold" fillcolor=black fontcolor=white ];
131		26 [label = "control
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133		default: 1.0" shape=invhouse style="rounded, filled, bold" fillcolor=black fontcolor=white ];
134		27 [label = "control
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137		28 [label = "control
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140		29 [label = "control
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143		30 [label = "control
144		:pulse_width_slide_shape
145		default: 1.0" shape=invhouse style="rounded, filled, bold" fillcolor=black fontcolor=white ];
146		31 [label = "control
147		:pulse_width_slide_curve
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149		32 [label = "control
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152		33 [label = "control
153		:dpulse_width_slide
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155		34 [label = "control
156		:dpulse_width_slide_shape
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158		35 [label = "control
159		:dpulse_width_slide_curve
160		default: -1.0" shape=invhouse style="rounded, filled, bold" fillcolor=black fontcolor=white ];
161		36 [label = "control
162		:out_bus
163		default: 0.0" shape=invhouse style="rounded, filled, bold" fillcolor=black fontcolor=white ];
164		66 [label = "{{ {{<envelope___control___0>\|1.0\|-99\|-99\|<envelope___control___4>\|<envelope___control___5>\|<envelope___control___6>\|<envelope___control___7>}\|envelope}\|<gate> gate\|<level____scale> level-scale 1.0\|<level____bias> level-bias 0.0\|<time____scale> time-scale 1.0\|<action> action 0.0} \|<__UG_NAME__>env-gen }" style="bold, rounded" shape=record rankdir=LR];
165		82 [label = "{{ {{<envelope___control___0>\|1.0\|-99\|-99\|<envelope___control___4>\|<envelope___control___5>\|<envelope___control___6>\|<envelope___control___7>}\|envelope}\|<gate> gate\|<level____scale> level-scale 1.0\|<level____bias> level-bias 0.0\|<time____scale> time-scale 1.0\|<action> action 0.0} \|<__UG_NAME__>env-gen }" style="bold, rounded" shape=record rankdir=LR];
166		87 [label = "{{ {{<envelope___control___0>\|1.0\|-99\|-99\|<envelope___control___4>\|<envelope___control___5>\|<envelope___control___6>\|<envelope___control___7>}\|envelope}\|<gate> gate\|<level____scale> level-scale 1.0\|<level____bias> level-bias 0.0\|<time____scale> time-scale 1.0\|<action> action 0.0} \|<__UG_NAME__>env-gen }" style="bold, rounded" shape=record rankdir=LR];
167		101 [label = "{{ {{<envelope___select___0>\|1.0\|-99\|-99\|<envelope___select___4>\|<envelope___select___5>\|<envelope___select___6>\|<envelope___select___7>}\|envelope}\|<gate> gate\|<level____scale> level-scale 1.0\|<level____bias> level-bias 0.0\|<time____scale> time-scale 1.0\|<action> action 0.0} \|<__UG_NAME__>env-gen }" style="bold, rounded" shape=record rankdir=LR];
168		111 [label = "{{ {{<envelope___control___0>\|1.0\|-99\|-99\|<envelope___control___4>\|<envelope___control___5>\|<envelope___control___6>\|<envelope___control___7>}\|envelope}\|<gate> gate\|<level____scale> level-scale 1.0\|<level____bias> level-bias 0.0\|<time____scale> time-scale 1.0\|<action> action 0.0} \|<__UG_NAME__>env-gen }" style="bold, rounded" shape=record rankdir=LR];
169		118 [label = "{{ {{0.0\|4\|-99\|-99\|<envelope___control___4>\|<envelope___control___5>\|<envelope___control___6>\|0.0\|<envelope___select___8>\|<envelope___control___9>\|<envelope___control___10>\|0.0\|<envelope___control___12>\|<envelope___control___13>\|<envelope___control___14>\|0.0\|0.0\|<envelope___control___17>\|<envelope___control___18>\|0.0}\|envelope}\|<gate> gate 1.0\|<level____scale> level-scale 1.0\|<level____bias> level-bias 0.0\|<time____scale> time-scale 1.0\|<action> action 2.0} \|<__UG_NAME__>env-gen }" style="bold, rounded" shape=record rankdir=LR];
170		126 [label = "{{ {{<envelope___control___0>\|1.0\|-99\|-99\|<envelope___control___4>\|<envelope___control___5>\|<envelope___control___6>\|<envelope___control___7>}\|envelope}\|<gate> gate\|<level____scale> level-scale 1.0\|<level____bias> level-bias 0.0\|<time____scale> time-scale 1.0\|<action> action 0.0} \|<__UG_NAME__>env-gen }" style="bold, rounded" shape=record rankdir=LR];
171		129 [label = "{{ {{<envelope___control___0>\|1.0\|-99\|-99\|<envelope___control___4>\|<envelope___control___5>\|<envelope___control___6>\|<envelope___control___7>}\|envelope}\|<gate> gate\|<level____scale> level-scale 1.0\|<level____bias> level-bias 0.0\|<time____scale> time-scale 1.0\|<action> action 0.0} \|<__UG_NAME__>env-gen }" style="bold, rounded" shape=record rankdir=LR];
172		37 [label = "{{ <in> in} \|<__UG_NAME__>hpz1 }" style="bold, rounded" shape=record rankdir=LR];
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181		74 [label = "{{ <in> in} \|<__UG_NAME__>hpz1 }" style="bold, rounded" shape=record rankdir=LR];
182		78 [label = "{{ <in> in} \|<__UG_NAME__>hpz1 }" style="bold, rounded" shape=record rankdir=LR];
183		94 [label = "{{ <in> in} \|<__UG_NAME__>hpz1 }" style="bold, rounded" shape=record rankdir=LR];
184		107 [label = "{{ <in> in} \|<__UG_NAME__>hpz1 }" style="bold, rounded" shape=record rankdir=LR];
185		114 [label = "{{ <in> in} \|<__UG_NAME__>hpz1 }" style="bold, rounded" shape=record rankdir=LR];
186		52 [label = "{{ <freq> freq 0.0\|<phase> phase 0.0} \|<__UG_NAME__>impulse }" style="bold, rounded" shape=record rankdir=LR];
187		56 [label = "{{ <freq> freq 0.0\|<phase> phase 0.0} \|<__UG_NAME__>impulse }" style="bold, rounded" shape=record rankdir=LR];
188		68 [label = "{{ <freq> freq 0.0\|<phase> phase 0.0} \|<__UG_NAME__>impulse }" style="bold, rounded" shape=record rankdir=LR];
189		73 [label = "{{ <freq> freq 0.0\|<phase> phase 0.0} \|<__UG_NAME__>impulse }" style="bold, rounded" shape=record rankdir=LR];
190		84 [label = "{{ <freq> freq 0.0\|<phase> phase 0.0} \|<__UG_NAME__>impulse }" style="bold, rounded" shape=record rankdir=LR];
191		90 [label = "{{ <freq> freq 0.0\|<phase> phase 0.0} \|<__UG_NAME__>impulse }" style="bold, rounded" shape=record rankdir=LR];
192		120 [label = "{{ <freq> freq 0.0\|<phase> phase 0.0} \|<__UG_NAME__>impulse }" style="bold, rounded" shape=record rankdir=LR];
193		113 [label = "{{ <in> in\|<freq> freq} \|<__UG_NAME__>lpf }" style="filled, bold, rounded" shape=record rankdir=LR];
194		67 [label = "{{ <a> \|<b> } \|<__UG_NAME__>midicps }" style="bold, rounded" shape=record rankdir=LR];
195		89 [label = "{{ <a> \|<b> } \|<__UG_NAME__>midicps }" style="bold, rounded" shape=record rankdir=LR];
196		112 [label = "{{ <a> \|<b> } \|<__UG_NAME__>midicps }" style="bold, rounded" shape=record rankdir=LR];
197		116 [label = "{{ <in> in\|<level> level 1.0\|<dur> dur 0.01} \|<__UG_NAME__>normalizer }" style="filled, bold, rounded" shape=record rankdir=LR];
198		131 [label = "{{ <bus> bus\|{{<signals___pan2___0>\|<signals___pan2___1>}\|signals}} \|<__UG_NAME__>out }" style="filled, bold, rounded" shape=record rankdir=LR];
199		130 [label = "{{ <in> in\|<pos> pos\|<level> level} \|<__UG_NAME__>pan2 }" style="filled, bold, rounded" shape=record rankdir=LR];
200		83 [label = "{{ <freq> freq\|<width> width} \|<__UG_NAME__>pulse }" style="filled, bold, rounded" shape=record rankdir=LR];
201		102 [label = "{{ <freq> freq\|<width> width} \|<__UG_NAME__>pulse }" style="filled, bold, rounded" shape=record rankdir=LR];
202		47 [label = "{{ <which> which\|{{<array___control___0>\|<array___control___1>}\|array}} \|<__UG_NAME__>select }" style="bold, rounded" shape=record rankdir=LR];
203		49 [label = "{{ <which> which\|{{<array___control___0>\|<array___control___1>}\|array}} \|<__UG_NAME__>select }" style="bold, rounded" shape=record rankdir=LR];
204		93 [label = "{{ <which> which\|{{<array___control___0>\|<array___control___1>}\|array}} \|<__UG_NAME__>select }" style="bold, rounded" shape=record rankdir=LR];
205		99 [label = "{{ <which> which\|{{<array___select___0>\|<array___control___1>}\|array}} \|<__UG_NAME__>select }" style="bold, rounded" shape=record rankdir=LR];
206		100 [label = "{{ <which> which\|{{<array___select___0>\|<array___control___1>}\|array}} \|<__UG_NAME__>select }" style="bold, rounded" shape=record rankdir=LR];
207
208		116:__UG_NAME__ -> 117:b ;
209		118:__UG_NAME__ -> 119:b ;
210		117:__UG_NAME__ -> 119:a ;
211		59:__UG_NAME__ -> 60:b ;
212		56:__UG_NAME__ -> 60:a ;
213		63:__UG_NAME__ -> 64:b ;
214		60:__UG_NAME__ -> 64:a ;
215		71:__UG_NAME__ -> 72:b ;
216		68:__UG_NAME__ -> 72:a ;
217		76:__UG_NAME__ -> 77:b ;
218		52:__UG_NAME__ -> 77:a ;
219		80:__UG_NAME__ -> 81:b ;
220		77:__UG_NAME__ -> 81:a ;
221		39:__UG_NAME__ -> 85:b ;
222		84:__UG_NAME__ -> 85:a ;
223		55:__UG_NAME__ -> 86:b ;
224		85:__UG_NAME__ -> 86:a ;
225		87:__UG_NAME__ -> 88:b ;
226		66:__UG_NAME__ -> 88:a ;
227		91:__UG_NAME__ -> 92:b ;
228		90:__UG_NAME__ -> 92:a ;
229		96:__UG_NAME__ -> 97:b ;
230		92:__UG_NAME__ -> 97:a ;
231		102:__UG_NAME__ -> 103:b ;
232		83:__UG_NAME__ -> 103:a ;
233		105:__UG_NAME__ -> 106:b ;
234		73:__UG_NAME__ -> 106:a ;
235		109:__UG_NAME__ -> 110:b ;
236		106:__UG_NAME__ -> 110:a ;
237		121:__UG_NAME__ -> 122:b ;
238		120:__UG_NAME__ -> 122:a ;
239		124:__UG_NAME__ -> 125:b ;
240		122:__UG_NAME__ -> 125:a ;
241		127:__UG_NAME__ -> 128:b ;
242		72:__UG_NAME__ -> 128:a ;
243		103:__UG_NAME__ -> 104:a ;
244		32:__UG_NAME__ -> 40:b ;
245		34:__UG_NAME__ -> 41:b ;
246		17:__UG_NAME__ -> 46:b ;
247		33:__UG_NAME__ -> 65:b ;
248		35:__UG_NAME__ -> 98:b ;
249		38:__UG_NAME__ -> 39:a ;
250		45:__UG_NAME__ -> 55:a ;
251		58:__UG_NAME__ -> 59:a ;
252		62:__UG_NAME__ -> 63:a ;
253		70:__UG_NAME__ -> 71:a ;
254		75:__UG_NAME__ -> 76:a ;
255		79:__UG_NAME__ -> 80:a ;
256		51:__UG_NAME__ -> 91:a ;
257		95:__UG_NAME__ -> 96:a ;
258		54:__UG_NAME__ -> 105:a ;
259		108:__UG_NAME__ -> 109:a ;
260		115:__UG_NAME__ -> 121:a ;
261		123:__UG_NAME__ -> 124:a ;
262		43:__UG_NAME__ -> 127:a ;
263		37:__UG_NAME__ -> 38:a ;
264		42:__UG_NAME__ -> 43:a ;
265		44:__UG_NAME__ -> 45:a ;
266		50:__UG_NAME__ -> 51:a ;
267		53:__UG_NAME__ -> 54:a ;
268		57:__UG_NAME__ -> 58:a ;
269		61:__UG_NAME__ -> 62:a ;
270		69:__UG_NAME__ -> 70:a ;
271		74:__UG_NAME__ -> 75:a ;
272		78:__UG_NAME__ -> 79:a ;
273		94:__UG_NAME__ -> 95:a ;
274		107:__UG_NAME__ -> 108:a ;
275		114:__UG_NAME__ -> 115:a ;
276		48:__UG_NAME__ -> 123:a ;
277		64:__UG_NAME__ -> 66:gate ;
278		0:__UG_NAME__ -> 66:envelope___control___0 ;
279		0:__UG_NAME__ -> 66:envelope___control___4 ;
280		1:__UG_NAME__ -> 66:envelope___control___5 ;
281		2:__UG_NAME__ -> 66:envelope___control___6 ;
282		3:__UG_NAME__ -> 66:envelope___control___7 ;
283		81:__UG_NAME__ -> 82:gate ;
284		28:__UG_NAME__ -> 82:envelope___control___0 ;
285		28:__UG_NAME__ -> 82:envelope___control___4 ;
286		29:__UG_NAME__ -> 82:envelope___control___5 ;
287		31:__UG_NAME__ -> 82:envelope___control___6 ;
288		30:__UG_NAME__ -> 82:envelope___control___7 ;
289		86:__UG_NAME__ -> 87:gate ;
290		24:__UG_NAME__ -> 87:envelope___control___0 ;
291		24:__UG_NAME__ -> 87:envelope___control___4 ;
292		25:__UG_NAME__ -> 87:envelope___control___5 ;
293		26:__UG_NAME__ -> 87:envelope___control___6 ;
294		27:__UG_NAME__ -> 87:envelope___control___7 ;
295		97:__UG_NAME__ -> 101:gate ;
296		49:__UG_NAME__ -> 101:envelope___select___0 ;
297		49:__UG_NAME__ -> 101:envelope___select___4 ;
298		93:__UG_NAME__ -> 101:envelope___select___5 ;
299		99:__UG_NAME__ -> 101:envelope___select___6 ;
300		100:__UG_NAME__ -> 101:envelope___select___7 ;
301		110:__UG_NAME__ -> 111:gate ;
302		20:__UG_NAME__ -> 111:envelope___control___0 ;
303		20:__UG_NAME__ -> 111:envelope___control___4 ;
304		21:__UG_NAME__ -> 111:envelope___control___5 ;
305		22:__UG_NAME__ -> 111:envelope___control___6 ;
306		23:__UG_NAME__ -> 111:envelope___control___7 ;
307		16:__UG_NAME__ -> 118:envelope___control___4 ;
308		12:__UG_NAME__ -> 118:envelope___control___5 ;
309		19:__UG_NAME__ -> 118:envelope___control___6 ;
310		47:__UG_NAME__ -> 118:envelope___select___8 ;
311		13:__UG_NAME__ -> 118:envelope___control___9 ;
312		19:__UG_NAME__ -> 118:envelope___control___10 ;
313		18:__UG_NAME__ -> 118:envelope___control___12 ;
314		14:__UG_NAME__ -> 118:envelope___control___13 ;
315		19:__UG_NAME__ -> 118:envelope___control___14 ;
316		15:__UG_NAME__ -> 118:envelope___control___17 ;
317		19:__UG_NAME__ -> 118:envelope___control___18 ;
318		125:__UG_NAME__ -> 126:gate ;
319		8:__UG_NAME__ -> 126:envelope___control___0 ;
320		8:__UG_NAME__ -> 126:envelope___control___4 ;
321		9:__UG_NAME__ -> 126:envelope___control___5 ;
322		10:__UG_NAME__ -> 126:envelope___control___6 ;
323		11:__UG_NAME__ -> 126:envelope___control___7 ;
324		128:__UG_NAME__ -> 129:gate ;
325		4:__UG_NAME__ -> 129:envelope___control___0 ;
326		4:__UG_NAME__ -> 129:envelope___control___4 ;
327		5:__UG_NAME__ -> 129:envelope___control___5 ;
328		6:__UG_NAME__ -> 129:envelope___control___6 ;
329		7:__UG_NAME__ -> 129:envelope___control___7 ;
330		24:__UG_NAME__ -> 37:in ;
331		5:__UG_NAME__ -> 42:in ;
332		25:__UG_NAME__ -> 44:in ;
333		9:__UG_NAME__ -> 48:in ;
334		49:__UG_NAME__ -> 50:in ;
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373		30:__UG_NAME__ -> 100:array___control___1 ;
374		41:__UG_NAME__ -> 100:which ;
375
376		}⏎

+0

-275

~~etc/synthdefs/graphviz/sonic-pi-dsaw.dot~~ less more

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-258

~~etc/synthdefs/graphviz/sonic-pi-dull_bell.dot~~ less more

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-316

~~etc/synthdefs/graphviz/sonic-pi-fm.dot~~ less more

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315		}⏎

+0

-282

~~etc/synthdefs/graphviz/sonic-pi-fx_band_eq.dot~~ less more

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-294

~~etc/synthdefs/graphviz/sonic-pi-fx_bitcrusher.dot~~ less more

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151		80 [label = "{{ <a> \|<b> } \|<__UG_NAME__>midicps }" style="bold, rounded" shape=record rankdir=LR];
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155		98 [label = "{{ <ina> inA\|<inb> inB\|<pan> pan\|<level> level} \|<__UG_NAME__>x-fade2 }" style="filled, bold, rounded" shape=record rankdir=LR];
156		102 [label = "{{ <ina> inA\|<inb> inB\|<pan> pan\|<level> level} \|<__UG_NAME__>x-fade2 }" style="filled, bold, rounded" shape=record rankdir=LR];
157
158		36:__UG_NAME__ -> 37:b ;
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217		38:__UG_NAME__ -> 59:in ;
218		58:__UG_NAME__ -> 86:bits ;
219		48:__UG_NAME__ -> 86:rate ;
220		37:__UG_NAME__ -> 86:in ;
221		34:__UG_NAME__ -> 35:gate ;
222		8:__UG_NAME__ -> 35:envelope___control___0 ;
223		8:__UG_NAME__ -> 35:envelope___control___4 ;
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274		78:__UG_NAME__ -> 80:a ;
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283		79:__UG_NAME__ -> 99:which ;
284		97:__UG_NAME__ -> 98:level ;
285		85:__UG_NAME__ -> 98:pan ;
286		82:__UG_NAME__ -> 98:inb ;
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291		37:__UG_NAME__ -> 102:ina ;
292
293		}⏎

+0

-242

~~etc/synthdefs/graphviz/sonic-pi-fx_bpf.dot~~ less more

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241		}⏎

+0

-365

~~etc/synthdefs/graphviz/sonic-pi-fx_compressor.dot~~ less more

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364		}⏎

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-227

~~etc/synthdefs/graphviz/sonic-pi-fx_distortion.dot~~ less more

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226		}⏎

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-249

~~etc/synthdefs/graphviz/sonic-pi-fx_echo.dot~~ less more

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247
248		}⏎

+0

-547

~~etc/synthdefs/graphviz/sonic-pi-fx_flanger.dot~~ less more

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545
546		}⏎

+0

-371

~~etc/synthdefs/graphviz/sonic-pi-fx_gverb.dot~~ less more

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189		86 [label = "{{ <freq> freq 0.0\|<phase> phase 0.0} \|<__UG_NAME__>impulse }" style="bold, rounded" shape=record rankdir=LR];
190		75 [label = "{{ <bus> bus\|<num____channels> num-channels 2} \|<__UG_NAME__>in }" style="filled, bold, rounded" shape=record rankdir=LR];
191		109 [label = "{{ <in> in\|<mul> mul 1.0\|<add> add -1.0} \|<__UG_NAME__>mul-add }" style="bold, rounded" shape=record rankdir=LR];
192		126 [label = "{{ <bus> bus\|{{<signals___x____fade2___0>\|<signals___x____fade2___1>}\|signals}} \|<__UG_NAME__>out }" style="filled, bold, rounded" shape=record rankdir=LR];
193		98 [label = "{{ <which> which\|{{<array___control___0>\|<array___binary____op____u____gen___1>}\|array}} \|<__UG_NAME__>select }" style="bold, rounded" shape=record rankdir=LR];
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197		125 [label = "{{ <ina> inA\|<inb> inB\|<pan> pan\|<level> level} \|<__UG_NAME__>x-fade2 }" style="filled, bold, rounded" shape=record rankdir=LR];
198
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276		22:__UG_NAME__ -> 53:envelope___control___5 ;
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278		24:__UG_NAME__ -> 53:envelope___control___7 ;
279		63:__UG_NAME__ -> 64:gate ;
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315		64:__UG_NAME__ -> 99:drylevel ;
316		2:__UG_NAME__ -> 99:revtime ;
317		98:__UG_NAME__ -> 99:maxroomsize ;
318		95:__UG_NAME__ -> 99:inputbw ;
319		53:__UG_NAME__ -> 99:damping ;
320		0:__UG_NAME__ -> 99:roomsize ;
321		3:__UG_NAME__ -> 99:earlyreflevel ;
322		4:__UG_NAME__ -> 99:taillevel ;
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324		64:__UG_NAME__ -> 102:drylevel ;
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327		95:__UG_NAME__ -> 102:inputbw ;
328		53:__UG_NAME__ -> 102:damping ;
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360		110:__UG_NAME__ -> 119:inb ;
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362		109:__UG_NAME__ -> 122:pan ;
363		121:__UG_NAME__ -> 122:inb ;
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365		85:__UG_NAME__ -> 125:level ;
366		124:__UG_NAME__ -> 125:pan ;
367		122:__UG_NAME__ -> 125:inb ;
368		101:__UG_NAME__ -> 125:ina ;
369
370		}⏎

+0

-200

~~etc/synthdefs/graphviz/sonic-pi-fx_hpf.dot~~ less more

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199		}⏎

+0

-336

~~etc/synthdefs/graphviz/sonic-pi-fx_ixi_techno.dot~~ less more

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335		}⏎

+0

-326

~~etc/synthdefs/graphviz/sonic-pi-fx_krush.dot~~ less more

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322		112:__UG_NAME__ -> 116:inb ;
323		77:__UG_NAME__ -> 116:ina ;
324
325		}⏎

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~~etc/synthdefs/graphviz/sonic-pi-fx_level.dot~~ less more

0		digraph synthdef {
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59		}⏎

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-200

~~etc/synthdefs/graphviz/sonic-pi-fx_lpf.dot~~ less more

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199		}⏎

+0

-204

~~etc/synthdefs/graphviz/sonic-pi-fx_nhpf.dot~~ less more

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190		61:__UG_NAME__ -> 63:in ;
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193		17:__UG_NAME__ -> 72:bus ;
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195		64:__UG_NAME__ -> 70:pan ;
196		63:__UG_NAME__ -> 70:inb ;
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198		69:__UG_NAME__ -> 71:level ;
199		62:__UG_NAME__ -> 71:pan ;
200		43:__UG_NAME__ -> 71:inb ;
201		30:__UG_NAME__ -> 71:ina ;
202
203		}⏎

+0

-204

~~etc/synthdefs/graphviz/sonic-pi-fx_nlpf.dot~~ less more

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203		}⏎

+0

-198

~~etc/synthdefs/graphviz/sonic-pi-fx_normaliser.dot~~ less more

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+0

-246

~~etc/synthdefs/graphviz/sonic-pi-fx_nrbpf.dot~~ less more

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194		54:__UG_NAME__ -> 55:gate ;
195		46:__UG_NAME__ -> 55:envelope___mul____add___0 ;
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228		80:__UG_NAME__ -> 87:signals___x____fade2___1 ;
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231		44:__UG_NAME__ -> 56:freq ;
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234		44:__UG_NAME__ -> 83:freq ;
235		82:__UG_NAME__ -> 83:in ;
236		79:__UG_NAME__ -> 80:level ;
237		69:__UG_NAME__ -> 80:pan ;
238		57:__UG_NAME__ -> 80:inb ;
239		33:__UG_NAME__ -> 80:ina ;
240		79:__UG_NAME__ -> 86:level ;
241		85:__UG_NAME__ -> 86:pan ;
242		84:__UG_NAME__ -> 86:inb ;
243		82:__UG_NAME__ -> 86:ina ;
244
245		}⏎

+0

-244

~~etc/synthdefs/graphviz/sonic-pi-fx_nrhpf.dot~~ less more

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236		70:__UG_NAME__ -> 80:inb ;
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239		82:__UG_NAME__ -> 85:pan ;
240		84:__UG_NAME__ -> 85:inb ;
241		53:__UG_NAME__ -> 85:ina ;
242
243		}⏎

+0

-246

~~etc/synthdefs/graphviz/sonic-pi-fx_nrlpf.dot~~ less more

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245		}⏎

+0

-346

~~etc/synthdefs/graphviz/sonic-pi-fx_octaver.dot~~ less more

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170		31 [label = "{{ <freq> freq 0.0\|<phase> phase 0.0} \|<__UG_NAME__>impulse }" style="bold, rounded" shape=record rankdir=LR];
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175		51 [label = "{{ <bus> bus\|<num____channels> num-channels 2} \|<__UG_NAME__>in }" style="filled, bold, rounded" shape=record rankdir=LR];
176		52 [label = "{{ <bus> bus\|<num____channels> num-channels 2} \|<__UG_NAME__>in }" style="filled, bold, rounded" shape=record rankdir=LR];
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180		61 [label = "{{ <trig> trig} \|<__UG_NAME__>toggle-ff }" style="filled, bold, rounded" shape=record rankdir=LR];
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184		111 [label = "{{ <ina> inA\|<inb> inB\|<pan> pan\|<level> level} \|<__UG_NAME__>x-fade2 }" style="filled, bold, rounded" shape=record rankdir=LR];
185		123 [label = "{{ <ina> inA\|<inb> inB\|<pan> pan\|<level> level} \|<__UG_NAME__>x-fade2 }" style="filled, bold, rounded" shape=record rankdir=LR];
186
187		51:__UG_NAME__ -> 59:b ;
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312		3:__UG_NAME__ -> 110:envelope___control___7 ;
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325		28:__UG_NAME__ -> 51:bus ;
326		28:__UG_NAME__ -> 52:bus ;
327		59:__UG_NAME__ -> 60:in ;
328		64:__UG_NAME__ -> 65:in ;
329		123:__UG_NAME__ -> 124:signals___x____fade2___0 ;
330		111:__UG_NAME__ -> 124:signals___x____fade2___1 ;
331		29:__UG_NAME__ -> 124:bus ;
332		60:__UG_NAME__ -> 61:trig ;
333		61:__UG_NAME__ -> 62:trig ;
334		65:__UG_NAME__ -> 77:trig ;
335		77:__UG_NAME__ -> 81:trig ;
336		110:__UG_NAME__ -> 111:level ;
337		102:__UG_NAME__ -> 111:pan ;
338		94:__UG_NAME__ -> 111:inb ;
339		63:__UG_NAME__ -> 111:ina ;
340		110:__UG_NAME__ -> 123:level ;
341		122:__UG_NAME__ -> 123:pan ;
342		120:__UG_NAME__ -> 123:inb ;
343		112:__UG_NAME__ -> 123:ina ;
344
345		}⏎

+0

-197

~~etc/synthdefs/graphviz/sonic-pi-fx_pan.dot~~ less more

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90		19 [label = "{{ <in> in} \|<__UG_NAME__>hpz1 }" style="bold, rounded" shape=record rankdir=LR];
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184		64:__UG_NAME__ -> 68:signals___x____fade2___0 ;
185		67:__UG_NAME__ -> 68:signals___x____fade2___1 ;
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188		63:__UG_NAME__ -> 64:pan ;
189		55:__UG_NAME__ -> 64:inb ;
190		45:__UG_NAME__ -> 64:ina ;
191		54:__UG_NAME__ -> 67:level ;
192		66:__UG_NAME__ -> 67:pan ;
193		55:__UG_NAME__ -> 67:inb ;
194		46:__UG_NAME__ -> 67:ina ;
195
196		}⏎

+0

-618

~~etc/synthdefs/graphviz/sonic-pi-fx_panslicer.dot~~ less more

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238		44 [label = "control
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244		46 [label = "control
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247		47 [label = "control
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253		49 [label = "control
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262		52 [label = "control
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277		161 [label = "{{ {{<envelope___control___0>\|1.0\|-99\|-99\|<envelope___control___4>\|<envelope___control___5>\|<envelope___control___6>\|<envelope___control___7>}\|envelope}\|<gate> gate\|<level____scale> level-scale 1.0\|<level____bias> level-bias 0.0\|<time____scale> time-scale 1.0\|<action> action 0.0} \|<__UG_NAME__>env-gen }" style="bold, rounded" shape=record rankdir=LR];
278		177 [label = "{{ {{<envelope___control___0>\|1.0\|-99\|-99\|<envelope___control___4>\|<envelope___control___5>\|<envelope___control___6>\|<envelope___control___7>}\|envelope}\|<gate> gate\|<level____scale> level-scale 1.0\|<level____bias> level-bias 0.0\|<time____scale> time-scale 1.0\|<action> action 0.0} \|<__UG_NAME__>env-gen }" style="bold, rounded" shape=record rankdir=LR];
279		186 [label = "{{ {{<envelope___control___0>\|1.0\|-99\|-99\|<envelope___control___4>\|<envelope___control___5>\|<envelope___control___6>\|<envelope___control___7>}\|envelope}\|<gate> gate\|<level____scale> level-scale 1.0\|<level____bias> level-bias 0.0\|<time____scale> time-scale 1.0\|<action> action 0.0} \|<__UG_NAME__>env-gen }" style="bold, rounded" shape=record rankdir=LR];
280		197 [label = "{{ {{<envelope___control___0>\|1.0\|-99\|-99\|<envelope___control___4>\|<envelope___control___5>\|<envelope___control___6>\|<envelope___control___7>}\|envelope}\|<gate> gate\|<level____scale> level-scale 1.0\|<level____bias> level-bias 0.0\|<time____scale> time-scale 1.0\|<action> action 0.0} \|<__UG_NAME__>env-gen }" style="bold, rounded" shape=record rankdir=LR];
281		206 [label = "{{ {{<envelope___control___0>\|1.0\|-99\|-99\|<envelope___control___4>\|<envelope___control___5>\|<envelope___control___6>\|<envelope___control___7>}\|envelope}\|<gate> gate\|<level____scale> level-scale 1.0\|<level____bias> level-bias 0.0\|<time____scale> time-scale 1.0\|<action> action 0.0} \|<__UG_NAME__>env-gen }" style="bold, rounded" shape=record rankdir=LR];
282		217 [label = "{{ {{<envelope___control___0>\|1.0\|-99\|-99\|<envelope___control___4>\|<envelope___control___5>\|<envelope___control___6>\|<envelope___control___7>}\|envelope}\|<gate> gate\|<level____scale> level-scale 1.0\|<level____bias> level-bias 0.0\|<time____scale> time-scale 1.0\|<action> action 0.0} \|<__UG_NAME__>env-gen }" style="bold, rounded" shape=record rankdir=LR];
283		55 [label = "{{ <in> in} \|<__UG_NAME__>hpz1 }" style="bold, rounded" shape=record rankdir=LR];
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310		102 [label = "{{ <freq> freq 0.0\|<phase> phase 0.0} \|<__UG_NAME__>impulse }" style="bold, rounded" shape=record rankdir=LR];
311		122 [label = "{{ <freq> freq\|<phase> phase 0.0} \|<__UG_NAME__>impulse }" style="bold, rounded" shape=record rankdir=LR];
312		127 [label = "{{ <freq> freq 0.0\|<phase> phase 0.0} \|<__UG_NAME__>impulse }" style="bold, rounded" shape=record rankdir=LR];
313		141 [label = "{{ <freq> freq 0.0\|<phase> phase 0.0} \|<__UG_NAME__>impulse }" style="bold, rounded" shape=record rankdir=LR];
314		152 [label = "{{ <freq> freq 0.0\|<phase> phase 0.0} \|<__UG_NAME__>impulse }" style="bold, rounded" shape=record rankdir=LR];
315		168 [label = "{{ <freq> freq 0.0\|<phase> phase 0.0} \|<__UG_NAME__>impulse }" style="bold, rounded" shape=record rankdir=LR];
316		178 [label = "{{ <freq> freq 0.0\|<phase> phase 0.0} \|<__UG_NAME__>impulse }" style="bold, rounded" shape=record rankdir=LR];
317		188 [label = "{{ <freq> freq 0.0\|<phase> phase 0.0} \|<__UG_NAME__>impulse }" style="bold, rounded" shape=record rankdir=LR];
318		199 [label = "{{ <freq> freq 0.0\|<phase> phase 0.0} \|<__UG_NAME__>impulse }" style="bold, rounded" shape=record rankdir=LR];
319		208 [label = "{{ <freq> freq 0.0\|<phase> phase 0.0} \|<__UG_NAME__>impulse }" style="bold, rounded" shape=record rankdir=LR];
320		68 [label = "{{ <bus> bus\|<num____channels> num-channels 2} \|<__UG_NAME__>in }" style="filled, bold, rounded" shape=record rankdir=LR];
321		198 [label = "{{ <in> in\|<lag____time> lag-time} \|<__UG_NAME__>lag }" style="bold, rounded" shape=record rankdir=LR];
322		187 [label = "{{ <in> in\|<lag____time____up> lag-time-up\|<lag____time____down> lag-time-down} \|<__UG_NAME__>lag-ud }" style="bold, rounded" shape=record rankdir=LR];
323		112 [label = "{{ <freq> freq\|<iphase> iphase\|<width> width} \|<__UG_NAME__>lf-pulse }" style="bold, rounded" shape=record rankdir=LR];
324		100 [label = "{{ <freq> freq\|<iphase> iphase} \|<__UG_NAME__>lf-saw }" style="bold, rounded" shape=record rankdir=LR];
325		116 [label = "{{ <freq> freq\|<iphase> iphase} \|<__UG_NAME__>lf-tri }" style="bold, rounded" shape=record rankdir=LR];
326		129 [label = "{{ <in> in\|<mul> mul 2.0\|<add> add -1.0} \|<__UG_NAME__>mul-add }" style="bold, rounded" shape=record rankdir=LR];
327		167 [label = "{{ <in> in\|<mul> mul\|<add> add} \|<__UG_NAME__>mul-add }" style="bold, rounded" shape=record rankdir=LR];
328		224 [label = "{{ <bus> bus\|{{<signals___x____fade2___0>\|<signals___x____fade2___1>}\|signals}} \|<__UG_NAME__>out }" style="filled, bold, rounded" shape=record rankdir=LR];
329		123 [label = "{{ <trig> trig\|<reset> reset 0.0} \|<__UG_NAME__>pulse-count }" style="bold, rounded" shape=record rankdir=LR];
330		120 [label = "{{ <which> which\|{{<array___binary____op____u____gen___0>\|<array___binary____op____u____gen___1>\|<array___lf____tri___2>\|<array___sin____osc___3>}\|array}} \|<__UG_NAME__>select }" style="bold, rounded" shape=record rankdir=LR];
331		139 [label = "{{ <which> which\|{{<array___env____gen___0>\|<array___binary____op____u____gen___1>}\|array}} \|<__UG_NAME__>select }" style="bold, rounded" shape=record rankdir=LR];
332		140 [label = "{{ <which> which\|{{<array___binary____op____u____gen___0>\|<array___select___1>}\|array}} \|<__UG_NAME__>select }" style="bold, rounded" shape=record rankdir=LR];
333		119 [label = "{{ <freq> freq\|<phase> phase\|<mul> mul 1.0\|<add> add 0.0} \|<__UG_NAME__>sin-osc }" style="bold, rounded" shape=record rankdir=LR];
334		222 [label = "{{ <ina> inA\|<inb> inB\|<pan> pan\|<level> level} \|<__UG_NAME__>x-fade2 }" style="filled, bold, rounded" shape=record rankdir=LR];
335		223 [label = "{{ <ina> inA\|<inb> inB\|<pan> pan\|<level> level} \|<__UG_NAME__>x-fade2 }" style="filled, bold, rounded" shape=record rankdir=LR];
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337		68:__UG_NAME__ -> 69:b ;
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614		207:__UG_NAME__ -> 223:inb ;
615		70:__UG_NAME__ -> 223:ina ;
616
617		}⏎

+0

-320

~~etc/synthdefs/graphviz/sonic-pi-fx_pitch_shift.dot~~ less more

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301		98:__UG_NAME__ -> 101:pitch____dispersion ;
302		93:__UG_NAME__ -> 101:pitch____ratio ;
303		68:__UG_NAME__ -> 101:window____size ;
304		44:__UG_NAME__ -> 101:in ;
305		100:__UG_NAME__ -> 110:time____dispersion ;
306		98:__UG_NAME__ -> 110:pitch____dispersion ;
307		93:__UG_NAME__ -> 110:pitch____ratio ;
308		68:__UG_NAME__ -> 110:window____size ;
309		109:__UG_NAME__ -> 110:in ;
310		107:__UG_NAME__ -> 108:level ;
311		56:__UG_NAME__ -> 108:pan ;
312		101:__UG_NAME__ -> 108:inb ;
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314		107:__UG_NAME__ -> 111:level ;
315		78:__UG_NAME__ -> 111:pan ;
316		110:__UG_NAME__ -> 111:inb ;
317		109:__UG_NAME__ -> 111:ina ;
318
319		}⏎

+0

-242

~~etc/synthdefs/graphviz/sonic-pi-fx_rbpf.dot~~ less more

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241		}⏎

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~~etc/synthdefs/graphviz/sonic-pi-fx_reverb.dot~~ less more

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-242

~~etc/synthdefs/graphviz/sonic-pi-fx_rhpf.dot~~ less more

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241		}⏎

+0

-247

~~etc/synthdefs/graphviz/sonic-pi-fx_ring_mod.dot~~ less more

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62		8 [label = "control
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124		60 [label = "{{ <bus> bus\|<num____channels> num-channels 2} \|<__UG_NAME__>in }" style="filled, bold, rounded" shape=record rankdir=LR];
125		80 [label = "{{ <in> in\|<level> level 1.0\|<dur> dur 0.01} \|<__UG_NAME__>limiter }" style="filled, bold, rounded" shape=record rankdir=LR];
126		84 [label = "{{ <in> in\|<level> level 1.0\|<dur> dur 0.01} \|<__UG_NAME__>limiter }" style="filled, bold, rounded" shape=record rankdir=LR];
127		73 [label = "{{ <a> \|<b> } \|<__UG_NAME__>midicps }" style="bold, rounded" shape=record rankdir=LR];
128		88 [label = "{{ <bus> bus\|{{<signals___x____fade2___0>\|<signals___x____fade2___1>}\|signals}} \|<__UG_NAME__>out }" style="filled, bold, rounded" shape=record rankdir=LR];
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134
135		60:__UG_NAME__ -> 61:b ;
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190		3:__UG_NAME__ -> 33:envelope___control___7 ;
191		58:__UG_NAME__ -> 59:gate ;
192		8:__UG_NAME__ -> 59:envelope___control___0 ;
193		8:__UG_NAME__ -> 59:envelope___control___4 ;
194		9:__UG_NAME__ -> 59:envelope___control___5 ;
195		10:__UG_NAME__ -> 59:envelope___control___6 ;
196		11:__UG_NAME__ -> 59:envelope___control___7 ;
197		40:__UG_NAME__ -> 62:gate ;
198		16:__UG_NAME__ -> 62:envelope___control___0 ;
199		16:__UG_NAME__ -> 62:envelope___control___4 ;
200		17:__UG_NAME__ -> 62:envelope___control___5 ;
201		18:__UG_NAME__ -> 62:envelope___control___6 ;
202		19:__UG_NAME__ -> 62:envelope___control___7 ;
203		71:__UG_NAME__ -> 72:gate ;
204		12:__UG_NAME__ -> 72:envelope___control___0 ;
205		12:__UG_NAME__ -> 72:envelope___control___4 ;
206		13:__UG_NAME__ -> 72:envelope___control___5 ;
207		14:__UG_NAME__ -> 72:envelope___control___6 ;
208		15:__UG_NAME__ -> 72:envelope___control___7 ;
209		53:__UG_NAME__ -> 77:gate ;
210		4:__UG_NAME__ -> 77:envelope___control___0 ;
211		4:__UG_NAME__ -> 77:envelope___control___4 ;
212		5:__UG_NAME__ -> 77:envelope___control___5 ;
213		6:__UG_NAME__ -> 77:envelope___control___6 ;
214		7:__UG_NAME__ -> 77:envelope___control___7 ;
215		16:__UG_NAME__ -> 22:in ;
216		0:__UG_NAME__ -> 25:in ;
217		1:__UG_NAME__ -> 29:in ;
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220		4:__UG_NAME__ -> 44:in ;
221		5:__UG_NAME__ -> 46:in ;
222		9:__UG_NAME__ -> 48:in ;
223		12:__UG_NAME__ -> 64:in ;
224		13:__UG_NAME__ -> 68:in ;
225		20:__UG_NAME__ -> 60:bus ;
226		76:__UG_NAME__ -> 80:in ;
227		83:__UG_NAME__ -> 84:in ;
228		72:__UG_NAME__ -> 73:a ;
229		81:__UG_NAME__ -> 88:signals___x____fade2___0 ;
230		87:__UG_NAME__ -> 88:signals___x____fade2___1 ;
231		21:__UG_NAME__ -> 88:bus ;
232		75:__UG_NAME__ -> 76:b ;
233		61:__UG_NAME__ -> 76:a ;
234		75:__UG_NAME__ -> 83:b ;
235		82:__UG_NAME__ -> 83:a ;
236		73:__UG_NAME__ -> 74:freq ;
237		33:__UG_NAME__ -> 81:level ;
238		79:__UG_NAME__ -> 81:pan ;
239		80:__UG_NAME__ -> 81:inb ;
240		61:__UG_NAME__ -> 81:ina ;
241		33:__UG_NAME__ -> 87:level ;
242		86:__UG_NAME__ -> 87:pan ;
243		84:__UG_NAME__ -> 87:inb ;
244		82:__UG_NAME__ -> 87:ina ;
245
246		}⏎

+0

-242

~~etc/synthdefs/graphviz/sonic-pi-fx_rlpf.dot~~ less more

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241		}⏎

+0

-615

~~etc/synthdefs/graphviz/sonic-pi-fx_slicer.dot~~ less more

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468		205:__UG_NAME__ -> 206:a ;
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470		138:__UG_NAME__ -> 139:phase ;
471		52:__UG_NAME__ -> 139:bufnum ;
472		40:__UG_NAME__ -> 61:in ;
473		44:__UG_NAME__ -> 83:in ;
474		81:__UG_NAME__ -> 82:gate ;
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478		10:__UG_NAME__ -> 82:envelope___control___6 ;
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480		95:__UG_NAME__ -> 96:gate ;
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488		24:__UG_NAME__ -> 109:envelope___control___4 ;
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519		5:__UG_NAME__ -> 187:envelope___control___5 ;
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568		29:__UG_NAME__ -> 188:in ;
569		28:__UG_NAME__ -> 205:in ;
570		97:__UG_NAME__ -> 98:freq ;
571		53:__UG_NAME__ -> 202:bus ;
572		212:__UG_NAME__ -> 213:lag____time ;
573		204:__UG_NAME__ -> 213:in ;
574		172:__UG_NAME__ -> 204:lag____time____down ;
575		178:__UG_NAME__ -> 204:lag____time____up ;
576		201:__UG_NAME__ -> 204:in ;
577		109:__UG_NAME__ -> 154:width ;
578		48:__UG_NAME__ -> 154:iphase ;
579		97:__UG_NAME__ -> 154:freq ;
580		151:__UG_NAME__ -> 152:iphase ;
581		97:__UG_NAME__ -> 152:freq ;
582		157:__UG_NAME__ -> 158:iphase ;
583		97:__UG_NAME__ -> 158:freq ;
584		83:__UG_NAME__ -> 84:in ;
585		200:__UG_NAME__ -> 201:add ;
586		198:__UG_NAME__ -> 201:mul ;
587		191:__UG_NAME__ -> 201:in ;
588		217:__UG_NAME__ -> 223:signals___x____fade2___0 ;
589		222:__UG_NAME__ -> 223:signals___x____fade2___1 ;
590		54:__UG_NAME__ -> 223:bus ;
591		98:__UG_NAME__ -> 137:trig ;
592		153:__UG_NAME__ -> 159:array___binary____op____u____gen___0 ;
593		156:__UG_NAME__ -> 159:array___binary____op____u____gen___1 ;
594		158:__UG_NAME__ -> 159:array___lf____tri___2 ;
595		112:__UG_NAME__ -> 159:array___sin____osc___3 ;
596		49:__UG_NAME__ -> 159:which ;
597		146:__UG_NAME__ -> 161:array___env____gen___0 ;
598		160:__UG_NAME__ -> 161:array___binary____op____u____gen___1 ;
599		140:__UG_NAME__ -> 161:which ;
600		160:__UG_NAME__ -> 191:array___binary____op____u____gen___0 ;
601		161:__UG_NAME__ -> 191:array___select___1 ;
602		114:__UG_NAME__ -> 191:which ;
603		111:__UG_NAME__ -> 112:phase ;
604		97:__UG_NAME__ -> 112:freq ;
605		189:__UG_NAME__ -> 217:level ;
606		216:__UG_NAME__ -> 217:pan ;
607		214:__UG_NAME__ -> 217:inb ;
608		203:__UG_NAME__ -> 217:ina ;
609		189:__UG_NAME__ -> 222:level ;
610		221:__UG_NAME__ -> 222:pan ;
611		219:__UG_NAME__ -> 222:inb ;
612		218:__UG_NAME__ -> 222:ina ;
613
614		}⏎

+0

-223

~~etc/synthdefs/graphviz/sonic-pi-fx_tanh.dot~~ less more

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+0

-670

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668
669		}⏎

+0

-223

~~etc/synthdefs/graphviz/sonic-pi-gnoise.dot~~ less more

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222		}⏎

+0

-282

~~etc/synthdefs/graphviz/sonic-pi-growl.dot~~ less more

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280
281		}⏎

+0

-330

~~etc/synthdefs/graphviz/sonic-pi-hollow.dot~~ less more

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329		}⏎

+0

-456

~~etc/synthdefs/graphviz/sonic-pi-hoover.dot~~ less more

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455		}⏎

+0

-292

~~etc/synthdefs/graphviz/sonic-pi-mixer.dot~~ less more

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290
291		}⏎

+0

-461

~~etc/synthdefs/graphviz/sonic-pi-mod_dsaw.dot~~ less more

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460		}⏎

+0

-504

~~etc/synthdefs/graphviz/sonic-pi-mod_fm.dot~~ less more

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503		}⏎

+0

-452

~~etc/synthdefs/graphviz/sonic-pi-mod_pulse.dot~~ less more

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77		2 [label = "control
78		:note_slide_shape
79		default: 1.0" shape=invhouse style="rounded, filled, bold" fillcolor=black fontcolor=white ];
80		3 [label = "control
81		:note_slide_curve
82		default: 0.0" shape=invhouse style="rounded, filled, bold" fillcolor=black fontcolor=white ];
83		4 [label = "control
84		:amp
85		default: 1.0" shape=invhouse style="rounded, filled, bold" fillcolor=black fontcolor=white ];
86		5 [label = "control
87		:amp_slide
88		default: 0.0" shape=invhouse style="rounded, filled, bold" fillcolor=black fontcolor=white ];
89		6 [label = "control
90		:amp_slide_shape
91		default: 1.0" shape=invhouse style="rounded, filled, bold" fillcolor=black fontcolor=white ];
92		7 [label = "control
93		:amp_slide_curve
94		default: 0.0" shape=invhouse style="rounded, filled, bold" fillcolor=black fontcolor=white ];
95		8 [label = "control
96		:pan
97		default: 0.0" shape=invhouse style="rounded, filled, bold" fillcolor=black fontcolor=white ];
98		9 [label = "control
99		:pan_slide
100		default: 0.0" shape=invhouse style="rounded, filled, bold" fillcolor=black fontcolor=white ];
101		10 [label = "control
102		:pan_slide_shape
103		default: 1.0" shape=invhouse style="rounded, filled, bold" fillcolor=black fontcolor=white ];
104		11 [label = "control
105		:pan_slide_curve
106		default: 0.0" shape=invhouse style="rounded, filled, bold" fillcolor=black fontcolor=white ];
107		12 [label = "control
108		:attack
109		default: 0.0" shape=invhouse style="rounded, filled, bold" fillcolor=black fontcolor=white ];
110		13 [label = "control
111		:decay
112		default: 0.0" shape=invhouse style="rounded, filled, bold" fillcolor=black fontcolor=white ];
113		14 [label = "control
114		:sustain
115		default: 0.0" shape=invhouse style="rounded, filled, bold" fillcolor=black fontcolor=white ];
116		15 [label = "control
117		:release
118		default: 1.0" shape=invhouse style="rounded, filled, bold" fillcolor=black fontcolor=white ];
119		16 [label = "control
120		:attack_level
121		default: 1.0" shape=invhouse style="rounded, filled, bold" fillcolor=black fontcolor=white ];
122		17 [label = "control
123		:decay_level
124		default: -1.0" shape=invhouse style="rounded, filled, bold" fillcolor=black fontcolor=white ];
125		18 [label = "control
126		:sustain_level
127		default: 1.0" shape=invhouse style="rounded, filled, bold" fillcolor=black fontcolor=white ];
128		19 [label = "control
129		:env_curve
130		default: 1.0" shape=invhouse style="rounded, filled, bold" fillcolor=black fontcolor=white ];
131		20 [label = "control
132		:cutoff
133		default: 100.0" shape=invhouse style="rounded, filled, bold" fillcolor=black fontcolor=white ];
134		21 [label = "control
135		:cutoff_slide
136		default: 0.0" shape=invhouse style="rounded, filled, bold" fillcolor=black fontcolor=white ];
137		22 [label = "control
138		:cutoff_slide_shape
139		default: 1.0" shape=invhouse style="rounded, filled, bold" fillcolor=black fontcolor=white ];
140		23 [label = "control
141		:cutoff_slide_curve
142		default: 0.0" shape=invhouse style="rounded, filled, bold" fillcolor=black fontcolor=white ];
143		24 [label = "control
144		:mod_phase
145		default: 0.25" shape=invhouse style="rounded, filled, bold" fillcolor=black fontcolor=white ];
146		25 [label = "control
147		:mod_phase_slide
148		default: 0.0" shape=invhouse style="rounded, filled, bold" fillcolor=black fontcolor=white ];
149		26 [label = "control
150		:mod_phase_slide_shape
151		default: 1.0" shape=invhouse style="rounded, filled, bold" fillcolor=black fontcolor=white ];
152		27 [label = "control
153		:mod_phase_slide_curve
154		default: 0.0" shape=invhouse style="rounded, filled, bold" fillcolor=black fontcolor=white ];
155		28 [label = "control
156		:mod_range
157		default: 5.0" shape=invhouse style="rounded, filled, bold" fillcolor=black fontcolor=white ];
158		29 [label = "control
159		:mod_range_slide
160		default: 0.0" shape=invhouse style="rounded, filled, bold" fillcolor=black fontcolor=white ];
161		30 [label = "control
162		:mod_range_slide_shape
163		default: 1.0" shape=invhouse style="rounded, filled, bold" fillcolor=black fontcolor=white ];
164		31 [label = "control
165		:mod_range_slide_curve
166		default: 0.0" shape=invhouse style="rounded, filled, bold" fillcolor=black fontcolor=white ];
167		32 [label = "control
168		:mod_pulse_width
169		default: 0.5" shape=invhouse style="rounded, filled, bold" fillcolor=black fontcolor=white ];
170		33 [label = "control
171		:mod_pulse_width_slide
172		default: 0.0" shape=invhouse style="rounded, filled, bold" fillcolor=black fontcolor=white ];
173		34 [label = "control
174		:mod_pulse_width_slide_shape
175		default: 1.0" shape=invhouse style="rounded, filled, bold" fillcolor=black fontcolor=white ];
176		35 [label = "control
177		:mod_pulse_width_slide_curve
178		default: 0.0" shape=invhouse style="rounded, filled, bold" fillcolor=black fontcolor=white ];
179		36 [label = "control
180		:mod_phase_offset
181		default: 0.0" shape=invhouse style="rounded, filled, bold" fillcolor=black fontcolor=white ];
182		37 [label = "control
183		:mod_wave
184		default: 1.0" shape=invhouse style="rounded, filled, bold" fillcolor=black fontcolor=white ];
185		38 [label = "control
186		:mod_invert_wave
187		default: 0.0" shape=invhouse style="rounded, filled, bold" fillcolor=black fontcolor=white ];
188		39 [label = "control
189		:pulse_width
190		default: 0.5" shape=invhouse style="rounded, filled, bold" fillcolor=black fontcolor=white ];
191		40 [label = "control
192		:pulse_width_slide
193		default: 0.0" shape=invhouse style="rounded, filled, bold" fillcolor=black fontcolor=white ];
194		41 [label = "control
195		:pulse_width_slide_shape
196		default: 1.0" shape=invhouse style="rounded, filled, bold" fillcolor=black fontcolor=white ];
197		42 [label = "control
198		:pulse_width_slide_curve
199		default: 0.0" shape=invhouse style="rounded, filled, bold" fillcolor=black fontcolor=white ];
200		43 [label = "control
201		:out_bus
202		default: 0.0" shape=invhouse style="rounded, filled, bold" fillcolor=black fontcolor=white ];
203		53 [label = "{{ {{<envelope___control___0>\|1.0\|-99\|-99\|<envelope___control___4>\|<envelope___control___5>\|<envelope___control___6>\|<envelope___control___7>}\|envelope}\|<gate> gate\|<level____scale> level-scale 1.0\|<level____bias> level-bias 0.0\|<time____scale> time-scale 1.0\|<action> action 0.0} \|<__UG_NAME__>env-gen }" style="bold, rounded" shape=record rankdir=LR];
204		64 [label = "{{ {{<envelope___control___0>\|1.0\|-99\|-99\|<envelope___control___4>\|<envelope___control___5>\|<envelope___control___6>\|<envelope___control___7>}\|envelope}\|<gate> gate\|<level____scale> level-scale 1.0\|<level____bias> level-bias 0.0\|<time____scale> time-scale 1.0\|<action> action 0.0} \|<__UG_NAME__>env-gen }" style="bold, rounded" shape=record rankdir=LR];
205		92 [label = "{{ {{<envelope___control___0>\|1.0\|-99\|-99\|<envelope___control___4>\|<envelope___control___5>\|<envelope___control___6>\|<envelope___control___7>}\|envelope}\|<gate> gate\|<level____scale> level-scale 1.0\|<level____bias> level-bias 0.0\|<time____scale> time-scale 1.0\|<action> action 0.0} \|<__UG_NAME__>env-gen }" style="bold, rounded" shape=record rankdir=LR];
206		102 [label = "{{ {{<envelope___control___0>\|1.0\|-99\|-99\|<envelope___control___4>\|<envelope___control___5>\|<envelope___control___6>\|<envelope___control___7>}\|envelope}\|<gate> gate\|<level____scale> level-scale 1.0\|<level____bias> level-bias 0.0\|<time____scale> time-scale 1.0\|<action> action 0.0} \|<__UG_NAME__>env-gen }" style="bold, rounded" shape=record rankdir=LR];
207		124 [label = "{{ {{0.0\|4\|-99\|-99\|<envelope___control___4>\|<envelope___control___5>\|<envelope___control___6>\|0.0\|<envelope___select___8>\|<envelope___control___9>\|<envelope___control___10>\|0.0\|<envelope___control___12>\|<envelope___control___13>\|<envelope___control___14>\|0.0\|0.0\|<envelope___control___17>\|<envelope___control___18>\|0.0}\|envelope}\|<gate> gate 1.0\|<level____scale> level-scale 1.0\|<level____bias> level-bias 0.0\|<time____scale> time-scale 1.0\|<action> action 2.0} \|<__UG_NAME__>env-gen }" style="bold, rounded" shape=record rankdir=LR];
208		135 [label = "{{ {{<envelope___control___0>\|1.0\|-99\|-99\|<envelope___control___4>\|<envelope___control___5>\|<envelope___control___6>\|<envelope___control___7>}\|envelope}\|<gate> gate\|<level____scale> level-scale 1.0\|<level____bias> level-bias 0.0\|<time____scale> time-scale 1.0\|<action> action 0.0} \|<__UG_NAME__>env-gen }" style="bold, rounded" shape=record rankdir=LR];
209		145 [label = "{{ {{<envelope___control___0>\|1.0\|-99\|-99\|<envelope___control___4>\|<envelope___control___5>\|<envelope___control___6>\|<envelope___control___7>}\|envelope}\|<gate> gate\|<level____scale> level-scale 1.0\|<level____bias> level-bias 0.0\|<time____scale> time-scale 1.0\|<action> action 0.0} \|<__UG_NAME__>env-gen }" style="bold, rounded" shape=record rankdir=LR];
210		152 [label = "{{ {{<envelope___control___0>\|1.0\|-99\|-99\|<envelope___control___4>\|<envelope___control___5>\|<envelope___control___6>\|<envelope___control___7>}\|envelope}\|<gate> gate\|<level____scale> level-scale 1.0\|<level____bias> level-bias 0.0\|<time____scale> time-scale 1.0\|<action> action 0.0} \|<__UG_NAME__>env-gen }" style="bold, rounded" shape=record rankdir=LR];
211		154 [label = "{{ {{<envelope___control___0>\|1.0\|-99\|-99\|<envelope___control___4>\|<envelope___control___5>\|<envelope___control___6>\|<envelope___control___7>}\|envelope}\|<gate> gate\|<level____scale> level-scale 1.0\|<level____bias> level-bias 0.0\|<time____scale> time-scale 1.0\|<action> action 0.0} \|<__UG_NAME__>env-gen }" style="bold, rounded" shape=record rankdir=LR];
212		45 [label = "{{ <in> in} \|<__UG_NAME__>hpz1 }" style="bold, rounded" shape=record rankdir=LR];
213		49 [label = "{{ <in> in} \|<__UG_NAME__>hpz1 }" style="bold, rounded" shape=record rankdir=LR];
214		56 [label = "{{ <in> in} \|<__UG_NAME__>hpz1 }" style="bold, rounded" shape=record rankdir=LR];
215		60 [label = "{{ <in> in} \|<__UG_NAME__>hpz1 }" style="bold, rounded" shape=record rankdir=LR];
216		84 [label = "{{ <in> in} \|<__UG_NAME__>hpz1 }" style="bold, rounded" shape=record rankdir=LR];
217		88 [label = "{{ <in> in} \|<__UG_NAME__>hpz1 }" style="bold, rounded" shape=record rankdir=LR];
218		94 [label = "{{ <in> in} \|<__UG_NAME__>hpz1 }" style="bold, rounded" shape=record rankdir=LR];
219		98 [label = "{{ <in> in} \|<__UG_NAME__>hpz1 }" style="bold, rounded" shape=record rankdir=LR];
220		110 [label = "{{ <in> in} \|<__UG_NAME__>hpz1 }" style="bold, rounded" shape=record rankdir=LR];
221		114 [label = "{{ <in> in} \|<__UG_NAME__>hpz1 }" style="bold, rounded" shape=record rankdir=LR];
222		118 [label = "{{ <in> in} \|<__UG_NAME__>hpz1 }" style="bold, rounded" shape=record rankdir=LR];
223		119 [label = "{{ <in> in} \|<__UG_NAME__>hpz1 }" style="bold, rounded" shape=record rankdir=LR];
224		127 [label = "{{ <in> in} \|<__UG_NAME__>hpz1 }" style="bold, rounded" shape=record rankdir=LR];
225		131 [label = "{{ <in> in} \|<__UG_NAME__>hpz1 }" style="bold, rounded" shape=record rankdir=LR];
226		138 [label = "{{ <in> in} \|<__UG_NAME__>hpz1 }" style="bold, rounded" shape=record rankdir=LR];
227		148 [label = "{{ <in> in} \|<__UG_NAME__>hpz1 }" style="bold, rounded" shape=record rankdir=LR];
228		44 [label = "{{ <freq> freq 0.0\|<phase> phase 0.0} \|<__UG_NAME__>impulse }" style="bold, rounded" shape=record rankdir=LR];
229		55 [label = "{{ <freq> freq 0.0\|<phase> phase 0.0} \|<__UG_NAME__>impulse }" style="bold, rounded" shape=record rankdir=LR];
230		83 [label = "{{ <freq> freq 0.0\|<phase> phase 0.0} \|<__UG_NAME__>impulse }" style="bold, rounded" shape=record rankdir=LR];
231		93 [label = "{{ <freq> freq 0.0\|<phase> phase 0.0} \|<__UG_NAME__>impulse }" style="bold, rounded" shape=record rankdir=LR];
232		109 [label = "{{ <freq> freq 0.0\|<phase> phase 0.0} \|<__UG_NAME__>impulse }" style="bold, rounded" shape=record rankdir=LR];
233		125 [label = "{{ <freq> freq 0.0\|<phase> phase 0.0} \|<__UG_NAME__>impulse }" style="bold, rounded" shape=record rankdir=LR];
234		137 [label = "{{ <freq> freq 0.0\|<phase> phase 0.0} \|<__UG_NAME__>impulse }" style="bold, rounded" shape=record rankdir=LR];
235		146 [label = "{{ <freq> freq 0.0\|<phase> phase 0.0} \|<__UG_NAME__>impulse }" style="bold, rounded" shape=record rankdir=LR];
236		65 [label = "{{ <freq> freq\|<iphase> iphase\|<width> width} \|<__UG_NAME__>lf-pulse }" style="bold, rounded" shape=record rankdir=LR];
237		70 [label = "{{ <freq> freq\|<iphase> iphase} \|<__UG_NAME__>lf-saw }" style="bold, rounded" shape=record rankdir=LR];
238		73 [label = "{{ <freq> freq\|<iphase> iphase} \|<__UG_NAME__>lf-tri }" style="bold, rounded" shape=record rankdir=LR];
239		156 [label = "{{ <in> in\|<freq> freq} \|<__UG_NAME__>lpf }" style="filled, bold, rounded" shape=record rankdir=LR];
240		126 [label = "{{ <a> \|<b> } \|<__UG_NAME__>midicps }" style="bold, rounded" shape=record rankdir=LR];
241		155 [label = "{{ <a> \|<b> } \|<__UG_NAME__>midicps }" style="bold, rounded" shape=record rankdir=LR];
242		108 [label = "{{ <in> in\|<mul> mul\|<add> add} \|<__UG_NAME__>mul-add }" style="bold, rounded" shape=record rankdir=LR];
243		157 [label = "{{ <in> in\|<level> level 1.0\|<dur> dur 0.01} \|<__UG_NAME__>normalizer }" style="filled, bold, rounded" shape=record rankdir=LR];
244		160 [label = "{{ <bus> bus\|{{<signals___pan2___0>\|<signals___pan2___1>}\|signals}} \|<__UG_NAME__>out }" style="filled, bold, rounded" shape=record rankdir=LR];
245		159 [label = "{{ <in> in\|<pos> pos\|<level> level} \|<__UG_NAME__>pan2 }" style="filled, bold, rounded" shape=record rankdir=LR];
246		136 [label = "{{ <freq> freq\|<width> width} \|<__UG_NAME__>pulse }" style="filled, bold, rounded" shape=record rankdir=LR];
247		77 [label = "{{ <which> which\|{{<array___binary____op____u____gen___0>\|<array___binary____op____u____gen___1>\|<array___lf____tri___2>\|<array___sin____osc___3>}\|array}} \|<__UG_NAME__>select }" style="bold, rounded" shape=record rankdir=LR];
248		123 [label = "{{ <which> which\|{{<array___control___0>\|<array___control___1>}\|array}} \|<__UG_NAME__>select }" style="bold, rounded" shape=record rankdir=LR];
249		76 [label = "{{ <freq> freq\|<phase> phase\|<mul> mul 1.0\|<add> add 0.0} \|<__UG_NAME__>sin-osc }" style="bold, rounded" shape=record rankdir=LR];
250
251		65:__UG_NAME__ -> 66:b ;
252		36:__UG_NAME__ -> 68:b ;
253		70:__UG_NAME__ -> 71:b ;
254		74:__UG_NAME__ -> 75:a ;
255		77:__UG_NAME__ -> 78:b ;
256		79:__UG_NAME__ -> 80:b ;
257		81:__UG_NAME__ -> 82:b ;
258		78:__UG_NAME__ -> 82:a ;
259		105:__UG_NAME__ -> 106:a ;
260		124:__UG_NAME__ -> 153:b ;
261		157:__UG_NAME__ -> 158:b ;
262		153:__UG_NAME__ -> 158:a ;
263		47:__UG_NAME__ -> 48:b ;
264		44:__UG_NAME__ -> 48:a ;
265		51:__UG_NAME__ -> 52:b ;
266		48:__UG_NAME__ -> 52:a ;
267		58:__UG_NAME__ -> 59:b ;
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269		62:__UG_NAME__ -> 63:b ;
270		59:__UG_NAME__ -> 63:a ;
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272		68:__UG_NAME__ -> 72:a ;
273		36:__UG_NAME__ -> 74:a ;
274		86:__UG_NAME__ -> 87:b ;
275		83:__UG_NAME__ -> 87:a ;
276		90:__UG_NAME__ -> 91:b ;
277		87:__UG_NAME__ -> 91:a ;
278		96:__UG_NAME__ -> 97:b ;
279		93:__UG_NAME__ -> 97:a ;
280		100:__UG_NAME__ -> 101:b ;
281		97:__UG_NAME__ -> 101:a ;
282		102:__UG_NAME__ -> 103:b ;
283		92:__UG_NAME__ -> 103:a ;
284		112:__UG_NAME__ -> 113:b ;
285		109:__UG_NAME__ -> 113:a ;
286		116:__UG_NAME__ -> 117:b ;
287		113:__UG_NAME__ -> 117:a ;
288		129:__UG_NAME__ -> 130:b ;
289		125:__UG_NAME__ -> 130:a ;
290		133:__UG_NAME__ -> 134:b ;
291		130:__UG_NAME__ -> 134:a ;
292		140:__UG_NAME__ -> 141:b ;
293		137:__UG_NAME__ -> 141:a ;
294		143:__UG_NAME__ -> 144:b ;
295		141:__UG_NAME__ -> 144:a ;
296		121:__UG_NAME__ -> 147:b ;
297		146:__UG_NAME__ -> 147:a ;
298		150:__UG_NAME__ -> 151:b ;
299		147:__UG_NAME__ -> 151:a ;
300		66:__UG_NAME__ -> 67:a ;
301		80:__UG_NAME__ -> 81:a ;
302		102:__UG_NAME__ -> 104:b ;
303		103:__UG_NAME__ -> 104:a ;
304		106:__UG_NAME__ -> 107:b ;
305		102:__UG_NAME__ -> 107:a ;
306		53:__UG_NAME__ -> 54:b ;
307		104:__UG_NAME__ -> 105:a ;
308		17:__UG_NAME__ -> 122:b ;
309		46:__UG_NAME__ -> 47:a ;
310		50:__UG_NAME__ -> 51:a ;
311		57:__UG_NAME__ -> 58:a ;
312		61:__UG_NAME__ -> 62:a ;
313		38:__UG_NAME__ -> 79:a ;
314		85:__UG_NAME__ -> 86:a ;
315		89:__UG_NAME__ -> 90:a ;
316		95:__UG_NAME__ -> 96:a ;
317		99:__UG_NAME__ -> 100:a ;
318		111:__UG_NAME__ -> 112:a ;
319		115:__UG_NAME__ -> 116:a ;
320		120:__UG_NAME__ -> 121:a ;
321		128:__UG_NAME__ -> 129:a ;
322		132:__UG_NAME__ -> 133:a ;
323		139:__UG_NAME__ -> 140:a ;
324		142:__UG_NAME__ -> 143:a ;
325		149:__UG_NAME__ -> 150:a ;
326		45:__UG_NAME__ -> 46:a ;
327		49:__UG_NAME__ -> 50:a ;
328		56:__UG_NAME__ -> 57:a ;
329		60:__UG_NAME__ -> 61:a ;
330		84:__UG_NAME__ -> 85:a ;
331		88:__UG_NAME__ -> 89:a ;
332		94:__UG_NAME__ -> 95:a ;
333		98:__UG_NAME__ -> 99:a ;
334		110:__UG_NAME__ -> 111:a ;
335		114:__UG_NAME__ -> 115:a ;
336		119:__UG_NAME__ -> 120:a ;
337		127:__UG_NAME__ -> 128:a ;
338		131:__UG_NAME__ -> 132:a ;
339		138:__UG_NAME__ -> 139:a ;
340		118:__UG_NAME__ -> 142:a ;
341		148:__UG_NAME__ -> 149:a ;
342		52:__UG_NAME__ -> 53:gate ;
343		24:__UG_NAME__ -> 53:envelope___control___0 ;
344		24:__UG_NAME__ -> 53:envelope___control___4 ;
345		25:__UG_NAME__ -> 53:envelope___control___5 ;
346		26:__UG_NAME__ -> 53:envelope___control___6 ;
347		27:__UG_NAME__ -> 53:envelope___control___7 ;
348		63:__UG_NAME__ -> 64:gate ;
349		32:__UG_NAME__ -> 64:envelope___control___0 ;
350		32:__UG_NAME__ -> 64:envelope___control___4 ;
351		33:__UG_NAME__ -> 64:envelope___control___5 ;
352		34:__UG_NAME__ -> 64:envelope___control___6 ;
353		35:__UG_NAME__ -> 64:envelope___control___7 ;
354		91:__UG_NAME__ -> 92:gate ;
355		28:__UG_NAME__ -> 92:envelope___control___0 ;
356		28:__UG_NAME__ -> 92:envelope___control___4 ;
357		29:__UG_NAME__ -> 92:envelope___control___5 ;
358		30:__UG_NAME__ -> 92:envelope___control___6 ;
359		31:__UG_NAME__ -> 92:envelope___control___7 ;
360		101:__UG_NAME__ -> 102:gate ;
361		0:__UG_NAME__ -> 102:envelope___control___0 ;
362		0:__UG_NAME__ -> 102:envelope___control___4 ;
363		1:__UG_NAME__ -> 102:envelope___control___5 ;
364		2:__UG_NAME__ -> 102:envelope___control___6 ;
365		3:__UG_NAME__ -> 102:envelope___control___7 ;
366		16:__UG_NAME__ -> 124:envelope___control___4 ;
367		12:__UG_NAME__ -> 124:envelope___control___5 ;
368		19:__UG_NAME__ -> 124:envelope___control___6 ;
369		123:__UG_NAME__ -> 124:envelope___select___8 ;
370		13:__UG_NAME__ -> 124:envelope___control___9 ;
371		19:__UG_NAME__ -> 124:envelope___control___10 ;
372		18:__UG_NAME__ -> 124:envelope___control___12 ;
373		14:__UG_NAME__ -> 124:envelope___control___13 ;
374		19:__UG_NAME__ -> 124:envelope___control___14 ;
375		15:__UG_NAME__ -> 124:envelope___control___17 ;
376		19:__UG_NAME__ -> 124:envelope___control___18 ;
377		134:__UG_NAME__ -> 135:gate ;
378		39:__UG_NAME__ -> 135:envelope___control___0 ;
379		39:__UG_NAME__ -> 135:envelope___control___4 ;
380		40:__UG_NAME__ -> 135:envelope___control___5 ;
381		41:__UG_NAME__ -> 135:envelope___control___6 ;
382		42:__UG_NAME__ -> 135:envelope___control___7 ;
383		144:__UG_NAME__ -> 145:gate ;
384		20:__UG_NAME__ -> 145:envelope___control___0 ;
385		20:__UG_NAME__ -> 145:envelope___control___4 ;
386		21:__UG_NAME__ -> 145:envelope___control___5 ;
387		22:__UG_NAME__ -> 145:envelope___control___6 ;
388		23:__UG_NAME__ -> 145:envelope___control___7 ;
389		151:__UG_NAME__ -> 152:gate ;
390		8:__UG_NAME__ -> 152:envelope___control___0 ;
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394		11:__UG_NAME__ -> 152:envelope___control___7 ;
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397		4:__UG_NAME__ -> 154:envelope___control___4 ;
398		5:__UG_NAME__ -> 154:envelope___control___5 ;
399		6:__UG_NAME__ -> 154:envelope___control___6 ;
400		7:__UG_NAME__ -> 154:envelope___control___7 ;
401		24:__UG_NAME__ -> 45:in ;
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403		32:__UG_NAME__ -> 56:in ;
404		33:__UG_NAME__ -> 60:in ;
405		28:__UG_NAME__ -> 84:in ;
406		29:__UG_NAME__ -> 88:in ;
407		0:__UG_NAME__ -> 94:in ;
408		1:__UG_NAME__ -> 98:in ;
409		4:__UG_NAME__ -> 110:in ;
410		5:__UG_NAME__ -> 114:in ;
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412		8:__UG_NAME__ -> 119:in ;
413		39:__UG_NAME__ -> 127:in ;
414		40:__UG_NAME__ -> 131:in ;
415		20:__UG_NAME__ -> 138:in ;
416		9:__UG_NAME__ -> 148:in ;
417		64:__UG_NAME__ -> 65:width ;
418		36:__UG_NAME__ -> 65:iphase ;
419		54:__UG_NAME__ -> 65:freq ;
420		69:__UG_NAME__ -> 70:iphase ;
421		54:__UG_NAME__ -> 70:freq ;
422		72:__UG_NAME__ -> 73:iphase ;
423		54:__UG_NAME__ -> 73:freq ;
424		155:__UG_NAME__ -> 156:freq ;
425		136:__UG_NAME__ -> 156:in ;
426		108:__UG_NAME__ -> 126:a ;
427		145:__UG_NAME__ -> 155:a ;
428		107:__UG_NAME__ -> 108:add ;
429		105:__UG_NAME__ -> 108:mul ;
430		82:__UG_NAME__ -> 108:in ;
431		156:__UG_NAME__ -> 157:in ;
432		159:__UG_NAME__ -> 160:signals___pan2___0 ;
433		159:__UG_NAME__ -> 160:signals___pan2___1 ;
434		43:__UG_NAME__ -> 160:bus ;
435		154:__UG_NAME__ -> 159:level ;
436		152:__UG_NAME__ -> 159:pos ;
437		158:__UG_NAME__ -> 159:in ;
438		135:__UG_NAME__ -> 136:width ;
439		126:__UG_NAME__ -> 136:freq ;
440		71:__UG_NAME__ -> 77:array___binary____op____u____gen___0 ;
441		67:__UG_NAME__ -> 77:array___binary____op____u____gen___1 ;
442		73:__UG_NAME__ -> 77:array___lf____tri___2 ;
443		76:__UG_NAME__ -> 77:array___sin____osc___3 ;
444		37:__UG_NAME__ -> 77:which ;
445		17:__UG_NAME__ -> 123:array___control___0 ;
446		18:__UG_NAME__ -> 123:array___control___1 ;
447		122:__UG_NAME__ -> 123:which ;
448		75:__UG_NAME__ -> 76:phase ;
449		54:__UG_NAME__ -> 76:freq ;
450
451		}⏎

+0

-413

~~etc/synthdefs/graphviz/sonic-pi-mod_saw.dot~~ less more

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411
412		}⏎

+0

-413

~~etc/synthdefs/graphviz/sonic-pi-mod_sine.dot~~ less more

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111		:release
112		default: 1.0" shape=invhouse style="rounded, filled, bold" fillcolor=black fontcolor=white ];
113		16 [label = "control
114		:attack_level
115		default: 1.0" shape=invhouse style="rounded, filled, bold" fillcolor=black fontcolor=white ];
116		17 [label = "control
117		:decay_level
118		default: -1.0" shape=invhouse style="rounded, filled, bold" fillcolor=black fontcolor=white ];
119		18 [label = "control
120		:sustain_level
121		default: 1.0" shape=invhouse style="rounded, filled, bold" fillcolor=black fontcolor=white ];
122		19 [label = "control
123		:env_curve
124		default: 1.0" shape=invhouse style="rounded, filled, bold" fillcolor=black fontcolor=white ];
125		20 [label = "control
126		:cutoff
127		default: 100.0" shape=invhouse style="rounded, filled, bold" fillcolor=black fontcolor=white ];
128		21 [label = "control
129		:cutoff_slide
130		default: 0.0" shape=invhouse style="rounded, filled, bold" fillcolor=black fontcolor=white ];
131		22 [label = "control
132		:cutoff_slide_shape
133		default: 1.0" shape=invhouse style="rounded, filled, bold" fillcolor=black fontcolor=white ];
134		23 [label = "control
135		:cutoff_slide_curve
136		default: 0.0" shape=invhouse style="rounded, filled, bold" fillcolor=black fontcolor=white ];
137		24 [label = "control
138		:mod_phase
139		default: 0.25" shape=invhouse style="rounded, filled, bold" fillcolor=black fontcolor=white ];
140		25 [label = "control
141		:mod_phase_slide
142		default: 0.0" shape=invhouse style="rounded, filled, bold" fillcolor=black fontcolor=white ];
143		26 [label = "control
144		:mod_phase_slide_shape
145		default: 1.0" shape=invhouse style="rounded, filled, bold" fillcolor=black fontcolor=white ];
146		27 [label = "control
147		:mod_phase_slide_curve
148		default: 0.0" shape=invhouse style="rounded, filled, bold" fillcolor=black fontcolor=white ];
149		28 [label = "control
150		:mod_range
151		default: 5.0" shape=invhouse style="rounded, filled, bold" fillcolor=black fontcolor=white ];
152		29 [label = "control
153		:mod_range_slide
154		default: 0.0" shape=invhouse style="rounded, filled, bold" fillcolor=black fontcolor=white ];
155		30 [label = "control
156		:mod_range_slide_shape
157		default: 1.0" shape=invhouse style="rounded, filled, bold" fillcolor=black fontcolor=white ];
158		31 [label = "control
159		:mod_range_slide_curve
160		default: 0.0" shape=invhouse style="rounded, filled, bold" fillcolor=black fontcolor=white ];
161		32 [label = "control
162		:mod_pulse_width
163		default: 0.5" shape=invhouse style="rounded, filled, bold" fillcolor=black fontcolor=white ];
164		33 [label = "control
165		:mod_pulse_width_slide
166		default: 0.0" shape=invhouse style="rounded, filled, bold" fillcolor=black fontcolor=white ];
167		34 [label = "control
168		:mod_pulse_width_slide_shape
169		default: 1.0" shape=invhouse style="rounded, filled, bold" fillcolor=black fontcolor=white ];
170		35 [label = "control
171		:mod_pulse_width_slide_curve
172		default: 0.0" shape=invhouse style="rounded, filled, bold" fillcolor=black fontcolor=white ];
173		36 [label = "control
174		:mod_phase_offset
175		default: 0.0" shape=invhouse style="rounded, filled, bold" fillcolor=black fontcolor=white ];
176		37 [label = "control
177		:mod_wave
178		default: 1.0" shape=invhouse style="rounded, filled, bold" fillcolor=black fontcolor=white ];
179		38 [label = "control
180		:mod_invert_wave
181		default: 0.0" shape=invhouse style="rounded, filled, bold" fillcolor=black fontcolor=white ];
182		39 [label = "control
183		:out_bus
184		default: 0.0" shape=invhouse style="rounded, filled, bold" fillcolor=black fontcolor=white ];
185		49 [label = "{{ {{<envelope___control___0>\|1.0\|-99\|-99\|<envelope___control___4>\|<envelope___control___5>\|<envelope___control___6>\|<envelope___control___7>}\|envelope}\|<gate> gate\|<level____scale> level-scale 1.0\|<level____bias> level-bias 0.0\|<time____scale> time-scale 1.0\|<action> action 0.0} \|<__UG_NAME__>env-gen }" style="bold, rounded" shape=record rankdir=LR];
186		64 [label = "{{ {{<envelope___control___0>\|1.0\|-99\|-99\|<envelope___control___4>\|<envelope___control___5>\|<envelope___control___6>\|<envelope___control___7>}\|envelope}\|<gate> gate\|<level____scale> level-scale 1.0\|<level____bias> level-bias 0.0\|<time____scale> time-scale 1.0\|<action> action 0.0} \|<__UG_NAME__>env-gen }" style="bold, rounded" shape=record rankdir=LR];
187		88 [label = "{{ {{<envelope___control___0>\|1.0\|-99\|-99\|<envelope___control___4>\|<envelope___control___5>\|<envelope___control___6>\|<envelope___control___7>}\|envelope}\|<gate> gate\|<level____scale> level-scale 1.0\|<level____bias> level-bias 0.0\|<time____scale> time-scale 1.0\|<action> action 0.0} \|<__UG_NAME__>env-gen }" style="bold, rounded" shape=record rankdir=LR];
188		98 [label = "{{ {{<envelope___control___0>\|1.0\|-99\|-99\|<envelope___control___4>\|<envelope___control___5>\|<envelope___control___6>\|<envelope___control___7>}\|envelope}\|<gate> gate\|<level____scale> level-scale 1.0\|<level____bias> level-bias 0.0\|<time____scale> time-scale 1.0\|<action> action 0.0} \|<__UG_NAME__>env-gen }" style="bold, rounded" shape=record rankdir=LR];
189		116 [label = "{{ {{<envelope___control___0>\|1.0\|-99\|-99\|<envelope___control___4>\|<envelope___control___5>\|<envelope___control___6>\|<envelope___control___7>}\|envelope}\|<gate> gate\|<level____scale> level-scale 1.0\|<level____bias> level-bias 0.0\|<time____scale> time-scale 1.0\|<action> action 0.0} \|<__UG_NAME__>env-gen }" style="bold, rounded" shape=record rankdir=LR];
190		129 [label = "{{ {{<envelope___control___0>\|1.0\|-99\|-99\|<envelope___control___4>\|<envelope___control___5>\|<envelope___control___6>\|<envelope___control___7>}\|envelope}\|<gate> gate\|<level____scale> level-scale 1.0\|<level____bias> level-bias 0.0\|<time____scale> time-scale 1.0\|<action> action 0.0} \|<__UG_NAME__>env-gen }" style="bold, rounded" shape=record rankdir=LR];
191		133 [label = "{{ {{0.0\|4\|-99\|-99\|<envelope___control___4>\|<envelope___control___5>\|<envelope___control___6>\|0.0\|<envelope___select___8>\|<envelope___control___9>\|<envelope___control___10>\|0.0\|<envelope___control___12>\|<envelope___control___13>\|<envelope___control___14>\|0.0\|0.0\|<envelope___control___17>\|<envelope___control___18>\|0.0}\|envelope}\|<gate> gate 1.0\|<level____scale> level-scale 1.0\|<level____bias> level-bias 0.0\|<time____scale> time-scale 1.0\|<action> action 2.0} \|<__UG_NAME__>env-gen }" style="bold, rounded" shape=record rankdir=LR];
192		144 [label = "{{ {{<envelope___control___0>\|1.0\|-99\|-99\|<envelope___control___4>\|<envelope___control___5>\|<envelope___control___6>\|<envelope___control___7>}\|envelope}\|<gate> gate\|<level____scale> level-scale 1.0\|<level____bias> level-bias 0.0\|<time____scale> time-scale 1.0\|<action> action 0.0} \|<__UG_NAME__>env-gen }" style="bold, rounded" shape=record rankdir=LR];
193		41 [label = "{{ <in> in} \|<__UG_NAME__>hpz1 }" style="bold, rounded" shape=record rankdir=LR];
194		45 [label = "{{ <in> in} \|<__UG_NAME__>hpz1 }" style="bold, rounded" shape=record rankdir=LR];
195		56 [label = "{{ <in> in} \|<__UG_NAME__>hpz1 }" style="bold, rounded" shape=record rankdir=LR];
196		60 [label = "{{ <in> in} \|<__UG_NAME__>hpz1 }" style="bold, rounded" shape=record rankdir=LR];
197		80 [label = "{{ <in> in} \|<__UG_NAME__>hpz1 }" style="bold, rounded" shape=record rankdir=LR];
198		84 [label = "{{ <in> in} \|<__UG_NAME__>hpz1 }" style="bold, rounded" shape=record rankdir=LR];
199		90 [label = "{{ <in> in} \|<__UG_NAME__>hpz1 }" style="bold, rounded" shape=record rankdir=LR];
200		94 [label = "{{ <in> in} \|<__UG_NAME__>hpz1 }" style="bold, rounded" shape=record rankdir=LR];
201		108 [label = "{{ <in> in} \|<__UG_NAME__>hpz1 }" style="bold, rounded" shape=record rankdir=LR];
202		112 [label = "{{ <in> in} \|<__UG_NAME__>hpz1 }" style="bold, rounded" shape=record rankdir=LR];
203		119 [label = "{{ <in> in} \|<__UG_NAME__>hpz1 }" style="bold, rounded" shape=record rankdir=LR];
204		120 [label = "{{ <in> in} \|<__UG_NAME__>hpz1 }" style="bold, rounded" shape=record rankdir=LR];
205		125 [label = "{{ <in> in} \|<__UG_NAME__>hpz1 }" style="bold, rounded" shape=record rankdir=LR];
206		137 [label = "{{ <in> in} \|<__UG_NAME__>hpz1 }" style="bold, rounded" shape=record rankdir=LR];
207		40 [label = "{{ <freq> freq 0.0\|<phase> phase 0.0} \|<__UG_NAME__>impulse }" style="bold, rounded" shape=record rankdir=LR];
208		55 [label = "{{ <freq> freq 0.0\|<phase> phase 0.0} \|<__UG_NAME__>impulse }" style="bold, rounded" shape=record rankdir=LR];
209		79 [label = "{{ <freq> freq 0.0\|<phase> phase 0.0} \|<__UG_NAME__>impulse }" style="bold, rounded" shape=record rankdir=LR];
210		89 [label = "{{ <freq> freq 0.0\|<phase> phase 0.0} \|<__UG_NAME__>impulse }" style="bold, rounded" shape=record rankdir=LR];
211		107 [label = "{{ <freq> freq 0.0\|<phase> phase 0.0} \|<__UG_NAME__>impulse }" style="bold, rounded" shape=record rankdir=LR];
212		121 [label = "{{ <freq> freq 0.0\|<phase> phase 0.0} \|<__UG_NAME__>impulse }" style="bold, rounded" shape=record rankdir=LR];
213		138 [label = "{{ <freq> freq 0.0\|<phase> phase 0.0} \|<__UG_NAME__>impulse }" style="bold, rounded" shape=record rankdir=LR];
214		65 [label = "{{ <freq> freq\|<iphase> iphase\|<width> width} \|<__UG_NAME__>lf-pulse }" style="bold, rounded" shape=record rankdir=LR];
215		53 [label = "{{ <freq> freq\|<iphase> iphase} \|<__UG_NAME__>lf-saw }" style="bold, rounded" shape=record rankdir=LR];
216		69 [label = "{{ <freq> freq\|<iphase> iphase} \|<__UG_NAME__>lf-tri }" style="bold, rounded" shape=record rankdir=LR];
217		118 [label = "{{ <in> in\|<freq> freq} \|<__UG_NAME__>lpf }" style="filled, bold, rounded" shape=record rankdir=LR];
218		105 [label = "{{ <a> \|<b> } \|<__UG_NAME__>midicps }" style="bold, rounded" shape=record rankdir=LR];
219		117 [label = "{{ <a> \|<b> } \|<__UG_NAME__>midicps }" style="bold, rounded" shape=record rankdir=LR];
220		104 [label = "{{ <in> in\|<mul> mul\|<add> add} \|<__UG_NAME__>mul-add }" style="bold, rounded" shape=record rankdir=LR];
221		135 [label = "{{ <in> in\|<level> level 1.0\|<dur> dur 0.01} \|<__UG_NAME__>normalizer }" style="filled, bold, rounded" shape=record rankdir=LR];
222		146 [label = "{{ <bus> bus\|{{<signals___pan2___0>\|<signals___pan2___1>}\|signals}} \|<__UG_NAME__>out }" style="filled, bold, rounded" shape=record rankdir=LR];
223		145 [label = "{{ <in> in\|<pos> pos\|<level> level} \|<__UG_NAME__>pan2 }" style="filled, bold, rounded" shape=record rankdir=LR];
224		73 [label = "{{ <which> which\|{{<array___binary____op____u____gen___0>\|<array___binary____op____u____gen___1>\|<array___lf____tri___2>\|<array___sin____osc___3>}\|array}} \|<__UG_NAME__>select }" style="bold, rounded" shape=record rankdir=LR];
225		132 [label = "{{ <which> which\|{{<array___control___0>\|<array___control___1>}\|array}} \|<__UG_NAME__>select }" style="bold, rounded" shape=record rankdir=LR];
226		72 [label = "{{ <freq> freq\|<phase> phase\|<mul> mul 1.0\|<add> add 0.0} \|<__UG_NAME__>sin-osc }" style="bold, rounded" shape=record rankdir=LR];
227		106 [label = "{{ <freq> freq\|<phase> phase 0.0\|<mul> mul 1.0\|<add> add 0.0} \|<__UG_NAME__>sin-osc }" style="filled, bold, rounded" shape=record rankdir=LR];
228
229		36:__UG_NAME__ -> 51:b ;
230		53:__UG_NAME__ -> 54:b ;
231		65:__UG_NAME__ -> 66:b ;
232		70:__UG_NAME__ -> 71:a ;
233		73:__UG_NAME__ -> 74:b ;
234		75:__UG_NAME__ -> 76:b ;
235		77:__UG_NAME__ -> 78:b ;
236		74:__UG_NAME__ -> 78:a ;
237		101:__UG_NAME__ -> 102:a ;
238		133:__UG_NAME__ -> 134:b ;
239		135:__UG_NAME__ -> 136:b ;
240		134:__UG_NAME__ -> 136:a ;
241		43:__UG_NAME__ -> 44:b ;
242		40:__UG_NAME__ -> 44:a ;
243		47:__UG_NAME__ -> 48:b ;
244		44:__UG_NAME__ -> 48:a ;
245		51:__UG_NAME__ -> 52:a ;
246		58:__UG_NAME__ -> 59:b ;
247		55:__UG_NAME__ -> 59:a ;
248		62:__UG_NAME__ -> 63:b ;
249		59:__UG_NAME__ -> 63:a ;
250		51:__UG_NAME__ -> 68:a ;
251		36:__UG_NAME__ -> 70:a ;
252		82:__UG_NAME__ -> 83:b ;
253		79:__UG_NAME__ -> 83:a ;
254		86:__UG_NAME__ -> 87:b ;
255		83:__UG_NAME__ -> 87:a ;
256		92:__UG_NAME__ -> 93:b ;
257		89:__UG_NAME__ -> 93:a ;
258		96:__UG_NAME__ -> 97:b ;
259		93:__UG_NAME__ -> 97:a ;
260		98:__UG_NAME__ -> 99:b ;
261		88:__UG_NAME__ -> 99:a ;
262		110:__UG_NAME__ -> 111:b ;
263		107:__UG_NAME__ -> 111:a ;
264		114:__UG_NAME__ -> 115:b ;
265		111:__UG_NAME__ -> 115:a ;
266		123:__UG_NAME__ -> 124:b ;
267		121:__UG_NAME__ -> 124:a ;
268		127:__UG_NAME__ -> 128:b ;
269		124:__UG_NAME__ -> 128:a ;
270		140:__UG_NAME__ -> 141:b ;
271		138:__UG_NAME__ -> 141:a ;
272		142:__UG_NAME__ -> 143:b ;
273		141:__UG_NAME__ -> 143:a ;
274		66:__UG_NAME__ -> 67:a ;
275		76:__UG_NAME__ -> 77:a ;
276		98:__UG_NAME__ -> 100:b ;
277		99:__UG_NAME__ -> 100:a ;
278		102:__UG_NAME__ -> 103:b ;
279		98:__UG_NAME__ -> 103:a ;
280		49:__UG_NAME__ -> 50:b ;
281		100:__UG_NAME__ -> 101:a ;
282		17:__UG_NAME__ -> 131:b ;
283		42:__UG_NAME__ -> 43:a ;
284		46:__UG_NAME__ -> 47:a ;
285		57:__UG_NAME__ -> 58:a ;
286		61:__UG_NAME__ -> 62:a ;
287		38:__UG_NAME__ -> 75:a ;
288		81:__UG_NAME__ -> 82:a ;
289		85:__UG_NAME__ -> 86:a ;
290		91:__UG_NAME__ -> 92:a ;
291		95:__UG_NAME__ -> 96:a ;
292		109:__UG_NAME__ -> 110:a ;
293		113:__UG_NAME__ -> 114:a ;
294		122:__UG_NAME__ -> 123:a ;
295		126:__UG_NAME__ -> 127:a ;
296		139:__UG_NAME__ -> 140:a ;
297		130:__UG_NAME__ -> 142:a ;
298		41:__UG_NAME__ -> 42:a ;
299		45:__UG_NAME__ -> 46:a ;
300		56:__UG_NAME__ -> 57:a ;
301		60:__UG_NAME__ -> 61:a ;
302		80:__UG_NAME__ -> 81:a ;
303		84:__UG_NAME__ -> 85:a ;
304		90:__UG_NAME__ -> 91:a ;
305		94:__UG_NAME__ -> 95:a ;
306		108:__UG_NAME__ -> 109:a ;
307		112:__UG_NAME__ -> 113:a ;
308		120:__UG_NAME__ -> 122:a ;
309		125:__UG_NAME__ -> 126:a ;
310		119:__UG_NAME__ -> 130:a ;
311		137:__UG_NAME__ -> 139:a ;
312		48:__UG_NAME__ -> 49:gate ;
313		24:__UG_NAME__ -> 49:envelope___control___0 ;
314		24:__UG_NAME__ -> 49:envelope___control___4 ;
315		25:__UG_NAME__ -> 49:envelope___control___5 ;
316		26:__UG_NAME__ -> 49:envelope___control___6 ;
317		27:__UG_NAME__ -> 49:envelope___control___7 ;
318		63:__UG_NAME__ -> 64:gate ;
319		32:__UG_NAME__ -> 64:envelope___control___0 ;
320		32:__UG_NAME__ -> 64:envelope___control___4 ;
321		33:__UG_NAME__ -> 64:envelope___control___5 ;
322		34:__UG_NAME__ -> 64:envelope___control___6 ;
323		35:__UG_NAME__ -> 64:envelope___control___7 ;
324		87:__UG_NAME__ -> 88:gate ;
325		28:__UG_NAME__ -> 88:envelope___control___0 ;
326		28:__UG_NAME__ -> 88:envelope___control___4 ;
327		29:__UG_NAME__ -> 88:envelope___control___5 ;
328		30:__UG_NAME__ -> 88:envelope___control___6 ;
329		31:__UG_NAME__ -> 88:envelope___control___7 ;
330		97:__UG_NAME__ -> 98:gate ;
331		0:__UG_NAME__ -> 98:envelope___control___0 ;
332		0:__UG_NAME__ -> 98:envelope___control___4 ;
333		1:__UG_NAME__ -> 98:envelope___control___5 ;
334		2:__UG_NAME__ -> 98:envelope___control___6 ;
335		3:__UG_NAME__ -> 98:envelope___control___7 ;
336		115:__UG_NAME__ -> 116:gate ;
337		20:__UG_NAME__ -> 116:envelope___control___0 ;
338		20:__UG_NAME__ -> 116:envelope___control___4 ;
339		21:__UG_NAME__ -> 116:envelope___control___5 ;
340		22:__UG_NAME__ -> 116:envelope___control___6 ;
341		23:__UG_NAME__ -> 116:envelope___control___7 ;
342		128:__UG_NAME__ -> 129:gate ;
343		4:__UG_NAME__ -> 129:envelope___control___0 ;
344		4:__UG_NAME__ -> 129:envelope___control___4 ;
345		5:__UG_NAME__ -> 129:envelope___control___5 ;
346		6:__UG_NAME__ -> 129:envelope___control___6 ;
347		7:__UG_NAME__ -> 129:envelope___control___7 ;
348		16:__UG_NAME__ -> 133:envelope___control___4 ;
349		12:__UG_NAME__ -> 133:envelope___control___5 ;
350		19:__UG_NAME__ -> 133:envelope___control___6 ;
351		132:__UG_NAME__ -> 133:envelope___select___8 ;
352		13:__UG_NAME__ -> 133:envelope___control___9 ;
353		19:__UG_NAME__ -> 133:envelope___control___10 ;
354		18:__UG_NAME__ -> 133:envelope___control___12 ;
355		14:__UG_NAME__ -> 133:envelope___control___13 ;
356		19:__UG_NAME__ -> 133:envelope___control___14 ;
357		15:__UG_NAME__ -> 133:envelope___control___17 ;
358		19:__UG_NAME__ -> 133:envelope___control___18 ;
359		143:__UG_NAME__ -> 144:gate ;
360		8:__UG_NAME__ -> 144:envelope___control___0 ;
361		8:__UG_NAME__ -> 144:envelope___control___4 ;
362		9:__UG_NAME__ -> 144:envelope___control___5 ;
363		10:__UG_NAME__ -> 144:envelope___control___6 ;
364		11:__UG_NAME__ -> 144:envelope___control___7 ;
365		24:__UG_NAME__ -> 41:in ;
366		25:__UG_NAME__ -> 45:in ;
367		32:__UG_NAME__ -> 56:in ;
368		33:__UG_NAME__ -> 60:in ;
369		28:__UG_NAME__ -> 80:in ;
370		29:__UG_NAME__ -> 84:in ;
371		0:__UG_NAME__ -> 90:in ;
372		1:__UG_NAME__ -> 94:in ;
373		20:__UG_NAME__ -> 108:in ;
374		21:__UG_NAME__ -> 112:in ;
375		9:__UG_NAME__ -> 119:in ;
376		4:__UG_NAME__ -> 120:in ;
377		5:__UG_NAME__ -> 125:in ;
378		8:__UG_NAME__ -> 137:in ;
379		64:__UG_NAME__ -> 65:width ;
380		36:__UG_NAME__ -> 65:iphase ;
381		50:__UG_NAME__ -> 65:freq ;
382		52:__UG_NAME__ -> 53:iphase ;
383		50:__UG_NAME__ -> 53:freq ;
384		68:__UG_NAME__ -> 69:iphase ;
385		50:__UG_NAME__ -> 69:freq ;
386		117:__UG_NAME__ -> 118:freq ;
387		106:__UG_NAME__ -> 118:in ;
388		104:__UG_NAME__ -> 105:a ;
389		116:__UG_NAME__ -> 117:a ;
390		103:__UG_NAME__ -> 104:add ;
391		101:__UG_NAME__ -> 104:mul ;
392		78:__UG_NAME__ -> 104:in ;
393		118:__UG_NAME__ -> 135:in ;
394		145:__UG_NAME__ -> 146:signals___pan2___0 ;
395		145:__UG_NAME__ -> 146:signals___pan2___1 ;
396		39:__UG_NAME__ -> 146:bus ;
397		129:__UG_NAME__ -> 145:level ;
398		144:__UG_NAME__ -> 145:pos ;
399		136:__UG_NAME__ -> 145:in ;
400		54:__UG_NAME__ -> 73:array___binary____op____u____gen___0 ;
401		67:__UG_NAME__ -> 73:array___binary____op____u____gen___1 ;
402		69:__UG_NAME__ -> 73:array___lf____tri___2 ;
403		72:__UG_NAME__ -> 73:array___sin____osc___3 ;
404		37:__UG_NAME__ -> 73:which ;
405		17:__UG_NAME__ -> 132:array___control___0 ;
406		18:__UG_NAME__ -> 132:array___control___1 ;
407		131:__UG_NAME__ -> 132:which ;
408		71:__UG_NAME__ -> 72:phase ;
409		50:__UG_NAME__ -> 72:freq ;
410		105:__UG_NAME__ -> 106:freq ;
411
412		}⏎

+0

-413

~~etc/synthdefs/graphviz/sonic-pi-mod_tri.dot~~ less more

0		digraph synthdef {
1		55 [label = "{{ <a> 2.0\|<b> } \|<__UG_NAME__>* }" style="bold, rounded" shape=record rankdir=LR];
2		58 [label = "{{ <a> -1.0\|<b> } \|<__UG_NAME__>* }" style="bold, rounded" shape=record rankdir=LR];
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4		75 [label = "{{ <a> \|<b> 6.2831855} \|<__UG_NAME__>* }" style="bold, rounded" shape=record rankdir=LR];
5		78 [label = "{{ <a> -1.0\|<b> } \|<__UG_NAME__>* }" style="bold, rounded" shape=record rankdir=LR];
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411
412		}⏎

+0

-644

~~etc/synthdefs/graphviz/sonic-pi-mono_player.dot~~ less more

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174		31 [label = "control
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177		32 [label = "control
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180		33 [label = "control
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183		34 [label = "control
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186		35 [label = "control
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189		36 [label = "control
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192		37 [label = "control
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195		38 [label = "control
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198		39 [label = "control
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201		40 [label = "control
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204		41 [label = "control
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207		42 [label = "control
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210		43 [label = "control
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213		44 [label = "control
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216		45 [label = "control
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219		46 [label = "control
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222		47 [label = "control
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225		48 [label = "control
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228		49 [label = "control
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231		50 [label = "control
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234		51 [label = "control
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237		52 [label = "control
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240		53 [label = "control
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243		54 [label = "control
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246		55 [label = "control
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249		56 [label = "control
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252		57 [label = "control
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254		default: 0.0" shape=invhouse style="rounded, filled, bold" fillcolor=black fontcolor=white ];
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258		158 [label = "{{ {{<envelope___control___0>\|1.0\|-99\|-99\|<envelope___control___4>\|<envelope___control___5>\|<envelope___control___6>\|<envelope___control___7>}\|envelope}\|<gate> gate\|<level____scale> level-scale 1.0\|<level____bias> level-bias 0.0\|<time____scale> time-scale 1.0\|<action> action 0.0} \|<__UG_NAME__>env-gen }" style="bold, rounded" shape=record rankdir=LR];
259		169 [label = "{{ {{<envelope___control___0>\|1.0\|-99\|-99\|<envelope___control___4>\|<envelope___control___5>\|<envelope___control___6>\|<envelope___control___7>}\|envelope}\|<gate> gate\|<level____scale> level-scale 1.0\|<level____bias> level-bias 0.0\|<time____scale> time-scale 1.0\|<action> action 0.0} \|<__UG_NAME__>env-gen }" style="bold, rounded" shape=record rankdir=LR];
260		178 [label = "{{ {{<envelope___control___0>\|1.0\|-99\|-99\|<envelope___control___4>\|<envelope___control___5>\|<envelope___control___6>\|<envelope___control___7>}\|envelope}\|<gate> gate\|<level____scale> level-scale 1.0\|<level____bias> level-bias 0.0\|<time____scale> time-scale 1.0\|<action> action 0.0} \|<__UG_NAME__>env-gen }" style="bold, rounded" shape=record rankdir=LR];
261		189 [label = "{{ {{<envelope___select___0>\|1.0\|-99\|-99\|<envelope___select___4>\|<envelope___control___5>\|<envelope___control___6>\|<envelope___control___7>}\|envelope}\|<gate> gate\|<level____scale> level-scale 1.0\|<level____bias> level-bias 0.0\|<time____scale> time-scale 1.0\|<action> action 0.0} \|<__UG_NAME__>env-gen }" style="bold, rounded" shape=record rankdir=LR];
262		200 [label = "{{ {{<envelope___mul____add___0>\|1.0\|-99\|-99\|<envelope___mul____add___4>\|<envelope___control___5>\|<envelope___control___6>\|<envelope___control___7>}\|envelope}\|<gate> gate\|<level____scale> level-scale 1.0\|<level____bias> level-bias 0.0\|<time____scale> time-scale 1.0\|<action> action 0.0} \|<__UG_NAME__>env-gen }" style="bold, rounded" shape=record rankdir=LR];
263		211 [label = "{{ {{0.0\|4\|-99\|-99\|<envelope___control___4>\|<envelope___control___5>\|<envelope___control___6>\|0.0\|<envelope___select___8>\|<envelope___control___9>\|<envelope___control___10>\|0.0\|<envelope___control___12>\|<envelope___select___13>\|<envelope___control___14>\|0.0\|0.0\|<envelope___control___17>\|<envelope___control___18>\|0.0}\|envelope}\|<gate> gate 1.0\|<level____scale> level-scale 1.0\|<level____bias> level-bias 0.0\|<time____scale> time-scale 1.0\|<action> action 0.0} \|<__UG_NAME__>env-gen }" style="bold, rounded" shape=record rankdir=LR];
264		216 [label = "{{ {{<envelope___control___0>\|1.0\|-99\|-99\|<envelope___control___4>\|<envelope___control___5>\|<envelope___control___6>\|<envelope___control___7>}\|envelope}\|<gate> gate\|<level____scale> level-scale 1.0\|<level____bias> level-bias 0.0\|<time____scale> time-scale 1.0\|<action> action 0.0} \|<__UG_NAME__>env-gen }" style="bold, rounded" shape=record rankdir=LR];
265		217 [label = "{{ {{<envelope___control___0>\|1.0\|-99\|-99\|<envelope___control___4>\|<envelope___control___5>\|<envelope___control___6>\|<envelope___control___7>}\|envelope}\|<gate> gate\|<level____scale> level-scale 1.0\|<level____bias> level-bias 0.0\|<time____scale> time-scale 1.0\|<action> action 0.0} \|<__UG_NAME__>env-gen }" style="bold, rounded" shape=record rankdir=LR];
266		59 [label = "{{ <in> in} \|<__UG_NAME__>hpz1 }" style="bold, rounded" shape=record rankdir=LR];
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272		104 [label = "{{ <in> in} \|<__UG_NAME__>hpz1 }" style="bold, rounded" shape=record rankdir=LR];
273		108 [label = "{{ <in> in} \|<__UG_NAME__>hpz1 }" style="bold, rounded" shape=record rankdir=LR];
274		111 [label = "{{ <in> in} \|<__UG_NAME__>hpz1 }" style="bold, rounded" shape=record rankdir=LR];
275		129 [label = "{{ <in> in} \|<__UG_NAME__>hpz1 }" style="bold, rounded" shape=record rankdir=LR];
276		150 [label = "{{ <in> in} \|<__UG_NAME__>hpz1 }" style="bold, rounded" shape=record rankdir=LR];
277		154 [label = "{{ <in> in} \|<__UG_NAME__>hpz1 }" style="bold, rounded" shape=record rankdir=LR];
278		161 [label = "{{ <in> in} \|<__UG_NAME__>hpz1 }" style="bold, rounded" shape=record rankdir=LR];
279		165 [label = "{{ <in> in} \|<__UG_NAME__>hpz1 }" style="bold, rounded" shape=record rankdir=LR];
280		170 [label = "{{ <in> in} \|<__UG_NAME__>hpz1 }" style="bold, rounded" shape=record rankdir=LR];
281		174 [label = "{{ <in> in} \|<__UG_NAME__>hpz1 }" style="bold, rounded" shape=record rankdir=LR];
282		182 [label = "{{ <in> in} \|<__UG_NAME__>hpz1 }" style="bold, rounded" shape=record rankdir=LR];
283		196 [label = "{{ <in> in} \|<__UG_NAME__>hpz1 }" style="bold, rounded" shape=record rankdir=LR];
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286		110 [label = "{{ <freq> freq 0.0\|<phase> phase 0.0} \|<__UG_NAME__>impulse }" style="bold, rounded" shape=record rankdir=LR];
287		149 [label = "{{ <freq> freq 0.0\|<phase> phase 0.0} \|<__UG_NAME__>impulse }" style="bold, rounded" shape=record rankdir=LR];
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292		206 [label = "{{ <freq> freq 0.0\|<phase> phase 0.0} \|<__UG_NAME__>impulse }" style="bold, rounded" shape=record rankdir=LR];
293		120 [label = "{{ <start> start\|<end> end\|<dur> dur\|<action> action 0.0} \|<__UG_NAME__>line }" style="filled, bold, rounded" shape=record rankdir=LR];
294		222 [label = "{{ <start> start 1.0\|<end> end 1.0\|<dur> dur\|<action> action 2.0} \|<__UG_NAME__>line }" style="bold, rounded" shape=record rankdir=LR];
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296		191 [label = "{{ <a> \|<b> } \|<__UG_NAME__>midicps }" style="bold, rounded" shape=record rankdir=LR];
297		220 [label = "{{ <a> \|<b> } \|<__UG_NAME__>midicps }" style="bold, rounded" shape=record rankdir=LR];
298		159 [label = "{{ <a> \|<b> } \|<__UG_NAME__>midiratio }" style="bold, rounded" shape=record rankdir=LR];
299		192 [label = "{{ <a> \|<b> } \|<__UG_NAME__>min }" style="bold, rounded" shape=record rankdir=LR];
300		58 [label = "{{ <in> in\|<mul> mul -1.0\|<add> add 1.0} \|<__UG_NAME__>mul-add }" style="bold, rounded" shape=record rankdir=LR];
301		203 [label = "{{ <in> in\|<level> level 1.0\|<dur> dur 0.01} \|<__UG_NAME__>normalizer }" style="filled, bold, rounded" shape=record rankdir=LR];
302		115 [label = "{{ <a> \|<b> } \|<__UG_NAME__>not-pos? }" style="bold, rounded" shape=record rankdir=LR];
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306		132 [label = "{{ <a> -1.0\|<b> } \|<__UG_NAME__>not= }" style="dashed, rounded" shape=record rankdir=LR];
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309		137 [label = "{{ <a> 0.0\|<b> } \|<__UG_NAME__>not= }" style="bold, rounded" shape=record rankdir=LR];
310		139 [label = "{{ <a> 0.0\|<b> } \|<__UG_NAME__>not= }" style="bold, rounded" shape=record rankdir=LR];
311		142 [label = "{{ <a> -1.0\|<b> } \|<__UG_NAME__>not= }" style="bold, rounded" shape=record rankdir=LR];
312		144 [label = "{{ <a> -1.0\|<b> } \|<__UG_NAME__>not= }" style="bold, rounded" shape=record rankdir=LR];
313		148 [label = "{{ <a> 0.0\|<b> } \|<__UG_NAME__>not= }" style="bold, rounded" shape=record rankdir=LR];
314		134 [label = "{{ <a> \|<b> } \|<__UG_NAME__>or }" style="dashed, rounded" shape=record rankdir=LR];
315		136 [label = "{{ <a> \|<b> } \|<__UG_NAME__>or }" style="dashed, rounded" shape=record rankdir=LR];
316		138 [label = "{{ <a> \|<b> } \|<__UG_NAME__>or }" style="bold, rounded" shape=record rankdir=LR];
317		140 [label = "{{ <a> \|<b> } \|<__UG_NAME__>or }" style="bold, rounded" shape=record rankdir=LR];
318		141 [label = "{{ <a> \|<b> } \|<__UG_NAME__>or }" style="bold, rounded" shape=record rankdir=LR];
319		143 [label = "{{ <a> \|<b> } \|<__UG_NAME__>or }" style="bold, rounded" shape=record rankdir=LR];
320		145 [label = "{{ <a> \|<b> } \|<__UG_NAME__>or }" style="bold, rounded" shape=record rankdir=LR];
321		146 [label = "{{ <a> \|<b> } \|<__UG_NAME__>or }" style="bold, rounded" shape=record rankdir=LR];
322		219 [label = "{{ <bus> bus\|{{<signals___pan2___0>\|<signals___pan2___1>}\|signals}} \|<__UG_NAME__>out }" style="filled, bold, rounded" shape=record rankdir=LR];
323		218 [label = "{{ <in> in\|<pos> pos\|<level> level} \|<__UG_NAME__>pan2 }" style="filled, bold, rounded" shape=record rankdir=LR];
324		179 [label = "{{ <in> in\|<window____size> window-size\|<pitch____ratio> pitch-ratio\|<pitch____dispersion> pitch-dispersion\|<time____dispersion> time-dispersion} \|<__UG_NAME__>pitch-shift }" style="filled, bold, rounded" shape=record rankdir=LR];
325		201 [label = "{{ <in> in\|<freq> freq\|<rq> rq} \|<__UG_NAME__>rlpf }" style="filled, bold, rounded" shape=record rankdir=LR];
326		65 [label = "{{ <which> which\|{{<array___control___0>\|50}\|array}} \|<__UG_NAME__>select }" style="bold, rounded" shape=record rankdir=LR];
327		77 [label = "{{ <which> which\|{{<array___control___0>\|130}\|array}} \|<__UG_NAME__>select }" style="bold, rounded" shape=record rankdir=LR];
328		78 [label = "{{ <which> which\|{{<array___control___0>\|<array___select___1>}\|array}} \|<__UG_NAME__>select }" style="bold, rounded" shape=record rankdir=LR];
329		81 [label = "{{ <which> which\|{{<array___control___0>\|<array___select___1>}\|array}} \|<__UG_NAME__>select }" style="bold, rounded" shape=record rankdir=LR];
330		82 [label = "{{ <which> which\|{{<array___control___0>\|<array___select___1>}\|array}} \|<__UG_NAME__>select }" style="bold, rounded" shape=record rankdir=LR];
331		92 [label = "{{ <which> which\|{{<array___control___0>\|<array___binary____op____u____gen___1>}\|array}} \|<__UG_NAME__>select }" style="bold, rounded" shape=record rankdir=LR];
332		117 [label = "{{ <which> which\|{{<array___binary____op____u____gen___0>\|<array___binary____op____u____gen___1>}\|array}} \|<__UG_NAME__>select }" style="bold, rounded" shape=record rankdir=LR];
333		119 [label = "{{ <which> which\|{{<array___binary____op____u____gen___0>\|<array___binary____op____u____gen___1>}\|array}} \|<__UG_NAME__>select }" style="bold, rounded" shape=record rankdir=LR];
334		128 [label = "{{ <which> which\|{{<array___control___0>\|<array___binary____op____u____gen___1>}\|array}} \|<__UG_NAME__>select }" style="bold, rounded" shape=record rankdir=LR];
335		180 [label = "{{ <which> which\|{{<array___buf____rd___0>\|<array___pitch____shift___1>}\|array}} \|<__UG_NAME__>select }" style="filled, bold, rounded" shape=record rankdir=LR];
336		193 [label = "{{ <which> which\|{{<array___unary____op____u____gen___0>\|<array___binary____op____u____gen___1>}\|array}} \|<__UG_NAME__>select }" style="filled, bold, rounded" shape=record rankdir=LR];
337		202 [label = "{{ <which> which\|{{<array___select___0>\|<array___rlpf___1>}\|array}} \|<__UG_NAME__>select }" style="filled, bold, rounded" shape=record rankdir=LR];
338		210 [label = "{{ <which> which\|{{<array___control___0>\|<array___control___1>}\|array}} \|<__UG_NAME__>select }" style="bold, rounded" shape=record rankdir=LR];
339		214 [label = "{{ <which> which\|{{<array___select___0>\|<array___normalizer___1>}\|array}} \|<__UG_NAME__>select }" style="filled, bold, rounded" shape=record rankdir=LR];
340
341		85:__UG_NAME__ -> 86:b ;
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402		1:__UG_NAME__ -> 75:b ;
403		19:__UG_NAME__ -> 76:b ;
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634		201:__UG_NAME__ -> 202:array___rlpf___1 ;
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640		203:__UG_NAME__ -> 214:array___normalizer___1 ;
641		40:__UG_NAME__ -> 214:which ;
642
643		}⏎

+0

-223

~~etc/synthdefs/graphviz/sonic-pi-noise.dot~~ less more

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220		54:__UG_NAME__ -> 55:which ;
221
222		}⏎

+0

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~~etc/synthdefs/graphviz/sonic-pi-piano.dot~~ less more

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175		42:__UG_NAME__ -> 43:which ;
176
177		}⏎

+0

-223

~~etc/synthdefs/graphviz/sonic-pi-pnoise.dot~~ less more

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222		}⏎

+0

-234

~~etc/synthdefs/graphviz/sonic-pi-pretty_bell.dot~~ less more

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233		}⏎

+0

-346

~~etc/synthdefs/graphviz/sonic-pi-prophet.dot~~ less more

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344
345		}⏎

+0

-264

~~etc/synthdefs/graphviz/sonic-pi-pulse.dot~~ less more

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85		17 [label = "control
86		:decay_level
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88		18 [label = "control
89		:sustain_level
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91		19 [label = "control
92		:env_curve
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94		20 [label = "control
95		:cutoff
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97		21 [label = "control
98		:cutoff_slide
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100		22 [label = "control
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103		23 [label = "control
104		:cutoff_slide_curve
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106		24 [label = "control
107		:pulse_width
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109		25 [label = "control
110		:pulse_width_slide
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112		26 [label = "control
113		:pulse_width_slide_shape
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115		27 [label = "control
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118		28 [label = "control
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121		38 [label = "{{ {{<envelope___control___0>\|1.0\|-99\|-99\|<envelope___control___4>\|<envelope___control___5>\|<envelope___control___6>\|<envelope___control___7>}\|envelope}\|<gate> gate\|<level____scale> level-scale 1.0\|<level____bias> level-bias 0.0\|<time____scale> time-scale 1.0\|<action> action 0.0} \|<__UG_NAME__>env-gen }" style="bold, rounded" shape=record rankdir=LR];
122		49 [label = "{{ {{<envelope___control___0>\|1.0\|-99\|-99\|<envelope___control___4>\|<envelope___control___5>\|<envelope___control___6>\|<envelope___control___7>}\|envelope}\|<gate> gate\|<level____scale> level-scale 1.0\|<level____bias> level-bias 0.0\|<time____scale> time-scale 1.0\|<action> action 0.0} \|<__UG_NAME__>env-gen }" style="bold, rounded" shape=record rankdir=LR];
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125		80 [label = "{{ {{0.0\|4\|-99\|-99\|<envelope___control___4>\|<envelope___control___5>\|<envelope___control___6>\|0.0\|<envelope___select___8>\|<envelope___control___9>\|<envelope___control___10>\|0.0\|<envelope___control___12>\|<envelope___control___13>\|<envelope___control___14>\|0.0\|0.0\|<envelope___control___17>\|<envelope___control___18>\|0.0}\|envelope}\|<gate> gate 1.0\|<level____scale> level-scale 1.0\|<level____bias> level-bias 0.0\|<time____scale> time-scale 1.0\|<action> action 2.0} \|<__UG_NAME__>env-gen }" style="bold, rounded" shape=record rankdir=LR];
126		88 [label = "{{ {{<envelope___control___0>\|1.0\|-99\|-99\|<envelope___control___4>\|<envelope___control___5>\|<envelope___control___6>\|<envelope___control___7>}\|envelope}\|<gate> gate\|<level____scale> level-scale 1.0\|<level____bias> level-bias 0.0\|<time____scale> time-scale 1.0\|<action> action 0.0} \|<__UG_NAME__>env-gen }" style="bold, rounded" shape=record rankdir=LR];
127		30 [label = "{{ <in> in} \|<__UG_NAME__>hpz1 }" style="bold, rounded" shape=record rankdir=LR];
128		34 [label = "{{ <in> in} \|<__UG_NAME__>hpz1 }" style="bold, rounded" shape=record rankdir=LR];
129		41 [label = "{{ <in> in} \|<__UG_NAME__>hpz1 }" style="bold, rounded" shape=record rankdir=LR];
130		45 [label = "{{ <in> in} \|<__UG_NAME__>hpz1 }" style="bold, rounded" shape=record rankdir=LR];
131		51 [label = "{{ <in> in} \|<__UG_NAME__>hpz1 }" style="bold, rounded" shape=record rankdir=LR];
132		55 [label = "{{ <in> in} \|<__UG_NAME__>hpz1 }" style="bold, rounded" shape=record rankdir=LR];
133		61 [label = "{{ <in> in} \|<__UG_NAME__>hpz1 }" style="bold, rounded" shape=record rankdir=LR];
134		69 [label = "{{ <in> in} \|<__UG_NAME__>hpz1 }" style="bold, rounded" shape=record rankdir=LR];
135		73 [label = "{{ <in> in} \|<__UG_NAME__>hpz1 }" style="bold, rounded" shape=record rankdir=LR];
136		84 [label = "{{ <in> in} \|<__UG_NAME__>hpz1 }" style="bold, rounded" shape=record rankdir=LR];
137		29 [label = "{{ <freq> freq 0.0\|<phase> phase 0.0} \|<__UG_NAME__>impulse }" style="bold, rounded" shape=record rankdir=LR];
138		40 [label = "{{ <freq> freq 0.0\|<phase> phase 0.0} \|<__UG_NAME__>impulse }" style="bold, rounded" shape=record rankdir=LR];
139		54 [label = "{{ <freq> freq 0.0\|<phase> phase 0.0} \|<__UG_NAME__>impulse }" style="bold, rounded" shape=record rankdir=LR];
140		59 [label = "{{ <freq> freq 0.0\|<phase> phase 0.0} \|<__UG_NAME__>impulse }" style="bold, rounded" shape=record rankdir=LR];
141		68 [label = "{{ <freq> freq 0.0\|<phase> phase 0.0} \|<__UG_NAME__>impulse }" style="bold, rounded" shape=record rankdir=LR];
142		67 [label = "{{ <in> in\|<freq> freq} \|<__UG_NAME__>lpf }" style="filled, bold, rounded" shape=record rankdir=LR];
143		39 [label = "{{ <a> \|<b> } \|<__UG_NAME__>midicps }" style="bold, rounded" shape=record rankdir=LR];
144		66 [label = "{{ <a> \|<b> } \|<__UG_NAME__>midicps }" style="bold, rounded" shape=record rankdir=LR];
145		82 [label = "{{ <in> in\|<level> level 1.0\|<dur> dur 0.01} \|<__UG_NAME__>normalizer }" style="filled, bold, rounded" shape=record rankdir=LR];
146		90 [label = "{{ <bus> bus\|{{<signals___pan2___0>\|<signals___pan2___1>}\|signals}} \|<__UG_NAME__>out }" style="filled, bold, rounded" shape=record rankdir=LR];
147		89 [label = "{{ <in> in\|<pos> pos\|<level> level} \|<__UG_NAME__>pan2 }" style="filled, bold, rounded" shape=record rankdir=LR];
148		50 [label = "{{ <freq> freq\|<width> width} \|<__UG_NAME__>pulse }" style="filled, bold, rounded" shape=record rankdir=LR];
149		78 [label = "{{ <which> which\|{{<array___control___0>\|<array___control___1>}\|array}} \|<__UG_NAME__>select }" style="bold, rounded" shape=record rankdir=LR];
150
151		80:__UG_NAME__ -> 81:b ;
152		82:__UG_NAME__ -> 83:b ;
153		81:__UG_NAME__ -> 83:a ;
154		32:__UG_NAME__ -> 33:b ;
155		29:__UG_NAME__ -> 33:a ;
156		36:__UG_NAME__ -> 37:b ;
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158		43:__UG_NAME__ -> 44:b ;
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160		47:__UG_NAME__ -> 48:b ;
161		44:__UG_NAME__ -> 48:a ;
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166		63:__UG_NAME__ -> 64:b ;
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188		45:__UG_NAME__ -> 46:a ;
189		51:__UG_NAME__ -> 52:a ;
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191		61:__UG_NAME__ -> 62:a ;
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193		73:__UG_NAME__ -> 74:a ;
194		84:__UG_NAME__ -> 85:a ;
195		37:__UG_NAME__ -> 38:gate ;
196		0:__UG_NAME__ -> 38:envelope___control___0 ;
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199		2:__UG_NAME__ -> 38:envelope___control___6 ;
200		3:__UG_NAME__ -> 38:envelope___control___7 ;
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215		8:__UG_NAME__ -> 79:envelope___control___4 ;
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218		11:__UG_NAME__ -> 79:envelope___control___7 ;
219		16:__UG_NAME__ -> 80:envelope___control___4 ;
220		12:__UG_NAME__ -> 80:envelope___control___5 ;
221		19:__UG_NAME__ -> 80:envelope___control___6 ;
222		78:__UG_NAME__ -> 80:envelope___select___8 ;
223		13:__UG_NAME__ -> 80:envelope___control___9 ;
224		19:__UG_NAME__ -> 80:envelope___control___10 ;
225		18:__UG_NAME__ -> 80:envelope___control___12 ;
226		14:__UG_NAME__ -> 80:envelope___control___13 ;
227		19:__UG_NAME__ -> 80:envelope___control___14 ;
228		15:__UG_NAME__ -> 80:envelope___control___17 ;
229		19:__UG_NAME__ -> 80:envelope___control___18 ;
230		87:__UG_NAME__ -> 88:gate ;
231		4:__UG_NAME__ -> 88:envelope___control___0 ;
232		4:__UG_NAME__ -> 88:envelope___control___4 ;
233		5:__UG_NAME__ -> 88:envelope___control___5 ;
234		6:__UG_NAME__ -> 88:envelope___control___6 ;
235		7:__UG_NAME__ -> 88:envelope___control___7 ;
236		0:__UG_NAME__ -> 30:in ;
237		1:__UG_NAME__ -> 34:in ;
238		24:__UG_NAME__ -> 41:in ;
239		25:__UG_NAME__ -> 45:in ;
240		20:__UG_NAME__ -> 51:in ;
241		4:__UG_NAME__ -> 55:in ;
242		21:__UG_NAME__ -> 61:in ;
243		8:__UG_NAME__ -> 69:in ;
244		9:__UG_NAME__ -> 73:in ;
245		5:__UG_NAME__ -> 84:in ;
246		66:__UG_NAME__ -> 67:freq ;
247		50:__UG_NAME__ -> 67:in ;
248		38:__UG_NAME__ -> 39:a ;
249		65:__UG_NAME__ -> 66:a ;
250		67:__UG_NAME__ -> 82:in ;
251		89:__UG_NAME__ -> 90:signals___pan2___0 ;
252		89:__UG_NAME__ -> 90:signals___pan2___1 ;
253		28:__UG_NAME__ -> 90:bus ;
254		88:__UG_NAME__ -> 89:level ;
255		79:__UG_NAME__ -> 89:pos ;
256		83:__UG_NAME__ -> 89:in ;
257		49:__UG_NAME__ -> 50:width ;
258		39:__UG_NAME__ -> 50:freq ;
259		17:__UG_NAME__ -> 78:array___control___0 ;
260		18:__UG_NAME__ -> 78:array___control___1 ;
261		77:__UG_NAME__ -> 78:which ;
262
263		}⏎

+0

-16

~~etc/synthdefs/graphviz/sonic-pi-recorder.dot~~ less more

0		digraph synthdef {
1		0 [label = "control
2		:out-buf
3		default: 0.0" shape=invhouse style="rounded, filled, bold" fillcolor=black fontcolor=white ];
4		1 [label = "control
5		:in_bus
6		default: 0.0" shape=invhouse style="rounded, filled, bold" fillcolor=black fontcolor=white ];
7		3 [label = "{{ <bufnum> bufnum\|{{<channelsarray___in___0>\|<channelsarray___in___1>}\|channelsArray}} \|<__UG_NAME__>disk-out }" style="filled, bold, rounded" shape=record rankdir=LR];
8		2 [label = "{{ <bus> bus\|<num____channels> num-channels 2} \|<__UG_NAME__>in }" style="filled, bold, rounded" shape=record rankdir=LR];
9
10		2:__UG_NAME__ -> 3:channelsarray___in___0 ;
11		2:__UG_NAME__ -> 3:channelsarray___in___1 ;
12		0:__UG_NAME__ -> 3:bufnum ;
13		1:__UG_NAME__ -> 2:bus ;
14
15		}⏎

+0

-225

~~etc/synthdefs/graphviz/sonic-pi-saw.dot~~ less more

0		digraph synthdef {
1		28 [label = "{{ <a> 0.8\|<b> } \|<__UG_NAME__>* }" style="bold, rounded" shape=record rankdir=LR];
2		54 [label = "{{ <a> \|<b> } \|<__UG_NAME__>* }" style="filled, bold, rounded" shape=record rankdir=LR];
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11		25 [label = "{{ <a> -1.0\|<b> } \|<__UG_NAME__>= }" style="bold, rounded" shape=record rankdir=LR];
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52		8 [label = "control
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97		23 [label = "control
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100		24 [label = "control
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102		default: 0.0" shape=invhouse style="rounded, filled, bold" fillcolor=black fontcolor=white ];
103		27 [label = "{{ {{0.0\|4\|-99\|-99\|<envelope___control___4>\|<envelope___control___5>\|<envelope___control___6>\|0.0\|<envelope___select___8>\|<envelope___control___9>\|<envelope___control___10>\|0.0\|<envelope___control___12>\|<envelope___control___13>\|<envelope___control___14>\|0.0\|0.0\|<envelope___control___17>\|<envelope___control___18>\|0.0}\|envelope}\|<gate> gate 1.0\|<level____scale> level-scale 1.0\|<level____bias> level-bias 0.0\|<time____scale> time-scale 1.0\|<action> action 2.0} \|<__UG_NAME__>env-gen }" style="bold, rounded" shape=record rankdir=LR];
104		38 [label = "{{ {{<envelope___control___0>\|1.0\|-99\|-99\|<envelope___control___4>\|<envelope___control___5>\|<envelope___control___6>\|<envelope___control___7>}\|envelope}\|<gate> gate\|<level____scale> level-scale 1.0\|<level____bias> level-bias 0.0\|<time____scale> time-scale 1.0\|<action> action 0.0} \|<__UG_NAME__>env-gen }" style="bold, rounded" shape=record rankdir=LR];
105		50 [label = "{{ {{<envelope___control___0>\|1.0\|-99\|-99\|<envelope___control___4>\|<envelope___control___5>\|<envelope___control___6>\|<envelope___control___7>}\|envelope}\|<gate> gate\|<level____scale> level-scale 1.0\|<level____bias> level-bias 0.0\|<time____scale> time-scale 1.0\|<action> action 0.0} \|<__UG_NAME__>env-gen }" style="bold, rounded" shape=record rankdir=LR];
106		64 [label = "{{ {{<envelope___control___0>\|1.0\|-99\|-99\|<envelope___control___4>\|<envelope___control___5>\|<envelope___control___6>\|<envelope___control___7>}\|envelope}\|<gate> gate\|<level____scale> level-scale 1.0\|<level____bias> level-bias 0.0\|<time____scale> time-scale 1.0\|<action> action 0.0} \|<__UG_NAME__>env-gen }" style="bold, rounded" shape=record rankdir=LR];
107		74 [label = "{{ {{<envelope___control___0>\|1.0\|-99\|-99\|<envelope___control___4>\|<envelope___control___5>\|<envelope___control___6>\|<envelope___control___7>}\|envelope}\|<gate> gate\|<level____scale> level-scale 1.0\|<level____bias> level-bias 0.0\|<time____scale> time-scale 1.0\|<action> action 0.0} \|<__UG_NAME__>env-gen }" style="bold, rounded" shape=record rankdir=LR];
108		30 [label = "{{ <in> in} \|<__UG_NAME__>hpz1 }" style="bold, rounded" shape=record rankdir=LR];
109		34 [label = "{{ <in> in} \|<__UG_NAME__>hpz1 }" style="bold, rounded" shape=record rankdir=LR];
110		42 [label = "{{ <in> in} \|<__UG_NAME__>hpz1 }" style="bold, rounded" shape=record rankdir=LR];
111		46 [label = "{{ <in> in} \|<__UG_NAME__>hpz1 }" style="bold, rounded" shape=record rankdir=LR];
112		56 [label = "{{ <in> in} \|<__UG_NAME__>hpz1 }" style="bold, rounded" shape=record rankdir=LR];
113		60 [label = "{{ <in> in} \|<__UG_NAME__>hpz1 }" style="bold, rounded" shape=record rankdir=LR];
114		66 [label = "{{ <in> in} \|<__UG_NAME__>hpz1 }" style="bold, rounded" shape=record rankdir=LR];
115		70 [label = "{{ <in> in} \|<__UG_NAME__>hpz1 }" style="bold, rounded" shape=record rankdir=LR];
116		29 [label = "{{ <freq> freq 0.0\|<phase> phase 0.0} \|<__UG_NAME__>impulse }" style="bold, rounded" shape=record rankdir=LR];
117		41 [label = "{{ <freq> freq 0.0\|<phase> phase 0.0} \|<__UG_NAME__>impulse }" style="bold, rounded" shape=record rankdir=LR];
118		55 [label = "{{ <freq> freq 0.0\|<phase> phase 0.0} \|<__UG_NAME__>impulse }" style="bold, rounded" shape=record rankdir=LR];
119		65 [label = "{{ <freq> freq 0.0\|<phase> phase 0.0} \|<__UG_NAME__>impulse }" style="bold, rounded" shape=record rankdir=LR];
120		52 [label = "{{ <in> in\|<freq> freq} \|<__UG_NAME__>lpf }" style="filled, bold, rounded" shape=record rankdir=LR];
121		39 [label = "{{ <a> \|<b> } \|<__UG_NAME__>midicps }" style="bold, rounded" shape=record rankdir=LR];
122		51 [label = "{{ <a> \|<b> } \|<__UG_NAME__>midicps }" style="bold, rounded" shape=record rankdir=LR];
123		53 [label = "{{ <in> in\|<level> level 1.0\|<dur> dur 0.01} \|<__UG_NAME__>normalizer }" style="filled, bold, rounded" shape=record rankdir=LR];
124		76 [label = "{{ <bus> bus\|{{<signals___pan2___0>\|<signals___pan2___1>}\|signals}} \|<__UG_NAME__>out }" style="filled, bold, rounded" shape=record rankdir=LR];
125		75 [label = "{{ <in> in\|<pos> pos\|<level> level} \|<__UG_NAME__>pan2 }" style="filled, bold, rounded" shape=record rankdir=LR];
126		40 [label = "{{ <freq> freq} \|<__UG_NAME__>saw }" style="filled, bold, rounded" shape=record rankdir=LR];
127		26 [label = "{{ <which> which\|{{<array___control___0>\|<array___control___1>}\|array}} \|<__UG_NAME__>select }" style="bold, rounded" shape=record rankdir=LR];
128
129		27:__UG_NAME__ -> 28:b ;
130		53:__UG_NAME__ -> 54:b ;
131		28:__UG_NAME__ -> 54:a ;
132		32:__UG_NAME__ -> 33:b ;
133		29:__UG_NAME__ -> 33:a ;
134		36:__UG_NAME__ -> 37:b ;
135		33:__UG_NAME__ -> 37:a ;
136		44:__UG_NAME__ -> 45:b ;
137		41:__UG_NAME__ -> 45:a ;
138		48:__UG_NAME__ -> 49:b ;
139		45:__UG_NAME__ -> 49:a ;
140		58:__UG_NAME__ -> 59:b ;
141		55:__UG_NAME__ -> 59:a ;
142		62:__UG_NAME__ -> 63:b ;
143		59:__UG_NAME__ -> 63:a ;
144		68:__UG_NAME__ -> 69:b ;
145		65:__UG_NAME__ -> 69:a ;
146		72:__UG_NAME__ -> 73:b ;
147		69:__UG_NAME__ -> 73:a ;
148		17:__UG_NAME__ -> 25:b ;
149		31:__UG_NAME__ -> 32:a ;
150		35:__UG_NAME__ -> 36:a ;
151		43:__UG_NAME__ -> 44:a ;
152		47:__UG_NAME__ -> 48:a ;
153		57:__UG_NAME__ -> 58:a ;
154		61:__UG_NAME__ -> 62:a ;
155		67:__UG_NAME__ -> 68:a ;
156		71:__UG_NAME__ -> 72:a ;
157		30:__UG_NAME__ -> 31:a ;
158		34:__UG_NAME__ -> 35:a ;
159		42:__UG_NAME__ -> 43:a ;
160		46:__UG_NAME__ -> 47:a ;
161		56:__UG_NAME__ -> 57:a ;
162		60:__UG_NAME__ -> 61:a ;
163		66:__UG_NAME__ -> 67:a ;
164		70:__UG_NAME__ -> 71:a ;
165		16:__UG_NAME__ -> 27:envelope___control___4 ;
166		12:__UG_NAME__ -> 27:envelope___control___5 ;
167		19:__UG_NAME__ -> 27:envelope___control___6 ;
168		26:__UG_NAME__ -> 27:envelope___select___8 ;
169		13:__UG_NAME__ -> 27:envelope___control___9 ;
170		19:__UG_NAME__ -> 27:envelope___control___10 ;
171		18:__UG_NAME__ -> 27:envelope___control___12 ;
172		14:__UG_NAME__ -> 27:envelope___control___13 ;
173		19:__UG_NAME__ -> 27:envelope___control___14 ;
174		15:__UG_NAME__ -> 27:envelope___control___17 ;
175		19:__UG_NAME__ -> 27:envelope___control___18 ;
176		37:__UG_NAME__ -> 38:gate ;
177		0:__UG_NAME__ -> 38:envelope___control___0 ;
178		0:__UG_NAME__ -> 38:envelope___control___4 ;
179		1:__UG_NAME__ -> 38:envelope___control___5 ;
180		2:__UG_NAME__ -> 38:envelope___control___6 ;
181		3:__UG_NAME__ -> 38:envelope___control___7 ;
182		49:__UG_NAME__ -> 50:gate ;
183		20:__UG_NAME__ -> 50:envelope___control___0 ;
184		20:__UG_NAME__ -> 50:envelope___control___4 ;
185		21:__UG_NAME__ -> 50:envelope___control___5 ;
186		22:__UG_NAME__ -> 50:envelope___control___6 ;
187		23:__UG_NAME__ -> 50:envelope___control___7 ;
188		63:__UG_NAME__ -> 64:gate ;
189		8:__UG_NAME__ -> 64:envelope___control___0 ;
190		8:__UG_NAME__ -> 64:envelope___control___4 ;
191		9:__UG_NAME__ -> 64:envelope___control___5 ;
192		10:__UG_NAME__ -> 64:envelope___control___6 ;
193		11:__UG_NAME__ -> 64:envelope___control___7 ;
194		73:__UG_NAME__ -> 74:gate ;
195		4:__UG_NAME__ -> 74:envelope___control___0 ;
196		4:__UG_NAME__ -> 74:envelope___control___4 ;
197		5:__UG_NAME__ -> 74:envelope___control___5 ;
198		6:__UG_NAME__ -> 74:envelope___control___6 ;
199		7:__UG_NAME__ -> 74:envelope___control___7 ;
200		0:__UG_NAME__ -> 30:in ;
201		1:__UG_NAME__ -> 34:in ;
202		20:__UG_NAME__ -> 42:in ;
203		21:__UG_NAME__ -> 46:in ;
204		8:__UG_NAME__ -> 56:in ;
205		9:__UG_NAME__ -> 60:in ;
206		4:__UG_NAME__ -> 66:in ;
207		5:__UG_NAME__ -> 70:in ;
208		51:__UG_NAME__ -> 52:freq ;
209		40:__UG_NAME__ -> 52:in ;
210		38:__UG_NAME__ -> 39:a ;
211		50:__UG_NAME__ -> 51:a ;
212		52:__UG_NAME__ -> 53:in ;
213		75:__UG_NAME__ -> 76:signals___pan2___0 ;
214		75:__UG_NAME__ -> 76:signals___pan2___1 ;
215		24:__UG_NAME__ -> 76:bus ;
216		74:__UG_NAME__ -> 75:level ;
217		64:__UG_NAME__ -> 75:pos ;
218		54:__UG_NAME__ -> 75:in ;
219		39:__UG_NAME__ -> 40:freq ;
220		17:__UG_NAME__ -> 26:array___control___0 ;
221		18:__UG_NAME__ -> 26:array___control___1 ;
222		25:__UG_NAME__ -> 26:which ;
223
224		}⏎

+0

-188

~~etc/synthdefs/graphviz/sonic-pi-sound_in.dot~~ less more

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1		51 [label = "{{ <a> \|<b> } \|<__UG_NAME__>* }" style="filled, bold, rounded" shape=record rankdir=LR];
2		30 [label = "{{ <a> \|<b> } \|<__UG_NAME__>+ }" style="bold, rounded" shape=record rankdir=LR];
3		34 [label = "{{ <a> \|<b> } \|<__UG_NAME__>+ }" style="bold, rounded" shape=record rankdir=LR];
4		39 [label = "{{ <a> \|<b> } \|<__UG_NAME__>+ }" style="bold, rounded" shape=record rankdir=LR];
5		43 [label = "{{ <a> \|<b> } \|<__UG_NAME__>+ }" style="bold, rounded" shape=record rankdir=LR];
6		48 [label = "{{ <a> \|<b> } \|<__UG_NAME__>+ }" style="bold, rounded" shape=record rankdir=LR];
7		56 [label = "{{ <a> \|<b> } \|<__UG_NAME__>+ }" style="bold, rounded" shape=record rankdir=LR];
8		59 [label = "{{ <a> \|<b> } \|<__UG_NAME__>+ }" style="bold, rounded" shape=record rankdir=LR];
9		22 [label = "{{ <a> -1.0\|<b> } \|<__UG_NAME__>= }" style="bold, rounded" shape=record rankdir=LR];
10		29 [label = "{{ <a> \|<b> 0.0} \|<__UG_NAME__>\> }" style="bold, rounded" shape=record rankdir=LR];
11		33 [label = "{{ <a> \|<b> 0.0} \|<__UG_NAME__>\> }" style="bold, rounded" shape=record rankdir=LR];
12		38 [label = "{{ <a> \|<b> 0.0} \|<__UG_NAME__>\> }" style="bold, rounded" shape=record rankdir=LR];
13		42 [label = "{{ <a> \|<b> 0.0} \|<__UG_NAME__>\> }" style="bold, rounded" shape=record rankdir=LR];
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34		4 [label = "control
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43		7 [label = "control
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46		8 [label = "control
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49		9 [label = "control
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52		10 [label = "control
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55		11 [label = "control
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58		12 [label = "control
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61		13 [label = "control
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64		14 [label = "control
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67		15 [label = "control
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70		16 [label = "control
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73		17 [label = "control
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75		default: 0.0" shape=invhouse style="rounded, filled, bold" fillcolor=black fontcolor=white ];
76		18 [label = "control
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79		19 [label = "control
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82		20 [label = "control
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85		21 [label = "control
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88		24 [label = "{{ {{0.0\|4\|-99\|-99\|<envelope___control___4>\|<envelope___control___5>\|<envelope___control___6>\|0.0\|<envelope___select___8>\|<envelope___control___9>\|<envelope___control___10>\|0.0\|<envelope___control___12>\|<envelope___control___13>\|<envelope___control___14>\|0.0\|0.0\|<envelope___control___17>\|<envelope___control___18>\|0.0}\|envelope}\|<gate> gate 1.0\|<level____scale> level-scale 1.0\|<level____bias> level-bias 0.0\|<time____scale> time-scale 1.0\|<action> action 2.0} \|<__UG_NAME__>env-gen }" style="bold, rounded" shape=record rankdir=LR];
89		44 [label = "{{ {{<envelope___control___0>\|1.0\|-99\|-99\|<envelope___control___4>\|<envelope___control___5>\|<envelope___control___6>\|<envelope___control___7>}\|envelope}\|<gate> gate\|<level____scale> level-scale 1.0\|<level____bias> level-bias 0.0\|<time____scale> time-scale 1.0\|<action> action 0.0} \|<__UG_NAME__>env-gen }" style="bold, rounded" shape=record rankdir=LR];
90		45 [label = "{{ {{<envelope___control___0>\|1.0\|-99\|-99\|<envelope___control___4>\|<envelope___control___5>\|<envelope___control___6>\|<envelope___control___7>}\|envelope}\|<gate> gate\|<level____scale> level-scale 1.0\|<level____bias> level-bias 0.0\|<time____scale> time-scale 1.0\|<action> action 0.0} \|<__UG_NAME__>env-gen }" style="bold, rounded" shape=record rankdir=LR];
91		60 [label = "{{ {{<envelope___control___0>\|1.0\|-99\|-99\|<envelope___control___4>\|<envelope___control___5>\|<envelope___control___6>\|<envelope___control___7>}\|envelope}\|<gate> gate\|<level____scale> level-scale 1.0\|<level____bias> level-bias 0.0\|<time____scale> time-scale 1.0\|<action> action 0.0} \|<__UG_NAME__>env-gen }" style="bold, rounded" shape=record rankdir=LR];
92		25 [label = "{{ <in> in} \|<__UG_NAME__>hpz1 }" style="bold, rounded" shape=record rankdir=LR];
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97		53 [label = "{{ <in> in} \|<__UG_NAME__>hpz1 }" style="bold, rounded" shape=record rankdir=LR];
98		26 [label = "{{ <freq> freq 0.0\|<phase> phase 0.0} \|<__UG_NAME__>impulse }" style="bold, rounded" shape=record rankdir=LR];
99		35 [label = "{{ <freq> freq 0.0\|<phase> phase 0.0} \|<__UG_NAME__>impulse }" style="bold, rounded" shape=record rankdir=LR];
100		52 [label = "{{ <freq> freq 0.0\|<phase> phase 0.0} \|<__UG_NAME__>impulse }" style="bold, rounded" shape=record rankdir=LR];
101		49 [label = "{{ <bus> bus\|<num____channels> num-channels 1} \|<__UG_NAME__>in }" style="filled, bold, rounded" shape=record rankdir=LR];
102		50 [label = "{{ <in> in\|<freq> freq} \|<__UG_NAME__>lpf }" style="filled, bold, rounded" shape=record rankdir=LR];
103		46 [label = "{{ <a> \|<b> } \|<__UG_NAME__>midicps }" style="bold, rounded" shape=record rankdir=LR];
104		47 [label = "{<__UG_NAME__>num-output-buses }" style="dashed, rounded" shape=record rankdir=LR];
105		62 [label = "{{ <bus> bus\|{{<signals___pan2___0>\|<signals___pan2___1>}\|signals}} \|<__UG_NAME__>out }" style="filled, bold, rounded" shape=record rankdir=LR];
106		61 [label = "{{ <in> in\|<pos> pos\|<level> level} \|<__UG_NAME__>pan2 }" style="filled, bold, rounded" shape=record rankdir=LR];
107		23 [label = "{{ <which> which\|{{<array___control___0>\|<array___control___1>}\|array}} \|<__UG_NAME__>select }" style="bold, rounded" shape=record rankdir=LR];
108
109		50:__UG_NAME__ -> 51:b ;
110		24:__UG_NAME__ -> 51:a ;
111		29:__UG_NAME__ -> 30:b ;
112		26:__UG_NAME__ -> 30:a ;
113		33:__UG_NAME__ -> 34:b ;
114		30:__UG_NAME__ -> 34:a ;
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116		35:__UG_NAME__ -> 39:a ;
117		42:__UG_NAME__ -> 43:b ;
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119		20:__UG_NAME__ -> 48:b ;
120		47:__UG_NAME__ -> 48:a ;
121		55:__UG_NAME__ -> 56:b ;
122		52:__UG_NAME__ -> 56:a ;
123		58:__UG_NAME__ -> 59:b ;
124		56:__UG_NAME__ -> 59:a ;
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126		28:__UG_NAME__ -> 29:a ;
127		32:__UG_NAME__ -> 33:a ;
128		37:__UG_NAME__ -> 38:a ;
129		41:__UG_NAME__ -> 42:a ;
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132		27:__UG_NAME__ -> 28:a ;
133		31:__UG_NAME__ -> 32:a ;
134		36:__UG_NAME__ -> 37:a ;
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136		53:__UG_NAME__ -> 54:a ;
137		25:__UG_NAME__ -> 57:a ;
138		12:__UG_NAME__ -> 24:envelope___control___4 ;
139		8:__UG_NAME__ -> 24:envelope___control___5 ;
140		15:__UG_NAME__ -> 24:envelope___control___6 ;
141		23:__UG_NAME__ -> 24:envelope___select___8 ;
142		9:__UG_NAME__ -> 24:envelope___control___9 ;
143		15:__UG_NAME__ -> 24:envelope___control___10 ;
144		14:__UG_NAME__ -> 24:envelope___control___12 ;
145		10:__UG_NAME__ -> 24:envelope___control___13 ;
146		15:__UG_NAME__ -> 24:envelope___control___14 ;
147		11:__UG_NAME__ -> 24:envelope___control___17 ;
148		15:__UG_NAME__ -> 24:envelope___control___18 ;
149		43:__UG_NAME__ -> 44:gate ;
150		0:__UG_NAME__ -> 44:envelope___control___0 ;
151		0:__UG_NAME__ -> 44:envelope___control___4 ;
152		1:__UG_NAME__ -> 44:envelope___control___5 ;
153		2:__UG_NAME__ -> 44:envelope___control___6 ;
154		3:__UG_NAME__ -> 44:envelope___control___7 ;
155		34:__UG_NAME__ -> 45:gate ;
156		16:__UG_NAME__ -> 45:envelope___control___0 ;
157		16:__UG_NAME__ -> 45:envelope___control___4 ;
158		17:__UG_NAME__ -> 45:envelope___control___5 ;
159		18:__UG_NAME__ -> 45:envelope___control___6 ;
160		19:__UG_NAME__ -> 45:envelope___control___7 ;
161		59:__UG_NAME__ -> 60:gate ;
162		4:__UG_NAME__ -> 60:envelope___control___0 ;
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187		}⏎

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-225

~~etc/synthdefs/graphviz/sonic-pi-square.dot~~ less more

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224		}⏎

+0

-672

~~etc/synthdefs/graphviz/sonic-pi-stereo_player.dot~~ less more

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293		192 [label = "{{ <freq> freq 0.0\|<phase> phase 0.0} \|<__UG_NAME__>impulse }" style="bold, rounded" shape=record rankdir=LR];
294		202 [label = "{{ <freq> freq 0.0\|<phase> phase 0.0} \|<__UG_NAME__>impulse }" style="bold, rounded" shape=record rankdir=LR];
295		100 [label = "{{ <start> start\|<end> end\|<dur> dur\|<action> action 0.0} \|<__UG_NAME__>line }" style="filled, bold, rounded" shape=record rankdir=LR];
296		229 [label = "{{ <start> start 1.0\|<end> end 1.0\|<dur> dur\|<action> action 2.0} \|<__UG_NAME__>line }" style="bold, rounded" shape=record rankdir=LR];
297		146 [label = "{{ <a> \|<b> } \|<__UG_NAME__>midicps }" style="bold, rounded" shape=record rankdir=LR];
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299		112 [label = "{{ <a> \|<b> } \|<__UG_NAME__>midiratio }" style="bold, rounded" shape=record rankdir=LR];
300		172 [label = "{{ <a> \|<b> } \|<__UG_NAME__>min }" style="bold, rounded" shape=record rankdir=LR];
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310		75 [label = "{{ <a> 0.0\|<b> } \|<__UG_NAME__>not= }" style="bold, rounded" shape=record rankdir=LR];
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313		81 [label = "{{ <a> -1.0\|<b> } \|<__UG_NAME__>not= }" style="bold, rounded" shape=record rankdir=LR];
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315		87 [label = "{{ <a> 0.0\|<b> } \|<__UG_NAME__>not= }" style="bold, rounded" shape=record rankdir=LR];
316		207 [label = "{{ <a> 0.0\|<b> } \|<__UG_NAME__>not= }" style="bold, rounded" shape=record rankdir=LR];
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318		74 [label = "{{ <a> \|<b> } \|<__UG_NAME__>or }" style="dashed, rounded" shape=record rankdir=LR];
319		76 [label = "{{ <a> \|<b> } \|<__UG_NAME__>or }" style="bold, rounded" shape=record rankdir=LR];
320		78 [label = "{{ <a> \|<b> } \|<__UG_NAME__>or }" style="bold, rounded" shape=record rankdir=LR];
321		80 [label = "{{ <a> \|<b> } \|<__UG_NAME__>or }" style="bold, rounded" shape=record rankdir=LR];
322		82 [label = "{{ <a> \|<b> } \|<__UG_NAME__>or }" style="bold, rounded" shape=record rankdir=LR];
323		84 [label = "{{ <a> \|<b> } \|<__UG_NAME__>or }" style="bold, rounded" shape=record rankdir=LR];
324		85 [label = "{{ <a> \|<b> } \|<__UG_NAME__>or }" style="bold, rounded" shape=record rankdir=LR];
325		227 [label = "{{ <bus> bus\|{{<signals___balance2___0>\|<signals___balance2___1>}\|signals}} \|<__UG_NAME__>out }" style="filled, bold, rounded" shape=record rankdir=LR];
326		132 [label = "{{ <in> in\|<window____size> window-size\|<pitch____ratio> pitch-ratio\|<pitch____dispersion> pitch-dispersion\|<time____dispersion> time-dispersion} \|<__UG_NAME__>pitch-shift }" style="filled, bold, rounded" shape=record rankdir=LR];
327		201 [label = "{{ <in> in\|<window____size> window-size\|<pitch____ratio> pitch-ratio\|<pitch____dispersion> pitch-dispersion\|<time____dispersion> time-dispersion} \|<__UG_NAME__>pitch-shift }" style="filled, bold, rounded" shape=record rankdir=LR];
328		185 [label = "{{ <in> in\|<freq> freq\|<rq> rq} \|<__UG_NAME__>rlpf }" style="filled, bold, rounded" shape=record rankdir=LR];
329		209 [label = "{{ <in> in\|<freq> freq\|<rq> rq} \|<__UG_NAME__>rlpf }" style="filled, bold, rounded" shape=record rankdir=LR];
330		92 [label = "{{ <which> which\|{{<array___binary____op____u____gen___0>\|<array___binary____op____u____gen___1>}\|array}} \|<__UG_NAME__>select }" style="bold, rounded" shape=record rankdir=LR];
331		94 [label = "{{ <which> which\|{{<array___binary____op____u____gen___0>\|<array___binary____op____u____gen___1>}\|array}} \|<__UG_NAME__>select }" style="bold, rounded" shape=record rankdir=LR];
332		133 [label = "{{ <which> which\|{{<array___buf____rd___0>\|<array___pitch____shift___1>}\|array}} \|<__UG_NAME__>select }" style="filled, bold, rounded" shape=record rankdir=LR];
333		136 [label = "{{ <which> which\|{{<array___control___0>\|130}\|array}} \|<__UG_NAME__>select }" style="bold, rounded" shape=record rankdir=LR];
334		149 [label = "{{ <which> which\|{{<array___control___0>\|50}\|array}} \|<__UG_NAME__>select }" style="bold, rounded" shape=record rankdir=LR];
335		160 [label = "{{ <which> which\|{{<array___control___0>\|<array___select___1>}\|array}} \|<__UG_NAME__>select }" style="bold, rounded" shape=record rankdir=LR];
336		163 [label = "{{ <which> which\|{{<array___control___0>\|<array___select___1>}\|array}} \|<__UG_NAME__>select }" style="bold, rounded" shape=record rankdir=LR];
337		164 [label = "{{ <which> which\|{{<array___control___0>\|<array___select___1>}\|array}} \|<__UG_NAME__>select }" style="bold, rounded" shape=record rankdir=LR];
338		169 [label = "{{ <which> which\|{{<array___control___0>\|<array___binary____op____u____gen___1>}\|array}} \|<__UG_NAME__>select }" style="bold, rounded" shape=record rankdir=LR];
339		173 [label = "{{ <which> which\|{{<array___unary____op____u____gen___0>\|<array___binary____op____u____gen___1>}\|array}} \|<__UG_NAME__>select }" style="filled, bold, rounded" shape=record rankdir=LR];
340		186 [label = "{{ <which> which\|{{<array___select___0>\|<array___rlpf___1>}\|array}} \|<__UG_NAME__>select }" style="filled, bold, rounded" shape=record rankdir=LR];
341		188 [label = "{{ <which> which\|{{<array___select___0>\|<array___normalizer___1>}\|array}} \|<__UG_NAME__>select }" style="filled, bold, rounded" shape=record rankdir=LR];
342		208 [label = "{{ <which> which\|{{<array___buf____rd___0>\|<array___pitch____shift___1>}\|array}} \|<__UG_NAME__>select }" style="filled, bold, rounded" shape=record rankdir=LR];
343		210 [label = "{{ <which> which\|{{<array___select___0>\|<array___rlpf___1>}\|array}} \|<__UG_NAME__>select }" style="filled, bold, rounded" shape=record rankdir=LR];
344		212 [label = "{{ <which> which\|{{<array___control___0>\|<array___control___1>}\|array}} \|<__UG_NAME__>select }" style="bold, rounded" shape=record rankdir=LR];
345		216 [label = "{{ <which> which\|{{<array___control___0>\|<array___binary____op____u____gen___1>}\|array}} \|<__UG_NAME__>select }" style="bold, rounded" shape=record rankdir=LR];
346		221 [label = "{{ <which> which\|{{<array___select___0>\|<array___normalizer___1>}\|array}} \|<__UG_NAME__>select }" style="filled, bold, rounded" shape=record rankdir=LR];
347
348		89:__UG_NAME__ -> 90:b ;
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460		220:__UG_NAME__ -> 226:left ;
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464		0:__UG_NAME__ -> 101:bufnum ;
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653		187:__UG_NAME__ -> 188:array___normalizer___1 ;
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655		101:__UG_NAME__ -> 208:array___buf____rd___0 ;
656		201:__UG_NAME__ -> 208:array___pitch____shift___1 ;
657		207:__UG_NAME__ -> 208:which ;
658		208:__UG_NAME__ -> 210:array___select___0 ;
659		209:__UG_NAME__ -> 210:array___rlpf___1 ;
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667		210:__UG_NAME__ -> 221:array___select___0 ;
668		219:__UG_NAME__ -> 221:array___normalizer___1 ;
669		40:__UG_NAME__ -> 221:which ;
670
671		}⏎

+0

-327

~~etc/synthdefs/graphviz/sonic-pi-subpulse.dot~~ less more

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240		59:__UG_NAME__ -> 60:a ;
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249		20:__UG_NAME__ -> 46:envelope___control___0 ;
250		20:__UG_NAME__ -> 46:envelope___control___4 ;
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254		55:__UG_NAME__ -> 56:gate ;
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258		10:__UG_NAME__ -> 56:envelope___control___6 ;
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268		19:__UG_NAME__ -> 71:envelope___control___6 ;
269		70:__UG_NAME__ -> 71:envelope___select___8 ;
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271		19:__UG_NAME__ -> 71:envelope___control___10 ;
272		18:__UG_NAME__ -> 71:envelope___control___12 ;
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274		19:__UG_NAME__ -> 71:envelope___control___14 ;
275		15:__UG_NAME__ -> 71:envelope___control___17 ;
276		19:__UG_NAME__ -> 71:envelope___control___18 ;
277		81:__UG_NAME__ -> 82:gate ;
278		24:__UG_NAME__ -> 82:envelope___control___0 ;
279		24:__UG_NAME__ -> 82:envelope___control___4 ;
280		25:__UG_NAME__ -> 82:envelope___control___5 ;
281		27:__UG_NAME__ -> 82:envelope___control___6 ;
282		26:__UG_NAME__ -> 82:envelope___control___7 ;
283		91:__UG_NAME__ -> 92:gate ;
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285		32:__UG_NAME__ -> 92:envelope___control___4 ;
286		33:__UG_NAME__ -> 92:envelope___control___5 ;
287		35:__UG_NAME__ -> 92:envelope___control___6 ;
288		34:__UG_NAME__ -> 92:envelope___control___7 ;
289		110:__UG_NAME__ -> 111:gate ;
290		4:__UG_NAME__ -> 111:envelope___control___0 ;
291		4:__UG_NAME__ -> 111:envelope___control___4 ;
292		5:__UG_NAME__ -> 111:envelope___control___5 ;
293		6:__UG_NAME__ -> 111:envelope___control___6 ;
294		7:__UG_NAME__ -> 111:envelope___control___7 ;
295		20:__UG_NAME__ -> 38:in ;
296		21:__UG_NAME__ -> 42:in ;
297		8:__UG_NAME__ -> 48:in ;
298		9:__UG_NAME__ -> 52:in ;
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300		0:__UG_NAME__ -> 59:in ;
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304		33:__UG_NAME__ -> 88:in ;
305		4:__UG_NAME__ -> 103:in ;
306		5:__UG_NAME__ -> 107:in ;
307		98:__UG_NAME__ -> 99:freq ;
308		97:__UG_NAME__ -> 99:in ;
309		67:__UG_NAME__ -> 68:a ;
310		93:__UG_NAME__ -> 94:a ;
311		46:__UG_NAME__ -> 98:a ;
312		99:__UG_NAME__ -> 100:in ;
313		112:__UG_NAME__ -> 113:signals___pan2___0 ;
314		112:__UG_NAME__ -> 113:signals___pan2___1 ;
315		36:__UG_NAME__ -> 113:bus ;
316		111:__UG_NAME__ -> 112:level ;
317		56:__UG_NAME__ -> 112:pos ;
318		101:__UG_NAME__ -> 112:in ;
319		82:__UG_NAME__ -> 83:width ;
320		68:__UG_NAME__ -> 83:freq ;
321		17:__UG_NAME__ -> 70:array___control___0 ;
322		18:__UG_NAME__ -> 70:array___control___1 ;
323		69:__UG_NAME__ -> 70:which ;
324		94:__UG_NAME__ -> 95:freq ;
325
326		}⏎

+0

-310

~~etc/synthdefs/graphviz/sonic-pi-supersaw.dot~~ less more

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308
309		}⏎

+0

-333

~~etc/synthdefs/graphviz/sonic-pi-synth_violin.dot~~ less more

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331
332		}⏎

+0

-441

~~etc/synthdefs/graphviz/sonic-pi-tb303.dot~~ less more

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245
246		77:__UG_NAME__ -> 78:b ;
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323		12:__UG_NAME__ -> 77:envelope___control___5 ;
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439
440		}⏎

+0

-225

~~etc/synthdefs/graphviz/sonic-pi-tri.dot~~ less more

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224		}⏎

+0

-469

~~etc/synthdefs/graphviz/sonic-pi-zawa.dot~~ less more

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359		68:__UG_NAME__ -> 69:gate ;
360		40:__UG_NAME__ -> 69:envelope___control___0 ;
361		40:__UG_NAME__ -> 69:envelope___control___4 ;
362		41:__UG_NAME__ -> 69:envelope___control___5 ;
363		42:__UG_NAME__ -> 69:envelope___control___6 ;
364		43:__UG_NAME__ -> 69:envelope___control___7 ;
365		87:__UG_NAME__ -> 88:gate ;
366		0:__UG_NAME__ -> 88:envelope___control___0 ;
367		0:__UG_NAME__ -> 88:envelope___control___4 ;
368		1:__UG_NAME__ -> 88:envelope___control___5 ;
369		2:__UG_NAME__ -> 88:envelope___control___6 ;
370		3:__UG_NAME__ -> 88:envelope___control___7 ;
371		101:__UG_NAME__ -> 102:gate ;
372		36:__UG_NAME__ -> 102:envelope___control___0 ;
373		36:__UG_NAME__ -> 102:envelope___control___4 ;
374		37:__UG_NAME__ -> 102:envelope___control___5 ;
375		38:__UG_NAME__ -> 102:envelope___control___6 ;
376		39:__UG_NAME__ -> 102:envelope___control___7 ;
377		122:__UG_NAME__ -> 123:gate ;
378		4:__UG_NAME__ -> 123:envelope___control___0 ;
379		4:__UG_NAME__ -> 123:envelope___control___4 ;
380		5:__UG_NAME__ -> 123:envelope___control___5 ;
381		6:__UG_NAME__ -> 123:envelope___control___6 ;
382		7:__UG_NAME__ -> 123:envelope___control___7 ;
383		137:__UG_NAME__ -> 138:gate ;
384		74:__UG_NAME__ -> 138:envelope___mul____add___0 ;
385		74:__UG_NAME__ -> 138:envelope___mul____add___4 ;
386		25:__UG_NAME__ -> 138:envelope___control___5 ;
387		26:__UG_NAME__ -> 138:envelope___control___6 ;
388		27:__UG_NAME__ -> 138:envelope___control___7 ;
389		16:__UG_NAME__ -> 154:envelope___control___4 ;
390		12:__UG_NAME__ -> 154:envelope___control___5 ;
391		19:__UG_NAME__ -> 154:envelope___control___6 ;
392		153:__UG_NAME__ -> 154:envelope___select___8 ;
393		13:__UG_NAME__ -> 154:envelope___control___9 ;
394		19:__UG_NAME__ -> 154:envelope___control___10 ;
395		18:__UG_NAME__ -> 154:envelope___control___12 ;
396		14:__UG_NAME__ -> 154:envelope___control___13 ;
397		19:__UG_NAME__ -> 154:envelope___control___14 ;
398		15:__UG_NAME__ -> 154:envelope___control___17 ;
399		19:__UG_NAME__ -> 154:envelope___control___18 ;
400		135:__UG_NAME__ -> 159:gate ;
401		20:__UG_NAME__ -> 159:envelope___control___0 ;
402		20:__UG_NAME__ -> 159:envelope___control___4 ;
403		21:__UG_NAME__ -> 159:envelope___control___5 ;
404		22:__UG_NAME__ -> 159:envelope___control___6 ;
405		23:__UG_NAME__ -> 159:envelope___control___7 ;
406		143:__UG_NAME__ -> 163:gate ;
407		8:__UG_NAME__ -> 163:envelope___control___0 ;
408		8:__UG_NAME__ -> 163:envelope___control___4 ;
409		9:__UG_NAME__ -> 163:envelope___control___5 ;
410		10:__UG_NAME__ -> 163:envelope___control___6 ;
411		11:__UG_NAME__ -> 163:envelope___control___7 ;
412		28:__UG_NAME__ -> 46:in ;
413		29:__UG_NAME__ -> 50:in ;
414		40:__UG_NAME__ -> 61:in ;
415		41:__UG_NAME__ -> 65:in ;
416		25:__UG_NAME__ -> 70:in ;
417		74:__UG_NAME__ -> 75:in ;
418		0:__UG_NAME__ -> 79:in ;
419		1:__UG_NAME__ -> 84:in ;
420		36:__UG_NAME__ -> 94:in ;
421		37:__UG_NAME__ -> 98:in ;
422		4:__UG_NAME__ -> 115:in ;
423		5:__UG_NAME__ -> 119:in ;
424		9:__UG_NAME__ -> 124:in ;
425		20:__UG_NAME__ -> 128:in ;
426		21:__UG_NAME__ -> 132:in ;
427		8:__UG_NAME__ -> 136:in ;
428		102:__UG_NAME__ -> 103:width ;
429		32:__UG_NAME__ -> 103:iphase ;
430		55:__UG_NAME__ -> 103:freq ;
431		57:__UG_NAME__ -> 58:iphase ;
432		55:__UG_NAME__ -> 58:freq ;
433		92:__UG_NAME__ -> 106:iphase ;
434		55:__UG_NAME__ -> 106:freq ;
435		88:__UG_NAME__ -> 113:a ;
436		149:__UG_NAME__ -> 150:a ;
437		151:__UG_NAME__ -> 156:a ;
438		159:__UG_NAME__ -> 160:a ;
439		24:__UG_NAME__ -> 74:in ;
440		112:__UG_NAME__ -> 149:add ;
441		91:__UG_NAME__ -> 149:mul ;
442		148:__UG_NAME__ -> 149:in ;
443		164:__UG_NAME__ -> 165:signals___pan2___0 ;
444		164:__UG_NAME__ -> 165:signals___pan2___1 ;
445		44:__UG_NAME__ -> 165:bus ;
446		123:__UG_NAME__ -> 164:level ;
447		163:__UG_NAME__ -> 164:pos ;
448		162:__UG_NAME__ -> 164:in ;
449		138:__UG_NAME__ -> 161:rq ;
450		160:__UG_NAME__ -> 161:freq ;
451		158:__UG_NAME__ -> 161:in ;
452		59:__UG_NAME__ -> 110:array___binary____op____u____gen___0 ;
453		105:__UG_NAME__ -> 110:array___binary____op____u____gen___1 ;
454		106:__UG_NAME__ -> 110:array___lf____tri___2 ;
455		109:__UG_NAME__ -> 110:array___sin____osc___3 ;
456		33:__UG_NAME__ -> 110:which ;
457		17:__UG_NAME__ -> 153:array___control___0 ;
458		18:__UG_NAME__ -> 153:array___control___1 ;
459		152:__UG_NAME__ -> 153:which ;
460		150:__UG_NAME__ -> 157:array___unary____op____u____gen___0 ;
461		156:__UG_NAME__ -> 157:array___unary____op____u____gen___1 ;
462		34:__UG_NAME__ -> 157:which ;
463		108:__UG_NAME__ -> 109:phase ;
464		55:__UG_NAME__ -> 109:freq ;
465		157:__UG_NAME__ -> 158:saw____freq ;
466		113:__UG_NAME__ -> 158:sync____freq ;
467
468		}⏎